In the correspondence of Elizabeth Fry there occurs a very striking and suggestive passage. When Mrs. Fry began to meet with great success in her work among the English prisons, some of the Quakers feared that her triumphs would engender pride in her own soul and destroy her spirituality. At last the thing became nauseous and intolerable, and she wrote, 'The prudent fears that the good have for me try me more than most things, and I find that it calls for Christian forbearance not to be a little put out by them. I am confident that we often see the Martha spirit of criticism enter in, even about spiritual things.O Lord, enable us to keep our ranks in righteousness!'
Tramp! tramp! tramp! tramp!
'And Enoch walked with God.'
'And Noah walked with God.'
'And Abraham walked with God.'
'And Moses walked with God.'
Tramp! tramp! tramp! tramp!
'All these men of warthat could keep rankcame with a perfect heart to make David king over all Israel.'
'O Lord, enable us to keep our ranks in righteousness!'
'First officers are often worse than skippers,' remarked the night watchman in Mr. W. W. Jacobs'Light Freights. 'In the first place, they know they ain't skippers, and that alone is enough to put 'em in a bad temper, especially if they've 'ad their certificate a good many years, and can't get a vacancy.' I fancy there is something in the night watchman's philosophy; and I am therefore writing a word or two for the special benefit of first mates. I am half inclined to address it 'to first mates only,' for to second mates, third mates, and other inferior officers I have nothing to say. But the first mate evokes our sympathy on the ground that the night watchman states so forcibly, 'First mates know they ain't skippers, and that alone is enough to put 'em in a bad temper.' It is horribly vexatious to be next door to greatness. An old proverb tells us that a miss is as good as a mile; but like most proverbs, it is as false as false can be. A mile is ever so much better than a miss.
I am fond of cricket, and am president of a certain club. I invariably attend the matches unless the house happens to be on fire. I have enough of the sporting instinct to be able to take defeat cheerfully—if the defeat falls within certain limits. It must not be so crushing as to be a positive humiliation, nor must it be by so fine a margin as to constitute itself a tantalization. Of the two, I prefer the former to the latter. The former can be dismissed under certain recognized forms. 'The glorious uncertainty of cricket!' you say to yourself. 'It's all in the game; and the best side in the world sometimes has an off day!' But, if, after a great struggle, you lose by a run, you go home thinking uncharitable thoughts of the bowler who might have prevented the other fellow from making a certain boundary hit, of the wicket-keeper who might have saved a bye, or of the batsman who might easily have got a few more runs if he hadn't played such a ridiculously fluky stroke. To be beaten by a hundred runs is bad, but bearable; to be beaten by an innings and a hundred runs is humiliating and horrible; to be beaten by a single run is exasperating and intolerable.
The same thing meets us at every turn. A few minutes ago I picked up theLife of Lord Randolph Churchill, by his son. In the very first chapter there is a letter written by Dr. Creighton to the Duchess of Marlborough commiserating her ladyship on the fact that Lord Randolph had been placed in the second class at the December examinations at Oxford. 'I must own,' the Bishop writes, 'that I was sorry when I heard how narrowly Lord Randolph missed the first class; a few more questions answered, and a few more omissions in some of his papers, and he would have secured it. He was, I am told by the examiners, the best man who was put into the second class; and the great hardship is, as your Grace observes, that he should be in the same class with so many who are greatly his inferior in knowledge and ability. It is rather tantalizing to think that he came so near;if he had been farther off I should have been more content.' Now that is exactly the misery of the first mate. He is so near to being a skipper, so very near. He even carries continually in his pocket the official papers that certify that he is fully qualified to be a skipper. And yet, for all that, he is not a skipper. Sometimes, indeed, he fancies that he will never be a skipper. It is very trying. I am sorry—genuinely sorry—for the first mate. What can I say to help him?
Perhaps the thing that he will most appreciate is a reminder of the tremendous debt that the world owes to its first mates. I was reading the other day Dasent's greatLife of Delane. Among the most striking documents printed in these five volumes are the letters that Delane wrote from the seat of war during the struggle in the Crimea to the substitute who occupied his own editorial chair in the office ofThe Times. And the whole burden of those letters is to show that England was saved in those days by a first mate. 'The admiral,' he says in one letter, 'is by no means up to his position. The real commander is Lyons, who is just another Nelson—full of energy and activity.' Two days later, he says again, 'Nothing but the energy and determination of Sir E. Lyons overcame the difficulties and "impossibilities" raised by those who seem to have always a consistent objection to doing anything until their "to-morrow" shall arrive. All the credit is due to him, and to him alone, for our admiral never left his ship, which was anchored three miles from the shore, and contented himself with sending the same contingent of men and boats as the other ships.' And, writing again after the landing had been effected, Delane says, 'Remember always, that, in the great credit which the success of this landing deserves, Dundas has no share. Lyons has done all, and this in spite of discouragement such as a smaller man would have resented. Nelson could not have done better, and, indeed, his case at Copenhagen nearly resembles this.' Here, then, is a feather in the cap of the first mate. He may often save a vital situation which, in the hands of a dilatory skipper, might easily have been lost. The skipper is skipper, and knows it. He is at the top of the tree, and there remains nothing to struggle after. He is apt to rest on his laurels and lose his energy. This subtle tendency is the first mate's opportunity. The ship must not be lost because the skipper goes to sleep. Everything, at such an hour, depends on the first mate.
Nor is it only in time of war and of crisis that the first mate comes to his own. In the arts of peace the selfsame principle holds good. What could our literature have done without the first mate? And in the republic of letters the first mate is usually a woman. It is only quite lately that women have, to any appreciable extent, applied themselves to the tasks and responsibilities of authorship. Until well into the eighteenth century, Mrs. Grundy scowled out of countenance any intrepid female who threatened to invade the sacred domain. In 1778, however, Miss Fanny Burney braved the old lady's wrath, publishedEvelina, and became the pioneer of a new epoch. One of these days, perhaps on the bi-centenary of that event, the army of women who wield the pen will erect a statue to the memory of that courageous and brilliant pathfinder. When they do so, two memorable scenes in the life of their heroine will probably be represented in bas-relief upon the pedestal. The one will portray Miss Burney, hopeless of ever inducing a biased public to read a woman's work, making a bonfire of the manuscripts to which she had devoted such patient care. The other will illustrate the famous scene when Miss Burney danced a jig to Daddy Crisp round the great mulberry-tree at Chessington. It was, her diary tells us, the uncontrollable outcome of her exhilaration on learning of the praise which the great Dr. Johnson bestowed onEvelina. 'It gave me such a flight of spirits,' she says, 'that I danced a jig to Mr. Crisp, without any preparation, music, or explanation, to his no small amazement and diversion.' Macaulay declared that Miss Burney did for the English novel what Jeremy Collier did for the English drama; and she did it in a better way. 'She first showed that a tale might be written in which both the fashionable and the vulgar life of London might be exhibited with great force, and with broad comic humour, and which should yet contain not a single line inconsistent with rigid morality, or even with virgin delicacy. She took away the reproach which lay on a most useful and delightful species of composition.' Prejudice, however, dies hard; and the same writer tells us in another essay that seventy years later, some reviewers were still of opinion that a lady who dares to publish a book renounces by that act the franchises appertaining to her sex, and can claim no exemption from the utmost rigour of critical procedure.
But, however strong may have been the prejudice against a woman becoming captain, and taking her place upon the bridge, nobody could object to her becoming first mate; and it is as first mate that woman has rendered the most valuable service. A few, like Fanny Burney and Jane Austen and Charlotte Brontë and George Eliot, may have become skippers; but we could better afford to lose all the works of such writers than lose the influence which women have exerted over captains whom they served in the capacity of first mate. It was a saying of Emerson's that a man is entitled to credit, not only for what he himself does, but for all that he inspires others to do. To no subject does this axiom apply with greater force than to this. It would be a fatal mistake to suppose that the contribution of women to the republic of letters begins and ends with the works that bear feminine names upon their title-pages. Our literature is adorned by a few examples of acknowledged collaboration between a man and a woman, and only in very rare instances is the woman the minor contributor. But, in addition to these, there are innumerable records of men whose names stand in the foremost rank among our laureates and teachers yet whose work would have been simply impossible but for the woman in the background. From a host of examples that naturally rush to mind we may instance, almost at random, the cases of Wordsworth, Carlyle, and Robert Louis Stevenson. In the days of his restless youth, when Wordsworth was in danger of entangling himself in the military and political tumults of the time, it was his sister who recalled him to his desk and pointed him along the road that led to destiny. 'It is,' Miss Masson remarks, 'in moments such as this that men, especially those who feed on their feelings, become desperate, and think and do desperate acts. It was at this critical moment for Wordsworth that his sister Dorothy stepped into his life and saved him.' 'She soothed his mind,' the same writer says again, banished from it both contemporary politics and religious doubts, and infused instead love of beauty and dependence on faith, and so she re-awoke craving for poetic expression.'
She, in the midst of all, preserved him stillA poet; made him seek beneath that name,And that alone, his office upon earth.
Poor Dorothy! She accompanied her brother on more than half his wanderings; she pointed out to him more than half the loveliness that is embalmed in his verses; she suggested to him half his themes. As the poet himself confessed:
She gave me eyes, she gave me ears,And humble cares, and delicate fears;A heart, the fountain of sweet tears;And love, and thought, and joy.
Yes, the world owes more than it will ever know to first mates as loyal and true and helpful as Dorothy Wordsworth. The skipper stands on the bridge and gets all the glory, but only he and the first mate know how much was due to the figure in the background. Think, too, of that bright spring day, nearly fifty years ago now, when a lady, driving through Hyde Park to see the beauty of the crocuses and the snowdrops, was seen to lurch suddenly forward in her carriage, and a moment after was found to be dead. 'It was a loss unspeakable in its intensity for Carlyle,' Mr. Maclean Watt says in his monograph. 'This woman was one of the bravest and brightest influences in his life, though, perhaps, it was entirely true that he was not aware of his indebtedness until the Veil of Silence fell between.' The skipper never is aware of his indebtedness to the first mate; that is an essential feature of the relationship. It is the glory of the first mate that he works without thought of recognition or reward; glad if he can keep the ship true to her course; and ever proud to see the skipper crowned with all the glory. Carlyle's debt to his wife is one of the most tragic stories in the history of letters. 'In the ruined nave of the old Abbey Kirk,' the sage tells us, 'with the skies looking down on her, there sleeps my little Jeannie, and the light of her face will never shine on me more. I say deliberately her part in the stern battle (and except myself none knows how stern) was brighter and braver than my own.'
And in Stevenson's case the obligation is even more marked. 'What a debt he owed to women!' one of his biographers exclaims. 'In his puny, ailing infancy, his mother and his nurse Cummie had soothed and tended him; in his troubled hour of youth he had found an inspirer, consoler, and guide in Mrs. Sitwell to teach him belief in himself; in his moment of failure, and struggle with poverty and death itself, he had married a wife capable of being his comrade, his critic, and his nurse.' We owe all the best part of Stevenson's work to the presence by his side of a wife who possessed, as Sir Sidney Colvin testifies, 'a character as strong, interesting, and romantic as his own. She was the inseparable sharer of all his thoughts; the staunch companion of all his adventures; the most open-hearted of friends to all who loved him; the most shrewd and stimulating critic of his work; and in sickness, despite her own precarious health, the most devoted and most efficient of nurses.'
Dorothy Wordsworth, Jane Carlyle, and Fanny Stevenson are representatives of a great host of brave and brilliant women without whom our literature would have been poor indeed. Some day we shall open a Pantheon in which we shall place splendid monuments to our first mates. At present we fill our Westminster Abbeys with the statues of skippers. But, depend upon it, injustice cannot last for ever. Some day the world will ask, not only, 'Was this man great?' but also, 'Who made this man so great?' And when this old world of ours takes it into its head to ask such questions, the day of the first mate will at last have dawned.
One other word ought to be said, although it seems a cruel kindness to say it. It is this. There are people who succeed brilliantly as first mates, but who fail ignominiously as skippers. Aaron is, of course, the classical example. As long as Moses was skipper, and Aaron first mate, everything went well. But Moses withdrew for awhile, and then Aaron took command. 'And the Lord said unto Moses, Go, get thee down; for thy people, which thou broughtest out of the land of Egypt, have corrupted themselves. They have turned aside quickly out of the way which I commanded them; they have made a molten calf, and have worshipped it, and have sacrificed thereunto, and said, These be thy gods, O Israel, which have brought thee up out of the land of Egypt!' As long, I say, as Moses was skipper and Aaron first mate, Aaron did magnificently. But when Aaron took command, he was, as Dr. Whyte says, 'a mere reed shaken with the wind; as weak and as evil as any other man. Those forty days that Moses spent on the mount brought out, among other things, both Moses' greatness and Aaron's littleness and weakness in a way that nothing else could have done. "Up, make us gods, which shall go before us; for, as for this Moses, we know not what is become of him." And Aaron went down like a broken reed before the idolatrous clamour of the revolted people.' The day of judgement, depend upon it, will be a day of tremendous surprises. And not least among its astonishments will be the disclosure of the immense debt that the world owes to its first mates. And the first mates who never become skippers will in that great day understand the reason why. And when they know the reason why, they will be among the most thankful of the thankful. It will be so much better for me to be applauded at the last as a good and faithful first mate than to have to confess that, as skipper, I drove the vessel on the rocks.
I can see them now as they come, very slowly and in single file, down the winding old lane. The declining sun is shining through the tops of the poplars, the zest of daytime begins to soften into the hush and cool of evening, when they come leisurely sauntering through the grass that grows luxuriously beside the road. One after another they come quietly along—Cherry and Brindle, Blossom and Darkie, Beauty and Crinkle, Daisy and Pearl. A stranger watching them as they appear round the bend of the pretty old lane fancies each of them to be the last, and has just abandoned all hope of seeing another, when the next pair of horns makes its unexpected appearance. They never hurry home; they just come. A particularly tempting wisp in the long sweet grass under the hedge will induce an instant halt. The least thing passing along the road stops the whole procession; and they stare fixedly at the intruder till he is well on his way. And then, with no attempt to make up for lost time, they jog along at the same old pace once more. It is good to watch them. When the whirl of life is too much for me; when my brain reels and my temples throb; when the hurry around me distracts my spirit and disturbs my peace; when I get caught in the tumult and the bustle and the rush—then I like to throw myself back in my chair for a moment and close my eyes. I am back once more in the dear old lane among the haws and the filberts. I catch once more the smell of the brier. I see again the squirrel up there in the oak and the rabbit under the hedge. I listen as of old to the chirp of the grasshopper in the stubble, to the hum of the bees among the foxgloves, to the song of the blackbird on the hawthorn, and, best of all—yes, best of all for brain unsteadied and nerve unstrung—I see the cows coming home.
It is a great thing to be able to believe the whole day long that, when evening comes, the cows will all come home. That is the faith of the milkmaid. As the day drags on she looks through the lattice window and catches occasional glimpses of Cherry and Brindle, Blossom and Darkie, Beauty and Crinkle, Daisy and Pearl. They are always wandering farther and farther away across the fields; but she keeps a quiet heart. In her deepest soul she cherishes a lovely secret. She knows that, when the sunbeams slant through the tall poplar spires, the cows will all come home. She does not pretend to understand the mysterious instinct that will later on turn the faces of Cherry and Brindle towards her. She cannot explain the wondrous force that will direct Blossom and Darkie into the old lane, and guide them along its folds to the white gate down by the byre. But where she cannot trace she trusts. And all day long she clings to her sunny faith without wavering. She never doubts for a moment that the cows will all come home.
Is there anything in the wide world more beautiful than the confidence of a good woman in the salvation of her children? For years they cluster round her knee; she reads with them; prays with them; welcomes their childish confidences. Then, one by one, away they go! The heat of the day may bring waywardness, and even shame; but, like the milkmaid watching the cows through the lattice, she is sure they will all come home. Think of Susanna Wesley with her great family of nineteen children around her. What a wonderful story it is, the tale of her personal care and individual solicitude for the spiritual welfare of each of them! And what a picture it is that Sir A. T. Quiller-Couch has painted of the holy woman's deathbed! John arrives and is welcomed at the door by poor Hetty, the prodigal daughter.
'"The end is very near—a few hours perhaps!" Hetty tells him.
'"And she is happy?"
'"Ah, so happy!" Hetty's eyes brimmed with tears and she turned away.
'"Sister, that happiness is for you, too. Why have you, alone of us, so far rejected it?"
'Hetty stepped to the door with a feeble gesture of the hands. She knew that, worn as he was with his journey, if she gave him the chance he would grasp it and pause, even while his mother panted her last, to wrestle for and win a soul—not because she, Hetty, was his sister, but simply because hers was a soul to be saved. Yes, and she foresaw that sooner or later he would win; that she would be swept into the flame of his conquest. She craved only to be let alone; she feared all new experience; she distrusted even the joy of salvation. Life had been too hard for Hetty.' And on another page we have an extract from Charles's journal. 'I prayed by my sister, a gracious, tender, trembling soul; a bruised reed which the Lord will not break.'
The cows had all come home. The milkmaid's faith had not failed.
The happiest people in the world, and the best, are the people who go through life as the milkmaid goes through the day, believing that before night the cows will all come home. It is a faith that does not lend itself to apologetics, but, like the coming of the cows, it seems to work out with amazing regularity. It is what Myrtle Reed would call 'a woman's reasoning.' It isbecauseit is. The cows will all come homebecausethe cows will all come home.
'Good wife, what are you singing for? you know we've lostthe hay,And what we'll do with horse and kye is more than I can say;While, like as not, with storm and rain, we'll lose both cornand wheat.'She looked up with a pleasant face, and answered low and sweet,There is a Heart, there is a Hand, we feel but cannot see;We've always been provided for, and we shall always be.'
'That's like a woman's reasoning, we must because we must!'She softly said, 'I reason not, I only work and trust;The harvest may redeem the hay, keep heart whate'er betide;When one door's shut I've always found another open wide.There is a Heart, there is a Hand, we feel but cannot seeWe've always been provided for, and we shall always be.'
The fact is that the milkmaid has a kind of understanding with Providence. She is in league with the Eternal. And Providence has a way of its own of keeping faith with trustful hearts like hers. I was reading the other day Commander J. W. Gambier'sLinks in my Life, and was amused at the curious inconsistency which led the author first to sneer at Providence and then to bear striking witness to its fidelity. As a young fellow the Commander came to Australia and worked on a way-back station, but he had soon had enough. 'I was to try what fortune could do for a poor man; but I believed in personal endeavour and the recognition of it by Providence.I did not know Providence.'
'I did not know Providence!' sneers our young bushman.
'The cows will all come home,' says the happy milkmaid.
But on the very same page that contains the sneer Commander Gambier tells this story. When he was leaving England the old cabman who drove him to the station said to him, 'If you see my son Tom in Australia, ask him to write home and tell us how he's getting on.' 'I explained,' the Commander tells us, 'that Australia was a big country, and asked him if he had any idea of the name of the place his son had gone to. He had not.' As soon as Commander Gambier arrived at Newcastle, in New South Wales, he met an exceptionally ragged ostler. As the ostler handed him his horse, Mr. Gambier felt an irresistible though inexplicable conviction that this was the old cabman's son. He felt absolutely sure of it; so he said:
'Your name is Fowles, isn't it?'
He looked amazed, and seemed to think that his questioner had some special reason for asking him, and was at first disinclined to answer. But Mr. Gambier pressed him and said, 'Your father, the Cheltenham cab-driver, asked me to look you up.'
He then admitted that he was the man, and Mr. Gambier urged him to write to his father. All this on the selfsame page as the ugly sneer about Providence!
And a dozen pages farther on I came upon a still more striking story. Commander Gambier was very unfortunate, very homesick, and very miserable in Australia. He could not make up his mind whether to stay here or return to England. 'At last,' he says, 'I resolved toleave it to fate.' The only difference that I can discover between the 'Providence' whom Commander Gambier could not trust, and the 'fate' to which he was prepared to submit all his fortunes, is that the former is spelt with a capital letter and the latter with a small one! But to the story. 'On the road where I stood was a small bush grog-shop, and the coaches pulled up here to refresh the ever-thirsty bush traveller. At this spot the up-country and down-country coaches met, and I resolved that I would get into whichever came in first,leaving it to destinyto settle. Looking down the long, straight track over which the up-country coach must come, I saw a cloud of dust, and well can I remember the curious sensation I had that I was about to turn my back upon England for ever! But in the other direction a belt of scrub hid the view, the road making a sharp turn. And then, almost simultaneously, I heard a loud crack of a whip, and round this corner, at full gallop, came the down coach, pulling up at the shanty not three minutes before the other! I felt like a man reprieved, for my heart was really set on going home; and I jumped up into the down coach with a great sense of relief!' And thus Mr. Gambier returned to England, became a Commander in the British Navy, and one of the most distinguished ornaments of the service. He sneers at 'Providence,' yet trusts to 'fate,' and leaves everything to 'destiny'! The milkmaid's may be an inexplicable confidence; but this is an inexplicable confusion. Both are being guided by the same Hand—the Hand that leads the cows home. She sees it and sings. He scouts it and sneers. That is the only difference.
Carlyle spent the early years of his literary life, until he was nearly forty, among the mosshags and isolation of Craigenputtock. It was, Froude says, the dreariest spot in all the British dominions. The house was gaunt and hungry-looking, standing like an island in a sea of morass. When he felt the lure of London, and determined to fling himself into its tumult, he took 'one of the biggest plunges that a man might take.' But in that hour of crisis he built his faith on one great golden word. 'All things work together for good to them that love God,' he wrote to his brother. And, later on, when his mother was in great distress at the departure of her son, Alick, for America, Carlyle sent her the same text. 'You have had much to suffer, dear mother,' he wrote, 'and are grown old in this Valley of Tears; but you say always, as all of us should say, "Have we not many mercies too?" Is there not above all, and in all, a Father watching over us, through whom all sorrows shall yet work together for good? Yes, it is even so. Let us try to hold bythatas an anchor both sure and steadfast.' Which is another way of saying, 'It is all right, mother mine. Let them wander as they will whilst the sun is high; when it slants through the poplars the cows will all come home!'
The homeward movement of the cows is part of the harmony of the universe. Man himself goeth forth, the psalmist says, unto his work and to his labour until the evening. Until the evening—and then, like the cows, he comes home. It is this sense of harmony between the coming of the cows on the one hand, and all their environment on the other, that gave Gray the opening thought for his 'Elegy in a Country Churchyard':
The curfew tolls the knell of parting day,The lowing herd winds slowly o'er the lea,The ploughman homeward plods his weary way,And leaves the world to darkness and to me.
Here are two pictures—the tired ploughman and the lowing herd both coming home; and the two together make up a perfect harmony. It is a stroke of poetic genius. We are made to feel the weariness of the tired ploughman in order that we may be able to appreciate the restfulness of the evening, the solitude of the quiet churchyard, and the cows coming slowly home. I blamed myself at the beginning for sometimes getting caught in the fever and tumult of life; but then, if I never knew such exhausting experiences, I should never be able to enjoy the delicious stillness of the evening, I should never be able to see the beauty of the herd winding so slowly o'er the lea. It is just because the ploughman has toiled so hard, and done his work so well, that his weariness blends so perfectly with the restfulness of the dusk. For it is only those who have bravely borne the burden and heat of the day who can relish the sweetness and peace of the twilight. It is a man's duty to keep things in their right place. I do not mean merely that he should keep his hat in the hall, and his book on the shelf. I mean that, as far as possible, a man ought to keep his toil to the daylight, and his rest to the dusk.
Dr. Chalmers held that our three-score years and ten are really seven decades corresponding with the seven days of the week. Six of them, he said, should be spent in strenuous endeavour. But the seventh is the Sabbath of the Lord thy God, and should be spent in Sabbatic quiet. That ideal is not always capable of realization. For the matter of that, it is not always possible to abstain from work on the Lord's Day. But it is good to keep it before us as an ideal. We may at least determine that, on the Sunday, we will perform only deeds of necessity and mercy. And, in the same way, we may resolve that we will leave as little work as possible to be done in the twilight of life. It was one of the chiefest of the prophets who told us that 'it is good for a man to bear the yoke in his youth.' If I were the director of a life insurance company, I should have that great word blazoned over the portal of the office. If, by straining an extra nerve in the heyday of his powers, a man may ensure to himself some immunity from care in the evening, he is under a solemn obligation to do so. The weary ploughman has no right to labour after the cows come home.
For, in some respects, the sweetest part of the day follows the coming of the cows. I have a notion that most of the old folk would say so. During the day they fancied that the cows had gone, to return no more. But they all came home. 'And now,' says old Margaret Ogilvy, 'and now it has all come true like a dream. I can call to mind not one little thing I ettled for in my lusty days that hasna' been put into my hands in my auld age. I sit here useless, surrounded by the gratification of all my wishes and all my ambitions; and at times I'm near terrified, for it's as if God had mista'en me for some other woman.' They wandered long, that is to say, and they wandered far. But they all came home—Cherry and Brindle, Blossom and Darkie, Beauty and Crinkle, Daisy and Pearl—they all came home. Happy are all they who sing in their souls the milkmaid's song, and never, never doubt that, when the twilight gathers round them, the cows will all come home!
Mr. G. K. Chesterton does not like mushrooms. That is the most arresting fact that I have gleaned from reading, carefully and with delight, hisVictorian Age in Literature. In his treatment of Dickens, he writes very contemptuously of 'that Little Bethel to which Kit's mother went,' and he likens it to 'a monstrous mushroomthat grows in the moonshine and dies in the dawn.' Now no man who was really fond of the esculent and homely fungus would have employed such a metaphor by way of disparagement. I can only infer that Mr. Chesterton thinks mushrooms very nasty. His opinion of Little Bethel does not concern me. It is neither here nor there. But Mr. Chesterton does not likemushrooms! I cannot get over that!
I feel very sorry for Mr. Chesterton. It is not merely a matter of taste. I would not presume to set my opinion in a matter of this kind over against his. But the authorities are with me. I have looked up the Encyclopaedia Britannica, and its opening sentence on the subject affirms that 'there are few more delicious members of the vegetable kingdom than the common mushroom.' I suppose that in these matters association has a lot to do with it. I cannot forget those delicious summer mornings in England when we boys, rising with the lark, stole out of the house like so many burglars, and scampered with our baskets across the fragrant meadows to gather the white buttons that dotted the sparkling, dew-drenched grass. It was, as I have said in the introduction to this book, a large part of childhood's radiant romance! What tales our fancy wove into the fairy-rings under the elm-trees! We lifted each moist fungus half expecting to see the brownies and the elves fly from beneath it! And what fearsome care we took to include no single hypocritical toadstool among our treasures! I am really afraid that Mr. Chesterton would have been less conscientious. Mushrooms and toadstools are all alike to him. He can never have had such frolics in the fields as we enjoyed in those ecstatic summer mornings. And he never, therefore, knew the fierce joy of the breakfast that followed when, hungry as hunters, we returned with flushed faces to feast upon the spoils of our boisterous foray. Over such brave memories Mr. Chesterton cannot fondly linger. For Mr. Chesterton does not like mushrooms.
What would the Harvester have said to Mr. Chesterton? For, to Gene Stratton Porter's hero, mushrooms were half-way to destiny. 'In the morning, brilliant sunshine awoke him, and he arose to find the earth steaming.
'"If ever there was a perfect mushroom morning!" he said to his dog. "We must hurry and feed the stock and ourselves, and gather some!" The Harvester breakfasted, fed the stock, hitched Betsy to the spring wagon, and went into the dripping, steamy woods. If any one had asked him that morning concerning his idea of heaven, he would never have dreamed of describing gold-paved streets, crystal pillars, jewelled gates, and thrones of ivory. He would have told you that the woods on a damp sunny May morning was heaven. He only opened his soul to beauty, and steadily climbed the hill to the crest, and then down the other side to the rich, half-shaded, half-open spaces, where big, rough mushrooms sprang in a night.'
Yes, a mushroom morning was heaven to the Harvester. And it was the mushrooms that led him the first step of the way towards the discovery of his dream-girl. The mushrooms represented the first of those golden stairs by which he climbed to his paradise. And Mr. Chesterton does not like mushrooms! What would the Harvester have said to Mr. Chesterton?
One faint, struggling glimmer of hope I am delighted to discover. Mr. Chesterton likensLittleBethel to amonstrousmushroom. There can be only one reason for this inartistic mixture of analogy and antithesis. Mr. Chesterton evidently knows that a large mushroom is not so sweet or so toothsome as a small one. A 'monstrous mushroom,' even to those who like mushrooms, is coarse and less tasty. Now the gleam of hope lies in the circumstance that Mr. Chesterton knows the fine gradations of niceness (or nastiness) that distinguish mushrooms of one size from mushrooms of another. As a rule, if you get to know a thing, you get to like it. Mr. Chesterton is coming to know mushrooms. He will soon be ordering them for breakfast. He may even come, like certain tribes mentioned in theEncyclopaedia, to eat nothing else! And by that time he may have come to know Little Bethel. And if he comes to know it, he may come to like it. He will still liken it to a mushroom. But we shall be able to tell, by the way he says it, that he means that it is very good. We shall see at once that Mr. Chesterton likes mushrooms. At present, however, the stern fact remains. Mr. Chesterton doesnotlike mushrooms. Richard Jefferies, in hisAmateur Poacher, says that mushrooms are good either raw or cooked. The great naturalist is therefore altogether on the side of theEncyclopaedia. 'Some eat mushrooms raw, fresh as taken from the ground, with a little salt; but to me the taste is then too strong.' Perhaps that is how Mr. Chesterton has taken his mushrooms—and Little Bethel!' Of the many ways of cooking mushrooms,' Richard Jefferies goes on, 'the simplest is the best; that is, on a gridiron.' Mr. Chesterton gives the impression that that is precisely how he would prefer his mushrooms—and Little Bethel! For Mr. Chesterton does not like mushrooms.
The really extraordinary feature of the whole thing is that I like mushrooms all the better for the very reason that leads Mr. Chesterton to pour upon them his most withering and pitiless contempt. He hates them because they spring up in the night. Little Bethel is a 'monstrous mushroom that grows in the moonshine.' It is perfectly true that Little Bethel, like the mushrooms, flourished in the darkness. Like Mark Tapley, she was at her brightest when her surroundings were most dreary. In this respect both the meeting-house and the mushrooms are in excellent company. Many fine things grow in the night. Indeed, Sir James Crichton-Browne, the great doctor, in his lecture on 'Sleep,' argues that all things that grow at all grow in the night. Night is Nature's growing-time. Now Michael Fairless shared Richard Jefferies' fondness for mushrooms. Every reader ofThe Roadmenderwill recall the night in the woods. 'Through the still night I heard the nightingales calling, calling, calling, until I could bear it no longer, and went softly out into the luminous dark. The wood was manifold with sound. I heard my little brothers who move by night rustling in grass and tree; and above and through it all the nightingales sang and sang and sang! The night wind bent the listening trees, and the stars yearned earthwards to hear the song of deathless love. Louder and louder the wonderful notes rose and fell in a passion of melody, and then sank to rest on that low thrilling call which it is said Death once heard and stayed his hand. At last there was silence. The grey dawn awoke and stole with trailing robes across earth's floor. Gathering a pile of mushrooms—children of the night—I hasten home.'
The nightingales—thesingersof the night!
The mushrooms—thechildrenof the night!
Thesesingersof the night, and these 'childrenof the night,' almost remind me of Faber:
Angels of Jesus, angels of light,Singing to welcome the pilgrims of the night!
But Mr. Chesterton does not like 'thechildrenof the night.'
Now we must really learn better manners. It will not do to treat things contemptuously either because they spring up suddenly, or because they spring up in the night. In this matter we Australians live in glass houses and must not throw stones. Mr. Chesterton is treading on our pet corns. For Australia and America are the two most 'monstrous mushrooms' on the face of the earth! Like the nations of which the prophet wrote, they were 'born in a day.' Think of what happened in America in the ten short years between 1830 and 1840! No nation in the history of the world can produce so astounding a record! In 1830 America had 23 miles of railway; in 1840 she had 800. In 1830 the country presented all the wilder characteristics of early colonial settlement; in 1840 it was a great and populous nation. In 1830 Chicago was a frontier fort; in 1840 Chicago was a city. In 1830 the population of Michigan was 32,000; in 1840 it was 212,000. It was during this sensational decade, too, that the first steamships crossed the Atlantic. And the spirit of the age reflected itself in the literary wealth of which America became possessed at that extraordinary time. Whittier and Longfellow, Oliver Wendell Holmes and Nathaniel Hawthorne, Emerson and Bancroft, Poe and Prescott, all arose during that eventful period, and made for themselves names that have become classical and immortal. Here is a monstrous mushroom for you! Or, to pass from the things of yesterday to the things of to-day, see how, under the shadow of the Rocky Mountains, Canadian cities are in our own time shooting up with positively incredible swiftness. No, no; Mr. Chesterton must not speak disparagingly of mushrooms!
And look at the rapidity at which these young nations beneath the Southern Cross sprang into existence! I remember standing on the sea-shore in New Zealand talking to a couple of old whalers, who told me of the times they spent before the first emigrant ships arrived, when they were the only white men for hundreds of miles around. And now! Why, in their own lifetime these men had seen a great nation spring into being! Here, I say again, are mushrooms for you!
But do mushrooms really spring up as suddenly as they appear to do? Dan Crawford tells us that, in Central Africa, if a young missionary attempts to prove the existence of God, the natives laugh, and, pointing to the wonders of Nature around, exclaim, 'No rain, no mushrooms!' In effect they mean to say, without some adequate cause. If there were no God, whence came the forest and the fauna? Now that African proverb is very suggestive. 'No rain, no mushrooms.' The mushroom, that is to say, has its roots away back in old rainstorms, in fallen forests, and in ancient climatic experiences too subtle to trace. I have been reading Dr. Cooke's text-book, and he and Mr. Cuthill have convinced me that it takes about a million years to grow a mushroom. The conditions out of which the fungus suddenly springs are as old as the world itself. And that same consideration saves America and Australia from contempt. For both America and Australia—these mushroom nations—are very, very old. Dr. Stanley Hall, the President of the Clark University, was speaking on this aspect of things the other day. 'In a very pregnant psychological sense,' he said, 'ours is an unhistoric land. Our very constitution had a Minerva birth.' (That is a classical way of saying that it had a mushroom birth.) 'Our literature, customs, fashions, institutions, and legislation were inherited or copied, and our religion was not a gradual indigenous growth, but both its spirit and its forms were imported ready-made from Holland, Rome, England, and Palestine. No country is so precociously old for its years.' It follows, therefore, that Australia is as old as the Empire. And the Empire has its roots away back where the first man delved. We must not allow ourselves to be duped by the trickery of appearances. These new things are very ancient. 'How long did it take you to paint that picture?' somebody asked Sir Joshua Reynolds. 'All my life!' he replied.
Anybody can grow fine flowers in the daytime. But what can you grow in the dark? That is the challenge of the mushrooms—what can you grow in the dark? 'The nights are the test!' as Charlotte Brontë used to say. When things were as black as black could be, poor Charlotte wrote: 'The days pass in a slow, dark march; the nights are the test; the sudden wakings from restless sleep, the revived knowledge that one sister lies in her grave, and another not at my side, but in a separate and sick-bed.The nights are the test.' They are indeed. Tell me: Can you grow faith, and restfulness, and patience, and a quiet heart in the darkness? If so, you will never speak contemptuously of mushrooms again.
Why, dear me, some of the very finest things in this world of ours spring up suddenly, like the mushroom, and spring up in the dark! Dean Hole used to tell how he became a preacher. For years he could not lift his eyes from his manuscript. Then, one Sunday evening, the light suddenly failed. His manuscript was useless, and he found himself speaking heart to heart to his people. The eloquence for which he was afterwards famed appeared in a moment, and appeared in the dark! And I am very fond of that story of the old American soldier. He was stone blind, but very happy, and always wore his medal on his breast.
'What do you do in these days of darkness?' somebody asked him.
'Do?' he replied almost scornfully. 'Why, I thank God that for fifty years I had the gift of sight. I saw Abraham Lincoln, and heard the bugles call for the victory of Truth and Righteousness. I go back to those scenes now, and realize them anew. I have lost my sight, butmemory has been born again in the dark.'
If, therefore, we allow mushrooms to be treated with contempt, simply because they spring up suddenly, and spring up in the night, we shall soon find other beautiful things, much more precious, brought under the same cruel condemnation. And what of a sudden conversion? Think ofDown in Water Street, andBroken Earthenware, andVarieties of Religious Experience! What of that tremendous happening on the road to Damascus? The Philippian jailer, too! See him, with a grim smile of satisfaction, locking the apostles in their terrible dungeon; yet before the night is through, he is tenderly bathing their stripes and ministering to them with all the gentle graces of Christian courtesy and compassion!' A monstrous mushroom that grew in the night,' would you call it? At any rate, it did not die with the dawn. 'Minerva births' these, with a vengeance. As for me, I have nothing but reverence for the mushrooms. They are among the wonders of a very wondrous world.
Just along the old rut-riddled road that winds through the bush on its way to Bulman's Gully there lives a poor old man who fancies that he is of no use in the world. I am going to send him an onion. I am convinced that it will cure him of his most distressing malady. I shall wrap it up in tissue paper, pack it in a dainty box, tie it with silk ribbons, and post it without delay. No gift could be more appropriate. The good man's argument is very plausible, but an onion will draw out all its defects. He thinks, because he never hears any voice trumpeting his fame or chanting his praise, that he is therefore without any real worth or value to his fellow men. Could anything be more preposterous? Who ever heard a panegyric in praise of onions? At what concert was the song of the onion sung? Roses and violets, daisies and daffodils, are the theme of every warbler; but when does the onion come in for adulation? Run through your great poets and show me the epic, or even the sonnet, addressed to the onion! Are we, therefore, to assume that onions have no value in a world like this? What a wealth of appetizing piquancy would vanish from our tables if the onion were to come no more! As a relish, as a food, and as a medicine, the onion is simply invaluable; yet no orator ever loses himself in rhetorical transports in honour of onions! It is clearly not safe to assume that because we are not much praised, we are therefore of not much profit. And so I repeat my suggestion that if any man is known to be depressed over his apparent uselessness, it would be a service to humanity in general, and to that member of the race in particular, to post him an onion.
'I always bless God for making anything so strong as an onion!' exclaimed William Morris, in a fine and characteristic burst of fervour. That is the point: an onion is so strong. The very strength of a thing often militates against applause. If a strong man lifted a bag of potatoes we should think no more about it; but if a schoolboy picked it up and ran off with it we should be speechless with amazement. We take the strength of the strong for granted; it is the strength of the weak that we applaud. If a man is known to be good or useful or great, we treat his goodness or usefulness or greatness as one of the given factors of life's intricate problem, and straightway dismiss it from our minds. It is when goodness or usefulness or greatness breaks out in unexpected places or in unexpected people that we vociferously shout our praise. We applaud the singers at a concert because it appeals to us as such an amazing and delightful incongruity that so practical and prosaic a creature as Man should suddenly burst into melody; but when the angels sang at Bethlehem the shepherds never thought of clapping. The onion is therefore in company with the angels. I am not surprised that the Egyptians accorded the onion divine honours and carved its image on their monuments. I am prepared to admit that onions do not move in the atmosphere of sentiment and of poetry. Tears have been shed over onions, as every housewife knows. Shakespeare speaks of the tears that live in an onion. But, as Shakespeare implies, they are crocodile tears—without tenderness and without emotion. Old John Wolcott, the satirist, tells how
. . . . . . Master BroadbrimPored o'er his father's will and dropped the onioned tear.
And Bernard Shaw writes of 'the undertaker's handkerchief, duly onioned with some pathetic phrase.' No, onions do not lend themselves to passion or to pathos. You would scarcely decorate the church with onions for your sister's wedding, or plant a row of onions on a hero's grave. And yet I scarcely know why. For, in a suitable setting, a touch of warm romance may light up even so apparently prosaic a theme. The coming of the swallows in the spring is scarcely a more delightful event in Cornwall than the annual arrival of the onion-sellers from Brittany. What a picturesque world we invade when we get among those dreamy old fishing-villages that dot the Cornish coast!
Gold mists upon the sea and sky,The hills are wrapped in silver veils,The fishing-boats at anchor lie,Nor flap their idle orange sails.
The wild and rugged sea-front is itself suggestive of rich romance and reminiscent of bold adventure. The smugglers, the pirates, the wreckers, and the Spanish mariners knew every bluff and headland perfectly. And, however the world beyond may have changed, these tiny hamlets have triumphantly defied the teeth of time. They know no alteration. The brogue of the people is strange but rhythmic, and, though pleasant to hear, very hard for ordinary mortals to understand. The fisherfolk, with their strapping and stalwart forms, their bronzed and weather-beaten features, their dark, idyllic eyes, their tanned and swarthy skins, their odd and old-world garb, together with their general air of being the daughters of the ocean and the sons of the storm, seem to be a race by themselves. And he who tarries long enough among them to become infected by the charm of their secluded and well-ordered lives knows that one of the events of their uneventful year is the coming of the onion-sellers from over the sea. The historic connexion between Cornwall and Brittany is very ancient, and is a romance in itself. The English and French coasts, as they face each other there, are very much alike—broken, precipitous, and grand. The peoples live pretty much the same kind of lives on either side of the Channel. And when the onion-sellers come from France they are greeted with enthusiasm by the Cornish people, and although they speak their own tongue, they are perfectly understood. See! there is one of the Breton onion-sellers lounging among a knot of fishermen near the door of yonder picturesque old Cornish cottage, whilst the wife stands in the open doorway, arms a-kimbo, listening as the foreigner tells of the things that he has seen across the Channel since last he visited this coast. And up the hill there, on the rickety old settle, beneath the creaking signboard of the village inn, is another such group. As I gaze upon these masculine but kindly faces I am half inclined to withdraw my too hasty admission that onions have nothing about them of sentiment, poetry, or romance.
It always strikes me as a funny thing about onions that, however fond a man may be of the onions themselves, he detests things that areoniony. Give him onions, and he will devour them with magnificent relish. But, through some slip in the kitchen, let his porridge or his tea taste of onions, and his wry face is a sight worth seeing! A friend of mine keeps a large apiary. One summer he was in great glee at the immense stores of honey that his bees were collecting. Then, one dreadful day, he tasted it. The dainty little square of comb, oozing with the exuding fluid, was passed round the table. Horror sat upon every face! It turned out that the bees had discovered a large onion plantation some distance away, and had gathered their heavy stores from that odorous and tainted source! What could be more abominable, even to a lover of onions, than oniony honey? We remember Thackeray and his oniony sandwiches. Now why is it possible for me to love onions and to hate all things oniony? The fact is that the world has a few vigorous, decided, elementary things that absolutely decline to be modified or watered down. 'Onions is onions!' as a well-known character in fiction remarked on a memorable occasion, and there is a world of significance in the bald assertion. There are some things that are as old as the world, and as universal as man, and that are too vivid and pronounced to humble their pride or compromise their own distinctive glory. The exquisite shock of the bather as his naked body plunges into the flowing tide; the instinctive recoil on seeing for the first time a dead human body; the delicious thrill with which the lover presses for the first time his lady's lips; the terrifying roar of a lion, the flaunting scarlet of a poppy, and the inimitable flavour of an onion—these are among the world's most familiar quantities, the things that decline to be modified or changed. You might as well ask for an ice-cream with the chill off as ask for a diluted edition of any of these vivid and primitive things. Onions may be regarded by a man as simply delicious, but oniony honey or oniony tea! The bather's plunge is a rapture to every stinging and startled nerve in his body, but to stand ankle-deep in the surf, shivering with folded arms in the breeze that scatters the spray! Life is full of delightful things that are a transport to the soul if we take them as they are, but that become a torment and an abomination if we water them down. And it is just because Christianity itself is so distinctive, so outstanding, so boldly pronounced a thing, that we insist on its being unadulterated. Even a worldling feels that a Christian, to be tolerable, must be out and out. The man who waters down his religion is like the shivering bather who, feeling the cold, cold waters tickling his toes, cannot muster up the courage to plunge; he is like the man who wants an ice-cream with the chill off; he is like oniony honey or oniony tea!
A man cannot, of course, live upon onions. Onions have their place and their purpose, and, as I have said, are simply invaluable. But they must be kept to that place and to that purpose. The modern tendency is to eat nothing but onions. We are fast becoming the victims of a perfect passion for piquancy. Time was when we expected our newspapers to tell us the truth, the whole truth, and nothing but the truth. We don't care a rap about the truth now, so long as they'll give us a thrill. We must have onions. We used to demand of the novelist a love-story; now he must be morbidly sexual and grimly sensational. Our grandfathers went to a magic lantern entertainment and thought it a furious frolic. And on Sundays they prayed. 'From lightning and tempest; from plague, pestilence, and famine; from battle and murder, and from sudden death, Good Lord, deliver us!' Their grandchildren pray, 'From all churches and chapels, Good Lord, deliver us!' And, during the week, they like to see all the blood-curdling horrors of lightning and tempest; of plague, pestilence, and famine; of battle, murder, and of sudden death, enacted before their starting eyes with never a flicker to remind them that the film is only a film. The dramas, the dances, and the dresses of the period fortify my contention. The cry is for onions, and the stronger the better. It is not a healthy sign. Mr. H. G. Wells, in his graphic description of the changes that overcame Bromstead, and turned it from green fields into filthy slums, says that he noticed that 'there seemed to be more boards by the railway every time I passed, advertising pills and pickles, tonics and condiments, and such-like solicitudes of a people with no natural health or appetite left in them.' The pills, that is to say, kept pace with the pickles. The more pickles Bromstead ate, the more pills Bromstead wanted. That is the worst of the passion for piquancy. The soul grows sick if fed on sensations. Onions are splendid things, but you cannot live upon onions. Pickles inevitably lead to pills.
But that is not all. For the trouble is that, if I develop an inordinate appetite for onions, I lose all relish for more delicately flavoured foods. The most impressive instance of such a dietary tragedy is recorded in my Bible. 'The children of Israel wept and said, "We remember theonions, but now there is nothing exceptthis mannabefore our eyes!"' Onions seem to have a special connexion with Egypt. Herodotus tells us that the men who built the Pyramids fed upon onions, although the priests were forbidden to touch them. 'We remember the onions!' cried the children of Israel, looking wistfully back at Egypt, 'but now we have nothing but this manna!' The onions actually destroyed their appetite for angels' food! That, I repeat, is the most mournful aspect of our modern and insatiable passion for piquancy. If I let my soul absorb itself in the sensational novel, the hair-raising drama, and the blood-curdling film, I find myself losing appreciation for the finer and gentler things in life. I no longer glory, as I used to do, in the sweetness of the morning air and the glitter of the dew-drenched grass; in the purling stream and the fern-draped hills; in the curling waves and the twinkling stars. The bound of the hare and the flight of the sea-bird lose their charm for me. The world is robbed of its wonder and its witchery when my eyes grow accustomed to the gaudy blinding glare. Jenny Lind was asked why she renounced the stage. She was sitting at the moment on the sands by the seaside, with her Bible on her knee. She pointed her questioner to the setting sun, transforming the ocean into a sea of glory. 'I found,' she said, 'that I was losing my taste for that, and'—holding up her Bible—'my taste for this; so I gave it up!' She was a wise woman. Onions are fine things in their own way. God has undoubtedly left a place in His world for the strong, vivid, elemental things. But they must be kept to that place. God has strewn the ground around me with the food that angels eat, and I must allow nothing on earth to destroy my taste for such sublime and wondrous fare.
We get over things. It is the most amazing faculty that we possess. War or pestilence; drought or famine; fire or flood; it does not matter. However devastating the catastrophe, however frightful the slaughter, however total the eclipse, we surmount our sorrows and find ourselves still smiling when the storm is overpast. I remember once penetrating into the wild and desolate interior of New Zealand. From a jagged and lonely eminence I surveyed a landscape that almost frightened one. Not a house was in sight, nor a road, nor one living creature, nor any sign of civilization. I looked in every direction at what seemed to have been the work of angry Titans. Far as the eye could see, the earth around me appeared to have been a battle-field on which an army of giants had pelted each other with mountains. The whole country was broken, weird, precipitous, and grand. In every direction huge cliffs towered perpendicularly about you; bottomless abysses yawned at your feet; and every scarped pinnacle and beetling crag scowled menacingly at your littleness and scowled defiance at your approach. One wondered by what titanic forces the country had been so ruthlessly crushed and crumbled and torn to shreds. Did any startled eye witness this volcanic frolic? What a sight it must have been to have watched these towering ranges split and scattered; to have seen the placid snowclad heights shivered, like fragile vases, to fragments; to have beheld the mountains tossed about like pebbles; to have seen the valleys torn and rent and twisted; and the rivers flung back in terror to make for themselves new channels as best they could! It must have been a fearsome and wondrous spectacle to have observed the slumbering forces of the universe in such a burst of passion! Nature must have despaired of her quiet and sylvan landscape. 'It is ruined,' she sobbed; 'it can never be the same again!' No, it can never be the same again. The bright colours of the kaleidoscope do not form the same mosaic a second time. But Nature has got over her grief, for all that. For see! All up these tortured and angular valleys the great evergreen bush is growing in luxurious profusion. Every slope is densely clothed with a glorious tangle of magnificent forestry. From the branches that wave triumphantly from the dizzy heights above, to those that mingle with the delicate mosses in the valley, the verdure nowhere knows a break. Even on the steep rocky faces the persistent vegetation somehow finds for itself a precarious foothold; and where the trees fear to venture the lichen atones for their absence. Up through every crack and cranny the ferns are pushing their graceful fronds. It is a marvellous recovery. Indeed, the landscape is really better worth seeing to-day than in those tranquil days, centuries ago, before the Titans lost their temper, and began to splinter the summits.
Travellers in South America frequently comment upon the same phenomenon. Prescott tells us how Cortes, on his historic march to Mexico, passed through regions that had once gleamed with volcanic fires. The whole country had been swept by the flames, and torn by the fury of these frightful eruptions. As the traveller presses on, his road passes along vast tracts of lava, bristling in the innumerable fantastic forms into which the fiery torrent has been thrown by the obstacles in its career. But as he casts his eye down some steep slope, or almost unfathomable ravine, on the margin of the road, he sees their depths glowing with the rich blooms and enamelled vegetation of the tropics. His vision sweeps across plains of exuberant fertility, almost impervious from thickets of aromatic shrubs and wild flowers, in the midst of which tower up trees of that magnificent growth which is found only in these latitudes. It is an intoxicating panorama of brilliant colour and sweetest perfume. Kingsley and Wallace, too, remark upon these great volcanic rents and gashes that have been healed by verdure of rare magnificence and orchids of surpassing loveliness. 'Even the gardens of England were a desert in comparison! All around them were orange- and lemon-trees, the fruit of which, in that strange coloured light of the fireflies, flashed in their eyes like balls of burnished gold and emerald; while great white tassels, swinging from every tree in the breeze which swept the glade, tossed in their faces a fragrant snow of blossoms and glittering drops of perfumed dew.' It is thus that, like the oyster that conceals its scar beneath a pearl, Nature heals her wounds with loveliness. She gets over things.
And so do we. For, after all, the world about us is but a shadow, a transitory and flickering shadow, of the actual and greater world within us. Yes, the incomparably greater world within us; for what is a world of grass and granite compared with a world of blood and tears? What is the cleaving of an Alp compared with the breaking of a heart? What is the sweep of a tornado, the roar of a prairie-fire, or the booming thunder of an avalanche, compared with the cry of a child in pain?' All visible things,' as Carlyle has taught us, 'are emblems. What thou seest is not there on its own account; strictly speaking is not there at all. Matter exists only spiritually, and to represent some idea and body it forth.' The soul is liable to great volcanic processes. There come to it tragic and tremendous hours when all its depths are broken up, all its landmarks shattered, and all its streams turned rudely back. For weal or for woe everything is suddenly and strangely changed. Amidst the crash of ruin and the loss of all, the soul sobs out its pitiful lament. 'Everything has gone!' it cries. 'I can never be the same again! I can never get over it!' But Time is a great healer. His touch is so gentle that the poor patient is not conscious of its pressure. The days pass, and the weeks, and the months, and the years. Like the trees that start from the rocky faces, and the ferns that creep out of every cranny in the ruined horizon, new interests steal imperceptibly into life. There come new faces, new loves, new thoughts, and new sympathies. The heart responds to fresh influences and bravely declines to die. And whilst the days that are dead are embalmed in costliest spices, and lie in the most holy place of the temple of memory, the soul discovers with surprise that it has surmounted the cruel shock of earlier shipwreck, and can once more greet the sea.
I am writing in days of war. The situation is without precedent. A dozen nations are in death-grips with each other. Twenty million men are in the field. Every hour brings us news of ships that have been sunk, regiments that have been annihilated, thousands of brave men who have been slaughtered. Never since the world began were so many men writhing in mortal anguish, so many women weeping, so many children fatherless. And whilst a hundred thousand women know that they will see no more the face that was all the world to them, millions of others are sleepless with haunting fear and terrible anxiety. And every day I hear good men moan that the world can never be the same again. 'We shall never get over it!' they tell me. It is the old mistake, the mistake that we always make in the hour of our sad and bitter grief. 'We shall never get over it!' Of course we shall! And as the fields are sweeter, and the flowers exhale a richer perfume, after the thunder-clouds have broken and the storm has spent its strength, so we shall find ourselves living in a kindlier world when the anguish of to-day is over-past. Much of our old civilization, with its veneer of politeness and its heart of barbarism, will have been riven as the ranges were riven by the earthquake. But out of the wreckage shall come the healthier day. The wounds will heal as they always heal, and the scars will stay as they always stay; but they will stay to warn us against perpetuating our ancient follies. Empires will never again regard their militarism as their pride.
Surely this torrent of blood that is streaming through the trenches and crimsoning the seas is sacrificial blood! It is an ancient principle, and of loftiest sanction, that it is sometimes good for one man to die that many may be saved from destruction. If, out of its present agony, the world emerges into the peace and sunshine of a holier day, every man who laid down his life in the awful struggle will have died in that sacred and vicarious way. This generation will have wept and bled and suffered that unborn generations may go scatheless. It is the old story:
No mortal born without the dewOf solemn pain on mother's brow;No harvest's golden yield save throughThe toil and tearing of the plough.
It was only through the Cross that the Saviour of men found a way into the joy that was set before Him, and the world therefore cannot expect to come to its own along a bloodless road.
The recuperative forces that lurk within us are the divinest things about us. I cut my hand; and, before the knife is well out of the gash, a million invisible agents are at work to repair the damage. It is our irrepressible faculty for getting over things. No minister can have failed, at some time or other, to stand in amazement before it. We have all known men who were not only wicked, but who bore in their body the marks of their vice. It was stamped upon the face; it was evident in the stoop of the frame; it betrayed itself in the shuffle that should have been a stride. We have known such men, I say, and heard their pitiful confessions. And the most heartrending thing about them was their despair. They could believe that the love of God was vast enough to find room for them; but just look! 'Look at me!' a man said to me one night, remembering what he once was and surveying the wreckage that remained, 'look at me!' And truly it was a sight to make angels weep. 'I can never be the same again,' he said in effect, 'I can never get over it!' But he did; and there is as much difference between the man that I saw that night and the man who greets me to-day as there was between the man whom he remembered and the man he then surveyed. It is wonderful how the old light returns to the eye, the old grace to the form, the old buoyancy to the step, and how, with these, a new softness creeps into the countenance and a new gentleness into the voice when the things that wound are thrown away and the healing powers get their chance. It is only then that we really discover the marvel of getting over things.
Indeed, unless we are on our guard this magical faculty will be our undoing. The tendency is, as we have seen, to return to our earlier state, to recover from the change. And the forces that work in that direction do not pause to ask if the change that has come about is a change for the better or a change for the worse. They only know that a cataclysmic change has been effected, and that it is their business to help us back to our first and natural condition. But there are changes that sometimes overtake us from which we do not wish to recover; and we must be on ceaseless vigil against the well-meaning forces that only live to abolish all signs of alteration. No man ever yet threw on his old self and entered into new life without being conscious that millions of invisible toilers were at work to undo the change that had been effected. They are helping him to get over it, and he must firmly decline their misdirected offices.
'"Father!" said young Dr. Ralph Dexter to the old doctor inThe Spinner in the Sun, "father! it may be because I'm young, but I hold before me, very strongly, the ideals of our profession. It seems to me a very beautiful and wonderful life that is opening up before me, always to help, to give, to heal. I feel as though I had been dedicated to some sacred calling, some lifelong service. And service means brotherhood."
'"You'll get over that!" returned the old doctor curtly, yet not without a certain secret admiration. "You'll get over thatwhen you've had to engage a lawyer to collect your modest wages for your uplifting work, the healed not being sufficiently grateful to pay the healer. When you've gone ten miles in the dead of winter, at midnight, to take a pin out of a squalling baby's back, why, you may change your mind!"'
And later on in the same story Myrtle Reed gives us another dialogue between the two doctors.
'"I may be wrong," remarked Ralph, "but I've always believed that nothing is so bad that it can't be made better."
'"The unfailing earmark of youth," the old man replies; "you'll get over that!"'
Old Dr. Dexter is quite right. Good or bad, the tendency is to get over things. Many a man has entered his business or profession with the highest and most roseate ideals, and the tragedy of his life lay in the fact that he recovered from them.
Yes, there is nothing that we cannot get over. Our recuperative faculties know no limit. None of our diseases are incurable. I knew an old lady who really thought that her malady was fatal. She fancied that she could never recover. She even told me that the doctor had informed her that her case was hopeless. She lay back upon her pillow, and her snowy hair shamed the whiteness about her. 'I shall never get over it,' she sighed, 'I shall never get over it!' But she did. We sang 'Rock of Ages' beside her sunlit grave this afternoon.