OLD SERJEANTS' INN
The humours of Southampton Buildings, Chancery Lane, have been admirably described by Hazlitt, and are well condensed by a contemporaneous writer, of whose labours we gratefully avail ourselves.
"In 1820 a ray of light strikes the Buildings, for one of the least popular, but by no means the least remarkable, of the Charles Lamb set came to lodge at No. 9, half-way down on the right-hand side as you come from Holborn. There for four years lived, taught, wrote, and suffered that admirableessayist, fine-art and theatrical critic, thoughtful metaphysician, and miserable man, William Hazlitt. He lodged at the house of Mr. Walker, a tailor, who was blessed with two fair daughters, with one of whom (Sarah) Hazlitt, then a married man, fell madly in love. He declared she was like the Madonna (she seems really to have been a cold, calculating flirt, rather afraid of her wild lover). To his 'Liber Amoris,' a most stultifying series of dialogues between himself and the lodging-house keeper's daughter, the author appended a drawing of an antique gem (Lucretia), which he declared to be the very image of the obdurate tailor's daughter. This untoward but remarkably gifted man, whomLamb admired, if he did not love, and whom Leigh Hunt regarded as a spirit highly endowed, usually spent his evenings at the 'Southampton;' as we take it, that coffee-house on the left hand, next the Patent Office, as you enter the Buildings from Chancery Lane. It is an unpretending public-house now, with the quiet, bald-looking coffee-room altered, but still one likes to wander past the place and think that Hazlitt, his hand still warm with the grip of Lamb's, has entered it often. In an essay on 'Coffee-House Politicians,' in the second volume of his 'Table Talk,' Hazlitt has sketched the coterie at the 'Southampton,' in a manner not unworthy of Steele. The picture wants Sir Richard's mellow, Jan Steen colour, but it possesses much of Wilkie's dainty touch and keen appreciation of character. Let us call up, he says, the old customers at the 'Southampton' from the dead, and take a glass with them. First of all comes Mr. George Kirkpatrick, who wasadmired by William, the sleek, neat waiter (who had a music-master to teach him the flageolet two hours every morning before the maids were up), for his temper in managing an argument. Mr. Kirkpatrick was one of those bland, simpering, self-complacent men, who, unshakable from the high tower of their own self-satisfaction, look down upon your arguments from their magnificent elevation. 'I will explain,' was his condescending phrase. If you corrected the intolerable magnifico, he corrected your correction; if you hinted at an obvious blunder, he was always aware what your mistaken objection would be. He and his clique would spend a whole evening on a wager as to whether the first edition of Dr. Johnson's 'Dictionary' was quarto or folio. The confident assertions, the cautious ventures, the length of time demanded to ascertain the fact, the precise terms of the forfeit, the provisoes for getting out of paying it at last, led to a long and inextricablediscussion. Kirkpatrick's vanity, however, one night led him into a terrible pitfall. He recklessly ventured money on the fact thatThe Mourning Bridewas written by Shakespeare; headlong he fell, and ruefully he partook of the bowl of punch for which he had to pay. As a rule his nightly outlay seldom exceeded sevenpence. Four hours' good conversation for sevenpence made the 'Southampton' the cheapest of London clubs.
HAZLITT
"Kirkpatrick's brother Roger was the Mercutio to his Shallow. Roger was a rare fellow, 'of the driest humour and the nicest tact, of infinite sleights and evasions, of a picked phraseology, and the very soul of mimicry.' He had the mind of a harlequin; his wit was acrobatic, and threw somersaults. He took in a character at a glance, and threw a pun at you as dexterously as a fly-fisher casts his fly over a trout's nose. 'How finely,' says Hazlitt, in his best and heartiest mood; 'how finely, how truly, how gaily he took off the company at the "Southampton!" Poor and faint are my sketches compared to his! It was like looking into a camera-obscura—you saw faces shining and speaking. The smoke curled, the lights dazzled, the oak wainscoting took a higher polish. There was old S., tall and gaunt, with his couplet from Pope and case at Nisi Prius; Mudford, eyeing the ventilator and lying perdu for a moral; and H. and A. taking another friendly finishing glass. These and many more windfalls of character he gave us in thought, word, and action. I remember his once describing three different persons together to myself and Martin Burney [a bibulous nephew of Madame d'Arblay's and a great friend of Charles Lamb's], namely, the manager of a country theatre, a tragic and a comic performer, till we were ready to tumble on the floor with laughing at the oddity of their humours, and at Roger's extraordinary powers of ventriloquism, bodily and mental; and Burney said (such was the vividness of the scene) that when he awoke the next morning he wondered what three amusing characters he had been in company with the evening before.' He was fond also of imitating old Mudford, of theCourier, a fat, pert, dull man, who had left theMorning Chroniclein 1814, just as Hazlitt joined it, and was renowned for having written a reply to 'Cœlebs.' He would enter a room, fold up his great-coat, take out a little pocket volume, lay it down to think, rubbing all the time the fleshy calf of his leg with dull gravity and intense and stolid self-complacency, and start out of his reveries when addressed with the same inimitable vapid exclamation of 'Eh!' Dr. Whittle, a large, plain-faced Moravian preacher, who had turned physician, was another of hischosen impersonations. Roger represented the honest, vain, empty man purchasing an ounce of tea by stratagem to astonish a favoured guest; he portrayed him on the summit of a narrow, winding, and very steep staircase, contemplating in airy security the imaginary approach of duns. This worthy doctor on one occasion, when watching Sarratt, the great chess-player, turned suddenly to Hazlitt, and said, 'I think I could dance. I'm sure I could; aye, I could dance like Vestris.' Such were the odd people Roger caricatured on the memorable night he pulled off his coat to eat beefsteaks on equal terms with Martin Burney.
"Then there was C., who, from his slender neck, shrillness of voice, and his ever-ready quibble and laugh at himself, was for some time taken for a lawyer, with which folk the Buildings were then, as now, much infested. But on careful inquiry he turned out to be a patent-medicine seller, who at leisure moments had studied Blackstone and the statutes at large from mere sympathy with the neighbourhood. E. came next, a rich tradesman, Tory in grain, and an everlasting babbler on the strong side of politics; querulous, dictatorial, and with a peevish whine in his voice like a beaten schoolboy. He was a stout advocate for the Bourbons and the National Debt, and was duly disliked by Hazlitt, we may feel assured. The Bourbons he affirmed to be the choice of the French people, the Debt necessary to the salvation of these kingdoms. To a little inoffensive man, 'of a saturnine aspect but simple conceptions,' Hazlitt once heard him say grandly, 'I will tell you, sir. I will make my proposition so clear that you will be convinced of the truth of my observation in a moment. Consider, sir, the number of trades that would be thrown out of employ if the Debt were done away with. What would become of the porcelain manufacture without it?' He would then show the company a flower, the production of his own garden, calling it a unique and curious exotic, and hold forth on his carnations, his country-house, and his old English hospitality, though he never invited a friend to come down to a Sunday's dinner. Mean and ostentatious, insolent and servile, he did not know whether to treat those he conversed with as if they were his porters or his customers. The 'prentice boy was not yet ground out of him, and his imagination hovered between his grand new country mansion and the workhouse. Opposed to him and every one else was K., a Radical reformer and tedious logician, who wanted to make short work of the taxes and National Debt, reconstruct the Government from first principles, and shatter the Holy Alliance at a blow. He was forcrushing out the future prospects of society as with a machine, and for starting where the French Revolution had begun five-and-twenty years before. He was a born disturber, and never agreed to more than half a proposition at a time. Being very stingy, he generally brought a bunch of radishes with him for economy, and would give a penny to a band of musicians at the door, observing that he liked their performance better than all the opera-squalling. His objections to the National Debt arose from motives of personal economy; and he objected to Mr. Canning's pension because it took a farthing a year out of his own pocket.
"Another great sachem at the 'Southampton' was Mr. George Mouncey, of the firm of Mouncey & Gray, solicitors, Staple's Inn. 'He was,' says Hazlitt, 'the oldest frequenter of the place and the latest sitter-up; well-informed, unobtrusive, and that sturdy old English character, a lover of truth and justice. Mouncey never approved of anything unfair or illiberal, and, though good-natured and gentleman-like, never let an absurd or unjust proposition pass him without expressing dissent.' He was much liked by Hazlitt, for they had mutual friends, and Mouncey had been intimate with most of the wits and men about town for twenty years before. 'He had in his time known Tobin, Wordsworth, Porson, Wilson, Paley, and Erskine. He would speak of Paley's pleasantry and unassuming manners, and describe Porson's deep potations and long quotations at the "Cider Cellars."' Warming with his theme, Hazlitt goes on in his essay to etch one memorable evening at the 'Southampton.' A few only were left, 'like stars at break of day,' the discourse and the ale were growing sweeter; but Mouncey, Hazlitt, and a man named Wells, alone remained. The conversation turned on the frail beauties of Charles II.'s Court, and from thence passed to Count Grammont, their gallant, gay, and not over-scrupulous historian. Each one cited his favourite passage in turn; from Jacob Hall, the rope-dancer, they progressed by pleasant stages of talk to pale Miss Churchill and her fortunate fall from her horse. Wells then spoke of 'Apuleius and his Golden Ass,' 'Cupid and Psyche,' and the romance of 'Heliodorus, Theogenes, and Chariclea,' which, as he affirmed, opened with a pastoral landscape equal to one of Claude's. 'The night waned,' says the delightful essayist, 'but our glasses brightened, enriched with the pearls of Grecian story. Our cup-bearer slept in a corner of the room, like another Endymion, in the pale rays of a half-extinguished lamp, and, starting up at a fresh summons for a further supply, he swore it wastoo late, and was inexorable to entreaty. Mouncey sat with his hat on and a hectic flush in his face while any hope remained, but as soon as we rose to go, he dashed out of the room as quick as lightning, determined not to be the last. I said some time after to the waiter that "Mr. Mouncey was no flincher." "Oh, sir!" says he, "you should have known him formerly. Now he is quite another man: he seldom stays later than one or two; then he used to help sing catches, and all sorts."
"It was at the 'Southampton' that George Cruikshank, Hazlitt, and Hone used to often meet, to discuss subjects for Hone's squibs on the Queen's trial (1820). Cruikshank would sometimes dip his finger in ale and sketch a suggestion on the table.
"While living in that state of half-assumed love frenzy at No. 9, Southampton Buildings, Hazlitt produced some of his best work. His noble lectures on the age of Elizabeth had just been delivered, and he was writing for theEdinburgh Review, theNew Monthly, and the LondonMagazine, in conjunction with Charles Lamb, Reynolds, Barry Cornwall, De Quincey, and Wainwright ('Janus Weathercock') the poisoner. In 1821 he published his volume of 'Dramatic Criticisms,' and his subtle 'Table Talk;' in 1823, his foolish 'Liber Amoris;' and in 1824, his fine 'Sketches of the Principal English Picture Galleries.'
"Hazlitt, who was born in 1778 and died in 1830, was the son of a Unitarian minister of Irish descent. Hazlitt was at first intended for an artist, but, coming to London, soon drifted into literature. He became a parliamentary reporter to theMorning Chroniclein 1813, and in that wearing occupation injured his naturally weak digestion. In 1814 he succeeded Mudford as theatrical critic on Perry's paper. In 1815 he joined theChampion, and in 1818 wrote for theYellow Dwarf. Hazlitt's habits at No. 9 were enough to have killed a rhinoceros. He sat up half the night, and rose about one or two. He then remained drinking the strongest black tea, nibbling a roll, and reading (no appetite, of course) till about five p.m. At supper at the 'Southampton,' his jaded stomach then rousing, he ate a heavy meal of steak or game, frequently drinking during his long and suicidal vigils three or four quarts of water. Wine and spirits he latterly never touched. Morbidly self-conscious, touchy, morose, he believed that his aspect and manner were strange and disagreeable to his friends, and that every one was perpetually insulting him. He had a magnificent forehead, regular features, pale as marble, and a profusion of curly black hair, but his eyes were shy and suspicious. His manner when not at his ease Mr. P.G. Patmore describesas worthy of Apemantus himself. He would enter a room as if he had been brought in in custody. He shuffled sidelong to the nearest chair, sat down on the extreme corner of it, dropped his hat on the floor, buried his chin in his stock, vented his usual pet phrase on such occasions, 'It's a fine day,' and resigned himself moodily to social misery. If the talk did not suit him, he bore it a certain time, silent, self-absorbed, as a man condemned to death, then suddenly, with a brusque 'Well, good morning,' shuffled to the door and blundered his way out, audibly cursing himself for his folly in voluntarily making himself the laughing-stock of an idiot's critical servants. It must have been hard to bear with such a man, whatever might be his talent; and yet his dying words were, 'I've led a happy life.'"
That delightful humorist, Lamb, lived in Southampton Buildings, in 1800, coming from Pentonville, and moving to Mitre Court Buildings, Fleet Street. Here, then, must have taken place some of those enjoyable evenings which have been so pleasantly sketched by Hazlitt, one of the most favoured of Lamb's guests:—
"At Lamb's we used to have lively skirmishes, at the Thursday evening parties. I doubt whether the small-coal man's musical parties could exceed them. Oh, for the pen of John Buncle to consecrate apetit souvenirto their memory! There was Lamb himself, the most delightful, the most provoking, the most witty, and the most sensible of men. He always made the best pun and the best remark in the course of the evening. His serious conversation, like his serious writing, is the best. No one ever stammered out such fine, piquant, deep, eloquent things, in half-a-dozen sentences, as he does. His jests scald like tears, and he probes a question with a play upon words. What a keen-laughing, hair-brained vein of home-felt truth! What choice venom! How often did we cut into the haunch of letters! how we skimmed the cream of criticism! How we picked out the marrow of authors! Need I go over the names? They were but the old, everlasting set—Milton and Shakespeare, Pope and Dryden, Steele and Addison, Swift and Gay, Fielding, Smollet, Sterne, Richardson, Hogarth's prints, Claude's landscapes, the Cartoons at Hampton Court, and all those things that, having once been, must ever be. The Scotch novels had not then been heard of, so we said nothing about them. In general we were hard upon the moderns. The author of theRamblerwas only tolerated in Boswell's life of him; and it was as much as anyone could do to edge in a word for Junius. Lamb could not bear 'Gil Blas;' this was a fault. I remember the greatest triumph Iever had was in persuading him, after some years' difficulty, that Fielding was better than Smollett. On one occasion he was for making out a list of persons famous in history that one would wish to see again, at the head of whom were Pontius Pilate, Sir Thomas Browne, and Dr. Faustus; but we black-balled most of his list. But with what a gusto he would describe his favourite authors, Donne or Sir Philip Sidney, and call their most crabbed passagesdelicious. He tried them on his palate, as epicures taste olives, and his observations had a smack in them like a roughness on the tongue. With what discrimination he hinted a defect in what he admired most, as in saying the display of the sumptuous banquet in 'Paradise Regained' was not in true keeping, as the simplest fare was all that was necessary to tempt the extremity of hunger, and stating that Adam and Eve, in 'Paradise Lost,' were too much like married people. He has furnished many a text for Coleridge to preach upon. There was no fuss or cant about him; nor were his sweets or sours ever diluted with one particle of affectation."
Towards the unhappy close of Sheridan's life, when weighed down by illness and debt (he had just lost the election at Stafford, and felt clouds and darkness gathering closer round him), he was thrown for several days (about 1814) into a sponging-house in Tooke's Court, Cursitor Street, Chancery Lane. Tom Moore describes meeting him shortly before with Lord Byron, at the table of Rogers, and some days after Sheridan burst into tears on hearing that Byron had said that he (Sheridan) had written the best comedy, the best operetta, the best farce, the best address, and delivered the best oration ever produced in England. Sheridan's books and pictures had been sold; and from his sordid prison he wrote a piteous letter to his kind but severely business-like friend, Whitbread, the brewer. "I have done everything," he says, "to obtain my release, but in vain; and, Whitbread, putting all false professions of friendship and feeling out of the question, you have no right to keep me here, for it is in truth your act; if you had not forcibly withheld from me the £12,000, in consequence of a letter from a miserable swindler, whose claim you in particular know to be a lie, I should at least have been out of the reach of this miserable insult; for that, and that only, lost me my seat in Parliament."
Even in the depths of this den, however, Sheridan still remained sanguine; and when Whitbread came to release him, he found him confidently calculating on the representation of Westminster, then about to become vacant by the unjust disgrace of Lord Cochrane. On his return home to his wife,fortified perhaps by wine, Sheridan burst into a long and passionate fit of weeping, at the profanation, as he termed it, which his person had suffered.
In Lord Eldon's youth, when he was simply plain John Scott, of the Northern Circuit, he lived with the pretty little wife with whom he had run away, in very frugal and humble lodgings in Cursitor Street, just opposite No. 2, the chained and barred door of Sloman's sponging-house (now the Imperial Club). Here, in after life he used to boast, although his struggles had really been very few, that he used to run out into Clare Market for sixpennyworth of sprats.
Mr. Disraeli, in "Henrietta Temple," an early novel written in the Theodore Hook manner, has sketched Sloman's with a remarkableverveand intimate knowledge of the place:—
"In pursuance of this suggestion, Captain Armine was ushered into the best drawing-room with barred windows and treated in the most aristocratic manner. It was evidently the chamber reserved only for unfortunate gentlemen of the utmost distinction; it was simply furnished with a mirror, a loo-table, and a very hard sofa. The walls were hung with old-fashioned caricatures by Bunbury; the fire-irons were of polished brass; over the mantelpiece was the portrait of the master of the house, which was evidently a speaking likeness, and in which Captain Armine fancied he traced no slight resemblance to his friend Mr. Levison; and there were also some sources of literary amusement in the room, in the shape of a Hebrew Bible and the Racing Calendar.
"After walking up and down the room for an hour, meditating over the past—for it seemed hopeless to trouble himself any further with the future—Ferdinand began to feel very faint, for it may be recollected that he had not even breakfasted. So, pulling the bell-rope with such force that it fell to the ground, a funny little waiter immediately appeared, awed by the sovereign ring, and having indeed received private intelligence from the bailiff that the gentleman in the drawing-room was a regular nob.
"And here, perhaps, I should remind the reader that of all the great distinctions in life none, perhaps, is more important than that which divides mankind into the two great sections ofnobsandsnobs. It might seem at the first glance that if there were a place in the world which should level all distinctions, it would be a debtors' prison; but this would be quite an error. Almost at the very moment that Captain Armine arrived at his sorrowful hotel, a poor devil of a tradesman, who had been arrested for fifty pounds and torn from hiswife and family, had been forced to retire to the same asylum. He was introduced into what is styled the coffee-room, being a long, low, unfurnished, sanded chamber, with a table and benches; and being very anxious to communicate with some friend, in order, if possible, to effect his release, and prevent himself from being a bankrupt, he had continued meekly to ring at intervals for the last half-hour, in order that he might write and forward his letter. The waiter heard the coffee-room bell ring, but never dreamed of noticing it; though the moment the signal of the private room sounded, and sounded with so much emphasis, he rushed upstairs three steps at a time, and instantly appeared before our hero; and all this difference was occasioned by the simple circumstance that Captain Armine was anob, and the poor tradesman asnob.
"'I am hungry,' said Ferdinand. 'Can I get anything to eat at this place?'
"'What would you like, sir? Anything you choose, sir—mutton chop, rump steak, weal cutlet? Do you a fowl in a quarter of an hour—roast or boiled, sir?'
"'I have not breakfasted yet; bring me some breakfast.'
"'Yes, sir,' said the waiter. 'Tea, sir? coffee, eggs, toast, buttered toast, sir? Like any meat, sir? ham, sir? tongue, sir? Like a devil, sir?'
"'Anything—everything; only be quick.'
"'Yes, sir,' responded the waiter. 'Beg pardon, sir. No offence, I hope; but custom to pay here, sir. Shall be happy to accommodate you, sir. Know what a gentleman is.'
"'Thank you, I will not trouble you,' said Ferdinand. 'Get me that note changed.'
"'Yes, sir,' replied the little waiter, bowing very low, as he disappeared.
"'Gentleman in best drawing-room wants breakfast. Gentleman in best drawing-room wants change for a ten-pound note. Breakfast immediately for gentleman in best drawing-room. Tea, coffee, toast, ham, tongue, and a devil. A regular nob!'"
CLIFFORD'S INN
Sloman's has been sketched both by Mr. Disraeli and Mr. Thackeray. In "Vanity Fair" we find it described as the temporary abode of the impecunious Colonel Crawley, and Moss describes his uncomfortable past and present guests in a manner worthy of Fielding himself. There is the "Honourable Capting Famish, of the Fiftieth Dragoons, whose 'mar' had just taken him out after a fortnight, jest to punish him, who punished the champagne, and had a party every night of regular tip-top swells down from the clubs at the West End; and Capting Ragg and the HonourableDeuceace, who lived, when at home, in the Temple. There's a doctor of divinity upstairs, and five gents in the coffee-room who know a good glass of wine when they see it. There is a tably d'hote at half-past five in the front parlour, and cards and music afterwards." Moss's house of durance the great novelist describes as splendid with dirty huge old gilt cornices, dingy yellow satin hangings, while the barred-up windows contrasted with "vast and oddly-gilt picture-frames surrounding pieces sporting and sacred, all of which works were by the greatest masters, and fetched the greatest prices, too, in the bill transactions, in the course of which they were sold and bought over and over again. A quick-eyed Jew boy locks and unlocks the doorfor visitors, and a dark-eyed maid in curling-papers brings in the tea."
EXECUTION OF TOMKINS AND CHALLONER
The Law Institute, that Grecian temple that has wedged itself into the south-west end of Chancery Lane, was built in the stormy year of 1830. On the Lord Mayor's day that year there was a riot; the Reform Bill was still pending, and it was feared might not pass, for the Lords were foaming at the mouth. The Iron Duke was detested as an opposer of all change, good or bad; the new police were distasteful to the people; above all, there was no Lord Mayor's show, and no man in brass armour to look at. The rioters assembled outside No. 62, Fleet Street, were there harangued by some dirty-faced demagogue, andthen marched westward. At Temple Bar the zealous new "Peelers" slammed the old muddy gates, to stop the threatening mob; but the City Marshal, red in the face at this breach of City privilege, re-opened them, and the mob roared approval from a thousand distorted mouths. The more pugnacious reformers now broke the scaffolding at the Law Institute into dangerous cudgels, and some 300 of the unwashed patriots dashed through the Bar towards Somerset House, full of vague notions of riot, and perhaps (delicious thought!) plunder. But at St. Mary's, Commissioner Mayne and his men in the blue tail-coats received the roughs in battle array, and at the first charge the coward mob broke and fled.
In 1815, No. 68, Chancery Lane, not far from the north-east corner, was the scene of an event which terminated in the legal murder of a young and innocent girl. It was here, at Olibar Turner's, a law stationer's, that Eliza Fenning lived, whom we have already mentioned when we entered Hone's shop, in Fleet Street. This poor girl, on the eve of a happy marriage, was hanged at Newgate, on the 26th of July, 1815, for attempting to poison her master and mistress. The trial took place at the Old Bailey on April 11th of the same year, and Mr. Gurney conducted the prosecution before that rough, violent, unfeeling man, Sir John Sylvester (aliasBlack Jack), Recorder of London, who, it is said, used to call the calendar "a bill of fare." The arsenic for rats, kept in a drawer by Mr. Turner, had been mixed with the doughof some yeast dumplings, of which all the family, including the poor servant, freely partook. There was no evidence of malice, no suspicion of any ill-will, except that Mrs. Turner had once scolded the girl for being free with one of the clerks. It was, moreover, remembered that the girl had particularly pressed her mistress to let her make some yeast dumplings on the day in question. The defence was shamefully conducted. No one pressed the fact of the girl having left the dough in the kitchen for some time untended; nor was weight laid on the fact of Eliza Fenning's own danger and sufferings. All the poor, half-paralysed, Irish girl could say was, "I am truly innocent of the whole charge—indeed I am. I liked my place. I was very comfortable." And there was pathos in those simple, stammering words, more than in half the self-conscious diffuseness of tragic poetry. In her white bridal dress (the cap she had joyfully worked for herself) she went to her cruel death, still repeating the words, "I am innocent." The funeral, at St. George the Martyr, was attended by 10,000 people. Curran used to declaim eloquently on her unhappy fate, and Mr. Charles Phillips wrote a glowing rhapsody on this victim of legal dulness. But such mistakes not even Justice herself can correct. A city mourned over her early grave; but the life was taken, and there was no redress. Gadsden, the clerk, whom she had warned not to eat any dumpling, as it was heavy (this was thought suspicious), afterwards became a wealthy solicitor in Bedford Row.
FLEET STREET (NORTHERN TRIBUTARIES—continued)
Clifford's Inn—Dyer's Chambers—The Settlement after the Great Fire—Peter Wilkins and his Flying Wives—Fetter Lane—Waller's Plot and its Victims—Praise-God Barebone and his Doings—Charles Lamb at School—Hobbes the Philosopher—A Strange Marriage—Mrs. Brownrigge—Paul Whitehead—The Moravians—The Record Office and its Treasures—Rival Poets.
Clifford's Inn—Dyer's Chambers—The Settlement after the Great Fire—Peter Wilkins and his Flying Wives—Fetter Lane—Waller's Plot and its Victims—Praise-God Barebone and his Doings—Charles Lamb at School—Hobbes the Philosopher—A Strange Marriage—Mrs. Brownrigge—Paul Whitehead—The Moravians—The Record Office and its Treasures—Rival Poets.
Clifford's Inn, originally a town house of the Lords Clifford, ancestors of the Earls of Cumberland, given to them by Edward II., was first let to the students of law in the eighteenth year of King Edward III., at a time when might was too often right, and hard knocks decided legal questions oftener than deed or statute. Harrison the regicide was in youth clerk to an attorney in Clifford's Inn, but when the Civil War broke out he rode off and joined the Puritan troopers.
Clifford's Inn is the oldest Inn in Chancery. There was formerly, we learn from Mr. Jay, an office there, out of which were issued writs, called "Bills of Middlesex," the appointment of which office was in the gift of the senior judge of the Queen's Bench. "But what made this Inn once noted was that all the six attorneys of the Marshalsea Court (better known as the Palace Court) had their chambers there, as also had the satellites, who paid so much per year for using their names and looking at the nature of their practice. I should say that more misery emanated from this small spot than from any one of the most populous counties in England. The causes in this courtwere obliged to be tried in the city of Westminster, near the Palace, and it was a melancholy sight (except to lawyers) to observe in the court the crowd of every description of persons suing one another. The most remarkable man in the court was the extremely fat prothonotary, Mr. Hewlett, who sat under the judge or the judge's deputy, with a wig on his head like a thrush's nest, and with only one book before him, which was one of the volumes of 'Burns' Justice.' I knew a respectable gentleman (Mr. G. Dyer) who resided here in chambers (where he died) over a firm of Marshalsea attorneys. This gentleman, who wrote a history of Cambridge University and a biography of Robinson of Cambridge, had been a Bluecoat boy, went as a Grecian to Cambridge, and, after the University, visited almost every celebrated library in Europe. It often struck me what a mighty difference there was between what was going on in the one set of chambers and the other underneath. At Mr. Dyer's I have seen Sir Walter Scott, Southey, Coleridge, Lamb, Talfourd, and many other celebrated literati, 'all benefiting by hearing, which was but of little advantage to the owner.' In the lawyers' chambers below were people wrangling, swearing, and shouting, and some, too, even fighting, the only relief to which was the eternal stamping of cognovits, bound in a book as large as a family Bible." The Lord Chief Justice of the Common Pleas and Lord Chelmsford both at one time practised in the County Court, purchased their situations for large sums, and afterwards sold them. "It was not a bad nursery for a young barrister, as he had an opportunity of addressing a jury. There were only four counsel who had a right to practise in this court, and if you took a first-rate advocate in there specially, you were obliged to give briefs to two of the privileged four. On the tombstone of one of the compensated Marshalsea attorneys is cut the bitterly ironical epitaph, "Blessed are the peacemakers: for they shall be called the children of God.""
Coke, that great luminary of English jurisprudence, resided at Clifford's Inn for a year, and then entered himself at the Inner Temple. Coke, it will be remembered, conducted the prosecution of both Essex and Raleigh; in both cases he was grossly unfeeling to fallen great men.
The George Dyer mentioned by Mr. Jay was not the author of "The Fleece," but that eccentric and amiable old scholar sketched by Charles Lamb in "The Essays of Elia." Dyer was a poet and an antiquary, and edited nearly all the 140 volumes of the Delphin Classics for Valpy. Alternately writer, Baptist minister, and reporter, he eventually settled down in the monastic solitude of Clifford's Inn to compose verses, annotate Greek plays, and write for the magazines. How the worthy, simple-hearted bookworm once walked straight from Lamb's parlour in Colebrooke Row into the New River, and was then fished out and restored with brandy-and-water, Lamb was never tired of telling. At the latter part of his life poor old Dyer became totally blind. He died in 1841.
The hall of Clifford's Inn is memorable as being the place where Sir Matthew Hale and seventeen other wise and patient judges sat, after the Great Fire of 1666, to adjudicate upon the claims of the landlords and tenants of burned houses, and prevent future lawsuits. The difficulty of discovering the old boundaries, under the mountains of ashes, must have been great; and forty thick folio volumes of decisions, now preserved in the British Museum, tell of many a legal headache in Clifford's Inn.
A very singular custom, and probably of great antiquity, prevails after the dinners at Clifford's Inn. The society is divided into two sections—the Principal and Aules, and the Junior or "Kentish Men." When the meal is over, the chairman of the Kentish Men, standing up at the Junior table, bows gravely to the Principal, takes from the hand of a servitor standing by four small rolls of bread, silently dashes them three times on the table, and then pushes them down to the further end of the board, from whence they are removed. Perfect silence is preserved during this mystic ceremony, which some antiquary who sees deeper into millstones than his brethren thinks typifies offerings to Ceres, who first taught mankind the use of laws and originated those peculiar ornaments of civilisation, their expounders, the lawyers.
In the hall is preserved an old oak folding case, containing the forty-seven rules of the institution, now almost defaced, and probably of the reign of Henry VIII. The hall casement contains armorial glass with the bearings of Baptist Hicks, Viscount Camden, &c.
Robert Pultock, the almost unknown author of that graceful story, "Peter Wilkins," from whose flying women Southey drew his poetical notion of the Glendoveer, or flying spirit, in his wild poem of "The Curse of Kehama," lived in this Inn, paced on its terrace, and mused in its garden. "'Peter Wilkins' is to my mind," says Coleridge (in his "Table Talk"), "a work of uncommon beauty, and yet Stothard's illustrations haveaddedbeauties to it. If it were not for a certain tendency to affectation, scarcely any praise could be too high for Stothard's designs. They give me great pleasure. I believe that 'Robinson Crusoe'and 'Peter Wilkins' could only have been written by islanders. No continentalist could have conceived either tale. Davis's story is an imitation of 'Peter Wilkins,' but there are many beautiful things in it, especially his finding his wife crouching by the fireside, she having, in his absence, plucked out all her feathers, to be like him! It would require a very peculiar genius to add another tale,ejusdem generis, to 'Peter Wilkins' and 'Robinson Crusoe.' I once projected such a thing, but the difficulty of a pre-occupied ground stopped me. Perhaps La Motte Fouqué might effect something; but I should fear that neither he nor any other German could entirely understand what may be called the 'desert island' feeling. I would try the marvellous line of 'Peter Wilkins,' if I attempted it, rather than therealfiction of 'Robinson Crusoe.'"
The name of the author of "Peter Wilkins" was discovered only a few years ago. In the year 1835 Mr. Nicol, the printer, sold by auction a number of books and manuscripts in his possession, which had formerly belonged to the well-known publisher, Dodsley; and in arranging them for sale, the original agreement for the sale of the manuscript of "Peter Wilkins," by the author, "Robert Pultock, of Clifford's Inn," to Dodsley, was discovered. From this document it appears that Mr. Pultock received twenty pounds, twelve copies of the work, and "the cuts of the first impression"—i.e., a set of proof impressions of the fanciful engravings that professed to illustrate the first edition of the work—as the price of the entire copyright. This curious document had been sold afterwards to John Wilkes, Esq., M.P.
Inns of Chancery, like Clifford's Inn, were originally law schools, to prepare students for the larger Inns of Court.
Fetter Lane did not derive its name from the manufacture of Newgate fetters. Stow, who died early in the reign of James I., calls it "Fewtor Lane," from the Norman-French word "fewtor" (idle person, loafer), perhaps analogous to the even less complimentary modern French word "foutre" (blackguard). Mr. Jesse, however, derives the word "fetter" from the Norman "defaytor" (defaulter), as if the lane had once been a sanctuary for skulking debtors. In either case the derivation is somewhat ignoble, but the inhabitants have long since lived it down. Stow says it was once a mere byway leading to gardens (quantum mutatus!) If men of the Bobadil and Pistol character ever did look over the garden-gates and puff their Trinidado in the faces of respectable passers-by, the lane at least regained its character later, whenpoets and philosophers condescended to live in it, and persons of considerable consequence rustled their silks and trailed their velvet along its narrow roadway.
During the Middle Ages Fetter Lane slumbered, but it woke up on the breaking out of the Civil War, and in 1643 became unpleasantly celebrated as the spot where Waller's plot disastrously terminated.
In the second year of the war between King and Parliament, the Royal successes at Bath, Bristol, and Cornwall, as well as the partial victory at Edgehill, had roused the moderate party and chilled many lukewarm adherents of the Puritans. The distrust of Pym and his friends soon broke out into a reactionary plot, or, more probably, two plots, in one or both of which Waller, the poet, was dangerously mixed up. The chief conspirators were Tomkins and Challoner, the former Waller's brother-in-law, a gentleman living in Holborn, near the end of Fetter Lane, and a secretary to the Commissioners of the Royal Revenues; the latter an eminent citizen, well known on 'Change. Many noblemen and Cavalier officers and gentlemen had also a whispering knowledge of the ticklish affair. The projects of these men, or of some of the more desperate, at least, were—(1) to secure the king's children; (2) to seize Mr. Pym, Colonel Hampden, and other members of Parliament specially hostile to the king; (3) to arrest the Puritan Lord Mayor, and all the sour-faced committee of the City Militia; (4) to capture the outworks, forts, magazines, and gates of the Tower and City, and to admit 3,000 Cavaliers sent from Oxford by a pre-arranged plan; (5) to resist all payments imposed by Parliament for support of the armies of the Earl of Essex. Unfortunately, just as the white ribbons were preparing to tie round the arms of the conspirators, to mark them on the night of action, a treacherous servant of Mr. Tomkins, of Holborn, overheard Waller's plans from behind a convenient arras, and disclosed them to the angry Parliament. In a cellar at Tomkins's the soldiers who rummaged it found a commission sent from the king by Lady Aubigny, whose husband had been recently killed at Edgehill.
Tomkins and Challoner were hung at the Holborn end of Fetter Lane. On the ladder, Tomkins said:—"Gentlemen, I humbly acknowledge, in the sight of Almighty God (to whom, and to angels, and to this great assembly of people, I am now a spectacle), that my sins have deserved of Him this untimely and shameful death; and, touching the business for which I suffer, I acknowledge that affection to a brother-in-law, and affection and gratitude to the king, whose bread I have eatennow about twenty-two years (I have been servant to him when he was prince, and ever since: it will be twenty-three years in August next)—I confess these two motives drew me into this foolish business. I have often since declared to good friends that I was glad it was discovered, because it might have occasioned very ill consequences; and truly I have repented having any hand in it."
Challoner was equally fatal against Waller, and said, when at the same giddy altitude as Tomkins, "Gentlemen, this is the happiest day that ever I had. I shall now, gentlemen, declare a little more of the occasion of this, as I am desired by Mr. Peters [the famous Puritan divine, Hugh Peters] to give him and the world satisfaction in it. It came from Mr. Waller, under this notion, that if we could make a moderate party here in London, and stand betwixt and in the gap to unite the king and the Parliament, it would be a very acceptable work, for now the three kingdoms lay a-bleeding; and unless that were done, there was no hopes to unite them," &c.
Waller had a very narrow escape, but he extricated himself with the most subtle skill, perhaps secretly aided by his kinsman, Cromwell. He talked of his "carnal eye," of his repentance, of the danger of letting the army try a member of the House. As Lord Clarendon says: "With incredible dissimulation he acted such a remorse of conscience, that his trial was put off, out of Christian compassion, till he could recover his understanding." In the meantime, he bribed the Puritan preachers, and listened with humble deference to their prayers for his repentance. He bent abjectly before the House; and eventually, with a year's imprisonment and a fine of £10,000, obtained leave to retire to France. Having spent all his money in Paris, Waller at last obtained permission from Cromwell to return to England. "There cannot," says Clarendon, "be a greater evidence of the inestimable value of his (Waller's) parts, than that he lived after this in the good esteem and affection of many, the pity of most, and the reproach and scorn of few or none." The body of the unlucky Tomkins was buried in the churchyard of St. Andrew's, Holborn.
According to Peter Cunningham, that shining light of the Puritan party in the early days of Cromwell, "Praise-God Barebone," was a leather-seller in Fetter Lane, having a house, either at the same time or later, called the "Lock and Key," near Crane Court, at which place his son, a great speculator and builder, afterwards resided. Barebone (probably Barbon, of a French Huguenotfamily) was one of those gloomy religionists who looked on surplices, plum-porridge, theatres, dances, Christmas pudding, and homicide as equally detestable, and did his best to shut out all sunshine from that long, rainy, stormy day that is called life. He was at the head of that fanatical, tender-conscienced Parliament of 1653 that Cromwell convened from among the elect in London, after untoward Sir Harry Vane had been expelled from Westminster at the muzzles of Pride's muskets. Of Barebone, also, and his crochetty, impracticable fellows, Cromwell had soon enough; and, in despair of all aid but from his own brain and hand, he then took the title of Lord Protector, and became the most inflexible and wisest monarch we have ever had, or indeed ever hope to have. Barebone is first heard of in local history as preaching in 1641, together with Mr. Greene, a felt-maker, at a conventicle in Fetter Lane, a place always renowned for its heterodoxy. The thoughtless Cavaliers, who did not like long sermons, and thought all religion but their own hypocrisy, delighted in gaunt Barebone's appropriate name, and made fun of him in those ribald ballads in which they consigned red-nosed Noll, the brewer, to the reddest and hottest portion of the unknown world. At the Restoration, when all Fleet Street was ablaze with bonfires to roast the Rumps, the street boys, always on the strongest side, broke poor Barebone's windows, though he had been constable and common-councilman, and was a wealthy leather-seller to boot. But he was not looked upon as of the regicide or extreme dangerous party, and a year afterwards attended a vestry-meeting unmolested. After the Great Fire he came to the Clifford's Inn Appeal Court about his Fleet Street house, which had been burnt over the heads of his tenants, and eventually he rebuilt it.
In Irving's "History of Dissenters" there is a curious account, from an old pamphlet entitled "New Preachers," "of Barebone, Greene the felt-maker, Spencer the horse-rubber, Quartermaine the brewer's clerk, and some few others, who are mighty sticklers in this new kind of talking trade, which many ignorant coxcombs call preaching; whereunto is added the last tumult in Fleet Street, raised by the disorderly preachment, pratings, and prattlings of Mr. Barebone the leather-seller, and Mr. Greene the felt-maker, on Sunday last, the 19th December."
The tumult alluded to is thus described: "A brief touch in memory of the fiery zeal of Mr. Barebone, a reverend unlearned leather-seller, who with Mr. Greene the felt-maker were both taken preaching or prating in a conventicleamongst a hundred persons, on Sunday, the 19th of December last, 1641."
One of the pleasantest memories of Fetter Lane is that which connects it with the school-days of that delightful essay-writer, Charles Lamb. He himself, in one of Hone's chatty books, has described the school, and Bird, its master, in his own charming way.