"I—I do not know. Ah, I loved you so much, and so truly!"
And she did love him still; and clung to him to the last, but not the less was she broken-hearted, so far as any enjoyment of life was concerned; and her husband saw it. All sense of rejoicing seemed to die out of her heart for ever. She hated the splendour with which he sometimes surrounded her, even more than the paltry shifts and expedients to which at other times they had to resort, when he had spent all his money, and there was no more forthcoming for the moment; she wept when her children were born, thinking of the iniquity of the world they had entered; and when her two little boys died one after the other, there was almost a sense of relief mixed with the bitterness of her sorrow, as she reflected on the father she could not have taught them to respect, and on the abject evil and misery from which she could not have shielded them.
As for M. Linders, he at once adored and neglected his wife, as was the nature of the man; that is, he adored her theoretically for her rare beauty, but neglected her practically, when, after a few months of married life, he saw her bloom fading, and her animation vanish, in the utter despondency which had seized her, and which found its outward expression in a certain studied composure and coldness of manner. There soon came a time when he would have willingly freed himself altogether from the constraint of her presence. He travelled almost incessantly, spending the summer and autumn at the German watering-places; the winter in France, or Belgium, or Italy; and he would sometimes propose that she should remain at a Paris hotel till he could return to her. In the first years after their marriage she objected vehemently. She was so young, so unused to solitude, that she felt a certain terror at the prospect of being left alone; and, moreover, she still clung with a sort of desperation to her girlish illusions, and, loving her husband, could not cease to believe in his love for her. She had plans, too, for reforming him, and for a long time would not allow herself to be convinced of their utter vanity and hopelessness. After the death of her little boys, however, she became more indifferent, or more resigned. And so it came to pass that when she had been married about six years, and four months after her third child was born, Madame Linders died, alone at a Paris hotel, with no one near her but the doctor, her baby's nurse, and the woman of the house. She had dictated a few words to tell her husband, who was then in Germany, that she was dying; and, stricken with a horrible remorse, he had travelled with all possible haste to Paris, and arrived at daybreak one morning to find that his wife had died the evening before.
Madame Linders' death had been caused by a fever, under which she had sunk rapidly at last. There had been no question of heart-breaking or pining grief here—so her husband thought with a sort of satisfaction even then, as he remembered his sister's words of bitter reproach over their mother's death- bed; and yet not the less, as he looked at his dead wife's face, did the reflection force itself upon him, that he had made the misery instead of the happiness of her life. He was a man who had accustomed himself to view things from the hardest and most practical point of view; and from such a view his marriage had been rather a failure than otherwise, since the memory of the little fortune she had brought with her had vanished with the fortune itself. But it had not been altogether for money that he had married her; he had been in love with her at one time, and that time repeated itself, with a pertinacity not to be shaken off, as he stood now in her silent presence.
Whatever his feelings may have been, however, they found no expression then. He turned sharply on the women standing round, who had already, after the fashion of womankind, contrived, without speaking, to let him know their opinion of a man who had left his wife alone for six months at an hotel, whilst he went and amused himself. He scarcely glanced at the small daughter, now presented to him for the first time; and he bade Madame Lavaux, the mistress of the hotel, "make haste and finish with all that," when, with tearful voice, and discursive minuteness, she related to him the history of his wife's last days. He made all necessary arrangements; took possession of Madame Linders' watch and few trinkets; himself superintended the packing of her clothes and other trifling properties into a large trunk, which he left in Madame Lavaux' charge; attended the funeral on the following day; and immediately on his return from it, ordered a fiacre to be in readiness to convey him to the railway station, as he was going to quit Paris immediately. He was on the point of departure, when he was confronted by Madame Lavaux and the nurse bearing the infant, who begged to know if he had any directions to leave concerning his child.
"Madame," he answered, addressing the landlady, "I entrust all these matters to you; see that the child is properly provided for, and I will send the requisite money."
"We had arranged that her nurse should take her away to her own home in the country," said Madame Lavaux.
"That will do," he answered; and was about to leave the room, when the nurse, an honest countrywoman, interposed once more, to inquire where she should write to Monsieur to give him tidings of his little daughter.
"I want none," he replied. "You can apply here to Madame for money if the child lives; if it dies she will let me know, and I need send no more." And so saying, he strode out of the room, leaving the women with hands and eyes uplifted at the hard-hearted conduct of the father.
For nearly two years M. Linders was absent from Paris, wandering about, as his habit was, from one town to another, a free man, as he would himself have expressed it, except for the one tie which he acknowledged only in the sums of money he sent from time to time, with sufficient liberality, to Madame Lavaux. No news reached him of his child, and he demanded none. But about twenty months after his wife's death, business obliged him to go for a few weeks to Paris; and finding himself with a leisure day on his hands, it occurred to him, with a sudden impulse, to spend it in the country and go and see his little girl. He ascertained from Madame Lavaux where she was, and went.
The woman with whom little Madeleine had been placed lived about fifteen miles from Paris, in a small village perched half-way up a steep hill, from the foot of which stretched a wide plain, where the Seine wound slowly amongst trees and meadows, and scattered villages. The house to which M. Linders was directed stood a little apart from the others, near the road-side, but separated from it by a strip of garden, planted with herbs and a patch of vines; and as he opened the gate, he came at once upon a pretty little picture of a child of two years, in a quaint, short-waisted, long-skirted pinafore, toddling about, playing at hide-and-seek among the tall poles and trailing tendrils, and kept within safe limits by a pair of leading-strings passed round the arm of a woman who sat in the shade of the doorway knitting. As M. Linders came up the narrow pathway she ran towards him to the utmost extent of her tether, uttering little joyous inarticulate cries, and bubbling over with the happy instinctive laughter of a child whose consciousness is bounded by its glad surroundings.
When, in moments of pseudo remorse, which would come upon him from time to time, it occurred to M. Linders to reflect upon his misdeeds, and adopt an apologetic tone concerning them, he was wont to propound a singular theory respecting his life, averring, in general terms, that it had been spoilt by women,— a speech more epigrammatic, perhaps, than accurate, since of the two women who had loved him best, his mother and his wife, he had broken the heart of the one, and ruined the happiness of the other. And yet it was not without its grain of meaning, however false and distorted; for M. Linders, who was not more consistent than the rest of mankind, had, by some queer anomaly, along with all his hardness, and recklessness, and selfishness, a capacity for affection after his own fashion, and an odd sensitiveness to the praise and blame of those women whom he cared for and respected which did not originate merely in vanity and love of applause. He had been fond of his mother, though he had ignored her wishes and abused her generosity; and he had hated his sister Thérèse, because he imagined that she had come between them. Their reproaches had been unbearable to him, and though his wife had never blamed him in words, there had been a mute upbraiding in her mournful looks and dejected spirits, which he had resented as a wrong done to the love he had once felt for her. In the absence of many subjects for self-congratulation, he rather piqued himself on a warm heart and sensitive feelings, and chose to consider them ill-requited by the cold words and sad glances of those whose happiness he was destroying. The idea that he should set matters straight by adjusting his life to meet their preconceived notions of right and wrong, would have appeared to him highly absurd; but he considered them unreasonable and himself ill-used when they refused to give their approbation to his proceedings, and this idea of ill- usage and unreasonableness he was willing to encourage, as it enabled him to shift the responsibility of their unhappiness from his own shoulders on to theirs, and to deaden the sense of remorse which would make itself felt from time to time. For in the worst of men, they say, there still lingers some touch of kindly human feeling, and M. Linders, though amongst the most worthless, was not perhaps absolutely the worst of men. He was selfish enough to inflict any amount of pain, yet not hardened enough to look unmoved on his victims. He had, in truth, taken both their misery and their reproaches to heart; and sometimes, especially since his wife's death, he had surprised in himself a strange, unaccountable desire for a love that should be true and pure, but which, ignorant of, or ignoring his errors, should be content to care for him and believe in him just as he was: such a love as his wife might, perhaps, have given him in her single month of unconscious happiness. It was a longing fitful, and not defined in words, but a real sentiment all the same, not a sentimentality; and, imperfect as it was in scope and tendency, it expressed the best part of the man's nature. He despised it, and crushed it down; but it lay latent, ready to be kindled by a touch.
And here was a small piece of womankind belonging to him, who could upbraid by neither word nor look, who ran towards him confidently, stretching out tiny hands to clutch at his shining gold chain, and gazing up in his face with great brown eyes, that recalled to him those of her dead mother, when she had first known and learnt to love him. Had Madelon been a shy plain child—had she hidden her face, and run from him screaming to her nurse, as children are so wont to do, he would then and there have paid the money he had brought with him as the ostensible cause of his visit, and gone on his way, thinking no more about her for another two years perhaps. But Madelon had no thought of shyness with the tall fair handsome man who had taken her fancy: she stood for a moment in the pathway before him, balancing herself on tiptoe with uplifted arms, confident in the hope of being taken up; and, as the woman recognizing M. Linders, came forward and bade the child run to Papa, with a sudden unaccustomed emotion of tenderness, almost pathetic in such a man, he stooped down and raised her in his arms.
As he travelled back to Paris that day, M. Linders formed a plan which he lost no time in carrying, partially, at least, into execution. During the next twelvemonth he spent much of his time in Paris, and went frequently to see his mall daughter, never without some gift to win her heart, till the child came to regard his pocket as the inexhaustible source of boundless surprises, in the shape of toys and cakes and bonbons. It was not long before she was devoted to her father, and, her nurse dying when she was a little more than three years old, M. Linders resolved at once to carry out his idea, and, instead of placing her with any one else, take possession of her himself. He removed her accordingly from the country to Paris, engaged abonne, and henceforth Madelon accompanied him wherever he went.
Monsieur Linders' System.
My little lady had given Horace Graham a tolerably correct impression of her life as they had talked together in the moonlight at Chaudfontaine. When M. Linders took her home with him—if that may be called home which consisted of wanderings from one hotel to another—it was with certain fixed ideas concerning her, which he began by realizing with the success that not unfrequently attended his ideas when he set himself with a will to work them out. His child's love and trust he had already gained, as she had won suddenly for herself a place in his heart, and he started with the determination that these relations between them should never be disturbed. She should be educated for himself; she should be brought up to see with his eyes, to adopt his views; she should be taught no troublesome standard of right and wrong by which to measure him and find wanting; no cold shadow of doubt and reproach should ever rise between them and force them asunder; and above all, he would make her happy—she for one should never turn on him and say, "See, my life is ruined, and it is you who have done it!" She should know no life, no aims, no wishes but his; but that life should be so free from care and sorrow that for once he would be able to congratulate himself on having made the happiness, instead of the misery, of some one whom he loved and who loved him.
These were the ideas that M. Linders entertained concerning Madelon, expressing them to himself in thoughts and language half genuine, half sentimental, as was his nature. But his love for his child was genuine enough; and for the fulfilment of his purpose he was willing to sacrifice much, devoting himself to her, and giving up time, comfort, and even money, for the sake of this one small being whom in all the world he loved, and who was to be taught to love him. He took her about with him; she associated with his companions; he familiarized her with all his proceedings, and she came in consequence to look upon their mode of life as being as much a matter of course, and a part of the great system of things, as the child does who sees her father go out to plough every day, or mount the pulpit every Sunday to preach his sermon. Of course she did not understand it all; it was his one object in life that she should not; and fondly as he loved his little Madelon, he did not scruple to make her welfare subordinate to his own views. He was careful to keep her within the shady bounds of that world of no doubtful character, which he found wherever he went, hovering on the borders of the world of avowed honesty and respectability, jealously guarding her from every counter-influence, however good or beneficial. He would not send her to school, was half unwilling, indeed, that she should be educated in any way, lest she should come to the knowledge of good and evil, which he so carefully hid from her; and he even dismissed her good, kind-hearted bonne, on overhearing her instruct the child, who could then hardly speak plain, in some little hymn or prayer, or pious story, such as nurses delight in teaching their charges. After that he took care of her himself with the assistance of friendly landladies at the hotels he frequented, who all took an interest in and were kind to the little motherless girl, but were too busy to have any time to spend in teaching her, or enlarging her ideas; and indeed all the world conspired to carry out M. Linders' plan; for who would have cared, even had it been possible, to undertake the ungracious task of opening the eyes of a child to the real character of a father whom she loved and believed in so implicitly? And she was so happy, too! Setting aside any possible injury he might be doing her, M. Linders was the most devoted of fathers, loving and caring for her most tenderly, and thinking himself well repaid by the clinging grasp of her small hand, by the spring of joy with which she welcomed him after any absence, by her gleeful voice and laughter, her perfect trust and confidence in him.
There must have been something good and true about this man, roué and gambler though he was, that, somehow, he himself and those around him had missed hitherto, but that sprang willingly into life when appealed to by the innocent faith, the undoubting love of his little child. Thus much Madelon all unconsciously accomplished, but more than this she could not do. M. Linders did not become a reformed character for her sake: he had never had any particular principles, and Madelon's loving innocence, which aroused all his best emotions, had no power to stir in him any noble motives or high aspirations, which, if they existed at all, were buried too deep to be awakened by the touch of her small hand. His misdeeds had never occasioned him much uneasiness, except as they had affected the conduct of others towards himself; and he had no reproaches, expressed or implied, to fear from Madelon. "No one had ever so believed in him before!" he would sigh, with a feeling not without a certain pathos in its way, though with the ring of false sentiment characteristic of the man, and with an apparent want of perception that it was ignorance rather than belief that was in question. Madelon believed indeed in his love, for it answered readily to her daily and hourly appeals, but she cannot be aid to have believed in his honour and integrity, for she can hardly have known what they meant, and she made no claims uponthem. It was, perhaps, happy for her that the day when she should have occasion to do so never arrived.
She was not left quite uneducated, however; her father taught her after his own fashion, and she gained a good deal of practical knowledge in their many wanderings. When she was six years old she could talk almost as many languages, could dance, and could sing a variety of songs with the sweetest, truest little voice; and by the time she was eight or nine, she had learned both to write and read, though M. Linders took care that her range of literature should be limited, and chiefly confined to books of fairy-tales, in which no examples drawn from real life could be found, to correct and confuse the single-sided views she received from him. This was almost the extent of her learning, but she picked up all sorts of odd bits of information, in the queer mixed society which M. Linders seemed everywhere to gather round him, and which appeared to consist of waifs and strays from every grade of society—from reckless young English milords, Russian princes, and Polish counts, soi-disant, down to German students and penniless artists.
It was, no doubt, fortunate, even at this early age, that Madelon's little pale face, with its wide-open brown eyes, had none of the prettiness belonging to the rosy-cheeked, blue- eyed, golden-haired type of beauty, and that she thus escaped a world of flattery and nonsense. She was silent too in company, as a rule, keeping her chatter and laughter, for the most part, till she was alone with her father, and content sometimes to sit as quiet as a mouse for a whole evening, watching what was going on around her; she was too much accustomed to strangers ever to feel shy with them, but she cared little for them, unless, as in Horace Graham's case, they happened to take her fancy.
It must no be imagined, however, that M. Linders was quite without conscience as regarded his child; there were some people with whom he took care that she should not associate, some society into which he never took her. Many an evening did Madelon spend happily enough while her father was out, in the snug little parlours of the hotels, where Madame, the landlady, would be doing up her accounts perhaps, and Monsieur, the landlord, reposing after the exertions of the day; whilst Mademoiselle Madelon, seated at the table, would build card-houses, or play at dominoes, and eat galette and confitures to her heart's content. Here, too, she would get queer little glimpses into life—hearing very likely how Monsieur B. had made off without paying his bill, or how those trunks that Madame la Comtesse C. had left eighteen months ago, as a pledge of her return, had been opened at last, and been found to contain but old clothes, fit for the rag-market; how a few francs might be advantageously added on here and there in the bill for the rich English family at thepremier;how the gentleman known as No. 5 was looked upon as a suspicious character; and how Pierre the waiter had been set to watch the door of No. 8, who had spent three months in the house without paying a sou, and was daily suspected of attempting to abscond. All these, and a dozen similar stories, and half the gossip of the town, would come buzzing round Madelon's ears as she sat gravely balancing one card one the top of the other. She heard and comprehended them with such comprehension as was in her; and no doubt they modified in some degree her childish views of life, which in these early days was presented to her, poor child! under no very sublime or elevated aspect; but they had little interest for her, and she paid small heed to them. In truth, her passionate love for her father was, no doubt, at this time her great preservative and safeguard, ennobling her, as every pure unselfish passion must ennoble, and by absorbing her thoughts and heart, acting as a charm against many an unworthy influence around her. The first sound of his footstep outside was enough to put both stories and gossip out of her head, and was the signal for her to spring from her chair, and rush into the passage to meet him; and a few minutes after they would be seated together in their room upstairs, she nestling on his knee most likely, with her arm tight round his neck, while he recounted the adventures of the evening. His purse would be brought out, and it was Madelon's special privilege and treat to pour out the contents on the table and count them over. If M. Linders had won it was a little fête for both—calculations as to how it should be spent, where they should go the next day, what new toy, or frock, or trinket should be bought; if he had lost, there would be a moment of discouragement perhaps, and then Madelon would say,
"It does not signify, papa, does it?—you will win to-morrow, you know."
As for M. Linders, the thought of the little, eager innocent face that would greet his return home was the brightest and purest vision that lighted his dark and wayward life, and he appealed to his child's sympathy and encouragement in a way that had something touching in it, showing as it did the gentler side of a man who was always reckless, and could be hard and merciless enough sometimes; but he was never anything but tender with his little Madelon, and one can fancy the two sitting together, as she counts over the little gold pieces shining in the candlelight. Once, not long after his marriage, he had appealed to his wife in the same way, when, after an unusual run of luck, he had returned in triumph with his winnings. She, poor girl, looked first at them and then at him, with a piteous little attempt at a smile; then suddenly burst into tears, and turned away. It was the first and last time he tried to win her sympathy in these matters, and was, perhaps, the beginning of the sort of estrangement that grew up between them.
These were happy evenings, Madelon thought, but she found those happier still when her father was at home, generally with one or two men who would come in to play cards with him. They were always good-natured and kind to the little girl who sat so still and close to her father's side, watching the game with her quick, intelligent eyes; though some of them, foolish smooth-faced lads, perhaps, would go away cursing the fate that had ever led them across M. Linders' path, and carrying an undying hatred in their hearts for the handsome courteous man who had enticed them on to ruin. How M. Linders lured these poor birds into the snare, and by what means he plucked them when there, Madelon never knew; all that belonged to the darker side of this character, which she never fully understood, and on which, for her sake, we will not dwell.
Most of all, however, did Madelon enjoy being at the German watering-places, for then she went out with her father constantly. The fair-haired, brown-eyed little girl was almost as well-known in the Kursaals of Homburg and Wiesbaden as the famous gambler himself, as evening after evening they entered the great lighted salons together, and took their places amongst the motley crowd gathered round the long green tables. There she would remain contented for hours, sometimes sitting on his knee, sometimes herself staking a florin or two—"to change the luck," M. Linders would say laughingly,—sometimes wearied out, curled up fast asleep in a corner of one of the sofas. Then there were the theatres, to which her father often took her, and where, with delighted, wondering eyes, she made acquaintance with most of the best operas and learnt to sing half Bellini's and Weber's music in her clear little voice. More than once, too, she was taken behind the scenes, where she saw so much of the mysteries of stage-working and carpentering as would have destroyed the illusions of an older person; but it did not make much difference to her; the next time she found herself in the stalls or balcony she forget all about what was going on behind, and was as much enchanted as ever with the fine results prepared for the public gaze.
On other nights there would be the balls, always a supreme enjoyment. It must be owned that Madelon took great pleasure in seeing her small person arrayed in a smart frock; and she was never weary of admiring the big rooms with their gilded furniture, and mirrors, and brilliant lights, and polished floors, where a crowd of gay people would be twirling about to the sound of the music. She danced like a little fairy, too, with pure delight in the mere motion, was never tired, and rarely sat down; for Mademoiselle, who generally held herself rather aloof from strangers, would be pleased on these occasions to put on a little winning graciousness, giving her hand with the air of a small princess to any one soliciting the honour of a dance; and she was seldom without some tall partner, attracted by hergentillesseand naïve prattle—a moustached Austrian or Prussian officer, perhaps, in white or blue uniform, or one of her counts or barons, with a bit of ribbon dangling from his button-hole; or, if all else failed, there was always her father, who was ever ready to indulge her in any of her fancies, and never resisted her coaxing pleading for one more dance.
These were the evenings; for the days there were pleasures enough too, though of a simpler kind, and more profitable, perhaps, for our poor little Madelon, in her gay unconscious dance through that mad Vanity Fair, innocent though it was for her as yet.
Except on some special emergency, M. Linders rarely went to the gambling tables during the day. He had a theory that daylight was prejudicial to his prosperity, and that it was only at night that he could play there with any fair chance of success; but he not unfrequently had other business of a similar nature on hand to occupy his mornings and afternoons; and when he was engaged or absent, Madelon, with the happy adaptability of a solitary child, had no difficulty in amusing herself alone with her toys, and picture-books, and dolls. At other times, when her father was at leisure, there would be walks with him, long afternoons spent in the gay Kursaal gardens, listening to the bands of music; and on idle days, which with M. Linders were neither few nor far between, excursions perhaps into the country, sometimes the two alone, but more frequently accompanied by one or two of M. Linders' companions. There they would dine at some rustic Gasthof, and afterwards, whilst her father and his friends smoked, drank their Rhine wine, and brought out the inevitable cards and dice in the shady, vine-trellised garden, Madelon, wandering about here and there, in and out, through yard and court, and garden and kitchen, poking her small nose everywhere, gained much primary information on many subjects, from the growing of cabbages to the making sauerkraut—from the laying of eggs by ever-hopeful hens, to their final fulfilment of a ruthless destiny in a frying-pan. In return, she was not unwilling to impart to the good Hausfrau, and her troop of little ones and retainers, many details concerning her town life; and might sometimes be found, perched on the kitchen table, relating long histories to an admiring audience, in which the blue silk frocks and tall partners made no small figure, one may be sure.
It was a golden childhood. Even in after years, when, reading the history of these early days in a new light, she suffered a pang for almost every pleasure she had then enjoyed, even then Madelon maintained that her childhood had been one of unclouded happiness, such as few children know. The sudden changes of fortune, from splendour to poverty of the shabbiest description, the reckless, dishonest expenditure, and the endless debts consequent on it; the means—doubtful to say the least of them—employed by M. Linders for procuring money; the sense of alienation from all that is best, and noblest, and truest in life;—all these, which had gone far to make up the sum of her mother's misery, affected our Madelon hardly at all. Some of them she did not know of; the rest she took as a matter of course. In truth, it mattered little to her whether they lived in a big hotel or a little one; whether the debts were paid or unpaid; whether money were forthcoming or not; she never felt the want of it, we may be sure. If she did not have some promised fête or amusement on one day, it was certain to come on another; and even the one or two occasions on which M. Linders, absolutely unable to leave an hotel until he had paid part of what he owed there, had been obliged to confiscate everything, caused her no uneasiness. The next week, very likely, she had other trinkets and knick-knacks, newer and prettier; and indeed, so long as she had her father, she cared for little else. In any small childish misfortune or ailment she had but to run to him to find help, and sympathy, and caresses; and she had no grief or care in these first years for which these were not a sufficient remedy.
Amidst all the miserable failures, and more unworthy successes of a wasted life, M. Linders gained at least one legitimate triumph, when he won his child's undying love and gratitude. All her life long, one may fancy, would Madelon cherish the remembrance of his unceasing tenderness, of his unwearying love for his little girl, which showed itself in a thousand different ways, and which, with one warm, loving little heart, at any rate, would ever go far to cover a multitude of sins. The only drawback to her perfect content in these early days was the presence of her uncle Charles, whom she could not bear, and who, for his part, looked upon her as a mere encumbrance, and her being with them at all as a piece of fatuity on the part of his brother-in-law. There were constant skirmishes between them while they were together; but even these ceased after a time, for Moore, who, ever since his sister's marriage, had clung fitfully to M. Linders, as a luckier and more prosperous man than himself, was accustomed to be absent on his own account for months together, and during one of these solitary journeys he died, about two years after Horace Graham had seen him at Chaudfontaine. Henceforth Madelon and her father were alone.
Madelon, then, by the time she was eight years old, had learnt to sing, dance, speak several languages, to write, to playrouge et noir, androulette, and indeedpiquetandécarté, too, to great perfection, and to read books of fairy tales. At ten years old, her education was still at the same point; and it must be owned that, however varied and sufficient for the purposes of the moment, it left open a wide field for labour in the future years; though M. Linders appeared perfectly satisfied with the results of his teaching so far, and showed no particular desire to enlarge her ideas upon any point. As for religion, no wild Arab of our London streets ever knew or heard less about it than did our little Madelon; or was left more utterly uninstructed in its simplest truths and dogmas. What M. Linders' religious beliefs were, or whether he had any at all, we need not inquire. He at least took care that none should be instilled into his child's mind; feeling, probably, that under whatever form they were presented to her, they would assuredly clash sooner or later with his peculiar system of education. For himself, his opinions on such matters were expressed when occasion arose, only in certain unvarying and vehement declamations against priests and nuns—the latter particularly, where his general sense of aversion to a class in the abstract, became specific and definite, when he looked upon that class as represented in the person of his sister Thérèse.
Of the outward forms and ceremonies of religion Madelon could not, indeed, remain entirely ignorant, living constantly, as she did, in Roman Catholic countries; but her very familiarity with these from her babyhood robbed them in great measure of the interest they might otherwise have excited in her mind, and their significance she was never taught to understand. As a rule, a child must have its attention drawn in some particular way to its everyday surroundings, or they must strike it in some new and unfamiliar light, before they rouse more than a passing curiosity; and though Madelon would sometimes question her father as to the meaning and intention of this or that procession passing along the streets, he found no difficulty in putting her off with vague answers. It was a wedding or a funeral, he would say, or connected with some other ordinary event, which Madelon knew to be of daily recurrence; though none such had as yet had part in the economy of her small world; and priests, and nuns, and monks became classed, without difficulty, in her mind, with doctors and soldiers, and the mass of people generally, who made money in a different way from her father, with whom, therefore, she seldom came into personal contact, and with whom she had little to do—money making being still her one idea of the aim and business of life.
The first time, however, that she ever entered a church, when she was little more than nine years old, was an experience in her life, and this was the occasion of it. It was in a French provincial town, where M. Linders had stopped for a day on business—only for one day, but that Madelon was to spend for the most part alone; for her father, occupied with his affairs, was obliged to go out very early, and leave her to her own devices; and very dull she found them, after the first hour or two. She was a child of many resources, it is true, but these will come to an end when a little girl of nine years old, with books and dolls all packed up, has to amuse herself for ever so many hours in a dull country hotel, an hotel, too, which was quite strange to her, and where she could not, therefore, fall back upon the society and conversation of a friendly landlady. Madelon wandered upstairs and downstairs, looked out of all the windows she could get at, and at last stood leaning against the hall-door, which opened on to the front courtyard. It was very quiet and very dull, nothing moving anywhere; no one crossed the square, sunny space, paved with little stones, and adorned with the usual round-topped trees, in green boxes. Inside the house there was an occasional clatter of plates and dishes, or the resonant nasal cry of "Auguste," or "Henri," from one or other of the servants, but that was all. Madelon found it too tiresome; theporte-cochèrestood half open, she crossed the courtyard and peeped out. She saw a quiet, sunny street, with not much more life or movement than there was within, but still a little better. Over the high walls surrounding the houses opposite green trees were waving; at one end of the street there was the gleam of a river, a bridge, and a row of poplars; the other end she could not see, for the street made a bend, and a fountain with dribbling water filled up the angle. Presently a little boy in a blue blouse, and a little girl with a tight round white cap, came up to the stone basin, each with a pitcher to fill; they were a long time about it, for what would be pleasanter, on this hot summer morning, than to stand dabbling one's fingers in the cool water? Madelon watched them till she became possessed with an irresistible desire to do the same. It was only a few steps off, and though she was strictly forbidden by her father ever to go out alone, still— she had so seldom an opportunity of being naughty, that her present consciousness of disobedience rather added, perhaps, to the zest of the adventure. She would go just for this once— and in another moment she was out in the street. The little boy and girl fled with full pitchers as she came up to the fountain, suddenly awakened to a sense of the waste of time in which they had been indulging; but that made no difference to Madelon; she stood gazing with mute admiration at the open- mouthed monsters, from whose wide jaws the water trickled into the basin below; and then she held her hands to catch the drops till they were quite cold, and thought it the best play she had ever known. By-the-by, however, she began to look about her in search of further excitement, and, emboldened by success, turned the corner of the street, and ventured out of sight of the hotel. On one side largeportes-cochèresat intervals, shutting in the white, green-shuttered houses, that appeared beyond; on the other a long, high, blank wall, with nothing to be seen above it, and one small arched doorway about half-way down. This was the shady side; and Madelon, crossing over to it, arrived at the arched door, and stood for a moment contemplating it, wondering what could be inside.
She was not left long in doubt, for two priests crossed the road, and pushed open the door, without seeing the child, who, urged by a spirit of curiosity, crept unnoticed after them, and suddenly found herself in a cloister, running round a quadrangle, on one side of which rose the walls and spires and buttresses of a great church; in the centre a carefully kept space of smooth grass. Madelon stood for a moment motionless with delight; it reminded her of a scene in some opera or play to which she had been in Paris with her father, but, oh! how much more beautiful, and all real! The sunlight streamed through the tracery of the cloisters, and fell chequered with sharp shadows on the pavement; the bright blue sky was crossed with pinnacles and spires, and there was an echo of music from the church which lured her on. The two priests walked quickly along, she followed, and all three entered the building by a side door together.
A vast, dim church, with long aisles and lofty pillars, which seemed to Madeleine's unpractised eye, fresh from the outer glare, to vanish in infinite mysterious gloom; a blaze of light, at the far-off high altar, with its priests, and incense, and gorgeous garments and tall candles; on every side shrines and tapers, and pictures, awful, agonised, compassionate Saviours, sad, tender Madonnas; a great silent multitude of kneeling people, and, above all, the organ peeling out, wave after wave of sound, which seemed to strike her, surround her, thrill her with a sense of—what? What was it all? What did it all mean? An awful instinct suddenly woke in the child's heart, painfully struggling with inarticulate cries, as it were, to make itself understood, even to herself. Wholly inarticulate, for she had been taught no words that could express, however feebly, these vague yearnings, these unutterable longings, suddenly stirring in her heart. This wonderful, solemn music, this place, so strange, so separate from any other she had known, what was it? what did it all mean? Ah, yes, what did it all mean? A little girl, no older than herself, who knelt close by the door, with careless eyes that roamed everywhere, and stared wondering at Madelon's cotton frock and rough uncovered little head, could have explained it all very well; she had a fine gilt prayer-book in her hand, and knew most of her Catechism, and could have related the history of all the saints in the church; she did not find it at all impressive, though she liked coming well enough on these grand fête-days, when everyone wore their best clothes, and she could put on her very newest frock. But our little stray Madelon, who knew of none of all these things, could find nothing better to do at last than to creep into a dark corner, between a side chapel and a confessional, crouch down, and begin to sob with all her heart.
Presently the music ceased, and the people went pouring out of the great doors of the church. Madelon, roused by the movement around her, looked up, dried her eyes, and came out of her corner; then, following the stream, found herself once more outside, not in the cloister by the door of which she had entered, but at the top of a wide flight of steps, leading down to a large sunny Place, surrounded with houses, where a fair was going on. She was fairly bewildered; she had never been in the town before, and though, in fact, not very far from the hotel where she was staying, she felt completely lost.
As she stood still for a moment, in the midst of the dispersing crowd, looking scared and dazed enough very likely, she once more attracted the attention of the little girl who had been kneeling near her in the church, and who now pointed her out to her parents, good, substantial-looking bourgeois.
"Comme elle a l'air drôle," said the child, "with her hair all rough, and that old cotton frock!"
"She looks as if she had lost someone," says the kindly mother. "I will ask her."
"No, she had not lost anyone," Madelon said, in answer to her inquiries, "but she did not know where she was; could Madame tell her the way to the Hôtel de l'Aigle d'Or?"
"It is quite near," Madame answered; "we are going that way; if you like to come with us, we will show it to you."
So Madelon followed the three down the broad steps, and out into the Place, where she looked a queer figure enough, perhaps, in the midst of all the gay holiday-folk who were gathered round the booths and stalls. She did not concern herself about that, however, for her mind was still full of what she had seen and heard in the church; and she walked on silently, till presently Madame, with some natural curiosity as to this small waif and stray she had picked up, said, "Are you staying at the hotel,ma petite?"
"Yes," answered Madelon, "we came there last night."
"And how was it you went to church all alone?"
"Papa had to go out," says Madelon, getting rather red and confused, "and I was so dull by myself, and I—I went out into the street, and got into the church by a little door at the side—not that other one we came out at just now; so I did not know where I was, nor the way back again."
"Then you are a stranger here, and have never been to the church before?" said Monsieur.
"No," said Madelon; and then, full of her own ideas, she asked abruptly—"what was everyone doing in there?"
"In there!—in the church, do you mean?"
"Yes, in the church—what was everyone doing?"
"But do you not know, then," said the mother, "that it is to- day a great fête—the fête of the Assumption?"
"No," said Madelon, "I did not know. Was that why so many people were there? What were they doing?" she persisted.
"How do you mean?—do you not go themesseevery Sunday?" saidMadame, surprised.
"To themesse!" answered Madelon—"what is that? I never was in a church before."
"Never in a church before!" echoed a chorus of three astonished voices, while Monsieur added—"Never in this church, you mean."
"No," answered Madelon, "it is the first time I ever went into a church at all."
"But,mon enfant," said the mother, "you are big enough to have gone to church long before this. Why, you must be eight or nine years old, and Nanette here went to thegrand' messebefore she was five—did you not, Nanette?"
"Yes," says Nanette, with a further sense of superiority added to that already induced by the contrast of her new white muslin frock with Madelon's somewhat limp exterior.
"And never missed it for a single Sunday of fête-day since," continued Madame, "except last year, when she had the measles."
"Do you go there every Sunday?" asked Madelon of the child.
"Yes, every Sunday and fête-days. Would you like to see my newParoissien? My god-father gave it to me on my last birthday."
"And is it always like to-day, with all the singing, and music, and people?"
"Yes, always the same, only not always quite so grand, you know, because to-day is a great fête. Why don't you go to church always?"
"She is perhaps a little Protestant," suggested the father, "and goes to the Temple. Is that not it, my child?"
"I do not know," said Madelon, bewildered; "I never went to any Temple, and I never heard of Protestants. Papa never took me to church; but then we do not live here, you know."
"But in other churches it is the same—everywhere," criesMadame.
"What, in all the big churches in Paris, and everywhere?" said Madelon. "I did not know; I never went into them, but I will ask papa to take me there now." Then, recurring to her first difficulty, she repeated, "But what do people go there for?"
"Mais—pour prier le bon Dieu!" said the good man.
"I do not understand," said Madelon, despairingly. "What does that mean? What were the music and the lights for, and what were all the pictures about?"
"But is it, then, possible,ma petite, that you have had no one to teach you all these things? And on Sundays, what do you do then?" said the mother, while Nanette stared more and more at Madelon, with round eyes.
"We generally go into the country on Sundays," said Madelon. "Papa never goes to church, I am sure, or he would have taken me. I will ask him to let me go again—I like it very much." It was at this moment that they turned into the street in which stood the hotel. "Ah! there is papa," cried Madelon, rushing forward as she saw him coming towards them, and springing into his arms. He had returned to the hotel for a latedéjeuner, and was in terrible dismay when Madelon, being sought for, was nowhere to be found. One of the waiters said he had seen her run out of the courtyard, and M. Linders was just going out to look for her.
"Mon Dieu!Madelon," he cried, "where, then, have you been?"
"I ran out, papa," said Madelon, abashed. "I am very sorry—I will not do it again. I lost myself, but Monsieur and Madame here showed me the way back."
Her friendly guides stood watching the two for a moment, as, after a thousand thanks and acknowledgments, they entered the hotel together.
"It is singular," said Madame; "he is handsome, and looks like a gentleman. How can anyone bring up a little child like that in such ignorance? She can have no mother,pauvre petite!"
"What an odd little girl, Maman," cried Nanette, "never to have been to church before, and not to know why people go!"
"Chut, Nanette!" said her father. "Thou also woudst have known nothing, unless some good friends had taught thee." And so these kindly people went their way.
Madelon, meanwhile, was relating all her adventures to her father. He was too rejoiced at having found her again to scold her for running away; but he was greatly put out, nevertheless, as he listened to her little history. Here, then, was en emergency, such as he had dimly foreseen, and done much to avoid, which yet had come upon him unawares, without fault of his, and which he was quite unprepared to meet. He did not, indeed, fully understand its importance, nor all that was passing in his child's mind; but he did perceive that she had caught a glimpse through doors he had vainly tried to keep closed to her, and that that one glance had so aroused her curiosity and interest, that it would be less easy than usual to satisfy her.
"Why do you never go to church, papa?" she was asking. "Why do you not take me? It was so beautiful, and there were such numbers of people. Why do we not go?"
"I don't care about it myself," he answered, at last, "but you shall go again some day,ma petite, if you like it so much."
"May I?" said Madelon. "And will you take me, papa? What makes so many people go? Madame said they went every Sunday andfêteday."
"I suppose they like it," answered M. Linders. "Some people go every day, and all day long—nuns, for instance, who have nothing else to do."
"It is, then, when people have nothing else to do that they go?" asked Madelon, misunderstanding him, with much simplicity.
"Something like it," answered M. Linders, rather grimly; then, with a momentary compunction, added, "Not precisely. They do it also, I suppose, because they think it right."
"And do you not think it right, papa? Why should they? I have seen people coming out of church before, but I never knew what it was like inside. Imaygo again some day?"
"When you are older, my child, I will take you again, perhaps."
"But that little girl Nanette, papa, was only five years old when she went first, her mother said, and I have never been at all," said Madelon, feeling rather aggrieved.
"Well, when we go to Florence next winter, Madelon, you shall visit all the churches. They are much more splendid than these, and have the most beautiful pictures, which I should like you to see."
"And will there be music, and lights, and flowers there, the same as here, papa?"
"Oh! for that, it is much the same everywhere," replied M. Linders. "People are much alike all the world over, as you will find, Madelon. Priests, and mummery, and a gaping crowd, to stare and say, 'How wonderful! how beautiful!' as you do now,ma petite;but you shall know better some day."
He spoke with a certain bitterness that Madelon did not understand, any more than she did his little speech; but it silenced her for a moment, and then she said more timidly,
"But, papa——"
"Well, Madelon!"
"But, papa, he said—ce Monsieur—he said that people go to churchpour prier le bon Dieu. What did he mean? We often say 'Mon Dieu,' and I have heard them talk ofle bon Dieu;is that the same? Who is He then—le bon Dieu?"
M. Linders did not at once reply. Madelon was looking up into his face with wide-open perplexed eyes, frowning a little with an unusual effort of thought, with the endeavour to penetrate a momentary mystery, which she instinctively felt lay somewhere, and which she looked to him to explain; and hecouldnot give her a careless, mocking answer; he sat staring blankly at her for a few seconds, and then said slowly,
"I cannot tell you."
"Do you not know, papa?"
"Yes, yes, certainly I know," he answered hastily, and with some annoyance; "but—in short, Madelon, you are too young to trouble your head about these things; you cannot understand them possibly; when you are older you shall have them explained to you."
"When, papa?"
"Oh, I don't know—one of these days, when you are a great girl, grown up."
"And you can't tell me now?" said Madelon, a little wistfully; "but you will let me go to the church again before that? Oh, indeed it was beautiful, with the lights, and the singing, and the music. Do you know, papa, it made me cry," she added, in a half whisper.
"Vraiment!" said M. Linders, with some contempt in his voice, and a slight, involuntary shrug of the shoulders.
The contempt was for a class of emotion with which he had no sympathy, and for that which he imagined had called it forth; not for his little Madelon, nor for her expression of it. But the child shrank back, blushing scarlet. He saw his mistake, perhaps, for he drew her towards him again, and with a tender caress and word tried to turn her thoughts in another direction; but it was too late; the impression had been made, and could never again be effaced. All unconsciously, with that one inadvertent word, M. Linders had raised the first slight barrier between himself and his child, had given the first shock to that confidence which he had fondly hoped was ever to exist undisturbed between them. In the most sacred hour her short life had yet known, Madeleine had appealed to him for help and sympathy, and she had been repulsed without finding either. She did not indeed view it in that light, nor believe in and love him the less; she only thought she must have been foolish; but she took well to heart the lesson that she should henceforth keep such folly to herself—as far as he was concerned, at any rate.
As for M. Linders, this little conversation left him alarmed, perplexed, uneasy. What if, after all, this small being whom he had proposed to identify, as it were, with himself, by teaching her to see with his eyes, to apprehend with his understanding, what if she were beginning to develop an independent soul, to have thoughts, notions, ideas of her own, perhaps, to look out into life with eager eyes that would penetrate beyond the narrow horizon it had pleased him to fix as her range of vision, to ask questions whose answers might lead to awkward conclusions? For the moment it seemed to him that his whole system of education, which had worked so well hitherto, was beginning to totter, ready at any time, it might be, to fall into ruins, leaving him and his child vainly calling to each other across an ever-widening, impassable gulf. Already he foresaw as possible results all that he had most wished to avoid, and felt himself powerless to avert them; for, however ready to alienate her from good influences, and expose her to bad ones, he yet shrank from inculcating falsehood and wrong by precept. With a boy it would have been different, and he might have had little hesitation in bringing him up, by both precept and example, in the way he was to go; but with his little innocent woman-child—no, it was impossible. She must be left to the silent and negative teachings of surrounding influences, and in ignorance of all others; and what if these should fail? Perhaps he over- estimated the immediate danger, not taking sufficiently into account the strength and loyalty of her affection for him; but, on the other hand, he perhaps undervalued the depth and force of those feelings to the consciousness of which she had first been roused that day. "It shall not occur again, and in time she will forget all about it," was his first conclusion. His second was perhaps wiser in his generation, taking into consideration a wider range of probabilities. "No," he reflected, "there has been an error somewhere. I should have accustomed Madelon to all these things, and then she would have thought nothing of them. Well, that shall be remedied, for she shall go to every church in Florence, and so get used to them."
At Florence.
If we have dwelt with disproportionate detail on the above little incident, we must be forgiven in consideration of its real importance to our Madeleine, marking, as it did, the commencement of a new era in her life. The sudden inspiration that had kindled for a moment in the great church died away, indeed, as newer impressions more imperatively claimed her attention; but the memory of it remained as a starting point to which any similar sensations subsequently recurring might be referred, as a phenomenon which seemed to contain within itself the germ and possible explanation of a thousand vague aspirations, yearnings which began about this time to spring up in her mind, and which almost unconsciously linked themselves with that solemn hour the remembrance of which, after her conversation with her father, she had set apart in her own heart, to be pondered on from time to time, but in silence,—a reticence too natural and legitimate not to be followed by a hundred others of a similar kind.
M. Linders, for reasons of his own, with which we need not concern ourselves here, spent the following autumn and winter in Florence, establishing himself in an apartment for the season, contrary to his usual practice of living in hotels; and this was how it happened that Madelon made two friends who introduced quite a new element into her life, one which, under other circumstances, might hardly have entered into it as a principle of education at all. The rooms M. Linders had taken were on the third floor of a large palazzo with many occupants, where a hundred feet daily passed up and down the common staircase, the number of steps they had to tread increasing for the most part in direct proportion to their descent in the social grade which, with sufficiently imposing representatives on the first floor, reached its minimum, in point of wealth and station, in the fifth storey garret. On the same floor as Madelon and her father, but on the opposite side of the corridor, lived an American artist; and M. Linders had not been a week in the house before he recognized in him an ancientconfrèreof his old Parisian artist days, who, after many wanderings to and fro on the earth, had finally settled himself in Florence. The old intimacy was renewed without difficulty on either side. M. Linders was made free of the American'satelier, and he, for his part, willingly smoked his pipe of an evening in the Frenchman's little salon. He was a great black-bearded yellow-faced fellow, with a certain careless joviality about him, that made him popular, though leading a not very respectable life; always extravagant, always in debt, and not averse to a little gambling and betting when they came in his way. He was a sufficiently congenial spirit for M. Linders to associate with freely; but he was kind-hearted, honourable after his own fashion, and had redeeming points in an honest enthusiasm, in a profound conviction of the grand possibilities of life in general, and of his art in particular. He was no great artist, and his business consisted mainly in making copies of well-known pictures, which he did with great skill, so that they always commanded a ready sale in the Florence market. But he also painted a variety of original subjects; and, in unambitious moments, occasionally surprised himself by producing some charming little picture which encouraged him to persevere in this branch of his art.
This man took a great fancy to Madelon, in the first instance from hearing how prettily and deftly she spoke English; and she, after holding herself aloof in dignified reserve for three days from this new acquaintance, was suddenly won over in a visit to hisatelier, which henceforth became to her a sort of wonderland, a treasure domain, where she might come and go as she pleased, and where, from beneath much accumulated dust, persevering fingers might extract inimagined prizes, in the shape of sketches, drawings, plaster casts, prints, and divers queer possessions of different kinds. After this, she soon became fast friends with the American, who was very kind and good-natured to her, and M. Linders' promise that she should see all the churches in Florence was fulfilled by the artist. He took her to visit both them and the galleries, showed her the famous pictures, and told her the names of their painters; and the genuine reverence with which he gazed on them, his ever-fresh enjoyment and appreciation of them, impressed her, child as she was, far more than any mere expressions of admiration or technical explanations of their merits would have done.
Sometimes, if she accompanied him to any of the churches where he happened to be copying a picture, he would leave her to wander about alone, and they were strange weird hours that she spent in this way. She did not indeed again assist at any of the great church ceremonies, but the silent spaces of these chill, grand, solemn interiors impressed her scarcely less with a sense of mysterious awe. Tapers twinkled in dim side chapels, pictures and mosaics looked down on her from above, rare footsteps echoed along the marble pavements, silent figures knelt about here and there, pillars, marbles, statues gleamed, and heavy doors and curtains shut in the shadowy, echoing, silent place from the sunshine, and blue sky, and many coloured life without. Madelon, wandering about in the gloom, gliding softly into every nook and corner, gazing at tombs and decorated altars and pictures, wondered more and more at this strange new world in which she found herself, and which she had no one to interpret to her. It had a mysterious attraction for her, as nothing had ever had before; and yet it was almost a relief at last to escape again into the warm, sunny out-of-door life, to walk home with the painter through the bright narrow streets, listening to his gay careless talk, and lingering, perhaps, at some stall, in the busy market- place, to buy grapes and figs; and then to take a walk with her father into the country, where roses nodded at her over garden walls, and vines were yellowing beneath the autumn sky. Her sensitive perception of beauty and grandeur was so much greater than her power of grasping and comprehending them, that her poor little mind became oppressed and bewildered by the disproportion between the vividness with which she received new impressions, and her ability for seizing their meaning.
The pictures themselves, which, before long, she learnt to delight in, and even in some sort to appreciate, were a perpetual source of perplexity to her in the unknown subjects they represented. Her want of knowledge in such matters was so complete that her American friend, who, no doubt, took it for granted that she had been brought up in the religion of the country, never even guessed at it, not imagining that a child could remain so utterly uninstructed in the simple facts and histories; and, somehow, Madelon divined this, and began to have a shy reluctance in asking questions which would betray an unsuspected ignorance. "This is such or such a Madonna," the artist would say; "there you see St. Elizabeth, and that is St. John the Baptist, you know." Or he would point out St. Agnes, or St. Cecilia, or St. Catherine, as the case might be.
"Who was St. Catherine?" Madelon ventured to ask one day.
"Did you never hear of her?" he answered. "Well then, I will tell you all about her. There were, in fact, two St. Catherines, but this one here, who, you see, has a wheel, lived long before the other. There once dwelt in Alexandria a lovely and accomplished maiden—" And he would no doubt have related to her the whole of the beautiful old mystical legend; but her father, who happened to be with them that day, interrupted him.
"Don't stuff the child's head with that nonsense," he said, and, perhaps, afterwards gave his friend a hint; for Madelon heard no more about the saints, and was left to puzzle out meanings and stories for the pictures for herself—and queer enough ones she often made, very likely. On the other hand, the American, who liked to talk to her in his own tongue, and to make her chatter to him in return, would tell her many a story of the old master painters, of Cimabue and the boy Giotto, of Lionardo da Vinci, and half a dozen others; old, old tales of the days when, as we sometimes fancy, looking back through the mist of centuries, there were giants on the earth, but all new and fresh to our little Madelon, and with a touch or romance and poetry about them as told by the enthusiastic artist, which readily seized her imagination; indeed he himself, with his black velvet cap, and short pipe, and old coat, became somehow ennobled and idealised in her simple mind by his association through his art with the mighty men he was teaching her to reverence.
Madelon spent much of her time in the painter'satelier, for her father took it into his head this winter to try his hand once more at his long-neglected art, and, armed with brushes and palette, passed many of his leisure hours in his friend's society. We cannot accredit M. Linders with any profound penetration, or with any subtle perception of what was working in his little daughter's mind, but with the most far-reaching wisdom he could hardly have devised better means, at this crisis in her life, for maintaining his old hold upon her, and keeping up the sense of sympathy between them, which had in one instance been disturbed and endangered.
She was just beginning to be conscious of the existence of a new and glorious world, where money-making was, on the whole, in abeyance, and roulette-tables and croupiers had apparently no existence at all; and the sight of her father at his easel day after day, at once connected him with it, as it were, since he also could produce pictures—tout comme un autre. Then M. Linders could talk well on most subjects, and in the discussions that the two men would not unfrequently hold concerning pictures, Madelon was too young, and had too strong a conviction of her father's perfect wisdom, to discern between his mere clever knowledge of art and the American's pure love and enthusiasm; or if, with some instinctive sense of the difference, she turned more readily to the latter for information, that was because it was hismétier;whereas with papa——Oh! with papa it was only an amusement; his business was of quite another kind.
The American amused himself by painting Madelon more than once; and she made a famous little model, sitting still and patiently for hours to him and to her father, who had a knack of producing any number of little, affected, meretricious pictures, in the worst possible style and taste. Years afterwards, Madelon revisited the studio, where the black- bearded friendly American, grown a little bent and a little grey, was still stepping backwards and forwards before the same easel standing in the old place; orange and pomegranate trees still bloomed in the windows; footsteps still passed up and down the long corridor outside where her light childish ones had so often echoed; the old properties hung about on the walls; and there, amongst dusty rolls piled up in a corner, Madelon came upon more than one portrait of herself, a pale- faced, curly-headed child, who looked out at her from the canvas with wistful brown eyes that seemed full of the thoughts that at that time had begun to agitate her poor little brain. How the sight of them brought back the old vanished days! How it stirred within her sudden tender recollections of the quiet hours when, dressed out in some quaint head-gear, orcontadinacostume, or merely in her own everyday frock, she had sat perched up on a high stool, or on a pile of boxes, dreaming to herself, or listening to the talk between the two men.
"That man is a fool," the American would exclaim, dashing his brush across a whole morning's work; "that man is a presumptuous fool who, here in Florence, here where those others have lived and died, dares to stand before an easel and imagine that he can paint—and I have been that man!" He was wont to grow noisy and loquacious over his failures—not moody and dumb, as some men do.
"You concern yourself too much," M. Linders would reply calmly, putting the finishing touch to Madelon as abergèrestanding in the midst of a flock of sheep, and a green landscape—like the enlarged top of abonbonnière. "You are too ambitious,mon cher—you are little, and want to be great—hence your discomfort; whilst I, who am little, and know it, remain content."
"May I be spared such content!" growled the other, who was daily exasperated by the atrocities his friend produced by way of pictures. It was beyond his comprehension how any man could paint such to his disgrace, and then calmly contemplate them as the work of his own hands. "Heaven preserve me from such content, I say!"
"But it is there you are all in the wrong," says M. Linders, quite unmoved by his companion's uncomplimentary energy. "You agitate, you disturb yourself with the idea that some day you will become something great—you begin to compare yourself with these men whose works you are for ever copying, with who knows? —with Raffaelle, with Da Vinci——"
"I compare myself with them!" cries the American, interrupting him. "I! No, mon ami, I am not quite such a fool as that. I reverence them, I adore their memory, I bow down before their wonderful genius"—and as he spoke he lifted his cap from his head, suiting his action to his words—"but compare myself! — I!" Then picking up his brush again, he added, "But the world needs its little men as well as its great ones—at any rate, the little ones need theirpot au feu;so to work again.Allons, ma petite, your head a little more this way."
This little conversation, which occurred nearly at the beginning of their acquaintance, the painter's words and manner, his energy, his simple, dignified gesture as he raised his cap—all made a great impression on our Madelon; it was indeed one of her first lessons in that hero-worship whereby lesser minds are brought intorapportwith great ones; and, even while they reverence afar off, exultingly feel that they in some sort share in their genius through their power of appreciating it. Nor was it her last lesson of the same kind.
Her second friend was an old German violinist, who inhabited two little rooms at the top of the big house, a tall, broad- shouldered, stooping man, whose thick yellow hair and moustache, plentifully mixed with grey, blue eyes, and fair complexion, testified to his nationality, as did his queer, uncouth accent, though he has spent at least two-thirds of his life in Florence. He was an old friend of the American painter's, and paid frequent visits to his studio; and it was there he first met Madelon and her father. He did not much affect M. Linders' company, but he took a fancy to the child, as indeed most people did, and made her promise that she would come and see him; and when she had once found her way, and been welcomed to his little bare room, where an old piano, a violin, and heaps of dusty folios of music, were the principal furniture, a day seldom passed without her paying him a visit. She would perch herself at his window, which commanded a wide view over the city, with its countless roofs, and domes, and towers, and beyond the encircling hills, with their scattered villas, and slopes of terraced gardens, and pines, and olives, all under the soft blue transparent sky; and with her eyes fixed on this sunny view, Madelon would go off into some dreamy fit, as she listened to the violinist, of whose playing she never wearied. He was devoted to his art, though he had never attained to any remarkable proficiency in it; and at any hour of the day he might be heard scraping, and tuning, and practising, for he belonged to the orchestra of one of the theatres. It was quite a new sensation for Madelon to hear so much music in private life, and she thought it all beautiful— tuning and scraping and all.
"But that is all rubbish," the German would cry, after spending an hour in going through some trashy modern Italian music. "Now, my child, you shall hear something worth listening to;" and with a sigh of relief he would turn to some old piece by Mozart or Bach, some minuet of Haydn's, some romance of Beethoven's, which he would play with no great power of execution, indeed, but with a rare sweetness and delicacy of touch and expression, and with an intense absorption in the music, which communicated itself to even so small a listener as Madelon.
It would have been hard to say which of the two had the more enjoyment—she, as she sat motionless, her chin propped on her two hands, her brown eyes gazing into space, and a hundred dreamy fancies vaguely shaped by the music, flitting through her brain; or he, as he bent over his violin, lovingly exacting the sweet sounds, and his thoughts—who knows where? — anywhere, one may be sure, rather than in the low-ceiled, dusty garret, redolent of tobacco smoke, and not altogether free from a suspicion of onions.
"There, my child," he would say at the end, "that is music— that is art! What I was playing before was mere rubbish—trash, unworthy of me and of my violin."
"And why do you play it?" asks Madelon, simply.
"Ah! why indeed?" said the violinist—"because one must live, my little Fraülein; and since they will play nothing else at the theatre, I must play it also, or I should be badly off."
"You are not rich, then?" said Madelon.
"Rich enough," he answered. "I gain enough to live upon, and I ask no more."
"Why don't you make money like papa?" says Madelon; "then you could play what you liked, you know. We are very rich sometimes."
The old German screwed up his queer, kind, ugly face.
"It—it's not my way," he said drily. "As for money, I might have had plenty by this time, if I had not run away from home when I was a boy, because I preferred being a poor musician to a rich merchant. Money is not the only nor the best thing in the world, my little lady."