“Not with fond shekels of the tested gold,Nor gems whose rates are either rich or poorAs fancy values them: but with true prayers,That shall be up at heaven and enter thereEre sunrise; prayers from preserved souls,From fasting maids, whose minds are dedicateTo nothing temporal.”Shakspeare.
“Not with fond shekels of the tested gold,Nor gems whose rates are either rich or poorAs fancy values them: but with true prayers,That shall be up at heaven and enter thereEre sunrise; prayers from preserved souls,From fasting maids, whose minds are dedicateTo nothing temporal.”Shakspeare.
“Not with fond shekels of the tested gold,
Nor gems whose rates are either rich or poor
As fancy values them: but with true prayers,
That shall be up at heaven and enter there
Ere sunrise; prayers from preserved souls,
From fasting maids, whose minds are dedicate
To nothing temporal.”
Shakspeare.
Pythagoras said that the time when men are honestest is when they present themselves before the gods. If we can overhear the prayer we shall know the man. But prayers are not made to be overheard, or to be printed, so that we seldom have the prayer otherwise than it can be inferred from the man and his fortunes, which are the answer to the prayer, and always accord with it. Yet there are scattered about in the earth a few records of these devout hours, which it would edify us to read, could they be collected in a more catholic spirit than the wretched and repulsive volumes whichusurp that name. Let us not have the prayers of one sect, nor of the Christian Church, but of men in all ages and religions who have prayed well. The prayer of Jesus is (as it deserves) become a form for the human race. Many men have contributed a single expression, a single word to the language of devotion, which is immediately caught and stereotyped in the prayers of their church and nation. Among the remains of Euripides we have this prayer: “Thou God of all! infuse light into the souls of men, whereby they may be enabled to know what is the root from whence all their evils spring, and by what means they may avoid them.” In the Phædrus of Plato, we find this petition in the mouth of Socrates: “O gracious Pan! and ye other gods who preside over this place! grant that I may be beautiful within; and that those external things which I have may be such as may best agree with a right internal disposition of mine; and that I may account him to be rich, who is wise and just.” Wacic the Caliph, who diedA. D.845, ended his life, the Arabian historians tell us, with these words: “O thou whose kingdom never passes away, pity one whose dignity is so transient.” But what led us to these remembrances was the happy accident which in this undevout age lately brought us acquainted with two or three diaries, which attest, if there be need of attestation, the eternity of the sentiment and its equality to itself through all the variety of expression. The first is the prayer of a deaf and dumb boy:—
“When my long-attached friend comes to me, I have pleasure to converse with him, and I rejoice to pass my eyes over his countenance; but soon I am weary ofspending my time causelessly and unimproved, and I desire to leave him, (but not in rudeness), because I wished to be engaged in my business. But thou, O my Father, knowest I always delight to commune with thee in my lone and silent heart; I am never full of thee; I am never weary of thee; I am always desiring thee. I hunger with strong hope and affection for thee, and I thirst for thy grace and spirit.“When I go to visit my friends, I must put on my best garments, and I must think of my manner to please them. I am tired to stay long, because my mind is not free, and they sometimes talk gossip with me. But oh, my Father, thou visitest me in my work, and I can lift up my desires to thee, and my heart is cheered and at rest with thy presence, and I am always alone with thee, and thou dost not steal my time by foolishness. I always ask in my heart, where can I find thee?”
“When my long-attached friend comes to me, I have pleasure to converse with him, and I rejoice to pass my eyes over his countenance; but soon I am weary ofspending my time causelessly and unimproved, and I desire to leave him, (but not in rudeness), because I wished to be engaged in my business. But thou, O my Father, knowest I always delight to commune with thee in my lone and silent heart; I am never full of thee; I am never weary of thee; I am always desiring thee. I hunger with strong hope and affection for thee, and I thirst for thy grace and spirit.
“When I go to visit my friends, I must put on my best garments, and I must think of my manner to please them. I am tired to stay long, because my mind is not free, and they sometimes talk gossip with me. But oh, my Father, thou visitest me in my work, and I can lift up my desires to thee, and my heart is cheered and at rest with thy presence, and I am always alone with thee, and thou dost not steal my time by foolishness. I always ask in my heart, where can I find thee?”
The next is a voice out of a solitude as strict and sacred as that in which nature had isolated this eloquent mute:—
“My Father, when I cannot be cheerful or happy, I can be true and obedient, and I will not forget that joy has been, and may still be. If there is no hour of solitude granted me, still I will commune with thee. If I may not search out and pierce thy thought, so much the more may my living praise thee. At whatever price, I must be alone with thee; this must be the demand I make. These duties are not the life, but the means which enable us to show forth the life. So must I take up this cross, and bear it willingly. Why shouldI feel reproved when a busy one enters the room? I am not idle, though I sit with folded hands, but instantly I must seek some cover. For that shame I reprove myself. Are they only the valuable members of society who labor to dress and feed it? Shall we never ask the aim of all this hurry and foam, of this aimless activity? Let the purpose for which I live be always before me; let every thought and word go to confirm and illuminate that end; namely, that I must become near and dear to thee; that now I am beyond the reach of all but thee.“How can we not be reconciled to thy will? I will know the joy of giving to my friend the dearest treasure I have. I know that sorrow comes not at once only. We cannot meet it and say, now it is overcome, but again, and yet again, its flood pours over us, and as full as at first.“If but this tedious battle could be fought,Like Sparta’s heroes at one rocky pass,‘One day be spent in dying,’ men had soughtThe spot, and been cut down like mower’s grass.”
“My Father, when I cannot be cheerful or happy, I can be true and obedient, and I will not forget that joy has been, and may still be. If there is no hour of solitude granted me, still I will commune with thee. If I may not search out and pierce thy thought, so much the more may my living praise thee. At whatever price, I must be alone with thee; this must be the demand I make. These duties are not the life, but the means which enable us to show forth the life. So must I take up this cross, and bear it willingly. Why shouldI feel reproved when a busy one enters the room? I am not idle, though I sit with folded hands, but instantly I must seek some cover. For that shame I reprove myself. Are they only the valuable members of society who labor to dress and feed it? Shall we never ask the aim of all this hurry and foam, of this aimless activity? Let the purpose for which I live be always before me; let every thought and word go to confirm and illuminate that end; namely, that I must become near and dear to thee; that now I am beyond the reach of all but thee.
“How can we not be reconciled to thy will? I will know the joy of giving to my friend the dearest treasure I have. I know that sorrow comes not at once only. We cannot meet it and say, now it is overcome, but again, and yet again, its flood pours over us, and as full as at first.
“If but this tedious battle could be fought,Like Sparta’s heroes at one rocky pass,‘One day be spent in dying,’ men had soughtThe spot, and been cut down like mower’s grass.”
“If but this tedious battle could be fought,Like Sparta’s heroes at one rocky pass,‘One day be spent in dying,’ men had soughtThe spot, and been cut down like mower’s grass.”
“If but this tedious battle could be fought,
Like Sparta’s heroes at one rocky pass,
‘One day be spent in dying,’ men had sought
The spot, and been cut down like mower’s grass.”
The next is in a metrical form. It is the aspiration of a different mind, in quite other regions of power and duty, yet they all accord at last.
“Great God, I ask thee for no meaner pelfThan that I may not disappoint myself,That in my action I may soar as high,As I can now discern with this clear eye.“And next in value, which thy kindness lends,That I may greatly disappoint my friends,Howe’er they think or hope that it may be,They may not dream how thou’st distinguished me.“That my weak hand may equal my firm faith,And my life practise more than my tongue saith;That my low conduct may not show,Nor my relenting lines,That I thy purpose did not know,Or overrated thy designs.”
“Great God, I ask thee for no meaner pelfThan that I may not disappoint myself,That in my action I may soar as high,As I can now discern with this clear eye.“And next in value, which thy kindness lends,That I may greatly disappoint my friends,Howe’er they think or hope that it may be,They may not dream how thou’st distinguished me.“That my weak hand may equal my firm faith,And my life practise more than my tongue saith;That my low conduct may not show,Nor my relenting lines,That I thy purpose did not know,Or overrated thy designs.”
“Great God, I ask thee for no meaner pelfThan that I may not disappoint myself,That in my action I may soar as high,As I can now discern with this clear eye.
“Great God, I ask thee for no meaner pelf
Than that I may not disappoint myself,
That in my action I may soar as high,
As I can now discern with this clear eye.
“And next in value, which thy kindness lends,That I may greatly disappoint my friends,Howe’er they think or hope that it may be,They may not dream how thou’st distinguished me.
“And next in value, which thy kindness lends,
That I may greatly disappoint my friends,
Howe’er they think or hope that it may be,
They may not dream how thou’st distinguished me.
“That my weak hand may equal my firm faith,And my life practise more than my tongue saith;That my low conduct may not show,Nor my relenting lines,That I thy purpose did not know,Or overrated thy designs.”
“That my weak hand may equal my firm faith,
And my life practise more than my tongue saith;
That my low conduct may not show,
Nor my relenting lines,
That I thy purpose did not know,
Or overrated thy designs.”
The last of the four orisons is written in a singularly calm and healthful spirit, and contains this petition:—
“My Father: I now come to thee with a desire to thank thee for the continuance of our love, the one for the other. I feel that without thy love in me I should be alone here in the flesh. I cannot express my gratitude for what thou hast been and continuest to be to me. But thou knowest what my feelings are. When nought on earth seemeth pleasant to me, thou dost make thyself known to me, and teach that which is needful for me, and dost cheer my travels on. I know that thou hast not created me and placed me here on earth, amidst its toils and troubles and the follies of those around me, and told me to be like thyself when I see so little of thee here to profit by; thou hast not done this, and then left me here to myself, a poor, weak man, scarcely able to earn my bread. No; thou art my Father and I will love thee, for thou didst first love me, and lovest me still. We will ever be parent and child. Wilt thou give me strength to persevere in this great work of redemption. Wilt thou show me the true means of accomplishing it.... I thank thee for the knowledge that I have attained of thee by thy sons who have been before me, and especially for him who brought me so perfect a type of thy goodness and love to men.... I know that thou wilt deal with me as I deserve. I place myself therefore in thy hand, knowing that thou wilt keep me from harm so long as I consent to live under thy protecting care.”
“My Father: I now come to thee with a desire to thank thee for the continuance of our love, the one for the other. I feel that without thy love in me I should be alone here in the flesh. I cannot express my gratitude for what thou hast been and continuest to be to me. But thou knowest what my feelings are. When nought on earth seemeth pleasant to me, thou dost make thyself known to me, and teach that which is needful for me, and dost cheer my travels on. I know that thou hast not created me and placed me here on earth, amidst its toils and troubles and the follies of those around me, and told me to be like thyself when I see so little of thee here to profit by; thou hast not done this, and then left me here to myself, a poor, weak man, scarcely able to earn my bread. No; thou art my Father and I will love thee, for thou didst first love me, and lovest me still. We will ever be parent and child. Wilt thou give me strength to persevere in this great work of redemption. Wilt thou show me the true means of accomplishing it.... I thank thee for the knowledge that I have attained of thee by thy sons who have been before me, and especially for him who brought me so perfect a type of thy goodness and love to men.... I know that thou wilt deal with me as I deserve. I place myself therefore in thy hand, knowing that thou wilt keep me from harm so long as I consent to live under thy protecting care.”
Let these few scattered leaves, which a chance (as men say, but which to us shall be holy) brought under our eye nearly at the same moment, stand as an example of innumerable similar expressions which no mortal witness has reported, and be a sign of the times. Might they be suggestion to many a heart of yet higher secret experiences which are ineffable! But we must not tie up the rosary on which we have strung these few white beads, without adding a pearl of great price from that book of prayer, the “Confessions of Saint Augustine.”
“And being admonished to reflect upon myself, I entered into the very inward parts of my soul, by thy conduct; and I was able to do it, because now thou wert become my helper. I entered and discerned with the eye of my soul (such as it was), even beyond my soul and mind itself, the Light unchangeable. Not this vulgar light which all flesh may look upon, nor as it were a greater of the same kind, as though the brightness of this should be manifold greater and with its greatness take up all space. Not such was this light, but other, yea, far other from all these. Neither was it so above my understanding as oil swims above water, or as the heaven is above the earth. But it is above me, because it made me; and I am under it, because I was made by it. He that knows truth or verity, knows what that light is, and he that knows it, knows eternity, and it is known by charity. O eternal Verity! and true Charity! and dear Eternity! thou art my God, to thee do I sigh day and night. Thee when I first knew, thou liftedst me up that I might see, there was what I might see, and that I was not yet such as to see. Andthou didst beat back my weak sight upon myself, shooting out beams upon me after a vehement manner; and I even trembled between love and horror, and I found myself to be far off, and even in the very region of dissimilitude from thee.”
“And being admonished to reflect upon myself, I entered into the very inward parts of my soul, by thy conduct; and I was able to do it, because now thou wert become my helper. I entered and discerned with the eye of my soul (such as it was), even beyond my soul and mind itself, the Light unchangeable. Not this vulgar light which all flesh may look upon, nor as it were a greater of the same kind, as though the brightness of this should be manifold greater and with its greatness take up all space. Not such was this light, but other, yea, far other from all these. Neither was it so above my understanding as oil swims above water, or as the heaven is above the earth. But it is above me, because it made me; and I am under it, because I was made by it. He that knows truth or verity, knows what that light is, and he that knows it, knows eternity, and it is known by charity. O eternal Verity! and true Charity! and dear Eternity! thou art my God, to thee do I sigh day and night. Thee when I first knew, thou liftedst me up that I might see, there was what I might see, and that I was not yet such as to see. Andthou didst beat back my weak sight upon myself, shooting out beams upon me after a vehement manner; and I even trembled between love and horror, and I found myself to be far off, and even in the very region of dissimilitude from thee.”
In an afternoon in April, after a long walk, I traversed an orchard where boys were grafting apple-trees, and found the Farmer in his corn-field. He was holding the plough, and his son driving the oxen. This man always impresses me with respect, he is so manly, so sweet-tempered, so faithful, so disdainful of all appearances,—excellent and reverable in his old weather-worn cap and blue frock bedaubed with the soil of the field; so honest withal, that he always needs to be watched lest he should cheat himself. I still remember with some shame that in some dealing we had together a long time ago, I found that he had been looking to my interest in the affair, and I had been looking to my interest, and nobody had looked to his part. As I drew near this brave laborer in the midst of his own acres, I could not help feeling for him the highest respect. Here is the Cæsar, the Alexander of the soil, conquering and to conquer, after how many and many a hard-fought summer’s day and winter’s day; not like Napoleon, hero of sixty battles only, but of six thousand, and out of every one he has come victor;and here he stands, with Atlantic strength and cheer, invincible still. These slight and useless city limbs of ours will come to shame before this strong soldier, for his have done his own work and ours too. What good this man has or has had, he has earned. No rich father or father-in-law left him any inheritance of land or money. He borrowed the money with which he bought his farm, and has bred up a large family, given them a good education, and improved his land in every way year by year, and this without prejudice to himself the landlord, for here he is, a man every inch of him, and reminds us of the hero of the Robin Hood ballad,—
“Much, the miller’s son,There was no inch of his bodyBut it was worth a groom.”
“Much, the miller’s son,There was no inch of his bodyBut it was worth a groom.”
“Much, the miller’s son,
There was no inch of his body
But it was worth a groom.”
Innocence and justice have written their names on his brow. Toil has not broken his spirit. His laugh rings with the sweetness and hilarity of a child; yet he is a man of a strongly intellectual taste, of much reading, and of an erect good sense and independent spirit which can neither brook usurpation nor falsehood in any shape. I walked up and down the field, as he ploughed his furrow, and we talked as we walked. Our conversation naturally turned on the season and its new labors. He had been reading the Report of the Agricultural Survey of the Commonwealth, and had found good things in it; but it was easy to see that he felt toward the author much as soldiers do towards the historiographer who follows the camp, more good-nature than reverence for the gownsman.
The First Report, he said, is better than the last, as I observe the first sermon of a minister is often his best,for every man has one thing which he specially wishes to say, and that comes out at first. But who is this book written for? Not for farmers; no pains are taken to send it to them; it was by accident that this volume came into my hands for a few days. And it is not for them. They could not afford to follow such advice as is given here; they have sterner teachers; their own business teaches them better. No; this was written for the literary men. But in that case, the state should not be taxed to pay for it. Let us see. The account of the maple sugar,—that is very good and entertaining, and, I suppose, true. The story of the farmer’s daughter, whom education had spoiled for everything useful on a farm,—that is good too, and we have much that is like it in Thomas’s Almanack. But why this recommendation of stone houses? They are not so cheap, not so dry, and not so fit for us. Our roads are always changing their direction, and after a man has built at great cost a stone house, a new road is opened, and he finds himself a mile or two from the highway. Then our people are not stationary, like those of old countries, but always alert to better themselves, and will remove from town to town as a new market opens or a better farm is to be had, and do not wish to spend too much on their buildings.
The Commissioner advises the farmers to sell their cattle and their hay in the fall, and buy again in the spring. But we farmers always know what our interest dictates, and do accordingly. We have no choice in this matter; our way is but too plain. Down below, where manure is cheap and hay dear, they will sell their oxen in November; but for me to sell my cattle and my produce in the fall, would be to sell myfarm, for I should have no manure to renew a crop in the spring. And thus Necessity farms it; necessity finds out when to go to Brighton, and when to feed in the stall, better than Mr. Colman can tell us.
But especially observe what is said throughout these Reports of the model farms and model farmers. One would think that Mr. D. and Major S. were the pillars of the Commonwealth. The good Commissioner takes off his hat when he approaches them, distrusts the value of “his feeble praise,” and repeats his compliments as often as their names are introduced. And yet, in my opinion, Mr. D., with all his knowledge and present skill, would starve in two years on any one of fifty poor farms in this neighborhood, on each of which now a farmer manages to get a good living. Mr. D. inherited a farm, and spends on it every year from other resources; otherwise his farm had ruined him long since;—and as for the Major, he never got rich by his skill in making land produce, but in making men produce. The truth is, a farm will not make an honest man rich in money. I do not know of a single instance in which a man has honestly got rich by farming alone. It cannot be done. The way in which men who have farms grow rich, is either by other resources, or by trade, or by getting their labor for nothing, or by other methods of which I could tell you many sad anecdotes. What does the Agricultural Surveyor know of all this? What can he know? He is the victim of the “Reports” that are sent him, of particular farms. He cannot go behind the estimates to know how the contracts were made, and how the sales were effected. The true men of skill, the poor farmers, who, by the sweat of their face, without an inheritance and withoutoffence to their conscience have reared a family of valuable citizens and matrons to the state, reduced a stubborn soil to a good farm,—although their buildings are many of them shabby, are the only right subjects of this Report; yet these make no figure in it. These should be holden up to imitation, and their methods detailed; yet their houses are very uninviting and inconspicuous to State Commissioners. So with these premiums to farms, and premiums at cattle-shows. The class that I describe must pay the premium which is awarded to the rich. Yet the premium obviously ought to be given for the good management of a poor farm.
In this strain the Farmer proceeded, adding many special criticisms. He had a good opinion of the Surveyor, and acquitted him of any blame in the matter, but was incorrigible in his skepticism concerning the benefits conferred by legislatures on the agriculture of Massachusetts. I believe that my friend is a little stiff and inconvertible in his own opinions, and that there is another side to be heard; but so much wisdom seemed to lie under all his statement that it deserved a record.
It was a brighter day than we have often known in our literary calendar, when within a twelvemonth a single London advertisement announced a new volume of poems by Wordsworth, poems by Tennyson, and aplay by Henry Taylor. Wordsworth’s nature or character has had all the time it needed in order to make its mark and supply the want of talent. We have learned how to read him. We have ceased to expect that which he cannot give. He has the merit of just moral perception, but not that of deft poetic execution. How would Milton curl his lip at such slipshod newspaper style. Many of his poems, as for example the Rylstone Doe, might be all improvised. Nothing of Milton, nothing of Marvell, of Herbert, of Dryden, could be. These are such verses as in a just state of culture should bevers de société, such as every gentleman could write but none would think of printing, or of claiming the poet’s laurel on their merit. The Pindar, the Shakspeare, the Dante, whilst they have the just and open soul, have also the eye to see the dimmest star that glimmers in the Milky Way, the serratures of every leaf, the test-objects of the microscope, and then the tongue to utter the same things in words that engrave them on all the ears of mankind. The poet demands all gifts, and not one or two only.
The poet, like the electric rod, must reach from a point nearer the sky than all surrounding objects, down to the earth, and into the dark wet soil, or neither is of use. The poet must not only converse with pure thought, but he must demonstrate it almost to the senses. His words must be pictures, his verses must be spheres and cubes, to be seen and smelled and handled. His fable must be a good story, and its meaning must hold as pure truth. In the debates on the Copyright Bill, in the English Parliament, Mr. Sergeant Wakley, the coroner, quoted Wordsworth’s poetry in derision, and asked the roaring House of Commons what thatmeant, and whether a man should have public reward for writing such stuff. Homer, Horace, Milton and Chaucer would defy the coroner. Whilst they have wisdom to the wise, he would see that to the external they have external meaning. Coleridge excellently said of poetry, that poetry must first be good sense; as a palace might well be magnificent, but first it must be a house.
Wordsworth is open to ridicule of this kind. And yet Wordsworth, though satisfied if he can suggest to a sympathetic mind his own mood, and though setting a private and exaggerated value on his compositions; though confounding his accidental with the universal consciousness, and taking the public to task for not admiring his poetry,—is really a master of the English language, and his poems evince a power of diction that is no more rivalled by his contemporaries than is his poetic insight. But the capital merit of Wordsworth is that he has done more for the sanity of this generation than any other writer. Early in life, at a crisis it is said in his private affairs, he made his election between assuming and defending some legal rights, with the chances of wealth and a position in the world,—and the inward promptings of his heavenly genius; he took his part; he accepted the call to be a poet, and sat down, far from cities, with coarse clothing and plain fare to obey the heavenly vision. The choice he had made in his will, manifested itself in every line to be real. We have poets who write the poetry of society, of the patrician and conventional Europe, as Scott and Moore, and others who, like Byron or Bulwer, write the poetry of vice and disease. But Wordsworth threw himself into his place, made no reservesor stipulations; man and writer were not to be divided. He sat at the foot of Helvellyn and on the margin of Windermere, and took their lustrous mornings and their sublime midnights for his theme, and not Marlow, nor Massinger, not Horace, nor Milton, nor Dante. He once for all forsook the styles and standards and modes of thinking of London and Paris, and the books read there, and the aims pursued, and wrote Helvellyn and Windermere, and the dim spirits which these haunts harbored. There was not the least attempt to reconcile these with the spirit of fashion and selfishness, nor to show, with great deference to the superior judgment of dukes and earls, that although London was the home for men of great parts, yet Westmoreland had these consolations for such as fate had condemned to the country life,—but with a complete satisfaction he pitied and rebuked their false lives, and celebrated his own with the religion of a true priest. Hence the antagonism which was immediately felt between his poetry and the spirit of the age, that here not only criticism but conscience and will were parties; the spirit of literature and the modes of living and the conventional theories of the conduct of life were called in question on wholly new grounds,—not from Platonism, not from Christianity, but from the lessons which the country muse taught a stout pedestrian climbing a mountain and following a river from its parent rill down to the sea. The Cannings and Jeffreys of the capital, the Court Journals and Literary Gazettes were not well pleased, and voted the poet a bore. But that which rose in him so high as to the lips, rose in many others as high as to the heart. What he said, they were prepared to hear and confirm. The influencewas in the air, and was wafted up and down into lone and into populous places, resisting the popular taste, modifying opinions which it did not change, and soon came to be felt in poetry, in criticism, in plans of life, and at last in legislation. In this country it very early found a stronghold, and its effect may be traced on all the poetry both of England and America.
But, notwithstanding all Wordsworth’s grand merits, it was a great pleasure to know that Alfred Tennyson’s two volumes were coming out in the same ship; it was a great pleasure to receive them. The elegance, the wit and subtlety of this writer, his rich fancy, his power of language, his metrical skill, his independence of any living masters, his peculiar topics, his taste for the costly and gorgeous, discriminate the musky poet of gardens and conservatories, of parks and palaces. Perhaps we felt the popular objection that he wants rude truth; he is too fine. In these boudoirs of damask and alabaster, one is farther off from stern nature and human life than in “Lalla Rookh” and “The Loves of the Angels.” Amid swinging censers and perfumed lamps, amidst velvet and glory we long for rain and frost. Otto-of-roses is good, but wild air is better. A critical friend of ours affirms that the vice which bereaved modern painters of their power, is the ambition to begin where their fathers ended; to equal the masters in their exquisite finish, instead of their religious purpose. The painters are not willing to paint ill enough; they will not paint for their times, agitated by the spirit which agitates their country; so should their picture picture us and draw all men after them; but they copy the technics of their predecessors, and paint for their predecessors’ public. It seems as if the samevice had worked in poetry. Tennyson’s compositions are not so much poems as studies in poetry, or sketches after the styles of sundry old masters. He is not the husband, who builds the homestead after his own necessity, from foundation-stone to chimney-top and turret, but a tasteful bachelor who collects quaint staircases and groined ceilings. We have no right to such superfineness. We must not make our bread of pure sugar. These delicacies and splendors are then legitimate when they are the excess of substantial and necessary expenditure. The best songs in English poetry are by that heavy, hard, pedantic poet, Ben Jonson. Jonson is rude, and only on rare occasions gay. Tennyson is always fine; but Jonson’s beauty is more grateful than Tennyson’s. It is a natural manly grace of a robust workman. Ben’s flowers are not in pots at a city florist’s, arranged on a flower-stand, but he is a countryman at a harvest-home, attending his ox-cart from the fields, loaded with potatoes and apples, with grapes and plums, with nuts and berries, and stuck with boughs of hemlock and sweetbriar, with ferns and pond lilies which the children have gathered. But let us not quarrel with our benefactors. Perhaps Tennyson is too quaint and elegant. What then? It is long since we have had as good a lyrist; it will be long before we have his superior. “Godiva” is a noble poem that will tell the legend a thousand years. The poem of all the poetry of the present age for which we predict the longest term, is “Abou ben Adhem,” of Leigh Hunt. Fortune will still have her part in every victory, and it is strange that one of the best poems should be written by a man who has hardly written any other. And “Godiva” is a parable which belongs tothe same gospel. “Locksley Hall” and “The Two Voices” are meditative poems, which were slowly written to be slowly read. “The Talking Oak,” though a little hurt by its wit and ingenuity, is beautiful, and the most poetic of the volume. “Ulysses” belongs to a high class of poetry, destined to be the highest, and to be more cultivated in the next generation. “Œnone” was a sketch of the same kind. One of the best specimens we have of the class is Wordsworth’s “Laodamia,” of which no special merit it can possess equals the total merit of having selected such a subject in such a spirit.
Next to the poetry, the novels, which come to us in every ship from England, have an importance increased by the immense extension of their circulation through the new cheap press, which sends them to so many willing thousands. We have heard it alleged with some evidence that the prominence given to intellectual power in Bulwer’s romances has proved a main stimulus to mental culture in thousands of young men in England and America. The effect on manners cannot be less sensible, and we can easily believe that the behavior of the ball-room and of the hotel has not failed to draw some addition of dignity and grace from the fair ideals with which the imagination of a novelist has filled the heads of the most imitative class.
We are not very well versed in these books, yet we have read Mr. Bulwer enough to see that the story is rapid and interesting; he has really seen London society, and does not draw ignorant caricatures. He is not a genius, but his novels are marked with great energy and with a courage of experiment which in each instance had its degree of success. The story of Zanoniwas one of those world-fables which is so agreeable to the human imagination that it is found in some form in the language of every country, and is always reappearing in literature. Many of the details of this novel preserve a poetic truth. We read Zanoni with pleasure, because magic is natural. It is implied in all superior culture that a complete man would need no auxiliaries to his personal presence. The eye and the word are certainly far subtler and stronger weapons than either money or knives. Whoever looked on the hero would consent to his will, being certified that his aims were universal, not selfish; and he would be obeyed as naturally as the rain and the sunshine are. For this reason, children delight in fairy tales. Nature is described in them as the servant of man, which they feel ought to be true. But Zanoni pains us and the author loses our respect, because he speedily betrays that he does not see the true limitations of the charm; because the power with which his hero is armed is a toy, inasmuch as the power does not flow from its legitimate fountains in the mind, is a power for London; a divine power converted into a burglar’s false key or a highwayman’s pistol to rob and kill with.
But Mr. Bulwer’s recent stories have given us who do not read novels, occasion to think of this department of literature, supposed to be the natural fruit and expression of the age. We conceive that the obvious division of modern romance is into two kinds: first, the novels of costume or of circumstance, which is the old style, and vastly the most numerous. In this class, the hero, without any particular character, is in a very particular circumstance; he is greatly in want of a fortune or of a wife, and usually of both, and the business of the pieceis to provide him suitably. This is the problem to be solved in thousands of English romances, including the Porter novels and the more splendid examples of the Edgeworth and Scott romances.
It is curious how sleepy and foolish we are, that these tales will so take us. Again and again we have been caught in that old foolish trap. Had one noble thought opening the chambers of the intellect, one sentiment from the heart of God been spoken by them, the reader had been made a participator of their triumph; he too had been an invited and eternal guest; but this reward granted them is property, all-excluding property, a little cake baked for them to eat and for none other, nay, a preference and cosseting which is rude and insulting to all but the minion.
Except in the stories of Edgeworth and Scott, whose talent knew how to give to the book a thousand adventitious graces, the novels of costume are all one, and there is but one standard English novel, like the one orthodox sermon, which with slight variation is repeated every Sunday from so many pulpits.
But the other novel, of which “Wilhelm Meister” is the best specimen, the novel ofcharacter, treats the reader with more respect; the development of character being the problem, the reader is made a partaker of the whole prosperity. Everything good in such a story remains with the reader when the book is closed. A noble book was “Wilhelm Meister.” It gave the hint of a cultivated society which we found nowhere else. It was founded on power to do what was necessary, each person finding it an indispensable qualification of membership that he could do something useful, as in mechanics or agriculture or other indispensable art;then a probity, a justice was to be its element, symbolized by the insisting that each property should be cleared of privilege, and should pay its full tax to the state. Then a perception of beauty was the equally indispensable element of the association, by which each was dignified and all were dignified; then each was to obey his genius to the length of abandonment. They watched each candidate vigilantly, without his knowing that he was observed, and when he had given proof that he was a faithful man, then all doors, all houses, all relations were open to him; high behavior fraternized with high behavior, without question of heraldry, and the only power recognized is the force of character.
The novels of Fashion, of D’Israeli, Mrs. Gore, Mr. Ward, belong to the class of novels of costume, because the aim is purely external success. Of the tales of fashionable life, by far the most agreeable and the most efficient was Vivian Grey. Young men were and still are the readers and victims. Byron ruled for a time, but Vivian, with no tithe of Byron’s genius, rules longer. One can distinguish the Vivians in all companies. They would quiz their father and mother and lover and friend. They discuss sun and planets, liberty and fate, love and death, over the soup. They never sleep, go nowhere, stay nowhere, eat nothing, and know nobody, but are up to anything, though it were the genesis of nature, or the last cataclysm,—Festus-like, Faust-like, Jove-like, and could write an Iliad any rainy morning, if fame were not such a bore. Men, women, though the greatest and fairest, are stupid things; but a rifle, and a mild pleasant gunpowder, a spaniel, and a cheroot, are themes for Olympus. I fear it was in part the influence of such pictures on living societywhich made the style of manners of which we have so many pictures, as, for example, in the following account of the English fashionist. “His highest triumph is to appear with the most wooden manners, as little polished as will suffice to avoid castigation, nay, to contrive even his civilities so that they may appear as near as may be to affronts; instead of a noble high-bred ease, to have the courage to offend against every restraint of decorum, to invert the relation in which our sex stand to women, so that they appear the attacking, and he the passive or defensive party.”
We must here check our gossip in mid volley and adjourn the rest of our critical chapter to a more convenient season.
Here is Carlyle’s new poem, his Iliad of English woes, to follow his poem on France, entitled the History of the French Revolution. In its first aspect it is a political tract, and since Burke, since Milton, we have had nothing to compare with it. It grapples honestly with the facts lying before all men, groups and disposes them with a master’s mind, and, with a heart full of manly tenderness, offers his best counsel to his brothers. Obviously it is the book of a powerful and accomplished thinker, who has looked with naked eyes at the dreadful political signs in England for the last few years, has conversed much on these topics with suchwise men of all ranks and parties as are drawn to a scholar’s house, until such daily and nightly meditation has grown into a great connection, if not a system of thoughts; and the topic of English politics becomes the best vehicle for the expression of his recent thinking, recommended to him by the desire to give some timely counsels, and to strip the worst mischiefs of their plausibility. It is a brave and just book, and not a semblance. “No new truth,” say the critics on all sides. Is it so? Truth is very old, but the merit of seers is not to invent but to dispose objects in their right places, and he is the commander who is always in the mount, whose eye not only sees details, but throws crowds of details into their right arrangement and a larger and juster totality than any other. The book makes great approaches to true contemporary history, a very rare success, and firmly holds up to daylight the absurdities still tolerated in the English and European system. It is such an appeal to the conscience and honor of England as cannot be forgotten, or be feigned to be forgotten. It has the merit which belongs to every honest book, that it was self-examining before it was eloquent, and so hits all other men, and, as the country people say of good preaching, “comes bounce down into every pew.” Every reader shall carry away something. The scholar shall read and write, the farmer and mechanic shall toil, with new resolution, nor forget the book when they resume their labor.
Though no theocrat, and more than most philosophers a believer in political systems, Mr. Carlyle very fairly finds the calamity of the times, not in bad bills of Parliament, nor the remedy in good bills, but the vice in false and superficial aims of the people,and the remedy in honesty and insight. Like every work of genius, its great value is in telling such simple truths. As we recall the topics, we are struck with the force given to the plain truths; the picture of the English nation all sitting enchanted, the poor, enchanted so that they cannot work, the rich, enchanted so that they cannot enjoy, and are rich in vain; the exposure of the progress of fraud into all arts and social activities; the proposition that the laborer must have a greater share in his earnings; that the principle of permanence shall be admitted into all contracts of mutual service; that the state shall provide at least schoolmaster’s education for all the citizens; the exhortation to the workman that he shall respect the work and not the wages; to the scholar that he shall be there for light; to the idle, that no man shall sit idle; the picture of Abbot Samson, the true governor, who “is not there to expect reason and nobleness of others, he is there to give them of his own reason and nobleness;” and the assumption throughout the book, that a new chivalry and nobility, namely the dynasty of labor, is replacing the old nobilities. These things strike us with a force which reminds us of the morals of the Oriental or early Greek masters, and of no modern book. Truly in these things is great reward. It is not by sitting still at a grand distance and calling the human racelarvæ, that men are to be helped, nor by helping the depraved after their own foolish fashion, but by doing unweariedly the particular work we were born to do. Let no man think himself absolved because he does a generous action and befriends the poor, but let him see whether he so holds his property that a benefit goes from it to all. A man’s diet should be what is simplest and readiestto be had, because it is so private a good. His house should be better, because that is for the use of hundreds, perhaps of thousands, and is the property of the traveller. But his speech is a perpetual and public instrument; let that always side with the race and yield neither a lie nor a sneer. His manners,—let them be hospitable and civilizing, so that no Phidias or Raphael shall have taught anything better in canvas or stone; and his acts should be representative of the human race, as one who makes them rich in his having, and poor in his want.
It requires great courage in a man of letters to handle the contemporary practical questions; not because he then has all men for his rivals, but because of the infinite entanglements of the problem, and the waste of strength in gathering unripe fruits. The task is superhuman; and the poet knows well that a little time will do more than the most puissant genius. Time stills the loud noise of opinions, sinks the small, raises the great, so that the true emerges without effort and in perfect harmony to all eyes; but the truth of the present hour, except in particulars and single relations, is unattainable. Each man can very well know his own part of duty, if he will; but to bring out the truth for beauty, and as literature, surmounts the powers of art. The most elaborate history of to-day will have the oddest dislocated look in the next generation. The historian of to-day is yet three ages off. The poet cannot descend into the turbid present without injury to his rarest gifts. Hence that necessity of isolation which genius has always felt. He must stand on his glass tripod, if he would keep his electricity.
But when the political aspects are so calamitous thatthe sympathies of the man overpower the habits of the poet, a higher than literary inspiration may succor him. It is a costly proof of character, that the most renowned scholar of England should take his reputation in his hand and should descend into the ring; and he has added to his love whatever honor his opinions may forfeit. To atone for this departure from the vows of the scholar and his eternal duties to this secular charity, we have at least this gain, that here is a message which those to whom it was addressed cannot choose but hear. Though they die, they must listen. It is plain that whether by hope or by fear, or were it only by delight in this panorama of brilliant images, all the great classes of English society must read, even those whose existence it proscribes. Poor Queen Victoria,—poor Sir Robert Peel, poor Primate and Bishops,—poor Dukes and Lords! There is no help in place or pride or in looking another way; a grain of wit is more penetrating than the lightning of the night-storm, which no curtains or shutters will keep out. Here is a book which will be read, no thanks to anybody but itself. What pains, what hopes, what vows, shall come of the reading! Here is a book as full of treason as an egg is full of meat, and every lordship and worship and high form and ceremony of English conservatism tossed like a foot-ball into the air, and kept in the air, with merciless kicks and rebounds, and yet not a word is punishable by statute. The wit has eluded all official zeal; and yet these dire jokes, these cunning thrusts, this flaming sword of Cherubim waved high in air, illuminates the whole horizon, and shows to the eyes of the universe every wound it inflicts. Worst of all for the party attacked, it bereaves them beforehandof all sympathy, by anticipating the plea of poetic and humane conservatism, and impressing the reader with the conviction that the satirist himself has the truest love for everything old and excellent in English land and institutions, and a genuine respect for the basis of truth in those whom he exposes.
We are at some loss how to state what strikes us as the fault of this remarkable book, for the variety and excellence of the talent displayed in it is pretty sure to leave all special criticism in the wrong. And we may easily fail in expressing the general objection which we feel. It appears to us as a certain disproportion in the picture, caused by the obtrusion of the whims of the painter. In this work, as in his former labors, Mr. Carlyle reminds us of a sick giant. His humors are expressed with so much force of constitution that his fancies are more attractive and more credible than the sanity of duller men. But the habitual exaggeration of the tone wearies whilst it stimulates. It is felt to be so much deduction from the universality of the picture. It is not serene sunshine, but everything is seen in lurid storm-lights. Every object attitudinizes, to the very mountains and stars almost, under the refraction of this wonderful humorist; and instead of the common earth and sky, we have a Martin’s Creation or Judgment Day. A crisis has always arrived which requires adeus ex machinâ. One can hardly credit, whilst under the spell of this magician, that the world always had the same bankrupt look, to foregoing ages as to us,—as of a failed world just re-collecting its old withered forces to begin again and try to do a little business. It was perhaps inseparable from the attempt to write a book of wit and imagination on English politics, that acertain local emphasis and love of effect, such as is the vice of preaching, should appear,—producing on the reader a feeling of forlornness by the excess of value attributed to circumstances. But the splendor of wit cannot outdazzle the calm daylight, which always shows every individual man in balance with his age, and able to work out his own salvation from all the follies of that, and no such glaring contrasts or severalties in that or this. Each age has its own follies, as its majority is made up of foolish young people; its superstitions appear no superstitions to itself; and if you should ask the contemporary, he would tell you, with pride or with regret, (according as he was practical or poetic), that he had none. But after a short time, down go its follies and weakness and the memory of them; its virtues alone remain, and its limitation assumes the poetic form of a beautiful superstition, as the dimness of our sight clothes the objects in the horizon with mist and color. The revelation of Reason is this of the unchangeableness of the fact of humanity under all its subjective aspects; that to the cowering it always cowers, to the daring it opens great avenues. The ancients are only venerable to us because distance has destroyed what was trivial; as the sun and stars affect us only grandly, because we cannot reach to their smoke and surfaces and say, Is that all?
And yet the gravity of the times, the manifold and increasing dangers of the English State, may easily excuse some over-coloring of the picture; and we at this distance are not so far removed from any of the specific evils, and are deeply participant in too many, not to share the gloom and thank the love and courage of the counsellor. This book is full of humanity, andnothing is more excellent in this as in all Mr. Carlyle’s works, than the attitude of the writer. He has the dignity of a man of letters, who knows what belongs to him, and never deviates from his sphere; a continuer of the great line of scholars, he sustains their office in the highest credit and honor. If the good heaven have any good word to impart to this unworthy generation, here is one scribe qualified and clothed for its occasion. One excellence he has in an age of Mammon and of criticism, that he never suffers the eye of his wonder to close. Let who will be the dupe of trifles, he cannot keep his eye off from that gracious Infinite which embosoms us.
As a literary artist he has great merits, beginning with the main one that he never wrote one dull line. How well-read, how adroit, what thousand arts in his one art of writing; with his expedient for expressing those unproven opinions which he entertains but will not endorse, by summoning one of his men of straw from the cell,—and the respectable Sauerteig, or Teufelsdröckh, or Dryasdust, or Picturesque Traveller, says what is put into his mouth, and disappears. That morbid temperament has given his rhetoric a somewhat bloated character; a luxury to many imaginative and learned persons, like a showery south-wind with its sun-bursts and rapid chasing of lights and glooms over the landscape, and yet its offensiveness to multitudes of reluctant lovers makes us often wish some concession were possible on the part of the humorist. Yet it must not be forgotten that in all his fun of castanets, or playing of tunes with a whip-lash like some renowned charioteers,—in all this glad and needful venting of his redundant spirits, he does yet ever andanon, as if catching the glance of one wise man in the crowd, quit his tempestuous key, and lance at him in clear level tone the very word, and then with new glee return to his game. He is like a lover or an outlaw who wraps up his message in a serenade, which is nonsense to the sentinel, but salvation to the ear for which it is meant. He does not dodge the question, but gives sincerity where it is due.
One word more respecting this remarkable style. We have in literature few specimens of magnificence. Plato is the purple ancient, and Bacon and Milton the moderns of the richest strains. Burke sometimes reaches to that exuberant fulness, though deficient in depth. Carlyle, in his strange, half-mad way, has entered the Field of the Cloth of Gold, and shown a vigor and wealth of resource which has no rival in the tourney-play of these times;—the indubitable champion of England. Carlyle is the first domestication of the modern system, with its infinity of details, into style. We have been civilizing very fast, building London and Paris, and now planting New England and India, New Holland and Oregon,—and it has not appeared in literature; there has been no analogous expansion and recomposition in books. Carlyle’s style is the first emergence of all this wealth and labor with which the world has gone with child so long. London and Europe, tunnelled, graded, corn-lawed, with trade-nobility, and East and West Indies for dependencies; and America, with the Rocky Hills in the horizon, have never before been conquered in literature. This is the first invasion and conquest. How like an air-balloon or bird of Jove does he seem to float over the continent, and stooping here and there pounce on a fact asa symbol which was never a symbol before. This is the first experiment, and something of rudeness and haste must be pardoned to so great an achievement. It will be done again and again, sharper, simpler; but fortunate is he who did it first, though never so giant-like and fabulous. This grandiose character pervades his wit and his imagination. We have never had anything in literature so like earthquakes as the laughter of Carlyle. He “shakes with his mountain mirth.” It is like the laughter of the Genii in the horizon. These jokes shake down Parliament-house and Windsor Castle, Temple and Tower, and the future shall echo the dangerous peals. The other particular of magnificence is in his rhymes. Carlyle is a poet who is altogether too burly in his frame and habit to submit to the limits of metre. Yet he is full of rhythm, not only in the perpetual melody of his periods, but in the burdens, refrains, and grand returns of his sense and music. Whatever thought or motto has once appeared to him fraught with meaning, becomes an omen to him henceforward, and is sure to return with deeper tones and weightier import, now as threat, now as confirmation, in gigantic reverberation, as if the hills, the horizon, and the next ages returned the sound.
As we are very liable, in common with the letter-writing world, to fall behindhand in our correspondence; and a little more liable because in consequenceof our editorial function we receive more epistles than our individual share, we have thought that we might clear our account by writing a quarterly catholic letter to all and several who have honored us, in verse or prose, with their confidence, and expressed a curiosity to know our opinion. We shall be compelled to dispose very rapidly of quite miscellaneous topics.
And first, in regard to the writer who has given us his speculations on Rail-roads and Air-roads, our correspondent shall have his own way. To the railway, we must say,—like the courageous lord mayor at his first hunting, when told the hare was coming,—“Let it come, in Heaven’s name, I am not afraid on’t.” Very unlooked-for political and social effects of the iron road are fast appearing. It will require an expansion of the police of the old world. When a railroad train shoots through Europe every day from Brussels to Vienna, from Vienna to Constantinople, it cannot stop every twenty or thirty miles at a German custom-house, for examination of property and passports. But when our correspondent proceeds to flying-machines, we have no longer the smallest taper-light of credible information and experience left, and must speak ona priorigrounds.
Shortly then, we think the population is not yet quite fit for them, and therefore there will be none. Our friend suggests so many inconveniences from piracy out of the high air to orchards and lone houses, and also to other high fliers; and the total inadequacy of the present system of defence, that we have not the heart to break the sleep of the good public by the repetition of these details. When children come into the library, we put the inkstand and the watch on thehigh shelf until they be a little older; and Nature has set the sun and moon in plain sight and use, but laid them on the high shelf where her roystering boys may not in some mad Saturday afternoon pull them down or burn their fingers. The sea and the iron road are safer toys for such ungrown people; we are not yet ripe to be birds.
In the next place, to fifteen letters on Communities, and the Prospects of Culture, and the destinies of the cultivated class,—what answer? Excellent reasons have been shown us why the writers, obviously persons of sincerity and elegance, should be dissatisfied with the life they lead, and with their company. They have exhausted all its benefit, and will not bear it much longer. Excellent reasons they have shown why something better should be tried. They want a friend to whom they can speak and from whom they may hear now and then a reasonable word. They are willing to work, so it be with friends. They do not entertain anything absurd or even difficult. They do not wish to force society into hated reforms, nor to break with society. They do not wish a township, or any large expenditure, or incorporated association, but simply a concentration of chosen people. By the slightest possible concert, persevered in through four or five years, they think that a neighborhood might be formed of friends who would provoke each other to the best activity. They believe that this society would fill up the terrific chasm of ennui, and would give their genius that inspiration which it seems to wait in vain.
But, “the selfishness!” One of the writers relentingly says, “What shall my uncles and aunts do without me?” and desires distinctly to be understood notto propose the Indian mode of giving decrepit relatives as much of the mud of holy Ganges as they can swallow, and more, but to begin the enterprise of concentration by concentrating all uncles and aunts in one delightful village by themselves!—so heedless is our correspondent of putting all the dough into one pan, and all the leaven into another. Another objection seems to have occurred to a subtle but ardent advocate. Is it, he writes, a too great wilfulness and intermeddling with life,—with life, which is better accepted than calculated? Perhaps so; but let us not be too curiously good. The Buddhist is a practical Necessitarian; the Yankee is not. We do a great many selfish things every day; among them all let us do one thing of enlightened selfishness. It were fit to forbid concert and calculation in this particular, if that were our system, if we were up to the mark of self-denial and faith in our general activity. But to be prudent in all the particulars of life, and in this one thing alone religiously forbearing; prudent to secure to ourselves an injurious society, temptations to folly and despair, degrading examples, and enemies; and only abstinent when it is proposed to provide ourselves with guides, examples, lovers!
We shall hardly trust ourselves to reply to arguments by which we would too gladly be persuaded. The more discontent, the better we like it. It is not for nothing, we assure ourselves, that our people are busied with these projects of a better social state, and that sincere persons of all parties are demanding somewhat vital and poetic of our stagnant society. How fantastic and unpresentable soever the theory has hitherto seemed, how swiftly shrinking from the examinationof practical men, let us not lose the warning of that most significant dream. How joyfully we have felt the admonition of larger natures which despised our aims and pursuits, conscious that a voice out of heaven spoke to us in that scorn. But it would be unjust not to remind our younger friends that whilst this aspiration has always made its mark in the lives of men of thought, in vigorous individuals it does not remain a detached object, but is satisfied along with the satisfaction of other aims. To live solitary and unexpressed, is painful,—painful in proportion to one’s consciousness of ripeness and equality to the offices of friendship. But herein we are never quite forsaken by the Divine Providence. The loneliest man, after twenty years, discovers that he stood in a circle of friends, who will then show like a close fraternity held by some masonic tie. But we are impatient of the tedious introductions of Destiny, and a little faithless, and would venture something to accelerate them. One thing is plain, that discontent and the luxury of tears will bring nothing to pass. Regrets and Bohemian castles and æsthetic villages are not a very self-helping class of productions, but are the voices of debility. Especially to one importunate correspondent we must say that there is no chance for the æsthetic village. Every one of the villagers has committed his several blunder; his genius was good, his stars consenting, but he was a marplot. And though the recuperative force in every man may be relied on infinitely, it must be relied on before it will exert itself. As long as he sleeps in the shade of the present error, the after-nature does not betray its resources. Whilst he dwells in the old sin, he will pay the old fine.
More letters we have on the subject of the position of young men, which accord well enough with what we see and hear. There is an American disease, a paralysis of the active faculties, which falls on young men of this country as soon as they have finished their college education, which strips them of all manly aims and bereaves them of animal spirits; so that the noblest youths are in a few years converted into pale Caryatides to uphold the temple of conventions. They are in the state of the young Persians, when “that mighty Yezdam prophet” addressed them and said, “Behold the signs of evil days are come; there is now no longer any right course of action, nor any self-devotion left among the Iranis.” As soon as they have arrived at this term, there are no employments to satisfy them, they are educated above the work of their times and country, and disdain it. Many of the more acute minds pass into a lofty criticism of these things, which only embitters their sensibility to the evil and widens the feeling of hostility between them and the citizens at large. From this cause, companies of the best-educated young men in the Atlantic states every week take their departure for Europe; for no business that they have in that country, but simply because they shall so be hid from the reproachful eyes of their countrymen andagreeablyentertained for one or two years, with some lurking hope, no doubt, that something may turn up to give them a decided direction. It is easy to see that this is only a postponement of their proper work, with the additional disadvantage of a two years’ vacation. Add that this class is rapidly increasing by the infatuation of the active class, who, whilst they regard these young Athenians with suspicion and dislike, educatetheir own children in the same courses, and use all possible endeavors to secure to them the same result.
Certainly we are not insensible to this calamity, as described by the observers or witnessed by ourselves. It is not quite new and peculiar; though we should not know where to find in literature any record of so much unbalanced intellectuality, such undeniable apprehension without talent, so much power without equal applicability, as our young men pretend to. Yet in Theodore Mundt’s account of Frederic Hölderlin’s “Hyperion,” we were not a little struck with the following Jeremiad of the despair of Germany, whose tone is still so familiar that we were somewhat mortified to find that it was written in 1799. “Then came I to the Germans. I cannot conceive of a people more disjoined than the Germans. Mechanics you shall see, but no man. Is it not like some battle-field, where hands and arms and all members lie scattered about, whilst the life-blood runs away into the sand? Let every man mind his own, you say, and I say the same. Only let him mind it with all his heart, and not with this cold study, literally, hypocritically, to appear that which he passes for,—but in good earnest, and in all love, let him be that which he is; then there is a soul in his deed. And is he driven into a circumstance where the spirit must not live? Let him thrust it from him with scorn, and learn to dig and plough. There is nothing holy which is not desecrated, which is not degraded to a mean end among this people. It is heart-rending to see your poet, your artist, and all who still revere genius, who love and foster the Beautiful. The Good! They live in the world as strangers in their own house; they are like the patient Ulysses whilst he sat in the guise of a beggarat his own door, whilst shameless rioters shouted in the hall and asked, Who brought the ragamuffin here? Full of love, talent and hope, spring up the darlings of the muse among the Germans; some seven years later, and they flit about like ghosts, cold and silent; they are like a soil which an enemy has sown with poison, that it will not bear a blade of grass. On earth all is imperfect! is the old proverb of the German. Aye, but if one should say to these God-forsaken, that with them all is imperfect only because they leave nothing pure which they do not pollute, nothing holy which they do not defile with their fumbling hands; that with them nothing prospers because the godlike nature which is the root of all prosperity they do not revere; that with them, truly, life is shallow and anxious and full of discord, because they despise genius, which brings power and nobleness into manly action, cheerfulness into endurance, and love and brotherhood into towns and houses. Where a people honors genius in its artists, there breathes like an atmosphere a universal soul, to which the shy sensibility opens, which melts self-conceit,—all hearts become pious and great, and it adds fire to heroes. The home of all men is with such a people, and there will the stranger gladly abide. But where the divine nature and the artist is crushed, the sweetness of life is gone, and every other planet is better than the earth. Men deteriorate, folly increases, and a gross mind with it; drunkenness comes with a disaster; with the wantonness of the tongue and with the anxiety for a livelihood the blessing of every year becomes a curse, and all the gods depart.”
The steep antagonism between the money-getting and the academic class must be freely admitted, andperhaps is the more violent, that whilst our work is imposed by the soil and the sea, our culture is the tradition of Europe. But we cannot share the desperation of our contemporaries; least of all should we think a preternatural enlargement of the intellect a calamity. A new perception, the smallest new activity given to the perceptive power, is a victory won to the living universe from Chaos and old Night, and cheaply bought by any amounts of hard fare and false social position. The balance of mind and body will redress itself fast enough. Superficialness is the real distemper. In all the cases we have ever seen where people were supposed to suffer from too much wit, or, as men said, from a blade too sharp for the scabbard, it turned out that they had not wit enough. It may easily happen that we are grown very idle, and must go to work, and that the times must be worse before they are better. It is very certain that speculation is no succedaneum for life. What we would know, we must do. As if any taste or imagination could take the place of fidelity! The old Duty is the old God. And we may come to this by the rudest teaching. A friend of ours went five years ago to Illinois to buy a farm for his son. Though there were crowds of emigrants in the roads, the country was open on both sides, and long intervals between hamlets and houses. Now after five years he had just been to visit the young farmer and see how he prospered, and reports that a miracle had been wrought. From Massachusetts to Illinois the land is fenced in and builded over, almost like New England itself, and the proofs of thrifty cultivation abound;—a result not so much owing to the natural increase of population, as to the hard times, which, driving men out of cities and trade,forced them to take off their coats and go to work on the land; which has rewarded them not only with wheat but with habits of labor. Perhaps the adversities of our commerce have not yet been pushed to the wholesomest degree of severity. Apathies and total want of work, and reflection on the imaginative character of American life, etc., etc., are like seasickness, and never will obtain any sympathy if there is a wood-pile in the yard, or an unweeded patch in the garden; not to mention the graver absurdity of a youth of noble aims who can find no field for his energies, whilst the colossal wrongs of the Indian, of the Negro, of the emigrant, remain unmitigated, and the religious, civil and judicial forms of the country are confessedly effete and offensive. We must refer our clients back to themselves, believing that every man knows in his heart the cure for the disease he so ostentatiously bewails.
As far as our correspondents have entangled their private griefs with the cause of American Literature, we counsel them to disengage themselves as fast as possible. In Cambridge orations and elsewhere there is much inquiry for that great absentee American Literature. What can have become of it? The least said is best. A literature is no man’s private concern, but a secular and generic result, and is the affair of a power which works by a prodigality of life and force very dismaying to behold,—every trait of beauty purchased by hecatombs of private tragedy. The pruning in the wild gardens of nature is never forborne. Many of the best must die of consumption, many of despair, and many be stupid and insane, before the one great and fortunate life which they each predicted can shoot up into a thrifty and beneficent existence.