FOOTNOTES:

"E'en I—least thinking of a thoughtless throng,Just skill'd to know the right and choose the wrong."

After having quoted an early poem of Lord Byron, writtenin an hour of great depression, and which would seem, inspired by momentary madness, Moore makes the following declaration:—

"These concluding lines are of a nature, it must be owned, to awaken more of horror than of interest, were we not prepared, by so many instances of his exaggeration in this respect, not to be startled at any lengths to which the spirit ofself-libellingwould carry him. It seemed as if, with the power of painting fierce and gloomy personages, he had also the ambition to be himself the dark 'sublime he drew,' and that, in his fondness for the delineation of heroic crime, he endeavored to fancy, where he could not find in his own character, fit subjects for his pencil."

Moore, mentioning another article in his memoranda, where Lord Byron accuses himself of irritability of temperament in his early youth, follows up with this reflection:—

"In all his portraits of himself, the pencil he uses is so dark that the picture of his temperament and his self-attempts, covering as they do witha dark shadow the shade itself, must be taken with large allowance for exaggeration."

In another passage of his work, Moore further says:—

"To the perverse fancy he had for falsifying his own character, and even imputing to himself faults the most alien to his nature, I have already frequently adverted. I had another striking instance of it one day at La Mira."

Moore then relates that, on leaving Venice, he went to La Mira to bid Lord Byron farewell. Passing through the hall, he saw the little Allegra, who had just returned from a walk. Moore made some remark on the beauty of the child, and Byron answered, "Have you any notion—but I suppose you have—of what they call the parental feeling? For myself, I have not the least." And yet, when that child died, in a year or two afterward, he who had uttered this artificial speech was so overwhelmed by the event, that those who were about him at the time actually trembled for his reason.[98]

Colonel Stanhope, afterward Lord Harrington, who knew Lord Byron in Greece, shortly before his death, says:—

"Most men affect a virtuous character; Lord Byron's ambition,on the contrary, seemed to be to make the world believe that he was a sort ofSatan, though impelled by high sentiments to accomplish great actions.Happily for his reputation, he possessed another quality that unmasked him completely: he was the most open and most sincere of men, and his nature, inclined to good, ever swayed all his actions."[99]

Mr. Finlay, who knew Lord Byron about the same time, saysthat not only he calumniated himself, but that he hid his best sentiments.

Speaking of the simplicity of his manners, and his repugnance for allemphasis:—

"I have always observed," continues Mr. Finlay, "that he adopted a very simple and even monotonous tone, when he had to say any thing not quite in the ordinary style of conversation. Whenever he had begun a sentence which showed that the subject interested him, and which contained sublime thought, he would check himself suddenly, and come to an end without concluding, either with a smile of indifference or in a careless tone. I thought he had adopted this modeto hide his real sentiments when he feared lest his tongue should be carried away by his heart; and often he did so evidently to hide the author or rather the poet. But in satire or clever conversation his genius took full flight."[100]

And Stanhope further adds:—

"I also have observed that Lord Byron acted in this way. He often liked to hide the noble sentiments that filled his soul, and even tried to turn them into ridicule."[101]

This was only too true. The spirit of repartee and fun often made him display his intellectual faculties at the expense of his moral nature and his truest sentiments.

Moore says that when Lord Byron went to Ravenna to see Countess G—— again, he wrote to Hoppner, who looked after his affairs, in such a light vein of pleasantry, that it would have been difficult for any one not knowing him thoroughly to conceive the possibility of his expressing himself thus, while under the influence of a passion so sincere:—

"But such is ever the wantonness of the mocking spirit, from which nothing—not even love—remains sacred; and which at last, for want of other food, turns upon self. Thesame horror, too, of hypocrisy that led Lord Byron to exaggerate his own errors led him also to disguise, under a seemingly heartless ridicule, all those natural and kindly qualities by which they were redeemed."

And by way of contrast with the strange lightness of his letter to Hoppner, as well as to do justice to the reality of his passion, Moore then quotes the whole of those beautiful stanzas, called "The Po," which Lord Byron wrote while crossing that river on his way from Venice to Ravenna.[102]

We might multiply quotations, in order to prove that all those who knew him have more or less remarked this phenomenon. But no one has well determined its principal cause; or else it has been too much confounded with the strange caprices he showed, especially in early youth; for subsequently, says Moore, "when he saw that the world gravely believed the opinion he had given of himself, he refused any longer to echo it."

There is certainly truth in the judgment passed by Moore and others. It can not be denied that, when as a boy, he boasted of his dissipated life at the University, the chief reason of it lay in the folly common to that period of life, which impels human beings while yet children to seek to appear like men by aping the vices of riper years. It can not be denied, either, that the pleasure of mystifying suggested his answer to Dallas; that an exaggerated horror of hypocrisy taught his pen a thousand censures of himself beginning with his first satire; that a sort of over-excitement and reaction of imagination gave him, at times, the strange ambition of appearing to be one of those dark, proud heroes he loved to paint for the sake of effect. Moreover, we must not forget that witty turn of mind which his extraordinary perception of the ridiculous, and his facility for seeing the two sides of things, often made him to display at the expense of his better nature, by seeming to mock his truest sentiments, as when he wrote to Hoppner: a psychological phenomenon, of which the cause has been more particularly sought elsewhere. Finally, we may also add that he might have believed he was disarming envy and malice by speaking against himself; and that he was to a certain extent escaping from the effects of those evil passions by throwing them something whereon to feed. Who knowswhether he also did not—a little through goodness of heart, and greatly through the tactics that make good politicians complain of the unpleasantnesses attached to their greatness—ascribe to himself imaginary defects, so as to let some compassion, under the form of blame, mix with the malice that hemmed him in on all sides; and whether he did not think it well to make use of this means, as of a shield, to ward off their blows? This sort of generous artifice, which I more than once suspected in him, may serve as long as public favor lasts; but when persecution gets the upper hand,—which is the case sooner or later with all greatness and all virtues—when Envy triumphs by means of calumny, she converts into poison, benefits, virtues, gratitude. Thus, if our hypothesis be correct, Lord Byron would have been cruelly punished for his weakness in allowing that to be believed of him which was not true. Still, all we have observed can only furnish, at best, the secondary and evanescent causes of the moral phenomenon described, and those who would fain penetrate the recesses of Lord Byron's soul must search deeper for explanation. Our idea is, the first cause will be found to lie in some sentiment that reigned all powerful in his breast. I mean that he placedhis ideal standard too high, and the influence it exercised over him was manifesteven to his last moments.

In the severe judgments which he has pronounced upon himself in the first place, on mankind in general, and on some particular individuals, the ideal model of all the intellectual, moral, and physical beauty which he found in the depth of his own mind, shone with divine lustre before his imagination, by the union of faculties imbued with extraordinary energy.

We see, by a thousand traits, that his ideal was formed much earlier than is common with ordinary children. In his first youthful poems it already displayed itself much developed. Ever attracted toward truth, his first desire was to seek after that; and the better to do so, he searched into himself, analyzed what was passing within and without, and finally proclaimed it without any consideration for himself or others.

At Harrow we see him leaving off play to go and sit down alone and meditate on the stone now calledByron's tomb.

At Cambridge afterward, despite the dissipation he shared equally with his comrades, amid games and exercises in which he greatly excelled, we still find him courting meditation under shady trees. On returning to his home, the Abbey, when surrounded with the noise and frolic of boisterous companions, we see him devote himself to study and solitary reflection; finally, during his travels, and after his return, when all England was at his feet, we behold him still and ever experiencing that imperiouswantof scanning himself, of descending into the depths of his own heart, interrogating his conscience, and very often of writing down in his memorandum-books the severe sentences pronounced by that inflexible judge. And, as he could not put away from sight his divine model, he came out from these examinationshumbled, dissatisfied, reproaching and punishing himself for having strayed from it. For he discovered too many terrestrial elements in all human virtues. For instance, in friendships, though so generous on his side, he found the satisfaction of a personal want, consequently, an egotistical element; the same, and much more strongly, with regard to love. He found something personal in the best instincts, in the passion for glory, in patriotism, even in the sentiment of veneration, since that is an echo of our tastes and personal sympathies. That the high standard of his ideal was the first cause of injustice toward himself, a thousand proofs might be offered. I will choose some only. We read in his memoranda:—

"It has lately been in my power to make two men happy. I am delighted at it, especially as regards the last, for he is excellent.But I wish there had been a little more sacrifice on my part, and less satisfaction for my self-love in doing that, because then there would have been more merit."

Such was this great culprit. He actually felt pleasure in doing good! Another time he was asked to present a petition to Parliament. "I am not in a humor for this business," writes he in the evening journal, where he examined his conscience. He was suffering then from grief, caused by the absence of a person he loved, and he apostrophizes himself in these terms:—"Had —— been here she would havemademedo it.Thereis a woman who, amid all her fascination, always urged a man to usefulness or glory. Had she remained, she had been my tutelar genius.

"Baldwin is very unfortunate; but, poor fellow, 'I can't get out; I can't get out,' said the starling.Ah! I am as bad as that dog Sterne, who preferred whining over a dead ass to relieving a living mother. Villain! hypocrite! slave! sycophant! But I am no better. Here I can not stimulate myself to a speech for the sake of these unfortunates, and three words and half a smile of——, had she been here to urge it (and urge it she infallibly would; at least, she always pressed me on in senatorial duties, and particularly in the cause of weakness), would have made me an advocate, if not an orator. Curse on Rochefoucault for being always right!"

Another timehe also accused himself of selfishness, because he wrote only for amusement! He was then but twenty-three years of age:—

"To withdraw myself from myself (oh, that cursed selfishness!) has ever been my sole, my entire, my sincere motive in scribbling at all; and publishing is also the continuance of the same object, by the action it affords to the mind, which else recoils upon itself."

This hard opinion of man's virtue, formed by many moralists, and especially by those who see virtue only in pure disinterested benevolence, was an impulse with Lord Byron rather than the result of reason; and I much doubt whether this craving for equity and truth were ever practically combined and harmonized with the faculty of benevolence in any one else as it was with Lord Byron, for this combination evidently formed the most striking part of his character. Montaigne himself,—who, if he did not possess as much innate benevolence, had nevertheless the faculty, and even felt the want of entering into his conscience, and examining it, so as to draw forth general notions,—says, "When I examine myself conscientiously, I find that my best sort of goodness has avicious tint."

And he fears that even Plato, in hisbrightest virtue, had he analyzed it well, would have foundsome human admixture. And then he sums up by saying, "Man is made up of bits and oddities."[103]

But these sincere philosophers are few in number, and their maxims can never be popular. For men in general experience rather the want of magnifying than of depreciating themselves, and, instead of taking their best models from an ideal, they choose them from reality, judge characters, compare themselves to other men, and, living like other people, see no guilt in themselves; while Lord Byron, living as they did, discovered in himself weaknesses, reasons for modesty, regret, repentance. If he could have done as they did, he would have been satisfied, and he would either have escaped or vanquished calumny. But he could not and would not, though conscious of the harm thence resulting to himself.

"You censure my life, Harness. When I compare myself with these men, my elders and my betters, I really begin to conceive myself a monument of prudence,—a walking statue, without feeling or failing; and yet the world in general has given me a proud pre-eminence over them in profligacy. Yet I like the men, and, God knows, ought not to condemn their aberrations; but I own I feel provoked when they dignify all this by the name of love. Romantic attachments for things marketable for a dollar!"

One of his biographers pretends that he rendered himself justice another time, and represents him as saying, speaking of M——:

"See how well he has got on in the world! He is just as little inclined to commit a bad action as incapable of doing a good one; fear keeps him from the former, and wickedness from the latter. The difference between him and me is that I attack a great many people, and truly, with one or two exceptions (and note that they are persons of my own sex), I do not hate one; while he says no harm of any one, but hates a great many, if not every body. Fancy, then, how amusing it would be to see him in the palace of Truth, when he would be thinking he was making the sweetest compliments, while all the time he would be giving vent to the accumulated spite and rancor of years, and then to see the person he had flattered so long listen to his real sentiments for the first time. Oh! that would truly be a comic sight. As to me, I should appear to great advantage in the palace of Truth, for while I should be thinking to vex friends and enemies with harshspeeches, I should be saying pretty things on the contrary; for at bottom,I have no malice or ill-nature,—at least, not of that kind which lasts more than a moment."

"Never," adds the biographer, "was a truer observation made. Lord Byron's nature isvery fine, despite all the bad weeds that might have attempted to spring up in it; and I am convinced that it is the excellence of the poet, or rather the effect of such excellence, which has caused the faults of the man.

"The severity of censure lavished on the man has increased in proportion to the admiration excited by the poet, and often with the greatest injustice. The world offered up incense to the poet, while heaping ashes on the head of the man. He was indignant at such usage, and wounded pride avenged itself by painting himself in the darkest colors, as if to give a deeper hue than even his enemies had done; all the time forcing them to admiration for his genius, as boundless as was their disapprobation of his supposed character."[104]

Is this conversation real or imaginary? Doubt is allowable; but, however it may be, the reflections of the biographer in this case are too sensible and too true for us not to quote them with pleasure.

In concluding these remarks, which prove how high was the ideal type that impelled Lord Byron to be unjust to himself, I will further observe, that it was the exaggeration of his great characteristic faculties which made him fail in some little virtue (such as prudence, when it has its sourcesolely in our personal interest). For it was only to this degree, and from this point of view, that Lord Byron lacked it. And it appears singular that his great mind should not have made him see, in this very craving after self-examination, caused by his inclination for truth; and in that extraordinary susceptibility of conscience which lead to self-reproach for egotism, only because hefelt pleasure in exercising beneficence and that it did not contain enough sacrifice; it is singular, I say, that this same spirit of equity did not make him see how he shone in the only two faculties that can have no alloy of egotism, and which were very evidently the moststriking qualities of his character. But he was, with regard to himself,like the torch which, lighting up distant objects, leaves those near it in obscurity. Lord Byron did not know himself; he had by no means overcome that difficulty which the oracles of Greece pronouncedthe greatest. Only he was sometimes conscious of it. In his memoranda, written at Ravenna, in 1821, after having said that he does not think the world judges him well, he adds:—

"I have seen myself compared, personally or poetically, in English, French, German as (interpreted to me), Italian and Portuguese, within these nine years, to Rousseau, Goethe, Young, Aretin, Timon of Athens, Dante, Petrarch, an Alabaster Vase lighted up within, Satan, Shakspeare, Bonaparte, Tiberius, Æschylus, Sophocles, Euripides, Harlequin the clown, Sternhold and Hopkins, to the Phantasmagoria, to Henry the Eighth, to Chenier, to Mirabeau, to Young, R. Dallas (the schoolboy), to Michael Angelo, to Raphael, to apetit maître, to Diogenes, to Childe Harold, to Lara, to the Count in 'Beppo,' to Milton, to Pope, to Dryden, to Burns, to Savage, to Chatterton, to 'oft have I heard of thee, my Lord Byron,' in Shakspeare, to Churchill the poet, to Kean the actor, to Alfieri, etc., etc. The object of so many contradictory comparisons must probably be like something different from them all; but whatthatis is more than I know, or any body else."

But had he known himself, he would have found that he realized one of the finest types of character that humanity can offer; for his two characteristic faculties were, his attraction toward truth and benevolence. And in ceasing to calumniate himself, he would have snatched from the hands of the envious and the enemies of truth, the principal weapon they made use of to defame him.

When one reflects on all this, one questions with astonishment how it is that all his biographers should have remained outside of truth. But it is useless insisting thereupon, for we have given sufficient answer.[105]

I will, then, confine myself to remarking here that one characteristic peculiar to the biographers of great men in general, is the extreme repugnance they feel toward praising their own subjects. What is the cause? Do they fear being told they have made a panegyric, passing for flatterers, appearingto get through a task? Do they believe that, in order to show cleverness, perspicacity, and deep knowledge of the human heart, it is necessary to put in place of simple truth a sort of malice, not very intelligible, and often contradictory? All that may well be, but I believe that what they especially feel is, that if their books were only written for noble minds, possessing such qualities as only belong to the minority of the human race, they might run the risk of being less sought after and less bought. Thus they search for faults with ardor, just as miners do for diamonds; and when they think they have discovered a vice in their hero, they look upon it as the "Mogul" of their book. They make it shine, polish it up, show it in a thousand lights, bring it out as the striking part of their work,—the chief quality of their hero, who, unable to defend himself, is handed down, disfigured, to posterity. Such are the strange perils incurred, as regards truth and justice, and the wrong done toward the great departed; and this is why their surviving friends are called on to protest against the false assertions of biographers. Those who have written on Lord Byron, unable to find this great "Mogul" (for Lord Byron had no vices), have all, more or less, sought at least to draw the attention of their readers to a thousand little weaknesses, mostly devoid of reality. Upon what basis, indeed, do they rest?—Almost always on Lord Byron's words. Now we know what account should be made of his testimony when he speaks against himself. For instance, he has called himself irritable and prone to anger, and biographers have found it very convenient to paint him with his own brush. Men never fail to treat those who depreciate themselves with equal injustice. Nor is this surprising. If it be true that we are always judged on our faulty side, even though we endeavor to show the best, what must be the case if our efforts tend only to display our worst? And besides, why should others give themselves the trouble of exonerating a man from blame who depreciated himself? As it requires great discernment, great generosity, and very rare qualities, not to go beyond truth in self-esteem, biographers have not hesitated to declare Lord Byron, on his own testimony,very irritable, and even very passionate; but was he really so? This is a question to be examined.

FOOTNOTES:[98]Moore's "Life," vol. iv. p. 241.[99]Parry, 273.[100]Letter from Finlay to Stanhope, Parry, 210.[101]Parry, 210.[102]Moore, 214, vol. ii. in 4to.[103]Montaigne, vol. iii. p. 87.[104]"Journal of Conversation," p. 195.[105]See chapter on Lord Byron's biographers.

[98]Moore's "Life," vol. iv. p. 241.

[99]Parry, 273.

[100]Letter from Finlay to Stanhope, Parry, 210.

[101]Parry, 210.

[102]Moore, 214, vol. ii. in 4to.

[103]Montaigne, vol. iii. p. 87.

[104]"Journal of Conversation," p. 195.

[105]See chapter on Lord Byron's biographers.

Was Lord Byron irritable? With his poetic temperament, his exquisite and almost morbid sensibility, so grievously tried by circumstances, it would be equally absurd and untrue to pretend that he was as impassible as a stoic, or phlegmatic as some good citizen who vegetates rather than lives. Did such qualities, or rather faults,—for they betoken a cold nature,—ever belong to Milton, Dante, Alfieri, and those master-spirits whose strength of passion, combined with force of intellect, have merited for them the rank of geniuses?

All more or less were, and could not fail to have been, susceptible of irritation and anger; for such susceptibility was indispensable in the peculiar constitution of their minds. But he who finds sufficient strength of will to control himself, when over-excitement is caused by some wounded feeling, does not that person approach to virtue? Did Lord Byron possess this power? Every thing, even to the testimony of his servants, his masters, his comrades, proves that he did. In childhood he showed that he knew how to conquer himself, and would use his power. He says, himself, that his anger was of a silent nature, and made him grow pale. Now, is not pale and silent anger of the kind that is overcome? We know that Lord Byron's mother, while still young, suffered so cruelly from the simultaneous loss of her fortune and a husband she adored, that her temper became changed and embittered. She gave way to violent bursts of passion, quite at variance with her excellent qualities of heart; thus she loved her son, but being very jealous of his affection, a trifle sufficed to make her launch out into reproaches and disagreeable scenes. This disposition on her part was not calculated to inspire the tenderness which her passionate fondness forhim would otherwise have merited. But it was his disapprobation of such scenes that taught him to overcome in himself all outward tokens of anger, and to keep guard over his temper. Thus he opposed to the violence displayed by his poor mother a calm and silent demeanor that provoked her still more, it is true, but which proved great strength of will in him. After a violent scene that took place with her during one of his Cambridge vacations, he even determined on leaving home.

"It was very seldom," says Moore, "that he allowed himself to be so far provoked by her as to come out of his passivity."

And by what he himself declares in his memoranda, written at the age of twenty-two, we see that he did not permit any external demonstration of his temper, and that under this discipline it certainly had already improved. "It is especially when I wish to keep silence, and when I feel my cheeks and brow grow pale," says he, "that it becomes very difficult for me to control myself; but the presence of a woman, though not of all women, suffices to calm me."

To proceed with justice in any psychological study, we should never lose sight of the particular circumstances of the subject under treatment. Now, the circumstances amid which Lord Byron's moral and social life first began to unfold itself were very irritating.

While yet a boy we see his heart expand to love, to tenderness, excited by the way in which the young lady received his attentions, by the gift she made him of her portrait, by meetings, by the encouragement her parents afforded; for, notwithstanding the disproportion of age, they looked favorably on a union that was equal with regard to fortune and position. And while he was thus beguiled, this girl—whom he considered an angel—deemed the timid youth too childish, and entered into a union with a man of fashion.

On the eve of a long farewell to England, a friend whom he loved with all the devotedness that belonged to a heart like his, showed the utmost indifference at his departure. Having attained his majority, he ought to have taken his seat in the House of Peers; but his noble guardian, Lord Carlisle, whom he had always treated with respect, and towhom he had lately shown the attention of dedicating his early poems to him, behaved toward him in an unjustifiable manner. Not only did he refuse to present him to the House of Lords, but he even delayed sending the documents necessary for his admission, because forsooth the noble earldid not like his ward's mother! Lord Byron had published a charming collection of poems that won for him equal applause and sympathy; but an all-powerful Review sought to humiliate him and crush his talent in the bud by bringing out a brutal and stupid article against him. Nor was this all; he had likewise the annoyance of money embarrassments inherited from his predecessors in the estate. Leaving England under the sting of all these insults from men and fate, which a phlegmatic temper could alone have borne with patience, would it have been astonishing if his young heart had felt irritation? But could it have existed without being perceived by those who lived with him? Yet they say nothing about it. His fellow-traveller was a friend and comrade of old,—Lord Broughton, then the Hon. Mr. Hobhouse. If Lord Byron had been of an irritable, violent temper, who more than his daily companion would have perceived it, and suffered from it in that constant intercourse which tries the gentlest natures? Mr. Hobhouse had lived with Lord Byron at Cambridge, was one of his inseparable companions of Newstead, and was a member of the confraternity of the chapter. Thus he knew him well, and if Lord Byron's temper had been unamiable, would he have undertaken such a long journey with him? Lord Byron did not then possess even the prestige of celerity to render him desirable as a fellow-traveller. Well, on returning from this journey, Mr. Hobhouse was more attached than ever to Lord Byron, and, speaking of his qualities, expressed himself thus:—"To perspicacity of observation and ingenious remarks, Lord Byron united that gayety and good-humor which keeps attention alive under the pressure of fatigue, smoothing all difficulties and dangers."

Journeys taken together test tempers so much, that a good understanding which has withstood the trial of twenty years, is often compromised in a journey of twenty-four hours. Thus to choose again for our travelling companionsthose with whom we have already long journeyed, is the best testimony that can be rendered to their amiable disposition. Well, this testimony was given by Mr. Hobhouse; and while proving Lord Byron's excellent temper, it also proves the high character of Mr. Hobhouse. For we must not forget that malice and stupidity were inflicting a real persecution on Lord Byron at the very moment when Mr. Hobhouse hastened to rejoin him at Geneva, so as to travel again in company with his noble friend. They accomplished together an excursion into the Alps, and afterward crossed over them to visit Italy. On arriving at Venice, the two friends separated for several months; but in the spring they met again to visit together Rome and Florence. It was beside Mr. Hobhouse, while scaling the Alps, that the plan of "Manfred" was conceived; and it was on the road from Venice to Rome that the fourth canto of "Childe Harold" was written: it is dedicated to Mr. Hobhouse, and he it was who made the volume of notes, which forms, even independently of the text, a work so well appreciated in England.

Having gathered from Lord Byron's first journey proofs of his good natural disposition, and of the control he exercised over himself, I shall also draw others from his last: that journey from Cephalonia to Missolonghi which proved so fatal, and which alone, from all Lord Byron did, said, and wrote during the time it lasted, would suffice to reveal his fine character, and almost every one of his virtues.

It is well known, that during this journey he underwent still greater annoyances than in the one from Genoa to Cephalonia, which had already tried him so much. On seeing both destiny and the elements so pertinaciously combine against its success, one might really be tempted to embrace superstitious ideas, and see therein the efforts of his good genius raising up all sorts of obstacles in order to save him, and keep him from that fatal shore. I have already given the description of this journey so full of dramatic incidents; and I have related Lord Byron's admirable conduct throughout, in the passages where proofs are adduced of his courage in danger, of his extraordinary coolness and extreme generosity. But that is not enough; we must also examine him with regard to amiability of temper and the self-control he was able to exercise.

We have seen him, when pressed on all sides to quit the Ionian Islands for the continent of Greece, yield to these entreaties, although it was the most severe season of the year (28th December), and, notwithstanding a stormy sea, set out for Missolonghi.

He refused the honor of an escort of Greek vessels, hiring instead a CephalonianMistico, and a heavyBombardathat waited for him at St. Euphemia. But on arriving near the harbor, he was driven back by contrary winds. Forced to remain on shore and wait, what sort of humor did he display under these annoyances? Mr. Kennedy, who went to wish him a pleasant journey, shall tell us.

"I found him," says he, "quietly reading 'Quentin Durward,' and, as usual, in high spirits."

Meanwhile, the sea grew calm. They set sail, and embarked; Lord Byron on the littleMistico, with his doctor, two or three servants, and his dogs; Count Gamba on theBombarda, with the arms, horses, followers, baggage, papers, money, etc. On arriving at Zante, persons came to offer Lord Byron means of amusement, various comforts, etc. To accept might have been very pleasant for him; but he knew that he was wanted at Missolonghi; and not an hour would he lose after having transacted business with his bankers. He believed (for it had been announced) that Greek vessels were coming to meet him; nor did he doubt that the Turkish fleet was still anchored at Lepanto. Sea and wind were favorable, the sky serene, fortune for once seemed to smile; but it was only the better to deceive him. The Turks had been informed of his departure; and hoped to make an easy prey of him and his riches. They left the waters of Lepanto, and heading their course toward Patras, set off in pursuit of Lord Byron and his suite.

At the close of a few hours, theMistico, which was a good sailer, lost sight of theBombarda, of slower motion. They halted opposite the Scrophes (rocks in Roumelia), to wait for it; and meanwhile Lord Byron saw a large vessel bearing down upon him. Could it be the Greek vessel sent to meet him? TheMisticofired a pistol at its approach, but the vessel did not answer fire. Was it the enemy, then? On hearing the cries of the sailors on board, the captain could nolonger doubt it: it was an Ottoman frigate, calling on them to surrender. Their sole hope of safety lay in the swiftness of their sails. Under cover of the darkness, which left the Turks in fear lest theMisticoshould be a fire-ship, and aided by the almost miraculous silence that reigned,—for even the dogs, that had been barking all night, now held their peace,—theMisticosped onward rapidly. At dawn of day it had arrived opposite the coast, but, owing to a contrary wind, was unable to get into port. At the same moment, another Turkish vessel, on the watch, closed the passage toward the Gulf. An Ionian boat perceived the danger, and made signals from the shore for theMisticonot to approach. They then succeeded, all sails set, in throwing themselves between the rocks of Roumelia, called Scrophes, where the Turkish vessel could not penetrate. It was amid these rocks, where he hardly remained an hour, that Lord Byron wrote Colonel Stanhope a letter, truly admirable for its generosity, patience, courage, coolness, and good temper; a letter which it would seem impossible to pen under such circumstances, and which makes Count Gamba say, when he quotes it in his work entitled "Last Voyage of Lord Byron in Greece:"—

"Such was Lord Byron's style in the midst of great dangers. There was always immense gayety in him, under circumstances that render other men serious and full of care. This disposition of mind gave him an air of frankness and sincerity, quite irresistible, even with persons previously less well disposed toward him."

Having hardly, and as if by a miracle, escaped from this danger, and being exposed every instant to assault from the Turks, having seen theBombardacaptured by the Ottoman frigate, did he complain of any thing personal to himself? No. His sole anxiety was for Count Gamba; his uneasiness was the danger to which the Greeks with him were exposed. As to his money losses—"Never mind," said he,"don't think about it, we have some left.But we have no arms, except two carbines and some pistols; and if our friends, the Turks, took a fancy to send their vessels to attack us, I greatly fear that we should only be four on board to defend ourselves."

Not being able to know that theunexpected apparitionofthe Turkish fleet had put out all their calculations, and prevented the Greek government from collecting the vessels sent from Missolonghi to meet him; not knowing that Missolonghi, in great consternation, on learning the danger to which he was exposed, was about to send other vessels in quest of him, other vessels that would no longer find him near the Scrophes rocks, he necessarily believed that nothing had been done to keep the promises made him. Under such a persuasion, would not some few harsh words have been most natural? And yet this is the language Lord Byron used:—

"But where has it gone to; the fleet that lets us advance without giving the least sign of any Moslems in these latitudes? Present my respects to Mavrocordato, and tell him I am here at his disposal. I am ill at ease here (among the rocks), not so much for myself, as for the Greek child with me; for you know what his destiny would be! We are all in good health."

TheMisticohad hardly been an hour among these rocks, Lord Byron's letter to Colonel Stanhope was hardly finished, when the Turkish vessel on the lookout made toward them to give chase; and they were obliged to fly without delay. Issuing from the rocks, they directed their course, full sail, toward a little port of Acarnania, called Dragomestri, where they arrived before night.

Lord Byron wished to continue his route by land; but it was impossible. The mountains did not afford him better hospitality than the sea. It was the 1st of January; his sole resting-place was the damp deck of theMistico. There he slept, there he eat the coarse sailors' food; and his fingers were so cramped with cold, that he could scarcely write. If he had complained a little of his hard fate, could one be much astonished? Yet these are the terms in which he wrote to his two correspondents at Cephalonia.—It was the month of January; he wished every one a happy new year; apparently forgetting only himself. He then entered into some details about his "Odyssey" with so much calmness, that nothing seemed to touch him personally; but his heart protested meanwhile, and he could not help showing uneasiness about the fate of his friend Count Gamba, although persuaded that his detention was only temporary:—

"I regret the detention of Gamba, etc., but the rest we can make up again, so tell Hancock to set my bills into cash as soon as possible, and Corgialegno to prepare the remainder of my credit with Messrs. Webb to be turned into money. We are here for thefifth day without taking our clothes off, and sleeping on deck in all weathers, but are all very well and in good spirits. I shall remain here, unless something extraordinary occurs, till Mavrocordato sends, and then go on, and act according to circumstances. My respects to the two colonels, and remembrances to all friends. TellUltima Analise[106]that his friend Raids did not make his appearance with the brig, though I think that he might as well have spoken with us in or off Zante, to give us a gentle hint of what we had to expect. Excuse my scrawl, on account of the pen and the frosty morning at daybreak.

Byron."

He writes at the same time to Hancock:—

"Here we are—theBombardataken—or at least missing, with all the Committee stores, my friend Gamba, the horses, negro, bull-dog, steward, and domestics, with all our implements of peace and war—also 8000 dollars; but whether she will be a lawful prize or no, is for the decision of the governor of the Seven Islands. We are in good condition, considering wind and weather, being hunted by the Turks, and the difficulty of sleeping on deck; we are in tolerable seasoning for the country and circumstances. But I foresee that we shall have occasion for all the cash I can muster at Zante and elsewhere. Tell our friends to keep up their spirits—and we may yet do well. I hope that Gamba's detention will only be temporary. As for the effects and money, if we have them, well; if otherwise, patience! I disembarked the boy and another Greek, who were in most terrible alarm. As for me and mine, we must stick to our goods. I wish you a happy new year; and all our friends the same. Yours,

Byron."

Would an impatient, irritable temper have acted thus,and preserved such serenity amid so many annoyances, privations, and sufferings, of which one alone might suffice to make a stoic bitter?

But this was not yet all. After six days of this life, hopeless of being able to continue by land, and getting no answer from Missolonghi (from whence, nevertheless, several gun-boats had been dispatched to meet him, and also the brig "Leonidas," which he only fell in with near the Scrophes), he resolved on setting out. But the wind, which had never ceased being contrary, soon changed into a furious tempest. Then Byron was truly sublime. His bark was thrown against enormous rocks; the affrighted sailors, seeing their lives in danger, and excited by fear, abandoned the vessel to seek refuge on the rocks. But he remained there, on board the vessel, which every one saw was sinking.[107]

Encouraged by such an example, the sailors let go their hold on the rocks to try and free the vessel, which they succeeded in setting afloat again; but it was only for it to be forced back a second time by the angry waves. Then despair seized on them all; they trembled for the general safety, and for the illustrious personage on board. He alone showed no emotion; but calmly said to his doctor, who, in great alarm, was about to swim for the shore: "Do not leave the vessel while we have sufficient strength to guide her; only when the water covers us entirely, then throw yourself into the sea, and I will undertake to save you."

And in the midst of those dangers he not only appeared calm, but his gay, playful humor, and his habit of observing the different aspects of every thing, did not abandon him. After having soothed and consoled those around him, he likewise found means of amusement in the strong traits of individuality which fear brought to light among his followers. The sailors who had remained on board, seeing the danger become so imminent, were about to betake themselves, like the rest, to the rocks; but encouraged by Lord Byron's words and example, they remained at their post, and succeeded in bringing the vessel between two little islands, where they cast anchor. Thus Lord Byron, by his courage, firmness, and his great experience in the art of navigation, overcame this great peril, saving several lives, together with the money andother means of assistance he was conveying to Greece! The sailors esteemed themselves happy to be able to cast anchor between these islands, or rather these rocks, in order to pass the night; but even what appeared fortunate, was destined to turn out the reverse in this fatal journey.

If Lord Byron did not complain of the privation and ennui he experienced, he did not, therefore, feel them less. After so many nights passed on the damp and dirty deck of hisMistico, he could not resist the desire of refreshing himself, and seeking amid the waves that cleanliness which was an imperative want for his refined nature. And so, without reflecting on the rigor of the season (it was the month of January), he plunged into the troubled sea, and swam there for half an hour. Imprudence no less fatal to him than to Alexander.[108]For it was then, undoubtedly, that he contracted the seeds of the malady which showed itself soon after, and under which he succumbed. At last he arrived at Missolonghi, without having ceased for one instant to be threatened by the sea. He was expected there as if he had been the Messiah, says Stanhope; and the consternation caused by the dangers he had gone through, gave place, on his arrival, to the most lively joy. Lord Byron met with a reception worthy of himself.[109]But this enthusiastic joy, which found expression in songs as well as tears, subjected his patience and good-nature to another sort of trial.

"After eight days of such fatigue," says Count Gamba, "he had scarcely time to refresh himself, and converse with Mavrocordato, and his friends and countrymen, before he was assailed by the tumultuous visits of the primates and chiefs. These latter, not content with coming all together, each had a suite of twenty or thirty, and not unfrequently, fifty soldiers! It was difficult to make them understand that he had fixed certain hours to receive them. Their visits began at seven in the morning, and the greater part of them were without any object." This is one of the most insupportable annoyances to which a man of influence and consideration is exposed in the East.

"I saw Lord Byron bear all this with the greatest patience."

Could an irritable temper have done so? For my part, I think that this journey alone, borne, as we have seen, by his letters and the unanimous testimony of his companions, with such perfect good-humor, that he could jest, be quite resigned to unavoidable evils, show indulgence to the faults of others, however great the sufferings entailed thereby on himself; and display great self-denial, strength of mind, and imperturbable serenity, amid frightful dangers; all these qualities, I say, paint the moral nature of the man better than all analyses and commentaries.

But alas! while displaying his virtues, this journey also brings out his faults: since, prudent in behalf of others, he was not at all so for himself; and his want of prudence planted in him the germs of the disease which was so soon to be fatally developed in that stifling atmosphere of Greece, then full of tumult and confusion. If the limits of this chapter allowed, we could multiply proofs of his naturally amiable disposition at all periods of his life; and we would show what he was in Switzerland, at Venice, Ravenna, Pisa, Genoa, and in Greece, up to his last hour, as he has been described by Shelley, Hoppner, M. de G——, Medwin, Lady B——, and so many others. But to those who have said he was irritable because, feeling himself susceptible of irritation and anger, he declared himself to be so, I will content myself with answering simply by a few lines borrowed from the truthful conversations of Mr. Kennedy:—

"Even during his last days on earth, he calumniated himself. For instance, he told me, that at a certain hour, every evening, he had intolerable fits of ill-humor. Well, Mr. Finlay and M—— always went to see him precisely at that fatal hour, and they invariably found him gay, pleasant, and amiable, as usual."

Mr. Finlay, a young English officer of merit and high intelligence, whom Lord Byron thought very like Shelley, which, perhaps, increased his sympathy for him, and who only knew him two months before his death, says, in a letter written on Lord Byron to Colonel Stanhope:—

"What astonished me most was the indifference with which Lord Byron spoke to us of all the lying reports his enemies spread against him. He gave his vindication andexplanation with as much calm frankness as if it had concerned another person."

And he declares his astonishment at seeing him submit to the lessons of morality, and the censures on his opinions and principles which Kennedy, in his extreme orthodoxy, made him undergo.[110]

I will also add, that Lord Byron was often heard to say that he had been in a frightful rage with his servants; but, if they were questioned,they knew nothing at all about it. It is known, moreover, that his toleration and gentleness with them almost exceeded due bounds, and that, even when he had serious cause for chiding them, his severest reprimands were conveyed in jests and pleasantries.

Persons who will not change their convictions, go so far as to say,—"Well, be it so. We admit that he may have been calumniated in his private life, and that his strange fancy of speaking against himself may have contributed toward it. But how do you explain the anger expressed by his pen? Do you forget his misanthropical invectives, his personal attacks, his 'Avatar,' his epigrams?"

And I answer them:—"Do you forget that there are different kinds of anger? some that can never be vicious, and others that can never be virtuous? The anger expressed by his pen—the sole kind that was real with him—requires to be explained, not excused or forgotten."

"Let us beware," says a great contemporary philosopher, "of him who is never irritated, and can not understand the existence of a noble anger."[111]

Be so good as to examine, without preconceived opinions, and without prejudice, the nature of every kind of anger he displayed; see if any were personal, egotistical, or whether they did not rather spring from some noble cause; whether they were not rather the generous explosions of a soul burning with indignation at evil and injustice, because it ever held in view the contrast afforded by an ideal of its own that was only too perfect?

It is impossible, for instance, not to see that his pen was guided by one of these generous impulses when he spoke ofLord Castlereagh. He had no personal, malevolent, interested antipathy toward this gay and fashionable nobleman. His pen was inspired simply by his conscience, that revolted at sight of the evils which he attributed to Lord Castlereagh's policy. It was not the colleague, but the minister, that he wished to stigmatize together with his policy, which appeared to Lord Byron inhuman, selfish, and unjust. It was this same policy that caused Pitt to say:—

"If we were just for one hour, we should not live a day." And again:—"Perish every principle rather than England!"

What other statesman did Lord Byron attack except Castlereagh? But him he did detest with a noble hatred.

"By what right do you attack Lord C——?" he was asked.

"By the right," he replied, "that every honest man has to denounce the minister who ruins his country, and treads under foot every sentiment of equity and humanity."

A few days before setting out on his last journey to Greece, he said to an English lady passing through Genoa:—

"With regard to Lord Castlereagh personally, whom you hear that I have attacked, I can only say that a bad minister's memory is as much an object of investigation as his conduct while alive. He is a matter of history; and wherever I find a tyrant or avillain, I will mark him. I attacked him no more than I had the right to do, and than was necessary.

"Do not defend me, you will only make yourself enemies—mine are neither to be diminished nor softened."

When Lord Byron wrote about Lord Castlereagh, imagination beheld in him the author of all the evils inflicted on Ireland, the man who through a selfish feeling of nationality, dangerous even to England, had riveted the chains of all Europe.

"If he spoke and wrote thus of Lord Castlereagh," says Kennedy himself, "the reason was that he really thought him an enemy to the true interests of his country; and this sentiment, carried perhaps to excess, made him consider it just to condemn him to the execration of humanity."[112]

What I have said with regard to his attacks on Lord Castlereagh, may equally apply to all the satire hurled against other individuals, against governments and nations. Hisbenevolence was so great and universal, that it rendered the idea of the sufferings endured by humanity quite intolerable to him. His love of justice likewise was so great, that he became thoroughly indignant at seeing what he worshiped trampled under foot by individual or national selfishness, while deceit and injustice were reigning triumphant. Lord Byron conceived a sort of hatred and dislike for the wicked, and those who voluntarily prevented the well-being of men. And when thus indignant at some injustice, if he snatched up a pen, he could not help expressing himself with a certain kind of violence, in order to chastise, if he could not change, the guilty men who martyrized Ireland, crushed and degraded Italy, and condemned England to the hatred of the whole world. The sparkling, witty strain, mocking at all human things, which had served as a weapon for his reason while asserting the interests of truth and injustice in Italy, and protesting against folly and evil, no longer sufficed him then. He required to brand with fire the limit where folly stops and crime begins. Thus it was not mocking, joking satire he would inflict on these great culprits; but burning words to mark the limits where this should stop, and stigmatize them by condemning moral deformity. This is what he did, and wished to do, with regard to Castlereagh, and also with regard to the Austrians in Italy. Shall it be said that his language was occasionally too violent; that the punishment went beyond the crime? But, in the first place, condemnation was pronounced in the language of poetry; and then, does not appreciation of the measure kept depend solely on the point of view taken by reason and conscience when they sat in judgment?

Shall it be said that the moral sense of these invectives was not always brought forward with all the clearness desirable? But let them be examined attentively, and then the fine sentiments to which they owe their origin will be understood.

Let us read "Avatar," for instance,—"Avatar," teeming with noble anger,—and say if any poetry exists emitting flame and light purer, and more intense in its moral life, more efficacious for keeping within the boundaries of that humane just policy from which Lord Byron never swerved.

If, in the war he waged against evil and its perpetrators, he did not outstep the limits of merited punishment, nevertheless he often did go beyond the limits of a quality (he possessed not) which is raised to the rank of a virtue, but which applied, despite conscience, to our personal interests, is but selfishness and cowardice. And therein was he truly sublime; for in attacking thus, not only the great men of the day, but likewise the prejudices, idolatries, and passions belonging to such a proud nation, he well knew the harm that would result to himself. But Lord Byron was a real hero. So soon as his conscience spoke, he heard no other voice, but kept his glance fixed on the light of justice and truth beaming at the end of his career. Without looking to the right or to the left, without taking into account the obstacles and dangers which personal prudence counselled him to avoid, he held on his course; exposed his noble breast to British vengeance pursuing him across the Channel and the Alps, and then also to Genevan and Austrian shafts that flew back again across the Alps and the Channel on the wings of dark, fierce calumny.

Still I do not pretend to assert that, on some rare occasions, personal suffering did not give rise to irritation and anger. He belonged to humanity; and if, despite the harsh trials to which his sensibility was exposed, he had escaped entirely from nature's laws, he would have been not only heroic, but superhuman.

It is then very possible that, in the sad days preceding, accompanying, and following on his separation from Lady Byron, he may have been irritable. Such a host of evils overwhelmed him at once! He may have allowed to escape his lips at that time some drops of the ocean of bitterness with which his soul was overflowing. It is certain also that when the Edinburgh critics made such cruel havoc with his heart and mind, the over-excitement caused by this review had likewise for its source the wounds inflicted on his self-love. Can we be astonished at it, when we reflect that this senseless, wicked criticism succeeded to, and contrasted strangely with, the praises awarded by such judges as Mackenzie and Lord Woodhouse? They both had expressed their admiration spontaneously, and without knowing thewriter: one of them was the celebrated author of the "Man of Feeling," and the other had brought out many esteemed works, and was considered to be at the head of Scottish literature. Besides, these cutting criticisms followed close on the strong admiration expressed by his friends, by all the society in which he was then moving, and by a mother who idolized him! These verses, though not yet the highest expression of his genius, were certainly full of charming tenderness, grace, and naïve sensibility; moreover, they had been given to the public in such a modest way by a man so young that he might almost be called a child! If he were not conscious of his great superiority, of which he must nevertheless have felt some prophetic presentiment—restrained, doubtless, by modesty and timidity,—he must at least have been conscious that he had not, in any way, merited the brutality displayed in attacks which violated all the laws of just and allowable criticism.

Lord Byron's soul revolted at it, and in his indignation repelling assault by assault, he overstepped his aim; for he certainly went to extremes. And yet, in the very paroxysm of such irritation, was a personal sentiment his first incentive? No! it was a good, generous, affectionate feeling that actuated him: fear lest his mother should be grieved at what had occurred.

He had scarcely been told how biting the criticism was, and he had not read it, when he hastened to write to his friend Beecher:—

"Tell Mrs. Byron not to be out of humor with them, and to prepare her mind for the greatest hostility on their part. It will do no injury whatever, and I trust her mind will not be ruffled. They defeat their object by indiscriminate abuse, and they never praise, except the partisans of Lord Holland and Co. It is nothing to be abused when Southey and Moore share the same fate."

In assuming this philosophical calm, which he really did arrive at later, but which he was very far from possessing at this time,—in forcing this language on his just resentment to console his mother, when his whole being was agitated, he certainly made one of those efforts which betoken a soul as vigorous as it was beautiful. He used his pen as soon as hehad satisfied this first want of his heart; but the intensity of passion destroyed his equilibrium.

When at Ravenna he wrote:—

"I recollect well the effect that criticism produced on me; it was rage, and resistance, and redress, but not despondency nor despair. A savage review is hemlock to a sucking author; the one on me knocked me down—but I got up again. This criticism was a master-piece of low jests, a tissue of coarse invectives. It contained many commonplace expressions, lowlived insults; for instance, that one should be grateful for what one got; that a gift horse ought not to be looked at in the mouth, and other stable vocabulary; but that did not frighten me. I resolved on giving the lie to their predictions, and on showing them, that, however discordant my voice, it was not the last time they were to hear it."

But when this heat had passed away, his innate passion for that justice so cruelly violated toward himself, made him quickly recover his self-possession. He repented having written this satire, which he designated as insensate, and wished to suppress it. He even judged it more severely than others.

He wrote to Coleridge in 1815:—

"You mention my satire, lampoon, or whatever you like to call it. I can only say, that it was written when I was very young and very angry, and has beena thorn in my side ever since: more particularly as almost all the persons animadverted upon became subsequently my acquaintances, and some of them my friends, which is heaping fire on an enemy's head, and forgiving me too readily to permit me to forgive myself. The part applied to you is pert, and petulant, and shallow enough; but, although I have long done every thing in my power to suppress the circulation of the whole thing, I shall always regret the wantonness or generality of its attempted attacks."[113]

On examining his conscience with regard to this satire, and passing judgment on himself, he adds, in a note to his own verses, after having given great praise to Jeffrey for his magnanimity, etc.:—

"I was really too ferocious—this is mere insanity.—B., 1816."

And farther on:—

"This is bad; because personal.—B., 1816."

With regard to his verses on his guardian, Lord Carlisle, so culpable toward himself, he generously remarks:

"Wrong also—the provocation was not sufficient to justify such acerbity.—B., 1816."

To what he said against Wordsworth he simply adds the word, "Unjust."

And again, with reference to Lord Carlisle:—

"Much too savage, whatever the foundation may be.—B., 1816."

And at Geneva, 14th of July, 1816, he writes:—

"The greater part of this satire I most sincerely wish had never been written: not only on account of the injustice of much of the critical and some of the personal part of it, but the tone and temper are such as I can not approve.—Byron,Villa Diodati, 1816."

Lastly, from Venice he wrote to Murray, who wished to make a superior edition of his works:—

"With regard to a future large edition, you may print all, or any thing,except'English Bards,' to the republication of which at no time will I consent. I would not reprint them on any consideration. I don't think them good for much, even in point of poetry; and, as to other things, you are to recollect that I gave up the publication on account of the Hollands, and I do not think that any time or circumstances should cancel the suppression. Add to which, that, after being on terms with almost all the bards and critics of the day, it would be savage at any time, but worst of allnow,[114]to revive this foolish lampoon."

"Whatever may have been the faults or indiscretion of this satire," says Moore, "there are few who would now sit in judgment upon it so severely as did the author himself, on reading it over nine years after, when he had quitted England, never to return. The copy which he then perused is now in possession of Mr. Murray, and the remarks which he has scribbled over its pages are well worth transcribing. On the first leaf we find:—

"The binding of this volume is considerably too valuable for its contents. Nothing but the consideration of its being the property of another prevents me from consigning this miserable record of misplaced anger and indiscriminate acrimony to the flames.

Byron."

To this ample reparation offered on account of his early satire we must add the following paragraph, from the first letter he addressed to Sir Walter Scott, in 1812:—

"I feel sorry that you should have thought it worth while to notice the 'evil works of my nonage,' as the thing is suppressed voluntarily; and your explanation is too kind not to give me pain. The satire was written when I was very young and very angry, and fully bent on displaying my wrath and my wit, and now I am haunted by the ghosts of my wholesale assertions. I can not sufficiently thank you for your praise."

Thus scrupulously did this conscientious man judge himself. And not only do we find him repeating the same fine sentiment a hundred times, but he caused the whole edition, then still in the hands of the publisher, to be destroyed, which of course entailed a great sacrifice of money. He became intimate with the principal personages whom he had attacked; and even, in order to testify that no resentment continued to exist in his mind against his guardian, Lord Carlisle, he seized the first opportunity that presented itself of writing in "Childe Harold" those pathetic generous lines on the death of his son, Major Howard. He acted just in the same way every time he thought he had any fault to repair. But could this same love of justice, that had guided him through life, have caused him equally to disavow what he said of Lord Castlereagh and of Ireland in "Avatar?" of Southey and the Austrians at Venice? or the greater part of the satirical traits contained in "Don Juan" and the "Age of Bronze?" I do not think so. I believe, even, that if on his death-bed, he had been asked to retract some of his writings, he would have answered as Pascal did. And this because the sentiment which under all circumstances guided his pen did not arise from any personal interest, but was only,to use the beautiful language of a great contemporary philosopher, "the indignation and revolt of the generous faculties of the soul, which, hurt by injustice, rose up proudly, to protest against human dignity, offended in one's own person or in that of others."

This sentiment not being capable of change, neither could its consequences bring any repentance. According to Lord Byron, Castlereagh was a scourge for mankind. Faithful to this opinion, as to all his great principles, he wrote to Moore in 1815:—

"I am sick at heart of politics and slaughters; and the luck which Providence is pleased to lavish on Lord Castlereagh, is only a proof of the little value the gods set upon prosperity, when they permit such rogues as he and that drunken corporal, old Bl——, to bully their betters. From this, however, Wellington should be excepted. Heisa man, and the Scipio of our Hannibal."

Let people read the "Avatar," the eleventh octave and following of the dedication of "Don Juan," the forty-ninth and fiftieth stanzas of the ninth canto of "Don Juan," as well as the epigrams; and they will have a fair idea of the generous sentiments that provoked his indignation against the inhuman policy of this minister. They will understand why he wished to denounce him to the execration of posterity. As to his satirical verses and anger against the poet laureate, it has already been seen on whose side lay the fault, and how this jealous poet, through a combination of bad feelings, in which envy and revenge predominated, spared no means, no occasion, of doing him harm. Thus Lord Byron saw himself and his friends enveloped in one of those darksome conspiracies, forming a labyrinth of calumny, whence the purest innocence has no escape; and he felt that justice violated in the person of his friends, by a man unworthy of respect, required him, in justice, to brand the individual. And rightly did he so with his words of fire. When Ireland, that he would fain have seen heroic under misfortune, degraded herself by her conduct toward this minister and the king, on the occasion of their visit, he, touched with noble indignation, resolved to punish and warn her; and his "Avatar" expressed these fine sentiments. When the prince regent, after having shown himself a Liberal and a Whig, denied hispart, betrayed his party, and leagued with the Tories, Lord Byron's noble indignation burst forth in his verses, and, whenever occasion offered, he stigmatized such unworthy conduct.

And a proof that it was the conduct of the individual, and not personal animosity, that guided his pen, may be found in the fact that a single ray of hope of seeing this moral deformity transformed into beauty, sufficed to make him change his tone immediately. When he learned the pardon that had just been granted by George the Fourth to the guilty Lord Edward Fitzgerald, he forgot all past offenses; his soul expanded to admiration and hope; and he composed that beautiful sonnet, which so well reveals the aspirations of his great heart:—

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