NEW YORK SUNDAY NEWS.February 2, 1902.AN EPITOME OF THE CAREER OF OWEN KILDARE.That a man should, with the aid of a good woman, raise himself from the depths of brutish degradation to an honest manhood and regard for things pure and holy is a fine thing.That a man should reach the age of thirty without being able to read and write, and then, within a few years, with the aid of this woman and through his own indomitable will and energy, gain such mastery over the art of writing as to be able to tell such a story as is here presented, is so strange, so unprecedented as to warrant unbelief.Owen Kildare is a real man and that is his real name. He is widely known on the Bowery, where he lives. The writer of this knew him when he was a bartender in Steve Brodie's saloon and when he was a "bouncer" in the frightful dive to which he refers.His article is printed as it was written, with no more editing than the "copy" of the average trained writer would receive, and it has a power that is rare in these days. Glance at this epitome of his life, and wonder.1864—Born in Catharine street. Orphaned in his infancy and adopted by a childless couple.1870—Became a newsboy in the gang of which Timothy D. Sullivan was the leader, and fended for himself.1880—A "beer slinger" in a tough Bowery dive and a pugilist. His fighting capacity and brutishness made him a bouncer in one of the most infamous resorts New York has ever known.1894—Met the little school teacher through protecting her from insult, who taught him to read and write and who made a man of him. Gave up working in dives, where he made sixty dollars a week, more or less dishonestly, to work for eight dollars a week.1900—Death of the little school teacher one month before they were to be married.1902—From a newsboy, selling the Daily News, he became a writer for this newspaper.In no profession are the changes as frequent as in journalism, and not long after the appearance of my story, I became a writer on the staff of the Evening World. While there I "ran" a series of sketches on the editorial page of the paper. They were written in language closely resembling the real idiom of the Bowery. I called the series "The Bowery Girl Sketches," and their indorsement by the readers was exceedingly flattering.My experiment in Bowery language attracted the attention of William Guard, editor of The Sunday Telegraph, who made me a very favorable proposition. My stories in that paper were written in Bowery "slang," which is not slang at all, but merely the primitive way of expression my fellows use. The stories were signed by "The Bowery Kipling," a sobriquet which my old and good friend, John J. Jennings, of the Evening World, had given me. At no time during my work for the Telegraph had the "other" Kipling occasion to sue me for libel or infringement.This newspaper experience has been of great value to me, but it is not the career I would care to pursue for the rest of my life. In it reward is too often the consequence of accident, instead of being the logical sequel of merit and striving. The constant physical and mental strain affords many excuses for stimulants, and absolutely temperate newspaper men are among the rarities. As said before, the changes are many in editorial offices, and at every shifting of editors, the staffs are also included and obliged to decamp. There seems to be no stability as far as permanent employment is concerned, unless a contract is signed. But contracts are only signed with the stars of journalism and the "small fry" is always in fear and trembling about their jobs. Still, personally, throughout my short stay in newspaperdom, I have had many kindnesses and courtesies extended to me, and the schooling was appreciated and digested by me.In January, 1903, I was asked by the Success Magazine to write my story for that publication. While preparing the story I had the pleasure of making the acquaintance of Hall Caine, the distinguished novelist from the Isle of Man. He has often been made the subject of much criticism, but, this being a story of facts and not a critical essay, I can only say that Hall Caine is a man worth knowing, and I value very highly the letter he sent me after reading the story for Success in manuscript.I herewith append the letter:"My Dear Mr. Kildare: I have read your story, and I have been deeply touched by it. Nothing more true or human has come my way for many a day. It is a real transcript from life, and that part of it which deals with the little lady who was so great and so ennobling an influence in your life, brought tears to my eyes and the thrill to my heart. I am not using the language of flattery when I say that no great writer would be ashamed of the true delicacy and reserve with which you have dealt with the more solemn and sacred passages of your life."It was a true pleasure to me to meet you personally, and no conversation I have had on this side of the ocean has moved me to more sympathy. I wish you every proper success, and I feel sure that such a life as yours has been, and such a memory as brightens and solemnizes your past, can only lead you from strength to strength, from good to better."That this may be so will be my earnest wish for you long after I have left your American shores."With kindest greetings, HALL CAINE."The story was published in the February number of Success, and the response was—I do not know how to describe it—astounding, amazing, yes, almost embarrassing. Over four thousand letters reached me from all parts of the country, and the editor received letters from ministers informing him that the story had been read by them from the pulpit in place of the regular sermon. My heart throbbed when I saw how the miracle performed by my Mamie Rose in the name of God had moved the many, and again had I cause to thank my Maker for having sent her to me—if even for so short a time.Through Mr. Powlison I was invited to speak before several branches of the Y.M.C.A., and, though my delivery and elocution are very much at variance with oratorical methods, the story of the miracle proved again that our God is the same God, the God of old and of new.I believe that I can see my path before me. I shall write. Brilliancy, elegance of diction and a choice vocabulary will not be found in my stories and articles, but the truth is there, as I have seen it, as I have lived it, and that is something.This is the direction in which my ambition lies. I want to be a writer with a clearly defined purpose. 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I want to show that often their hearts hunger most and not their stomachs, and want to ask you to believe that they, as well as others, cannot only feel hunger and cold, but can also love and despair.I feel that there is work in this field for me, and it is my ambition to become successful in it and worthy of it, as a living testimony that one of God's sweetest daughters has not lived and died in vain.This is the story of the miracle wrought by my Mamie Rose.THE END.* * * * * * * *FAMOUS COPYRIGHT BOOKSIN POPULAR PRICED EDITIONSRe-issues of the great literary successes of the time. Library size. Printed on excellent paper—most of them with illustrations of marked beauty—and handsomely bound in cloth. Price, 75 cents a volume, postpaid.LAVENDER AND OLD LACE. By Myrtle Reed.A charming story of a quaint corner of New England where bygone romance finds a modern parallel. 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NEW YORK SUNDAY NEWS.
February 2, 1902.
AN EPITOME OF THE CAREER OF OWEN KILDARE.
That a man should, with the aid of a good woman, raise himself from the depths of brutish degradation to an honest manhood and regard for things pure and holy is a fine thing.
That a man should reach the age of thirty without being able to read and write, and then, within a few years, with the aid of this woman and through his own indomitable will and energy, gain such mastery over the art of writing as to be able to tell such a story as is here presented, is so strange, so unprecedented as to warrant unbelief.
Owen Kildare is a real man and that is his real name. He is widely known on the Bowery, where he lives. The writer of this knew him when he was a bartender in Steve Brodie's saloon and when he was a "bouncer" in the frightful dive to which he refers.
His article is printed as it was written, with no more editing than the "copy" of the average trained writer would receive, and it has a power that is rare in these days. Glance at this epitome of his life, and wonder.
1864—Born in Catharine street. Orphaned in his infancy and adopted by a childless couple.
1870—Became a newsboy in the gang of which Timothy D. Sullivan was the leader, and fended for himself.
1880—A "beer slinger" in a tough Bowery dive and a pugilist. His fighting capacity and brutishness made him a bouncer in one of the most infamous resorts New York has ever known.
1894—Met the little school teacher through protecting her from insult, who taught him to read and write and who made a man of him. Gave up working in dives, where he made sixty dollars a week, more or less dishonestly, to work for eight dollars a week.
1900—Death of the little school teacher one month before they were to be married.
1902—From a newsboy, selling the Daily News, he became a writer for this newspaper.
In no profession are the changes as frequent as in journalism, and not long after the appearance of my story, I became a writer on the staff of the Evening World. While there I "ran" a series of sketches on the editorial page of the paper. They were written in language closely resembling the real idiom of the Bowery. I called the series "The Bowery Girl Sketches," and their indorsement by the readers was exceedingly flattering.
My experiment in Bowery language attracted the attention of William Guard, editor of The Sunday Telegraph, who made me a very favorable proposition. My stories in that paper were written in Bowery "slang," which is not slang at all, but merely the primitive way of expression my fellows use. The stories were signed by "The Bowery Kipling," a sobriquet which my old and good friend, John J. Jennings, of the Evening World, had given me. At no time during my work for the Telegraph had the "other" Kipling occasion to sue me for libel or infringement.
This newspaper experience has been of great value to me, but it is not the career I would care to pursue for the rest of my life. In it reward is too often the consequence of accident, instead of being the logical sequel of merit and striving. The constant physical and mental strain affords many excuses for stimulants, and absolutely temperate newspaper men are among the rarities. As said before, the changes are many in editorial offices, and at every shifting of editors, the staffs are also included and obliged to decamp. There seems to be no stability as far as permanent employment is concerned, unless a contract is signed. But contracts are only signed with the stars of journalism and the "small fry" is always in fear and trembling about their jobs. Still, personally, throughout my short stay in newspaperdom, I have had many kindnesses and courtesies extended to me, and the schooling was appreciated and digested by me.
In January, 1903, I was asked by the Success Magazine to write my story for that publication. While preparing the story I had the pleasure of making the acquaintance of Hall Caine, the distinguished novelist from the Isle of Man. He has often been made the subject of much criticism, but, this being a story of facts and not a critical essay, I can only say that Hall Caine is a man worth knowing, and I value very highly the letter he sent me after reading the story for Success in manuscript.
I herewith append the letter:
"My Dear Mr. Kildare: I have read your story, and I have been deeply touched by it. Nothing more true or human has come my way for many a day. It is a real transcript from life, and that part of it which deals with the little lady who was so great and so ennobling an influence in your life, brought tears to my eyes and the thrill to my heart. I am not using the language of flattery when I say that no great writer would be ashamed of the true delicacy and reserve with which you have dealt with the more solemn and sacred passages of your life.
"It was a true pleasure to me to meet you personally, and no conversation I have had on this side of the ocean has moved me to more sympathy. I wish you every proper success, and I feel sure that such a life as yours has been, and such a memory as brightens and solemnizes your past, can only lead you from strength to strength, from good to better.
"That this may be so will be my earnest wish for you long after I have left your American shores.
"With kindest greetings, HALL CAINE."
The story was published in the February number of Success, and the response was—I do not know how to describe it—astounding, amazing, yes, almost embarrassing. Over four thousand letters reached me from all parts of the country, and the editor received letters from ministers informing him that the story had been read by them from the pulpit in place of the regular sermon. My heart throbbed when I saw how the miracle performed by my Mamie Rose in the name of God had moved the many, and again had I cause to thank my Maker for having sent her to me—if even for so short a time.
Through Mr. Powlison I was invited to speak before several branches of the Y.M.C.A., and, though my delivery and elocution are very much at variance with oratorical methods, the story of the miracle proved again that our God is the same God, the God of old and of new.
I believe that I can see my path before me. I shall write. Brilliancy, elegance of diction and a choice vocabulary will not be found in my stories and articles, but the truth is there, as I have seen it, as I have lived it, and that is something.
This is the direction in which my ambition lies. I want to be a writer with a clearly defined purpose. I want to tell the plain truth about men and things as I know them and see them every day in the homes of the tenements, in those abodes of friendless, hopeless men, many of whom were once as good and respectable as any of you. I want to dedicate my pen, no matter how ungifted, to their service, that others may know, as I know, of the places and conditions where fellow-beings begin to rail against their God and men because they deem themselves forgotten. I want to show that often their hearts hunger most and not their stomachs, and want to ask you to believe that they, as well as others, cannot only feel hunger and cold, but can also love and despair.
I feel that there is work in this field for me, and it is my ambition to become successful in it and worthy of it, as a living testimony that one of God's sweetest daughters has not lived and died in vain.
This is the story of the miracle wrought by my Mamie Rose.
THE END.
* * * * * * * *
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Re-issues of the great literary successes of the time. Library size. Printed on excellent paper—most of them with illustrations of marked beauty—and handsomely bound in cloth. Price, 75 cents a volume, postpaid.
LAVENDER AND OLD LACE. By Myrtle Reed.
A charming story of a quaint corner of New England where bygone romance finds a modern parallel. One of the prettiest, sweetest, and quaintest of old-fashioned love stories * * * A rare book, exquisite in spirit and conception, full of delicate fancy, of tenderness, of delightful humor and spontaneity. A dainty volume, especially suitable for a gift.
DOCTOR LUKE OF THE LABRADOR. By Norman Duncan. With a frontispiece and inlay cover.
How the doctor came to the bleak Labrador coast and there in saving life made expiation. In dignity, simplicity, humor, in sympathetic etching of a sturdy fisher people, and above all in the echoes of the sea,Doctor Lukeis worthy of great praise. Character, humor, poignant pathos, and the sad grotesque conjunctions of old and new civilizations are expressed through the medium of a style that has distinction and strikes a note of rare personality.
THE DAY'S WORK. By Rudyard Kipling. Illustrated.
TheLondon Morning Postsays: "It would be hard to find better reading * * * the book is so varied, so full of color and life from end to end, that few who read the first two or three stories will lay it down till they have read the last—and the last is a veritable gem * * * contains some of the best of his highly vivid work * * * Kipling is a born story-teller and a man of humor into the bargain."
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A story of married life, and attractive picture of wedded bliss * * * an entertaining story of a man's redemption through a woman's love * * * no one who knows anything of marriage or parenthood can read this story with eyes that are always dry * * * goes straight to the heart of every one who knows the meaning of "love" and "home."
THE COLONEL OF THE RED HUZZARS. By John Reed Scott. Illustrated by Clarence F. Underwood.
"Full of absorbing charm, sustained interest, and a wealth of thrilling and romantic situations." "So naively fresh in its handling, so plausible through its naturalness, that it comes like a mountain breeze across the far-spreading desert of similar romances."—Gazette-Times, Pittsburg. "A slap-dashing day romance."—New York Sun.
THE FAIR GOD; OR, THE LAST OF THE TZINS. By Lew Wallace. With illustrations by Eric Pape.
"The story tells of the love of a native princess for Alvarado, and it is worked out with all of Wallace's skill * * * it gives a fine picture of the heroism of the Spanish conquerors and of the culture and nobility of the Aztecs."—New York Commercial Advertiser.
"Ben Hursold enormously, butThe Fair Godwas the best of the General's stories—a powerful and romantic treatment of the defeat of Montezuma by Cortes."—Athenaeum.
THE CAPTAIN OF THE KANSAS. By Louis Tracy.
A story of love and the salt sea—of a helpless ship whirled into the hands of cannibal Fuegians—of desperate fighting and tender romance, enhanced by the art of a master of story telling who describes with his wonted felicity and power of holding the reader's attention * * * filled with the swing of adventure.
A MIDNIGHT GUEST. A Detective Story. By Fred M. White. With a frontispiece.
The scene of the story centers in London and Italy. The book is skilfully written and makes one of the most baffling, mystifying, exciting detective stories ever written—cleverly keeping the suspense and mystery intact until the surprising discoveries which precede the end.
THE HONOUR OF SAVELLI. A Romance. By S. Levett Yeats. With cover and wrapper in four colors.
Those who enjoyed Stanley Weyman'sA Gentleman of Francewill be engrossed and captivated by this delightful romance of Italian history. It is replete with exciting episodes, hair-breath escapes, magnificent sword-play, and deals with the agitating times in Italian history when Alexander II was Pope and the famous and infamous Borgias were tottering to their fall.
SISTER CARRIE. By Theodore Drieser. With a frontispiece, and wrapper in color.
In all fiction there is probably no more graphic and poignant study of the way in which man loses his grip on life, lets his pride, his courage, his self-respect slip from him, and, finally, even ceases to struggle in the mire that has engulfed him. * * * There is more tonic value inSister Carriethan in a whole shelfful of sermons.
BARREL OF THE BLESSED ISLES. By Irving Bacheller. With illustrations by Arthur Keller.
"Barrel, the clock tinker, is a wit, philosopher, and man of mystery. Learned, strong, kindly, dignified, he towers like a giant above the people among whom he lives. It is another tale of the North Country, full of the odor of wood and field. Wit, humor, pathos and high thinking are in this book."—Boston Transcript.
D'RI AND I: A Tale of Daring Deeds in the Second War with the British. Being the Memoirs of Colonel Ramon Bell, U. S. A. By Irving Bacheller. With illustrations by F. C. Yohn.
"Mr. Bacheller is admirable alike in his scenes of peace and war. D'ri, a mighty hunter, has the same dry humor as Uncle Eb. He fights magnificently on the 'Lawrence,' and was among the wounded when Perry went to the 'Niagara.' As a romance of early American history it is great for the enthusiasm it creates."—New York Times.
EBEN HOLDEN: A Tale of the North Country. By Irving Bacheller.
"As pure as water and as good as bread," says Mr. Howells. "Read 'Eben Holden'" is the advice of Margaret Sangster. "It is a forest-scented, fresh-aired, bracing and wholly American story of country and town life. * * * If in the far future our successors wish to know what were the real life and atmosphere in which the country folk that saved this nation grew, loved, wrought and had their being, they must go back to such true and zestful and poetic tales of 'fiction' as 'Eben Holden,'" says Edmund Clarence Stedman.
SILAS STRONG: Emperor of the Woods. By Irving Bacheller. With a frontispiece.
"A modern Leatherstocking. Brings the city dweller the aroma of the pine and the music of the wind in its branches—an epic poem * * * forest-scented, fresh-aired, and wholly American. A stronger character than Eben Holden."—Chicago Record-Herald.
VERGILIUS: A Tale of the Coming of Christ. By Irving Bacheller.
A thrilling and beautiful story of two young Roman patricians whose great and perilous love in the reign of Augustus leads them through the momentous, exciting events that marked the year just preceding the birth of Christ.
Splendid character studies of the Emperor Augustus, of Herod and his degenerate son, Antipater, and of his daughter "the incomparable" Salome. A great triumph in the art of historical portrait painting.
BARBARA WINSLOW, REBEL. By Elizabeth Ellis.
With illustrations by John Rae, and colored inlay cover.
The following, taken from story, will best describe the heroine: A TOAST: "To the bravest comrade in misfortune, the sweetest companion in peace and at all times the most courageous of women."—Barbara Winslow. "A romantic story, buoyant, eventful, and in matters of love exactly what the heart could desire."—New York Sun.
SUSAN. By Ernest Oldmeadow. With a color frontispiece by Frank Haviland. Medalion in color on front cover.
Lord Riddington falls helplessly in love with Miss Langley, whom he sees in one of her walks accompanied by her maid, Susan. Through a misapprehension of personalities his lordship addresses a love missive to the maid. Susan accepts in perfect good faith, and an epistolary love-making goes on till they are disillusioned. It naturally makes a droll and delightful little comedy; and is a story that is particularly clever in the telling.
WHEN PATTY WENT TO COLLEGE. By Jean Webster. With illustrations by C. D. Williams.
"The book is a treasure."—Chicago Daily News. "Bright, whimsical, and thoroughly entertaining."—Buffalo Express. "One of the best stories of life in a girl's college that has ever been written."—N. Y. Press. "To any woman who has enjoyed the pleasures of a college life this book cannot fail to bring back many sweet recollections; and to those who have not been to college the wit, lightness, and charm of Patty are sure to be no less delightful."—Public Opinion.
THE MASQUERADER. By Katherine Cecil Thurston. With illustrations by Clarence F. Underwood.
"You can't drop it till you have turned the last page."—Cleveland Leader. "Its very audacity of motive, of execution, of solution, almost takes one's breath away. The boldness of its denouement is sublime."—Boston Transcript. "The literary hit of a generation. The best of it is the story deserves all its success. A masterly story."—St. Louis Dispatch. "The story is ingeniously told, and cleverly constructed."—The Dial.
THE GAMBLER. By Katherine Cecil Thurston. With illustrations by John Campbell.
"Tells of a high strung young Irish woman who has a passion for gambling, inherited from a long line of sporting ancestors. She has a high sense of honor, too, and that causes complications. She is a very human, lovable character, and love saves her."—N. Y. Times.
THE AFFAIR AT THE INN. By Kate Douglas Wiggin. With illustrations by Martin Justice.
"As superlatively clever in the writing as it is entertaining in the reading. It is actual comedy of the most artistic sort, and it is handled with a freshness and originality that is unquestionably novel."—Boston Transcript. "A feast of humor and good cheer, yet subtly pervaded by special shades of feeling, fancy, tenderness, or whimsicality. A merry thing in prose."—St. Louis Democrat.
ROSE O' THE RIVER. By Kate Douglas Wiggin. With illustrations by George Wright.
"'Rose o' the River,' a charming bit of sentiment, gracefully written and deftly touched with a gentle humor. It is a dainty book—daintily illustrated."—New York Tribune. "A wholesome, bright, refreshing story, an ideal book to give a young girl."—Chicago Record-Herald. "An idyllic story, replete with pathos and inimitable humor. As story-telling it is perfection, and as portrait-painting it is true to the life."—London Mail.
TILLIE: A Mennonite Maid. By Helen R. Martin. With illustrations by Florence Scovel Shinn.
The little "Mennonite Maid" who wanders through these pages is something quite new in fiction. Tillie is hungry for books and beauty and love; and she comes into her inheritance at the end. "Tillie is faulty, sensitive, big-hearted, eminently human, and first, last and always lovable. Her charm glows warmly, the story is well handled, the characters skilfully developed."—The Book Buyer.
LADY ROSE'S DAUGHTER. By Mrs. Humphry Ward. With illustrations by Howard Chandler Christy.
"The most marvellous work of its wonderful author."—New York World. "We touch regions and attain altitudes which it is not given to the ordinary novelist even to approach."—London Times. "In no other story has Mrs. Ward approached the brilliancy and vivacity of Lady Rose's Daughter."—North American Review.
THE BANKER AND THE BEAR. By Henry K. Webster.
"An exciting and absorbing story."—New York Times. "Intensely thrilling in parts, but an unusually good story all through. There is a love affair of real charm and most novel surroundings, there is a run on the bank which is almost worth a year's growth, and there is all manner of exhilarating men and deeds which should bring the book into high and permanent favor."—Chicago Evening Post.
BEVERLY OF GRAUSTARK. By George Barr McCutcheon. With Color Frontispiece and other illustrations by Harrison Fisher. Beautiful inlay picture in colors of Beverly on the cover.
"The most fascinating, engrossing and picturesque of the season's novels."—Boston Herald. "'Beverly' is altogether charming—almost living flesh and blood"—Louisville Times. "Better than 'Graustark'."—Mail and Express. "A sequel quite as impossible as 'Graustark' and quite as entertaining."—Bookman. "A charming love story well told."—Boston Transcript.
HALF A ROGUE. By Harold MacGrath. With illustrations and inlay cover picture by Harrison Fisher.
"Here are dexterity of plot, glancing play at witty talk, characters really human and humanly real, spirit and gladness, freshness and quick movement. 'Half a Rogue' is as brisk as a horseback ride on a glorious morning. It is as varied as an April day. It is as charming as two most charming girls can make it. Love and honor and success and all the great things worth fighting for and living for the involved in 'Half a Rogue.'"—Phila. Press.
THE GIRL FROM TIM'S PLACE. By Charles Clark Munn. With illustrations by Frank T. Merrill.
"Figuring in the pages of this story there are several strong characters. Typical New England folk and an especially sturdy one, old Cy Walker, through whose instrumentality Chip comes to happiness and fortune. There is a chain of comedy, tragedy, pathos and love, which makes a dramatic story."—Boston Herald.
THE LION AND THE MOUSE. A story of American Life. By Charles Klein, and Arthur Hornblow. With illustrations by Stuart Travis, and Scenes from the Play.
The novel duplicated the success of the play; in fact the book is greater than the play. A portentous clash of dominant personalities that form the essence of the play are necessarily touched upon but briefly in the short space of four acts. All this is narrated in the novel with a wealth of fascinating and absorbing detail, making it one of the most powerfully written and exciting works of fiction given to the world in years.
* * * * *
PRINCESS MARITZA
A NOVEL OF RAPID ROMANCE.
BY PERCY BREBNER
With Harrison Fisher Illustrations in Color.
Offers more real entertainment and keen enjoyment than any book since "Graustark." Full of picturesque life and color and a delightful love-story. The scene of the story is Wallaria, one of those mythical kingdoms in Southern Europe. Maritza is the rightful heir to the throne, but is kept away from her own country. The hero is a young Englishman of noble family. It is a pleasing book of fiction. Large 12 mo. size. Handsomely bound in cloth. White coated wrapper, with Harrison Fisher portrait in colors. Price 75 cents, postpaid.
* * * * *
Books by George Barr McCutcheon
BREWSTER'S MILLIONS
Mr. Montgomery Brewster is required to spend a million dollars in one year in order to inherit seven millions. He must be absolutely penniless at that time, and yet have spent the million in a way that will commend him as fit to inherit the larger sum. How he does it forms the basis for one of the most crisp and breezy romances of recent years.
CASTLE CRANEYCROW
The story revolves around the abduction of a young American woman and the adventures created through her rescue. The title is taken from the name of an old castle on the Continent, the scene of her imprisonment.
GRAUSTARK: A Story of a Love Behind a Throne.
This work has been and is to-day one of the most popular works of fiction of this decade. The meeting of the Princess of Graustark with the hero, while travelling incognito in this country, his efforts to find her, his success, the defeat of conspiracies to dethrone her, and their happy marriage, provide entertainment which every type of reader will enjoy.
THE SHERRODS. With illustrations by C. D. Williams
A novel quite unlike Mr. McCutcheon's previous works in the field of romantic fiction and yet possessing the charm inseparable from anything he writes. The scene is laid in Indiana and the theme is best described in the words, "Whom God hath joined, let no man put asunder."
* * * * *
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It was something new and startling to see an author's first novel sell up into the hundreds of thousands, as did this one. The ablest critics spoke of it in such terms as "Breathless interest," "The high water mark of American fiction since Uncle Tom's Cabin," "Surpasses all," "Without a rival," "Tender and delicate," "As good a story of adventure as one can find," "The best style of love story, clean, pure and wholesome."
AUDREY
With the brilliant imagination and the splendid courage of youth, she has stormed the very citadel of adventure. Indeed it would be impossible to carry the romantic spirit any deeper into fiction.—Agnes Repplier.
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Pronounced by the critics classical, accurate, interesting, American, original, vigorous, full of movement and life, dramatic and fascinating, instinct with life and passion, and preserving throughout a singularly even level of excellence.
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THE MAGIC FOREST: A Modern Fairy Story.
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THE GROSSET AND DUNLAP SPECIALEDITIONS OF POPULAR NOVELS THATHAVE BEEN DRAMATIZED.
BREWSTER'S MILLIONS: By George Barr McCutcheon.
A clever, fascinating tale, with a striking and unusual plot. With illustrations from the original New York production of the play.
THE LITTLE MINISTER: By J. M. Barrie.
With illustrations from the play as presented by Maude Adams, and a vignette in gold of Miss Adams on the cover.
CHECKERS: By Henry M. Blossom, Jr.
A story of the Race Track. Illustrated with scenes from the play as originally presented in New York by Thomas W. Ross who created the stage character.
THE CHRISTIAN: By Hall Caine.
THE ETERNAL CITY: By Hall Caine.
Each has been elaborately and successfully staged
IN THE PALACE OF THE KING: By F. Marion Crawford.
A love story of Old Madrid, with full page illustrations. Originally played with great success by Viola Allen.
JANICE MEREDITH: By Paul Leicester Ford.
New edition with an especially attractive cover, a really handsome book. Originally played by Mary Mannering, who created the title role.
MISTRESS NELL, A Merry Tale of a Merry Time. (Twixt Fact and Fancy.) By George Hazelton.
A dainty, handsome volume, beautifully printed on fine laid paper and bound in extra vellum cloth. A charming story, the dramatic version of which, as produced by Henrietta Crosman, was one of the conspicuous stage successes of recent years. With a rare portrait of Nell Gwyn in duotone, from an engraving of the painting by Sir Peter Lely, as a frontispiece.
BY RIGHT OF SWORD, By Arthur W. Marchmont.
With full page illustrations, by Powell Chase.
This clever and fascinating tale has had a large sale and seems as popular to-day as when first published. It is full of action and incident and will arouse the keen interest of the reader at the very start. The dramatic version was very successfully produced during several seasons by Ralph Stuart.
CAPE COD FOLKS: By Sarah P. McLean Greene.
Illustrated with scenes from the play, as originally produced at the Boston Theatre.
IF I WERE KING: By Justin Huntly McCarthy.
Illustrations from the play, as produced by E. H. Sothern.
DOROTHY VERNON OF HADDON HALL: By Charles Major.
The Bertha Galland Edition, with illustrations from the play.
WHEN KNIGHTHOOD WAS IN FLOWER: By Charles Major.
Illustrated with scenes from the remarkably successful play, as presented by Julia Marlowe.
THE VIRGINIAN: By Owen Wister.
With full page illustrations by A. I. Kelley.
Dustin Farnum has made the play famous by his creation of the title role.
THE MAN ON THE BOX: By Harold MacGrath.
Illustrated with scenes from the play, as originally produced in New York, by Henry E. Dixey. A piquant, charming story, and the author's greatest success.
* * * * *
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THE CALL OF THE WILD:
With illustrations by Philip R. Goodwin and Charles Livingston Bull. Decorated by Charles Edward Hooper.
"A big story in sober English, and with thorough art in the construction ... a wonderfully perfect bit of work. The dog adventures are as exciting as any man's exploits could be, and Mr. London's workmanship is wholly satisfying."—The New York Sun.
THE SEA WOLF: Illustrated by W. J. Aylward.
"This story surely has the pure Stevenson ring, the adventurous glamour, the vertebrate stoicism. 'Tis surely the story of the making of a man, the sculptor being Captain Larsen, and the clay, the ease-loving, well-to-do, half-drowned man, to all appearances his helpless prey."—Critic.
THE PEOPLE OF THE ABYSS:
A vivid and intensely interesting picture of life, as the author found it, in the slums of London. Not a survey of impressions formed on a slumming tour, but a most graphic account of real life from one who succeeded in getting on the "inside." More absorbing than a novel. A great and vital book. Profusely illustrated from photographs.