But all the people he met at the Erlichs' talked. If they asked him about a play or a book and he said it was "no good," they at once demanded why. The Erlichs thought him a clam, but Claude sometimes thought himself amazing. Could it really be he, who was airing his opinions in this indelicate manner? He caught himself using words that had never crossed his lips before, that in his mind were associated only with the printed page. When he suddenly realized that he was using a word for the first time, and probably mispronouncing it, he would become as much confused as if he were trying to pass a lead dollar, would blush and stammer and let some one finish his sentence for him.
Claude couldn't resist occasionally dropping in at the Erlichs' in the afternoon; then the boys were away, and he could have Mrs. Erlich to himself for half-an-hour. When she talked to him she taught him so much about life. He loved to hear her sing sentimental German songs as she worked; "Spinn, spinn, du Tochter mein." He didn't know why, but he simply adored it! Every time he went away from her he felt happy and full of kindness, and thought about beech woods and walled towns, or about Carl Schurz and the Romantic revolution.
He had been to see Mrs. Erlich just before starting home for the holidays, and found her making German Christmas cakes. She took him into the kitchen and explained the almost holy traditions that governed this complicated cookery. Her excitement and seriousness as she beat and stirred were very pretty, Claude thought. She told off on her fingers the many ingredients, but he believed there were things she did not name: the fragrance of old friendships, the glow of early memories, belief in wonder-working rhymes and songs. Surely these were fine things to put into little cakes! After Claude left her, he did something a Wheeler didn't do; he went down to O street and sent her a box of the reddest roses he could find. In his pocket was the little note she had written to thank him.
It was beginning to grow dark when Claude reached the farm. While Ralph stopped to put away the car, he walked on alone to the house. He never came back without emotion,—try as he would to pass lightly over these departures and returns which were all in the day's work. When he came up the hill like this, toward the tall house with its lighted windows, something always clutched at his heart. He both loved and hated to come home. He was always disappointed, and yet he always felt the rightness of returning to his own place. Even when it broke his spirit and humbled his pride, he felt it was right that he should be thus humbled. He didn't question that the lowest state of mind was the truest, and that the less a man thought of himself, the more likely he was to be correct in his estimate.
Approaching the door, Claude stopped a moment and peered in at the kitchen window. The table was set for supper, and Mahailey was at the stove, stirring something in a big iron pot; cornmeal mush, probably,—she often made it for herself now that her teeth had begun to fail. She stood leaning over, embracing the pot with one arm, and with the other she beat the stiff contents, nodding her head in time to this rotary movement. Confused emotions surged up in Claude. He went in quickly and gave her a bearish hug.
Her face wrinkled up in the foolish grin he knew so well. "Lord, how you scared me, Mr. Claude! A little more'n I'd 'a' had my mush all over the floor. You lookin' fine, you nice boy, you!"
He knew Mahailey was gladder to see him come home than any one except his mother. Hearing Mrs. Wheeler's wandering, uncertain steps in the enclosed stairway, he opened the door and ran halfway up to meet her, putting his arm about her with the almost painful tenderness he always felt, but seldom was at liberty to show. She reached up both hands and stroked his hair for a moment, laughing as one does to a little boy, and telling him she believed it was redder every time he came back.
"Have we got all the corn in, Mother?"
"No, Claude, we haven't. You know we're always behindhand. It's been fine, open weather for husking, too. But at least we've got rid of that miserable Jerry; so there's something to be thankful for. He had one of his fits of temper in town one day, when he was hitching up to come home, and Leonard Dawson saw him beat one of our horses with the neck-yoke. Leonard told your father, and spoke his mind, and your father discharged Jerry. If you or Ralph had told him, he most likely wouldn't have done anything about it. But I guess all fathers are the same." She chuckled confidingly, leaning on Claude's arm as they descended the stairs.
"I guess so. Did he hurt the horse much? Which one was it?"
"The little black, Pompey. I believe he is rather a mean horse. The men said one of the bones over the eye was broken, but he would probably come round all right."
"Pompey isn't mean; he's nervous. All the horses hated Jerry, and they had good reason to." Claude jerked his shoulders to shake off disgusting recollections of this mongrel man which flashed back into his mind. He had seen things happen in the barn that he positively couldn't tell his father. Mr. Wheeler came into the kitchen and stopped on his way upstairs long enough to say, "Hello, Claude. You look pretty well."
"Yes, sir. I'm all right, thank you."
"Bayliss tells me you've been playing football a good deal."
"Not more than usual. We played half a dozen games; generally got licked. The State has a fine team, though."
"I ex-pect," Mr. Wheeler drawled as he strode upstairs.
Supper went as usual. Dan kept grinning and blinking at Claude, trying to discover whether he had already been informed of Jerry's fate. Ralph told him the neighbourhood gossip: Gus Yoeder, their German neighbour, was bringing suit against a farmer who had shot his dog. Leonard Dawson was going to marry Susie Grey. She was the girl on whose account Leonard had slapped Bayliss, Claude remembered.
After supper Ralph and Mr. Wheeler went off in the car to a Christmas entertainment at the country schoolhouse. Claude and his mother sat down for a quiet talk by the hard-coal burner in the living room upstairs. Claude liked this room, especially when his father was not there. The old carpet, the faded chairs, the secretary book-case, the spotty engraving with all the scenes from Pilgrim's Progress that hung over the sofa,—these things made him feel at home. Ralph was always proposing to re-furnish the room in Mission oak, but so far Claude and his mother had saved it.
Claude drew up his favourite chair and began to tell Mrs. Wheeler about the Erlich boys and their mother. She listened, but he could see that she was much more interested in hearing about the Chapins, and whether Edward's throat had improved, and where he had preached this fall. That was one of the disappointing things about coming home; he could never interest his mother in new things or people unless they in some way had to do with the church. He knew, too, she was always hoping to hear that he at last felt the need of coming closer to the church. She did not harass him about these things, but she had told him once or twice that nothing could happen in the world which would give her so much pleasure as to see him reconciled to Christ. He realized, as he talked to her about the Erlichs, that she was wondering whether they weren't very "worldly" people, and was apprehensive about their influence on him. The evening was rather a failure, and he went to bed early.
Claude had gone through a painful time of doubt and fear when he thought a great deal about religion. For several years, from fourteen to eighteen, he believed that he would be lost if he did not repent and undergo that mysterious change called conversion. But there was something stubborn in him that would not let him avail himself of the pardon offered. He felt condemned, but he did not want to renounce a world he as yet knew nothing of. He would like to go into life with all his vigour, with all his faculties free. He didn't want to be like the young men who said in prayer-meeting that they leaned on their Saviour. He hated their way of meekly accepting permitted pleasures.
In those days Claude had a sharp physical fear of death. A funeral, the sight of a neighbour lying rigid in his black coffin, overwhelmed him with terror. He used to lie awake in the dark, plotting against death, trying to devise some plan of escaping it, angrily wishing he had never been born. Was there no way out of the world but this? When he thought of the millions of lonely creatures rotting away under ground, life seemed nothing but a trap that caught people for one horrible end. There had never been a man so strong or so good that he had escaped. And yet he sometimes felt sure that he, Claude Wheeler, would escape; that he would actually invent some clever shift to save himself from dissolution. When he found it, he would tell nobody; he would be crafty and secret. Putrefaction, decay…. He could not give his pleasant, warm body over to that filthiness! What did it mean, that verse in the Bible, "He shall not suffer His holy one to see corruption"?
If anything could cure an intelligent boy of morbid religious fears, it was a denominational school like that to which Claude had been sent. Now he dismissed all Christian theology as something too full of evasions and sophistries to be reasoned about. The men who made it, he felt sure, were like the men who taught it. The noblest could be damned, according to their theory, while almost any mean-spirited parasite could be saved by faith. "Faith," as he saw it exemplified in the faculty of the Temple school, was a substitute for most of the manly qualities he admired. Young men went into the ministry because they were timid or lazy and wanted society to take care of them; because they wanted to be pampered by kind, trusting women like his mother.
Though he wanted little to do with theology and theologians, Claude would have said that he was a Christian. He believed in God, and in the spirit of the four Gospels, and in the Sermon on the Mount. He used to halt and stumble at "Blessed are the meek," until one day he happened to think that this verse was meant exactly for people like Mahailey; and surely she was blessed!
On the Sunday after Christmas Claude and Ernest were walking along the banks of Lovely Creek. They had been as far as Mr. Wheeler's timber claim and back. It was like an autumn afternoon, so warm that they left their overcoats on the limb of a crooked elm by the pasture fence. The fields and the bare tree-tops seemed to be swimming in light. A few brown leaves still clung to the bushy trees along the creek. In the upper pasture, more than a mile from the house, the boys found a bittersweet vine that wound about a little dogwood and covered it with scarlet berries. It was like finding a Christmas tree growing wild out of doors. They had just been talking about some of the books Claude had brought home, and his history course. He was not able to tell Ernest as much about the lectures as he had meant to, and he felt that this was more Ernest's fault than his own; Ernest was such a literal-minded fellow. When they came upon the bittersweet, they forgot their discussion and scrambled down the bank to admire the red clusters on the woody, smoke-coloured vine, and its pale gold leaves, ready to fall at a touch. The vine and the little tree it honoured, hidden away in the cleft of a ravine, had escaped the stripping winds, and the eyes of schoolchildren who sometimes took a short cut home through the pasture. At its roots, the creek trickled thinly along, black between two jagged crusts of melting ice.
When they left the spot and climbed back to the level, Claude again felt an itching to prod Ernest out of his mild and reasonable mood.
"What are you going to do after a while, Ernest? Do you mean to farm all your life?"
"Naturally. If I were going to learn a trade, I'd be at it before now. What makes you ask that?"
"Oh, I don't know! I suppose people must think about the future sometime. And you're so practical."
"The future, eh?" Ernest shut one eye and smiled. "That's a big word. After I get a place of my own and have a good start, I'm going home to see my old folks some winter. Maybe I'll marry a nice girl and bring her back."
"Is that all?"
"That's enough, if it turns out right, isn't it?"
"Perhaps. It wouldn't be for me. I don't believe I can ever settle down to anything. Don't you feel that at this rate there isn't much in it?"
"In what?"
"In living at all, going on as we do. What do we get out of it? Take a day like this: you waken up in the morning and you're glad to be alive; it's a good enough day for anything, and you feel sure something will happen. Well, whether it's a workday or a holiday, it's all the same in the end. At night you go to bed—nothing has happened."
"But what do you expect? What can happen to you, except in your own mind? If I get through my work, and get an afternoon off to see my friends like this, it's enough for me."
"Is it? Well, if we've only got once to live, it seems like there ought to be something—well, something splendid about life, sometimes."
Ernest was sympathetic now. He drew nearer to Claude as they walked along and looked at him sidewise with concern. "You Americans are always looking for something outside yourselves to warm you up, and it is no way to do. In old countries, where not very much can happen to us, we know that,—and we learn to make the most of little things."
"The martyrs must have found something outside themselves. Otherwise they could have made themselves comfortable with little things."
"Why, I should say they were the ones who had nothing but their idea! It would be ridiculous to get burned at the stake for the sensation. Sometimes I think the martyrs had a good deal of vanity to help them along, too."
Claude thought Ernest had never been so tiresome. He squinted at a bright object across the fields and said cuttingly, "The fact is, Ernest, you think a man ought to be satisfied with his board and clothes and Sundays off, don't you?"
Ernest laughed rather mournfully. "It doesn't matter much what I think about it; things are as they are. Nothing is going to reach down from the sky and pick a man up, I guess."
Claude muttered something to himself, twisting his chin about over his collar as if he had a bridle-bit in his mouth.
The sun had dropped low, and the two boys, as Mrs. Wheeler watched them from the kitchen window, seemed to be walking beside a prairie fire. She smiled as she saw their black figures moving along on the crest of the hill against the golden sky; even at that distance the one looked so adaptable, and the other so unyielding. They were arguing, probably, and probably Claude was on the wrong side.
After the vacation Claude again settled down to his reading in the University Library. He worked at a table next the alcove where the books on painting and sculpture were kept. The art students, all of whom were girls, read and whispered together in this enclosure, and he could enjoy their company without having to talk to them. They were lively and friendly; they often asked him to lift heavy books and portfolios from the shelves, and greeted him gaily when he met them in the street or on the campus, and talked to him with the easy cordiality usual between boys and girls in a co-educational school. One of these girls, Miss Peachy Millmore, was different from the others,—different from any girl Claude had ever known. She came from Georgia, and was spending the winter with her aunt on B street.
Although she was short and plump, Miss Millmore moved with what might be called a "carriage," and she had altogether more manner and more reserve than the Western girls. Her hair was yellow and curly,—the short ringlets about her ears were just the colour of a new chicken. Her vivid blue eyes were a trifle too prominent, and a generous blush of colour mantled her cheeks. It seemed to pulsate there,-one had a desire to touch her cheeks to see if they were hot. The Erlich brothers and their friends called her "the Georgia peach." She was considered very pretty, and the University boys had rushed her when she first came to town. Since then her vogue had somewhat declined.
Miss Millmore often lingered about the campus to walk down town with Claude. However he tried to adapt his long stride to her tripping gait, she was sure to get out of breath. She was always dropping her gloves or her sketchbook or her purse, and he liked to pick them up for her, and to pull on her rubbers, which kept slipping off at the heel. She was very kind to single him out and be so gracious to him, he thought. She even coaxed him to pose in his track clothes for the life class on Saturday morning, telling him that he had "a magnificent physique," a compliment which covered him with confusion. But he posed, of course.
Claude looked forward to seeing Peachy Millmore, missed her if she were not in the alcove, found it quite natural that she should explain her absences to him,—tell him how often she washed her hair and how long it was when she uncoiled it.
One Friday in February Julius Erlich overtook Claude on the campus and proposed that they should try the skating tomorrow.
"Yes, I'm going out," Claude replied. "I've promised to teachMiss Millmore to skate. Won't you come along and help me?"
Julius laughed indulgently. "Oh, no! Some other time. I don't want to break in on that."
"Nonsense! You could teach her better than I."
"Oh, I haven't the courage!"
"What do you mean?"
"You know what I mean."
"No, I don't. Why do you always laugh about that girl, anyhow?"
Julius made a little grimace. "She wrote some awfully slushy letters to Phil Bowen, and he read them aloud at the frat house one night."
"Didn't you slap him?" Claude demanded, turning red.
"Well, I would have thought I would," said Julius smiling, "but I didn't. They were too silly to make a fuss about. I've been wary of the Georgia peach ever since. If you touched that sort of peach ever so lightly, it might remain in your hand."
"I don't think so," replied Claude haughtily. "She's only kind-hearted."
"Perhaps you're right. But I'm terribly afraid of girls who are too kindhearted," Julius confessed. He had wanted to drop Claude a word of warning for some time.
Claude kept his engagement with Miss Millmore. He took her out to the skating pond several times, indeed, though in the beginning he told her he feared her ankles were too weak. Their last excursion was made by moonlight, and after that evening Claude avoided Miss Millmore when he could do so without being rude. She was attractive to him no more. It was her way to subdue by clinging contact. One could scarcely call it design; it was a degree less subtle than that. She had already thus subdued a pale cousin in Atlanta, and it was on this account that she had been sent North. She had, Claude angrily admitted, no reserve,—though when one first met her she seemed to have so much. Her eager susceptibility presented not the slightest temptation to him. He was a boy with strong impulses, and he detested the idea of trifling with them. The talk of the disreputable men his father kept about the place at home, instead of corrupting him, had given him a sharp disgust for sensuality. He had an almost Hippolytean pride in candour.
The Erlich family loved anniversaries, birthdays, occasions. That spring Mrs. Erlich's first cousin, Wilhelmina Schroeder-Schatz, who sang with the Chicago Opera Company, came to Lincoln as soloist for the May Festival. As the date of her engagement approached, her relatives began planning to entertain her. The Matinee Musical was to give a formal reception for the singer, so the Erlichs decided upon a dinner. Each member of the family invited one guest, and they had great difficulty in deciding which of their friends would be most appreciative of the honour. There were to be more men than women, because Mrs. Erlich remembered that cousin Wilhelmina had never been partial to the society of her own sex.
One evening when her sons were revising their list, Mrs. Erlich reminded them that she had not as yet named her guest. "For me," she said with decision, "you may put down Claude Wheeler."
This announcement was met with groans and laughter.
"You don't mean it, Mother," the oldest son protested. "Poor old Claude wouldn't know what it was all about,—and one stick can spoil a dinner party."
Mrs. Erlich shook her finger at him with conviction. "You will see; your cousin Wilhelmina will be more interested in that boy than in any of the others!"
Julius thought if she were not too strongly opposed she might still yield her point. "For one thing, Mother, Claude hasn't any dinner clothes," he murmured. She nodded to him. "That has been attended to, Herr Julius. He is having some made. When I sounded him, he told me he could easily afford it."
The boys said if things had gone as far as that, they supposed they would have to make the best of it, and the eldest wrote down "Claude Wheeler" with a flourish.
If the Erlich boys were apprehensive, their anxiety was nothing to Claude's. He was to take Mrs. Erlich to Madame Schroeder-Schatz's recital, and on the evening of the concert, when he appeared at the door, the boys dragged him in to look him over. Otto turned on all the lights, and Mrs. Erlich, in her new black lace over white satin, fluttered into the parlour to see what figure her escort cut.
Claude pulled off his overcoat as he was bid, and presented himself in the sooty blackness of fresh broadcloth. Mrs. Erlich's eyes swept his long black legs, his smooth shoulders, and lastly his square red head, affectionately inclined toward her. She laughed and clapped her hands.
"Now all the girls will turn round in their seats to look, and wonder where I got him!"
Claude began to bestow her belongings in his overcoat pockets; opera glasses in one, fan in another. She put a lorgnette into her little bag, along with her powder-box, handkerchief and smelling salts,—there was even a little silver box of peppermint drops, in case she might begin to cough. She drew on her long gloves, arranged a lace scarf over her hair, and at last was ready to have the evening cloak which Claude held wound about her. When she reached up and took his arm, bowing to her sons, they laughed and liked Claude better. His steady, protecting air was a frame for the gay little picture she made.
The dinner party came off the next evening. The guest of honour, Madame Wilhelmina Schroeder-Schatz, was some years younger than her cousin, Augusta Erlich. She was short, stalwart, with an enormous chest, a fine head, and a commanding presence. Her great contralto voice, which she used without much discretion, was a really superb organ and gave people a pleasure as substantial as food and drink. At dinner she sat on the right of the oldest son. Claude, beside Mrs. Erlich at the other end of the table, watched attentively the lady attired in green velvet and blazing rhinestones.
After dinner, as Madame Schroeder-Schatz swept out of the dining room, she dropped her cousin's arm and stopped before Claude, who stood at attention behind his chair.
"If Cousin Augusta can spare you, we must have a little talk together. We have been very far separated," she said.
She led Claude to one of the window seats in the living-room, at once complained of a draft, and sent him to hunt for her green scarf. He brought it and carefully put it about her shoulders; but after a few moments, she threw it off with a slightly annoyed air, as if she had never wanted it. Claude with solicitude reminded her about the draft.
"Draft?" she said lifting her chin, "there is no draft here."
She asked Claude where he lived, how much land his father owned, what crops they raised, and about their poultry and dairy. When she was a child she had lived on a farm in Bavaria, and she seemed to know a good deal about farming and live-stock. She was disapproving when Claude told her they rented half their land to other farmers. "If I were a young man, I would begin to acquire land, and I would not stop until I had a whole county," she declared. She said that when she met new people, she liked to find out the way they made their living; her own way was a hard one.
Later in the evening Madame Schroeder-Schatz graciously consented to sing for her cousins. When she sat down to the piano, she beckoned Claude and asked him to turn for her. He shook his head, smiling ruefully.
"I'm sorry I'm so stupid, but I don't know one note from another."
She tapped his sleeve. "Well, never mind. I may want the piano moved yet; you could do that for me, eh?"
When Madame Schroeder-Schatz was in Mrs. Erlich's bedroom, powdering her nose before she put on her wraps, she remarked, "What a pity, Augusta, that you have not a daughter now, to marry to Claude Melnotte. He would make you a perfect son-in-law."
"Ah, if I only had!" sighed Mrs. Erlich.
"Or," continued Madame Schroeder-Schatz, energetically pulling on her large carriage shoes, "if you were but a few years younger, it might not yet be too late. Oh, don't be a fool, Augusta! Such things have happened, and will happen again. However, better a widow than to be tied to a sick man—like a stone about my neck! What a husband to go home to! and I a woman in full vigour. Jas ist ein Kreuz ich trage!" She smote her bosom, on the left side.
Having put on first a velvet coat, then a fur mantle, Madame Schroeder-Schatz moved like a galleon out into the living room and kissed all her cousins, and Claude Wheeler, good-night.
One warm afternoon in May Claude sat in his upstairs room at the Chapins', copying his thesis, which was to take the place of an examination in history. It was a criticism of the testimony of Jeanne d'Arc in her nine private examinations and the trial in ordinary. The Professor had assigned him the subject with a flash of humour. Although this evidence had been pawed over by so many hands since the fifteenth century, by the phlegmatic and the fiery, by rhapsodists and cynics, he felt sure that Wheeler would not dismiss the case lightly.
Indeed, Claude put a great deal of time and thought upon the matter, and for the time being it seemed quite the most important thing in his life. He worked from an English translation of the Proces, but he kept the French text at his elbow, and some of her replies haunted him in the language in which they were spoken. It seemed to him that they were like the speech of her saints, of whom Jeanne said, "the voice is beautiful, sweet and low, and it speaks in the French tongue." Claude flattered himself that he had kept all personal feeling out of the paper; that it was a cold estimate of the girl's motives and character as indicated by the consistency and inconsistency of her replies; and of the change wrought in her by imprisonment and by "the fear of the fire."
When he had copied the last page of his manuscript and sat contemplating the pile of written sheets, he felt that after all his conscientious study he really knew very little more about the Maid of Orleans than when he first heard of her from his mother, one day when he was a little boy. He had been shut up in the house with a cold, he remembered, and he found a picture of her in armour, in an old book, and took it down to the kitchen where his mother was making apple pies. She glanced at the picture, and while she went on rolling out the dough and fitting it to the pans, she told him the story. He had forgotten what she said,—it must have been very fragmentary,—but from that time on he knew the essential facts about Joan of Arc, and she was a living figure in his mind. She seemed to him then as clear as now, and now as miraculous as then.
It was a curious thing, he reflected, that a character could perpetuate itself thus; by a picture, a word, a phrase, it could renew itself in every generation and be born over and over again in the minds of children. At that time he had never seen a map of France, and had a very poor opinion of any place farther away than Chicago; yet he was perfectly prepared for the legend of Joan of Arc, and often thought about her when he was bringing in his cobs in the evening, or when he was sent to the windmill for water and stood shaking in the cold while the chilled pump brought it slowly up. He pictured her then very much as he did now; about her figure there gathered a luminous cloud, like dust, with soldiers in it… the banner with lilies… a great church… cities with walls.
On this balmy spring afternoon, Claude felt softened and reconciled to the world. Like Gibbon, he was sorry to have finished his labour,—and he could not see anything else as interesting ahead. He must soon be going home now. There would be a few examinations to sit through at the Temple, a few more evenings with the Erlichs, trips to the Library to carry back the books he had been using,—and then he would suddenly find himself with nothing to do but take the train for Frankfort.
He rose with a sigh and began to fasten his history papers between covers. Glancing out of the window, he decided that he would walk into town and carry his thesis, which was due today; the weather was too fine to sit bumping in a street car. The truth was, he wished to prolong his relations with his manuscript as far as possible.
He struck off by the road,—it could scarcely be called a street, since it ran across raw prairie land where the buffalo-peas were in blossom. Claude walked slower than was his custom, his straw hat pushed back on his head and the blaze of the sun full in his face. His body felt light in the scented wind, and he listened drowsily to the larks, singing on dried weeds and sunflower stalks. At this season their song is almost painful to hear, it is so sweet. He sometimes thought of this walk long afterward; it was memorable to him, though he could not say why.
On reaching the University, he went directly to the Department of European History, where he was to leave his thesis on a long table, with a pile of others. He rather dreaded this, and was glad when, just as he entered, the Professor came out from his private office and took the bound manuscript into his own hands, nodding cordially.
"Your thesis? Oh yes, Jeanne d'Arc. The Proces. I had forgotten. Interesting material, isn't it?" He opened the cover and ran over the pages. "I suppose you acquitted her on the evidence?"
Claude blushed. "Yes, sir."
"Well, now you might read what Michelet has to say about her. There's an old translation in the Library. Did you enjoy working on it?"
"I did, very much." Claude wished to heaven he could think of something to say.
"You've got a good deal out of your course, altogether, haven't you? I'll be interested to see what you do next year. Your work has been very satisfactory to me." The Professor went back into his study, and Claude was pleased to see that he carried the manuscript with him and did not leave it on the table with the others.
Between haying and harvest that summer Ralph and Mr. Wheeler drove to Denver in the big car, leaving Claude and Dan to cultivate the corn. When they returned Mr. Wheeler announced that he had a secret. After several days of reticence, during which he shut himself up in the sitting-room writing letters, and passed mysterious words and winks with Ralph at table, he disclosed a project which swept away all Claude's plans and purposes.
On the return trip from Denver Mr. Wheeler had made a detour down into Yucca county, Colorado, to visit an old friend who was in difficulties. Tom Wested was a Maine man, from Wheeler's own neighbourhood. Several years ago he had lost his wife. Now his health had broken down, and the Denver doctors said he must retire from business and get into a low altitude. He wanted to go back to Maine and live among his own people, but was too much discouraged and frightened about his condition even to undertake the sale of his ranch and live stock. Mr. Wheeler had been able to help his friend, and at the same time did a good stroke of business for himself. He owned a farm in Maine, his share of his father's estate, which for years he had rented for little more than the up-keep. By making over this property, and assuming certain mortgages, he got Wested's fine, well-watered ranch in exchange. He paid him a good price for his cattle, and promised to take the sick man back to Maine and see him comfortably settled there. All this Mr. Wheeler explained to his family when he called them up to the living room one hot, breathless night after supper. Mrs. Wheeler, who seldom concerned herself with her husband's business affairs, asked absently why they bought more land, when they already had so much they could not farm half of it.
"Just like a woman, Evangeline, just like a woman!" Mr. Wheeler replied indulgently. He was sitting in the full glare of the acetylene lamp, his neckband open, his collar and tie on the table beside him, fanning himself with a palm-leaf fan. "You might as well ask me why I want to make more money, when I haven't spent all I've got."
He intended, he said, to put Ralph on the Colorado ranch and "give the boy some responsibility." Ralph would have the help of Wested's foreman, an old hand in the cattle business, who had agreed to stay on under the new management. Mr. Wheeler assured his wife that he wasn't taking advantage of poor Wested; the timber on the Maine place was really worth a good deal of money; but because his father had always been so proud of his great pine woods, he had never, he said, just felt like turning a sawmill loose in them. Now he was trading a pleasant old farm that didn't bring in anything for a grama-grass ranch which ought to turn over a profit of ten or twelve thousand dollars in good cattle years, and wouldn't lose much in bad ones. He expected to spend about half his time out there with Ralph. "When I'm away," he remarked genially, "you and Mahailey won't have so much to do. You can devote yourselves to embroidery, so to speak."
"If Ralph is to live in Colorado, and you are to be away from home half of the time, I don't see what is to become of this place," murmured Mrs. Wheeler, still in the dark.
"Not necessary for you to see, Evangeline," her husband replied, stretching his big frame until the rocking chair creaked under him. "It will be Claude's business to look after that."
"Claude?" Mrs. Wheeler brushed a lock of hair back from her damp forehead in vague alarm.
"Of course." He looked with twinkling eyes at his son's straight, silent figure in the corner. "You've had about enough theology, I presume? No ambition to be a preacher? This winter I mean to turn the farm over to you and give you a chance to straighten things out. You've been dissatisfied with the way the place is run for some time, haven't you? Go ahead and put new blood into it. New ideas, if you want to; I've no objection. They're expensive, but let it go. You can fire Dan if you want, and get what help you need."
Claude felt as if a trap had been sprung on him. He shaded his eyes with his hand. "I don't think I'm competent to run the place right," he said unsteadily.
"Well, you don't think I am either, Claude, so we're up against it. It's always been my notion that the land was made for man, just as it's old Dawson's that man was created to work the land. I don't mind your siding with the Dawsons in this difference of opinion, if you can get their results."
Mrs. Wheeler rose and slipped quickly from the room, feeling her way down the dark staircase to the kitchen. It was dusky and quiet there. Mahailey sat in a corner, hemming dish-towels by the light of a smoky old brass lamp which was her own cherished luminary. Mrs. Wheeler walked up and down the long room in soft, silent agitation, both hands pressed tightly to her breast, where there was a physical ache of sympathy for Claude.
She remembered kind Tom Wested. He had stayed over night with them several times, and had come to them for consolation after his wife died. It seemed to her that his decline in health and loss of courage, Mr. Wheeler's fortuitous trip to Denver, the old pine-wood farm in Maine; were all things that fitted together and made a net to envelop her unfortunate son. She knew that he had been waiting impatiently for the autumn, and that for the first time he looked forward eagerly to going back to school. He was homesick for his friends, the Erlichs, and his mind was all the time upon the history course he meant to take.
Yet all this would weigh nothing in the family councils probably he would not even speak of it—and he had not one substantial objection to offer to his father's wishes. His disappointment would be bitter. "Why, it will almost break his heart," she murmured aloud. Mahailey was a little deaf and heard nothing. She sat holding her work up to the light, driving her needle with a big brass thimble, nodding with sleepiness between stitches. Though Mrs. Wheeler was scarcely conscious of it, the old woman's presence was a comfort to her, as she walked up and down with her drifting, uncertain step.
She had left the sitting-room because she was afraid Claude might get angry and say something hard to his father, and because she couldn't bear to see him hectored. Claude had always found life hard to live; he suffered so much over little things,-and she suffered with him. For herself, she never felt disappointments. Her husband's careless decisions did not disconcert her. If he declared that he would not plant a garden at all this year, she made no protest. It was Mahailey who grumbled. If he felt like eating roast beef and went out and killed a steer, she did the best she could to take care of the meat, and if some of it spoiled she tried not to worry. When she was not lost in religious meditation, she was likely to be thinking about some one of the old books she read over and over. Her personal life was so far removed from the scene of her daily activities that rash and violent men could not break in upon it. But where Claude was concerned, she lived on another plane, dropped into the lower air, tainted with human breath and pulsating with poor, blind, passionate human feelings.
It had always been so. And now, as she grew older, and her flesh had almost ceased to be concerned with pain or pleasure, like the wasted wax images in old churches, it still vibrated with his feelings and became quick again for him. His chagrins shrivelled her. When he was hurt and suffered silently, something ached in her. On the other hand, when he was happy, a wave of physical contentment went through her. If she wakened in the night and happened to think that he had been happy lately, she would lie softly and gratefully in her warm place.
"Rest, rest, perturbed spirit," she sometimes whispered to him in her mind, when she wakened thus and thought of him. There was a singular light in his eyes when he smiled at her on one of his good days, as if to tell her that all was well in his inner kingdom. She had seen that same look again and again, and she could always remember it in the dark,—a quick blue flash, tender and a little wild, as if he had seen a vision or glimpsed bright uncertainties.
The next few weeks were busy ones on the farm. Before the wheat harvest was over, Nat Wheeler packed his leather trunk, put on his "store clothes," and set off to take Tom Welted back to Maine. During his absence Ralph began to outfit for life in Yucca county. Ralph liked being a great man with the Frankfort merchants, and he had never before had such an opportunity as this. He bought a new shot gun, saddles, bridles, boots, long and short storm coats, a set of furniture for his own room, a fireless cooker, another music machine, and had them shipped to Colorado. His mother, who did not like phonograph music, and detested phonograph monologues, begged him to take the machine at home, but he assured her that she would be dull without it on winter evenings. He wanted one of the latest make, put out under the name of a great American inventor.
Some of the ranches near Wested's were owned by New York men who brought their families out there in the summer. Ralph had heard about the dances they gave, and he way counting on being one of the guests. He asked Claude to give him his dress suit, since Claude wouldn't be needing it any more.
"You can have it if you want it," said Claude indifferently "But it won't fit you."
"I'll take it in to Fritz and have the pants cut off a little and the shoulders taken in," his brother replied lightly.
Claude was impassive. "Go ahead. But if that old Dutch man takes a whack at it, it will look like the devil."
"I think I'll let him try. Father won't say anything about what I've ordered for the house, but he isn't much for glad rags, you know." Without more ado he threw Claude's black clothes into the back seat of the Ford and ran into town to enlist the services of the German tailor.
Mr. Wheeler, when he returned, thought Ralph had been rather free in expenditures, but Ralph told him it wouldn't do to take over the new place too modestly. "The ranchers out there are all high-fliers. If we go to squeezing nickels, they won't think we mean business."
The country neighbours, who were always amused at the Wheelers' doings, got almost as much pleasure out of Ralph's lavishness as he did himself. One said Ralph had shipped a new piano out to Yucca county, another heard he had ordered a billiard table. August Yoeder, their prosperous German neighbour, asked grimly whether he could, maybe, get a place as hired man with Ralph. Leonard Dawson, who was to be married in October, hailed Claude in town one day and shouted;
"My God, Claude, there's nothing left in the furniture store for me and Susie! Ralph's bought everything but the coffins. He must be going to live like a prince out there."
"I don't know anything about it," Claude answered coolly. "It's not my enterprise."
"No, you've got to stay on the old place and make it pay the debts, I understand." Leonard jumped into his car, so that Claude wouldn't have a chance to reply.
Mrs. Wheeler, too, when she observed the magnitude of these preparations, began to feel that the new arrangement was not fair to Claude, since he was the older boy and much the steadier. Claude had always worked hard when he was at home, and made a good field hand, while Ralph had never done much but tinker with machinery and run errands in his car. She couldn't understand why he was selected to manage an undertaking in which so much money was invested.
"Why, Claude," she said dreamily one day, "if your father were an older man, I would almost think his judgment had begun to fail. Won't we get dreadfully into debt at this rate?"
"Don't say anything, Mother. It's Father's money. He shan't thinkI want any of it."
"I wish I could talk to Bayliss. Has he said anything?"
"Not to me, he hasn't."
Ralph and Mr. Wheeler took another flying trip to Colorado, and when they came back Ralph began coaxing his mother to give him bedding and table linen. He said he wasn't going to live like a savage, even in the sand hills. Mahailey was outraged to see the linen she had washed and ironed and taken care of for so many years packed into boxes. She was out of temper most of the time now, and went about muttering to herself.
The only possessions Mahailey brought with her when she came to live with the Wheelers, were a feather bed and three patchwork quilts, interlined with wool off the backs of Virginia sheep, washed and carded by hand. The quilts had been made by her old mother, and given to her for a marriage portion. The patchwork on each was done in a different design; one was the popular "log-cabin" pattern, another the "laurel-leaf," the third the "blazing star." This quilt Mahailey thought too good for use, and she had told Mrs. Wheeler that she was saving it "to give Mr. Claude when he got married."
She slept on her feather bed in winter, and in summer she put it away in the attic. The attic was reached by a ladder which, because of her weak back, Mrs. Wheeler very seldom climbed. Up there Mahailey had things her own way, and thither she often retired to air the bedding stored away there, or to look at the pictures in the piles of old magazines. Ralph facetiously called the attic "Mahailey's library."
One day, while things were being packed for the western ranch, Mrs. Wheeler, going to the foot of the ladder to call Mahailey, narrowly escaped being knocked down by a large feather bed which came plumping through the trap door. A moment later Mahailey herself descended backwards, holding to the rungs with one hand, and in the other arm carrying her quilts.
"Why, Mahailey," gasped Mrs. Wheeler. "It's not winter yet; whatever are you getting your bed for?"
"I'm just a-goin' to lay on my fedder bed," she broke out, "or direc'ly I won't have none. I ain't a-goin' to have Mr. Ralph carryin' off my quilts my mudder pieced fur me."
Mrs. Wheeler tried to reason with her, but the old woman took up her bed in her arms and staggered down the hall with it, muttering and tossing her head like a horse in fly-time.
That afternoon Ralph brought a barrel and a bundle of straw into the kitchen and told Mahailey to carry up preserves and canned fruit, and he would pack them. She went obediently to the cellar, and Ralph took off his coat and began to line the barrel with straw. He was some time in doing this, but still Mahailey had not returned. He went to the head of the stairs and whistled.
"I'm a-comin', Mr. Ralph, I'm a-comin'! Don't hurry me, I don't want to break nothin'."
Ralph waited a few minutes. "What are you doing down there, Mahailey?" he fumed. "I could have emptied the whole cellar by this time. I suppose I'll have to do it myself."
"I'm a-comin'. You'd git yourself all dusty down here." She came breathlessly up the stairs, carrying a hamper basket full of jars, her hands and face streaked with black.
"Well, I should say it is dusty!" Ralph snorted. "You might clean your fruit closet once in awhile, you know, Mahailey. You ought to see how Mrs. Dawson keeps hers. Now, let's see." He sorted the jars on the table. "Take back the grape jelly. If there's anything I hate, it's grape jelly. I know you have lots of it, but you can't work it off on me. And when you come up, don't forget the pickled peaches. I told you particularly, the pickled peaches!"
"We ain't got no pickled peaches." Mahailey stood by the cellar door, holding a corner of her apron up to her chin, with a queer, animal look of stubbornness in her face.
"No pickled peaches? What nonsense, Mahailey! I saw you making them here, only a few weeks ago."
"I know you did, Mr. Ralph, but they ain't none now. I didn't have no luck with my peaches this year. I must 'a' let the air git at 'em. They all worked on me, an' I had to throw 'em out."
Ralph was thoroughly annoyed. "I never heard of such a thing, Mahailey! You get more careless every year. Think of wasting all that fruit and sugar! Does mother know?"
Mahailey's low brow clouded. "I reckon she does. I don't wase your mudder's sugar. I never did wase nothin'," she muttered. Her speech became queerer than ever when she was angry.
Ralph dashed down the cellar stairs, lit a lantern, and searched the fruit closet. Sure enough, there were no pickled peaches. When he came back and began packing his fruit, Mahailey stood watching him with a furtive expression, very much like the look that is in a chained coyote's eyes when a boy is showing him off to visitors and saying he wouldn't run away if he could.
"Go on with your work," Ralph snapped. "Don't stand there watching me!"
That evening Claude was sitting on the windmill platform, down by the barn, after a hard day's work ploughing for winter wheat. He was solacing himself with his pipe. No matter how much she loved him, or how sorry she felt for him, his mother could never bring herself to tell him he might smoke in the house. Lights were shining from the upstairs rooms on the hill, and through the open windows sounded the singing snarl of a phonograph. A figure came stealing down the path. He knew by her low, padding step that it was Mahailey, with her apron thrown over her head. She came up to him and touched him on the shoulder in a way which meant that what she had to say was confidential.
"Mr. Claude, Mr. Ralph's done packed up a barr'l of your mudder's jelly an' pickles to take out there."
"That's all right, Mahailey. Mr. Wested was a widower, and I guess there wasn't anything of that sort put up at his place."
She hesitated and bent lower. "He asked me fur them pickled peaches I made fur you, but I didn't give him none. I hid 'em all in my old cook-stove we done put down cellar when Mr. Ralph bought the new one. I didn't give him your mudder's new preserves, nudder. I give him the old last year's stuff we had left over, and now you an' your mudder'll have plenty." Claude laughed. "Oh, I don't care if Ralph takes all the fruit on the place, Mahailey!"
She shrank back a little, saying confusedly, "No, I know you don't, Mr. Claude. I know you don't."
"I surely ought not to take it out on her," Claude thought, when he saw her disappointment. He rose and patted her on the back. "That's all right, Mahailey. Thank you for saving the peaches, anyhow."
She shook her finger at him. "Don't you let on!"
He promised, and watched her slipping back over the zigzag path up the hill.
Ralph and his father moved to the new ranch the last of August, and Mr. Wheeler wrote back that late in the fall he meant to ship a carload of grass steers to the home farm to be fattened during the winter. This, Claude saw, would mean a need for fodder. There was a fifty-acre corn field west of the creek,—just on the sky-line when one looked out from the west windows of the house. Claude decided to put this field into winter wheat, and early in September he began to cut and bind the corn that stood upon it for fodder. As soon as the corn was gathered, he would plough up the ground, and drill in the wheat when he planted the other wheat fields.
This was Claude's first innovation, and it did not meet with approval. When Bayliss came out to spend Sunday with his mother, he asked her what Claude thought he was doing, anyhow. If he wanted to change the crop on that field, why didn't he plant oats in the spring, and then get into wheat next fall? Cutting fodder and preparing the ground now, would only hold him back in his work. When Mr. Wheeler came home for a short visit, he jocosely referred to that quarter as "Claude's wheat field."
Claude went ahead with what he had undertaken to do, but all through September he was nervous and apprehensive about the weather. Heavy rains, if they came, would make him late with his wheat-planting, and then there would certainly be criticism. In reality, nobody cared much whether the planting was late or not, but Claude thought they did, and sometimes in the morning he awoke in a state of panic because he wasn't getting ahead faster. He had Dan and one of August Yoeder's four sons to help him, and he worked early and late. The new field he ploughed and drilled himself. He put a great deal of young energy into it, and buried a great deal of discontent in its dark furrows. Day after day he flung himself upon the land and planted it with what was fermenting in him, glad to be so tired at night that he could not think.
Ralph came home for Leonard Dawson's wedding, on the first of October. All the Wheelers went to the wedding, even Mahailey, and there was a great gathering of the country folk and townsmen.
After Ralph left, Claude had the place to himself again, and the work went on as usual. The stock did well, and there were no vexatious interruptions. The fine weather held, and every morning when Claude got up, another gold day stretched before him like a glittering carpet, leading…? When the question where the days were leading struck him on the edge of his bed, he hurried to dress and get down-stairs in time to fetch wood and coal for Mahailey. They often reached the kitchen at the same moment, and she would shake her finger at him and say, "You come down to help me, you nice boy, you!" At least he was of some use to Mahailey. His father could hire one of the Yoeder boys to look after the place, but Mahailey wouldn't let any one else save her old back.
Mrs. Wheeler, as well as Mahailey, enjoyed that fall. She slept late in the morning, and read and rested in the afternoon. She made herself some new house-dresses out of a grey material Claude chose. "It's almost like being a bride, keeping house for just you, Claude," she sometimes said.
Soon Claude had the satisfaction of seeing a blush of green come up over his brown wheat fields, visible first in the dimples and little hollows, then flickering over the knobs and levels like a fugitive smile. He watched the green blades coming every day, when he and Dan went afield with their wagons to gather corn. Claude sent Dan to shuck on the north quarter, and he worked on the south. He always brought in one more load a day than Dan did,—that was to be expected. Dan explained this very reasonably, Claude thought, one afternoon when they were hooking up their teams.
"It's all right for you to jump at that corn like you was a-beating carpets, Claude; it's your corn, or anyways it's your Paw's. Them fields will always lay betwixt you and trouble. But a hired man's got no property but his back, and he has to save it. I figure that I've only got about so many jumps left in me, and I ain't a-going to jump too hard at no man's corn."
"What's the matter? I haven't been hinting that you ought to jump any harder, have I?"
"No, you ain't, but I just want you to know that there's reason in all things." With this Dan got into his wagon and drove off. He had probably been meditating upon this declaration for some time.
That afternoon Claude suddenly stopped flinging white ears into the wagon beside him. It was about five o'clock, the yellowest hour of the autumn day. He stood lost in a forest of light, dry, rustling corn leaves, quite hidden away from the world. Taking off his husking-gloves, he wiped the sweat from his face, climbed up to the wagon box, and lay down on the ivory-coloured corn. The horses cautiously advanced a step or two, and munched with great content at ears they tore from the stalks with their teeth.
Claude lay still, his arms under his head, looking up at the hard, polished blue sky, watching the flocks of crows go over from the fields where they fed on shattered grain, to their nests in the trees along Lovely Creek. He was thinking about what Dan had said while they were hitching up. There was a great deal of truth in it, certainly. Yet, as for him, he often felt that he would rather go out into the world and earn his bread among strangers than sweat under this half-responsibility for acres and crops that were not his own. He knew that his father was sometimes called a "land hog" by the country people, and he himself had begun to feel that it was not right they should have so much land,—to farm, or to rent, or to leave idle, as they chose. It was strange that in all the centuries the world had been going, the question of property had not been better adjusted. The people who had it were slaves to it, and the people who didn't have it were slaves to them.
He sprang down into the gold light to finish his load. Warm silence nestled over the cornfield. Sometimes a light breeze rose for a moment and rattled the stiff, dry leaves, and he himself made a great rustling and crackling as he tore the husks from the ears.
Greedy crows were still cawing about before they flapped homeward. When he drove out to the highway, the sun was going down, and from his seat on the load he could see far and near. Yonder was Dan's wagon, coming in from the north quarter; over there was the roof of Leonard Dawson's new house, and his windmill, standing up black in the declining day. Before him were the bluffs of the pasture, and the little trees, almost bare, huddled in violet shadow along the creek, and the Wheeler farm-house on the hill, its windows all aflame with the last red fire of the sun.
Claude dreaded the inactivity of the winter, to which the farmer usually looks forward with pleasure. He made the Thanksgiving football game a pretext for going up to Lincoln,—went intending to stay three days and stayed ten. The first night, when he knocked at the glass door of the Erlichs' sitting-room and took them by surprise, he thought he could never go back to the farm. Approaching the house on that clear, frosty autumn evening, crossing the lawn strewn with crackling dry leaves, he told himself that he must not hope to find things the same. But they were the same. The boys were lounging and smoking about the square table with the lamp on it, and Mrs. Erlich was at the piano, playing one of Mendelssohn's "Songs Without Words." When he knocked, Otto opened the door and called:
"A surprise for you, Mother! Guess who's here."
What a welcome she gave him, and how much she had to tell him! While they were all talking at once, Henry, the oldest son, came downstairs dressed for a Colonial ball, with satin breeches and stockings and a sword. His brothers began to point out the inaccuracies of his costume, telling him that he couldn't possibly call himself a French emigré unless he wore a powdered wig. Henry took a book of memoirs from the shelf to prove to them that at the time when the French emigrés were coming to Philadelphia, powder was going out of fashion.
During this discussion, Mrs. Erlich drew Claude aside and told him in excited whispers that her cousin Wilhelmina, the singer, had at last been relieved of the invalid husband whom she had supported for so many years, and now was going to marry her accompanist, a man much younger than herself.
After the French emigré had gone off to his party, two young instructors from the University dropped in, and Mrs. Erlich introduced Claude as her "landed proprietor" who managed a big ranch out in one of the western counties. The instructors took their leave early, but Claude stayed on. What was it that made life seem so much more interesting and attractive here than elsewhere? There was nothing wonderful about this room; a lot of books, a lamp… comfortable, hard-used furniture, some people whose lives were in no way remarkable—and yet he had the sense of being in a warm and gracious atmosphere, charged with generous enthusiasms and ennobled by romantic friendships. He was glad to see the same pictures on the wall; to find the Swiss wood-cutter on the mantel, still bending under his load of faggots; to handle again the heavy brass paper-knife that in its time had cut so many interesting pages. He picked it up from the cover of a red book lying there,-one of Trevelyan's volumes on Garibaldi, which Julius told him he must read before he was another week older.
The next afternoon Claude took Mrs. Erlich to the football game and came home with the family for dinner. He lingered on day after day, but after the first few evenings his heart was growing a little heavier all the time. The Erlich boys had so many new interests he couldn't keep up with them; they had been going on, and he had been standing still. He wasn't conceited enough to mind that. The thing that hurt was the feeling of being out of it, of being lost in another kind of life in which ideas played but little part. He was a stranger who walked in and sat down here; but he belonged out in the big, lonely country, where people worked hard with their backs and got tired like the horses, and were too sleepy at night to think of anything to say. If Mrs. Erlich and her Hungarian woman made lentil soup and potato dumplings and Wiener-Schnitzel for him, it only made the plain fare on the farm seem the heavier.
When the second Friday came round, he went to bid his friends good-bye and explained that he must be going home tomorrow. On leaving the house that night, he looked back at the ruddy windows and told himself that it was goodbye indeed, and not, as Mrs. Erlich had fondly said, auf wiedersehen. Coming here only made him more discontented with his lot; his frail claim on this kind of life existed no longer. He must settle down into something that was his own, take hold of it with both hands, no matter how grim it was. The next day, during his journey out through the bleak winter country, he felt that he was going deeper and deeper into reality.
Claude had not written when he would be home, but on Saturday there were always some of the neighbours in town. He rode out with one of the Yoeder boys, and from their place walked on the rest of the way. He told his mother he was glad to be back again. He sometimes felt as if it were disloyal to her for him to be so happy with Mrs. Erlich. His mother had been shut away from the world on a farm for so many years; and even before that, Vermont was no very stimulating place to grow up in, he guessed. She had not had a chance, any more than he had, at those things which make the mind more supple and keep the feeling young.
The next morning it was snowing outside, and they had a long, pleasant Sunday breakfast. Mrs. Wheeler said they wouldn't try to go to church, as Claude must be tired. He worked about the place until noon, making the stock comfortable and looking after things that Dan had neglected in his absence. After dinner he sat down at the secretary and wrote a long letter to his friends in Lincoln. Whenever he lifted his eyes for a moment, he saw the pasture bluffs and the softly falling snow. There was something beautiful about the submissive way in which the country met winter. It made one contented,—sad, too. He sealed his letter and lay down on the couch to read the paper, but was soon asleep.
When he awoke the afternoon was already far gone. The clock on the shelf ticked loudly in the still room, the coal stove sent out a warm glow. The blooming plants in the south bow-window looked brighter and fresher than usual in the soft white light that came up from the snow. Mrs. Wheeler was reading by the west window, looking away from her book now and then to gaze off at the grey sky and the muffled fields. The creek made a winding violet chasm down through the pasture, and the trees followed it in a black thicket, curiously tufted with snow. Claude lay for some time without speaking, watching his mother's profile against the glass, and thinking how good this soft, clinging snow-fall would be for his wheat fields.
"What are you reading, Mother?" he asked presently.
She turned her head toward him. "Nothing very new. I was just beginning 'Paradise Lost' again. I haven't read it for a long while."
"Read aloud, won't you? Just wherever you happen to be. I like the sound of it."
Mrs. Wheeler always read deliberately, giving each syllable its full value. Her voice, naturally soft and rather wistful, trailed over the long measures and the threatening Biblical names, all familiar to her and full of meaning.
"A dungeon horrible, on all sides roundAs one great furnace flamed; yet from the flamesNo light, but rather darkness visibleServed only to discover sights of woe."
Her voice groped as if she were trying to realize something. The room was growing greyer as she read on through the turgid catalogue of the heathen gods, so packed with stories and pictures, so unaccountably glorious. At last the light failed, and Mrs. Wheeler closed the book.
"That's fine," Claude commented from the couch. "But Milton couldn't have got along without the wicked, could he?"
Mrs. Wheeler looked up. "Is that a joke?" she asked slyly.
"Oh no, not at all! It just struck me that this part is so much more interesting than the books about perfect innocence in Eden."
"And yet I suppose it shouldn't be so," Mrs. Wheeler said slowly, as if in doubt.
Her son laughed and sat up, smoothing his rumpled hair. "The fact remains that it is, dear Mother. And if you took all the great sinners out of the Bible, you'd take out all the interesting characters, wouldn't you?"
"Except Christ," she murmured.
"Yes, except Christ. But I suppose the Jews were honest when they thought him the most dangerous kind of criminal."
"Are you trying to tangle me up?" his mother inquired, with both reproach and amusement in her voice.
Claude went to the window where she was sitting, and looked out at the snowy fields, now becoming blue and desolate as the shadows deepened. "I only mean that even in the Bible the people who were merely free from blame didn't amount to much."
"Ah, I see!" Mrs. Wheeler chuckled softly. "You are trying to get me back to Faith and Works. There's where you always balked when you were a little fellow. Well, Claude, I don't know as much about it as I did then. As I get older, I leave a good deal more to God. I believe He wants to save whatever is noble in this world, and that He knows more ways of doing it than I." She rose like a gentle shadow and rubbed her cheek against his flannel shirt-sleeve, murmuring, "I believe He is sometimes where we would least expect to find Him,—even in proud, rebellious hearts."
For a moment they clung together in the pale, clear square of the west window, as the two natures in one person sometimes meet and cling in a fated hour.