Rood ScreenA Rood Screen with a Restoration of the Rood.Kenn, Devon.Photograph by Chapman.Click toENLARGE
We are also told by eminent church historiansthat the father and grandfather of S. Patrick were Christians, in which case S. Patrick himself would from a very early age have been brought up in the tenets of their faith. He is said to have been seized by pirates in the Clyde and taken to the north of Ireland, and eventually to Gaul. He was subsequently restored to his friends, whom he wished to convert to the Christian faith, and for this purpose his father sent him to be taught in the schools of Tours, Auxerre and Lerins. Eventually he was consecrated Bishop of the Irish and organized an efficient ecclesiastical system in Ireland.
Before the coming of the Anglo-Saxons the church seems to have established a firm hold on the people, who held tenaciously to their possessions, both secular and religious, which were only wrested from them after a severe struggle. Their enthusiastic love of Christianity led them to make a heroic defence of the churches, rather than see them fall into the hands of the heathen Anglo-Saxons. The historian Bede tells us that all their buildings were destroyed, the priests' blood was spilt upon the altars, prelates and people were slain with the sword, and all the cities and churches were burnt to the ground. When all was lost and there was no longer a church or home to defend, the Britons retired to the country of their fellow-Christians, the secluded and almost impenetrable hills and forests of the west. The Anglo-Saxon love of gold was quickly recognised by the people of West Wales who saved their property and bought the right of worshipping after the manner of their fathers by the payment of an annual tribute to their conquerors.
So ruthlessly indeed did the Anglo-Saxons rase to the ground the early churches, that, until a few years ago, but few traces of these early buildings were thought to exist.Church ofS. Piran, Perranporth.An accidental discovery, however, in the year 1835, brought to light an undoubted relic of an early British church in the west, this being the remains of a little church which had been until the date above mentioned completely buried in the sand on the sea coast near Perranporth in Cornwall. They are thought byecclesiologists to be the remains of the original church erected to the memory of S. Piran, a Cornish missionary and a friend of S. Patrick, who was buried within its walls before the year 500 A.D. On removing the sand, the accumulated deposit of centuries, the church was found to have consisted of a nave and chancel containing a stone altar.
Church of S. Martin, CanterburyThe Church of S. Martin, Canterbury.Click toENLARGE
The building measured 29 feet in length, 161⁄3feet in width and 19 feet from the floor to the roof, and probably shares with S. Mary's Church in Dover Castle, and S. Martin's, Canterbury, the honour of being one of the earliest links we possess with the ancient British Church. S. Mary's, Dover, appears to have been built of Roman bricks and cement, a combination which antiquaries consider is found only in those buildings which were erected during the Roman occupation.S. Martin's, Canterbury.S. Martin's Church, Canterbury has many claims to be considered one of our most interesting churches, no less on account of its associations than for its structural interest. The date of its building has been asource of endless controversy, as it contains many features attributable to either Roman or Saxon architecture. It is thought that it may possibly have been used for worship by the Christian soldiers of the Roman army. Be this as it may, it is established beyond doubt that it was the oratory of Queen Bertha, the first English Christian queen, who here worshipped, with her chaplain Liudhard, long before the advent of S. Augustine, who himself in later times preached here; and within the walls of this cradle of English Christianity, Ethelbert, King of Kent, the husband of Queen Bertha was baptized. The Venerable Bede, writing within a hundred years of the death of S. Augustine states that there was in 597 A.D. in Canterbury, a church "dedicated to the honour of S. Martin and built while the Romans still occupied Britain." On the departure of the Romans it is probable that the church was still used by a small band of Christian worshippers until the heathen Jutes overran the Isle of Thanet in 449.
Little is known of the progress of Christianity on this island from that date until the landing of S. Augustine in 597, and the first fruits of his mission, as we have seen, was the conversion and baptism of King Ethelbert. As one would naturally expect, the aspect of the structure to-day, though suggestive of antiquity, is lacking in uniformity of treatment. The brick courses in the nave are at irregular intervals, varying from nine to twenty inches apart, the spaces being filled with Kentish rag-stone and occasional blocks of chalk. The chancel extends eighteen or twenty feet east of the arch and is composed of Roman bricks, evenly laid and averaging four bricks to a foot. The chancel was lengthened at the beginning of the thirteenth century and again at a more recent date, so that its architecture to-day is of three distinct periods. Outside may be seen five flat pilaster buttresses and one semi-circular one, a square-headed Roman doorway, a Saxon doorway and two Early English porches; and there is also a nearly circular panel on the south side of the nave, and a Norman squint at the west end. There are many other features of interest which bear evidences of a great antiquity, andthe only question which is seriously disputed is whether the earliest portion of the present nave was built about the end of the Roman occupation of Britain or during the mission of S. Augustine.
Ancient Window built with Roman BrickworkAn Ancient Window built with Roman Brickwork.Swanscombe, Kent.Photograph Mr. G. H. Smith.Click toENLARGE
The Rev. Charles F. Routledge, M.A., F.S.A., Hon. Canon of Canterbury Cathedral, writes: "Whatever may finally be determined to be the date of the church's foundation, it can never lose its unique association with S. Augustine, King Ethelbert and Queen Bertha, nor its undisputed claim to be the oldest existing church in England. From it flowed the tiny spring of English Christianity, which has since widened out into a mighty river, and penetrated the remotest parts of the civilized and uncivilized world."
Among other churches which show signs of havingbeen built during the Roman occupation are those ofOther Early Churches.Reculver, Richborough and Lyminge, while the foundations of an undoubted early church have been discovered in the old Roman city of Silchester, in Hampshire.Seefrontispiece.The old church at Reculver stood originally within the Roman castrum, the fortress which guarded the northern mouth of the Wantsume, now a small stream, but once an arm of the sea dividing the Isle of Thanet from the mainland. The greater part of this church was pulled down in 1809, but the western towers, known as "the sisters" were repaired by Trinity House, as they constitute a useful landmark for mariners, being visible at a great distance.
Reculver church was built about A.D. 670, and from the existing walls and foundations it is clear that its plan was basilican. The church is now a ruin, but some stone pillars which supported the arches are preserved in the Cathedral Close at Canterbury.
As Reculver guarded the northern mouth of the watercourse, so Richborough protected the south, and here traces of a chapel in the form of a cross are plainly discernible amongst ruins known to be of Roman workmanship. The old church at Lyminge in the same county is thus described by Canon Jenkyns, in his "History of Lyminge":—"The Roman foundations discoverable at the south-east angle of the chancel, together with the remarkable half-arch that intervenes, marked the site of theaquilonalis porticus—the title of basilica already given to it in the seventh century establishes its claim to great antiquity."
We thus see that although remains of the actual buildings in which the British Christians worshipped are few in number, yet enough are left us to prove conclusively that there was a very active and zealous Christian community established in these islands during at least the period immediately preceding that in which Rome withdrew her legions from Britain in order to defend Italy against the Goths, and abandoned our island to the mercy of her foes.
In the early years of the Christian Church, when its members became sufficiently free from persecution to erect buildings for the purpose of worship, they were naturally anxious to avoid any of the forms peculiar to either heathen or Jewish temples. Some model, however, was necessary, and their choice being limited, they appear to have adopted the simple style of the Roman basilica, or court of justice. There was an adaptability about the general plan of such a building which rendered its selection natural and not inappropriate, while the dignified simplicity of its construction and the object for which it was primarily founded—the dispensation of justice—commended it no doubt in the first instance as a model for the primitive Christian church. These basilicæ were usually enclosures surrounded by a colonnade, sometimes roofed, but more often open to the air, and designedly built for the purpose of being accessible to all members of the community at all times of the day. They appear occasionally to have been used for the transaction of ordinary business in which they would closely resemble our exchanges. Be this as it may, this form of architecture has left its impress on many Christian buildings, and the name of basilica, for a church, is still used in many parts of Italy.
The Roman basilica was usually in the form of a parallelogram, with a seat for the judges at one end, and in their adaptation of this form of building, the early Christians devoted this place to the purposes of an altar. This, by an easy and natural transition, is thought to have given rise to the formation of the semi-circular recess at one end of the building, known as the apse (fromthe Latinapsis, a bow or arch), which is still to be found in some of our older churches.
Being thus Roman in the nature of their ground plan, it is not surprising to find that other portions of the early Christian buildings show decided characteristics of a Roman style. On the destruction of the Pagan temples by order of the Emperor Constantine about the year 330, much of their material was built into the earliest Christian churches, and the Roman character of their design being prevalent, they formed a style of architecture which has been designated Romanesque, of which the later styles, known here as Saxon and Norman were largely modifications. There is no reason to doubt that the earliest Christian churches were very unpretentious in form and that some time elapsed before there was anything which could be called a definite church architecture, beyond that to which we have alluded. Nevertheless, as the Church strengthened her position and grew in security, more attention was devoted to the subject of its edifices, and the departure in time from the original ground plan furnished an opportunity for the introduction of a more symbolical and appropriate design. The plan of the old basilica was abandoned for one in the form of the cross, the accepted symbol of the Christian religion, which departure, however, did not involve any very great alteration from the old ground plan.
We come then to the time when one or other of the forms known as the Latin or the Greek cross—whichever was most convenient—was usually employed in a building designed for Christian worship, and these forms are universally found in the most elaborate structures of which the Christian Church can boast.
As time passed, these cruciform churches were surmounted with a dome, steeple, or tower at the point where the members of the cross intersected each other. At first the most prominent of these external adornments was the dome; a characteristic of the architecture of Eastern Europe, which acquired the name Byzantine, from its having been carried to great perfection in Byzantium (Constantinople), the capital of the Eastern Empire.
The church of S. Sophia, which was built, much as it now exists, early in the sixth century, and was afterwards converted into a mosque, is an almost perfect example of the Byzantine style. In this building we find the Roman arch used in a variety of ways, while the dome itself is formed entirely of this arch used as the crowning work of the edifice. Eastern churches in this style usually took the form of the Greek cross, this form being better calculated to support the weight of the cupola. In Western Europe, however, where the flat squat tower afterwards developed into the steeple, as we shall see in a later chapter, the Latin cross was mostly used, and this, with a few notable exceptions, is the plan of most western churches.
With writers of about fifty years ago, it was a favourite theory that the Christians converted the old basilicæ into churches, and that the "Halls of Justice" erected by the Romans in this country were also converted into Christian churches, and some authorities point to the walls and arches of Brixworth church in confirmation of this theory. The late Mr. J. W. Brewer, however, stated that unfortunately for this theory, no single example of a basilica being converted into a church has been found in this country and he himself held the theory that the word basilica was used by the Romans to describe any building which was supported by internal columns, and in that way the name came to be applied to Christian churches.
As we have seen, the early Christians, after a short time, became dissatisfied with these buildings adapted from Pagan types, and the Byzantine form of church arose, the first people who practised this style of building being the Greeks. The style spread with rapidity all over the East, the great church of S. Sophia being its largest example and the smaller, but more perfect, church of S. Mark at Venice giving us the best idea of this form of church architecture. Largely modelled on this style, also, are the circular baptisteries of Italy and the round churches of England, France and Germany, the modern Russian churches and all the Mohammedan mosques. TheLatin churches did not greatly favour this style and their use of it was confined, with few exceptions, to baptisteries, monumental chapels and the like, but for parochial, cathedral and monastic churches, the oblong plan was retained and ultimately developed into the Gothic church with its nave, transepts and chancel.
The changes which the Christian basilica at first underwent were simple,viz., the use of the arch instead of the straight lintel, or the placing of an entablature between the columns; a little later, about the tenth century, the old wooden roof of the basilica gave place to the arched roof or vaulting, so called from its being composed of a series of vaults. The styles called Romanesque and Lombardic are but geographical varieties of the same architecture and from these the Saxon and Norman styles were soon to be developed. The vaulted basilica church soon became common over the north of Europe, the two most important and practically unaltered examples being the cathedrals of Speyer and Worms, in Germany, although our Anglo-Saxon cathedrals of Peterborough, Ely and Norwich may, so far as regards their naves, be justly regarded as the offspring of the vaulted basilica style of building.
When the old basilica style of church with its heavy beam roof and its innumerable columns had ceased to satisfy the lofty aspirations of Latin Christianity, and when the Greeks had inaugurated a new style of church architecture, only two courses were left to the Latins, either to adopt the Greek style in its entirety, or to improve upon the basilica type. Fortunately, although after considerable hesitation, they chose the latter alternative, the result being the genesis of our glorious cathedrals with their long naves and aisles, deep transepts and beautiful variety of form and outline.
REPUTED SAXON DOORWAYA Reputed Saxon Doorway.Bishopstone, Sussex.Photograph Mr. W. Hodgson.Click toENLARGE
As we have seen in the previous chapter, the whole subject of pre-Saxon church building is still very obscure, and for some considerable time after the Anglo-Saxon invasion little is known concerning church architecture, nor has it yet been fully ascertained whether any buildings of this period exist. By the year 588 the Saxons were in complete possession of the land. Christianity was to all appearance wiped out and the Church, to the superficial observer was dead. In his "History of English Church Architecture," Scott expresses the opinion that the oldest English churches may be divided into three groups. First, those which preceded the Danish invasion; secondly, those from the above epoch to the invasion of Sweyn; and thirdly, those onward to the Norman Conquest.
SaxonArchitecture.
What exactly constituted Saxon architecture has long been a controversial point and one which will probably never be definitely settled. Parker, in his "Glossary of Architecture," says:—
"For a considerable time, after they (the Anglo-Saxons) had established themselves in this country, their buildings were of wood, and this appears to have been the prevailing material employed at the time of the Conquest, although stone had been occasionally used several centuries earlier…. No timber-work of Saxon date can be in existence at the present time, but it is contended by some antiquaries that several of our churches exhibit specimens of Saxon masonry; the truth of this theory, however, is not fully established, nor has the subject of Saxon architecture been yet sufficiently investigated to clear away the obscurity in which it is involved."
"For a considerable time, after they (the Anglo-Saxons) had established themselves in this country, their buildings were of wood, and this appears to have been the prevailing material employed at the time of the Conquest, although stone had been occasionally used several centuries earlier…. No timber-work of Saxon date can be in existence at the present time, but it is contended by some antiquaries that several of our churches exhibit specimens of Saxon masonry; the truth of this theory, however, is not fully established, nor has the subject of Saxon architecture been yet sufficiently investigated to clear away the obscurity in which it is involved."
Probably few of our so-called Saxon churches were built earlier than thirty or forty years before the Norman Conquest, and it seems certain that for some years after they had settled in England, the Normans employedSaxon masons to build in the Saxon manner, as is seen by the tower of S. Michael's Church, Oxford, which, although showing all the characteristics of reputed Saxon masonry was built many years after the Battle of Hastings. Certain it is that these pre-Norman buildings in England were singularly rude and rough and show how much our Saxon ancestors were, at that period, behind the Italians, French and Germans in architectural skill.
Saxon Churches.
Our best examples containing Saxon work are possibly the churches at Sompting and Bishopstone, Sussex; Bradford-on-Avon; Wootton Wawen (sub-structure of tower); Wing; Brixworth, and Barnack, Northants; Greenstead in Essex; and S. Martin's at Wareham, Dorset. Of towers of this date the best are possibly those of S. Mary's and S. Peter's, Lincoln and S. Benet's, Cambridge. Of crypts, the finest examples are at Ripon Cathedral, York Minster (part) and S. Mary's Church, York. In addition to these, many other churches have chancel arches, doorways or some other less important features which are considered to be of Saxon origin.
These early buildings generally show the semi-circular arch on the doorways, but the windows usually have a triangular head; at Sompting church, however, the windows have the semi-circular arch. It is necessary to say a few words in detail about the more important churches of this era.
S. Lawrence, Bradford-on-Avon.
The church of S. Lawrence at Bradford-on-Avon is one of the oldest unaltered churches in England, and it seems to be beyond question that it is the actual church built by Ealdhelm at the beginning of the eighth century and dedicated by him to S. Lawrence. It consists of a chancel, nave and north porch, and among its remarkable features is its great height and the extreme narrowness of the round-headed arch between the nave and the chancel, a feature it has in common with the Saxon church of S. Martin at Wareham; the ground-plan measurements of both these churches areidentical. At S. Lawrence's church, an incised arcade is seen outside the walls, and on either side of the west aspect of the chancel arch are two sculptured figures of angels, which are thought to represent the earliest extant fragments of church carving in England.
Tower of Earls' Barton Church.Tower of Earls' Barton ChurchGenerally considered to have characteristicsof Saxon masonry.
Brixworth, Earls' Barton and Barnack.
Brixworth church is possibly older than S. Lawrence's and it is said to have been in continuous use for Divine Service ever since it was erected. The tower appears to be of rather later date than the nave and rests upon the walls of a "narthex" or portico, which may have extended along the whole breadth of the front, as is still to be seen in churches at Rome and Ravenna. The curious pile of masonry built up against the tower may have been added for defence, as it could hardly have formed part of the original design.
Earls' Barton and Barnack churches both have towers so covered with narrow projecting strips of stonework that the surface of the walls appears divided into rudely formed panels. The west doorways of both show primitive imitations of Roman mouldings in the imposts and architraves. The tower of Earls' Barton consists of four stages, each ofwhich is slightly smaller than the one below. In that of Barnack church, the upper stages of the tower represent the period of transition from Norman to Early English.
S. Michael's Church, Oxford.
S. Michael's, Oxford, has a massive tower of solid masonry, unpierced in its lowest stage by either door or window, the second stage shows but one window and the highest is pierced by several windows of more elaborate construction. Although generally consisting of rubble and stone, Saxon churches were sometimes built of wood as we see from the existing nave of the parish church of Greenstead, Essex.Greenstead Church, Essex.A brick chancelhas been added at the east and a timber belfry at the west end, but the old Saxon portion is composed of large chestnut trees split asunder and set upright close to each other with the round side outwards. The ends are roughly hewn so as to fit into a sill at the bottom, and into a plate at the top, where they are fastened with wooden pins. There are 16 logs on the south side where are two doorposts, and on the north side twenty-one logs and two spaces now filled with rubble. There is a tradition that this church was erected to receive the body of S. Edmund, on its return from London to Bury, in 1013.
Example of a Norman TowerAn Example of a Norman Tower.Bishopstone, Sussex.Homeland Copyright.Click toENLARGE
The semi-circular arch has long been considered to be one of the most distinctive marks of Norman architecture, but Mr. Rickman, who made an exhaustive study of the early churches of France and England, says:—
"In various churches it has happened that a very plain arch between nave and chancel has been left as the only Norman feature, while both nave and chancel have been rebuilt at different times; but each leaving the chancel arch standing. I am disposed to think that some of these plain chancel arches, will, on minute examination, turn out to be of Saxon origin."
"In various churches it has happened that a very plain arch between nave and chancel has been left as the only Norman feature, while both nave and chancel have been rebuilt at different times; but each leaving the chancel arch standing. I am disposed to think that some of these plain chancel arches, will, on minute examination, turn out to be of Saxon origin."
It would be tedious to enter into any more minute account of the Anglo-Saxon ecclesiastical remains, and the reader whose enquiries conduct him to the more elaborate works on the subject will be startled by the contrary opinions that he will surely encounter.
In concluding these brief remarks on early buildings, we must again quote from Parker's work to which reference has already been made:—
"The class of buildings referred to as being considered to belong to this style contain some rather unusual features, and they require to be particularly described, both because they are in themselves remarkable, and because there is a probability that some of them may be Saxon."
"The class of buildings referred to as being considered to belong to this style contain some rather unusual features, and they require to be particularly described, both because they are in themselves remarkable, and because there is a probability that some of them may be Saxon."
NormanArchitecture.The Norman style of church architecture with its varied forms of columns, moulded and recessed arches and vaulting, may be roughly stated to have been introduced into England at the time of the Conquest. The Saxon masons do not appear to have understood vaulting sufficiently well to have roofed over any large space withstone, and for this reason alone the Saxon form of building was bound to give way before the Norman, which of all the earlier styles was the most advanced in this respect.
Norman Pier ArcadeA Norman Pier Arcade.Abbots Langley, Herts.Photograph Mr. A. W. Anderson.Click toENLARGE
Generally speaking, Norman arches were semi-circular, but they were by no means universally so, for a form frequently found is one in which the spring of the arch does not take place from the abacus, or upper member of the capital, but at some distance above it and when it assumes this form it is called a "stilted" arch, suggested by some authorities to have been unintentional and the result of imperfect construction or planning.See page10.
Chevron or Zig-zagStarChevron or Zig-zag.Star.Alternate BilletSquare BilletAlternate Billet.Square Billet.Double ConeLozengeDouble Cone.Lozenge.Beak HeadBird HeadBeak Head.Bird Head.Examples of Norman Mouldings.
Ornament.
The main features in the ornamentation of this period are the sculptured bands worked round the arches, which, although generally called "mouldings," are more in the nature of decoration, and in some instances they appear to be additions carved on the originally unadorned surface of the masonry. The earliest and most general ornament is the chevron or zig-zag, which is frequently found doubled, trebled and quadrupled. The next most common form is the beak-head, consisting of a hollow andlarge round.
Late Norman Parish ChurchA Late Norman Parish Church.Castle Rising, Norfolk.Drawn by Gordon Home.Click toENLARGE
In the hollow are placed heads of beasts or birds whose tongues or beaks encircle the round. On the west doorway of Iffley church, Oxford, are many of these beak-heads extending the whole length of the jamb down to the base moulding. They also figure prominently among the ornamentations of the hospital church of S. Cross, near Winchester. The zig-zag moulding is very common on Norman churches and is so easily recognised that no further description is needed here. The less prominent decorations of Norman mouldings include the alternate billet, the double cone, and the lozenge, together with an immense number of others less commonly found.
Windows.
The Early Norman window was little better than a narrow slit finished with a plain semi-circular head, and was generally only a few inches wide. They were, it is believed, filled with oiled linen and the sides of the aperture were splayed towards the interior. Later in the period, the windows were enriched by the zig-zag and other mouldings and at a still later period an improvement was made by inserting nook-shafts in the jambs similar to those in doorways.
The towers of Norman churches often show windows of two lights separated by a central shaft, all enclosed under a large semi-circular arch, the spandrel of which is rarely pierced. Plain circular windows of small dimensions are sometimes found in other positions and in churches of later date, and occasionally in gable walls. Larger windows of the same form, with small shafts radiating from the centre and connected at the circumference by semi-circular or trefoiled arches, are also found as at Barfreston church, Kent, where there is a fine example.
Doorways.
Norman doorways are found in great numbers and variety, even in churches which present no other features in this style. The most usual form consists of a semi-circular-headed aperture with a hood-mould springing from plain square-edged jambs. Frequently, however, the doorways arerecessed, having a nook-shaft in the angle formed by a recession from the capital, in which case it presents two soffits and two faces, besides the hood-moulds. The depth of these doorways is largely due to the great thickness of the walls usual in buildings of this period, but in many cases that portion of the wall in which the entrance is inserted is made to project forward beyond the general face, which projection is finished either with plain horizontal capping, or a high-pitched gable.
West Doorway of Rochester CathedralWest Doorway of Rochester CathedralDuncan MoulClick toENLARGE
Norman porches thus have generally but little projection, and are frequently so flat as to be little more than outer mouldings to the inner door. They are, however, often richly ornamented and have rooms above, which rooms are wrongly called "parvises." The shallow aperture often follows the form of the arch, but is frequently square-headed, having a semi-circular tympanum of masonry filling the space between the
lintel of the door and the intrados of the arch. These tympana are usually sculptured in low relief with a representation of some scriptural or traditional event, while the assertion of the Apostle that "we must, through much tribulation, enter into the kingdom of God," may account for the fondness of the Norman sculptors in representing different stages of martyrdom on the tympana of their doors. A very singular tympanum is that on the door of the church of Fordington S. George, at Dorchester, whereon is represented some incident in the life of S. George.
Tympanum of Norman Doorway.Tympanum of Norman Doorway.Fordington S. George, Dorset.Drawn by E. M. Heath.Click toENLARGE
The principal figure is on horseback with a discus round his head. The other figures are in hauberks and chausses, and generally bear, in point of costume, much resemblance to the figures on the famous Bayeux tapestry. Barfreston church, Kent, has an interesting tympanum, as also has Patrixbourne church in the same county, where the sculpture shows the Saviour with dragons and at his feet a dog. At Alveston church, Warwickshire, the sculpture shows two quadrupeds with enormous tails, fighting, with between them a small bird, possibly intended for a dove. Our best example of a Norman doorway and tympanum is generallyconsidered to be the west doorway of Rochester Cathedral, where the sculpture is of a very advanced character for its date, which is probably about 1130-40.
Piers.
A distinctive feature of the Norman style are the massive pillars, usually circular, and with capitals either of the same form, or square; occasionally in plain buildings the pillars themselves are square with very little or no ornamentation. Towards the end of the period, an octagonal pillar was often used, having a much lighter appearance than the earlier forms. Besides these plain styles, compound or clustered piers are very numerous, differing considerably in plan; the simplest consists of a square having one or more rectangular recesses at each corner, but one more frequently met with has a small circular shaft in each of the recesses and a larger semi-circular one on each side of the square.
Norman. Crypt, Winchester.Traditional. Christ Church, Oxford.Norman. Winchester Cathedral.Norman.Crypt, Winchester.Traditional.Christ Church, Oxford.Norman.Winchester Cathedral.Examples of Capitals.
Capitals.
Norman capitals are very varied, having many different forms of ornamentation; the commonest is one which resembles a bowl with the sides truncated, reducing the upper part to a square; sometimes the lower part is cut into round mouldings and ornamented, but it is frequently left plain.
The Norman capital in its earliest style was of short proportions, butafterwards it became longer, with lighter ornamentation, gradually merging into the Early English. The bishops and abbots of this period appear to have possessed considerable skill in architecture, for no fewer than fifteen of our English cathedrals contain some important Norman work, as the older portions of the cathedrals of Canterbury, Durham, Winchester, Gloucester, Peterborough, Ely, Norwich, Lincoln and Oxford.
CURIOUS NORMAN CAPITALA Curious Norman Capital.Seaford, Sussex.Click toENLARGE
Norman Buttresses.
The Norman buttress, better described by Mr. Sharpe as a pilaster strip, unlike those of the later period,projects but very little from the wall, and this is especially so in buildings of the earlier part of the period. They are usually quite plain and are more used for finish than actual support; the Norman builder relying principally upon the thickness and weight of his walls to sustain any roof thrust (see page17).
The Round Churches.
There are in England a few round churches which are thought to have been built by the Knights Templars, a religious community banded together for the purpose of wresting the Holy Sepulchre at Jerusalem from the Saracens. Their object was to defend the Saviour's tomb and to guard Palestine, for which purpose they built numerous monasteries throughout the Holy Land and fortified them like castles.
Another famous order which combined the religious instincts of the cloister with the military ardour of the warrior was that of the Knights of S. John Baptist or Knights Hospitallers, who, besides fighting, were to tend the sick and provide for the welfare of all Christian travellers. The churches belonging to the Templars were usually built in circular form in imitation of the church of the Holy Sepulchre at Jerusalem. They were capped with vaulted concave roofs said to be symbolical of the vast circuit and concave of the heavens. Our best example is the Temple Church, London, to which was added at a later period, a beautiful Early English Gothic extension. Other round churches are those of S. Sepulchre, Cambridge; S. Sepulchre, Northampton; Temple Balsall, Warwickshire, and of Little Maplestead, Essex, which last, although the smallest, is by no means the least interesting. It is attributed to the Hospitallers, an order founded about the year 1092, and introduced into England in the reign of Henry I. At Clerkenwell may still be seen the ancient gateway leading to their hospital.
Norman and Early English DoorwaysNorman and Early English Doorways.Showing the transition from one style to another.Dunstable Priory Church.Drawn by Worthington G. Smith.Click toENLARGE
The order was suppressed in 1545. The church at Little Maplestead was built early in the 12th century, and in 1186 the adjoining manor was givenby Juliana Doisnel to this order, which gift was confirmed by King John and Henry III. This church is thought to reproduce with more fidelity than the others the original church of the Holy Sepulchre.
These famous Norman round-chancelled churches have much in common with the old basilica form.
It must be pointed out that the arbitrary divisions into which architecture has been divided—Norman, Gothic, etc., are pure figures of the imagination, as by a series of easy transitions, one style became gradually merged into the next without any hard and fast dividing lines whatever. The periods during which one style became gradually blended into another are called the periods of transition.
The Transition.
Architecture being progressive, it was only by the gradual development of one style from another that the art was enabled to advance with social progress, the literature and other arts of the country. The transition from the Norman to the Early English style may be ascribed to a period somewhat earlier than the 12th century, when a great change in the construction of the arch began to manifest itself. Alone, however, the form of the arch is no real test, for many pure Norman works have pointed arches. The square abacus may be taken as the best test. In its incipient state the pointed arch exhibited a change of form only, whilst the accessories and details remained the same as before; and although this change gradually led to the Early Pointed style in a pure state, with mouldings and features altogether distinct from those of the Norman, and to the general disuse, in the 13th century, of the semi-circular arch, it was for a while so intermixed as, from its first appearance to the close of the 12th century, to constitute that state of transition called the semi-Norman.