When it was all told, the girl still sat listening. She heard Radbourn's calm, slow voice again. It helped her not to hate Burns; it helped her to pity and understand him.
"You must remember that such toil brutalizes a man; it makes him callous, selfish, unfeeling, necessarily. A fine nature must either adapt itself to its hard surroundings or die. Men who toil terribly in filthy garments day after day and year after year cannot easily keepgentle; the frost and grime, the heat and cold, will soon or late enter into their souls. The case is not all in favor of the suffering wives and against the brutal husbands. If the farmer's wife is dulled and crazed by her routine, the farmer himself is degraded and brutalized."
As well as she could Lily explained all this to the woman, who lay with her face buried in the girl's lap. Lily's arms were about her thin shoulders in an agony of pity.
"It's hard, Lucretia, I know,—more than you can bear,—but you mustn't forget what Sim endures too. He goes out in the storms and in the heat and dust. His boots are hard, and see how his hands are all bruised and broken by his work! He was tired and hungry when he said that—he didn't really mean it."
The wife remained silent.
"Mr. Radbourn says work, as things go now,doesdegrade a man in spite of himself. He says men get coarse and violent in spite of themselves, just as women do when everything goes wrong in the house,—when the flies are thick, and the fire won't burn, and the irons stick to the clothes. You see, you both suffer. Don't lay up this fit of temper against Sim—will you?"
The wife lifted her head and looked away. Her face was full of hopeless weariness.
"It ain't this once. It ain't that 't all. It's having no let-up. Just goin' the same thing right over 'n' over—no hope of anything better."
"If you had hope of another world—"
"Don't talk that. I don't want that kind o' comfert.I want a decent chance here. I want 'o rest an' be happynow." Lily's big eyes were streaming with tears. What should she say to the desperate woman? "What's the use? We might jest as well die—all of us."
The woman's livid face appalled the girl. She was gaunt, heavy-eyed, nerveless. Her faded dress settled down over her limbs, showing the swollen knees and thin calves; her hands, with distorted joints, protruded painfully from her sleeves. All about her was the ever recurring wealth and cheer of nature that knows no favor,—the bees and flies buzzing in the sun, the jay and the kingbird in the poplars, the smell of strawberries, the motion of lush grass, the shimmer of corn-blades tossed gayly as banners in a conquering army.
Like a flash of keener light, a sentence shot across the girl's mind: "Nature knows no title-deed. The bounty of her mighty hands falls as the sunlight falls, copious, impartial; her seas carry all ships; her air is for all lips, her lands for all feet."
"Poverty and suffering such as yours will not last." There was something in the girl's voice that roused the woman. She turned her dull eyes upon the youthful face.
Lily took her hand in both hers as if by a caress she could impart her own faith.
"Look up, dear. When nature is so good and generous, man must come to be better, surely. Come, go in the house again. Sim is there; he expects you; he told me to tell you he was sorry." Lucretia's face twitched a little at that, but her head was bent. "Come; youcan't live this way. There isn't any other place to go to."
No, that was the bitterest truth. Where on this wide earth, with its forth-shooting fruits and grains, its fragrant lands and shining seas, could this dwarfed, bent, broken, middle-aged woman go? Nobody wanted her, nobody cared for her. But the wind kissed her drawn lips as readily as those of the girl, and the blooms of clover nodded to her as if to a queen.
Lily had said all she could. Her heart ached with unspeakable pity and a sort of terror.
"Don't give up, Lucretia. This may be the worst hour of your life. Live and bear with it all for Christ's sake,—for your children's sake. Sim told me to tell you he was to blame. If you will only see that you are both to blame and yet neither to blame, then you can rise above it. Try, dear!"
Something that was in the girl imparted itself to the wife, electrically. She pulled herself together, rose silently, and started toward the house. Her face was rigid, but no longer sullen. Lily followed her slowly, wonderingly.
As she neared the kitchen door, she saw Sim still sitting at the table; his face was unusually grave and soft. She saw him start and shove back his chair, saw Lucretia go to the stove and lift the tea-pot, and heard her say, as she took her seat beside the baby:—
"Want some more tea?"
She had become a wife and mother again, but in what spirit the puzzled girl could not say.
DADDY DEERING
They were threshing on Farmer Jennings's place when Daddy made his very characteristic appearance. Milton, a boy of thirteen, was gloomily holding sacks for the measurer, and the glory of the October day was dimmed by the suffocating dust, and poisoned by the smarting beards and chaff which had worked their way down his neck. The bitterness of the dreaded task was deepened also by contrast with the gambols of his cousin Billy, who was hunting rats with Growler amid the last sheaves of the stack bottom. The piercing shrieks of Billy, as he clapped his hands in murderous glee, mingled now and again with the barking of the dog.
The machine seemed to fill the world with its snarling boom, which became a deafening yell when the cylinder ran empty for a moment. It was nearly noon, and the men were working silently, with occasional glances toward the sun to see how near dinner-time it was. The horses, dripping with sweat, and with patches of foam under their harness, moved round and round steadily to the cheery whistle of the driver.
The wild, imperious song of the bell-metal cog-wheel had sung into Milton's ears till it had become a torture, and every time he lifted his eyes to the beautiful far-offsky, where the clouds floated like ships, a lump of rebellious anger rose in his throat. Why should he work in this choking dust and deafening noise while the hawks could sail and sweep from hill to hill with nothing to do but play?
Occasionally his uncle, the feeder, smiled down upon him, his face black as a negro, great goggles of glass and wire-cloth covering his merry eyes. His great good-nature shone out in the flash of his white teeth, behind his dusky beard, and he tried to encourage Milton with his smile. He seemed tireless to the other hands. He was so big and strong. He had always been Milton's boyish hero. So Milton crowded back the tears that came into his eyes, and would not let his uncle see how childish he was.
A spectator riding along the road would have remarked upon the lovely setting for this picturesque scene—the low swells of prairie, shrouded with faint, misty light from the unclouded sky, the flaming colors of the trees, the faint sound of cow-bells, and the cheery sound of the machine. But to be a tourist and to be a toiler in a scene like this are quite different things.
They were anxious to finish the setting by noon, and so the feeder was crowding the cylinder to its limit, rolling the grain in with slow and apparently effortless swaying from side to side, half buried in the loose yellow straw. But about eleven o'clock the machine came to a stand, to wait while a broken tooth was being replaced, and Milton fled from the terrible dust beside the measuring spout, and was shaking the chaffout of his clothing, when he heard a high, snappy, nasal voice call down from the straw-pile. A tall man, with a face completely masked in dust, was speaking to Mr. Jennings:—
"Say, young man, I guess you'll haf to send another man up here. It's poorty stiff work f'r two; yes, sir, poorty stiff."
"There, there! I thought you'd cry 'cavy,'" laughed Mr. Jennings. "I told you it wasn't the place for an old man."
"Old man," snarled the figure in the straw. "I ain't so old but I can daown you, sir,—yessir, condemmit, yessir!"
"I'm your man," replied Jennings, smiling up at him.
The man rolled down the side of the stack, disappearing in a cloud of dust and chaff. When he came to light, Milton saw a tall, gaunt old man of sixty years of age, or older. Nothing could be seen but a dusty expanse of face, ragged beard, and twinkling, sharp little eyes. His color was lost, his eyes half hid. Without waiting for ceremony, the men clenched. The crowd roared with laughter, for though Jennings was the younger, the older man was a giant still, and the struggle lasted for some time. He made a gallant fight, but his breath gave out, and he lay at last flat on his back.
"I wish I was your age, young man," he said ruefully, as he rose. "I'd knock the heads o' these young scamps t'gether,—yessir!—I could do it, too!"
"Talk's a good dog, uncle," said a young man.
The old man turned on him so ferociously that he fled.
"Run, condemn yeh! I own y' can beat me at that."
His face was not unpleasant, though his teeth were mainly gone, and his skin the color of leather and wrinkled as a pan of cream. His eyes had a certain sparkle of fun that belied his rasping voice, which seemed to have the power to lift a boy clean off his feet. His frame was bent and thin, but of great height and breadth, bony and tough as hickory. At some far time vast muscles must have rolled on those giant limbs, but toil had bent and stiffened him.
"Never been sick a day 'n my life; no, sir!" he said, in his rapid, rasping, emphatic way, as they were riding across the stubble to dinner. "And, by gol! I c'n stand as long at the tail of a stacker as any man, sir. Dummed if I turn my hand for any man in the state; no, sir; no, sir! But if I do two men's works, I am goin' to have two men's pay—that's all, sir!"
Jennings laughed and said: "All right, uncle. I'll send another man up there this afternoon."
The old man seemed to take a morbid delight in the hard and dirty places, and his endurance was marvellous. He could stand all day at the tail of a stacker, tirelessly pushing the straw away with an indifferent air, as if it were all mere play.
He measured the grain the next day, because it promised to be a noisier and dustier job than working in the straw, and it was in this capacity that Milton came to know and to hate him, and to associate himwith that most hated of all tasks, the holding of sacks. To a twelve-year-old boy it seems to be the worst job in the world.
All day, while the hawks wheel and dip in the glorious air, and the trees glow like banks of roses; all day, while the younger boys are tumbling about the sunlit straw, to be forced to stand holding sacks, like a convict, was maddening. Daddy, whose rugged features, bent shoulders, and ragged cap loomed through the suffocating, blinding dust, necessarily came to seem like the jailer who held the door to freedom.
And when the dust and noise and monotony seemed the very hardest to bear, the old man's cackling laugh was sure to rise above the howl of the cylinder.
"Nem mind, sonny! Chaff ain't pizen; dust won't hurt ye a mite." And when Milton was unable to laugh, the old man tweaked his ear with his leathery thumb and finger.
Then he shouted long, disconnected yarns, to which Milton could make neither head nor tail, and which grew at last to be inaudible to him, just as the steady boom and snarl of the great machine did. Then he fell to studying the old man's clothes, which were a wonder to him. He spent a good deal of time trying to discover which were the original sections of the coat, and especially of the vest, which was ragged and yellow with age, with the cotton batting working out; and yet Daddy took the greatest care of it, folding it carefully and putting it away during the heat of the day out of reach of the crickets.
One of his peculiarities, as Mrs. Jennings learned on the second day, was his habit of coming to breakfast. But he always earned all he got, and more too; and, as it was probable that his living at home was frugal, Mrs. Jennings smiled at his thrift, and quietly gave him his breakfast if he arrived late, which was not often.
He had bought a little farm not far away, and settled down into a mode of life which he never afterward changed. As he was leaving at the end of the third day, he said:—
"Now, sir, if you want any bootcherin' done, I'm y'r man. I don't turn m' hand over f'r any man in the state; no, sir! I c'n git a hawg on the gambrils jest a leetle quicker'n any other man I ever see; yes, sir; by gum!"
"All right, uncle; I'll send for you when I'm ready to kill."
Hog-killing was one of the events of a boy's life on a Western farm, and Daddy was destined to be associated in the minds of Shep and Milton with another disagreeable job, that of building the fire and carrying water.
It was very early on a keen, biting morning in November when Daddy came driving into the yard with his rude, long-runnered sled, one horse half his length behind the other in spite of the driver's clucking. He was delighted to catch the boys behind in the preparation.
"A-a-h-h-r-r-h-h!" he rasped out, "you lazy vagabon's? Why ain't you got that fire blazin'?Whatthe devil do y' mean, you rascals! Here it is broad daylight, and that fire not built. I vum, sir, you need a thrashin', the whole kit an bilun' of ye; yessir! Come, come, come! hustle now, stir your boots! hustle y'r boots—ha! ha! ha!"
It was of no use to plead cold weather and damp chips.
"What has that got to do with it, sir? I vum, sir, when I was your age, I could make a fire of green red-oak; yessir! Don't talk to me of colds! Stir your stumps and get warm, sir!"
The old man put up his horses (and fed them generously with oats), and then went to the house to ask for "a leetle something hot—mince pie or sassidge." His request was very modest, but, as a matter of fact, he sat down and ate a very hearty breakfast, while the boys worked away at the fire under the big kettle.
The hired man, under Daddy's direction, drew the bob-sleighs into position on the sunny side of the corn-crib, and arranged the barrel at the proper slant, while the old man ground his knives, Milton turning the grindstone—another hateful task, which Daddy's stories could not alleviate.
Daddy never finished a story. If he started in to tell about a horse trade, it infallibly reminded him of a cattle trade, and talking of cattle switched him off upon logging, and logging reminded him of some heavy snow-storm he had known. Each parenthesisoutgrew its proper limits, till he forgot what should have been the main story. His stories had some compensation, for when he stopped to try to recollect where he was, the pressure on the grindstone was released.
At last the water was hot, and the time came to seize the hogs. This was the old man's great moment. He stood in the pen and shrieked with laughter while the hired men went rolling, one after the other, upon the ground, or were bruised against the fence by the rush of the burly swine.
"You're a fine lot," he laughed. "Now, then, sir,grab 'im! Why don't ye nail 'im? I vum, sir, if I couldn't do better'n that, sir, I'd sell out; I would, sir, by gol! Get out o' the way!"
With a lofty scorn he waved aside all help and stalked like a gladiator toward the pigs huddled in one corner of the pen. And when the selected victim was rushing by him, his long arm and great bony hand swept out, caught him by the ear, and flung him upon his side, squealing with deafening shrillness. But in spite of his smiling concealment of effort, Daddy had to lean against the fence and catch his breath even while he boasted:—
"I'm an old codger, sir, but I'm worth—a dozen o' you—spindle-legged chaps; dum me if I ain't, sir!"
His pride in his ability to catch and properly kill a hog was as genuine as the old knight-errant's pride in his ability to stick a knife into another steel-clothed brigand like himself. When the slain shote was swung upon the planking on the sled before the barrel, Daddyrested, while the boys filled the barrel with water from the kettle.
There was always a weird charm about this stage of the work to the boys. The sun shone warm and bright in the lee of the corn-crib; the steam rose up, white and voluminous, from the barrel; the eaves dropped steadily; the hens ventured near, nervously, but full of curiosity, while the men laughed and joked with Daddy, starting him off on long stories, and winking at each other when his back was turned.
At last he mounted his planking, selecting Mr. Jennings to pull upon the other handle of the hog-hook. He considered he conferred a distinct honor in this selection.
"The time's been, sir, when I wouldn't thank any man for his help. No, sir, wouldn't thank 'im."
"What do you do with these things?" asked one of the men, kicking two iron candlesticks which the old man laid conveniently near.
"Scrape a hawg with them, sir. What do y' s'pose, you numskull?"
"Well, I never saw anything—"
"You'll have a chance mighty quick, sir. Grab ahold, sir! Swing 'im around—there! Now easy, easy! Now then, one, two; one, two—that's right."
While he dipped the porker in the water, pulling with his companion rhythmically upon the hook, he talked incessantly, mixing up scraps of stories and boastings of what he could do, with commands of what he wanted the other man to do.
"The best man I ever worked with.Now turn 'im, turn 'im!" he yelled, reaching over Jennings's wrist. "Grab under my wrist. There! won't ye never learn how to turn a hawg?Now out with 'im!" was his next wild yell, as the steaming hog was jerked out of the water upon the planking. "Now try the hair on them ears! Beautiful scald," he said, clutching his hand full of bristles and beaming with pride. "Never see anything finer. Here, Bub, a pail of hot water, quick! Try one of them candlesticks! They ain't no better scraper than the bottom of an old iron candlestick; no, sir! Dum your new-fangled scrapers! I made a bet once with old Jake Ridgeway that I could scrape the hair off'n two hawgs, by gum, quicker'n he could one. Jake was blowin' about a new scraper he had....
"Yes, yes, yes, dump it right into the barrel. Condemmit! Ain't you got no gumption?... So Sim Smith, he held the watch. Sim was a mighty good hand t' work with; he was about the only man I ever sawed with who didn't ride the saw. He could jerk a crosscut saw.... Now let him in again, now,he-ho, once again!Rool him over now; that foreleg needs a tech o' water. Now out with him again; that's right, that's right! By gol, a beautiful scald as ever I see!"
Milton, standing near, caught his eye again. "Clean that ear, sir! What the devil you standin' there for?" He returned to his story after a pause. "A—n—d Jake, he scraped away—hyare!" he shouted suddenly, "don't ruggle the skin like that! Can't you see the way I do it? Leave it smooth as a baby, sir—yessir!"
He worked on in this way all day, talking unceasingly, never shirking a hard job, and scarcely showing fatigue at any moment.
"I'm short o' breath a leetle, that's all; never git tired, but my wind gives out. Dum cold got on me, too."
He ate a huge supper of liver and potatoes, still working away hard at an ancient horse trade, and when he drove off at night, he had not yet finished a single one of the dozen stories he had begun.
But pitching grain and hog-killing were on the lower levels of his art, for above all else Daddy loved to be called upon to play the fiddle for dances. He "officiated" for the first time at a dance given by one of the younger McTurgs. They were all fiddlers themselves,—had been for three generations,—but they seized the opportunity of helping Daddy and at the same time of relieving themselves of the trouble of furnishing the music while the rest danced.
Milton attended this dance, and saw Daddy for the first time earning his money pleasantly. From that time on the associations around his personality were less severe, and they came to like him better. He came early, with his old fiddle in a time-worn white-pine box. His hair was neatly combed to the top of his long, narrow head, and his face was very clean. The boys all greeted him with great pleasure, and asked him where he would sit.
"Right on that table, sir; put a chair up there."
He took his chair on the kitchen-table as if it were a throne. He wore huge moccasins of moose-hide on his feet, and for special occasions like this added a paper collar to his red woollen shirt. He took off his coat and laid it across his chair for a cushion. It was all very funny to the young people, but they obeyed him laughingly, and while they "formed on," he sawed his violin and coaxed it up to concert pitch, and twanged it and banged it into proper tunefulness.
"A-a-a-ll ready there!" he rasped out, with prodigious force. "Everybody git into his place!" Then, lifting one huge foot, he put the fiddle under his chin, and, raising his bow till his knuckles touched the strings, he yelled, "Already,G'LANG!" and brought his foot down with a startling bang on the first note.Rye doodle duo, doodle doo.
As he went on and the dancers fell into rhythm, the clatter of heavy boots seemed to thrill him with old-time memories, and he kept boisterous time with his foot, while his high, rasping nasal rang high above the confusion of tongues and heels and swaying forms.
"Ladies' gran' change!Fourhands round!Balanceall!Elly-man left! Back to play-cis."
His eyes closed in a sort of intoxication of pleasure, but he saw all that went on in some miraculous way.
"Firstlady lead to the right—toodle rum rum!Gentfoller after (step along thar)! Four hands round—"
The boys were immensely pleased with him. They delighted in his antics rather than in his tunes, whichwere exceedingly few and simple. They seemed never to be able to get enough of one tune which he called "Honest John," and which he played in his own way, accompanied by a chant which he meant, without a doubt, to be musical.
"Hon-ers tew your pardners—tee teedle deedle dee dee dee dee! Stand up straight an' put on your style!Rightan' left four—"
The hat was passed by the floor-manager during the evening, and Daddy got nearly three dollars, which delighted Milton very much.
At supper he insisted on his prerogative, which was to take the prettiest girl out to supper.
"Look-a-here, Daddy, ain't that crowdin' the mourners?" objected the others.
"What do you mean by that, sir? No, sir! Always done it, in Michigan and Yark State both; yes, sir."
He put on his coat ceremoniously, while the tittering girls stood about the room waiting. He did not delay. His keen eyes had made selection long before, and, approaching Rose Watson with old-fashioned, elaborate gallantry, he said: "MayI have the pleasure?" and marched out triumphantly, amidst shouts of laughter.
His shrill laugh rang high above the rest at the table, as he said: "I'm the youngest man in this crowd, sir! Demmit, I bet a hat I c'n dance down any man in this crowd; yes, sir. The old man can do it yet."
They all took sides in order to please him.
"I'll bet he can," said Hugh McTurg; "I'll bet a dollar on Daddy."
"I'll take the bet," said Joe Randall, and with great noise the match was arranged to come the first thing after supper.
"All right, sir; any time, sir. I'll let you know the old man is on earth yet."
While the girls were putting away the supper dishes, the young man lured Daddy out into the yard for a wrestling-match, but some others objected.
"Oh, now, that won't do! If Daddy was a young man—"
"What do you mean, sir? I am young enough for you, sir. Just let me get ahold o' you, sir, and I'll show you, you young rascal! you dem jackanapes!" he ended, almost shrieking with rage, as he shook his fist in the face of his grinning tormentors.
His friends held him back with much apparent alarm, and ordered the other fellows away.
"There, there, Daddy, I wouldn't mind him! I wouldn't dirty my hands on him; he ain't worth it. Just come inside, and we'll have that dancing-match now."
Daddy reluctantly returned to the house, and, having surrendered his violin to Hugh McTurg, was ready for the contest. As he stepped into the middle of the room he was not altogether ludicrous. His rusty trousers were bagged at the knee, and his red woollen stockings showed between the tops of his moccasins and his pantaloon legs, and his coat, utterly characterless as to color and cut, added to the stoop in his shoulders; and yet there was a rude sort of grace and a certain dignityabout his bearing which kept down laughter. They were to have a square dance of the old-fashioned sort.
"Farrmon," he cried, and the fiddler struck up the first note of the Virginia Reel. Daddy led out Rose, and the dance began. He straightened up till his tall form towered above the rest of the boys like a weather-beaten pine tree, as he balanced and swung and led and called off the changes with a voice full of imperious command.
The fiddler took a malicious delight toward the last in quickening the time of the good old dance, and that put the old man on his mettle.
"Go it, ye young rascal!" he yelled. He danced like a boy and yelled like a demon, catching a laggard here and there, and hurling them into place like tops, while he kicked and stamped, wound in and out and waved his hands in the air with a gesture which must have dated back to the days of Washington. At last, flushed, breathless, but triumphant, he danced a final breakdown to the tune of "Leather Breeches," to show he was unsubdued.
But these rare days passed away. As the country grew older it lost the wholesome simplicity of pioneer days, and Daddy got a chance to play but seldom. He no longer pleased the boys and girls—his music was too monotonous and too simple. He felt this very deeply. Once in a while he broke forth in protest against the changes.
"The boys I used to trot on m' knee are gittin' too high-toned. They wouldn't be found dead with old Deering, and then the preachers are gittin' thick, and howlin' agin dancin', and the country's filling up with Dutchmen, so't I'm left out."
As a matter of fact, there were few homes now where Daddy could sit on the table, in his ragged vest and rusty pantaloons, and play "Honest John," while the boys thumped about the floor. There were few homes where the old man was even a welcome visitor, and he felt this rejection keenly. The women got tired of seeing him about, because of his uncleanly habits of spitting, and his tiresome stories. Many of the old neighbors died or moved away, and the young people went West or to the cities. Men began to pity him rather than laugh at him, which hurt him more than their ridicule. They began to favor him at threshing or at the fall hog-killing.
"Oh, you're getting old, Daddy; you'll have to give up this heavy work. Of course, if you feel able to do it, why, all right! Like to have you do it, but I guess we'll have to have a man to do the heavy lifting, I s'pose."
"I s'pose not, sir! I am jest as able to yank a hawg as ever, sir; yes, sir, demmit—demmit! Do you think I've got one foot in the grave?"
Nevertheless, Daddy often failed to come to time on appointed days, and it was painful to hear him trying to explain, trying to make light of it all.
"M' caugh wouldn't let me sleep last night. A goldumleetle, nasty, ticklin' caugh, too; but it kept me awake, fact was, an'—well, m' wife, she said I hadn't better come. But don't you worry, sir; it won't happen again, sir; no, sir."
His hands got stiffer year by year, and his simple tunes became practically a series of squeaks and squalls. There came a time when the fiddle was laid away almost altogether, for his left hand got caught in the cog-wheels of the horse-power, and all four of the fingers on that hand were crushed. Thereafter he could only twang a little on the strings. It was not long after this that he struck his foot with the axe and lamed himself for life.
As he lay groaning in bed, Mr. Jennings went in to see him and tried to relieve the old man's feelings by telling him the number of times he had practically cut his feet off, and said he knew it was a terrible hard thing to put up with.
"Gol dummit, it ain't the pain," the old sufferer yelled, "it's the dum awkwardness. I've chopped all my life; I can let an axe in up to the maker's name, and hew to a hair-line; yes, sir! It was jest them dum new mittens my wife made; they was s' slippery," he ended with a groan.
As a matter of fact, the one accident hinged upon the other. It was the failure of his left hand, with its useless fingers, to do its duty, that brought the axe down upon his foot. The pain was not so much physical as mental. To think that he, who could hew to a hair-line, right and left hand, should cut his own foot like a ten-year-old boy—that scared him. It brought ageand decay close to him. For the first time in his life he felt that he was fighting a losing battle.
A man like this lives so much in the flesh, that when his limbs begin to fail him everything else seems slipping away. He had gloried in his strength. He had exulted in the thrill of his life-blood and in the swell of his vast muscles; he had clung to the idea that he was strong as ever, till this last blow came upon him, and then he began to think and to tremble.
When he was able to crawl about again, he was a different man. He was gloomy and morose, snapping and snarling at all that came near him, like a wounded bear. He was alone a great deal of the time during the winter following his hurt. Neighbors seldom went in, and for weeks he saw no one but his hired hand, and the faithful, dumb little old woman, his wife, who moved about without any apparent concern or sympathy for his suffering. The hired hand, whenever he called upon the neighbors, or whenever questions were asked, said that Daddy hung around over the stove most of the time, paying no attention to any one or anything. "He ain't dangerous 't all," he said, meaning that Daddy was not dangerously ill.
Milton rode out from school one winter day with Bill, the hand, and was so much impressed with his story of Daddy's condition that he rode home with him. He found the old man sitting bent above the stove, wrapped in a quilt, shivering and muttering to himself. He hardly looked up when Milton spoke to him, and seemed scarcely to comprehend what he said.
Milton was much alarmed at the terrible change, for the last time he had seen him he had towered above him, laughingly threatening to "warm his jacket," and now here he sat, a great hulk of flesh, his mind flickering and flaring under every wind of suggestion, soon to go out altogether.
In reply to questions he only muttered with a trace of his old spirit: "I'm all right. Jest as good a man as I ever was, only I'm cold. I'll be all right when spring comes, so 't I c'n git outdoors. Somethin' to warm me up, yessir; I'm cold, that's all."
The young fellow sat in awe before him, but the old wife and Bill moved about the room, taking very little interest in what the old man said or did. Bill at last took down the violin. "I'll wake him up," he said. "This always fetches the old feller. Now watch 'im."
"Oh, don't do that!" Milton said in horror. But Bill drew the bow across the strings with the same stroke that Daddy always used when tuning up.
He lifted his head as Bill dashed into "Honest John," in spite of Milton's protest. He trotted his feet after a little and drummed with his hands on the arms of his chair, then smiled a little in a pitiful way. Finally he reached out his right hand for the violin and took it into his lap. He tried to hold the neck with his poor, old, mutilated left hand, and burst into tears.
"Don't you do that again, Bill," Milton said. "It's better for him to forget that. Now you take the best care of him you can to-night. I don't think he's goingto live long; I think you ought to go for the doctor right off."
"Oh, he's been like this for the last two weeks; he ain't sick, he's jest old, that's all," replied Bill, brutally.
And the old lady, moving about without passion and without speech, seemed to confirm this; and yet Milton was unable to get the picture of the old man out of his mind. He went home with a great lump in his throat.
The next morning, while they were at breakfast, Bill burst wildly into the room.
"Come over there, all of you; we want you."
They all looked up much scared. "What's the matter, Bill?"
"Daddy's killed himself," said Bill, and turned to rush back, followed by Mr. Jennings and Milton.
While on the way across the field Bill told how it all happened.
"He wouldn't go to bed, the old lady couldn't make him, and when I got up this morning I didn't think nothin' about it. I s'posed, of course, he'd gone to bed all right; but when I was going out to the barn I stumbled across something in the snow, and I felt around, and there he was. He got hold of my revolver someway. It was on the shelf by the washstand, and I s'pose he went out there so 't we wouldn't hear him. I dassn't touch him," he said, with a shiver; "and the old woman, she jest slumped down in a chair an' set there—wouldn't do a thing—so I come over to see you."
Milton's heart swelled with remorse. He felt guilty because he had not gone directly for the doctor. To think that the old sufferer had killed himself was horrible and seemed impossible.
The wind was blowing the snow, cold and dry, across the yard, but the sun shone brilliantly upon the figure in the snow as they came up to it. There Daddy lay. The snow was in his scant hair and in the hollow of his wide, half-naked chest. A pistol was in his hand, but there was no mark upon him, and Milton's heart leaped with quick relief. It was delirium, not suicide.
There was a sort of majesty in the figure half buried in the snow. His hands were clenched, and there was a frown of resolution on his face, as if he had fancied Death coming, and had gone defiantly forth to meet him.
A STOP-OVER AT TYRE
Albert Lohr was studying the motion of the ropes and lamps, and listening to the rumble of the wheels and the roar of the ferocious wind against the pane of glass that his head touched. It was the midnight train from Marion rushing toward Warsaw like some savage thing unchained, creaking, shrieking, and clattering through the wild storm which possessed the whole Mississippi Valley.
Albert lost sight of the lamps at last, and began to wonder what his future would be. "First I must go through the university at Madison; then I'll study law, go into politics, and perhaps some time I may go to Washington."
In imagination he saw that wonderful city. As a Western boy, Boston to him was historic, New York was the great metropolis, but Washington was the great American city, and political greatness the only fame.
The car was nearly empty: save here and there the wide-awake Western drummer, and a woman with four fretful children, the train was as deserted as it was frightfully cold. The engine shrieked warningly at intervals, the train rumbled hollowly over short bridgesand across pikes, swung round the hills, and plunged with wild warnings past little towns hid in the snow, with only here and there a light shining dimly.
One of the drummers now and then rose up from his cramped bed on the seats, and swore cordially at the railway company for not heating the cars. The woman with the children inquired for the tenth time, "Is the next station Lodi?"
"Yes, ma'am, it is," snarled the drummer, as he jerked viciously at the strap on his valise; "and darned glad I am, too, I can tell yeh! I'll be stiff as a car-pin if I stay in this infernal ice-chest another hour. I wonder what the company think—"
At Lodi several people got on, among them a fat man with a pretty daughter, who appeared to be abnormally wide awake—considering the time of night. She saw Albert for the same reason that he saw her—they were both young and good-looking.
The student began his musings again, modified by this girl's face. He had left out the feminine element; obviously he must recapitulate. He'd study law, yes; but that would not prevent going to sociables and church fairs. And at these fairs the chances were good for a meeting with a girl. Her father must be influential—county judge or district attorney. Marriage would open new avenues—
He was roused by the sound of his own name.
"Is Albert Lohr in this car?" shouted the brakeman, coming in, enveloped in a cloud of fine snow.
"Yes, here!" called Albert.
"Here's a telegram for you."
Albert snatched the envelope with a sudden fear of disaster at home; but it was dated "Tyre":
"Get off at Tyre. I'll be there.Hartley
"Get off at Tyre. I'll be there.
Hartley
"Well, now, that's fun!" said Albert, looking at the brakeman. "When do we reach there?"
"About 2.20."
"Well, by thunder! A pretty time o' night!"
The brakeman grinned sympathetically. "Any answer?" he asked, at length.
"No; that is, none that will do the matter justice."
"Hartley friend o' yours?"
"Yes; know him?"
"Yes; he boarded where I did in Warsaw."
When he came back again, the brakeman said to Albert, in a hesitating way:
"Ain't going t' stop off long, I s'pose?"
"May an' may not; depends on Hartley. Why?"
"Well, I've got an aunt there that keeps boarders, and I kind o' like t' send her one when I can. If you should happen to stay a few days, go an' see her. She sets up first-class grub, an' it wouldn't kill anybody, anyhow, if you went up an' called."
"Course not. If I stay long enough to make it pay I'll look her up sure. I'm no Vanderbilt. I can't afford to stop at two-dollar-a-day hotels."
The brakeman sat down opposite, encouraged by Albert's smile.
"Y' see, my division ends at Warsaw, and I run back and forth here every other day, but I don't get much chance to see them, and I ain't worth a cuss f'r letter-writin'. Y' see, she's only aunt by marriage, but I like her; an' I guess she's got about all she can stand up under, an' so I like t' help her a little when I can. The old man died owning nothing but the house, an' that left the old lady t' rustle f'r her livin'. Dummed if she ain't sandy as old Sand. They're gitt'n' along purty—"
The whistle blew for brakes, and, seizing his lantern, the brakeman slammed out on the platform.
"Tough night for twisting brakes," suggested Albert, when he came in again.
"Yes—on the freight."
"Good heavens! I should say so. They don't run freight such nights as this?"
"Don't they? Well, I guess they don't stop for a storm like this if they's any money to be made by sending her through. Many's the night I've broke all night on top of the old wooden cars, when the wind was sharp enough to shear the hair off a cast-iron mule—woo-o-o!There's where you need grit, old man," he ended, dropping into familiar speech.
"Yes; or need a job awful bad."
The brakeman was struck with this idea. "There's where you're right. A fellow don't take that kind of a job for the fun of it. Not much! He takes it because he's got to. That's as sure's you're a foot high. I tellyou, a feller's got t' rustle these days if he gits any kind of a job—"
"Toot, too-o-o-o-t, toot!"
The station passed, the brakeman did not return, perhaps because he found some other listener, perhaps because he was afraid of boring this pleasant young fellow.
Albert shuddered with a sympathetic pain as he thought of the heroic fellows on the tops of icy cars, with hands straining at frosty brakes, the wind cutting their faces like a sand-blast. Oh, those tireless hands at the wheel and throttle!—
He looked at his watch; it was two o'clock; the next station was Tyre. As he began to get his things together, the brakeman again addressed him:
"Oh, I forgot to say that the old lady's name is Welsh—Mrs. Robert Welsh. Say I sent yeh, and it'll be all right."
"Sure! I'll try her in the morning—that is, if I find out I'm going to stay."
Albert clutched his valise, and pulled his cap firmly down on his head.
"Here goes!" he muttered.
"Hold y'r breath!" shouted the brakeman. Albert swung himself to the platform before the station—a platform of planks along which the snow was streaming like water.
"Good-night!" shouted the brakeman.
"Good-night!"
"All-l abo-o-o-ard!" called the conductor somewhere in the storm. The brakeman swung his lantern, thetrain drew off into the blinding whirl, and its lights were soon lost in the clouds of snow.
No more desolate place could well be imagined. A level plain, apparently bare of houses, swept by a ferocious wind; a dingy little den called a station—no other shelter in sight; no sign of life save the dull glare of two windows to the left, alternately lost and found in the storm.
Albert's heart contracted with a sudden fear; the outlook was appalling.
"Where's the town?" he asked of a dimly seen figure with a lantern—a man evidently locking the station door, his only refuge.
"Over there," was the surly reply.
"How far?"
"'Bout a mile."
"A mile!"
"That's what I said—a mile."
"Well, I'll be blanked!"
"Well, y' better be doing something besides standing here, 'r y' 'll freeze t' death. I'd go over to the Arteeshun House an' go t' bed if I was in your fix."
"Well, whereisthe Artesian House?"
"See them lights?"
"I see them lights."
"Well, they're it."
"Oh, wouldn't your grammar make Old Grammaticuss curl up, though!"
"What say?" queried the man bending his head towardAlbert, his form being almost lost in the snow that streamed against them both.
"I said I guessed I'd try it," grinned the youth, invisibly.
"Well, I would if I was in your fix. Keep right close after me; they's some ditches here, and the foot-bridges are none too wide."
"The Artesian is owned by the railway, eh?"
"Yup."
"And you're the clerk?"
"Yup; nice little scheme, ain't it?"
"Well, it'll do," replied Albert.
The man laughed without looking around.
In the little bar-room, lighted by a vilely smelling kerosene lamp, the clerk, hitherto a shadow and a voice, came to light as a middle-aged man with a sullen face slightly belied by a sly twinkle in his eyes.
"This beats all the winters I everdidsee. It don't do nawthin' but blow,blow. Want to go to bed, I s'pose. Well, come along."
He took up one of the absurd little lamps and tried to get more light out of it.
"Dummed if a white bean wouldn't be better."
"Spit on it!" suggested Albert.
"I'd throw the whole business out o' the window for a cent!" growled the man.
"Here's y'r cent," said the boy.
"You're mighty frisky f'r a feller gitt'n' off'n a midnight train," replied the man, as he tramped along a narrow hallway. He spoke in a voice loud enough to awaken every sleeper in the house.
"Have t' be, or there'd be a pair of us."
"You'll laugh out o' the other side o' y'r mouth when you saw away on one o' the bell-collar steaks this house puts up," ended the clerk, as he put the lamp down.
"Sufficient unto the morn is the evil thereof,'" called Albert after him.
He was awakened the next morning by the cooks pounding steak down in the kitchen and wrangling over some division of duty. It was a vile place at any time, but on a morning like this it was appalling. The water was frozen, the floor like ice, the seven-by-nine glass frosted so that he couldn't see to comb his hair.
"All that got me out of bed," he remarked to the clerk, "was the thought of leaving."
The breakfast was incredibly bad—so much worse than he expected that Albert was forced to admit he had never seen its like. He fled from the place without a glance behind, and took passage in an omnibus for the town, a mile away. It was terribly cold, the thermometer registering twenty below zero; but the sun was very brilliant, and the air still.
The driver pulled up before a very ambitious wooden hotel entitled "The Eldorado," and Albert dashed in at the door and up to the stove, with both hands covering his ears.
As he stood there, frantic with pain, kicking his toes and rubbing his hands, he heard a chuckle—a slow, sly, insulting chuckle—turned, and saw Hartley standing in the doorway, visibly exulting over his misery.
"Hello, Bert! that you?"
"What's left of me. Say, you're a good one, you are? Why didn't you telegraph me at Marion? A deuce of a night I've had of it!"
"Do ye good," laughed Hartley, a tall, alert, handsome fellow nearly thirty years of age.
After a short and vigorous "blowing up," Albert asked: "Well, now, what's the meaning of all this, anyhow? Why this change from Racine?"
"Well, you see, I got wind of another fellow going to work this county for aLife of Logan, and thinks I, 'By jinks! I'd better drop in ahead of him with Blaine'sTwenty Tears.' I telegraphed f'r territory, got it, and telegraphed to stop you."
"You did it. When did you come down?"
"Last night, six o'clock."
Albert was getting warmer and better-natured.
"Well, I'm here; what are you going t' do with me?"
"I'll use you some way. First thing is to find a boarding-place where we can work in a couple o' books on the bill."
"Well, I don't know about that, but I'm going to look up a place a brakeman gave me a pointer on."
"All right; here goes!"
Scarcely any one was stirring on the streets. The wind was pitilessly cold, though not strong. The snow under their feet cried out with a note like glass and steel. The windows of the stores were thick with frost, and Albert shivered with a sense of homelessness. He had never experienced anything like this before. "Idon't want much of this," he muttered, through his scarf.
Mrs. Welsh lived in a large frame house standing on the edge of a bank, and as the young men waited at the door they could look down on the meadow-land, where the river lay blue and hard as steel.
A pale little girl, ten or twelve years of age, opened the door.
"Is this where Mrs. Welsh lives?"
"Yes, sir."
"Will you ask her to come here a moment?"
"Yes, sir," piped the little one. "Won't you come in and sit down by the fire?" she added, with a quaint air of hospitality.
The room was the usual village sitting-room. A cylinder heater full of wood stood at one side of it. A rag carpet, much faded, covered the floor. The paper on the wall was like striped candy, and the chairs were nondescript; but everything was clean—worn more with brushing than with use.
A slim woman of fifty, with hollow eyes and a patient smile, came in, wiping her hands on her apron.
"How d'ye do? Did you want to see me?"
"Yes," said Hartley, smiling. "The fact is, we're book agents, and looking for a place to board."
"Well—a—I—yes, I keep boarders."
"I was sent here by a brakeman on the midnight express," put in Bert,
"Oh, Tom," said the woman, her face clearing. "Tom's always sending us people. Why, yes; I've gotroom for you, I guess—this room here." She pushed open a folding door leading into what had been her parlor.
"You can have this."
"And the price?"
"Four dollars."
"Eight dollars f'r the two of us. All right; we'll be with you a week or two if we have luck."
Mrs. Welsh smiled. "Excuse me, won't you? I've got to be at my baking; make y'rselves at home."
Bert remarked how much she looked like his own mother in the back. She had the same tired droop in the shoulders, the same colorless dress, characterless with much washing.
"Certainly. I feel at home already," replied Bert. "Now, Jim," he said, after she left the room, "I'm going t' stay right here while you go and order our trunks around—just t' pay you off f'r last night."
"All right," said Hartley cheerily, going out.
After getting warm, Bert returned to the sitting-room, and sat down at the parlor organ and played a gospel hymn or two from the Moody and Sankey hymnal. He was in the midst of the chorus ofLet Your Lower Lights, etc., when a young woman entered the room. She had a whisk-broom in her hand, and stood a picture of gentle surprise. Bert wheeled about on his stool.
"I thought it was Stella," she began.
"I'm a book agent," Bert explained. "I might as well out with it. There are two of us. Come here to board."
"Oh!" said the girl, with some relief. She was very fair and very slight, almost frail. Her eyes were of the sunniest blue, her face pale and somewhat thin, but her lips showed scarlet, and her teeth were fine. Bert liked her and smiled.
"A book agent is the next thing to a burglar, I know; but still—"
"Oh, I didn't mean that, but Iwassurprised. When did you come?"
"Just a few moments ago. Am I in your way?" he inquired, with elaborate solicitude.
"Oh no! Please go on. You play very well. It is seldom young men play at all."
"I had to at college; the other fellows all wanted to sing. You play, of course."
"When I have time." She sighed. There was a weary droop in her voice; she seemed aware of it, and said more brightly:
"You mean Madison, I suppose?"
"Yes; I'm in my second year."
"I went there two years. Then I had to quit and come home to help mother."
"Did you? That's why I'm out here on this infernal book business—to get money to go on with."
She looked at him with interest now, noticing his fine eyes and waving brown hair.
"It's dreadful, isn't it? But you've got a hope to go back. I haven't." She ended with a sigh, a far-off expression in her eyes. "It almost killed me to give it up. I don't s'pose I'd know any of the scholars youknow. Even the teachers are not the same. Oh, yes—Sarah Shaw; I think she's back for the normal course."
"Oh yes!" exclaimed Bert, "I know Sarah. We boarded on the same street; used t' go home together after class. An awful nice girl, too."
"She's a worker. She teaches school. I can't do that, for mother needs me at home." There was another pause, broken by the little girl, who called:
"Maud, mamma wants you."
Maud rose and went out, with a tired smile on her face that emphasized her resemblance to her mother. Bert couldn't forget that smile, and he was still thinking about the girl, and what her life must be, when Hartley came in.
"By jinks! It'ssnifty, as dad used to say. You can't draw a long breath through your nostrils without freezing y'r nose solid as a bottle," he announced, throwing off his coat. "By-the-way, I've just found out why you was so anxious to get into this house. Another case o' girl, hey?"
Bert blushed; he couldn't help it, notwithstanding his innocence in this case. "I didn't know it myself till about ten minutes ago," he protested.
Hartley winked prodigiously.
"Don't tell me! Is she pretty?"
The girl returned at this moment with an armful of wood.
"Letmeput it in," cried Hartley, springing up. "Excuse me. My name is Hartley, book agent: Blaine'sTwenty Years, plain cloth, sprinkled edges, three dollars;half calf, three fifty. This is my friend Mr. Lohr, of Marion; German extraction, soph at the university."
The girl bowed and smiled, and pushed by him toward the door of the parlor. Hartley followed her in, and Bert could hear them rattling away at the stove.
"Won't you sit down and play for us?" asked Hartley, after they returned to the sitting-room. The persuasive music of the book agent was in his fine voice.
"Oh no! It's nearly dinner-time, and I must help about the table."
"Now make yourselves at home," said Mrs. Welsh, appearing at the door leading to the kitchen; "if you want anything, just let me know."
"All right. We will," replied Hartley.
By the time the dinner-bell rang they were feeling at home in their new quarters. At the table they met the usual group of village boarders: the Brann brothers, newsdealers; old man Troutt, who ran the livery-stable—and smelled of it; and a small, dark, and wizened woman who kept the millinery store. The others, who came in late, were clerks in the stores near by.
Maud served the dinner, while Stella and her mother waited upon the table. Albert admired the hands of the girl, which no amount of work could quite rob of their essential shapeliness. She was not more than twenty, he decided, but she looked older, so wistful was her face.
"They's one thing ag'in' yeh," Troutt, the liveryman, remarked to Hartley: "we've jest been worked for one o' the goldingedest schemes youeversee! 'Bout six munce ago s'm' fellers come all through here claimin' t' be afterinformation about the county and the leadin' citizens; wanted t' write a history, an' wanted all the pitchers of the leading men, old settlers, an' so on. You paid ten dollars, an' you had a book an' your pitcher in it."
"I know the scheme," grinned Hartley.
"Wal, sir, I s'pose them fellers roped in every man in this town. I don't s'pose they got out with a cent less'n one thousand dollars. An' when the book come—wal!" Here he stopped to roar. "I don't s'pose you ever see a madder lot o' men in your life. In the first place, they got the names and the pitchers mixed so that I was Judge Ricker, an' Judge Ricker was ol' man Daggett. Didn't the judge swear—oh, it was awful!"
"I should say so."
"An the pitchers that wa'n't mixed was so goldingedblackyou couldn't tell 'em from niggers. You know how kind o' lily-livered Lawyer Ransom is? Wal, he looked like ol' black Joe; he was the maddest man of the hull bi'lin'. He throwed the book in the fire, and tromped around like a blind bull."
"It wasn't a success, I take it, then. Why, I should 'a' thought they'd 'a' nabbed the fellows."
"Not much! They was too keen for that. They didn't deliver the books theirselves; they hired Dick Bascom to do it f'r them. 'Course, Dick wa'n't t' blame."
"No; I never tried it before," Albert was saying to Maud, at their end of the table. "Hartley offered me a job, and as I needed money, I came. I don't know what he's going to do with me, now I'm here."
Albert did not go out after dinner with Hartley; itwas too cold. He had brought his books with him, planning to keep up with his class, if possible, and was deep in "Cæsar" when a timid knock came upon the door.
"Come!" he called, student fashion,
Maud entered, her face aglow.
"How natural that sounds!" she said.
Albert sprang up to take the wood from her arms. "I wish you'd let me do that," he said, pleadingly, as she refused his aid.
"I wasn't sure you were in. Were you reading?"
"Cæsar," he replied, holding up the book. "I am conditioned on Latin. I'm going over the 'Commentaries' again."
"I thought I knew the book," she laughed.
"You read Latin?"
"Yes, a little—Vergil."
"Maybe you can help me out on theseoratia obliqua. They bother me yet. I hate these 'Cæsar saids.' I like Vergil better."
She stood at his shoulder while he pointed out the knotty passage. She read it easily, and he thanked her. It was amazing how well acquainted they felt after this.
The wind roared outside in the bare maples, and the fire boomed in its pent place within, but these young people had forgotten time and place. The girl sank into a chair almost unconsciously as they talked of Madison—a great city to them—of the Capitol building, of the splendid campus, of the lakes, and the gay sailing there in summer and ice-boating in winter.
"Oh, it makes me homesick!" cried the girl, with a deep sigh. "It was the happiest, sunniest time of all my life. Oh, those walks and talks! Those recitations in the dear, chalky old rooms! Oh,howI would like to go back over that hollow door-stone again!"
She broke off, with tears in her eyes, and he was obliged to cough two or three times before he could break the silence.
"I know just how you feel. The first spring when I went back on the farm it seemed as if I couldn't stand it. I thought I'd go crazy. The days seemed forty-eight hours long. It was so lonesome, and so dreary on rainy days! But of course I expected to go back; that's what kept me up. I don't think I could have stood it if I hadn't had hope."
"I've given it up now," she said, plaintively; "it's no use hoping."
"Why don't you teach?" he asked, deeply affected by her voice and manner.
"I did teach here for a year, but I couldn't endure the strain; I'm not very strong, and the boys were so rude. If I could teach in a seminary—teach Latin and English—I should be happy, I think. But I can't leave mother now."
She was a wholly different girl in Albert's eyes as she said this. Her cheap dress, her check apron, could not hide the pure intellectual flame of her spirit. Her large, blue eyes were deep with thought, and the pale face, lighted by the glow of the fire, was as lovely as a rose. Almost before he knew it, he was telling her of his life.
"I don't see how I endured it as long as I did," he went on. "It was nothing but work, work, and dust or mud the whole year round; farm-life, especially on a dairy farm, is slavery."
"Yes," she agreed, "that is true. Father was a carpenter, and I've always lived here; but we have people who are farmers, and I know how it is with them."
"Why, when I think of it now it makes me crawl! To think of getting up in the morning before daylight, and going out to the barn to do chores, to get ready to go into the field to work! Working, wasting y'r life on dirt. Waiting and tending on cows seven hundred times a year. Goin' round and round in a circle, and never getting out. You needn't talk to me of the poetry of a farmer's life."
"It's just the same for us women," she corroborated. "Think of us going around the house day after day, and doing just the same things over an' over, year after year! That's the whole of most women's lives. Dishwashing almost drives me crazy."
"I know it," said Albert; "but somebody has t' do it. And if a fellow's folks are workin' hard, why, of course he can't lay around and study. They're not to blame. I don't know that anybody's to blame."
"I don't suppose anybody is, but it makes me sad to see mother going around as she does, day after day. She won't let me do as much as I would." The girl looked at her slender hands. "You see, I'm not very strong. It makes my heart ache to see her going around in that quiet, patient way; she's so good."
"I know, I know! I've felt just like that about my mother and father, too."
There was a long pause, full of deep feeling, and then the girl continued in a low, hesitating voice:
"Mother's had an awful hard time since father died. We had to go to keeping boarders, which was hard—very hard for mother." The boy felt a sympathetic lump in his throat as the girl went on again: "But she doesn't complain, and she didn't want me to come home from school; but of course I couldn't do anything else."
It didn't occur to either of them that any other course was open, nor that there was any special heroism or self-sacrifice in the act; it was simplyright.
"Well, I'm not going to drudge all my life," said Albert, at last. "I know it's kind o' selfish, but I can't live on a farm. I've made up my mind to study law and enter the bar. Lawyers manage to get hold of enough to live on decently, and that's more than you can say of the farmers. And they live in town, where something is going on once in a while, anyway."
In the pause which followed, footsteps were heard on the walk outside, and the girl sprang up with a beautiful blush.
"My stars! I didn't think—I forgot—I must go."
Hartley burst into the room shortly after she left it, in his usual breeze.
"Hul-lo!Still at the Latin, hey?"
"Yes," said Bert, with ease. "How goes it?"
"Oh, I'm whooping 'er up! I'm getting started ingreat shape. Been up to the court-house and roped in three of the county officials. In these small towns the big man is the politician or the clergyman. I've nailed the politicians through the ear; now you must go for the ministers to head the list—that's your lay-out."
"How 'm I t' do it?" asked Bert, in an anxious tone. "I can't sell books if they don't want 'em."
"Why, cert! That's the trick. Offer a big discount. Say full calf, two fifty; morocco, two ninety. Regular discount to the clergy, ye know. Oh, they're on to that little racket—no trouble. If you can get a few of these leaders of the flock, the rest will follow like lambs to the slaughter. Tra-la-la—who-o-o-ish, whish!"
Albert laughed at Hartley as he plunged his face into the ice-cold water, puffing and wheezing.
"Jeemimy Crickets! but ain't that water cold! I worked Rock River this way last month, and made a boomin' success. If you take hold here in the—"
"Oh, I'm all ready to stand anything short of being kicked out."
"No danger of that if you're a real book agent. It's the snide that gets kicked. You've got t' have some savvy in this, just like any other business." He stopped in his dressing to say, "We've struck a great boarding-place, hey?"
"Looks like it."
"I begin t' cotton to the old lady a'ready. Good 'eal like mother used t' be 'fore she broke down. Didn't the old lady have a time of it raisin' me? Phewee! Patient! Job wasn't a patchin'. But the test is goin' t' come onthe biscuit; if her biscuit comes up t' mother's I'm hern till death."