"Please note," said the governor as the paper passed from hand to hand, "that same device is traced there five times, sometimes more irregularly than others, but the general form is the same. Now, in the fireplace of the bungalow living-room they found this and three other sheets of the same stationery that bore this same figure. It seems a fair assumption that someone sitting at a table had amused himself by sketching these outlines and then, when he had filled the sheet, tore it off and threw it into the fireplace, wholly unconscious of what he was doing. The prosecutor attached no importance to these sheets, and it was only by chance that they were stuck away in the file box with the other documents in the case."
"Then you suspect that there was a third man in the bungalow that night?" Ramsay asked.
The governor nodded gravely.
"Yes; I have some little proof of it, quite a bit of proof, in fact. I have even had the wastebasket of the suspect examined for a considerable period. Knowing Burgess's interest in such matters, I have been using him to get me certain information I very much wanted. And our friend is a very successful person! I wanted to see the man I have in mind and study him a little when he was off-guard, and Burgess has arranged that for me, though he had to go into the tile business to do it! As you can readily see, I could hardly drag him to my office, so this little party was gotten up to give me a chance to look him over at leisure."
"Tate!" exclaimed several of the men.
"You can see that this is a very delicate matter," said the governor slowly. "Burgess thought it better not to have a smaller party, as Tate, whom I never saw, might think it a frame-up. So you see we are using you as stool-pigeons, so to speak. Burgess vouches for you as men of discretion and tact; and it will be your business to keep Tate amused and his attention away from me while I observe him a little."
"And when I give the signal you're to go into the library and look at picture books," Burgess added.
"That's not fair!" said Fullerton. "We want to see the end of it!"
"I'm so nervous," said Colton, "I'm likely to scream at any minute!"
"Don't do it!" Burgess admonished. "The new House Committee is very touchy about noise in the private dining-rooms, and besides I've got a lot of scenery set for the rest of the evening, and I don't want you fellows to spoil it."
"It begins to look," remarked the governor, glancing at his watch, "as though some of our scenery might have got lost."
"He'd hardly bolt," Burgess replied; "he knows of no reason why he should! I told the doorman to send him right up. When he comes there will be no more references to the Avery case: you all understand?"
They murmured their acquiescence, and a solemn hush fell upon them as they turned involuntarily toward the vacant chair.
"This will never do!" exclaimed the governor, who seemed to be the one tranquil person in the room. "We must be telling stories and giving an imitation of weary business men having a jolly time. But I'm tired of talking; some of the good story-tellers ought to be stirred up."
With a little prodding Fullerton took the lead, but was able to win only grudging laughter. Colton was trying his hand at diverting them when they were startled by a knock. Burgess was at the door instantly and flung it open.
"Ah, Tate! Come right in; the party hasn't started yet!"
The newcomer was a short, thick-set man, clean-shaven, with coarse dark hair streaked with gray. The hand he gave the men in succession as they gathered about him for Burgess's introduction was broad and heavy. He offered it limply, with an air of embarrassment.
"Governor Eastman, Mr. Tate; that's your seat by the governor, Tate," said Burgess. "We were just listening to some old stories from some of these fellows, so you haven't missed anything. I hope they didn't need me at that tile meeting; I never attend night meetings: they spoil my sleep, which my doctor says I've got to have."
"Night meetings," said the Governor, "always give me a grouch the next morning. A party like this doesn't, of course!"
"Up in the country where I live we still stick to lodge meeting as an excuse when we want a night off," Tate remarked.
They laughed more loudly than was necessary to put him at ease. He refused Burgess's offer of food and drink and when someone started a political discussion they conspired to draw him into it. He was County Chairman of the party not then in power and complained good-naturedly to the governor of the big plurality Eastman had rolled up in the last election. He talked slowly, with a kind of dogged emphasis, and it was evident that politics was a subject to his taste. His brown eyes, they were noting, were curiously large and full, with a bilious tinge in the white. He met a glance steadily, with, indeed, an almost disconcerting directness.
Where the governor sat became, by imperceptible degrees, the head of the table as he began seriously and frankly discussing the points of difference between the existing parties, accompanied by clean-cut characterizations of the great leaders.
There was nothing to indicate that anything lay behind his talk; to all appearances his auditors were absorbed in what he was saying. Tate had accepted a cigar, which he did not light but kept twisting slowly in his thick fingers.
"We Democrats have had to change our minds about a good many things," the governor was saying. "Of course we're not going back to Jefferson" (he smiled broadly and waited for them to praise his magnanimity in approaching so near to an impious admission), "but the world has spun around a good many times since Jefferson's day. What I think we Democrats do and do splendidly is to keep dose to the changing current of public opinion; sometimes it seems likely to wash us down, as in the free-silver days; but we give, probably without always realizing it, a chance for the people to express themselves on new questions, and if we've stood for some foolish policies at times the country's the better for having passed on them. These great contests dear the air like a storm, and we all go peacefully about our business afterward."
As he continued they were all covertly watching Tate, who dropped his cigar and began playing with the pencil before him, absently winding and unwinding it upon the string that held it to the tablet. They were feigning an absorption in the governor's recital which their quick, nervous glances at Tate's hand belied. Burgess had pushed back his chair to face the governor more comfortably and was tying knots in his napkin.
Now and then Tate nodded solemnly in affirmation of something the governor said, but without lifting his eyes from the pencil. His broad shoulders were bent over the table, and the men about him were reflecting that this was probably an attitude into which his heavy body often relaxed when he was pondering deeply.
Wearying of the pencil—a trifle of the dance-card variety—he dropped it and drew his own from his waistcoat pocket. Then, after looking up to join in a laugh at some indictment of Republicanism expressed in droll terms by the governor, he drew the tablet closer and, turning his head slightly to one side, drew a straight line. Burgess frowned as several men changed position the better to watch him. The silence deepened, and the governor's voice rose with a slight oratorical ring. Through a half-open window floated the click of billiard balls in the room below. The governor having come down to the Wilson Administration, went back to Cleveland, whom he praised as a great leader and a great president. In normal circumstances there would have been interruptions and questions and an occasional gibe; and ordinarily the governor, who was not noted for loquacity, would not have talked twenty minutes at a stretch without giving an opportunity to his companions to break in upon him. He was talking, as they all knew, to give Tate time to draw the odd device which it was his habit to sketch when deeply engrossed.
The pencil continued to move over the paper; and from time to time Tate turned the pad and scrutinized his work critically. The men immediately about him watched his hand, wide-eyed, fascinated. There was something uncanny and unreal in the situation: it was like watching a wild animal approaching a trap and wholly unmindful of its danger. The square box which formed the base of the device was traced clearly; the arcs which were its familiar embellishment were carefully added. The governor, having exhausted Cleveland, went back to Jackson, and Tate finished a second drawing, absorbed in his work and rarely lifting his eyes.
Seeing that Tate had tired of this pastime, the governor brought his lecture to an end, exclaiming:
"Great Scott, Burgess! Why haven't you stopped me! I've said enough here to ruin me with my party, and you hadn't the grace to shut me off."
"I'm glad for one," said Tate, pushing back the pad, "that I got in time to hear you; I've never known before that any Democrat could be so broad-minded!"
"The governor loosens up a good deal between campaigns," said Burgess, rising. "And now, let's go into the library where the chairs are easier."
The governor rose with the others, but remained by his chair, talking to Tate, until the room cleared, and then resumed his seat.
"This is perfectly comfortable; let's stay here, Mr. Tate. Burgess, close the door, will you."
Tate, hesitated, looked at his watch, and glanced at Burgess, who sat down as though wishing to humor the governor, and lighted a cigar.
"Mr. Tate," said the governor unhurriedly, "if I'm not mistaken, you are George Avery's brother-in-law."
Tate turned quickly, and his eyes widened in surprise.
"Yes," he answered in slow, even tones; "Avery married my sister."
"Mr. Tate, I have in my pocket a pardon all ready to sign, giving Avery his liberty. His case has troubled me a good deal; I don't want to sign this pardon unless I'm reasonably sure of Avery's innocence. If you were in my place, Mr. Tate, would you sign it?"
The color went out of the man's face and his jaw fell; but he recovered himself quickly.
"Of course, governor, it would be a relief to me, to my sister, all of us, if you could see your way to pardoning George. As you know, I've been doing what I could to bring pressure to bear on the Board of Pardons: everything that seemed proper. Of course," he went on ingratiatingly, "we've all felt the disgrace of the thing."
"Mr. Tate," the governor interrupted, "I have reason to believe that there was a third man at Avery's bungalow the night Reynolds was killed. I've been at some pains to satisfy myself of that. Did that ever occur to you as a possibility?"
"I suspected that all along," Tate answered, drawing his handkerchief slowly across his face. "I never could believe George Avery guilty; he wasn't that kind of man!"
"I don't think he was myself," the governor replied. "Now, Mr. Tate, on the night of the murder you were not at home, nor on the next day when your sister called you on the long-distance telephone. You were in Louisville, were you not?"
"Yes, certainly; I was in Louisville."
"As a matter of fact, Mr. Tate, you were not in Louisville! You were at Avery's bungalow that night, and you left the quarry station on a freight train that was sidetracked on the quarry switch to allow the Chicago train to pass. You rode to Davos, which you reached at two o'clock in the morning. There you registered under a false name at the Gerber House, and went home the next evening pretending to have been at Louisville. You are a bachelor, and live in rooms over your bank, and there was no one to keep tab on your absences but your clerks, who naturally thought nothing of your going to Louisville, where business often takes you. You were there two days ago, I believe. But that has nothing to do with this matter. When you heard that Reynolds was dead and Avery under suspicion you answered your sister's summons and hurried to Torrenceville."
"I was in Louisville; I was in Louisville, I tell you!" Tate uttered the words in convulsive gasps. He brushed the perspiration from his forehead impatiently and half rose.
"Please sit down, Mr. Tate. You had had trouble a little while before that with Reynolds about some stock in a creamery concern in your county that he promoted. You thought he had tricked you, and very possibly he had. The creamery business had resulted in a bitter hostility between you: it had gone to such an extent that he had refused to see you again to discuss the matter. You brooded over that until you were not quite sane where Reynolds was concerned: I'll give you the benefit of that. You asked your brother-in-law to tell you when Reynolds was going to see him, and he obligingly consented. We will assume that Avery, a good fellow and anxious to aid you, made a meeting possible. Reynolds wasn't to know that you were to be at the bungalow—he wouldn't have gone if he had known it—and Avery risked the success of his own negotiations by introducing you into his house, out of sheer good will and friendship. You sat at a table in the bungalow living-room and discussed the matter. Some of these things only I have guessed at; the rest of it——"
"It's a lie; it's all a damned lie! This was a scheme to get me here: you and Burgess have set this up on me! I tell you I wasn't at the quarry; I never saw Reynolds there that night or any other time. My God, if I had been there,—if Avery could have put it on me, would he be doing time for it?"
"Not necessarily, Mr. Tate. Let us go back a little. It had been in your power once to do Avery a great favor, a very great favor. That's true, isn't it?"
Tate stared, clearly surprised, but his quivering lips framed no answer.
"You had known him from boyhood, and shortly after his marriage to your sister it had been in your power to do him a great favor; you had helped him out of a hole and saved the quarry for him. It cost me considerable money to find that out, Mr. Tate, and not a word of help have I had from Avery: be sure of that! He had been guilty of something just a little irregular—in fact, the forging of your name to a note—and you had dealt generously with him, out of your old-time friendship, we will say, or to spare your sister humiliation."
"George was in a corner," said Tate weakly but with manifest relief at the turn of the talk. "He squared it all long ago."
"It's natural, in fact, instinctive, for a man to protect himself, to exhaust all the possibilities of defense when the law lays its hand upon him. Avery did not do so, and his meek submission counted heavily against him. But let us consider that a little. You and Reynolds left the bungalow together, probably after the interview had added to your wrath against him, but you wished to renew the talk out of Avery's hearing and volunteered to guide Reynolds to the station where the Chicago train was to stop for him. You didn't go back, Mr. Tate——"
"Good God, I tell you I wasn't there! I can prove that I was in Louisville; I tell you——"
"We're coming bade to your alibi in a moment," said the governor patiently. "We will assume—merely assume for the moment—that you said you would take the train with Reynolds and ride as far as Ashton, where the Midland crosses and you would get an early morning train home. Avery went to sleep at the bungalow wholly ignorant of what had happened; he was awakened in the morning with news that Reynolds had been killed by blows on the head inflicted near the big derrick where you and Reynolds—I am assuming again—had stopped to argue your grievances. Avery—shocked, dazed, not comprehending his danger and lying there in the bungalow prostrated and half-crazed by the horror of the thing—waited: waited for the prompt help he expected from the only living person who knew that he had not left the bungalow. He knew you only as a kind, helpful friend, and I dare say at first he never suspected you! It was the last thing in the world he would have attributed to you, and the possibility of it was slow to enter his anxious, perturbed mind. He had every reason for sitting tight in those first hideous hours, confident that the third man at that bungalow gathering would come forward and establish his innocence with a word. As is the way in such cases, efforts were made to fix guilt upon others; but Avery, your friend, the man you had saved once, in a fine spirit of magnanimity, waited for you to say the word that would dear him. But you never said that word, Mr. Tate. You took advantage of his silence; a silence due, we will say, to shock and horror at the catastrophe and to his reluctance to believe you guilty of so monstrous a crime or capable of allowing him, an innocent man, to suffer the penalty for it."
Tate's big eyes were bent dully upon the governor. He averted his gaze slowly and reached for a glass of water, but his hand shook so that he could not lift it, and he glared at it as though it were a hateful thing.
"I wasn't there! Why——" he began with an effort at bravado; but the words choked him and he sat swinging his head from side to side and breathing heavily.
The governor went on in the same low, even tone he had used from the beginning:
"When Avery came to himself and you still were silent, he doubtless saw that, having arranged for you to meet Reynolds at the bungalow—Reynolds, who had been avoiding you—he had put himself in the position of an accessory before the fact and that even if he told the truth about your being there he would only be drawing you into the net without wholly freeing himself. At best it was an ugly business, and being an intelligent man he knew it. I gather that you are a secretive man by nature; the people who know you well in your own town say that of you. No one knew that you had gone there and the burden of the whole thing was upon Avery. And your tracks were so completely hidden: you had been at such pains to sneak down there to take advantage of the chance Avery made for you to see Reynolds and have it out with him about the creamery business, that suspicion never attached to you. You knew Avery as a good fellow, a little weak, perhaps, as you learned from that forgery of your name ten years earlier; and it would have been his word against yours. I'll say to you, Mr. Tate, that I've lain awake nights thinking about this case, and I know of nothing more pitiful, my imagination can conjure nothing more horrible, than the silent suffering of George Avery as he waited for you to go to his rescue, knowing that you alone could save him."
"I didn't do it, I didn't do it!" Tate reiterated in a hoarse whisper that died away with a queer guttural sound in his throat.
"And now about your alibi, Mr. Tate: the alibi that you were never even called on to establish." The governor reached for the tablet and held it before the man's eyes, which focused upon it slowly, uncomprehendingly. "Now," said the governor, "you can hardly deny that you drew that sketch, for I saw you do it with my own eyes. I'm going to ask you, Mr. Tate, whether this drawing isn't also your work?"
He drew out the sheet of paper he had shown the others earlier in the evening and placed it beside the tablet. Tate jumped to his feet, staring wild-eyed, and a groan escaped him. The governor caught his arm and pushed him bade into his chair.
"You will see that is Avery's letterhead that was used in the quarry office. As you talked there with Reynolds that night you played with a pencil as you did here a little while ago and without realizing it you were creating evidence against yourself that was all I needed to convince me absolutely of your guilt. I have three other sheets of Avery's paper bearing the same figure that you drew that night at the quarry office; and I have others collected in your own office within a week! As you may be aware, the power of habit is very strong. For years, no doubt, your subconsciousness has carried that device, and in moments of deep abstraction with wholly unrelated things your hand has traced it. Even the irregularities in the outline are identical, and the size and shading are precisely the same. I ask you again, Mr. Tate, shall I sign the pardon I brought here in my pocket and free George Avery?"
The sweat dripped from Tate's forehead and trickled down his cheeks in little streams that shone in the light. His collar had wilted at the fold, and he ran his finger round his neck to loosen it. Once, twice, he lifted his head defiantly, but, meeting the governor's eyes fixed upon him relentlessly, his gaze wavered. He thrust his hand under his coat and drew out his pencil and then, finding it in his fingers, flung it away, and his shoulders drooped lower.
Burgess stood by the window with his back to them. The governor spoke to him, and he nodded and left the room. In a moment he returned with two men and dosed the door quickly.
"Hello, warden; sit down a moment, will you?"
The governor turned to a tall, slender man whose intense pallor was heightened by the brightness of his oddly staring blue eyes. He advanced slowly. His manner was that of a blind man moving cautiously in an unfamiliar room. The governor smiled reassuringly into his white, impassive face.
"I'm very glad to see you, Mr. Avery," he said. He rose and took Avery by the hand.
At the name Tate's head went up with a jerk. His chair creaked discordantly as he turned, looked up into the masklike face behind him, and then the breath went out of him with a sharp, whistling sound as when a man dies, and he lunged forward with his arms flung out upon the table.
The governor's grip tightened upon Avery's hand; there was something of awe in his tone when he spoke.
"You needn't be afraid, Avery," he said. "My way of doing this is a little hard, I know, but it seemed the only way. I want you to tell me," he went on slowly, "whether Tate was at the bungalow the night Reynolds was killed. Hewasthere, wasn't he?"
Avery wavered, steadied himself with an effort, and slowly shook his head. The governor repeated his question in a tone so low that Burgess and the warden, waiting at the window, barely heard. A third time he asked the question. Avery's mouth opened, but he only wet his lips with a quick, nervous movement of the tongue, and his eyes met the governor's unseeingly.
The governor turned from him slowly, and his left hand fell upon Tate's shoulder.
"If you are not guilty, Tate, now is the time for you to speak. I want you to say so before Avery; that's what I've brought him here for. I don't want to make a mistake. If you say you believe Avery to be guilty, I will not sign his pardon."
He waited, watching Tate's hands as they opened and shut weakly; they seemed, as they lay inert upon the table, to be utterly dissociated from him, the hands of an automaton whose mechanism worked imperfectly. A sob, deep, hoarse, pitiful, shook his burly form.
The governor sat down, took a bundle of papers from his pocket, slipped one from under the rubber band which snapped back sharply into place. He drew out a pen, tested the point carefully, then, steadying it with his left hand, wrote his name.
"Warden," he said, waving the paper to dry the ink, "thank you for your trouble. You will have to go home alone. Avery is free."
When Burgess appeared at the bank at ten o'clock the next morning he found his friends of the night before established in the directors' room waiting for him. They greeted him without their usual chaff, and he merely nodded to all comprehendingly and seated himself on the table.
"We don't want to bother you, Web," said Colton, "but I guess we'd all feel better if we knew what happened after we left you last night. I hope you don't mind."
Burgess frowned and shook his head.
"You ought to thank God you didn't have to see the rest of it! I've got a reservation on the Limited tonight: going down to the big city in the hope of getting it out of my mind."
"Well, we know only what the papers printed this morning," said Ramsay; "a very brief paragraph saying that Avery had been pardoned. The papers don't tell the story of his crime as they usually do, and we noticed that they refrained from saying that the pardon was signed at one of your dinner parties."
"I fixed the newspapers at the governor's request. He didn't want any row made about it, and neither did I, for that matter. Avery is at my house. His wife was there waiting for him when I took him home."
"We rather expected that," said Colton, "as we were planted at the library windows when you left the club. But about the other man: that's what's troubling us."
"Um," said Burgess, crossing his legs and clasping his knees. "Thatwas the particular hell of it."
"Tate was guilty; we assume that of course," suggested Fullerton. "We all saw him signing his death warrant right there at the table."
"Yes," Burgess replied gravely, "and he virtually admitted it; but if God lets me live I hope never to see anything like that again!"
He jumped down and took a turn across the room.
"And now—— After that, Web?"
"Well, it won't take long to tell it. After the governor signed the pardon I told the warden to take Avery downstairs and get him a drink: the poor devil was all in. And then Tate came to, blubbering like the vile coward he is, and began pleading for mercy: on his knees, mind you; on hisknees!God! It was horrible—horrible beyond anything I ever dreamed of—to see him groveling there. I supposed, of course, the governor would turn him over to the police. I was all primed for that, and Tate expected it and bawled like a sick calf. But what he said was—what the governor said was, and he said it the way they say 'dust to dust' over a grave—'You poor fool, for such beasts as you the commonwealth has no punishment that wouldn't lighten the load you've got to carry around with you till you die!' That's all there was of it! That's exactly what he said, and can you beat it? I got a room for Tate at the club, and told one of the Japs to put him to bed." "But the governor had no right," began Ramsay eagerly; "he had noright——" "The king can do no wrong! And, if you fellows don't mind, the incident is dosed, and we'll never speak of it again."
[5]From Best Laid Schemes, Copyright, 1919, 1922, by Charles Scribner's Sons. By permission of the publisher.
[5]From Best Laid Schemes, Copyright, 1919, 1922, by Charles Scribner's Sons. By permission of the publisher.
H. C. WITWER
H. C. WITWER
H. C. WITWER
I have selected "Money to Burns" as my best effort because the situations and characters in that story appealed to me more than any others I've created in some three hundred odd yarns. The "gold-digging" young lady of the chorus, the super-sophisticated bellboy with his hard-boiled philosophy, and the beautiful, cynical Goddess of the Switchboard, are all familiars of mine. Intimate with their habits, characteristics, mannerisms and vocabulary, I had only to create a central plot and push them bodily into it. After that, writing the story was merely a case of conscientious reporting—it almost wrote itself!
The genesis of "Money to Burns" was some envious remarks of a bellboy in discussing the sensational escapades of a certain young millionaire. The boy, bringing ice water to my room in a hotel, pointed to the glaring headlines in a newspaper that told of the gilded youth's latest adventure, and bitterly bemoaned the fate that made him a bellboy and the other a millionaire. He discoursed on what he would do were he the possessor of wealth, etc. I encouraged his conversation, with a story forming itself before my eyes. When he left the room I put his counterpart on paper, gave him wealth, added the other characters and necessary embellishments, carved out the title which I hoped would attract the reader's interest and—there you are!
As to how I work—one word pretty well covers that question. The word is "HARD!" I try to get interesting characters and titles first of all; after that, plots. The characters are always people I know well. The plots may come from any source—things that have happened to me, a chance remark of some individual, a newspaper headline, an adventure I would relish having myself, etc.
To a beginner I would advise a thorough reading of the popular magazines, a shot at the newspaper game if possible, plenty of clean white paper and a resolution to take lots of punishment. Thais all I would presume to advise—and I may have given an overdose already!
"When fortune favors a man too much, she makes him a fool!"
Neither Napoleon, Nero, Alexander, Jack Johnson, Mark Antony nor Bill Hohenzollern was the composer of that remark, though, honest, I bet they allthoughtit about the time the world was giving them the air. However, the boy who originally pulled the above wise crack was Mr. Publius Syrus, a master mind current in dear old Syria during the fiscal year of 77 B.C. Two thousand annums after Publius gave up the struggle, Jimmy Burns, a professional bellhop—age, twenty; color, white; nationality, Broadway-American—decided to find out for himself whether or not Pubby's statement was true. It is! Loll back in the old easy chair for about approximately a half-hour and I'll do my stuff. Perhaps you don't know me, as Eve coyly remarked to Adam, so taking advantage of your good nature I'll introduce myself. I'm Gladys Murgatroyd, a switchboard operator at the Hotel St. Moe. I was slipped into the cradle under the name of Mary Ellen Johnson, but as that smacks more of the kitchen than the drawing-room, I changed that label some time ago to the Gladys Murgatroyd thing, which I admit sounds phony—still, I'm a phone girl, so what could be sweeter?
However, one morning during a slight lull in the daily hostilities between me and the number-seeking guests, I am reading my favorite book—theMorning Squawk, the newspaper that made the expression "It is alleged" famous, or maybe it was the other way around. Spattered all over the front page is a highly sensational account of the latest adventures of one of these modern prodigal sons—in round numbers, Carlton Van Ryker, whose father celebrated his ninety-fifth birthday by entering a tomb in a horizontal position and leaving his only progeny two paltry $500,000 bank notes. The young millionaire with the name like a Pullman car and a soft collar had been stepping high, wide and fast with his pennies and at the time of going to press was the plot of an "alienation of my wife's affections" suit, a badly mismanaged shooting affair, and various other things that would keep his mind off the weather for quite a spell. While I'm drinking all this in with my lustrous orbs, along comes Mons. James Joseph Aloysius Burns, who was either the hero of this episode in my exciting career, or else he wasn't.
Although I've known Jimmy Burns for the worst part of two years, we're still good friends, both of us being refugees from the land of Utah. My home town was the metropolis of Bountiful, where I once won a beauty contest single-handed, and James fled from Salt Lake City, where smoking cigarettes is the same as throwing rocks at the President, in the eyes of the genial authorities.
But to get to the business of the meeting—Jimmy sported a sarcastical sneer as he approached my switchboard on this particular morning.
"Kin you feature a cuckoo like this dizzy Van Ryker havin' all that sugar," he snorts, nodding angrily at the newspaper, "whilst us regular white folks is got to slave like Uncle Tom or we don't eat? Is that fair?"
"Cheer up, Jimmy," I says with a smile. "We don't get much money, that's a fact, but then we can laugh out loud. That's more than Van Ryker can do! Look at the pushing around he's getting because he hauled oil and inherited a million, poor fellow; he——"
"That mug was ru'ned by too much jack!" butts in Jimmy. "He's what you call a weak sister. He wasn'tbuiltto handle important money—you got to bebornthat way! Knowin' how to spend money is a gift.Igot the gift, but I ain't got the money!"
"And you neverwillhave the money, frittering away your life hopping bells in a hotel, Jamesy—not to give you a short answer," I says. "When they assembled you they left out the motor—ambition!"
"Blah!" says Jimmy courteously. "That's whatyouthink. I got plenty ambition. My ambition is to wake up every morning for the rest of my life with a twenty-dollar bill in my kick! Believe me, Cutey, I often wish I was a Wall Street bond messenger, a bootlegger or even a professional reformer—but I ain't never had a shot at nobigdough like that. Why, if it was rainin' tomato bouillon, I'd be there with a knife instead of a spoon!"
"As ifthatwould stop you!" I remark sweetly. I once saw James eat. "It seems to me you're always craving excitement," I went on, dealing out some wrong numbers. "Only last week you told me you had a massage."
"Go ahead and kid me," says Jimmy. "Youshould bite your nails—you're a woman, a good looker with more curves than a scenic railway, and they ain't no wayyoukin lose! But it's differenthere.It seems to me I beep workin' for a livin' since the doc says 'It's a boy!' and the chances is I'll be workin' for a livin' till the doc says 'Get the embalmer'!"
Don't you love that?
"Why don't you check out of the bell-hopping game and try your luck at something with a future in it?" I ask him, though, really, I'm about as interested in Jimmy's biography as I am in the election returns at Tokyo. "IfIwas a man, this town wouldn't havemelicked!"
"Apple sauce!" sneers Jimmy politely. "A guy without money has got the same chance in New York as a ferryboat salesman would have on the Sara Desert. It takes jack to make jack. With a bank roll I could makemyname as well known as Jonah's, and I'd spot him his whale!"
"What do youdowith your nickels?" I ask him. "I don't doubt that Chaplin and Fairbanks get morewagesthan you bellboys, but I thought yourtipsran into better figures than they have in the Follies."
"Say, cutey, be yourself!" says James scornfully. "Most of the eggs in this trap is as tight as the skin on a grape—they wouldn't give a thin dime to see Tut-ankh-Amen walk up Fifth Avenoo on his hands! I could be railroaded to Sing Sing for what I think ofthembabies. Why shouldIhave to carry suitcases and hustle ice water for a lot of monkeys like that?"
"Don't put on dog, Jimmy," I smile. "The guests of the St. Moe are every bit as good as you are, even if youarea haughty bellhop and they are lowly millionaires. Supposeyouhad a million, what would you do with it?"
"Well," says Jimmy thoughtfully, "the first thing I'd do wouldst be to get me a education—not that I'm no dumb Isaac by no means, but they's a few lessons like algeometry, matriculation, mock geography and the like which I could use.Iwouldn't get all tangled up with no wild women or pull none of the raw stuff which this Van Ryker jobbie done, that's a cinch! They'd be no horseplay what the so ever, as far asIwas concerned. WhatI'ddo wouldst be to crash into some business, make my pile and my name and not do no playin' around till I was about fifty and independent for life. Ain't it a crime when I got them kind of intentions to make good and no nonsense about it, that somebody don't slip me a million?"
"It's an outrage, Jimmy," I agree, allowing a giggle to break jail. "Still, all men are born equal and if it's actually possible that youhaven'tgot a million, why, you must have thrown your chances away. When Eddie Windsor was your age, for instance, he had made himself Prince of Wales!"
"Me and him begin life in a different type of cradle!" says Jimmy. "And that stuff about everybody bein' equal when they're born is the oyster's ice skates. The only way me and them wealthy millionaires was even at birth is that we was all babies!"
This debate between me and Jimmy was about like Adam and a monkey arguing over which of 'em was our first ancestor—we could have found plenty of people to side with both of us. Then again, the customers was beginning to snap into it for the day and craved the voice with the smile. I got as busy at the switchboard as a custard pie salesman on a movie comedy lot, so I gave the money-mad James the air for the time being.
A couple of weeks later, or maybe it was a jolly old fortnight, Hon. Guy Austin Tower returns from a voyage to Europe, and then the fun began! Maybe you all haven't had the unusual pleasure of meeting my boy friend, so with your kind permission I'll introduce him.
This handsome young metropolitan sheik is a millionaire of the first water, a full-blooded playwright, one of my wildest admirers, and a guest at the Hotel St. Moe. Guy would be a face card in any deck—he's a real fellow, no fooling. Even the parboiled Jimmy Burns, who thinks everybody guilty till proved innocent, is one of Guy's fans. Guy just sprays Jimmy and the rest of the hired help with princely tips and doesn't dime them to death, as most of the other inmates do.
Like Carlton Van Ryker, Guy was left about everything but Lake Michigan when his male parent entered the obituary column, butunlikeVan Ryker, Guy didn't let his millions make him a clown. He wanted to carve his own way on our popular planet, so he simply forgot about his warehouse full of doubloons and took up the trade of writing plays. As he's got two frolics running on Broadway now, you could hardly call him a bust.
Well, when Guy came back from overseas he got a welcome from the St. Moe staff that would have tickled a political boss. Honestly, he brought something back for everybody! What he brought back for me was some perfectly gorgeous Venetian lace and his sixty-fifth request that I renounce the frivolous pleasures of the telephone switchboard and enter matrimony.
I accepted the lace, which drove my girl friend, Hazel Killian, wild with envy, but on the wedding bells I claimed exemption. I like Guy, but I'm by no means in love with him—or with anyone else! From what I've been able to observe on my perch at the St. Moe switchboard, there's a bit too much "moan" in matrimony, and, really, I get no more thrill out of contemplating marriage than Noah would get out of contemplating Niagara Falls. I've seen too much of it! I do get a kick, though, out of my daily struggle to remain a campfire girl and still keep from dying of too little fun. The swarming lobby of any costly Gotham hotel is the favorite hunting grounds of snips that pass in the night, always looking for the best of it—lounge lizards, synthetic sheiks of all ages and others too humorous to mention. Any young, well dressed member of my much advertised sex who doesn't resemble a gorilla is their legitimate prey, and trying to discourage 'em is like trying to discourage the anti-drys. But I got their number—being a phone girl, that's my job, isn't it? I meet five hundred representatives of the sillier sex every day, and it's a hobby of mine to treat 'em all with equal chilly politeness till they get out of line. Then I turn off the politeness, just giving 'em the chill, and honest, when I want to be cold—which is generally—I'd turn a four-alarm fire into an iceberg with a glance!
However, there are a lot of yawns connected with plugging a telephone switchboard day by day in every way, and now and then a male will come along sufficiently interesting for little Gladys to accept temporarily as an accomplice in the assassination of time.
Dinners, dances, theaters, this and that—nothing my mother and I couldn't laugh over, so don't curl your lip!
Well, Guy Tower hadn't been back in the St. Moe a week when he began showering attentions on me from the point where he left off before he sailed away. Honestly, he dinnered and theatered me silly! Hazel Killian watched me carelessly toy with this good-looking young gold mine with unconcealed feelings of covetousness. She simply couldn't understand why I didn't grab this boon from Heaven and marry him while he was stupefied with my charms. Hazel, who is an artists' model and no eyesore herself, is suffering from a lifelong ambition to become a bird in a gilded cage. She craves a millionaire, and in desperation she offered to match coins with me for Guy, but I indignantly refused. IknowHazel—she's a dear, but she'd have Rockefeller penniless in a month and every shop on Fifth Avenue sporting a "Closed to Restock" sign. She's just a pretty baby who loves to go buy and she makes 'em give till it hurts, don't think she doesn't!
Another person who got upset over Guy's inability to keep away from me was Jerry Murphy, house sleuth at the St. Moe. Jerry's so big that if he had numbers on him he'd look like a box car, and he's just another male I can get all dizzied up with a properly manipulated eye and smile. Really, he's not a bad fellow, but as a detective he's a blank cartridge. He couldn't catch pneumonia if it was against the law not to have it. Jerry don't know what it's all about and never will, because he's too thick between the ears to ask and nobody will tell him. He hangs around my switchboard like a hungry collie around a kitchen and he's just as eager; but I'm not collecting losers, so Jerry's meaningless tome.My bounding around with Guy fills Jerry with pain and alarm and he keeps me supplied with laughs by constantly warning me of the pitfalls and temptations that surround a little telephone girl who steps out with a millionaire. "If 'at big mock orange makes one out-of-the-way crack to you, cutey, just tip me off and I'llruinhim!" says Jerry with a menacing growl. "I can't cuddle up to the idea of you goin' out with him all the time. Don't let him go to work and lure you somewheres away from easy callin' distance of help!"
"Cut yourself a piece of cake!" I says. "Mister Tower is a perfect gentleman, Jerry, and it would be impossible for him to act like anything else if he and I were alone on an island in the middle of the Pacific."
"Say, listen, cutey,'" says Jerry, wincing, "don't mention 'at alone-on-a-island stuff in my presence! 'At's what I been dreamin' about me and you for a year. If we ever get on a ship together, I'll wreck it as sure as you're born!"
Now, isn't he a scream?
Well, at one of our dinner dates about a month after his return, Guy shows up haggard and wan and apparently all in. Generally a fellow who couldn't do enough for his stomach, he ordered this night with the enthusiasm of a steak fiend week-ending at a vegetarian friend's. When the nourishment arrived, Guy just dallied and toyed with it. Afterwards we favored the dance floor with a visit, and instead of tripping his usual wicked ballroom he acted like he had an anvil in each of his pumps. A dozen times during the evening he had to tap back a yawn, and really I began to get steamed up. I'm not used to seeing my boy friends pass out on me!
"I hope I'm not keeping you awake, Mr. Tower," I remarked frigidly as we returned to our table and the nineteenth yawn slipped right through his fingers, in spite of his well meant attempt to push it back.
"Forgive me!" says Guy quickly, and a flush brings some color to his face for the first time that night. "I—the fact is, Gladys, I don't believe I've had a dozen hours' sleep in the past week!"
"Then you've been cheating," I smile, "for you've always left me around midnight. Is she a blonde or a brunette, or have you noticed?"
Guy laughs and, leaning over, pats my hand.
"As if I would ever noticeanygirl but you!" he says, getting daringly original. "Oh, it isn't a girl, Gladys—though thereisa woman at the bottom of the thing, at that. I'll explain that paradoxical statement. Rosenblum wants my next play to open his new Thalia Theater, which will be completed within two months—and I haven't the ghost of an idea, not the semblance of a plot! I've paced the floor like a caged animal, smoking countless cigarettes and drinking oceans of black coffee. I've written steadily for hours at a stretch and then torn the whole business up in disgust. That's what's kept me awake at night—that and my daily battles with this infernal Rosenblum!"
"How come?" I ask him in surprise. "I don't see the percentage in battling with the man who puts your plays on Broadway, Guy."
"He wants me to write a risqué farce, one of those loathsome—er—pardon me—bedroom things for Yvette D'Lys," says Guy angrily, "and I ab-so-lute-ly will not do it! I refuse to prostitute my art for the sordid box office! I——"
"Hold everything!" I butt in. "Shakespeare wasn't below writing bedroom farces, and I think evenyou'lladmit that he got some favorable mention as a playwright."
"Shakespeare write a bedroom farce!" gasps Guy. "Why, my dear girl, you—which of his marvelous plays could youpossiblytwist into that?"
"Othello," I says promptly. "In act five they clown all over the boudoir! You should go to the theater oftener."
For a second Guy looks puzzled, then he grins and the lines around his navy-blue eyes relax.
"You are delightful," he says. "If I cannot get mental stimulus fromyou, then I am indeed uninspired! Nevertheless, I am not going to do as Rosenblum requests. I have never written anything salacious or even suggestive, and I never will! Furthermore, I don't believe Miss D'Lys oranyactress likes to play that kind of a part. It is managers of the Rosenblum type that force those rôles on them—callous, dollar-grabbing, cynical pessimists, who take it for granted that all women are bad!"
"Any man who takes it for granted that all women are bad is no pessimist, Guy," I says thoughtfully. "He's an optimist!"
"Great!" says Guy, slapping the table with his hand. "May I use that epigram in my play?"
"I'll loan it to you," I tell him. "If I break out with the writing rash myself some day, I'll want it back. And now let me hear some of the ideas you tore up in disgust—maybe one of them is the real McCoy. Trot 'em out and I'll give you my honest opinion."
Well, he did and I did. Guy rattled off a half-dozen plots, which failed to thicken and merely sickened. Honestly, they had everything in 'em but the Battle of Gettysburg, and really they were fearful—about as new and exciting as a beef stew, which is just what I told him, being a truthful girl.
Guy sighs and looks desperate.
"Gladys," he says, "I simplymusthave a play ready to open the Thalia in less than eight weeks! You know that my interest in playwriting is anything but mercenary—good heavens, I have more money than I know what to do with. What I want is to see my name on another Broadway success, and I'm absolutely barren of ideas! I've simply struck a dry spell, such as all writers do, occasionally. At this moment I'd give twenty-five thousand dollars for an original plot!"
I drew a deep breath and stared at him.
"Don't kid about that kind of money, Guy," I says solemnly. "And—don't tempt me!"
"I never was more serious in my life!" he quickly assures me. "Why, haveyouan idea? By Jove, Gladys, if you ifhave—you are the goddess from the machine——"
"Be of good cheer," I interrupt. "I'll go home and sleep over matters, which is what you better do, too—you look like you fell out of a well or something, really! I'll see you tomorrow. I don't think I'll have a plot for you by then, but——"
"Naturally—still, if you even have a suggestion that I might use," says Guy eagerly, "I——"
"I say I don'tthinkI'll have a plot by then, I know I'll have one!" I finish.
And I did, really!
When I got home that night I went right to bed, but somehow Mr. Slumber and me couldn't seem to come to terms. My brain just refused to call it a union day but kept mulling over Guy and his magnanimous offer of twenty-five thousand lire for a plot. Good heavens, he could buy a plot with a house and barn on it for that! Then my half-sleepy mind turns to Jimmy Burns, the gloomy bellhop, whose deathless ambition is to corral a fortune and dumfound Europe with his progress from then on! Suddenly these two trains of thought collide with a crash and out of the wreck comes an idea that I think will make Jimmy Burns famous and give Guy Tower his play! That trifling matter being all settled, I turned over and slept the sleep of the just.
The very next evening I propositioned Guy, who listened with flattering attention. After telling him I had his play all set, I furnished him with a short but interesting description of the life, habits and desires of James Joseph Aloysius Burns. I then proposed that Guy place his twenty-five thousand to the bellboy's credit for one month, James to be allowed free rein with the jack. If Burns has increased the amount at the end of thirty days, he is to return the original twenty-five thousand to Guy. If not, he must give back whatever amount he has left. All the principals are to be sworn to secrecy and that's all there is to my scheme—it's as simple as the recipe for hot chocolate!
"If Jimmy Burns is really miscast in life and has a brain and business ability far above hopping bells," I explain, "why, the use of twenty-five thousand for thirty days might make him one of the world's most famous men! It's a sporting chance, Guy—will you gamble?"
Guy looks somewhat perplexed. He stares into my excited face and clears his throat nervously.
"Well—I—of course, I am interested inanythingyou suggest, Gladys," he says. "I—eh—suppose I am unusually stupid this evening, but I cannot see how my dowering this bellboy will assist me in writing my play."
"Listen," I says. "You claimed you'd put out twenty-five thousand for a plot, didn't you? Well, believe me, the movements of Jimmy Burns with twenty-five thousand dollars to do what he wants with will supply all the ideas you can handle—if you don't think so, you're crazy!"
"But——" begins Guy.
"Don't butt!" I cut him off, impatiently. "You're not the goat yet and you won't be if you listen to teacher. All you have to do is give Jimmy the sugar, watch his stuff for the next thirty days, and you'll get a true-to-life masterpiece for your drama—probably a play that will show the making of a financial, scientific or artistic Napoleon! If you can't get a play out of the effect of sudden wealth on a lowly bellhop, then you got no business In the same room with a typewriter!"
Guy rubs his chin, smooths back his wavy hair and gazes out of the window at New York City.
"By Jove!" he busts out suddenly, slapping his hands together. "The thing is fantastic—grotesque—but I'll do it!"
So it came to pass that the next day Guy, Jimmy Burns, and myself met by appointment in the cashier's office of the Plumbers & Physicians National Bank. As I was on my lunch hour and minutes were at a premium, there was little time squandered on preliminaries, Guy making his proposition to the thunderstruck James in simple words of one syllable. At first M. Burns refused to believe he wasn't being kidded, then he got hysterical with delight. When the startled cashier solemnly asked for his signature and handed him a bank book showing there was $25,000 to his credit in the vaults, Jimmy broke down and cried like a baby!
"Now listen to me, young man," I tell the panting Burns when he has hid the bank book in his shoe to the open amusement of Guy and the wondering cashier. "You want to get an immediate rush of brains to the head and make that twenty-five thousandmeansomething, because that's the last you get if you cry your eyes out! That's all there is, there isn't any more, get me? You been going around squawking about what a world-beater you'd be if you had money. Well, now you got plenty of it and we look for big things from you. No clowning, remember, youmustmake good! Is all that clear?"
Still in a happy trance, Jimmy Burns removes his cap with a start.
"Ye-ye-yes, ma'am!" he gulps, the first time he was ever polite to anyone, before or since.
Well, really, the effect of that $25,000 suddenly showered on Jamesy was every bit as startling as I expected—only in a slightly different way than I fondly hoped! Those pennies went right to his shapely head, and instead of stimulating his brain, why, they justremovedit altogether. First of all, Jimmy got a wild and uncontrollable desire to leave the art of bell-hopping flat on its back. Not satisfied to resign his portfolio in a dignified way, he kidded the guests, insulted the manager, rode Jerry Murphy till Jerry wanted his heart, and wound up by punching Pete Kift, the bell captain, right on the nose. By an odd coincidence, these untoward actions got Jimmy the gate.
The plutocrat bellhop's next imitation was to apply for the most expensive suite in the hotel. They just laughed Hon. Burns off, telling him there was nothing but standing room left in the inn and try to getthat!But Guy Tower came to the rescue and got Jimmy the suite, as Guy wanted to keep his experiment under as close observation as possible while making notes for his play. Once settled in his gorgeous apartment, Jimmy swelled up like a mump and run his former colleagues ragged getting him ice water, stationery, telegram blanks and drug-store gin. He staggered around in the most fashionable lobby in New York making cracks like "Hey, d'ye think Prohibition will ever come back?" to astounded millionaires and their ladies. Honestly, he was a wow I When one of the fellows he used to work with called him "Jimmy," the nee bellboy angrily insists that the manager fire him for undue familiarity, remarking, "A guy has got to keep them servants in their proper places!"
He sent a wire to the Standard Oil Company asking if they couldn't use a younger man in Rockefeller's place, paid the dinge elevator pilots a dollar twenty times a day to stop the car and tie his shoe laces, panicked the highest priced tailor in Manhattan by ordering seven suits of "mufti," having read that the King of England occasionally dresses in that, and generally misplayed his hand till everybody was squawking and in no time at all Jimmy Burns was about as popular as a mad deg in the St. Moe hotel. He failed to go through college like he promised he would, but he certainly went through everything else, and only for Guy, Jimmy would have been streeted fifty times a day!
The next desire that attacks James is the ambition to see his name in the newspapers, so he advertises for a press agent. The first publicity purveyor who showed up made James think he was good by using nothing but adjectives in his conversation and asking for a honorarium of $250 the week. Mr. Burns thought the salary was more than reasonable, but as he's the type that would ask President Coolidge for a reference, he demanded one from the candidate for the job. "You have asked the man who owns one—just a minute!" says the press agent cheerily, and not at all abashed he dashes out of the room. I heard all this when he stopped at my switchboard with Jimmy and asked me where the writing room was. In five minutes he's back, waving a paper in Jimmy's face. "Lookthatover!" he says.
James read it out loud for my entertainment. According to this testimonial, the bearer had did about everything in the publicity line but act as press representative for a school where middle-aged eagles are taught how to fly. James seems to get quite a kick out of it.
"I think I'll take this guy," he remarks, as he looks up from the reference.
"Fine!" says the delighted applicant. "That's a good thought. I'll snap right into it and——"
"Tomato sauce!" butts in James sneeringly. "I don't wish no part ofyou, the babyIwant to hire is the bozo which wrote this recommendation of you. He's good, what I mean, a letter-writin' idiot!"
"A bit odd that we should both be thinking the same thing," says Mr. Press Agent coolly. "As a matter of fact, I wrote that recommendation myself. So now that I'm engaged as your publicity expert, let me have a few of your photos and——"
The following morning nearly every front page in town displayed a picture of James Burns and this glaring headline:
BELL BOY LEFT MILLION BY GUESTHE ONCE LOANED DIME!
That was the press agent's first effort and, as far as I was ever able to see, his last. But it got ample results, as with your permission I'll be glad to show you.
Within a week, Jimmy Burns had discovered what millions have discovered beforehislittle day—that the mere possession of lucre does not mean happiness, and for some it means positive misery! Not only did James become the prey of the charity solicitors, confidence workers, stock swindlers, "yes men," phony promoters and other parasites that infest the hotel, but he was constantly in boiling water through his cuckoo escapades growing out of sudden wealth that sent his brains on location. After purchasing a diamond as big as Boston, only brighter, he bought the highest priced horseless carriage he could find in the market and the same identical day it slipped out of his hands and tried to climb the steps of the Fifth Avenue library. The gendarmes pinched him for reckless driving, though Jimmy protested that it wasn't really "wreckless" as he had plenty wreck, and his worship tossed the trembling James into the hoosegow for three days, remarking, "I'll teach you rich men a lesson!" Then the income-tax beagles read that newspaper headline and came down on Burns like a cracked ceiling. So all in all, Jimmy was finding few chuckles connected with his pieces of eight.
When the rich but unhappy James got out of the Bastille, he decided to throw a party in his costly suite at the St. Moe for his former associates of the bellhops' bench. As Jimmy confided to me, apparently his only friend, he felt the immediate need of mixing with people who spoke his language. He wanted to forget his troubles and get back on a friendly footing with the boys, who had severed diplomatic relations with him on account of his acting like he was Sultan of Goitre or something when he became a thousandaire overnight. Jimmy felt that a first-class soiree would do the trick.
The party came off as advertised, but all it meant to the poor little rich man was more grief! It was really a respectable enough affair, no hats being broken or that sort of thing, and a pleasant time was had by all with the slight exception of the charming host. Our hero made two fatal mistakes. The first was not inviting Jerry Murphy and the second was laying in a stock of canny Scotch for medicinal purposes, in case any of his guests should get stricken with the dread disease of thirst. The result was that an epidemic of parched throats broke out early in the evening and pretty soon the other habitues of the St. Moe began complaining bitterly about the unusually boisterous race riot that was being staged with a top-heavy cast on the sixth floor. Mr. Williams, the manager, who liked Jimmy Burns and arsenic the same way, called upon Jerry Murphy to quell the disturbance and Jerry licked his lips with delight. The man-mountain house detective run all the way upstairs, figuring the elevators too slow to whisk him to a job as tasty to him as cream is to puss. Jerry pounded on the door of Jimmy's salon and demanded admittance. Recognizing his voice, James climbed unsteadily on a chair, opened the transom and peered with a rolling eye at Jerry.
"Go roll yer hoop—hic—you big shtiff, thish is gen'lemen's—hic—gen'lemen's blowout!" says Jimmy, carelessly pouring a pitcher of water, cracked ice and all, on Jerry's noble head. "Hic—shee kin youlaugh off!"
Foaming at the mouth and uttering strange cries, the infuriated Jerry broke through the door and the panic was on! The beauty and chivalry present fled before the charging sleuth like they'd flee before a charging hippo, but the unfortunate Jimmy got left at the post. After cuffing him around the room till the sport palled on him, Jerry dragged James off to durance vile and once again Jamesy is put under glass, this time credited with illegally possessing spirits frumenti. They held him under lock and key all night and it took all of Guy Tower's influence and quite a few of his quarters to get Jerry to withdraw the charge and free Jimmy the next morning.
Well, honestly, I felt sorry for Jimmy Burns, who was certainly taking cruel and unusual punishment and being made to like it. I thought perhaps if I injected a lady into the situation it might make things a bit more pleasant for him, so I introduced Hazel Killian to the "millionaire bellboy," as the newspapers were still calling James.O sole mia!as they say in Iowa, what an off day my brain was having when it cooked upthatidea! With visions clouding her usually painstaking taste, of the Riviera, Paris, Monte Carlo, gems, yachts, Boles-Joyce limousines or what have you, Hazel took to Jimmy like a goldfish takes to a bowl and our evening expeditions now consisted of your correspondent and Guy, assisted by Hazel and Jimmy. We went everywhere together, with James insisting upon paying most of the bills. But while Jimmy was civil enough to the easy-to-look-at Hazel, he simply showered his attentions on your little friend Gladys, grabbing every chance to make the most violent love to me. This greatly annoyed Guy and Hazel and equally greatly amusedme—Jimmy was just a giggle to me, not a gasp!
In the meanwhile, Mr. Williams and Jerry Murphy had banded together to make James sick and tired of living in the Hotel St. Moe. He seldom found his room made up, there was always something wrong with the lights, the water and the steam, none of the help would answer his bells, and when he hollered for service he was told he would find it in the dictionary under S. But Pete Kift pulled the worst trick of all on him. With the radiant Hazel on his arm and Guy keeping military distance behind, Jimmy was proudly strutting through the lobby one fine evening. All were resplendent in evening clothes, and to show you I'm not catty I'll say that Hazel in an evening gown would attract attention away from the Yosemite. As the party neared the desk, Pete Kift suddenly looks at Jimmy and bawls "Front!" at the top of his bull elephant's voice, and mechanically responding to the habit of a lifetime, poor Jimmy Burns grabs an amazed guest's suitcase and hastily starts for the elevator! The witnesses just screamed when they grasped the situation and recognized James as the ex-bellhop. Even Guy smiled, but it was different with Hazel, who could have shot down Mr. Burns on the spot in cold blood. As for Jimmy, well, honestly, he would have welcomed the bullet!
Nevertheless, in spite of this fox pass Hazel believed Jimmy had actually inherited an even million, and evidently James had not gone out of his way to make her think different. So one day Hazel tells me she's all through posing for artists and is determined to make Jimmy her very own. When she adds that he has sworn to star her in a musical comedy or back her in a movie production, I nearly passed out! Can you imagine Jimmy, with only a few thousand left, making any such maniacal promises as that to a girl with a memory like Hazel's?Oo la la, what a fine disturbance James was readying himself for!
As I had vowed to say nothing about how Jimmy got his bankroll, I couldn't very well give the ambitious Hazel the lowdown on matters, but Ididtry most earnestly to lay her off him. I got nowhere! Refusing to be warned, Hazel point-blankly accused me of having a yen for Jimmy myself, and then she set sail for this gilded youth in dead earnest.
Well, knowing nothing of Hazel's plans with regard to himself, the doomed Jimmy kept on entertaining like his first name was Astor, his middle name Vanderbilt and his last name Morgan. He took me, Hazel and Guy to the races at Belmont Park and stabled us all in a box. As James had loudly declared that he knew more about horses than Vincent Ibanez, we all played his-feed-box tips for five races and we learned about losers from him. When the sixth and last scramble arrived, Guy had donated $1,500, I had sent in $50, and Hazel had parted with $80 to the oral books and was fit to be tied I What Jimmy lost, nobody knows. Anyhow, he gazed over the program for the sixth race, a mile handicap, and suddenly let out a yell.
"Hot dog!" he says, much excited. "Here's where we all get independent for life. They's a beagle in this dash by the name of Bellhop and if that ain't a hunch then Pike's Peak's a pimple. Get down on this baby with the family jools and walk outa here rancid with money!"
We split a contemptuous grin between us and presented it to Jimmy before getting down on the favorite in a last attempt to break even on the day. Jimmy milled his way back to our box, flushed and panting, and gayly announced that he had shot the works on Bellhop's nose. He said we were all paranoiacs for not doing the same. Well, it was all over in a twinkling! The favorite found the handicap of our bets a bit too much and finished an even last. Bellhop tripped the mile in something like 0.96 and won from here to the Ruhr, clicking off $15,000 for Mr. James Joseph Aloysius Burns. James then announced his intention of buying the horse and presenting it to Hazel for Arbor Day, and it was only with the greatest of difficulty that me and Guy talked him out of it. Hazel gave us a murderous glare and for the rest of the day you couldn't have got a nail file between her and Jimmy, honestly!
Whirling back to New York in Jimmy's car, now steered by a uniformed chauffeur, I began to reprove James for this gambling and stepping out when he should be using his money and time to secure his future. What about all his promises to me? How about all the big things he was going to do? When was he going to enter business, or whatever he thought he could do best?
"Don't make me laugh!" says Jimmy, tapping an imported cigarette on a solid gold case. "I'm sittin' pretty. What a suckerI'dbe to pester myself about work when I got all this sugar!"
"Of course," says Hazel, nestling closer to him. "Imagine a millionaireworking!"
And the only thing that really burned me up was Jimmy's grin at Guy and the sly dig in the ribs he gave me, the little imp!
Well, from then on Jimmy had lots of luck and all of it bad. The fellow who invented money was a clever young man, but he really should have stayed around the laboratory for another couple of hours and invented an antidote for the trouble it brings. The well-to-do ex-bellhop used his jack as a wedge to get into one jam after another, till finally came the worst blow of all, and Miss Hazel Killian delivered it.
It seems that Hazel got fatigued waiting for Jimmy to unbelt the roll and star her in a musical comedy or a super-production, so she requested a showdown. Jimmy checked up and discovered he had blown all but about five thousand of his ill-gotten gains, and as trustworthy reports had reached him that it would take about ten times that much to group a show around the beauteous Hazel, he calmly told her all bets were off. Hazel promptly fainted, but Jimmy's idea of first aid being an alarmed glance and a dash for the door, she quickly snapped out of it and demanded ten thousand dollars for the time she put in entertaining him.
"Aha—a gold digger, hey?" says Jimmy indignantly. "So you wish ten grand for entertainin' me? Where d'ye get that stuff? They ain't no ten thousand dollars' worth of laughs in you forme, I'll tell the world! Take the air!"
Infuriated beyond speech, Hazel brought suit for $100,000 against James the following day, charging that promising young man had promised to wed her. Further, deponent sayeth not!
That was the end of the high life for Jimmy Burns. Honestly, he was scared stiff and he got little comfort fromme, for I was absolutely disgusted with the way he had carried on from the time Guy gave him that money. Opportunity had knocked on this little fool's door and he had pretended he wasn't at home. Not only that, but I felt he had got me in wrong with Guy Tower, whose $25,000 investment for a plot now seemed a total loss. I told Guy tearfully how sorry I was that my scheme had failed to pan out, but he cut me off in the middle of my plea for forgiveness, his face a mass of smiles.
"My dear girl, you owe me no apology," says Guy, patting my shoulder. "It is I who owe you a debt of gratitude. I've written a farce-comedy around Jimmy's adventures with the twenty-five thousand, and Rosenblum predicts it will be the hit of the season! I've never seen him so enthusiastic. Your idea was more than successful, and Jimmy is welcome to whatever he has left of the money when the time limit expires!"
Wasn't that lovely?
In the meantime, the miserable Jimmy had tried to forget his worries again by mixing with his former fellow workmen about the hotel. Jerry Murphy and Pete Kift wouldn't give him a tumble, so he sat on the bellhops' bench all night, trying to square things with his ex-playmates. But now that he was a "millionaire" they put on the ice and treated him like a maltese would be treated at a mouse's reception. A great longing comes over Jimmy to be a care-free bellboy again, without the burden of wealth. He felt the irresistible call of the ice water, the stationery and the tip! So, unable to lick the temptation, he sneaked the baggage of a few guests upstairs and was promptly run out of the hotel by the other boys for poaching on their preserves. To make things perfect, a couple of days later he was served with the papers in Hazel's suit.
Unable to cope with the situation and hysterical with fear, Jimmy rushed to the switchboard and made an appeal to me that would have melted a Chinese executioner. He placed the blame for the trouble he was in on my georgetted shoulders—manlike—and insisted that I had to get him out of the mess. The legal documents Hazel had him tagged with smacked to the terrified Jimmy of pitiless judges, stern juries, jail—perhaps even the gallows! Honestly, James was in fearful shape, no fooling. I shut off his moans finally, and told him to get rid of whatever money he had left and I would take on myself the horrible job of explaining everything to Hazel. With a wild whinny, Jimmy dashed out of the hotel without even thanking me, gambled his remaining ducats in one wild stock-market plunge—and two days later the ticker informed him that he was worth $25,000 again!