Restored eagle effigy of white quartz boulders near Eatonton, Ga. Length, 102 feet; width, 120 feet.Restored eagle effigy of white quartz boulders near Eatonton, Ga. Length, 102 feet; width, 120 feet.
Restored eagle effigy of white quartz boulders near Eatonton, Ga. Length, 102 feet; width, 120 feet.
The two sand-tempered wares in the early Macon Plateau collections referred to above are Mossy Oak Simple Stamped and Dunlap Fabric Marked. The name of the first of these combines that of the site with which it was first principally identified with an indication of its general type, i. e., exhibiting the straight grooves left by the paddle used in finishing the pot. The paddle itself may have been carved with simple straight grooves, or it may have been wrapped with a thong or smooth bit of plant fiber such as honeysuckle vine. Dunlap, on the other hand, is the name of a family which had long owned a largepart of the Ocmulgee area, while the type designation refers to the use of a piece of woven basketry used in finishing the vessel.
In order to place these two types of pottery we must examine their occurrence on the Georgia coast and in north Georgia. Such a study reveals that the simple stamping follows directly after fiber tempering on the coast; and that in north Georgia, where the latter is absent, it lies immediately above a fabric-marked pottery very similar to Dunlap. It would seem likely, then, that this latter type of pottery might have worked its way south by the end of the period in which fiber temper was in vogue. Both types exhibit a kind of finish which, like the early cordmarking farther north, resulted from techniques that had probably been found most effective in working the wet clay. Some sort of implement was needed for thinning and compacting the vessel walls, and experiment has shown that a paddle with roughened surface is more efficient for this purpose than a smooth one. No doubt this is caused by the more tenacious adherence of the wet clay to the latter. In any event, different ways were found of roughening a flattened stick or paddle, whether by wrapping various materials about it or carving it with deep grooves; and some groups may well have rolled up a piece from an old broken basket or bit of matting and found it equally useful. Then, if a smooth surface were desired, the marks of any of these implements could be erased easily by smoothing with a wet hand.
Reconstructed pottery stamps. Designs taken from sherds excavated at the Swift Creek site. Total length of paddle, 9 inches.Reconstructed pottery stamps. Designs taken from sherds excavated at the Swift Creek site. Total length of paddle, 9 inches.
Reconstructed pottery stamps. Designs taken from sherds excavated at the Swift Creek site. Total length of paddle, 9 inches.
Fragments of Swift Creek stamp designs. Scale about two-fifths.Fragments of Swift Creek stamp designs. Scale about two-fifths.
Fragments of Swift Creek stamp designs. Scale about two-fifths.
The time we have been describing belongs to the general period of eastern United States archeology known as Early Woodland. The Adena culture, which apparently spread from centers in the Ohio Valley, belongs to this period and is well known for its elaborate burial mounds and other distinctive features which are regarded as typical markers over a wide area. While no burial mounds are known from middle Georgia at this time, the fabric-marked and simple-stamped pottery does belong to a general class of wares occurring also in Adena sites. It seems also to relate Ocmulgee to a pair of eagle effigy mounds of stone near Eatonton, Ga.; and bird symbolism is likewise a distinctive Adena feature, though one more fully developed in the following Middle Woodland stage. So it appears that a few traits have been found to connect this period quite definitely with some of the broader currents affecting other areas in the same time span.
The fourth pottery type found mixed in the lower levels at Ocmulgee was Swift Creek Complicated Stamped. Actually this was either grit- or sand-tempered; but its outstanding characteristic was the complex patterns with which the paddles were carved. The type is named for the Swift Creek site only a few miles down the river which was occupied almost exclusively by the people of this culture. This ware covers a longer time span than the other two types, and its distinctive influence was exhibited in some sections even into historic times. In its early stages, it probably served as the source for a tradition of complicated stamping which covered most of the Southeast and even spread to some extent beyond its limits. We don’t know just when it began. In northwest Florida and on the Georgia coast it seems to fall in the Middle Woodland period. Since the type site, though, is close to itsapparent center of development, its occurrence on the plateau mixed with Mossy Oak and Dunlap may well represent its true position and thus place its origins in Early Woodland.
Swift Creek villagers preferred these roughly chipped axes to ones of ground stone. Many are too light for real chopping and may have been weapons, kitchen tools, or even digging implements. Length, 22 inches.Swift Creek villagers preferred these roughly chipped axes to ones of ground stone. Many are too light for real chopping and may have been weapons, kitchen tools, or even digging implements. Length, 22 inches.
Swift Creek villagers preferred these roughly chipped axes to ones of ground stone. Many are too light for real chopping and may have been weapons, kitchen tools, or even digging implements. Length, 22 inches.
During its long history, a number of changes may be seen in the form and decoration of Swift Creek pottery. The commonest vessel shape consists of a deep jar with slightly flaring rim and nearly conical base. Many of the earlier pieces had four small bumps at the point of the base, as a sort of reminder of the feet which were common, also, on earlier pottery in nearby areas; these disappeared in the later examples. The lip of the jar, too, was only crudely finished in the earliest forms, being left rough and irregular or sometimes haphazardly notched or scalloped with pressure from the potter’s finger. In time the edge tended to be pushed out a little; and this gradually developed into a smooth outward fold of the lip and finally a collar of smooth clay about an inch in width about the rim. This extreme “folded rim,” however, occurs after the Master Farmer period shortly to be described.
As for decoration, no description can adequately convey the wealth and variety of complex and often highly attractive designs with which Swift Creek pottery is stamped. The fragments illustrated give some idea of the general effect obtained, but only a painstaking reconstruction of the entire stamp can do them adequate justice. Intricate and beautifully proportioned combinations of curved and straight lines are numerous. Despite the cruder efforts which are naturally common, one is constantly surprised at the artistry exhibited in even the less expertly conceived decorative motifs.
As we should expect, this form of expression underwent such changes as might occur in the development of any form of art. The earliest paddles were carved with many narrow, shallow grooves in a pattern of two or more chief design elements. Smaller elements were used to connect these, fill in blank spaces, and generally round out the paddle. In time, however, the designs grow bolder and were more deeply cut as the motifs became better organized and as unnecessary filler elements could be eliminated. These, of course, are not thesort of differences to enable one to judge a particular sherd as early or late; but in very general terms, they describe the distinctions which become apparent when large numbers of sherds from different time periods are examined. It should also be pointed out that this remarkable pottery style covered such a wide area that any simplified description can only suggest a few general features which appear widely applicable, while recognizing that particular areas had their own varying histories of the type.
Straight tubes of steatite or soapstone are the earliest known form of pipe. They probably belonged only to shamans or medicine men. These come from north Georgia. Lengths, 2 inches and 11 inches.Straight tubes of steatite or soapstone are the earliest known form of pipe. They probably belonged only to shamans or medicine men. These come from north Georgia. Lengths, 2 inches and 11 inches.
Straight tubes of steatite or soapstone are the earliest known form of pipe. They probably belonged only to shamans or medicine men. These come from north Georgia. Lengths, 2 inches and 11 inches.
Nothing has been said about other distinctive features of this period of development in Georgia. Projectile points vary from heavy, shapeless forms with stems to smaller triangular ones without. Flat stones with two holes through them were once presumed to have been used as gorgets, i. e., hung upon the chest as a sort of decoration, but they may well have been atlatl weights or served some other purpose. “Boatstones” and the prismatic form of atlatl weight are also said to occur, but there is some disagreement on this and even on the continued exclusive use of the atlatl in this period at all. In some areas the large numbers of smaller points may suggest that the bow and arrow were beginning to be used. The characteristic ax of the period was roughly chipped in a double-bitted form. Steatite or soapstone was still fashioned into crude bowls and the perforated net sinkers or pot boilers we have noted previously, as well as into short tubular pipes which are found in the region of central Georgia.
Just as Mossy Oak and Dunlap in Georgia appear to reflect more noteworthy developments farther north, so Swift Creek has its more spectacular parallels, too. These relate to Hopewell, the outstanding culture of the Middle Woodland period. The Hopewell burial mounds and other massive and complex earthen structures were accompaniedby an overall artistic achievement in pottery, chipped and polished stone, bone, sheet mica, and copper which is probably without equal among North American Indians. These materials were traded far and wide so that Hopewellian influence is strongly indicated in the neighboring states of Florida, Alabama, and Tennessee. Even Georgia shows some evidence of Hopewell connections, although in middle Georgia this is confined to the complicated stamped pottery. Types evidently related to Swift Creek occur frequently in classic Hopewell sites. In north Georgia, however, elaborately carved stone pipes are said to denote this relationship, and it is even more clearly indicated by a number of burial mounds. One of them, built of stones, contained a burial displaying such typical Hopewell features as a covering of mica plates and a breast plate and celt of copper.
During the Early Farmer period, then, we feel that the Indians in middle Georgia must have become more settled. Fragile pottery is not easily carried in any quantity by wandering bands of hunters. On the other hand, the technique of gathering wild foods is not likely to have become suddenly so efficient that this alone could account for the large increase in population which must be reflected in the more numerous sites. Knowledge of planting and plant care, too, is likely to have spread piecemeal rather than as a single unit. Hence, as we have already stated, this seems the most likely period for the Indians to have begun learning to raise some of the many plants which not too long afterwards became so important in their existence.
This temple mound is a lasting memorial to the energy of the Master Farmers, the fourth group to occupy Ocmulgee.This temple mound is a lasting memorial to the energy of the Master Farmers, the fourth group to occupy Ocmulgee.
This temple mound is a lasting memorial to the energy of the Master Farmers, the fourth group to occupy Ocmulgee.
OCMULGEE NATIONAL MONUMENT MACON, GEORGIA. SEPTEMBER 1955 NM·OCM·7002[High-resolution Map]
[High-resolution Map]
Early stage in excavation of the ceremonial earthlodge at Ocmulgee.Early stage in excavation of the ceremonial earthlodge at Ocmulgee.
Early stage in excavation of the ceremonial earthlodge at Ocmulgee.
In central Georgia, though, we see instead a different side of their lives. We follow the experiments made by the Indian women of the several tribes in trying to improve the pottery which had now become such an important utensil in their homes. Stronger vessels would break less easily; so paste was improved from time to time, if this end was not outweighed by other considerations. The attractiveness of the finished piece, however, was soon a matter of universal concern, at least to the potters themselves; and as their skill increased and their ideas and standards became more clearly defined, we can follow a process which never ceases to astonish us by its workings in our own society. The whims of fashion surprise and puzzle us today as they are expressed in our women’s clothing, our automobiles, our houses, and our furnishings. Evidently, however, if we may judge by the variations in his wife’s pottery, they were hardly less a problem to the Indian of 2,000 years ago.
We now come to the period in Ocmulgee history which is the most plentifully supplied with facts resulting from the excavations. TheMaster Farmers, which is the name chosen for these people in the Museum exhibits, were newcomers to Ocmulgee. It may be that their arrival was strongly resisted by the Early Farmers who had claimedtitle to these lands for the past thousand years. About A. D. 900, they moved into this area, probably from a northwesterly direction, and started to build villages with some very novel features.
Council meeting in Master Farmer winter temple. Museum diorama.Council meeting in Master Farmer winter temple. Museum diorama.
Council meeting in Master Farmer winter temple. Museum diorama.
We do not know where this migration had its start; students of the subject believe that it may have begun in the Mississippi Valley near the mouth of the Missouri River. We do know, however, that some of their closest relatives settled in northeastern Tennessee; and perhaps, as the ancestral group journeyed up the Tennessee River it split apart at the point of that river’s abrupt northward bend in northern Alabama. Then a succeeding generation, which took central Georgia for its home, settled in two places near the Ocmulgee River. The smaller village was about 5 miles below the present city of Macon on a limestone remnant known as Brown’s Mount; the larger, with which we are here concerned, was the “Ocmulgee Old Fields” of the early settlers, across the river from the modern city and adjoining its eastern limit.
The most important feature distinguishing these people from their predecessors, however, was not their town but their very way of life. They were farmers; besides tobacco, pumpkins, and beans, they cultivated the New World staff of life, corn. This way of life enabled them to settle in one place long enough and in sufficient numbers to create a large village, and to develop the religious and ceremonial complex which was expressed in its numerous distinctive structures. They built it on the rolling high ground above the river, where their square, thatched houses were scattered among the many buildings connected with their form of worship. These latter consisted of rectangular wooden structures which we call temples, and a circular chamber with a wooden framework covered with clay which was a form of earthlodge. From our knowledge of the later Indian pattern in this area, we believe that these represented the summer and winter temples, respectively, of the tribe. Here the grown men took part in religious ceremonies and held their tribal councils; and here the chief could render decisions in individual disputes, or in matters of importance to the tribe as a whole.
A log tomb and its central location may indicate the principal burial in the first stage of the Funeral Mound. The face-down position could result from the reassembled bones being wrapped in a skin or mat for burial.A log tomb and its central location may indicate the principal burial in the first stage of the Funeral Mound. The face-down position could result from the reassembled bones being wrapped in a skin or mat for burial.
A log tomb and its central location may indicate the principal burial in the first stage of the Funeral Mound. The face-down position could result from the reassembled bones being wrapped in a skin or mat for burial.
Masses of shell beads must have been valued possessions of many of the earlier temple mound dignitaries.Masses of shell beads must have been valued possessions of many of the earlier temple mound dignitaries.
Masses of shell beads must have been valued possessions of many of the earlier temple mound dignitaries.
Perhaps the single outstanding archeological feature to be disclosed by the excavations at Ocmulgee is the preserved floor and lower portions of one of these winter temples. The remains consist of a low section of clay wall outlining a circular area some 42 feet in diameter. At the foot of the wall, a low clay bench about 6 inches high encircles the room and is divided into 47 seats, separated by a low ramp of clay. Each seat has a shallow basin formed in its forward edge, and three such basins mark seats on the rear portion of a clay platform which interrupts the circuit of the bench opposite the long entrance passage.
This platform, on the west side of the lodge and extending from the wall almost to the sunken central fire pit, is the most remarkable feature of all. Slightly higher than the bench, it forms an eagle effigy strongly reminiscent of a number of such effigies embossed on copper plates which are a part of the paraphernalia of the Southern Cult religion, to be described in a later section. Surface modeling of the tapering body section may once have been present, but is now so much obliterated that only a sort of scalloped effect across the shoulders can be made out. Nevertheless this feature is present on at least two of the plates mentioned, one from the Etowah site in north Georgia and the other from central Illinois. Moreover both of these figures, which represent the spotted eagle, are distinguished by the same, almost square, shape of the body and wings with only a slight taper from their base toward the shoulder. Finally, the head of the platform eagle is almost entirely filled with a clear representation of the “forked eye,” which is presented also, though in smaller scale, on the two figures in question, and is a distinctive symbol of the Southern Cult. The entire ceremonial chamber has been reconstructed on the basis of burned portions of the original which were uncovered by excavation. It forms one of the principal exhibits of the monument, and represents a unique archeological treasure.
Other structures uncovered included a small circular hut framed with poles and containing a large fireplace, out of all proportion to the size of the building. This was evidently a sweathouse where steam was produced by throwing water on heated stones; but it is not known whether this common form of purification was related to their religionor merely a sanitary feature of the village life. At the west edge of the village the tribal chiefs and religious leaders were buried in great log tombs where from one to seven bodies, possibly those of wives and retainers, were deposited with masses of shell beads and other ornaments befitting their rank. Over the whole was raised a low flat-topped mound with 14 clay steps leading to the summit.
Fourteen clay steps, buried under later mound construction, led up the west slope of the earliest funeral mound to its summit.Fourteen clay steps, buried under later mound construction, led up the west slope of the earliest funeral mound to its summit.
Fourteen clay steps, buried under later mound construction, led up the west slope of the earliest funeral mound to its summit.
Beside their large and thriving religious center, we can reconstruct many aspects of their daily lives in which the Master Farmers were different from their predecessors. This difference is noted in their tools, weapons, and household utensils. These have survived because they were made of such durable material as stone and pottery. The many smaller projectile points now making their appearance suggest that the bow and arrow were in general use at this time. Greater rangeand accuracy have been advanced as possible reasons for adopting this weapon in place of the spear thrower and dart, which preceded the bow in most parts of the world. Perhaps equally important was an increase in tribal unrest and strife which made a larger quantity of relatively small and light missiles more effective in the brief skirmishes of Indian warfare than two or three of the bulkier darts. With regard to their other equipment, surprisingly few bone tools have been preserved; but this may be due to their greater use of cane, which was very effective for knives, awls, and other implements but did not last as well as bone. Evidence has also been found to show that they manufactured and used basketry and a simple twined weave type of cloth fabric.
Pottery for everyday use was plain but well made and came in a large variety of pleasing shapes. Diameter of jar on right, 14 inches.Pottery for everyday use was plain but well made and came in a large variety of pleasing shapes. Diameter of jar on right, 14 inches.
Pottery for everyday use was plain but well made and came in a large variety of pleasing shapes. Diameter of jar on right, 14 inches.
The pottery obtained in excavation has already been studied in considerable detail because of the recognized importance of this time marker to the archeologist. It is here that we find one of the most noticeable differences between these people from the Mississippi Valley and the native Georgia tribes whose pottery had developed along very different lines for some thousand years or more. Now, in place of the many forms of surface roughening which marked the history of the latter, plain surfaces become the rule. Jar forms have rounded bottoms, are often as broad as they are tall, or broader, and show a tendency toward constricted openings. One common form has a straight sloping shoulder which turns in from the rounded body contour of the pot rather suddenly. Its slope may continue withoutchange to the rim, but more often it will turn upward again to form a slight lip or even a short neck. These contrast with the deep jars of the preceding period in which the mouth, regardless of neck or rim treatment, tends almost to equal the largest diameter, and in which the base is conoidal, i. e., rounded to at least the suggestion of a point.
The clay figures which often adorned the rims of open bowls represented all manner of creatures both real and imaginary. About one-third actual size.The clay figures which often adorned the rims of open bowls represented all manner of creatures both real and imaginary. About one-third actual size.
The clay figures which often adorned the rims of open bowls represented all manner of creatures both real and imaginary. About one-third actual size.
Of course the Master Farmers made other types of pottery, too. Some were open bowls, and others had an incurving rim which gracefully repeated the curve of the lower portion just below the belly. There were also deep, straight-sided jars with extremely thick walls, and big shallow bowls several feet in diameter which have been called salt pans from the belief that the type was sometimes used in the making of that substance. Actually they were probably the large family food bowl in common use also in later times. Impressions of a twined cloth fabric on the outer surfaces of the latter, some cord marking, and crude scoring or other treatment of the sides of the former were exceptions to the general rule of smooth surfaces during this period.
In place of surface decoration, however, we find another form of elaboration which is somewhat less common but equally distinctive. This is the attempt to depict some form, either natural or supernatural, in the body of the vessel or attached to it in some way as an independent figure. Small heads suggesting a fox or an owl or some night creature with big staring eyes grow out of the rim of a bowl and peer into it. The small handles which are fairly common on the straight-shoulderedjars often have two little earlike knobs at the top; and knobs and bosses with more or less modeling of the body of the pot are frequently used to represent gourds or squashes or some other vegetable which is not easy to identify. One curious style of jar has a neck which is closed at the top, something like a gourd, but has an opening about an inch in diameter below this on the side. Modeling at the top suggests ears, a style of hair arrangement, or some other human or animal feature that gives rise to the name, “blank-faced effigy bottle.”
Effigy bottles were usually a finer grade of pottery and generally accompanied burials. The hole in the human figure is in the back of the head; the face is painted white, the body red, and the hair the natural brown of clay. Diameter of bottle, 5⁵/₁₆ inches.Effigy bottles were usually a finer grade of pottery and generally accompanied burials. The hole in the human figure is in the back of the head; the face is painted white, the body red, and the hair the natural brown of clay. Diameter of bottle, 5⁵/₁₆ inches.
Effigy bottles were usually a finer grade of pottery and generally accompanied burials. The hole in the human figure is in the back of the head; the face is painted white, the body red, and the hair the natural brown of clay. Diameter of bottle, 5⁵/₁₆ inches.
In time, other changes began to mark the village of the Master Farmers. The temples, built originally at ground level, were rebuilt occasionally; and with the leveling of the old building to make way for the new the surrounding ground surface was raised at first into a small platform. Gradually this platform was increased in height and size until the mound at the south side of the village was some 300 feet broad at the base and almost 50 feet high. The other temple mounds grew in a similar fashion but were either started later or wereless important and so never achieved as great a size. The earthlodges, too, were sometimes rebuilt and often on the same site; but no attempt was made to increase their elevation. The funeral mound, however, followed the pattern of the others; and in each new layer of the seven there were fresh burials of the village leaders, and on top of each a new wooden structure which may have been connected with the preparation of the dead for their final rites. In the later stages, too, the flat summit area was surrounded by an enclosure of wooden posts.
The structure atop the funeral mound may have been for preparing corpses for burial. From Museum exhibit.The structure atop the funeral mound may have been for preparing corpses for burial. From Museum exhibit.
The structure atop the funeral mound may have been for preparing corpses for burial. From Museum exhibit.
At the northwest corner of the village lay a cultivated field which surrounded the site of one of the earlier temples. This was no ordinary field since most of these must have lain in the bottom land below the village. From its position, then, could we infer some sacred purpose, possibly to create an offering to the spirits, or by the power in its seed absorbed from the surroundings to increase the yield of the villagers’ crops? In any case, the mounds for succeeding structures were gradually raised above it; and by this act the rows were buried and thus preserved as conclusive proof of the advanced state of culture which the Master Farmers had achieved.
The construction of all these mounds and earthlodges required a large amount of material as well as innumerable man-hours of labor. Two series of great linked pits, averaging about 7 feet deep and 18 by40 feet in area, seem to indicate that the earth was obtained immediately outside the main village limits, for they have been traced around considerable portions of its north and south borders. They do not enclose the entire area occupied by the temple mounds, though, because at least three of these mounds lie outside their confines today; others were destroyed in the construction of Fort Hawkins and the adjacent portions of East Macon a little farther to the north. It is not unlikely that the irregular ditches formed by these pits served also as a protection against raids on the village; for otherwise, why would their course have outlined the village area so closely?
All the evidence, then, points to the existence here at Ocmulgee of a town of Indians who lived in a state of culture as advanced in some respects as any to be found north of Mexico. We see a prosperous community devoted chiefly to the yearly round of activities designed to cement its relationship with the powerful unseen forces on which its well-being depended. Not too much work was required with the abundant rainfall on this fertile soil to raise the principal food supply for an entire family. The men, like all later Indians, hunted to supply the meat for their diet; but they had plenty of free time to devote to the construction and repair of the town’s several temple buildings. Here they gathered at stated intervals to go through the time-honored ritual first taught to their fathers by the very spirits themselves, those spirits which gave man the fish and the game and finally the wonderful gift of the corn plant. All of these gifts and many more must be accepted with reverence and treated according to the rules established for their proper use; otherwise the spirits would be offended, the game would disappear, and the fields would wither and die.
This series of cultivated rows buried beneath the fill of later mound construction confirms our belief that the temple mound builders lived mainly by farming.This series of cultivated rows buried beneath the fill of later mound construction confirms our belief that the temple mound builders lived mainly by farming.
This series of cultivated rows buried beneath the fill of later mound construction confirms our belief that the temple mound builders lived mainly by farming.
Of all the annual round of ceremonies the most important was that in honor of the deity whose gift of corn had the miraculous power to renew itself every year. The summer temple, then, was the scene of the year’s biggest festival when the new crop was ripe. All the fires of the village were put out; and after the men had fasted and purifiedthemselves with the sacred drink, the new fire was lit and offered with the first of the new corn to the Master of Breath. With this act the sins of the past year were forgiven, and the town entered upon a new year with rejoicing. But ever so often the temple needed to be rebuilt, perhaps at the death of the chief priest, who may at the same time have been the chief of the town as well. This called for a mound to be built or the old one to be enlarged and raised higher as a mark of extra devotion; and every man must have given his allotment of working days to complete the project, even if several years were required before it was finished. For the new mound was proof to the divine forces of how much their gifts had been appreciated, and a plea that their favor might continue and the town prosper. Also it was proof to all the surrounding tribes of the wealth and strength of the village which was able to erect and maintain these large structures and at the same time to live in plenty and defend itself from its enemies.
General view of excavations northeast of ceremonial earthlodge, showing portion of trench surrounding the village.General view of excavations northeast of ceremonial earthlodge, showing portion of trench surrounding the village.
General view of excavations northeast of ceremonial earthlodge, showing portion of trench surrounding the village.
Much of this reconstruction depends heavily on our knowledge of the later tribes of the Southeast and on broader analogies as well. Archeological proof does not exist for much that we have inferred. Yet we know that what we find here could not have been built by villagers living at the level of bare subsistence. Economic surplus was essential, and we know the Indians had the corn with which to create it. Strong leadership was needed to carry such large projects to completion; and with it there must have been a social and religious class system to organize the economic and priestly functions of such a community. The temple priests and their assistants andretainers would have formed a rather numerous class with high status in a society so clearly impressed with the importance of the physical expression of its religious ideas. Wealth and power may likewise have rested with a specialized warrior class which controlled the governing function of the group, or it may be that these were combined with the religious duties of the priestly class. Whatever the system employed, several hundred unusually important individuals given special burial in the Funeral Mound attest to the distinctions which existed. Class differences of this sort are the most common basis for a high degree of social and political control; and Ocmulgee is a good example of the real attainments of some American Indians along these lines.
Ungrooved ax, or celt, of the temple mound builders.Ungrooved ax, or celt, of the temple mound builders.
Ungrooved ax, or celt, of the temple mound builders.
In spite of the relatively large amount of information we have about them, however, we know surprisingly little of the ultimate fate of the Master Farmers. We do know that these first bearers of an alien culture from the Mississippi Valley did not persist very long in the area in terms of its previous history. Within 200 years the busy village was deserted, only to be visited by an occasional traveling band descended from the Early Farmers who had lived on in nearby sections. We do not know even whether the last occupants left here in a body to settle elsewhere, whether they gradually died off, whether they were absorbed into the surrounding population, or whether they were finally exterminated by neighbors who had themselves developed large settled communities capable of effective military action. Other ideas came to Georgia from the Mississippi Valley, but Ocmulgee lay silent and was passed by. Only in the last chapter of Indian history in this State was the site again reoccupied for a brief time. Here at the end, to be described in our final chapter, we find the Creek Indians once more living among the haunts of their ancestors.
Model of portion of Lamar village, showing ball post in plaza at foot of smaller mound.Model of portion of Lamar village, showing ball post in plaza at foot of smaller mound.
Model of portion of Lamar village, showing ball post in plaza at foot of smaller mound.
After the mound village at Ocmulgee was abandoned we lose the thread of Indian history in this area for about 250 years. When we pick it up again in theReconquestperiod, it is at a new village some 3 miles down the river. Much had happened in the meantime, though; and we are able to piece together a good bit of the story.
In the first place, it is clear that the Master Farmers had been only a small group which had settled in this one small section of Georgia; and that the Early Farmers did not leave Georgia when they gave up their settlements along the Ocmulgee. We cannot say for certain either that they even quit the valley entirely. Their distinctive pottery seems to have continued the course of development already outlined, but during the interval a variety of new influences came in from other regions to produce a number of striking changes. Noteworthy among these were the “carinated” bowl form and incised and pinched or punctate decoration around the shoulder or rim. In its extreme form the first of these may be described as a shallow bowl with flaring sides which abruptly turn inward to form a distinct shoulder and inward-sloping rim. The angle thus produced may be as sharp as 90°, and the shoulder itself may vary from abrupt to more or less gently rounded. It is this flattened rim which normally bears the broad, deep incised-line decoration in the form of scrolls alternating with nested flat-topped pyramids or with inverted chevrons, all worked into a continuous pattern similar to the Greek fret. Below the shoulder, the body of the bowl still carries the old complicated stamping, but gradually the pattern becomes less distinct and the paddle is applied several times to the same spot. It is even impossible sometimes to make out any design whatever in the overall roughening.
Another new element is to be found in a series of notches, bosses, or circular impressions which are applied just below the lip on jars or bowls with only complicated stamping, or at the point of the shoulder on “bold incised” vessels. The lip of most vessel shapes, except the carinated bowl, is thickened by folding or with an added strip of clay, and it is the lower edge of this band which is often pinched or otherwise worked to produce a notched or beaded effect. On the carinated bowls there is commonly a line of circular impressions made with the end ofa piece of cane or other hollow tube situated on the point or bend of the shoulder to separate the area of incised decoration from the body stamping below. Circles of this sort are sometimes used in place of the beading around the rim.
Pottery bowl showing carinated shoulder, bold incising, complicated stamping, and reed punctates typical of Lamar Bold Incised. Diameter, 16 inches.Pottery bowl showing carinated shoulder, bold incising, complicated stamping, and reed punctates typical of Lamar Bold Incised. Diameter, 16 inches.
Pottery bowl showing carinated shoulder, bold incising, complicated stamping, and reed punctates typical of Lamar Bold Incised. Diameter, 16 inches.
Lamar Complicated Stamped jar. Clearly defined stamping more common in early Lamar period. Height, 9¼ inches.Lamar Complicated Stamped jar. Clearly defined stamping more common in early Lamar period. Height, 9¼ inches.
Lamar Complicated Stamped jar. Clearly defined stamping more common in early Lamar period. Height, 9¼ inches.
Whether the incised decoration and the carinated bowl form came from the Florida or the Mississippi Valley area has not yet been settled. Temple mounds, however, are a definite Mississippian trait; and the Lamar village below Macon, which has given its name to the archeological period we are discussing, is typical in possessing two mounds with an adjacent open court. The larger mound is rectangular, whilethe smaller is circular; but the latter is most unusual in its spiral ramp which leads counterclockwise to the top in four complete traverses about the mound. Mounds showing this feature have been reported by early travelers, but this is the only one known to exist today.
Lamar mound with spiral ramp, after initial clearing.Lamar mound with spiral ramp, after initial clearing.
Lamar mound with spiral ramp, after initial clearing.
The village occupied a low natural ridge of higher ground in the swamp close to the river. This position may have been chosen for its inconspicuous and defensible nature, or to be close to good farmland; but we do know that it was surrounded by a palisade of upright logs some 3,500 feet in length to protect it from enemy attacks. Within the enclosed area, the rectangular houses were grouped about the mounds and the nearby court. Their construction consisted of a framework of light posts interlaced with cane which was plastered with clay and roofed with sod or some sort of grass thatch. Some of them were raised on low dirt platforms, evidently as a protection from the periodic overflow of the river.
The life of these late prehistoric farmers was otherwise much the same as that of their predecessors who had lived on the bluffs up the river. To be sure, the region was now more thickly settled, and other villages like theirs could be reached by a short journey in almost any direction. Farming was doubtless the principal activity; and burned corncobs and beans have been found, indicating two of the important crops. Hunting, likewise, continued as a major pursuit; and the small, triangular projectile points tell us that the bow was now the favorite weapon even though large, stemmed dart or spear points were still made. Small, flat celts of triangular outline were used. Shell was extensively worked for ornament, mainly in the form of large beads, large, knobbed pins which seem to have dangled from the ears, and circular gorgets bearing designs of the Southern Cult, to be discussed presently.
Pipes in both plain and fancy styles were numerous.Pipes in both plain and fancy styles were numerous.
Pipes in both plain and fancy styles were numerous.
Gorgets were made of the outer shell, and large beads and these knobbed “ear bobs” from the inner whorl of the marine whelk, or conch. “Ear bobs” about 5 inches long.Gorgets were made of the outer shell, and large beads and these knobbed “ear bobs” from the inner whorl of the marine whelk, or conch. “Ear bobs” about 5 inches long.
Gorgets were made of the outer shell, and large beads and these knobbed “ear bobs” from the inner whorl of the marine whelk, or conch. “Ear bobs” about 5 inches long.
Some of the important beings of the Southern Cult as depicted on shell or copper: Puma, Woodpecker, Deer Man, Rattlesnake.Some of the important beings of the Southern Cult as depicted on shell or copper: Puma, Woodpecker, Deer Man, Rattlesnake.
Some of the important beings of the Southern Cult as depicted on shell or copper: Puma, Woodpecker, Deer Man, Rattlesnake.
Finally, smoking appears to have become so habitual that it may have been released from the religious implications which everywhere seem to accompany the use of tobacco in aboriginal America. Pipes in an astonishing variety of skillfully executed shapes, principally of clay but also in stone, have been found scattered throughout the village refuse. Human heads with great goggle eyes, bird and animal heads, boats (?), and a stylized representation of a hafted celt are common.
DeSoto probably encountered some distant towns of these people when he explored Georgia in 1540, and they were undoubtedly the ancestors of various historic Creek Indian tribes of this State. We have suggested that their culture was a mixture of very old elements in the region, such as complicated stamping, with newer ideas coming in with the Master Farmers or even later, such as temple mounds and incised decoration. We know from work in other areas that the Early Farmer bearers of the Swift Creek tradition had continued their existence uninterrupted save only in the immediate vicinity of Macon. Therefore, despite the admixture of many outside influences, we see in the reappearance here of one of their major cultural elements, the old paddled pottery surfaces, proof that the basic culture and presumably the people themselves were still the same. In effect, an actual reoccupation of the area seems indicated; and it is this fact that the museum exhibits recognize in the name “Reconquest” given to the period we are discussing.
The culture represented at the Lamar site just described, which is the type site for this archeological period, covered a very wide geographical range and lasted in some locales into the historic period. Typical Lamar pottery is found on numerous sites in regions as widely separated as Florida, Alabama, the Carolinas, and even parts of Tennessee. We know that it was made by the historic Cherokee, which accounts for the persistence of complicated stamping into historic times mentioned earlier, and possibly also by some Siouan-speakingtribes in the Carolinas, as well as by the early Creeks. While not all elements of the culture were uniformly shared in all of these areas, there can be little doubt that the material aspects of the lives of these different groups were surprisingly much alike. This may appear the more remarkable when one considers the difference in language and even the active hostility of such historic tribes as the Creek and the Cherokee. Nevertheless, one has only to consider the diversity of modern European nations sharing a single culture which we know as “Western Civilization” to realize that language, nationality, and culture are not mutually interrelated on any one-to-one basis.
Mention has been made of the Southern Cult. Briefly, this is the name given to the religious idea behind a group of frequently recurring symbols, and the paraphernalia on which they are depicted, which have been found all the way from Oklahoma and the Great Lakes to Florida and the gulf coast. These unusual articles occur in association with the platform mounds, and at some sites appear to be limited to the graves of an important class of personages who had the unique privilege of burial within the sacred structures atop the mounds.
The objects themselves appear to be symbols of office or religious vessels or regalia of diverse sorts. They include engraved circular gorgets of shell, engraved copper plaques, hafted ceremonial axes made of copper or from a single piece of stone, as well as stone axheads either so finely made or of such soft material that they could not have been put to practical use. A ceremonial atlatl looks to us more like a mace or sceptre; both this form and that of the hafted ax are reproduced in beautifully chipped flint, and these are found in association with long blades and reproductions of other elements of the cult in the same material. Vessels include conch shell cups and pottery bottles of various forms.
Of perhaps even greater importance than the physical apparatus just described are the symbols pictured on some of these specimens, and representations of these and other objects being worn or carried by god-animal beings, mythological creatures, or their impersonators. Important figures of the mythology or the religious pantheon include the eagle, ivory-billed woodpecker, and turkey; various forms of the rattlesnake, the cat or mountain lion; and the human chunkee player. These are depicted most clearly on some of the engraved copper plaques like that of the Eagle Man from the Etowah site, which is reproduced in the Ocmulgee Museum in the colors most likely to have been used in the original costume. They are also engraved on shell cups, masks, and gorgets and on pottery vessels. Among the important symbols occurring alone or as ornament on these figures are the cross, swastika, sun circle, bi-lobed arrow, forked eye, hand and eye, and death head. The figures are also shown brandishing the ceremonial atlatl, holding a long flint knife, or throwing the chunkee stone; and some wear the bi-lobed arrow as a hair ornament. The forked eye, sun circle, and other symbols are shown painted on these figures or on their regalia.