“‘Passing rich with forty pounds a year.’
“When I was in the country, the lower chambers were inhabited by pigs and sheep, and the drawing-rooms by oats. Captain Hogan, however, has, I believe, got it since into his possession, and has, of course, improved its condition.
“Though at first strongly inclined to dispute the identity of Auburn, Lissoy House overcame my scruples. As I clambered over the rotten gate, and crossed the grass-grown lawn or court, the tide of association became too strong for casuistry; here the poet dwelt and wrote, and here his thoughts fondly recurred when composing his Traveler in a foreign land. Yonder was the decent church, that literally ‘topped the neighboring hill.’ Before me lay the little hill of Knockrue, on which he declares, in one of his letters, he had rather sit with a book in hand than mingle in the proudest assemblies. And, above all, startlingly true, beneath my feet was
“‘Yonder copse, where once the garden smiled,And still where many a garden-flower grows wild.’
“A painting from the life could not be more exact. ‘The stubborn currant-bush’ lifts its head above the rank grass, and the proud hollyhock flaunts where its sisters of the flower-knot are no more.
“In the middle of the village stands the old ‘hawthorn-tree,’ built up with masonry to distinguish and preserve it; it is old and stunted, and suffers much from the depredations of post-chaise travelers, who generally stop to procure a twig. Opposite to it is the village alehouse, over the door of which swings ‘The Three Jolly Pigeons.’ Within everything is arranged according to the letter:
‘The whitewash’d wall, the nicely-sanded floor,The varnish’d clock that click’d behind the door:The chest, contrived a double debt to pay,A bed by night, a chest of drawers by day;The pictures placed for ornament and use,The twelve good rules, the royal game of goose.’
“Captain Hogan, I have heard, found great difficulty in obtaining ‘the twelve good rules,’ but at length purchased them at some London bookstall to adorn the whitewashed parlor of ‘The Three Jolly Pigeons.’ However laudable this may be, nothing shook my faith in the reality of Auburn so much as this exactness, which had the disagreeable air of being got up for the occasion. The last object of pilgrimage is the quondam habitation of the schoolmaster,
“‘There, in his noisy mansion, skill’d to rule.’
“It is surrounded with fragrant proofs of identity in
“‘The blossom’d furze, unprofitably gay.’
“There is to be seen the chair of the poet, which fell into the hands of its present possessors at the wreck of the parsonage-house; they have frequently refused large offers of purchase; but more, I daresay, for the sake of drawing contributions from the curious than from any reverence for the bard. The chair is of oak, with back and seat of cane, which precluded all hopes of a secret drawer, like that lately discovered in Gay’s. There is no fear of its being worn out by the devout earnestness of sitters—as the cocks and hens have usurped undisputed possession of it, and protest most clamorously against all attempts to get it cleansed or to seat one’s self.
“The controversy concerning the identity of this Auburn was formerly a standing theme of discussion among the learned of the neighborhood; but, since the pros and cons have been all ascertained, the argument has died away. Its abettors plead the singular agreement between the local history of the place and the Auburn of the poem, and the exactness with which the scenery of the one answers to the description of the other. To this is opposed the mention of the nightingale,
“‘And fill’d each pause the nightingale had made’;
there being no such bird in the island. The objection is slighted, on the other hand, by considering the passage as a mere poetical license. ‘Besides,’ say they, ‘the robin is the Irish nightingale.’ And if it be hinted how unlikely it was that Goldsmith should have laid the scene in a place from which he was and had been so long absent, the rejoinder is always, ‘Pray, sir, was Milton in hell when he built Pandemonium?’
“The line is naturally drawn between; there can be no doubt that the poet intended England by
“‘The land to hast’ning ills a prey,Where wealth accumulates and men decay.’
“But it is very natural to suppose that, at the same time, his imagination had in view the scenes of his youth, which give such strong features of resemblance to the picture.”
Best, an Irish clergyman, told Davis, the traveler in America, that the hawthorn-bush mentioned in the poem was still remarkably large. “I was riding once,” said he, “with Brady, titular Bishop of Ardagh, when he observed to me, ‘Ma foy, Best, this huge overgrown bush is mightily in the way. I will order it to be cut down.’ ‘What, sir!’ replied I, ‘cut down the bush that supplies so beautiful an image in The Deserted Village?’—‘Ma foy!’ exclaimed the bishop, ‘is that the hawthorn-bush? Then let it be sacred from the edge of the ax, and evil be to him that should cut off a branch.’ “—The hawthorn-bush, however, has long since been cut up, root and branch, in furnishing relics to literary pilgrims.
THE POET AMONG THE LADIES—DESCRIPTION OF HIS PERSON AND MANNERS—EXPEDITION TO PARIS WITH THE HORNECK FAMILY—THE TRAVELER OF TWENTY AND THE TRAVELER OF FORTY—HICKEY, THE SPECIAL ATTORNEY—AN UNLUCKY EXPLOIT
The Deserted Village had shed an additional poetic grace round the homely person of the author; he was becoming more and more acceptable in ladies’ eyes, and finding himself more and more at ease in their society; at least in the society of those whom he met in the Reynolds circle, among whom he particularly affected the beautiful family of the Hornecks.
But let us see what were really the looks and manners of Goldsmith about this time, and what right he had to aspire to ladies’ smiles; and in so doing let us not take the sketches of Boswell and his compeers, who had a propensity to represent him in caricature; but let us take the apparently truthful and discriminating picture of him as he appeared to Judge Day, when the latter was a student in the Temple.
“In person,” says the judge, “he was short; about five feet five or six inches; strong, but not heavy in make; rather fair in complexion, with brown hair; such, at least, as could be distinguished from his wig. His features were plain, but not repulsive—certainly not so when lighted up by conversation. His manners were simple, natural, and perhaps on the whole, we may say, not polished; at least without the refinement and good-breeding which the exquisite polish of his compositions would lead us to expect. He was always cheerful and animated, often, indeed, boisterous in his mirth; entered with spirit into convivial society; contributed largely to its enjoyments by solidity of information, and the naïvete and originality of his character; talked often without premeditation, and laughed loudly without restraint.”
This, it will be recollected, represents him as he appeared to a young Templar, who probably saw him only in Temple coffee-houses, at students’ quarters, or at the jovial supper parties given at the poet’s own chambers; here, of course, his mind was in its rough dress; his laugh may have been loud and his mirth boisterous; but we trust all these matters became softened and modified when he found himself in polite drawing-rooms and in female society.
But what say the ladies themselves of him; and here, fortunately, we have another sketch of him, as he appeared at the time to one of the Horneck circle; in fact, we believe, to the Jessamy Bride herself. After admitting, apparently with some reluctance, that “he was a very plain man,” she goes on to say, “but had he been much more so, it was impossible not to love and respect his goodness of heart, which broke out on every occasion. His benevolence was unquestionable, andhis countenance bore every trace of it: no one that knew him intimately could avoid admiring and loving his good qualities.” When to all this we add the idea of intellectual delicacy and refinement associated with him by his poetry and the newly plucked bays that were flourishing round his brow, we cannot be surprised that fine and fashionable ladies should be proud of his attentions, and that even a young beauty should not be altogether displeased with the thoughts of having a man of his genius in her chains.
We are led to indulge some notions of the kind from finding him in the month of July, but a few weeks after the publication of the Deserted Village, setting off on a six weeks’ excursion to Paris, in company with Mrs. Horneck and her two beautiful daughters. A day or two before his departure we find another new gala suit charged to him on the books of Mr. William Filby. Were the bright eyes of the Jessamy Bride responsible for this additional extravagance of wardrobe? Goldsmith had recently been editing the works of Parnell; had he taken courage from the example of Edwin in the fairy tale?—
“Yet spite of all that nature didTo make his uncouth form forbid,This creature dared to love.He felt the force of Edith’s eyes,Nor wanted hope to gain the prizeCould ladies look within—”
All this we throw out as mere hints and surmises, leaving it to our readers to draw their own conclusions. It will be found, however, that the poet was subjected to shrewd bantering among his contemporaries about the beautiful Mary Horneck, and that he was extremely sensitive on the subject.
It was in the month of June that he set out for Paris with his fair companions, and the following letter was written by him to Sir Joshua Reynolds, soon after the party landed at Calais:
“MY DEAR FRIEND—We had a very quick passage from Dover to Calais, which we performed in three hours and twenty minutes, all of us extremely seasick, which must necessarily have happened, as my machine to prevent seasickness was not completed. We were glad to leave Dover, because we hated to be imposed upon; so were in high spirits at coming to Calais, where we were told that a little money would go a great way.
“Upon landing, with two little trunks, which was all we carried with us, we were surprised to see fourteen or fifteen fellows all running down to the ship to lay their hands upon them; four got under each trunk, the rest surrounded and held the hasps; and in this manner our little baggage was conducted, with a kind of funeral solemnity, till it was safely lodged at the custom-house. We were well enough pleased with the people’s civility till they came to be paid; every creature that had the happiness of but touching our trunks with their finger expected sixpence; and they had so pretty and civil a manner of demanding it that there was no refusing them.
“When we had done with the porters, we had next to speak with the custom-house officers, who had their pretty civil ways too. We were directed to the Hotel d’Angleterre, where a valet-de-place came to offer his service, and spoke to me ten minutes before I once found out that he was speaking English. We had no occasion for his services, so we gave him a little money because he spoke English, and because he wanted it. I cannot help mentioning another circumstance: I bought a new ribbon for my wig at Canterbury, and the barber at Calais broke it in order to gain sixpence by buying me a new one.”
An incident which occurred in the course of this tour has been tortured by that literary magpie, Boswell, into a proof of Goldsmith’s absurd jealousy of any admiration shown to others in his presence. While stopping at a hotel in Lisle, they were drawn to the windows by a military parade in front. The extreme beauty of the Misses Horneck immediately attracted the attention of the officers, who broke forth with enthusiastic speeches and compliments intended for their ears. Goldsmith was amused for a while, but at length affected impatience at this exclusive admiration of his beautiful companions, and exclaimed, with mock severity of aspect, “Elsewhere I also would have my admirers.”
It is difficult to conceive the obtuseness of intellect necessary to misconstrue so obvious a piece of mock petulance and dry humor into an instance of mortified vanity and jealous self-conceit.
Goldsmith jealous of the admiration of a group of gay officers for the charms of two beautiful young women! This even out-Boswells Boswell; yet this is but one of several similar absurdities, evidently misconceptions of Goldsmith’s peculiar vein of humor, by which the charge of envious jealousy has been attempted to be fixed upon him. In the present instance it was contradicted by one of the ladies herself, who was annoyed that it had been advanced against him. “I am sure,” said she, “from the peculiar manner of his humor, and assumed frown of countenance, what was often uttered in jest was mistaken, by those who did not know him, for earnest.” No one was more prone to err on this point than Boswell. He had a tolerable perception of wit, but none of humor.
The following letter to Sir Joshua Reynolds was subsequently written:
“ToSir Joshua Reynolds.
“PARIS,July 29 (1770).
“MY DEAR FRIEND—I began a long letter to you from Lisle, giving a description of all that we had done and seen, but, finding it very dull, and knowing that you would show it again, I threw it aside and it was lost. You see by the top of this letter that we are at Paris, and (as I have often heard you say) we have brought our own amusement with us, for the ladies do not seem to be very fond of what we have yet seen.
“With regard to myself, I find that traveling at twenty and forty are very different things. I set out with all my confirmed habits about me, and can find nothing on the Continent so good as when I formerly left it. One of our chief amusements here is scolding at everything we meet with, and praising everything and every person we left at home. You may judge, therefore, whether your name is not frequently bandied at table among us. To tell you the truth, I never thought I could regret your absence so much as our various mortifications on the road have often taught me to do. I could tell you of disasters and adventures without number; of our lying in barns, and of my being half poisoned with a dish of green peas; of our quarreling with postilions, and being cheated by our landladies; but I reserve all this for a happy hour which I expect to share with you upon my return.
“I have little to tell you more but that we are at present all well, and expect returning when we have stayed out one month, which I did not care if it were over this very day. I long to hear from you all, how you yourself do, how Johnson, Burke, Dyer, Chamier, Colman, and every one of the club do. I wish I could send you some amusement in this letter, but I protest I am so stupefied by the air of this country (for I am sure it cannot be natural) that I have not a word to say. I have been thinking of the plot of a comedy, which shall be entitled A Journey to Paris, in which a family shall be introduced with a full intention of going to France to save money. You know there is not a place in the world more promising for that purpose. As for the meat of this country, I can scarce eat it; and, though we pay two good shillings a head for our dinner, I find it all so tough that I have spent less time with my knife than my picktooth. I said this as a good thing at the table, but it was not understood. I believe it to be a good thing.
“As for our intended journey to Devonshire, I find it out of my power to perform it; for, as soon as I arrive at Dover, I intend to let the ladies go on, and I will take a country lodging somewhere near that place in order to do some business. I have so outrun the constable that I must mortify a little to bring it up again. For God’s sake, the night you receive this, take your pen in your hand and tell me something about yourself and myself, if you know anything that has happened. About Miss Reynolds, about Mr. Bickerstaff, my nephew, or anybody that you regard. I beg you will send to Griffin the bookseller to know if there be any letters left for me, and be so good as to send them to me at Paris. They may perhaps be left for me at the Porter’s Lodge, opposite the pump in Temple Lane. The same messenger will do. I expect one from Lord Clare, from Ireland. As for the others, I am not much uneasy about.
“Is there anything I can do for you at Paris? I wish you would tell me. The whole of my own purchases here is one silk coat, which I have put on, and which makes me look like a fool. But no more of that. I find that Colman has gained his lawsuit. I am glad of it. I suppose you often meet. I will soon be among you, better pleased with my situation at home than I ever was before. And yet I must say that, if anything could make France pleasant, the very good women with whom I am at present would certainly do it. I could say more about that, but I intend showing them the letter before I send it away. What signifies teasing you longer with moral observations, when the business of my writing is over? I have one thing only more to say, and of that I think every hour in the day; namely, that I am your most sincere and most affectionate friend,
“Direct to me at the Hotel de Danemarc,Rue Jacob, Fauxbourg St. Germains.”
A word of comment on this letter:
Traveling is, indeed, a very different thing with Goldsmith the poor student at twenty, and Goldsmith the poet and professor at forty. At twenty, though obliged to trudge on foot from town to town, and country to country, paying for a supper and a bed by a tune on the flute, everything pleased, everything was good; a truckle bed in a garret was a conch of down, and the homely fare of the peasant a feast fit for an epicure. Now, at forty, when he posts through the country in a carriage, with fair ladies by his side, everything goes wrong: he has to quarrel with postilions, he is cheated by landladies, the hotels are barns, the meat is too tough to be eaten, and he is half poisoned by green peas! A line hi his letter explains the secret: “The ladies do not seem to be very fond of what we have yet seen.” “One of our chief amusements is scolding at everything we meet with, and praising everything and every person we have left at home!” the true English traveling amusement. Poor Goldsmith! he has “all hisconfirmedhabits about him”; that is to say, he has recently risen into high life, and acquired highbred notions; he must be fastidious like his fellow-travelers; he dare not be pleased with what pleased the vulgar tastes of his youth. He is unconsciously illustrating the trait so humorously satirized by him in Bill Tibbs, the shabby beau, who can find “no such dressing as he had at Lord Crump’s or Lady Crimp’s”; whose very senses have grown genteel, and who no longer “smacks at wretched wine or praises detestable custard.” A lurking thorn, too, is worrying him throughout this tour; he has “outrun the constable”; that is to say, his expenses have outrun his means, and he will have to make up for this butterfly flight by toiling like a grub on his return.
Another circumstance contributes to mar the pleasure he had promised himself in this excursion. At Paris the party is unexpectedly joined by a Mr. Hickey, a bustling attorney, who is well acquainted with that metropolis and its environs, and insists on playing the cicerone on all occasions. He and Goldsmith do not relish each other, and they have several petty altercations. The lawyer is too much a man of business and method for the careless poet, and is disposed to manage everything. He has perceived Goldsmith’s whimsical peculiarities without properly appreciating his merits, and is prone to indulge in broad bantering and raillery at his expense, particularly irksome if indulged in presence of the ladies. He makes himself merry on his return to England, by giving the following anecdote as illustrative of Goldsmith’s vanity:
“Being with a party at Versailles, viewing the waterworks, a question arose among the gentlemen present, whether the distance from whence they stood to one of the little islands was within the compass of a leap. Goldsmith maintained the affirmative; but, being bantered on the subject, and remembering his former prowess as a youth, attempted the leap, but, falling short, descended into the water, to the great amusement of the company.”
Was the Jessamy Bride a witness of this unlucky exploit?
This same Hickey is the one of whom Goldsmith, some time subsequently, gave a good-humored sketch in his poem of The Retaliation.
“Here Hickey reclines, a most blunt, pleasant creature,And slander itself must allow him good nature;He cherish’d his friend, and he relish’d a bumper,Yet one fault he had, and that one was a thumper.Perhaps you may ask if the man was a miser;I answer No, no, for he always was wiser;Too courteous, perhaps, or obligingly flat,His very worst foe can’t accuse him of that;Perhaps he confided in men as they go,And so was too foolishly honest? Ah, notThen what was his failing? Come, tell it, and burn ye—He was, could he help it? a special attorney.”
One of the few remarks extant made by Goldsmith during his tour is the following, of whimsical import, in his Animated Nature.
“In going through the towns of France, some time since, I could not help observing how much plainer their parrots spoke than ours, and how very distinctly I understood their parrots speak French, when I could not understand our own, though they spoke my native language. I at first ascribed it to the different qualities of the two languages, and was for entering into an elaborate discussion on the vowels and consonants; but a friend that was with me solved the difficulty at once, by assuring me that the French women scarce did anything else the whole day than sit and instruct their feathered pupils; and that the birds were thus distinct in their lessons in consequence of continual schooling.”
His tour does not seem to have left in his memory the most fragrant recollections; for, being asked, after his return, whether traveling on the Continent repaid “an Englishman for the privations and annoyances attendant on it,” he replied, “I recommend it by all means to the sick, if they are without the sense ofsmelling, and to the poor, if they are without the sense offeeling; and to both, if they can discharge from their minds all idea of what in England we term comfort.”
It is needless to say that the universal improvement in the art of living on the Continent has at the present day taken away the force of Goldsmith’s reply, though even at the time it was more humorous than correct.
DEATH OF GOLDSMITH’S MOTHER—BIOGRAPHY OF PARNELL—AGREEMENT WITH DAVIES FOR THE HISTORY OF ROME—LIFE OP BOLINGBROKE—THE HAUNCH OF VENISON
On his return to England, Goldsmith received the melancholy tidings of the death of his mother. Notwithstanding the fame as an author to which he had attained, she seems to have been disappointed in her early expectations from him. Like others of his family, she had been more vexed by his early follies than pleased by his proofs of genius; and in subsequent years, when he had risen to fame and to intercourse with the great, had been annoyed at the ignorance of the world and want of management, which prevented him from pushing his fortune. He had always, however, been an affectionate son, and in the latter years of her life, when she had become blind, contributed from his precarious resources to prevent her from feeling want.
He now resumed the labors of the pen, which his recent excursion to Paris rendered doubly necessary. We should have mentioned a Life of Parnell, published by him shortly after the Deserted Village. It was, as usual, a piece of job work, hastily got up for pocket-money. Johnson spoke slightingly of it, and the author, himself, thought proper to apologize for its meagerness; yet, in so doing, used a simile which for beauty of imagery and felicity of language is enough of itself to stamp a value upon the essay.
“Such,” says he, “is the very unpoetical detail of the life of a poet. Some dates and some few facts, scarcely more interesting than those that make the ornaments of a country tombstone, are all that remain of one whose labors now begin to excite universal curiosity. A poet, while living, is seldom an object sufficiently great to attract much attention; his real merits are known but to a few, and these are generally sparing in their praises. When his fame is increased by time, it is then too late to investigate the peculiarities of his disposition;the dews of morning are past, and we vainly try to continue the chase by the meridian splendor.”
He now entered into an agreement with Davies to prepare an abridgment, in one volume duodecimo, of his History of Rome; but first to write a work for which there was a more immediate demand. Davies was about to republish Lord Bolingbroke’s Dissertation on Parties, which he conceived would be exceedingly applicable to the affairs of the day, and make a probablehitduring the existing state of violent political excitement; to give it still greater effect and currency he engaged Goldsmith to introduce it with a prefatory life of Lord Bolingbroke.
About this time Goldsmith’s friend and countryman, Lord Clare, was in great affliction, caused by the death of his only son, Colonel Nugent, and stood in need of the sympathies of a kind-hearted friend. At his request, therefore, Goldsmith paid him a visit at his noble seat of Gosford, taking his tasks with him. Davies was in a worry lest Gosford Park should prove a Capua to the poet, and the time be lost. “Dr. Goldsmith,” writes he to a friend, “has gone with Lord Clare into the country, and I am plagued to get the proofs from him of the Life of Lord Bolingbroke.” The proofs, however, were furnished in time for the publication of the work in December. The Biography, though written during a time of political turmoil, and introducing a work intended to be thrown into the arena of politics, maintained that freedom from party prejudice observable in all the writings of Goldsmith. It was a selection of facts drawn from many unreadable sources, and arranged into a clear, flowing narrative, illustrative of the career and character of one who, as he intimates, “seemed formed by nature to take delight in struggling with opposition; whose most agreeable hours were passed in storms of his own creating; whose life was spent in a continual conflict of politics, and as if that was too short for the combat, has left his memory as a subject of lasting contention.” The sum received by the author for this memoir is supposed, from circumstances, to have been forty pounds.
Goldsmith did not find the residence among the great unattended with mortifications. He had now become accustomed to be regarded in London as a literary lion, and was annoyed at what he considered a slight on the part of Lord Camden. He complained of it on his return to town at a party of his friends. “I met him,” said he, “at Lord Clare’s house in the country; and he took no more notice of me than if I had been an ordinary man.” “The company,” says Boswell, “laughed heartily at this piece of ‘diverting simplicity.’” And foremost among the laughters was doubtless the rattle-pated Boswell. Johnson, however, stepped forward, as usual, to defend the poet, whom he would allow no one to assail but himself; perhaps in the present instance he thought the dignity of literature itself involved in the question. “Nay, gentlemen,” roared he, “Dr. Goldsmith is in the right. A nobleman ought to have made up to such a man as Goldsmith, and I think it is much against Lord Camden that he neglected him.”
After Goldsmith’s return to town he received from Lord Clare a present of game, which he has celebrated and perpetuated in his amusing verses entitled the Haunch of Venison. Some of the lines pleasantly set forth the embarrassment caused by the appearance of such an aristocratic delicacy in the humble kitchen of a poet, accustomed to look up to mutton as a treat:
“Thanks, my lord, for your venison; for finer or fatterNever rang’d in a forest, or smok’d in a platter:The haunch was a picture for painters to study,The fat was so white, and the lean was so ruddy;Though my stomach was sharp, I could scarce help regretting,To spoil such a delicate picture by eating:I had thought in my chambers to place it in view,To be shown to my friends as a piece of virtu;As in some Irish houses where things are so-so,One gammon of bacon hangs up for a show;But, for eating a rasher, of what they take pride in,They’d as soon think of eating the pan it was fry’d in.* * * * * * *“But hang it—to poets, who seldom can eat,Your very good mutton’s a very good treat;Such dainties to them, their health it might hurt;It’s like sending them ruffles, when wanting a shirt.”
We have an amusing anecdote of one of Goldsmith’s blunders which took place on a subsequent visit to Lord Clare’s, when that nobleman was residing in Bath.
Lord Clare and the Duke of Northumberland had houses next to each other, of similar architecture. Returning home one morning from an early walk, Goldsmith, in one of his frequent fits of absence, mistook the house, and walked up into the duke’s dining-room, where he and the duchess were about to sit down to breakfast. Goldsmith, still supposing himself in the house of Lord Clare, and that they were visitors, made them an easy salutation, being acquainted with, them, and threw himself on a sofa in the lounging manner of a man perfectly at home. The duke and duchess soon perceived his mistake, and, while they smiled internally, endeavored, with the considerateness of well-bred people, to prevent any awkward embarrassment. They accordingly chatted sociably with him about matters in Bath, until, breakfast being served, they invited him to partake. The truth at once flashed upon poor heedless Goldsmith; he started up from the free-and-easy position, made a confused apology for his blunder, and would have retired perfectly disconcerted, had not the duke and duchess treated the whole as a lucky occurrence to throw him in their way, and exacted a promise from him to dine with them.
This may be hung up as a companion-piece to his blunder on his first visit to Northumberland House.
DINNER AT THE ROYAL ACADEMY—THE ROWLEY CONTROVERSY—HORACE WALPOLE’S CONDUCT TO CHATTERTON—JOHNSON AT REDCLIFFE CHURCH—GOLDSMITH’S HISTORY OF ENGLAND—DAVIES’ CRITICISM—LETTER TO BENNET LANGTON
On St. George’s day of this year (1771), the first annual banquet of the Royal Academy was held in the exhibition room; the walls of which were covered with works of art, about to be submitted to public inspection. Sir Joshua Reynolds, who first suggested this elegant festival, presided in his official character; Drs. Johnson and Goldsmith, of course, were present, as professors of the academy; and, besides the academicians, there was a large number of the most distinguished men of the day as guests. Goldsmith on this occasion drew on himself the attention of the company by launching out with enthusiasm on the poems recently given to the world by Chatterton as the works of an ancient author by the name of Rowley, discovered in the tower of Redcliffe Church, at Bristol. Goldsmith spoke of them with rapture, as a treasure of old English poetry. This immediately raised the question of their authenticity; they having been pronounced a forgery of Chatterton’s. Goldsmith was warm for their being genuine. When he considered, he said, the merit of the poetry; the acquaintance with life and the human heart displayed in them, the antique quaintness of the language and the familiar knowledge of historical events of their supposed day, he could not believe it possible they could be the work of a boy of sixteen, of narrow education, and confined to the duties of an attorney’s office. They must be the productions of Rowley.
Johnson, who was a stout unbeliever in Rowley, as he had been in Ossian, rolled in his chair and laughed at the enthusiasm of Goldsmith. Horace Walpole, who sat near by, joined in the laugh and jeer as soon as he found that the “trouvaille,” as he called it, “ofhis friendChatterton” was in question. This matter, which had excited the simple admiration of Goldsmith, was no novelty to him, he said. “He might, had he pleased, have had the honor of ushering the great discovery to the learned world.” And so he might, had he followed his first impulse in the matter, for he himself had been an original believer; had pronounced some specimen verses sent to him by Chatterton wonderful for their harmony and spirit; and had been ready to print them and publish them to the world with his sanction. When he found, however, that his unknown correspondent was a mere boy, humble in sphere and indigent in circumstances, and when Gray and Mason pronounced the poems forgeries, he had changed his whole conduct toward the unfortunate author, and by his neglect and coldness had dashed all his sanguine hopes to the ground.
Exulting in his superior discernment, this cold-hearted man of society now went on to divert himself, as he says, with the credulity of Goldsmith, whom he was accustomed to pronounce “an inspired idiot”; but his mirth was soon dashed, for on asking the poet what had become of this Chatterton, he was answered, doubtless in the feeling tone of one who had experienced the pangs of despondent genius, that “he had been to London and had destroyed himself.”
The reply struck a pang of self-reproach even to the cold heart of Walpole; a faint blush may have visited his cheek at his recent levity. “The persons of honor and veracity who were present,” said he in after years, when he found it necessary to exculpate himself from the charge of heartless neglect of genius, “will attest with what surprise and concern. I thus first heard of his death.” Well might he feel concern. His cold neglect had doubtless contributed to madden the spirit of that youthful genius, and hurry him toward his untimely end; nor have all the excuses and palliations of Walpole’s friends and admirers been ever able entirely to clear this stigma from his fame.
But what was there in the enthusiasm and credulity of honest Goldsmith in this matter to subject him to the laugh of Johnson or the raillery of Walpole? Granting the poems were not ancient, were they not good? Granting they were not the productions of Rowley, were they the less admirable for being the productions of Chatterton? Johnson himself testified to their merits and the genius of their composer when, some years afterward, he visited the tower of Redcliffe Church, and was shown the coffer in which poor Chatterton had pretended to find them. “This,” said he, “is the most extraordinary young man that has encountered my knowledge.It is wonderful how the whelp has written such things.”
As to Goldsmith, he persisted in his credulity, and had subsequently a dispute with Dr. Percy on the subject, which interrupted and almost destroyed their friendship. After all, his enthusiasm was of a generous, poetic kind; the poems remain beautiful monuments of genius, and it is even now difficult to persuade one’s self that they could be entirely the productions of a youth of sixteen.
In the month of August was published anonymously the History of England, on which Goldsmith had been for some time employed. It was in four volumes, compiled chiefly, as he acknowledged in the preface, from Rapin, Carle, Smollett and Hume, “each of whom,” says he, “have their admirers, in proportion as the reader is studious of political antiquities, fond of minute anecdote, a warm partisan, or a deliberate reasoner.” It possessed the same kind of merit as his other historical compilations; a clear, succinct narrative, a simple, easy, and graceful style, and an agreeable arrangement of facts; but was not remarkable for either depth of observation or minute accuracy of research. Many passages were transferred, with little if any alteration, from his Letters from a Nobleman to his Son on the same subject. The work, though written without party feeling, met with sharp animadversions from political scribblers. The writer was charged with being unfriendly to liberty, disposed to elevate monarchy above its proper sphere; a tool of ministers; one who would betray his country for a pension. Tom Davies, the publisher, the pompous little bibliopole of Russell Street, alarmed lest the book should prove unsalable, undertook to protect it by his pen, and wrote a long article in its defense in “The Public Advertiser.” He was vain of his critical effusion, and sought by nods and winks and innuendoes to intimate his authorship. “Have you seen,” said he in a letter to a friend, “‘An Impartial Account of Goldsmith’s History of England’? If you want to know who was the writer of it, you will find him in Russell Street—but mum!”
The history, on the whole, however, was well received; some of the critics declared that English history had never before been so usefully, so elegantly, and agreeably epitomized, “and, like his other historical writings, it has kept its ground” in English literature.
Goldsmith had intended this summer, in company with Sir Joshua Reynolds, to pay a visit to Bennet Langton, at his seat in Lincolnshire, where he was settled in domestic life, having the year previously married the Countess Dowager of Rothes. The following letter, however, dated from his chambers in the Temple, on the 7th of September, apologizes for putting off the visit, while it gives an amusing account of his summer occupations and of the attacks of the critics on his History of England:
“MY DEAR SIR—Since I had the pleasure of seeing you last, I have been almost wholly in the country, at a farmer’s house, quite alone, trying to write a comedy. It is now finished; but when or how it will be acted, or whether it will be acted at all, are questions I cannot resolve. I am therefore so much employed upon that, that I am under the necessity of putting off my intended visit to Lincolnshire for this season. Reynolds is just returned from Paris, and finds himself now in the case of a truant that must make up for his idle time by diligence. We have therefore agreed to postpone our journey till next summer, when we hope to have the honor of waiting upon Lady Rothes and you, and staying double the time of our late intended visit. We often meet, and never without remembering you. I see Mr. Beauclerc very often both in town and country. He is now going directly forward to become a second Boyle; deep in chemistry and physics. Johnson has been down on a visit to a country parson, Dr. Taylor; and is returned to his old haunts at Mrs. Thrale’s. Burke is a farmer,en attendanta better place; but visiting about too. Every soul is visiting about and merry but myself. And that is hard too, as I have been trying these three months to do something to make people laugh. There have I been strolling about the hedges, studying jests with a most tragical countenance. The Natural History is about half finished, and I will shortly finish the rest. God knows I am tired of this kind of finishing, which is but bungling work; and that not so much my fault as the fault of my scurvy circumstances. They begin to talk in town of the Opposition’s gaining ground; the cry of liberty is still as loud as ever. I have published, or Davies has published for me, an ‘Abridgment of the History of England,’ for which I have been a good deal abused in the newspapers, for betraying the liberties of the people. God knows I had no thought for or against liberty in my head; my whole aim being to make up a book of a decent size, that, as ‘Squire Richard says,would do no harm to nobody. However, they set me down as an arrant Tory, and consequently an honest man. When you come to look at any part of it, you’ll say that I am a sore Whig. God bless you, and with my most respectful compliments to her ladyship, I remain, dear sir, your most affectionate humble servant,
MARRIAGE OF LITTLE COMEDY—GOLDSMITH AT BARTON—PRACTICAL JOKES AT THE EXPENSE OF HIS TOILET—AMUSEMENTS AT BARTON—AQUATIC MISADVENTURE
Though Goldsmith found it impossible to break from his literary occupations to visit Bennet Langton, in Lincolnshire, he soon yielded to attractions from another quarter, in which somewhat of sentiment may have mingled. Miss Catharine Horneck, one of his beautiful fellow-travelers, otherwise called “Little Comedy,” had been married in August to Henry William Bunbury, Esq., a gentleman of fortune, who has become celebrated for the humorous productions of his pencil. Goldsmith was shortly afterward invited to pay the newly married couple a visit at their seat, at Barton, in Suffolk. How could he resist such an invitation—especially as the Jessamy Bride would, of course, be among the guests? It is true, he was hampered with work; he was still more hampered with debt; his accounts with Newbery were perplexed; but all must give way. New advances are procured from Newbery, on the promise of a new tale in the style of the Vicar of Wakefield, of which he showed him a few roughly-sketched chapters; so, his purse replenished in the old way, “by hook or by crook,” he posted off to visit the bride at Barton. He found there a joyous household, and one where he was welcomed with affection. Garrick was there, and played the part of master of the revels, for he was an intimate friend of the master of the house. Notwithstanding early misunderstandings, a social intercourse between the actor and the poet had grown up of late, from meeting together continually in the same circle. A few particulars have reached us concerning Goldsmith while on this happy visit. We believe the legend has come down from Miss Mary Horneck herself. “While at Barton,” she says, “his manners were always playful and amusing, taking the lead in promoting any scheme of innocent mirth, and usually prefacing the invitation with ‘Come, now, let us play the fool a little.’ At cards, which was commonly a round game, and the stake small, he was always the most noisy, affected great eagerness to win, and teased his opponents of the gentler sex with continual jest and banter on their want of spirit in not risking the hazards of the game. But one of his most favorite enjoyments was to romp with the children, when he threw off all reserve, and seemed one of the most joyous of the group.
“One of the means by which he amused us was his songs, chiefly of the comic kind, which were sung with some taste and humor; several, I believe, were of his own composition, and I regret that I neither have copies, which might have been readily procured from him at the time, nor do I remember their names.”
His perfect good humor made him the object of tricks of all kinds; often in retaliation of some prank which he himself had played off. Unluckily these tricks were sometimes made at the expense of his toilet, which, with a view peradventure to please the eye of a certain fair lady, he had again enriched to the impoverishment of his purse. “Being at all times gay in his dress,” says this ladylike legend, “he made his appearance at the breakfast-table in a smart black silk coat with an expensive pair of ruffles; the coat some one contrived to soil, and it was sent to be cleansed; but, either by accident, or probably by design, the day after it came home, the sleeves became daubed with paint, which was not discovered until the ruffles also, to his great mortification, were irretrievably disfigured.
“He always wore a wig, a peculiarity which those who judge of his appearance only from the fine poetical head of Reynolds would not suspect; and on one occasion some person contrived seriously to injure this important adjunct to dress. It was the only one he had in the country, and the misfortune seemed irreparable until the services of Mr. Bunbury’s valet were called in, who, however, performed his functions so indifferently that poor Goldsmith’s appearance became the signal for a general smile.”
This was wicked waggery, especially when it was directed to mar all the attempts of the unfortunate poet to improve his personal appearance, about which he was at all times dubiously sensitive, and particularly when among the ladies.
We have in a former chapter recorded his unlucky tumble into a fountain at Versailles, when attempting a feat of agility in presence of the fair Hornecks. Water was destined to be equally baneful to him on the present occasion. “Some difference of opinion,” says the fair narrator, “having arisen with Lord Harrington respecting the depth of a pond, the poet remarked that it was not so deep, but that, if anything valuable was to be found at the bottom, he would not hesitate to pick it up. His lordship, after some banter, threw in a guinea; Goldsmith, not to be outdone in this kind of bravado, in attempting to fulfill his promise without getting wet, accidentally fell in, to the amusement of all present, but persevered, brought out the money, and kept it, remarking that he had abundant objects on whom to bestow any further proofs of his lordship’s whim or bounty.”
All this is recorded by the beautiful Mary Horneck, the Jessamy Bride herself; but while she gives these amusing pictures of poor Goldsmith’s eccentricities, and of the mischievous pranks played off upon him, she bears unqualified testimony, which we have quoted elsewhere, to the qualities of his head and heart, which shone forth, in his countenance, and gained him the love of all who knew him.
Among the circumstances of this visit vaguely called to mind by this fair lady in after years, was that Goldsmith read to her and her sister the first part of a novel which he had in hand. It was doubtless the manuscript mentioned at the beginning of this chapter, on which he had obtained an advance of money from Newbery to stave off some pressing debts, and to provide funds for this very visit. It never was finished. The bookseller, when he came afterward to examine the manuscript, objected to it as a mere narrative version of the Good-Natured Man. Goldsmith, too easily put out of conceit of his writings, threw it aside, forgetting that this was the very Newbery who kept his Vicar of Wakefield by him nearly two years through doubts of its success. The loss of the manuscript is deeply to be regretted; it doubtless would have been properly wrought up before given to the press, and might have given us new scenes in life and traits of character, while it could not fail to bear traces of his delightful style. What a pity he had not been guided by the opinions of his fair listeners at Barton, instead of that of the astute Mr. Newbery!