Decorative separator
CIVILIZATION has eliminated none of the qualities that marked the age of savagery. The cruelties which especially characterized primitive man is exercised as much to-day as in the days of cannibalism.
Civilization has been the refining agent of our qualities. Just as a number of chemicals put into a crucible are refined by a certain acid, while yet the original substances remain, though in different forms, so has civilization refined and remolded the crude elements of our nature, leaving the essence of our primitive qualities the same.
The subtlety with which cruelty is exercised to-day makes of it a far-reaching and far more destructive force than formerly. Instead of attacking our neighbors with sticks and stones and tomahawks, and forcing them into captivity in order that they may work for us, we obtain the same or even better results by numerous subtle methods. We instill respect for law, wealth and morality. We withdraw the land and other natural resources from general use. With a show of generous sentiment, weallow the lambs we have shorn to assist us in the shearing of other lambs.
Every morning and every evening we see a long procession of men and women going or coming from the work, at which they have given up their life force for the sake of a mere pittance. Look at these men and women! There they go, evidently free! No shackles are on their hands or feet, no overseer keeps them in check by club or gun. There they go voluntarily to their prison factories, offices, stores, in the morning; and in the evening, when the glorious sun is hidden from sight, they come out again, haggard and worn, to creep to their prison homes.
When the savage desires to rob you, he may attempt to strangle and maim you. But the civilized man scorns such crude methods. He builds cheap tenements in which you may gradually and surely choke to death; and not satisfied with that, he, with a great show of kindness, prepares your foods for you, that they may slowly, very slowly, but surely, hasten your deliverance. Babies are not frankly murdered any more, but they are served with nice, adulterated milk, which accomplishes the same purpose in a quieter way.
Under the name of law many atrocious crimes are committed. Imprisonment, capital punishment and war are yet crude in their methods. They are still susceptible of more refining. Here cruelty has rather a thin garment on and needs to be covered up a little more.
Even in our every-day relations with each other, we use many and varied forms of refined cruelty. When displeased, we no longer beat each other, but we use the subtler forces of sarcasm, irony, slander, neglect. We regard directness a rudeness, when in reality it is the greatest kindness imaginable. Instead of being positive and direct in our dealings with each other, we constantly exercise a passive cruelty, in other words, the cruelty of refinement. We are evasive, delusive, subdued, falsified. But we deceive with dignity, tell falsehoods fluently, use words and cold behavior as daggers.
To-day we do not turn away an unwelcome visitor, but we announce that we are not at home; or we slander him behind his back. When we love we pretend to be modest and indifferent, while, in an indirect way, weattempt to build walls around the person we love. There is nothing free in the expression of our emotions, for we are subdued, crushed; we are civilized!
Everything is sham and hypocrisy, and hidden daggers are everywhere, in one form or another. These daggers are concealed under kindness, charity, benevolence, morality, law, and are, therefore, difficult to deal with. The blades are thrust into the back; you can feel them, but you cannot grapple with them.
Our inherent cruelty is best illustrated in the treatment we give those who are absolutely in our power—little children and the dumb animals. With what authority do we elicit respect and obedience from our little people! With rod in hand and with venomous tongues we begin the process of subjugating and civilizing our little free, emotional people. In the name of "their highest good" do we mould them to be actors, that they may properly enact the tragedy of life as we had enacted it before them!
The dumb animals receive the cream of our refined cruelty. In order to appear civilized, we drive in carriages pulled by horses whose spinal columns have been docked, whose necks are held stiff by tight check reins, whose eyes are blinded by "fashionable" devices.
There used to be cannibalism and human sacrifices; there used to be religious prostitution and the murder of weak children and of girls; there used to be bloody revenge and the slaughter of whole populations, judicial tortures, quarterings, burnings at the stake, the lash, and slavery, which have disappeared. But if we have outlived these dreadful customs and institutions, this does not prove that there do not exist institutions and customs amongst us which have become as abhorrent to enlightened reason and conscience as those which have in their time been abolished and have become for us only a dreadful remembrance. The way of human perfecting is endless, and at every moment of historical life there are superstitions, deceits, pernicious and evil institutions already outlived by men and belonging to the past; there are others which appear to us in the far mists of the future; and there are some which we are now living through and whose over-living forms the object of our life. Such in our time is capital punishment and allpunishment in general. Such is prostitution, such is the work of militarism, war, and such is the nearest and most obvious evil, private property in land.
Decorative separator
"THE JUNGLE," a recent story by Upton Sinclair, is a nightmare of horrors, of which the worst horror is that it is not a phantom of the night, but claims to be true history of one phase of our twentieth-century civilization. Nothing but the book itself could represent its own tragic power. In my opinion it is the most terrible book ever written.
It is for the most part a tale of the abattoirs, those unspeakable survivals in our Christendom in which man reeks his savage and sensual will on the lesser animals; and indirectly it is a story of the moral abattoirs of politics, economics, society, religion and the home, where the victims are of the species human, and where man's inhumanity to man is as selfish and relentless as his age-long cruelty to his brothers and sisters just behind him in the great procession.
Possibly the title is inappropriate. There is a "law of the pack," which is observed in the genuine jungle, but these human beasts appear to have all of the jungle's vices and few of its virtues. The author might have called his history, "The Slaughter House," or, perhaps, plain "Hell."
It is a common saying about a packing house, "We use all of the hog except the squeal." This author uses the squeal, or, rather, the wild death shrieks of agony of the ten millions of living creatures tortured to death every year in Chicago and the other tens of millions elsewhere, to pander to the old brutal, inhuman thirst of humanity for a diet of blood. The billions of the slain have found a voice at last, and if I mistake not this cry of anguish from the "killing-beds" shall not sound on until men, whose ancestors once were cannibals, shall cease to devour even the corpses of their murdered animal relatives. But while "The Jungle" will undoubtedlymake more vegetarians, it would take more than the practice of universal vegetarianism to cause the book to fulfil its mission; for this is a story of Civilization's Inferno and of the crisis of the world, a recital of conditions for which, when once comprehended, there can be no remedy but the revolution of revolutions, the event toward which the ages ran, the establishment of a genuine political, industrial and social democracy.[2]
If the story be dramatized and Mrs. Fiske take the part of Ona, her presentation will make Tess seem like a pastoral idyll in comparison.
The book is great even from a political standpoint.
But more than this, it is a great moral appeal. Not in Victor Hugo or Charles Dickens does the moral passion burn with purer or intenser light than in these pages.
I should not advise children or very delicately constituted women to read it.
I have said it is a book of horrors. I started to mark the passages of peculiar tragedy and found that I was marking every page, and yet it is a justifiable book and a necessary book.
The author tells as facts the story of "diseased meat," and worse, the preparation in the night time of the bodies of the cattle which have died from known and unknown causes before reaching the slaughter pens, and the distribution of the effects, with the rest of the intentional killing of the day; he describes the preparation of "embalmed beef" from cattle covered with boils; he even narrates the story of "men who fell into the vats," and "sometimes they would be overlooked for days till all but the bones of them had gone out to the world as Durham's Pure Leaf Lard"; he writes of the making of smoked sausage out of waste potatoes by the use of chemicals and out of spoiled meat as well; and he further speaks of rats which were "nuisances, and the packers would put poisoned bread out for them; they would die,and then rats, bread and meat would go into the hoppers together. This is no fairy story and no joke; the meat would be shovelled into carts and the man who did the shovelling would not trouble to lift out a rat even when he saw one—there were things which went into the sausage in comparison with which a poisoned rat was a tidbit."
But the worst of the story is a tale of the condition of the workers at Packingtown and elsewhere. It is the story of strong men who justly hated their work; of men, for no fault of their own, cast out in middle life to die; of weeping children driven with whips to their ignoble toil; of disease-producing conditions in winter, only surpassed by the deadly summer; of people working with their feet upon the ice and their heads enveloped in hot steam; of the perpetual stench which infests their nostrils, the sores which universally covered their bodies; of the terrible pace set by the continual "speeding up" of the pace makers, goaded to a pitch of frenzy; of accidents commonplace in every family; of the garbage pile of refuse from the tables of more fortunate citizens, from which many were forced to satisfy their hunger; of the terrors of the black list, the shut-down, the strike and the lockout; and of the universal swindle, whether a man bought a house, or doctored tea, coffee, sugar or flour.
It is still further a story of the moral enormities and monstrosities of the almost universal graft, "the plants honeycombed with rottenness. The bosses grafted off the men and they grafted off each other, and some day the superintendent would find out about the boss, and then he would graft off the boss."
When the men were set to perform some peculiarly immoral act, they would say, "Now we are working for the church," referring to the benefactions of the proprietors to religious institutions.
It tells the story of the training of the children in vice, of girls forced into immorality, so that a girl without virtue would stand a better chance than a decent one. It is a tale of the terrible ending of old Antanas by saltpeter poisoning; of Jonas, no one knows how, possibly he fell into the vats; of little Kristoforas by convulsions; of little Antanas by falling into a pit before the door of hishouse; of Marija, in a house of shame; of Stanislovas, who was eaten by rats; and of beautiful little Ona, to the description of whose ending no other than the author's pen could do justice.
The book shows how men graft everywhere, not only in the packing house, but how the slime of the serpent is over almost all of our modern commercial and political practises.
No one can justly hold the meat kings responsible for all of this.
Nothing less than a thorough reconstruction of our whole social organism will suffice. Palliative philanthropy is, as the author says, "like standing upon the brink of the pit of hell and throwing snow balls in to lower the temperature."
"The Jungle" is the boiling over of our social volcano and shows us what is in it. It is a danger signal!
We are all indicted and must stand our trial. There rests upon us the obligation to ascertain the facts. The author of "The Jungle" lived in Packingtown for months, and the eminently respectable publishers who are now issuing the book sent a shrewd lawyer to Chicago to report as to whether the statements in it were exaggerated, and his report confirmed the assertions of the author.
This book is a call to immediate action.
The Lithuanian hero found his solution of the problems suggested in Socialism. The solution lies either in that direction or in something better, and it behooves those who warn us against Socialistic experiments to tell us if they know of any other effective remedy. Surely all thoughtful men should study these theories of social redemption and learn why their advocates claim that putting them in practice would modify or abolish the evils of our modern conditions.
"The masters, lords and rulers of all lands," the thinkers and workers of our time must speedily give themselves to the understanding and application of some adequate remedy, or there will be blood, woe and tears almost without end, "when this dumb terror shall reply to God, after the silence of the centuries."
FOOTNOTE:[2]Genuine or not genuine: we live right now in a democracy. If, in spite of that, such diabolical crimes as Sinclair describes them are committed daily, then this only proves that democracy is no panacea for them. Why should it, if criminals of the Armour kind realize profits out of their wholesale poisoning of such dimensions that they can easily buy all the glory of the people's sovereignty.—Editor.
[2]Genuine or not genuine: we live right now in a democracy. If, in spite of that, such diabolical crimes as Sinclair describes them are committed daily, then this only proves that democracy is no panacea for them. Why should it, if criminals of the Armour kind realize profits out of their wholesale poisoning of such dimensions that they can easily buy all the glory of the people's sovereignty.—Editor.
[2]Genuine or not genuine: we live right now in a democracy. If, in spite of that, such diabolical crimes as Sinclair describes them are committed daily, then this only proves that democracy is no panacea for them. Why should it, if criminals of the Armour kind realize profits out of their wholesale poisoning of such dimensions that they can easily buy all the glory of the people's sovereignty.—Editor.
"HELLO, Morrison, may I come in?" The door stood slightly ajar.
Morrison came to the door—the complexion of his face was sallow and his eyes had a peculiar look—he recognized his visitor, hesitated for a moment whether he should admit him, then opened the door and made a sort of mock courtesy.
"Cleaning up?" the tall, lean man asked as he entered the little hall room.
"Yes," and a wistful smile glided over Morrison's pale face; "cleaning up for good."
The room had a peculiar appearance. There was no disorder and yet a lot of things were lying about; it looked as if the lodger intended to go away on a long journey and had tried to straighten up matters previous to his departure. The visitor gazed curiously about the room. He had a strange foreboding, but forced himself to ask in a jocular mood: "Going to Egypt again?"
"Farther than that this time, but it won't take so long; the journey I am contemplating will be over by to-morrow evening, I hope."
"What do you mean?"
"The game is up."
The tall, lean man made no immediate reply, he merely gazed steadily into the face of his friend. He had always suspected that it would come to this some day. He really wondered that Morrison had not done it long ago. If any man had a right to dispose of his life it was surely Morrison. He had endured more than most human beings. His case was absolutely hopeless.
"Is there no way out of it?"
Morrison shook his head. He wanted to say something, but his voice failed him. He stepped to the dresser near the window, looked into the mirror and arranged his faded, threadbare tie. It was pitiful to see how shabbily he was dressed. He no longer set the fashion as in his days of success, years ago in Boston.
"Would money help you?" and the tall, lean visitorfumbled in his pockets. Although fairly well dressed, he was hard up most of the time and only ventured to broach the subject as he just happened to have a few dollars to spare that day.
"No, what good would the little do that you could give me?" and he continued to adjust matters and tuck things away in his trunk.
"There, you are right again, not much. But I won forty dollars on the track; I sometimes go out there," he added as a sort of excuse, "as it is impossible to live on literature alone. I could spare ten."
"Can you really spare them? I won't be able to return them, you know. I would like to have them. I suppose you will refuse to let me buy a revolver with them. I have all sorts of poisons," he pointed to some little bottles, "but I would prefer not to use them, it wouldn't be esthetical, and then I want to go away to some place where nobody knows me. I don't want to be identified."
The literary man slowly pulled a small roll out of his pocket. He thought of his wife and children who needed the money. It was really foolish to have made that offer. Well, it was probably the last service he could render his friend. Morrison was serious about his departure, there was no doubt about that. "Here!"
"Thanks," Morrison answered, though he did not take the money right away. He looked about absentmindedly, as in a dream. This was friendship indeed. He had not believed that anybody could so completely enter another man's state of mind. Not a word of opposition. This was glorious! They had known each other for more than seventeen years. They had often drifted apart and, somehow, had always met again. They had never been very intimate, they had merely respected each other for the work they had accomplished, each in his profession; although they differed largely in ideas. Morrison was a sculptor, and almost an ancient Greek in his feelings for the beauty of lines. The tall, lean man, on the other hand, was a strange mixture of a visionary and brutal realist. They both were cynics, however, that found life rather futile. With the literary man this was merely a theoretical view point, while Morrison was really embittered with life. The incidents of thisafternoon had surprised him. He was deeply moved and felt as if he should give utterance to his emotions. He remembered that his attitude towards his friend had been rather arrogant at times. He now felt sorry for it, but somehow could not form his sentiments and thoughts into coherent sentences.
"Thanks," he simply repeated, "Has anybody seen you enter the house?"
"No, the door was open and I walked right up. Why do you ask?"
"I don't want anybody to be mixed up in this affair, as it only concerns me."
The literary man smiled: "Could any man influence you one way or another? As far as I can make out you are beyond mortal influence."
A pause ensued. Morrison threw the last thing into his trunk. "Well, I am ready. Everything is settled."
"How about your statues?"
"Pshaw!" Morrison shrugged his shoulders. "Nobody was interested in them while I lived. Why should I bother to think what might become of them after my death?"
The author nodded and scowled at the same time. He was not satisfied with the answer. But there were still other things on his mind. He was used to analyze everything to shreds and tatters. "Are you not afraid that you might make a botch out of the whole job?"
Morrison weighed the question in his mind, then shook his head and answered: "No, there is hardly a chance for it now. I have been tuned up to it, trained myself to it, so to speak. The fruit is ripe. It has to fall. It would be awful, though—" he added, with an after-thought. "Do you remember my emerald ring? I had to pawn it, but I kept the poison which was hidden under the stone. I will take that if anything goes wrong."
"Would you object to my company?" asked the tall, lean man, "I mean until all is over. I, myself, am not quite ready yet for any such heroical performances."
"Oh, don't think of it," the sculptor ejaculated; notwithstanding, the tone of his voice indicated that he would not object, that he would even prefer a traveling companion for the last few hours of his life.
"Well, I'll go with you. Where are you going?"
"To New Haven. It's a nice trip." Morrison carefully brushed his hair and clothes, there came a flush to his face as he realized how shabby his clothes really were. The tall, lean man was delicate enough to look away as if he had not noticed anything.
A few moments later they left the room. Morrison locked the door and they went out into the street. They did not talk much, merely commonplace phrases that did not bear upon the subject. Both were occupied with their own thoughts, and strange thoughts they must have been. They leisurely strolled to a store of sporting outfits, bought a revolver and cartridges, had their shoes shined at the next corner, and slowly wended their way toward the depot. Their actions were almost mechanical. Suicide is an attack of insanity, a sort of mental plague. If one has caught the fever, one is doomed. There is no escape from it. At the same time it is contagious. The literary man was somewhat infected by it. All his interests in life seemed to be dulled, obliterated as it were. He could only think the one thought, "Morrison is going to kill himself. But who knows, he may, after all, turn up next week with the excuse that he had changed his mind. No, not he!—it was really too bad!" Morrison, on the other hand, grew quite cheerful. With him the idea that he would do it, had become so matter-of-fact, that he ceased to think of it. Nothing could influence him any more. Even if some vague current of soul activity should revolt at the very last moment, he was certain that his hand would mechanically perform the task.
"Only one return ticket," he whispered as he approached the ticket office. "Oh, I almost forgot," replied his friend.
During the trip they silently sat opposite each other, smoking. Now and then Morrison pointed out the beautiful sights. He seemed to be familiar with the scenery. At their arrival in New Haven, at dusk, they at once adjourned to a hotel and sat down at a table in the bar-room. They began to talk about art, they discussed commercialism, the lack of appreciation and the vanity of all serious work, at least as far as art is concerned. Theybegan to relate reminiscences of their student years, and reviewed the hopes and ambitions of their youth. If they had been realized, what wonders they would have accomplished!
"I gave the other side a chance. They never responded. I waited for ten long years, and now, it's all up. Let us have another drink, waiter, the last." They clinked glasses. "And now for a decent departure as in the good old times, when Hegesias, the Cyrenaic, preached suicide in Alexandria—"
They arose. It had grown dark. They sauntered forth into the night. Morrison seemed to know where he was going. "I once spent very pleasant days out here," he explained, "years, I hardly remember how many years ago." After that they did not converse any more. They finally arrived at a beautiful avenue of old elms that extended far into the country. Its deep, dark vista was lit up only by the shimmer of a distant lake.
Morrison stopped, seized his friend's hand, shook it, and said in a firm voice: "Good-bye."
"Good-bye."
And Morrison walked away. It was so dark that in a few moments his form became invisible. Only his footsteps could still be heard. They grew fainter and fainter. The tall, lean man stared after his friend into the blackness of the night. His eyes grew dim.
A few rain drops fell on his face and hands. "I hope it won't rain," he murmured, "it might make dying more difficult, but no—the sky is clear." Then he slightly bent forward and listened eagerly. Everything was calm, motionless, as in suspense. Nobody passed through the avenue. Only in the adjoining side streets pedestrians flitted by like ghosts.
So this was the end! After having struggled bravely for years, after living up to high ideals as well as one could, to go down a long, dark avenue—a falling star flashed across the tree tops.
The tall, lean man pressed his hand to his heart, although he was not certain of having heard a report, he felt, that his friend had arrived at the goal of his life's journey. The game was up!
Books to be had through Mother Earth
The Doukhobors:Their History in Russia; Their Migration to Canada. By Joseph Elkins . .$2.00
Moribund Society and Anarchism.By Jean Grave . .25c.
Education and Heredity.By J. M. Guyau . .$1.25
A Sketch of Morality—Independent of Obligation and Sanction. By J. M. Guyau . .$1.00
American Communities:New and Old Communistic, Semi-Communistic, and Co-Operative. By W. A. Hinds . .$1.00
History of the French Revolution.(An excellent work for students. It begins with a sketch of history of the earliest times; the decline of the ancient empires, the rise of the French monarchy, and traces the causes which made the Revolution inevitable. The philosophic conclusion is unsurpassed, and the position taken, laying a foundation for the philosophy of freedom, is bound to attract the attention of thinkers.) By C. L. James. Reduced to . .50c.
Origin of Anarchism.By C. L. James . .5c.
Fields, Factories, and Workshops.By Peter Kropotkin . .50c.
Mutual Aid: A Factor of Evolution.By Peter Kropotkin. Reduced to . .$1.20
Memoirs of a Revolutionist.By Peter Kropotkin. Reduced to . .$1.60
Modern Science and Anarchism.By Peter Kropotkin . .25c.
Ideals of Russian Literature.By Peter Kropotkin . .$2.00
The State:Its Role in History. By Peter Kropotkin . .10c.
Anarchism:Its Philosophy and Ideal. By Peter Kropotkin . .5c.
The Wage System.By P. Kropotkin . .5c.
Anarchist Morality.By P. Kropotkin . .5c.
History of Civilization In England.By Henry Thomas Buckle . .$2.00
England's Idealand other Papers on Social Subjects. By Ed. Carpenter . .$1.00
Civilization:Its Cause and Cure. By Ed. Carpenter . .$1.00
Love's Coming of Age.By Ed. Carpenter . .$1.00
Towards Democracy.By Ed. Carpenter . .$2.50
The Chicago Martyrs:The Famous Speeches of the Eight Anarchists in Judge Gary's Court, and Gov. Altgeld's Reasons for Pardoning Fielden, Neebe and Schwab . .25c.
Books to be had through Mother Earth
Essays on the Materialistic Conception of History.By Antonio Labriola . .$1.00
Wealth Against Commonwealth.By H. D. Lloyd . .$1.00
Woman's Share in Primitive Culture.By O. Mason. Leather, reduced to$1.50. Cloth, reduced to . .$1.00
Superstition in All Ages.By Jean Meslier. Cloth . .$1.00
News from Nowhere;or, An Epoch of Rest. By William Morris . .60c.
Thus Spake Zarathustra:A Book for All and None. Friedrich Nietzsche . .$2.50
Rights of Man.By Thomas Paine . .25c.
The Martyrdom of Man.By Winwood Reade . .$1.00
The Science of Life.By J. Arthur Thomson . .75c.
Pages of Socialist History.By W. Tcherkesoff . .25c.
The Slavery of Our Times.By Leo Tolstoy . .75c.
Bethink Yourself.By Leo Tolstoy . .10c.
Church and State.By Leo Tolstoy . .15c.
Volney's Ruins:or, Meditation on the Revolutions of Empires and the Law of Nature . .75c.
The Ballad of Reading Gaol.By Oscar Wilde . .10c.
The Soul of Man under Socialism.By Oscar Wilde . .50c.
De Profundis.By Oscar Wilde . .$1.25
Intentions.By Oscar Wilde . .$1.50
Plays.By Oscar Wilde. 2 vols . .$2.50
Life Without a Master.By J. Wilson, Ph.D. . .$1.50
The New Dispensation.By J. Wilson, Ph.D. . .$1.50
Living Thoughts.By J. Wilson, Ph.D. . .$1.50
Paris and the Social Revolution.By J. Sanborn . .$3.50
Anarchism:Is It All a Dream? By E. Malatesta and J. F. Morton, M.A. . .5c.
Who Is the Enemy;Anthony Comstock or You? A Study of the Censorship. By Edwin C. Walker . .25c.
THE BOOKS OF ERNEST CROSBY
Garrison the Non-Resistant.16mo, cloth, 144 pages, with photogravure portrait, 50c.; by mail . .55c.
Plain Talk In Psalm and Parable.A collection of chants in the cause of justice and brotherhood. 12mo, cloth, 188 pages, $1.50; by mail, $1.62. Paper, 40c.; by mail . .44c.
Captain Jinks, Hero.A keen satire on our recent wars, in which the parallel between savagery and soldiery is unerringly drawn. Profusely illustrated by Dan Beard. 12mo, cloth, 400 pages, postpaid . .$1.50
Swords and Plowshares.A collection of poems filled with the hatred of war and the love of nature. (Not sold by us in Great Britain.) 12mo, cloth, 126 pages, $1.20; by mail . .$1.29
Tolstoy and His Message."A concise and sympathetic account of the life, character and philosophy of the great Russian."—New York Press. "A genuinely illuminative interpretation of the great philosopher's being and purpose."—Philadelphia Item. (Not sold by us in Great Britain.) 16mo, cloth, 93 pages, 50c.; by mail . .54c.
Tolstoy as a Schoolmaster.An essay on education and punishment with Tolstoy's curious experiments in teaching as a text. 16mo, cloth, 94 pages, 50c.; by mail . .53c.
Broad-Cast.New chants and songs of labor, life and freedom. This latest volume of poems by the author of "Plain Talk in Psalm and Parable" and "Swords and Plowshares" conveys the same message delivered with equal power. 12mo, cloth, 128 pages, 50c.; by mail . .54c.
Edward Carpenter, Poet and Prophet.An illuminative essay, with selections and portrait of Carpenter. 12mo, paper, 64 pages, with portrait of Carpenter on cover, postpaid . .20c.
THE BOOKS OF BOLTON HALL
Free America.16mo, cloth, ornamental, gilt top, 75c.; by mail . .80c.
The Game of Life.A new volume of 111 fables. Most of them have been published from time to time inLife,Collier's,The Outlook,The Century,The Independent,The Ram's Horn,The Pilgrim,The Christian Endeavor World,The Rubric,The New Voice,The Philistineand other papers and magazines. 16mo, cloth, ornamental, postpaid . .$1.00
Even as You and I.This is a presentation, by means of popular and simple allegories, of the doctrine of Henry George and the principle which underlies it. A part of the volume is an account of Tolstoy's philosophy, drawn largely from the Russian's difficult work, "Of Life." This section is called "True Life," and follows a series of thirty-three clever parables. Count Tolstoy wrote to Mr. Hall: "I have received your book, and have read it. I think it is very good, and renders in a concise form quite truly the chief ideas of my book." 16mo, cloth, ornamental, gilt top, 50 c.; by mail . .54c.