I

I ACCUSE. Released by United Artists Corp. 1922. 8 reels.

Credits: Written and directed by Abel Gance.

I AIN'T GOT NOBODY. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Thomas Bonfiglio.

I AM A CRIMINAL. 1938. 8 reels, sd.

Credits: Producer, E. B. Derr; director, William Nigh; original story, Harrison Jacobs; screenplay, John W. Krafft; film editor, Russell Schoengarth; music director, Abe Meyer.

I AM A FUGITIVE FROM A CHAIN GANG. 1932. 10 reels. From the story "I Am a Fugitive from a Georgia Chain Gang" by Robert E. Burns.

Credits: Director, Mervyn Le Roy; screenplay, Howard J. Green, Brown Holmes.

I AM A FUGITIVE FROM A GEORGIA CHAIN GANG. SEE I Am a Fugitive from a Chain Gang.

I AM A POLYGAMIST. SEE Polygamy.

I AM A THIEF. Presented by Warner Bros. Productions Corp. and the Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, Robert Florey; story and screenplay, Ralph Block, Doris Malloy; dialogue director, Frank McDonald.

I AM GUILTY. Associated Producers, Inc. 1921. 7 reels.

Credits: Produced and supervised by J. Parker Read, Jr.; director, Jack Nelson; scenario, Bradley King; continuity, Charles J. Stumar.

I AM SUZANNE. 1933. 8,959 ft., sd.

Credits: Director, Rowland V. Lee; story and screenplay, Rowland V. Lee, Edwin Justus Mayer; music director, Louis de Francesco; editor, Harold Schuster.

I AM THE LAW. 1922. 7 reels. From the story "Poetic Justice of Uko San" by James Oliver Curwood.

Credits: Director, Edwin Carewe; scenario, Raymond L. Schrock.

I AM THE LAW. Presented by C. C. Burr. 1923. 6,500 ft. Adapted from the work "The Poetic Justice of Uko San" [by James Oliver Curwood].

Credits: Producer and director, Edwin Carewe; story and scenario, Raymond L. Schrock.

I AM THE LAW. 1938. 9 reels, sd. Based on the Liberty Magazine serial by Fred Allhoff.

Credits: Producer, Everett Riskin; director, Alexander Hall; screenplay, Jo Swerling; film editor, Viola Lawrence; music director, Morris Stoloff.

Credits: Story and direction, Ivan Abramson.

I AM THE MAN. 1925. 7 reels.

Credits: Written and directed by Ivan Abramson.

I AM THE WAY. SEE A Reproduction of the Famous Oil Painting "I Am The Way".

Credits: Production and adaptation, George L. Tucker.

I BELIEVED IN YOU. 1934. 6,172 ft., sd.

Credits: William Anthony McGuire; director, Irving Cummings; screenplay, William Conselman; music director, Samuel Kaylin.

I CAME FIRST. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel, sd.

Credits: Director, Monte Brice.

I CAN EXPLAIN. 1922. 5 reels.

Credits: Producer and director, George D. Baker; adaptation, Edgar Franklin.

I CONQUER THE SEA! 1936. 7 reels, sd.

Credits: Director, Victor Halperin; story adaptation, Richard Carroll; dialogue, Rollo Lloyd, Howard Higgin.

I COVER THE WAR. 1937. 7 reels, sd.

Credits: Associate producer, Paul Malvern; director, Arthur Lubin; original story, Barnard McConville; screenplay, George Waggner; film editor, Charles Craft.

I COVER THE WATERFRONT. 1933. 8 reels. Based on the book by Max Miller.

Credits: Producer, Edward Small; director, James Cruze; screenplay, Wells Root; additional dialogue, Jack Jevne; film editor, Grant Whytock.

I DIDN'T RAISE MY BOY TO BE A SOLDIER. SEE I'm Glad My Boy Grew Up To Be a Soldier.

I DON'T REMEMBER. 1935. 888 ft., sd.

Credits: Story, screenplay, and direction, Preston Black.

I DON'T WANT TO KNOW WHO YOU ARE. SEE Ich Will Nicht Wissen Wer Du Bist.

I DON'T WANT TO MAKE HISTORY. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Dave Hoffman.

I DREAM TOO MUCH. 1935. 11 reels, sd.

Credits; Producer, Pandro S. Berman; director, John Cromwell; story, Elsie Finn, David G. Wittels; screenplay, Edmund North, James Gow; editor, William Morgan; music, Jerome Kern; lyrics, Dorothy Fields; music director, Max Steiner; orchestra conducted by Andre Kostelanetz.

I EATS MY SPINACH. (A Popeye Cartoon) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

I FEEL LIKE A FEATHER IN THE BREEZE. 1936. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson and Harold Walker.

I FOUND STELLA PARISH. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 9 reels, sd.

Credits: Director, Mervyn LeRoy; story, John Monk Saunders; screenplay, Casey Robinson.

I GIVE MY HEART. 1936. 7 reels, sd. From the operetta "The DuBarry" by Paul Knepler and J. M. Welleminsky.

Credits: Director, Marcel Varnel; adaptation and scenario, Frank Launder, Roger Burford, Kurt Siodmak; film editor, E. B. Jarvis; music, C. Millocker; lyrics, Desmond Carter; music arrangements, Theo Mackeben; music director, Harry Acres.

I GIVE MY LOVE. Presented by Carl Laemmle. 1934. 7 reels, sd.

Credits: Producer, B. F. Zeldman; director, Karl Freund; story, Vicki Baum; screenplay and dialogue, Doris Anderson; adaptation, Milton Krims; film editor, Edward Curtiss.

I HATE WAR. 1937. 3 reels, sd.

Credits: Written and narrated by Tom Terriss; editor, Milton Schwarz.

I HATE WOMEN. 1934. 6,450 ft.

Credits: Director, Aubrey H. Scotto; story and screenplay, Mary E. McCarthy.

I HAVE LIVED. Presented by George R. Batcheller. 1933. 7 reels, sd.

Credits: Director, Richard Thorpe; story, Louis E. Heifetz; screenplay and dialogue, Winifred Dunn.

I HAVEN'T GOT A HAT. (Merrie Melodies) Vitaphone. 1935. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Rollin Hamilton, Jack King; music, Bernard Brown.

I HEARD. SEE Betty Boop in I Heard.

I, JERRY, TAKE THEE JOAN. SEE Merrily We Go to Hell.

I KNOW EVERYBODY AND EVERYBODY'S RACKET. Rowland-Brice. 1933. 2 reels, sd.

Credits: Director, Monte Brice; story, Mark Hellinger.

I LIKE BABIES AND INFINKS. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Graham Place.

I LIKE IT THAT WAY. 1934. 7 reels.

Credits: Director, Harry Lachman; story, Harry Sauber; screenplay, Chandler Sprague, Joseph Santley.

I LIKE MOUNTAIN MUSIC. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Myron Waldman.

I LIKE MOUNTAIN MUSIC. (Merrie Melodies, no. 10) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Isadore Freleng, Larry Martin; music score, Frank Marsales.

I LIKE YOUR NERVE. 1931. 7 reels, sd.

Credits: Roland Pertwee; director, William McGann; adaptation, Huston Branch; dialogue, Roland Pertwee.

I LIVE FOR LOVE. Warner Bros. Productions Corp. Presented by Warner Bros. Pictures and The Vitaphone Corp. 1935. 8 reels, sd.

Credits: Director, Busby Berkeley; story and screenplay, Jerry Wald, Julius J. Epstein, Robert Andrews; music and lyrics, Allie Wrubel, Mort Dixon.

I LIVE MY LIFE. 1935. 10 reels, sd., b&w. Based upon a short story by A. Carter Goodloe.

Credits: Producer, Bernard H. Hyman; director, W. S. Van Dyke; screenplay, Joseph L. Mankiewicz; story, Gottfried Reinhardt, Ethel Borden; film editor, Tom Held; music, Dimitri Tiomkin.

I LOST MY HEART IN HEIDELBERG. SEE The Student's Romance.

I LOVE A LASSIE. (A Harry Lauder Subject) Welsh-Pearson-Gainsborough. 1931. 1 reel, sd.

I LOVE AN ACTRESS. SEE The Great Flirtation.

I LOVE THAT MAN. 1933. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Harry Joe Brown; story, Gene Towne, Graham Baker; screenplay, Gene Towne, Graham Baker, Casey Robinson.

I LOVE TO SINGA. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Charles Jones, Virgil Ross; music, Norman Spencer.

I LOVE YOU. Triangle Film Corp. 1923. 6 reels. Re-edited and re-titled.

I LOVE YOU. SEE Lovin' the Ladies.

I LOVE YOU MADLY. SEE Te Quiero con Locura.

I LOVED A WOMAN. Presented by First National, Inc. and The Vitaphone Corp. 1933. 80 mins., sd. Based on novel by David Karsner.

Credits: Director, Alfred E. Green; screenplay, Charles Kenyon, Sidney Sutherland; film editor, Bert Levy.

I LOVED YOU WEDNESDAY. 1933. 6,900 ft., sd. From the comedy of the same name which is a revised version of "It Couldn't Happen Twice" by Molly Ricardel and William Du Bois.

Credits: Directors, Henry King, William Cameron Menzies; screenplay, Philip Klein, Horace Jackson; editor, Frank Hull.

I MARRIED A DOCTOR. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 9 reels, sd. From the novel "Main Street" by Sinclair Lewis.

Credits: Director, Archie Mayo; dramatization, Harriet Ford, Harvey O'Higgins; screenplay, Casey Robinson.

I MARRIED A SPY. 1938. 6 reels, sd. From the novel "Secret Lives" by Paul de Sainte-Colombe.

Credits: Producer, Hugh Perceval; director, Edmond Greville; screenplay, Basil Mason, Hugh Perceval, Edmond Greville.

I MET HIM IN PARIS. Presented by Adolph Zukor. 1937. 9 reels, sd.

Credits: Producer and director, Wesley Ruggles; story, Helen Meinardi; screenplay, Claude Binyon; editor, Otho Lovering; music director, Boris Morros.

I MET MY LOVE AGAIN. Released thru United Artists. 1938. 8 reels, sd. Based upon the novel "Summer Lightning" by Allene Corliss.

Credits: Directors, Arthur Ripley, Joshua Logan; screenplay, David Hertz; film editors, Otho Lovering, Edward Mann; music director, Rox Rommell.

I-O-U MY HEART. Trailer. 1936. 1 reel, sd.

I ONLY HAVE EYES FOR YOU. (Merrie Melodies) 1937. 8 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Bob Clampett, Virgil Ross; music, Carl W. Stalling.

I PROMISE TO PAY. 1937. 7 reels, sd.

Credits: Director, D. Ross Lederman; original screenplay, Mary C. McCall, Jr., Lionel Houser; film editor, James Sweeney; music director, Morris Stoloff.

I QUIT! Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

I SCREAM. 1934. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley, Eddie Moran.

I SELL ANYTHING. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 8 reels, sd.

Credits: Director, Robert Florey; story, Albert J. Cohen, Robert T. Shannon; screenplay, Brown Holmes, Sidney Sutherland.

I STAND ACCUSED. 1938. 7 reels, sd.

Credits: Associate producer and director, John H. Auer; original screenplay, Gordon Kahn; additional dialogue, Alex Gottlieb; film editor, Ernest Nims; music director, Cy Feuer.

I STAND CONDEMNED. Released thru United Artists. 1936. 8 reels, sd. Based on "Moscow Nights" by Pierre Benoit.

Credits: Producer, Alexis Granowsky; director, Anthony Asquith; scenario, Eric Siepmann; film editor, Francis D. Lyon.

I STOLE A MILLION. 1939. 10 reels, sd.

Credits: Associate producer, Burt Kelly; director, Frank Tuttle; original story, Lester Cole; screenplay, Nathanael West; film editor, Edward Curtis.

I SURRENDER, DEAR. (Educational Comedies) 1931. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

I SURRENDER, DEAR. Presented By E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earl Rodney, Harry McCoy; film editor, William Hornbeck.

I TAKE THIS WOMAN. 1931. 8 reels. From the novel "Lost Ecstasy" by Mary Roberts Rinehart.

Credits: Director, Marion Gering; adaptation, Vincent Lawrence.

I THANK YOU. SEE Eddie White in I Thank You.

I WANNA BE A LIFE GUARD. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

I WANNA PLAY HOUSE. (Merrie Melodies) 1936. 1 reel.

Credits: Animation, Cal Dalton, Sandy Walker.

I WANT MY MAN. 1925. 7 reels. From the novel "The Interpreter's House" by Struthers Burt.

Credits: Director, Lambert Hillyer; adapted and supervised. Earl Hudson; scenario, Joseph Poland, Earle Snell.

Credits: Producer, Charles E. Bartlett.

I WANT TO BE AN ACTRESS. (A Scrappy Cartoon) 1937. 628 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

I WANT TO FORGET. 1918. 5 reels.

Credits: Scenario and direction, James Kirkwood; story, Harry O. Hoyt, Hamilton Smith.

I WANTED RED WINGS. SEE Baby Rabbit in I Wanted Red Wings.

I WAS A CONVICT. 1939. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Aubrey Scotto; original story, Robert D. Andrews; screenplay, Ben Markson, Robert D. Andrews; film editor, Gene Milford; music director, Cy Feuer.

I WAS A SPY. Gaumont British Picture Corp. 1933. 7,750 ft., sd.

Credits: Director, Victor Saville; story, Marthe McKenna; scenario and dialogue, W. P. Lipscomb; additional dialogue, J. H. Beith.

I WILL BE FAITHFUL. SEE Human Cargo.

I WILL REPAY. 1916. 3 reels.

I WILL REPAY. 1917. 5 reels. Based on the story "A Municipal Report" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, William P. Searle; adaptation, William Addison Lathrop.

I WISH I HAD WINGS. (Merrie Melodies, no. 2) 1933. 1 reel.

Credits: Associate producer, Leon Schlesinger; drawings, Rollin Hamilton, Paul Smith; music score, Frank Marsales.

I WISHED ON THE MOON. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson.

I WONDER WHO'S KISSING HER NOW. 1931. 1 reel.

Credits: Max E. Fleischer; director, Dave Fleischer.

I YAM LOVE SICK. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, William Henning.

I YAM WHAT I YAM. (Popeye) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

IBANEZ' TORRENT. Cosmopolitan. 1926. 6,769 ft. From the novel by Vicente Blasco Ibanez.

Credits: Director, Monta Bell; adaptation, Dorothy Farnum; film editor, Frank Sullivan.

ICE ANTICS. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1939. 841 ft., sd., tinted.

Credits: Director, David Miller; music score, David Snell.

ICE BOX PIRATES. (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; scenario, Scott Darling.

ICE BOXED. (Krazy Kat Cartoon) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould.

ICE COLD. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Directors, W. Scott Darling, C. Richard Wallace.

ICE CUT-UPS. (News World of Sports) 1936. 1 reel.

Credits: Narration, Jack Kofoed; described by Ford Bond.

THE ICE FLOOD. Jewel. 1926. 6 reels.

Credits: Director, George B. Seitz; story, Johnston McCully; scenario, George B. Seitz, Gladys Lehman.

THE ICE FOLLIES OF 1939. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w, color sequences.

Credits: producer, Harry Rapf; director, Reinhold Schunzel; story, Leonard Praskins; screenplay, Leonard Praskins, Florence Ryerson, Edgar Allan Woolf; film editor, W. Donn Hayes; music directors, Franz Waxman, Georgie Stoll.

ICE FROLIC. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Lloyd French; story, Cyrus D. Wood, Eddie Forman.

ICE. THE FOOD DISTRIBUTOR. 1937. For Ice Refrigeration Bureau. Filmstrip. 55 frames, sd.

ICEBOUND. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,471 ft. From the play by Owen Davis.

Credits: Producer, William De Mille; screenplay, Clara Beranger.

ICELAND—LAND OF THE VIKINGS. (Fitzpatrick-M. G. M. Traveltalk) 1933. 1 reel, sd.

Credits: Compiled by James A. Fitzpatrick; music Nathaniel Shilkret; photographer, Frank Goodliffe.

THE ICELESS ARCTIC. (Camera Adventures) 1932. 1 reel, sd.

Credits: Producers, Pat Dowling, Hobart Brownell; narrative, Tom J. Geraghty.

THE ICE MAN. SEE Charles Rogers in The Ice Man.

THE ICEMAN'S BALL. 1932. 2 reels.

Credits: Director, Mark Sandrich; story, Ben Holmes, Tom Lennon; adaptation and dialogue, Bobby Clark, Mark Sandrich.

ICE MAN'S LUCK. (Oswald Snappy) 1929. 1 reel.

Credits: R. C. Hamilton.

THE ICE MEN. (Bill Corum, no. 6) 1937. 1 reel, sd.

ICH WILL NICHT WISSEN WER DU BIST (I DON'T WANT TO KNOW WHO YOU ARE). 1933. 10 reels, sd.

Credits: Director, Geza von Bolvary; story, Ernest Marischka, Gustav Holm; English titles, Michael L. Simmons; music, Robert Stolz.

ICY EYES. SEE Felix the Cat in Icy Eyes.

I'D CLIMB THE HIGHEST MOUNTAIN. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

I'D GIVE MY LIFE. Presented by Adolph Zukor. 1936. 8 reels, sd. Based on the play "The Noose" by H. H. Van Loan and Willard Mack.

Credits: Producer, Richard A. Rowland; director, Edwin L. Marin; screenplay, George O'Neil; additional dialogue, Ben Ryan; music and lyrics, Con Conrad, Herb Magidson; music director, Boris Morros.

I'D LOVE TO TAKE ORDERS FROM YOU. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Bob Clampett, Cecil Surry; music, Norman Spencer.

I'D RATHER BE YOUR WIFE THAN YOUR WIDOW. Presented by Goodrich. 1938. 1 reel, sd.

IDA, QUEEN OF THE AIR. SEE The Circus Queen.

IDAHO. 1925. 2 reels each. © Pathe Exchange, Inc.

Credits: Story, Theodore Burrell; adaptation, Frank Leon Smith.

1. Road Agents. © 25Feb25; LP21163.

2. Hands Up. © 25Feb25; LP21164.

3. The Stampede. © 25Feb25; LP21177.

4. Forbidden Testimony. © 4Mar25; LP21222.

5. Lawless Laws. © 9Mar25; LP21223.

6. Aroused. © 24Mar25; LP21266.

7. The Trap. © 24Mar25; LP21267.

8. The White Streak. © 6Apr25; LP21332.

9. Unmasked. © 8Apr25; LP21343.

10. Vigilantes. © 15Apr25; LP21359.

IDAHO RED. 1929. 6 reels.

Credits: Director, Robert DeLacy; story and continuity, Frank Howard Clark.

THE IDEA MAN. 1923. 1 reel.

Credits: Director, William Watson.

THE IDEAL LOVE. 1921. 5 reels. Title changed from "Dad's Girl."

IDENTIFIED. (Your True Adventures) 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Cyrus D. Wood.

IDIOT'S DELIGHT. Presented by Metro-Goldwyn-Mayer. 1939. 12 reels, sd., b&w. Based on the play by Robert E. Sherwood as produced by The Theatre Guild, Inc.

Credits: Producer, Hunt Stromberg; director, Clarence Brown; screenplay, Robert E. Sherwood; film editor, Robert J. Kern; music score, Herbert Stothart.

IDLE CHATTER. SEE Kramer and Boyle in Idle Chatter. Lou Holtz in Idle Chatter.

THE IDLE CLASS. 1921. 2 reels.

Credits: Written and directed by Charles Chaplin.

IDLE HANDS. SEE The Millionaire.

THE IDLE RICH. 1915. 1,000 ft.

Credits: Henry Beldon; director, Charles Ranson.

THE IDLE RICH. L-Ko. 1915. 2 reels.

THE IDLE RICH. 1922. 5 reels. Adapted from the story "Junk" by Kennett Harris.

Credits: Producer and director, Maxwell Karger; scenario, June Mathis.

THE IDLE RICH. 1929. 9 reels. From the play "White Collars" by Edith Ellis, which was based on the novelette by Edgar Franklin [pseud. of E. F. Stearns].

Credits: Director, William De Mille; film editor, Conrad A. Nervig.

AN IDLE ROOMER. Century. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

AN IDLE ROOMER. 1933. 2 reels, sd.

Credits: Director, Alf Goulding; story, Jack Henley, Glen Lambert.

IDLE ROOMERS. (Cameo Comedies) 1931. 9 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

IDLE TONGUES. First National. 1924. 6 reels. From the novel "Dr. Nye" by Joseph C. Lincoln.

Credits: Supervision, Thomas H. Ince; director, Lambert Hillyer; adaptation, C. Gardner Sullivan.

IDLE WIVES. Universal Special. 1916. 7 reels. From the novel by James Oppenheim.

Credits: Producers, the Smalleys; directed and adapted by Lois Weber, Phillips Smalley; scenario, Lois Weber.

IDLE WORKERS. (A Mirthquake Comedy) 1921. 2 reels.

Credits: Producer, Norman Manning.

THE IDLER. 1913. 1 reel.

Credits: Director, Tefft Johnson.

THE IDLER. 1914. 5 reels. Adapted from the play by C. Haddon Chambers.

THE IDOL DANCER. 1920. 7 reels.

Credits: Story, Gordon Ray Young; scenario, S. E. Z. Taylor.

THE IDOL OF FATE. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Will M. Hough.

THE IDOL OF SEVILLE. Released by Educational Film Exchanges, Inc. 1932. 21 min., sd. Suggested by the opera "Carmen."

Credits: Supervision, Antoine De Vally; director, Howard Higgin.

IDOL OF THE CROWDS. 1937. 6 reels, sd.

Credits: Producer, Trem Carr; director, Arthur Lubin; original story, George Waggner; screenplay, George Waggner, Harold Buckley; film editor, Charles Craft.

THE IDOL OF THE NORTH. 1921. 6 reels.

Credits: Director, R. William Neill; story, Jack Clark Miller; scenario, Frank S. Beresford.

Credits: Director, Webster Cullison.

IDOLS. SEE The Oath.

IDOLS OF CLAY. Gold Seal. 1915. 3 reels.

Credits: Scenario and production, Robert Leonard.

IDOLS OF CLAY. 1920. 6 reels.

Credits: Story, Onida Bergere.

THE IDYL OF RED GULCH. SEE The Man from Red Gulch.

AN IDYLL OF THE HILLS. Rex. 1915. 2 reels.

IF AT FIRST YOU DON'T SUCCEED. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

IF I HAD A MILLION. 1932. 9 reels, sd. Based on the novel "Windfall" by Robert D. Andrews.

Credits: Directors, Ernst Lubitsch, Norman Taurog [and others]; screenplay, Claude Binyon [and others].

IF I MARRY AGAIN. 1924. 8 reels.

Credits: Director, John Francis Dillon; story, Gilbert Frankau.

IF I WERE FREE. 1933. 7 reels, sd. From the play "Behold We Live" by John Druten.

Credits: Associate producer, Kenneth MacGowan; director, Elliott Nugent; screenplay, Dwight Taylor; film editor, Arthur Roberts; music director, Max Steiner.

IF I WERE KING. 1920. 8 reels. From the story and play by Justin Huntly McCarthy.

Credits: Director, J. Gordon Edwards; scenario, E. Lloyd Sheldon.

IF I WERE KING. Presented by Adolph Zukor. 1938. 11 reels, sd. From the play by Justin Huntly McCarthy.

Credits: Producer and director, Frank Lloyd; screenplay, Preston Sturges; film editor, Hugh Bennett.

IF I WERE KING. SEE The Vagabond King.

IF I WERE QUEEN. Presented by P. A. Powers. Released by Film Booking Offices of America, Inc. 1922. 6 reels. From the story "The Three Cornered Kingdom" by Vernet Rabell.

Credits: Director, Wesley Ruggles; scenario, Carol Warren.

IF I WERE SINGLE. 1927. 7 reels.

Credits: Director, Roy Del Ruth; story and scenario, Robert Lord.

IF I WERE YOUNG AGAIN. 1914. 2,000 ft.

Credits: Producer, F. J. Grandon.

IF I'M ELECTED. 1932. 1 reel.

Credits: Director, Alf Goulding; story, A. Dorian Otvos, Jack Henley.

IF IT HAD ONLY BEEN TRUE. SEE Bingle's Nightmare.

IF MARRIAGE FAILS. Released by F. B. O. 1925. 7 reels.

Credits: Director, John Ince; story and scenario, C. Gardner Sullivan.

IF MEN PLAYED CARDS AS WOMEN DO. 1929. 1 reel.

Credits: Story, George S. Kaufman.

IF MY COUNTRY SHOULD CALL. Red Feather. 1916. 5 reels. Suggested by a story by Virginia Terhune Van de Water.

Credits: Director, Joseph De Grasse; scenario, Ida May Park.

IF ONLY JIM. 1921. 5 reels.

Credits: Director, Jacques Jaccard; story, Philip V. Mighels; scenario, George C. Hull.

IF THE GODS LAUGH. SEE Fighting Love.

IF THIS ISN'T LOVE. 1934. 2 reels, sd.

Credits; Producer, Lee Marcus; director, Leigh Jason; story, Leigh Jason, John Clymer; additional dialogue, John Twist; film editor, John Lockert; music director, Roy Webb.

IF WINTER COMES. 1923. 12 reels, b&w, tinted sequences. From the novel by A. S. M. Hutchinson.

Credits: Director, Harry Millarde; scenario, Paul Sloane.

IF WOMEN ONLY KNEW. 1921. 6 reels. Based on "Meditations on Marriage" by Balzac.

Credits: Director, E. H. Griffith; adaptation, Gardner Hunting.

IF YOU BELIEVE IT, IT'S SO. 1922. 7 reels.

Credits: Director, Tom Forman; adaptation, Waldemar Young; story, Perley Poore Sheehan.

IF YOU COULD ONLY COOK. 1935. 7 reels, sd.

Credits: Director, William A. Seiter; story, F. Hugh Herbert; screenplay, Gertrude Purcell, Howard J. Green; film editor, Gene Havlick.

IGLOO. 1932. 6 reels.

Credits: Director, Ewing Scott; narrative by Edward T. Lowe, Wilfred Lucas; narrator, Gayne Whitman.

IGNATZ'S ICY INJURY. 1916. 2 reels.

IHRE HOHEIT BEFIEHLT (HER HIGHNESS COMMANDS) 1931. 92 min., sd.

Credits: Supervision, Max Pfeiffer; director, Hanns Schwarz; scenario, Paul Frank, Billie Wilder; music, Werner R. Heymann.

I'LL BE GLAD WHEN YOU'RE DEAD YOU RASCAL YOU. 1932. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Ralph Somerville.

I'LL BE SUING YOU. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd.

Credits: Director, Gus Meins; film editor, Louis McManus.

I'LL FIX IT. Nestor. 1918. 1 reel.

I'LL FIX IT. 1934. 7 reels, sd.

Credits: Director, Roy William Neill; story, Leonard Spigelgass; screenplay, Ethel Hill, Dorothy Howell.

I'LL GET HER YET. Imp. 1916. 2 reels.

Credits: Written and produced by Roy Clements.

I'LL GET HIM YET. Paramount. Presented by New Art Film Co. 1919. 5 reels.

Credits: Director, Elmer Clifton; story, Harry Carr.

I'LL GIVE A MILLION. 1938. 6,700 ft., sd.

Credits: Director, Walter Lang; story, Cesare Zavattini, Gaici Mondaini; screenplay, Milton Sperling, Boris Ingster; music director, Louis Silvers.

I'LL LOVE YOU ALWAYS. 1935. 7 reels, sd.

Credits: Director, Leo Bulgakov; story, Lawrence Hazard; screenplay, Vera Caspary; film editor, Richard Cahoon.

I'LL NAME THE MURDERER. 1936. 7 reels, sd.

Credits: Producer, C. C. Burr; director, Raymond K. Johnson; story and screenplay, Philip Dunham; special dialogue, Edwin K. O'Brien; editor, Charles Henkle; music and lyrics, Gene Johnston, C. Ward Dudley; music director, Gene Johnston.

I'LL SAY SO. 1918. 5 reels.

Credits: Director, Raoul A. Walsh; scenario and editing, Ralph H. Spence.

I'LL SHOW YOU THE TOWN. Jewel. 1925. 8 reels. From the novel by Elmer Davis.

Credits: Director, Harry A. Pollard; scenario, Raymond L. Schrock.

I'LL TAKE ROMANCE. 1937. 9 reels, sd.

Credits: Producer, Everett Riskin; director, Edward H. Griffith; story, Stephen Morehouse Avery; screenplay, George Oppenheimer, Jane Murfin; film editors, Otto Meyer, William Lyon; music director, Morris Stoloff.

I'LL TAKE THAT ONE. (Checker Comedies) 1930. 2 reels, sd.

Credits: Producer, Gordon Bostock; director, Monty Banks; film editor, A. Knott.

I'LL TAKE VANILLA. (Hal Roach Comedy) (A Charley Chase Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Charles Parrott, Eddie Dunn; film editor, William Terhune.

I'LL TELL THE WORLD. 1934. 9 reels.

Credits: Director, Edward Sedgwick; story, Lincoln Quarberg, Frank Wead; screenplay, Dale Van Every, Ralph Spence.

AN ILL WIND. 1930. 2 reels.

ILLEGAL. 1932. 72 min., sd.

Credits: Director, William McGann; story, Irving Asher; screenplay and dialogue, Roland Pertwee.

ILLEGAL TRAFFIC. Presented by Adolph Zukor. 1938. 7 reels, sd.

Credits: Director, Louis King; original story and screenplay, Robert Yost, Lewis Foster, Stuart Anthony.

ILLICIT. Warner Bros, and Vitaphone. 1931. 8 reels, sd. Based on the play by Edith Fitzgerald and Robert Riskin.

Credits: Director, Archie Mayo; screen adaptation, Harvey Thew.

ILLUMINATION. 1931. 997 ft.

ILLUSION. 1929. Si. & sd. From the novel by Arthur Train.

Credits: Director, Lothar Mendes; titles, Richard H. Digges, Jr.; adaptation, E. Lloyd Sheldon.

ILLUSIONS. SEE Fred Keating in Illusions.

THE ILLUSTRIOUS CORPSE. SEE Strangers of the Evening.

I'M A BIG SHOT NOW. (Merrie Melody) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Jack Carr, Riley Thomson; music, Bernard Brown.

I'M A FATHER. 1935. 2 reels.

Credits: Director, James W. Horne; story and screenplay, Preston Black; film editor, James Sweeney.

I'M A FUGITIVE FROM A CHAIN STORE. 1933. 2 reels.

Credits: Director, Lester Neilson; story and dialogue, Edmund Joseph.

I'M A WILD WOMAN. 1930. 1 reel, sd.

Credits: Director, Jack Partington.

I'M AFRAID THAT'S ALL. SEE Red Corcoran—I'm Afraid That's All.

I'M AFRAID TO COME HOME IN THE DARK. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; arranged by Max Fleischer.

I'M CURED. 1924. 2 reels.

Credits: Director, Eugene De Rue.

I'M FOREVER BLOWING BUBBLES. 1930. 1 reel, sd.

Credits: Producer, Max Fleischer.

I'M FROM MISSOURI. 1939. 9 reels, sd. Based on stories by Homer Croy and Julian Street.

Credits: Producer, Paul Jones; director, Theodore Reed; screenplay, John C. Moffitt, Duke Atteberry; film editor, Archie Marshek.

I'M FROM THE CITY. 1938. 66 min., sd.

Credits: Producer, William Sistrom; direction and original story, Ben Holmes; screenplay, Nicholas T. Barrows, Robert St. Clair, John Grey; editor, Ted Cheesman; music director, Roy Webb.

IM GEHEIMDIENST (SECRET SERVICE). 1931. 11 reels.

Credits: Director, Gustav Ucicky; scenario, Walter Reisch.

I'M GLAD MY BOY GREW UP TO BE A SOLDIER. 1915. 4 reels. A version of the song "I Didn't Raise My Boy To Be a Soldier".

Credits: Director, Frank Beal; scenario, Gilson Willets.

I'M JUST A JITTERBUG. (A Walter Lantz Cartune) 1939. 1 reel.

Credits: Director, Alex Lovy; story, Victor McLeod; animation, Merle Gilson, Hicks Lokey.

I'M MUCH OBLIGED. (Broadway Brevity) 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

I'M NO ANGEL. 1933. 9 reels.

Credits: Director, Wesley Ruggles; story, screenplay, and dialogue, Mae West; continuity, Harlan Thompson.

I'M TELLING YOU. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Harry W. Conn; dialogue staged by Max E. Hayes.

I'M YOUR HUSBAND. Nestor. 1916. 1 reel.

Credits: Written and directed by Leslie T. Peacocke.

IMA VAMP, FAIRYLAND, and MEMORIES. 1920. 2 reels.

Credits: Written and directed by Ward Lascelle.

IMAGINE MY EMBARRASSMENT. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor, Richard Currier.

IMAGINE MY EMBARRASSMENT. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor, Richard Currier.

IMAGINE MY EMBARRASSMENT. SEE Frank Orth and Ann Codee in Imagine My Embarrassment.

IMITATION OF LIFE. Presented by Carl Laemmle. 1934. 12 reels, sd. From the novel by Fannie Hurst.

Credits: Producer, Carl Laemmle, Jr.; director, John M. Stahl; screenplay, William Hurlbut; film editor, Phil Cohn.

THE IMMIGRANT. 1917. 2 reels.

THE IMMORTAL BRUSH. 1938. 9 min., sd., color.

Credits: Commentator, Dwight West.

Credits: Written and directed by Ivan Abramson.

THE IMMORTAL VOICE. 1923. 1 reel.

Credits: Director, J. A. Norling.

THE IMMOVABLE GUEST. (Paramount-Flagg Comedy) 1919. 2 reels. Based on the comedy by James Montgomery Flagg.

THE IMP. 1919. 5 reels.

Credits: Director, Robert Ellis; story, Elsie Janis, Edmund Goulding.

IMPACT. (How to Break 90, no. 5) Presented by Warner Bros. Pictures and the Vitaphone Corp. 1933. 1 reel.

Credits: Director, George E. Marshall; story, Andrew Bennison.

THE IMPATIENT MAIDEN. 1932. 9 reels. From the novel by Donald Henderson Clarke.

Credits: Director, James Whale; screenplay, Richard Schayer, Winifred Dunn.

AN IMPERFECT IMPOSTER. SEE Irish Luck.

THE IMPERFECT LOVER. Century. 1923. 2 reels.

Credits: Written and directed by Archie Mayo.

IMPERIAL DELHI. (A FitzPatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1938. 779 ft., sd., color.

Credits: Music, Jack Shilkret; photographer, Hone M. Glending.

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