"She's had a good time all right." John Maxwell turned to the girl beside him and laughed in the face which looked into his and laughed also. "I never even tried as much as a sentence. She must have some sort of an automatic arrangement somewhere inside of her. Does she never run down, never stop talking?"
"Never." Mary Cary was looking ahead at the windows of a large building some distance away. "But she's a dear all the same, and does the work of four people every day of her life. She hasn't, as she says, an educated tongue, but her understanding of human nature is greater than mine or yours is ever likely to be. And she doesn't mind saying what other people think. I like her." She stood still. "Did you ever see such an improvement in a place as there has been in the woolen mills in the past year? Every window, back, front, and sides, has its box of flowers, and the grounds are downright pretty. I know you thought it was nonsense when I asked you to put flower-boxes in the shoe factory's windows, but you don't know what a help it's been to the hands. Their pride is as great as their pleasure, and since the prize of fifty dollars was offered for the best general showing the rivalry is threatening to give trouble."
"Of course it is, and then there'll be a strike. But they do look better, both buildings." And John Maxwell looked critically first at the large and now rather shabby factory of which he was the owner, and then at the newer woolen mills of which Mr. Moon was president. "I suppose I did think it was nonsense, putting flower-boxes in factory windows, but if the people like them I'm glad they're there. It must be rather dreary pegging away on leather six days in the week, and if the flowers help, certainly it's a pretty way of helping. But a man wouldn't have thought of it. As a suggester a woman might get a steady job. How did you make Mr. Moon go in?"
"Sarah Sue made him. Solemn, sensible Sarah Sue told him it was his duty. You don't know what a help she is. We were born the same year, but she's ages older than I am. And the flowers were just the beginning. They were andirons, you know, and now the factories are so much cleaner. Each has a rest-room, and something we call a dining room, where coffee and sandwiches and soup are served every day at cost, just a few pennies for each person. Some of these times we hope there is going to be a real dining-room and kitchen in all the factories, but of course everything can't be done at once. Don't go that way." She put her hand lightly on his arm. "I want to stop a moment at Mr. Bailley's and leave him this book. He was paralyzed last week."
The book was left and again they started up the long, partly paved street, never called by a name, which separated Milltown from Yorkburg, or the silks from the calicoes, as Mrs. McDougal put it, and soon were on King Street. The asylum, where the early years of Mary Cary's life had been spent, stood out clearly against the soft dusk of twilight, and the street, now quite deserted, stretched in a straight tree-bordered line as far as the eye could see. The usual chatter of neighbors on each other's porches was nowhere heard, for the hour was that of supper, but through the open doors and windows came the high notes of children's voices and an occasional clatter of knives and forks.
The sun, which had sunk in a bed of golden glory, had left behind a sky of shifting purple and orange and pink, and, as the colors were absorbed, grew warmer, fainter, widened, narrowed, and were lost, the glow of the dying day faded, and out of the soft grayness one by one the stars appeared.
Walking slowly and more slowly, and all unconscious of their lingering steps, John Maxwell and Mary Cary watched in silence the changes in the sky; noted the soft green of trees and grass, the blossoming of old-fashioned flowers in gardens of another day, reached out hands to pull a spray of bridal wreath or yellow jessamine, and as they neared the asylum both stopped, though why they hardly knew themselves.
"Study hour," said Mary Cary, explanatorily. "Poor little things! Of course I am very impractical, and I would never do for the head of anything, because I have such queer ideas, especially about children. But I don't believe they will ever learn anything in a book that would do them as much good as a beautiful sunset. And yet they're shut up in the house on an evening like this studying something about the sun, perhaps, and not allowed to see its glories and wonders, because it sets at an hour that is set apart for something else. Sometimes"—she pulled a bit of bridal wreath to pieces and threw its petals on the ground— "sometimes I wonder if more harm isn't done by too much system than by too little."
"Doubtless it is." John Maxwell smiled, though in his eyes were other thoughts than those which were filling hers. "But there's been a big change in this place since you were here. That wing was a great improvement. Looks now pretty much like a big home instead of a place for herding humans, as it once looked. How I used to hate it!"
"Hate it?" They had resumed their walk and she looked up. "I don't see what you hated it for."
"Don't you?" He took out his handkerchief and wiped his face, and as he put it back in his pocket he looked in her questioning eyes.
"It was because you were in it and I couldn't take you out."
She shook her head. "It was well you couldn't. You wouldn't have known what to do with me, and—"
"I knew what I wanted to do. I wanted mother to send you to the finest school in the country, get you beautiful clothes, and give you everything you wanted until I could marry you. Then I was going to pay her back."
"What a silly boy!" She laughed, but she did not look at him. They had turned the corner and were now at the end of the asylum yard, enclosed by its high wooden fence, and as they started to go down the street which would lead into the road to Tree Hill she laid her hand again on his arm.
"Wait a minute." Her foot was against a certain paling, and with her heel she made a hole in the ground. "Do you remember this?"
"Of course I do." Sudden color filled his face. "You used to put your apple there. Every time I came for it my heart nearly jumped in the hole you hid it in, I was so afraid I'd be seen and would have to stop coming. I never ate one of those apples. I couldn't."
"I don't see why you didn't. They were awfully nice apples. I loved them."
"I know you did." He looked straight ahead. "That's why I couldn't eat yours. It used to make me so fighting furious to think—to think things were like they were that every night I'd throw rocks at the brick wall in front of the house for half an hour before I went home. Did you know the first time I ever saw you you were hanging over that wall? It was on a Sunday afternoon and I asked the boy with me what was your name. From that Sunday to the week you went away I never missed going to Sunday-school. Mother couldn't understand it. She didn't know you were compelled to be there. That's the one bit of system I approved of in your institution.
"I don't remember whether it was on the next Sunday after I saw you looking over the wall that I made up my mind I was going to marry you, or the Sunday after, but it was one or the other. That was over ten years ago, and—"
"We ought to be home this minute." She started down the half-dark street. "I'm not going to listen to things like that. Besides, it's after supper-time and Hedwig will be tired of waiting. You walk so slow, John!"
"All right." He joined her and together they turned into the Calverton road, up which at the top of the hill was the home now her own. "If you don't want to hear me I'll wait until later." He smiled in the half-knowing face. "You are tired, aren't you, of my asking when you are going to marry me? I'm perfectly willing to stop, but not until you tell me."
"Do you think I'd marry anybody for years and /years/ and YEARS?" She rolled the "years" out with increasing emphasis on each. "I have just begun to really live here—to start some things; to get used to having a home of my own; to knowing all the people. And then" —she looked in his face, indignant protest in her eyes—"there's Miss Gibbie. Do you think I would go away and leave her like this?"
"It is asking a good deal, I know." Out of his voice had dropped all lightness and in it were quiet purpose and gravity. "And in asking it I may seem selfish, yet I do ask it. For ten years I have had but one thought, one hope, one dream, if you will. It took me through college that I might please you; made me settle down to work at once when through with study; made me hold all my property interests here because I know you loved the place. But not until two years ago did I ask you to marry me."
"What did you ask me for then?" she interrupted, pulling a branch of a mock-orange bush on the side of the road and stripping it of its leaves. "We are such good friends, John, you and I. We have always been, and I don't want you to marry anybody—not even me." She turned to him, but she did not hear his quick, indrawing breath. "I need you too much, John. You always know the things I don't, and you unravel all the knots and straighten all the twisted strings when I get mixed up, but if we got married it wouldn't be the same at all."
"Why wouldn't it?"
"It wouldn't." She shook her head. "I'd be thinking just about you, and that—"
"Wouldn't be bad for me." His steady eyes looked into her unawakened ones. "I should ask nothing more of life."
"But life would ask something more of me. Don't you see it would be just selfishness. Mary mightn't mind"—her forehead puckered—"Mary always was self-indulgent, and if Martha didn't watch her—" She threw the stripped twig away impetuously. "I am not going to get married, I'm not. I don't see why men always tag love in. Just as soon as I get to be real friends with a man and like him just—just as he is, he turns round and spoils it! Why can't they let love alone?"
"Love will not let them alone, I imagine." He looked down on her, frowning slightly, in his eyes sudden pain as of fear for her.
"You are such a child, Mary. Many things you can be serious about.Love alone you treat lightly. I don't understand you."
"And I don't understand love—the kind you mean. And if it is going to make me as cross and huffy and injured as it seems to do some people I don't want to know. I thought love was the happiest thing in life."
"It is. Or the unhappiest."
She turned. The note in his voice was new. Bitterness did not belong to John.
"Are you going to do like that, too, and—be like the rest? Why can't we keep on in the old way, John, and be as we've been so long? We were happy and—"
"Because I can't go on in the old way and be happy. I want you with me. I need you. And you—you need me, Mary. You are so alone here, except for Miss Gibbie, and you know so little of—of so many things in life. When are you going to be my wife?"
"I really—do—not—know!" With each word was a nod. "I am too busy to get married. I don't want a husband yet. He'd be so in the way." She looked at him, eyebrows slightly raised. "I don't think that expression on your face suits you. And if I've got to look at it all through supper it won't make things taste very nice. That is one of the troubles about getting married. The foot of the table could be so unpleasant!"
With a half frown, half sigh, he turned his head away. "I wonder if you will ever grow up? And I wonder, also, if in all your thought for others you will ever think of me?"
He stood aside that she might pass between the vine-covered pillars marking the entrance to Tree Hill, and looking ahead saw Hedwig standing in the porch.
"There is you friend faithful," he said, and his face cleared.
Then minutes later they were at the table and again alone. Hedwig had left them, and John, leaning forward, held out his glass.
"More tea and less ice, please," he said, nodding between the candles and over the bowl of lilacs to the girl at the head of the table. "I don't see why women put so much ice in these queer-shaped glasses, anyhow. All ice and no tea makes—"
The glass he had handed her came down with a crash, and MaryCary's hands were beaten together in sudden excited dismay.
"Oh, my goodness! Guess what we've done—/guess/ what we've done!" she repeated over and over, and now it was her elbows with which the table was thumped. "It is your fault, John! You know I haven't a bit of memory about some things, and you ought to have reminded me! I told you not to let me forget! You know I told you!"
"In the name of thunderation!" John Maxwell put down his fork and pushed back his chair. "Is it hydrophobia or hysterics or brain trouble or—For the love of mercy—"
"What time is it? Do you suppose we have time to go now, or is it too late? Why /did/ you let me forget?" And now, standing up, Mary Cary looked despairingly first at John and then at the clock, at sight of which she sank back limply in her chair.
"Would you mind telling me what crime we've committed?" John got up and filled his glass with tea.
"It's worse than a crime. It's a discourtesy. Anybody might forgive any sort of sin, but nobody forgives rudeness. The council meeting will be nothing to this."
"But what have we done?" John, still standing, put one, two, three lumps of sugar in his tea. "I thought you were having a fit, and convulsions were going to follow. You scared me silly. What's the fuss about?"
She leaned forward dejectedly, elbows on the table, then put her hand over the sugar-bowl. "You can't have four lumps! You know sweet things don't suit you. We were to take tea with Mrs. Deford to-night. You knew we were, and you didn't remind me. Sit down. You haven't a bit of manners."
"Good heavens! Is that what you've been making all this row about?I thought something was the matter." He put down the sugar-tongs,went back to his seat, and took out his watch. "Quarter-past eight.What time were we to be there?"
"Seven o'clock. Everybody has supper at seven o'clock in Yorkburg."
"Too late now." He put his watch back and helped himself to another piece of fried chicken. "Terrible in you to forget such a thing as that! Terrible! But I'm much obliged to you for doing it. I was so afraid you'd remember, I—"
Her hands dropped on the table and she half rose. "Didn't you forget, too? John Maxwell, do you mean—"
"I do. These certainly are good rolls." He broke one open and let the steam escape. "Mrs. McDougal and I have much the same opinion of Mrs. Deford, and what's the use of taking tea with people you don't like? No, I didn't forget, and if you'd remembered and made me go, I'd gone. As you didn't, I took the part of wisdom and opened not my mouth. Your lack of memory is excuse enough for both. Can I have some more tea? These glasses are frauds. I'm not going to have glasses this shape when I get married."
"Indeed you are! I like this shape. I mean when I get married I'm always going to use this kind." She put the glass down. "I'm not going to give you another drop. You didn't forget and you didn't remind me. Don't you know what it is going to mean? To-morrow everybody in town will be told of my rude behavior—and the asylum will be blamed for it. Everything I do wrong socially is attributed to my childhood's lack of opportunities for knowing enough, and everything I do wrong in every other way is due to my later opportunities for knowing too much. Mrs. Deford doesn't like me, anyhow, doesn't approve of me, and this will end us."
"That won't be bad for you. Do you like Mrs. Deford?"
"No, I don't. I don't exactly know why, either. I see very little of her, and she is polite enough. Too polite. She doesn't ring right."
"Then what did you accept her invitation to tea for?" He put out his hand to bring back the plate Hedwig was removing. "What have I done that my supper should be taken from me? I'm not through."
"There some salad is now, sir." And Hedwig looked helplessly first at the head and then at the foot of the table.
"Oh, all right." He waved her away. "I just didn't want to be held up." He put his elbows on the table, and his chin on the back of his hands and looked at the girl in front, whose eyes were fastened indignantly on him. "If you don't like her why did you accept her invitation?"
"If that isn't Adamic! Why did /I/ accept her invitation? I didn't until you had done so first. You said you'd come with pleasure. I thought you meant it. You were almost gushing."
"And you were almost crushing. You were so indifferent I tried to be polite enough for two. When a woman hits you in the face with an invitation you don't expect a man to run, do you? I always accept, but never go if I can manage to stay away. And I generally manage. It is purely automatic, written or spoken, this 'Thank you so much. I will come with pleasure.' Some people would say it in their sleep if waked suddenly."
"Some people mean it."
"I know they do. It takes little to give some people pleasure. Parties and picnics and teas, and even dinners, with the wrong sort of mixtures, are the breath of life to certain types. But I am like you, I don't like Mrs. Deford. She is a friend of mother's and visits her at the blink of an eye. I always have business out of the city when she is at the house. She puts her head on the side when she talks. I can stand almost any kind of woman but that kind. She's got a tongue, too, like Mrs. McDougal's friend, one that tells all it knows and makes up what it doesn't. Why aren't you eating your salad?"
She pushed back her plate and reached for an olive from a dish near the bowl of lilacs. "I don't want it. I don't like asparagus."
"Then what in the name of heaven did you have it for?"
"You like it. Do you mean Mrs. Deford doesn't tell the truth?"
"That's what I mean. And she's got a bad memory. Great drawback to a good liar."
Mary Cary sat suddenly upright, her eyes like big turquoises, staring unbelievingly at him.
"And you were going to take supper with her to-night; going to sit at the table with some one you knew was untruthful? Wanted me to go—"
"My dear Mary—" He turned to Hedwig, who was bringing in a bowl of raspberries. "Will you please get me some tea from the pantry, Hedwig? Your mistress is very stingy with tea. Bring it in a pitcher, will you? I have only a glass thimble to put it in, and it's more convenient to have the pitcher by my own side. What were we talking about? Was I going to sit at the table with some one I knew was untruthful? If I didn't I'd eat alone pretty often. You may be a learned lady in many things, Miss Cary, but you still have many things to learn. One is the infinite variety of liars there are in life and the many assortments in which lies may be labelled.
"My grievance against Mrs. Deford isn't merely that she is an— exaggerater, let us say, but she's such a lover of lucre, clean or not. She can smell money on the way, and the chance of any one's getting it is sufficient cause for her cultivation of friendship. You don't want to know her. It's better to be polite to her, but she's a good kind to let alone." He looked at his watch. "Nine o'clock. Well, something has got to be done. What's the best fairy-tale to make up?"
"I'm not going to make up a fairy-tale." Mary Cary rose from the table, and John Maxwell, pushing her chair aside, stood waiting for her to lead the way to the library. "I'm going to write her a note to-morrow and tell her we forgot. I didn't want to go, but I hate bad manners. She just asked me because—"
"She knew I wouldn't come without you? She's got more sense than I thought. But don't be silly—there are few times in life when an untruth is justified, but many times when you don't have to tell all you know. What's to-night, anyhow?"
"Friday."
"Are you sure she didn't say Saturday night? Sure she said Friday? Now I think of it, seems to me there was something about Saturday. And was it seven or eight o'clock? If we will just say, 'Friday or Saturday?' 'Friday or Saturday?' 'Seven or eight?' 'Seven or eight?' over and over some forty or so times, we won't know what she said, and we can ask her to be certain. I'm going to ask her now. Where's your telephone?"
He rang up before she could protest.
"Hello! that Mrs. Deford?" she heard him say, and as he waved his right hand at her, the left holding the receiver, she dropped into a chair some little distance off and waited for what was to come.
"How are you, Mrs. Deford? This is John Maxwell. Miss Cary and I are having an argument as to your invitation to supper. Is it eight o'clock to-morrow night? She says seven o'clock is the—what? What's that? /To-night?/ Good gracious! You say /to-night/ was the night and you waited an hour? In the name—Well, we must by crazy! We've been talking for the last thirty minutes about our engagement with you, and I wasn't sure of the hour. What's that? I don't wonder you're mad. It is inexcusable, but it was my fault. I'm entirely to blame, and Miss Cary will be distressed to death to hear of our bad behavior. You know how particular she is about things of this kind and never breaks an engagement. You are going to forgive us, aren't you? Put it all on me. It was my fault entirely. When am I going home? Possibly to-morrow, though I'm not sure. Looking for a telegram. What? Oh, sure I am. Will certainly see you before I go. It's awfully good of you to forgive us. Good-night. Oh yes, of course. Good-night."
He hung up the receiver and wiped his hands. "What's the matter with that? A microscope couldn't find a microbe of untruth in it. By this time to-morrow night she'll be all right."
Together they walked out on the porch, and in the damp night air Mary shivered slightly, and John turned back into the hall for half a moment.
"It is too cool out here for you with that thin dress on," he said,putting around her a long warm cape of come soft white material."Here, take this chair and lean back in it good. Are you tired?Too tired for me to stay? I'll go if you want me to."
His penetrating eyes searched her face with sudden anxiety. It was the thing he was always watching, this look that told of spent energy. There was no fleeting shadow or hint of weariness he was not quick to understand, and to keep his strong arms at his side meant control of which she was as unconscious as a child.
"Of course I'm not tired." She lay back in the chair and put her feet on the stool he had placed for her, drawing the cape over her shoulders, but leaving her throat open. "And smoke, please. You'll be so miserable if you don't. What did she say? Was she mad?"
John took a seat on the top step of the porch, lighted his cigar, leaned back against the post, and laughed in the face opposite his.
"Mad? Hot as a hornet. But she'll cool off. We've been walloped all right, though. Could tell by her voice. What a blessed provision of nature our ears can't catch the things people say about us. I hope our ears will never be Marconi-ized. No two human beings would be on speaking terms if they were, except you and me."
She leaned forward as if something had just occurred to her. "John, have you heard from Mr. Van Orm as to when he can begin the surveying of the streets?"
"Yes, I have, but subjects don't /have/ to be changed with a popgun." He blew out a puff of smoke and watched its soft spirals curl upward. "I had a letter from him this week. He will send down two men the first of July."
"Isn't he coming himself?"
"Is he?" John smoked in silence, looking ahead rather than at the girl beside him, and out of his face went all laughter and over it a frown swept quickly.
"I don't know. I wish he was. The Traffords say he is one of the very best civil engineers in the country, and Yorkburg doesn't at all understand how fortunate it is to have his men resurvey the town and get things in shape for the curbing and paving, and planting of trees. I am so glad he was willing to let them do it. I think it was very nice in him."
No answer. John's eyes were straight ahead. Looking up, she saw his face and suddenly understood. For half a moment she watched him, chin down, eyes up; then she leaned back and her fingers interlaced.
"Everybody says he is such a fine man."
No answer.
"He is certainly doing splendid work. His name is at the very head of his profession, and he'll be rich some day."
"Rich now."
"Do you think"—elbows on knees and chin in the palms of her hands, she leaned toward him—"do you think Mr. Van Orm would be a nice man for a girl to marry?"
"I do not."
"I don't, either. I am so glad you think as I do." She gave a great sigh, and he looked up quickly.
"You mean—"
"I mean I would just as soon marry a cash-register. If he hadn't told you himself I wouldn't speak of it, but I'd be crazy in a week if I had to live in the house with a man like that. A straight line is crooked to him and a plummet much more apt to go wrong. I never could understand how such a correct person could have imagined he wanted to—"
"Marry you? He still expects to. He's the most conceited ass in the country. He can't take it in that you won't change your mind. Thinks it's because you are young that you aren't willing to marry yet. Told me so last month."
He looked toward her, then threw his cigar away. "I have thought a great deal about the kind of man you ought to have for a husband, Mary, but I've never seen one good enough and never but one I'd be willing for you to marry."
"Who is that?"
"John Maxwell."
"That was very easy. Serves me right for not thinking about what I was asking." She got up. "I am tired. Please go home. And bring me to-morrow those plans of Hay & Hammond for the high-school, will you? I like theirs best, though of course a committee is to decide." She held out her hand. "Good-night."
He took it. "What terrible manners you have, Mary." Again he looked searchingly in her face, and again put the cape around her, picking it up from the floor, where it had fallen from her shoulders. "Are you very tired? You've done too much to-day. What time must I come to-morrow?"
"I don't know. Telephone about ten and see if I am ready for you."She pressed the button, and, as Hedwig appeared, turned to her.
"Keep the light in the porch until Mr. Maxwell gets to the gate.Good-night, John," and with a nod she turned and left him.
Miss Gibbie pressed the bell on her writing-table four times. Four rings were for the cook. They were rarely sounded, and therefore caused not only sudden cessation of work in the kitchen, but instant speculation as to what was wanted and what was wrong. Hearing them now, Tildy reached hastily for her clean apron and hurried up-stairs.
Ordinarily orders for the kitchen came through Miss Jane, the housekeeper, whose mother before her had kept the keys of the Gault house from the day of Mrs. Gault's death to her own. When a direct order was given, or direct questions were asked, by Miss Gibbie, there were reasons for it which usually served for conversational material in the servant's quarters later on.
Tildy stood before her mistress, hands clasped in front under her full blue-and-white check gingham apron, and feet wide apart.
"How you do this mornin', Miss Gibbie?" she asked, curtseying in a manner known only to herself. "I ain't seen how you was for mos' a month, and I certainly is glad to look on you for myself; I certainly is. That lazy nigger Ceely is gittin' so airy and set up, 'count o' bein' parlor-maid, that she thinks it's belowerin' of herself to talk to the kitchen about how things up-stairs is, less'n we have company, and I don't ax her nothin', that I don't. I hope you's feelin' as peart as a young duck after a good rain, this mornin'. You look like it. Ain't never seen anybody wear better than you do, that I ain't!" And Tildy looked admiringly at the lady before her.
"And there never was anybody who could waste words like you do. If you don't stop eating all that sweet stuff they tell me you live on you'll be dead before you're ready for judgment, and too fat to get through gates of any kind. I want to know about the things for lunch. Is your part all right?"
"Yes, ma'am! And the only things fittin' to eat, cordin' to my thinkin', is what's been made right here. All that truck what's come from Washington is just slops, and, if you mark me, you'll be dead if it's et. I got too much respect for my insides to put things in me what looks like them things Miss Jane's been unwrappin' all the mornin'. And I tell you right now, Miss Gibbie, you better not be puttin' of 'em in you. They's flauntin' plum in the face of Providence. My stomach—"
"Is not to have a taste. And mine can take care of itself. I sent for you to tell you I want vegetable soup for dinner to-night, thick and greasy. The fish must be cold and no sauce, the goose half done, ham raw, vegetables unseasoned, rice pudding with no sugar, bread burnt, and coffee weak as water. If you see that this is done I will give you five dollars to-morrow. If anything is fit to eat you don't get a cent."
"Jehosaphat hisself!" Tildy's hands went up under the apron and the latter fell backward over her head. For a moment she rocked, then threw the apron off her face and dropped in a chair opposite Miss Gibbie, head protruding terrapin-wise, and eyes bulging.
"Now what in the name of—"
Miss Gibbie nodded toward her. "Did you understand what I said?"
"Yes, ma'am, I understand. That is, I heared it." Tildy's head was shaken from side to side. "But 'tain't Gault doin's to put high-falutin', Frenchified, crocheted-rosette food before some folks what ain't used to it, and field-hand grub before them what's the airiest in town. Ain't nothin' like that ever been done in this house, what's been known for its feed for fifty years, and I don't believe your pa would like it, that I don't. But—"
"A man was once hung for not minding his business, Tildy. Ever hear of him? Now you go right straight along back to the kitchen and see that what I want done is done. For the lunch you must do your best. Things are to be as good at that as they are bad for dinner to-night. Are you sure you understand?"
"Yes'm. I hear you. And that five dollars—"
Miss Gibbie waved her out. "Depends entirely on yourself. Not a penny unless I am satisfied. You understand that, too, don't you?"
"I does that." Tildy's chuckle was heard down the hall, and again Miss Gibbie pressed the bell on the table. Three rings were sounded this time, and Jackson, hearing his signal, hurried to her sitting-room, and at the open door stood waiting until she was ready to speak.
"At lunch to-day," she said, not looking up from the desk at which she was writing, "you had better have both dry and sweet wine. Sherry, too, if any one wishes it. I don't think the ladies take wine for lunch, and I don't know the kind they care for. But have it out and begin with Sauterne."
Jackson bowed. "Yes'm," he said, and waited. Miss Gibbie's writing continued, and after a moment Jackson put his hand to his mouth and coughed.
"To-night," he said, "just champagne or—"
"Just nothing. Not a drop of anything. If anybody wants water they can have it, but not even water out of a bottle."
"Nothin' in the gent'men's room up-stairs?" Jackson stopped and stepped backward into the hall Miss Gibbie was looking at him.
"You can go, Jackson. Nothing to drink anywhere, and no cigars. Wait a minute! For every mistake you make to-night there is fifty cents, but there mustn't be more than ten. No discourtesy of course —just blunders. Am I understood?"
Jackson bowed again. "Yes'm, you is understood." And as he went softly down the steps he wiped his forehead and twisted his handkerchief into double and single knots in an effort to unravel a puzzle whose purpose was beyond guessing.
Out on the lawn as he cut and trimmed bush after bush of old-fashioned flowers, wheeling his barrow from place to place, and gathering up the clipped twigs and branches, he talked slowly to himself, and presently his brow cleared and the weight of responsibility lifted.
"'Tain't my doin's," he said presently. "And 'tain't my business to tell other people how cracky some of their doin's look to onlookers. But it beat me that this heah kind o' dinner is a goin' to be give white folks in Mars Judge Gault's house. Ain't never seen such eatin's anywhere as ladies and gent'men have sot down to in his day, and to think what Miss Gibbie is agoin' to do to-night is enough to make him grunt in glory. That 'tis. I often wonder how he gits along, anyhow, without his juleps.
"But there's a reason for what she's a doin'." He looked critically at the branch of pomegranates in his hand, then let it fly back to its place near the top of the bush. "You can bet your best shoe-strings there's a reason, but in all Gord's world there ain't nobody but her would act on it. I wonder if Miss Mary Cary knows about it? She ain't agoin' to be here, and I bet Miss Gibbie ain't told her what's in her mind. She sho' do love her, though, Miss Gibbie do. But Miss Gibbie's bound to let out every now and then and be Miss Gibbie-ish, and you mark me if this heah doin's to-day ain't a-lettin' out."
Through the open window he heard two rings of a bell—the housekeeper's signal—and, with a glance upward and a soft chuckle, he carted his wheelbarrow behind the stables, then went into the house to make ready for lunch.
In her room Miss Gibbie pushed pen and paper aside. "Well, Jane," she said, "is everything ready?"
"Everything. You are coming down to see the table before the ladies come, aren't you? I never saw anything so beau-ti-ful in all my life!"
"Oh yes you have. What did I send you to New York for, make you go to the best hotels and have you look into table arrangements and menus and things of that kind if you are to come back here and think a Yorkburg table is the most /beau-ti-ful/ you ever saw?" She mimicked Jane's emphasis of beautiful, then got up and stretched out her arms. "I'm getting as stiff as a stick. Well, come on. Let's go down and see this French feast. Yorkburg hasn't had anything new to talk about since the council meeting. Some unknown dishes will help them out for a day or two. If anybody stays later than three o'clock set the house on fire—do anything to make them go home. There must be time to rest before the next invasion. You see that I get it!"
She walked slowly down the steps into the dining-room, and as she entered it she stopped in surprise, then went closer to the table. For a moment she stood with her hands upon it, then walked around, viewing it from one side and then the other, and as she finished her survey she looked up.
"Mary Cary did this, I suppose?"
"Yes'm, she did. She wouldn't let me tell you she was down here. Said she knew I had so much to do, she just ran in to help fix the table. Did you ever see anything as lovely as that basket of lilies of the valley and mignonette? They look like they're nodding and peeping at you, and these little vases of them in between the candlesticks are just to fill in, she says. She brought her candle-shades because she didn't think you had any to go with lilies of the valley and mignonette. These came from Paris and were very cheap, she says; but ain't they the prettiest things! These mats are the finest Cluny she's ever seen, she told me. I don't see how she can remember so many different kinds of lace. I hope I won't forget to close the shutters and light the candles. She didn't want to put the candlesticks on the table; said they were for to-night, and she thought it was nicer to have daylight and air than lighted candles and dimness. But I read in a fashion magazine that candles were always used in high society these days, though not of course where people do natural things, and I begged her to let them stay on. She did, but she said you must decide."
"Shut up, Jane! You're such a fool! Your tongue and Mrs. McDougal's, as she says, are two of a pair, and, once started, never stop. I'll do some things for some people, but I perspire for nobody. This is the latest spring and the hottest May I've ever known, and if those shutters were closed there'd be trouble. The second generation uses candles in the daytime at a sitting-down lunch. This house is over a hundred years old. Take them off!"
She waved her hand toward the table, then looked around the large high-ceilinged room, with its wainscoting of mahogany, its massive old-fashioned furniture, its portraits of her great and great-great- grand-parents on the walls, the mirror over the mantel, the heavy red velvet hangings over the curtains at the long windows, the old-patterned silver on the sideboard, the glass and china in the presses, and again she waved her hand. This time with a wide, inclusive sweep.
"Next week this room must be put in its summer clothes. Red in warm weather has an enraging quality that is unendurable." She turned toward the door. "You've done very well, Jane. I want lunch promptly, and, remember, things to-night must be as plain as they are pretty this morning. Did everything come all right?"
"Everything. Mickleton always sends beautiful things. I know the ladies never ate anything like them."
But Miss Gibbie did not hear. Again in her room she rang once more. This time but once the bell was pressed, and almost instantly her maid was at her side.
At her dressing-table Miss Gibbie turned. "Get out that light-gray satin gown with the rose-point lace in the sleeves," she said, "and the stockings and slippers to match it. To-night I want that old black silk, the oldest one. When the ladies come tell Celia to show them up-stairs in the front room if they wish to come up. You will be up there. And keep my door closed. To-night do the same thing, only see that my door is locked to-night. If it isn't, Puss Jenkins will lose her way in there trying to find it. What time is it?"
"Quarter to twelve."
"I'll be down-stairs at one-twenty. Lunch is at one-thirty. Some will get here by one o'clock. Show them the drawing-room if there are signs of wandering round the house. You can go!"
Emmeline closed the door noiselessly, and Miss Gibbie, left alone, put down the pearl breast-pin she had been holding and took her seat in the chintz-covered chair, with its gay peacocks and poppies, and put her feet on the footstool in front. In the mirror over the mantel she nodded at herself.
"I wonder what makes you such a contrarious person, Gibbie Gault? Wonder why you will do things that make people say mean things about you? But that's giving people pleasure. Some people would rather hear something mean about other people, especially if they're prosperous, than listen to the greatest opera ever sung. Not all people, but even good people, slow at everything else, are quick to believe ugly things of others. Isn't it a pity there can't be a little more love and charity in this world, a little more confidence and trust?"
She unfastened the belt at her waist and threw it on the table. "Mary says there's more of it than I know, and maybe there is—maybe there is! But won't Benny Brickhouse be raging when he leaves here to-night! He's been smacking his lips and patting his stomach all day over the thought of a Gault dinner. I know he has. Terrapin and canvas-backs, champagne, and Nesselrode pudding are all a jumble in his mind this minute. And to give him vegetable soup and ham and cabbage and half-cooked goose!" She beat the arm of her chair and screwed her eyes tight in anticipation of his disappointment, then again nodded to the face in the mirror.
"Next time, Mr. Benjamin Brickhouse, you will probably be more careful how you talk of ladies. Miss Gibbie Gault is a stingy old cat, is she? She's too free in her speech for you, talks too plainly, is a dangerous old woman with advanced views, is she? And she oughtn't to have let a young girl like Mary Cary go before a lot of men and talk as she talked last Monday night in the council chamber, ought she? But she knows how to give a good dinner all right. You'll give her credit for that. The trouble with people who make remarks about cats is they forget cats have claws, and the trouble with Mr. Benjamin Brickhouse is he made his remarks to Puss Jenkins. Percolator Puss can't keep from telling her own age, and a woman who does that who's still hoping isn't responsible for the words of her mouth.
"And Snobby Deford will be here, too. She has heard I entertained lords and ladies in London and is anxious to see how I do it. I'll show her how I don't. I'm an old crank who tries to ride rough-shod over everybody, she says, and I spend much too much money on my table; but if I do it she don't mind eating my good things. Don't she? Well, she'll get a chance to-night. In Miss Patty Moore's millinery store she strew these posies at me, and Annie Steele caught them. Assenting Annie didn't throw any back, as Annie is merely as assenter, but neither of the honorable ladies who were coming to break my bread knew that Susie McDougal's ears were hearing ears. Susie says pompous-class people often act as if plainer-class ones weren't made of flesh and blood.
"And Mrs. Deford thinks, with Mr. Brickhouse, that there's to be champagne to-night. She is fond of cocktails and champagne—things I prefer women not to care for—but she will get neither here. A mistake never escapes her eagle eye, and the use of the wrong knife or fork is a shuddering crime. If Jackson would drop one or the other down the back of that very low-neck dress she wears so much I'd give him an extra dollar. I don't suppose I ought to mention it but"—she took up a piece of paper on the table at her side and examined it carefully—"if it could be arranged—" She waved the paper in the air. "Now that is as good and wholesome a bunch of women as are on earth! And they aren't stupid, either. Pity so many good people are dull!"
Again she examined the paper, reading the names aloud: "Mrs. Corbin, Mrs. Moon, Mrs. Tate—Buzzie isn't the brainiest person in the world, but one of the funniest—Mrs. Tazewell, Mrs. Burnham—I like that young woman, she's got sense—Miss Matoaca Brockenborough, Miss Mittie Muncaster, and Miss Amelia Taylor. I'm the fourth spinster. For a place the size of Yorkburg that's an excellent group of women, though they don't speak French or wear Parisian clothes. Mittie Muncaster says she makes all of hers without a pattern, and they look it, but, as women go, they're above the average."
She took up another slip of paper and glanced over it: "Mr. and Mrs. Porter, Mr. and Mrs. Steele, Mr. James and Miss Puss Jenkins, Mr. Brickhouse and Mrs. Deford, Judge Lynn and myself. They haven't left a leg for Mary Cary to stand on since her talk before the council, and yet, on the whole, I haven't heard as much about it as I expected. That little piece of information concerning her English grand-father was efficacious. That her father was an unknown actor has long been a source of satisfaction to certain Yorkburgers, and to learn that his blood was not only Bohemian but blue, and worse still, distinguished, was hard on them.
"Yes"—she tapped the table with the tips of her fingers—"I was sorry it was best to mention Mary's English relations, but it was. As long as people are weighed and measured according to what they come from rather than what they are it is at times necessary to state a few facts of family history. Stock rises or falls according to reports. Some mouths have to be treated and the sort of salve one uses depends upon the sores. Not yet can a person be taken at face value. Ancestor-worship isn't all Chinese. An ill-bred gentleman-born is still welcomed where an ill-born well-bred man is not invited. Queer place, this little planet in which we swing through space, Gibbie Gault, and nothing in it queerer than you. A million or two years from now we may see clearly, approach sense and civilization, and in the mean time you get up and dress yourself so as to be ready for your guests!"
She held out her hand. "How do you do? Where is Mary this afternoon? Sit down and stop staring at me like that. I'm no Chinese idol. If I choose to put on a mandarin coat and sit on my front porch, whose business is it but mine!"
"Nobody's, madam!" John Maxwell bent over and shook Miss Gibbie's hand vigorously. "You are indeed no Chinese idol. But in such gorgeousness you might be twin sister to that fearless lady of long finger-nails and no soul, the Do-wagger Empress of China, as Mrs. McDougal called her. She was a woman of might and a born boss. I understand you are letting the people of this town know you are living here again. I've come to hear about the parties."
He drew a chair close to Miss Gibbie's, and took from her lap the turkey-wing fan. "That's a fine coat you've got on. Did you wear that yesterday?"
"I did not. Too hot. And then Annie Steele has such poppy eyes they might have fallen in her soup-plate had I put in on, and her husband can't stand any more expense from Annie. She's the kind of wife who cries for what it wants, and he's the kind of husband who gives in to tears. But they're happy. Neither one has any sense. Where's Mary?"
"I don't know. Seeing something about a party she is going to give the orphan-asylum children on her birthday, I believe. Some time off yet, but she's always ahead of time. I went by Mrs. Moon's this morning, and several of the lunchers came in and told of the war-whoops of the diners. Best show I've been to in years. From their reports I thought I'd better come up and see if there were any scraps of you left."
"I'm all here." Miss Gibbie took the fan from his hand and began to use it; then threw back her head and laughed until the keen gray eyes were full of tears. "Wasn't it mean of me? Wasn't it mean to invite people to your house and not have for them one single thing worth eating, especially when they had come for the sole purpose of enjoying a good dinner, and finding out whether or not I followed the traditions of my fathers? What does Mary think about it?"
John bent over, hands clasped loosely between his knees. "Pretty rough. She is particular about who she invites to her house, but, having invited them, she—"
"Treats them properly. Very correct. Mary is young and life is before her. I am old and going to do as I choose."
"But why do you ask people of that kind to your house? If you don't admire them—"
"What nonsense!" Miss Gibbie's chin tilted and she looked at John with an eye at an angle that only Miss Gibbie could attain. "When one gives formal dinner-parties people are usually invited for a purpose not pleasure. I have known my guests of last night for many years. 'Tis true I've seen little of them for the past twenty, but I'm back here to live, and it was necessary they should understand certain things they didn't seem to be taking in. They're a bunch of bulldozers and imagine others are in awe of them—socially, I mean. In all their heads together there aren't brains enough to make anything but trouble, but empty heads and idle hands are dangerous, and kings can be killed by cats. Don't you see this town is dividing itself into factions? Already one element is arraying itself against the other, and Mary Cary is the cause of it. It was time to let the opposing element understand I understood the situation; also that I had heard certain remarks it had pleased them to make; also, again, that I am not as extravagant as they had been told. A good, plain table is what I keep—only last night it wasn't good. You should have seen it!"
Miss Gibbie leaned back in her chair and fanned with wide, deliberate strokes. "I fixed the flowers. They were sunflowers fringed with honeysuckle in a blue glass pitcher—colonial colors as befitted my ancestried guests. The pitcher was Tildy's. My dear"—she tapped John's knee with the tip of her fan—"don't bother about them. You can't make some people mad. As long as they think I have money they won't cut my acquaintance. They'll abuse me, yes. Everybody is abused who can't be used; but they'll come to the next party if it's given to a celebrity and there's the promise of champagne. Of course last night I couldn't say all the things I wanted to say; that's the disadvantage of being a hostess, but I think they understand Mary Cary is a friend of mine. Mary doesn't approve of my methods. Sorry, but methods depend upon the kind of people with whom you have to deal. Love is lost on some natures, and certain individuals use weapons she doesn't touch. Anybody can stab in the back; it takes an honest person to fight fair, and a strictly honest person is as rare as one with good manners. All Mrs. Deford wants is the chance to stab. But what about the lunch? Was that abused, too?"
"Not on your life! Didn't you say you had some cigars around here?I've used all of mine and can't get your kind in town." He got upand started indoors. "As I order the kind you keep for company,I don't mind smoking them. May I have one?"
She waved her fan. "In the library behind the Brittanica. Keep them there to save Jackson from the sin of smoking them. Best darky on earth, but helping himself isn't stealing, of course. What did they say about the lunch?"
John lighted his cigar and took a good whiff. "You're a sensible woman, Miss Gibbie, to let a fellow smoke a thing like that. It begets love and charity. What did they say about the lunch? Let me see: Most beautiful thing ever seen in Yorkburg, most delicious things to eat, most of them never tasted or heard of before; perfect service, exquisite lace table-cloth or lace something, patriarchal silver, ancestral china, French food, table a picture, you another. Said you looked like a duchess in that old-fashioned gray satin gown. Mrs. Tate declared anybody could tell you were a lady the minute they saw your feet, even if they didn't know who you were, but Mrs. Burnham thought it was your hands that gave you away. Your hands are rather remarkable."
John patted the latter, then flicked the ashes from his cigar. "I didn't tell them, but I could have done so, that it wasn't an idiosyncrasy, but sense, that made you wear elbow sleeves all the time. An arm and wrist and hand like yours have no right to be hidden."
"Nonsense, nonsense!" Again the fan was waved, but Miss Gibbie's lips twitched. "Vanity in a woman of my age is past pardon. I don't like anything to touch my wrist, and sleeves are in the way. Tell me"—she leaned toward him—"is Mary worried with me?"
"Not that I know of. I have scarcely seen her for two days. She's been having so many committee meetings, and so many people have been after her for this and for that, and some sick child at the asylum had to be visited so often, that except in the evenings I have hardly had time to speak to her. And then she is so tired I don't like to keep her up. She can't stand this sort of thing, Miss Gibbie. It will wear her out, and it ought to be stopped." He got out of his chair and began to walk up and down the porch, one hand in his pocket, the other holding his cigar. "It's got to be stopped."
"Who is going to stop it?"
"I know who'd like to stop it." He stood in front of her. "Aren't you going to help me, Miss Gibbie?"
"I am not." She looked up into the strong face now suddenly serious. "I mean in the way you mean. I am going to keep her from wearing herself out, but she is not doing that. Hedwig takes care of her and sees that she gets proper food and rest and is spared a thousand things other women have to contend with. And it doesn't hurt anybody to be busy. If you don't think about something else you think about yourself, and the most ruinous of all germs is the ego germ. She isn't likely to be attacked, for she has good resistance, but it's in the air, and I don't want her to get it. She is very happy."
"Is she?"
"Why not? Isn't she leading the life she wants to lead? She has a passion for service. She has a home of her own, simple, but complete; is earning an income sufficient to take care of herself, and has besides, a little money, every cent of which she gives away, however; and, above all, she has the power of making people love her. What more could a girl want?"
"Is it enough?"
"Quite enough!" Miss Gibbie's eyes flashed into John Maxwell's. "Why not enough? She has work to do, a place to fill, is needed, and is bringing cheer and sunshine to others. There is a great deal to be done for Yorkburg, and being that rare thing, a leader, she has already started much that will make great changes later on. Sit down and stop looking at me that way! She has quite enough."
John threw his cigar away and took the chair she pushed toward him. "I don't believe we do understand each other as well as we thought," he said, again leaning forward and clasping his hands together. "I know what Mary is to you. I saw it that first day I joined you at Windemere, and during the weeks we were together I saw also it wasn't Mary alone I'd have to win, but there'd be you to fight as well. I told you in the beginning just where I stood. I've kept nothing from you and I'm fighting fair, but neither you nor anybody else on God's earth can keep me from trying to make her my wife. Life is before us—"
"And behind me."
He flushed. "I didn't mean that. I mean that Mary is not to sacrifice herself to an idea, to a condition, if I can help it. I'm with her in all this work for the old place. I love it. I've tried to prove it in more than words, and I would not ask her to give it up entirely. A home can always be kept here, but another sort of home is meant for Mary. And it's the one I want to make for her."
"Your mother's?"
John's steady eyes looked in the stormy ones. "No—not my mother's. When Mary is my wife she goes to the home of which she is to be the mistress. Like you, my mother—"
"Objects to matrimony. I understand Mrs. Maxwell is as much opposed to your marriage as I am to Mary's. That should be a stimulus to both of you. Opposition is a great incentive, but in this case the trouble is with Mary herself. Would you marry her, anyhow?"
"I would." He smiled. "I'd take Mary any way I could get her. Oh, I used to have theories of my own about such things, but love knocks theories into nothingness. It makes us do things we never thought we would, doesn't it?"
Miss Gibbie turned her head away from his understanding eyes, and tapped the porch impatiently with her foot.
"It makes fools of most people. But as long as we've mentioned it we might as well have this out, Mary doesn't want to marry anybody. She is happy, and you are not to be coming down here trying to make her change her mind, trying to take her away!"
"Who is going to stop it?"
They were her words, and at remembrance of them her face changed and over it swept sudden understanding, and her hand went helplessly toward him.
"John," she said, "I'm an old woman and she's all I've got. Don't take her from me! Don't take her away!"
He frowned slightly, but he took the hand which he had never before seen tremble, and smoothed it gently. "Not from you, Miss Gibbie. I wouldn't take her out of your life. She would let nothing or nobody do that, but for years I have been waiting—"
"How old are you?"
"Twenty-seven in October."
She sat suddenly upright. "An infant! She will be twenty-three in June. And I—I am sixty-five. Your life, as you said, is before you, yours and hers. Mine is behind, but in the little of mine left I need her. Will you hold off for a while? Listen! she doesn't know she loves you. Doesn't know the reason she has never loved any one else is because there is but one man in her life, and that is you. I didn't want to tell you this, didn't want you to know it, don't want her to know it—yet. She is a child still, though so verily a woman in much. She has owned you since that first visit you made to Michigan, a big, awkward, red-faced boy of seventeen, with the same fearless eyes you've got now and the same determined mouth. You've told me about it and she's told me about it and how all you said at first was 'How'd do, Mary? I'm here.' And you've been 'here' ever since. Don't you see she takes you for granted? The best of women will do that and never guess how rare a thing is a strong man's love. For you there's but one woman in the world, but a woman is the strangest thing God's made yet, and there are no rules by which to understand her. And you don't understand Mary. Until she does what it is in her heart to do here—gets rid of some of the regulations that use to enrage her as a child, starts flowers where are weeds, and opens eyes that are shut—she couldn't be happy. But listen! I am going to tell you what for cold, hard years I pretended not to believe. A woman's heart never ceases to long for the love that makes her first in life, and after a while Mary will know her arms were meant to hold children of her own."
For a moment there was silence, and then Miss Gibbie spoke again.
"Let her alone, John. Let her find for herself that the best community mother should be the woman who has borne children and knows the depths of human experience are needed to reach its heights. She has her own ideas of service; so have I. Mine are that most people you try to help are piggy and grunt if you happen to step on their toes. She says they grunt only when the stepping is not by accident, and the pigginess is often with the people who help. As benefactors they want to own the benefactored. Perhaps they do. She knows much more of the behind-the-scenes of life than I do. But I know some things she doesn't, and a good many you don't. If I didn't like you, boy, I wouldn't tell you what I'm going to tell you, and that is, stay away and let her miss you. I'd tell you to keep on and nag her to death, and make her despise you for your weakness. She'll never marry a man she doesn't respect, even if she loved him, and love is by no means dependent on respect."
Miss Gibbie nibbled the tip of her turkey-wing fan for a moment of stillness, unbroken save for the twitter of birds in the trees near by, then turned once more to the man by her side.
"I'll be honest with you. I don't want her to marry you or anybody else. I want to keep her with me; but I'll be square. It will be hands off until she decides for herself. If you will say nothing to her for a year I will say nothing before her against marriage in general, and I've said a great deal in the past. And, moreover, I will wrap my blessing up to-day and hand it out a year hence if you deserve it, even if the handing breaks my heart." She held out her hand. "Is it a bargain?"
"I don't know whether it is or not." He interlocked his fingers and looked down on the floor of the porch. The ridges in his forehead stood out heavily, and his teeth bit into his under lip. "It is asking a good deal, and I don't like to make a promise I might not be able to fulfil. A year is a long time. She might need me. Something might happen."
"About your only chance. Don't you see she needs something to wake her up? I'm not going to wake her. I want her to sleep on. I'm selfish and don't deny it. But, of course, do as you choose." She waved her fan with a wash-my-hands-of-you air, and settled herself back in her chair. "I've been a fool to talk as I have, perhaps, but I couldn't see a dog hit his tail on a fence and not tell him it was barbed if I knew it and he didn't. Being a man, you must think it over, I suppose, and take a week to find out what a woman could tell you in the wink of an eye. A man's head is no better than a cocoanut where his heart is concerned."
"If I should do this," he said, presently, "and anything should happen in which she needed me, and you did not let me know, did not send for me, I—"
"Don't be tragic, /mon enfant/. And in the mean time I don't mind telling you she is coming down the street. I wouldn't turn my head, if I were you, though that big hat she's got on, with the wreath of wild roses, is very becoming. She ought always to wear white. She is inside the gate now." His hand was given a quick warm grasp. "Boy—boy—I've been young. If she needs you I will let you know."
"Ain't it pink and white and whispery to-day?" she said to herself. "The birds are having the best time, and the sun looks like it's singing out loud, it's so bursting bright. 'Tain't hard to love anybody on a day like this."
Peggy's thin little fingers played with the spray of roses on her lap, and her big brown eyes roved first in one direction and then the other as she followed the movements of the girl on the lawn cutting fresh flowers for the house; then as the latter came closer she held out a wasted little hand, but drew it back before it was seen.
It was her first day outdoors for three weeks, and it was very good to be in the open air again. She leaned back in the steamer-chair filled with pillows, in which she had been placed an hour before, and stretched out her feet luxuriously. Over them a light blanket had been thrown, and as she smoothed the pink kimona which covered her gown she sighed in happy content.
"This is me, Peggy McDougal, who lives in Milltown," she went on, talking to herself, "but right now feeling like she might be in heaven. My! but I'm glad I ain't, though, 'cause there mightn't be anybody in heaven I know, and this place where Miss Mary Cary lives is happy enough for me. Muther say I'd been dead and buried before this if'n it hadn't been for Miss Mary. I reckon I would. Some nights I thought I was goin' to strangle sure, and the night I had that sinker spell, and pretty near faded out, I saw Miss Mary, when 'twas over, put her head down on the table and just cry and cry. Look like she couldn't help it. She thought I didn't know a thing. But I did. I knowed she cared. Warn't it funny for a lady like her to care about a little child like me what comes of factory folks and ain't got nothin' ahead but plain humbleness?
"And diphtheria is a ketchin' disease muther says. That's why Miss Mary picked me up so quick and brought me out here when the doctor said I had it. If'n she hadn't Teeny might have took it from me, 'cause we sleep in the bed together, and Susie might, too, for she's in the same room, and all the twins might, the little ones and the big ones, and muther would have been worked to death a-nursin' of me and a-cookin' for the rest. And I might have died and been put in the ground, and then they'd had to pay for the funeral, and there warn't a cent for it. Muther couldn't have paid for a funeral out of eggs, 'cause coffins have gone up, and the hens don't lay 'em fast enough, and 'twould have took too many. I wish hens could lay more than one egg a day. Roosters ain't a bit of 'count for eggs."
She put her hands behind her head and drew in a deep breath. "But I ain't dead." Suddenly the wasted little fingers were pressed over tightly closed eyes. "Oh Lord," she said, soberly, "I'm very much obliged to you for lettin' of me live. I hope nobody will ever be sorry I didn't die. Help me to grow up and be like Miss Mary Cary. Lookin' out, like her, for little children what ain't got anybody special to be lookin' after them. 'Course I had my muther and father, but they had so much to do, and didn't have the money, and diphtheria takes money. Poor people ain't got it. If'n I don't ever have any money, please help me to help some other way. Maybe I might be cheerfuler. Amen."
"Hello, Peggy. Sleep?"
Mary Cary's hands, flower-filled, were held close to Peggy's face, and at sound of her voice Peggy's eyes opened joyfully. "Oh, Miss Mary, you skeered me! I thought you were way down by the gate. /Ain't/ they lovely! Ain't they LOVELY!" And Peggy's little pug nose sniffed eagerly the roses held close to them.
"Hardly anything left but roses now, but June is the rose month. Lend me one of your cushions and I'll sit down awhile and cool off before I go in."
She laid the flowers carefully on the ground, threw the cushion beside them and, pulling Peggy's chair closer to the large chestnut-tree, whose branches made a wide circle of shade in the brilliant sunshine, sat down, then rested her hand in Peggy's lap and smiled in her happy eyes.
"It's good to have you out here, Peggy child," she said. "You'll soon have cheeks like peaches. This sunshine and fresh air will paint them for you and make the color stick. Did you have some milk at ten?"
"Yes'm, thank you. Milk and eggs, too. Reckon I'll be bustin' fat by this time next week if'n I keep on swallowin' all them things Miss Hedwig brings me. She certainly is a good lady, that Miss Hedwig is. She's got roses in her cheeks, and ain't her light hair pretty? She wears it awful plain, just parted and brushed back, but it's like the silk in corn. Is that all the name she's got— Hedwig?"
"No. Hedwig Armstrong is her name. She's an Austrian."
"I knew a girl named Armstrong once, but she was a Yorkburger. IsArmstrong Austrian, too?"
"Armstrong is American, I suppose. I don't know what it is." She laughed, pulling the petals off a rose and popping them with her lips. "Hedwig is a pretty name, and the other part I never think of. I had almost forgotten the other part."
"I didn't know there was any other part. But I heard Susie tell muther once the Mrs. Deford and Miss Honoria Brockenborough were talking about her the day they bought their spring hats, and they said she looked like a mystery to them, and they thought 'twas very strange a nice-looking white woman should be willing to come down here and be a servant."
Mary Cary frowned quickly. "I wish they had said that to me. Hedwig is my maid, but she is my friend as well. She used to be in my uncle's hospital. In all this big country she hasn't a relative."
"They said her letters had Mrs. on them. Somebody at the post-office told them so, but her husband ain't ever been to see her, they said, and muther say she didn't think that sounded as righteous as it might, comin' from Mrs. Deford, whose husband don't seem to hanker after her neither, and—"
"Next time you hear anything like that you might mention that dead husbands can't visit conveniently. Hedwig's husband is dead."
Peggy sat upright, eyes wide and interested. "Poor thing! I thought she had an awful lonely look at times. I certainly am sorry he's dead. I mean if he was worth killing. Muther say all men ain't. Hasn't she got any little children, either?"
Mary Cary bent over the rose in her hand and buried her lips in its damp depths. "No," she said, after a moment, "she has no children. Her little girl died."
Peggy leaned back. Overhead a bluebird, straining its little throat in exultant melody, flew from branch to branch of the big chestnut-tree, and the hum of insects made soft monotone to the shrill cry of the locust, which promised greater heat next day. In the distance the Calverton road stretched white and dusty south to town, north to the unknown land, the land of dreams to Peggy and to Peggy's mother, who had never been beyond it, and as she looked toward it she wondered if it led to the place where Hedwig had laid her little child. She would never speak of this again. She could tell by Miss Mary's face she would not like it.
For some minutes they sat in silence and then Peggy's hand reached out and touched that of Mary Cary's, which was resting on the arm of her chair. The eyes of the latter were narrowed slightly as if lost in memories, and, looking at her, Peggy hesitated, then called her name.
"Miss Mary—"