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Taking her eyes off the book, to test her memory of something in it, Lizzie was the first to see herself observed. As she rose, Miss Wren likewise became conscious, and said, irreverently addressing the great chief of the premises: ‘Whoever you are, I can’t get up, because my back’s bad and my legs are queer.’
‘This is my master,’ said Riah, stepping forward.
(‘Don’t look like anybody’s master,’ observed Miss Wren to herself, with a hitch of her chin and eyes.)
‘This, sir,’ pursued the old man, ‘is a little dressmaker for little people. Explain to the master, Jenny.’
‘Dolls; that’s all,’ said Jenny, shortly. ‘Very difficult to fit too, because their figures are so uncertain. You never know where to expect their waists.’
‘Her friend,’ resumed the old man, motioning towards Lizzie; ‘and as industrious as virtuous. But that they both are. They are busy early and late, sir, early and late; and in bye-times, as on this holiday, they go to book-learning.’
‘Not much good to be got out of that,’ remarked Fledgeby.
‘Depends upon the person!’ quoth Miss Wren, snapping him up.
‘I made acquaintance with my guests, sir,’ pursued the Jew, with an evident purpose of drawing out the dressmaker, ‘through their coming here to buy of our damage and waste for Miss Jenny’s millinery. Our waste goes into the best of company, sir, on her rosy-cheeked little customers. They wear it in their hair, and on their ball-dresses, and even (so she tells me) are presented at Court with it.’
‘Ah!’ said Fledgeby, on whose intelligence this doll-fancy made rather strong demands; ‘she’s been buying that basketful to-day, I suppose?’
‘I suppose she has,’ Miss Jenny interposed; ‘and paying for it too, most likely!’
‘Let’s have a look at it,’ said the suspicious chief. Riah handed it to him. ‘How much for this now?’
‘Two precious silver shillings,’ said Miss Wren.
Riah confirmed her with two nods, as Fledgeby looked to him. A nod for each shilling.
‘Well,’ said Fledgeby, poking into the contents of the basket with his forefinger, ‘the price is not so bad. You have got good measure, Miss What-is-it.’
‘Try Jenny,’ suggested that young lady with great calmness.
‘You have got good measure, Miss Jenny; but the price is not so bad.—And you,’ said Fledgeby, turning to the other visitor, ‘do you buy anything here, miss?’
‘No, sir.’
‘Nor sell anything neither, miss?’
‘No, sir.’
Looking askew at the questioner, Jenny stole her hand up to her friend’s, and drew her friend down, so that she bent beside her on her knee.
‘We are thankful to come here for rest, sir,’ said Jenny. ‘You see, you don’t know what the rest of this place is to us; does he, Lizzie? It’s the quiet, and the air.’
‘The quiet!’ repeated Fledgeby, with a contemptuous turn of his head towards the City’s roar. ‘And the air!’ with a ‘Poof!’ at the smoke.
‘Ah!’ said Jenny. ‘But it’s so high. And you see the clouds rushing on above the narrow streets, not minding them, and you see the golden arrows pointing at the mountains in the sky from which the wind comes, and you feel as if you were dead.’
The little creature looked above her, holding up her slight transparent hand.
‘How do you feel when you are dead?’ asked Fledgeby, much perplexed.
‘Oh, so tranquil!’ cried the little creature, smiling. ‘Oh, so peaceful and so thankful! And you hear the people who are alive, crying, and working, and calling to one another down in the close dark streets, and you seem to pity them so! And such a chain has fallen from you, and such a strange good sorrowful happiness comes upon you!’
Her eyes fell on the old man, who, with his hands folded, quietly looked on.
‘Why it was only just now,’ said the little creature, pointing at him, ‘that I fancied I saw him come out of his grave! He toiled out at that low door so bent and worn, and then he took his breath and stood upright, and looked all round him at the sky, and the wind blew upon him, and his life down in the dark was over!—Till he was called back to life,’ she added, looking round at Fledgeby with that lower look of sharpness. ‘Why did you call him back?’
‘He was long enough coming, anyhow,’ grumbled Fledgeby.
‘But you are not dead, you know,’ said Jenny Wren. ‘Get down to life!’
Mr Fledgeby seemed to think it rather a good suggestion, and with a nod turned round. As Riah followed to attend him down the stairs, the little creature called out to the Jew in a silvery tone, ‘Don’t be long gone. Come back, and be dead!’ And still as they went down they heard the little sweet voice, more and more faintly, half calling and half singing, ‘Come back and be dead, Come back and be dead!’
When they got down into the entry, Fledgeby, pausing under the shadow of the broad old hat, and mechanically poising the staff, said to the old man:
‘That’s a handsome girl, that one in her senses.’
‘And as good as handsome,’ answered Riah.
‘At all events,’ observed Fledgeby, with a dry whistle, ‘I hope she ain’t bad enough to put any chap up to the fastenings, and get the premises broken open. You look out. Keep your weather eye awake and don’t make any more acquaintances, however handsome. Of course you always keep my name to yourself?’
‘Sir, assuredly I do.’
‘If they ask it, say it’s Pubsey, or say it’s Co, or say it’s anything you like, but what it is.’
His grateful servant—in whose race gratitude is deep, strong, and enduring—bowed his head, and actually did now put the hem of his coat to his lips: though so lightly that the wearer knew nothing of it.
Thus, Fascination Fledgeby went his way, exulting in the artful cleverness with which he had turned his thumb down on a Jew, and the old man went his different way up-stairs. As he mounted, the call or song began to sound in his ears again, and, looking above, he saw the face of the little creature looking down out of a Glory of her long bright radiant hair, and musically repeating to him, like a vision:
‘Come up and be dead! Come up and be dead!’
Again Mr Mortimer Lightwood and Mr Eugene Wrayburn sat together in the Temple. This evening, however, they were not together in the place of business of the eminent solicitor, but in another dismal set of chambers facing it on the same second-floor; on whose dungeon-like black outer-door appeared the legend:
Appearances indicated that this establishment was a very recent institution. The white letters of the inscription were extremely white and extremely strong to the sense of smell, the complexion of the tables and chairs was (like Lady Tippins’s) a little too blooming to be believed in, and the carpets and floorcloth seemed to rush at the beholder’s face in the unusual prominency of their patterns. But the Temple, accustomed to tone down both the still life and the human life that has much to do with it, would soon get the better of all that.
‘Well!’ said Eugene, on one side of the fire, ‘I feel tolerably comfortable. I hope the upholsterer may do the same.’
‘Why shouldn’t he?’ asked Lightwood, from the other side of the fire.
‘To be sure,’ pursued Eugene, reflecting, ‘he is not in the secret of our pecuniary affairs, so perhaps he may be in an easy frame of mind.’
‘We shall pay him,’ said Mortimer.
‘Shall we, really?’ returned Eugene, indolently surprised. ‘You don’t say so!’
‘I mean to pay him, Eugene, for my part,’ said Mortimer, in a slightly injured tone.
‘Ah! I mean to pay him too,’ retorted Eugene. ‘But then I mean so much that I—that I don’t mean.’
‘Don’t mean?’
‘So much that I only mean and shall always only mean and nothing more, my dear Mortimer. It’s the same thing.’
His friend, lying back in his easy chair, watched him lying back in his easy chair, as he stretched out his legs on the hearth-rug, and said, with the amused look that Eugene Wrayburn could always awaken in him without seeming to try or care:
‘Anyhow, your vagaries have increased the bill.’
‘Calls the domestic virtues vagaries!’ exclaimed Eugene, raising his eyes to the ceiling.
‘This very complete little kitchen of ours,’ said Mortimer, ‘in which nothing will ever be cooked—’
‘My dear, dear Mortimer,’ returned his friend, lazily lifting his head a little to look at him, ‘how often have I pointed out to you that its moral influence is the important thing?’
‘Its moral influence on this fellow!’ exclaimed Lightwood, laughing.
‘Do me the favour,’ said Eugene, getting out of his chair with much gravity, ‘to come and inspect that feature of our establishment which you rashly disparage.’ With that, taking up a candle, he conducted his chum into the fourth room of the set of chambers—a little narrow room—which was very completely and neatly fitted as a kitchen. ‘See!’ said Eugene, ‘miniature flour-barrel, rolling-pin, spice-box, shelf of brown jars, chopping-board, coffee-mill, dresser elegantly furnished with crockery, saucepans and pans, roasting jack, a charming kettle, an armoury of dish-covers. The moral influence of these objects, in forming the domestic virtues, may have an immense influence upon me; not upon you, for you are a hopeless case, but upon me. In fact, I have an idea that I feel the domestic virtues already forming. Do me the favour to step into my bedroom. Secretaire, you see, and abstruse set of solid mahogany pigeon-holes, one for every letter of the alphabet. To what use do I devote them? I receive a bill—say from Jones. I docket it neatly at the secretaire,Jones, and I put it into pigeonhole J. It’s the next thing to a receipt and is quite as satisfactory tome. And I very much wish, Mortimer,’ sitting on his bed, with the air of a philosopher lecturing a disciple, ‘that my example might induceyouto cultivate habits of punctuality and method; and, by means of the moral influences with which I have surrounded you, to encourage the formation of the domestic virtues.’
Mortimer laughed again, with his usual commentaries of ‘Howcanyou be so ridiculous, Eugene!’ and ‘What an absurd fellow you are!’ but when his laugh was out, there was something serious, if not anxious, in his face. Despite that pernicious assumption of lassitude and indifference, which had become his second nature, he was strongly attached to his friend. He had founded himself upon Eugene when they were yet boys at school; and at this hour imitated him no less, admired him no less, loved him no less, than in those departed days.
‘Eugene,’ said he, ‘if I could find you in earnest for a minute, I would try to say an earnest word to you.’
‘An earnest word?’ repeated Eugene. ‘The moral influences are beginning to work. Say on.’
‘Well, I will,’ returned the other, ‘though you are not earnest yet.’
‘In this desire for earnestness,’ murmured Eugene, with the air of one who was meditating deeply, ‘I trace the happy influences of the little flour-barrel and the coffee-mill. Gratifying.’
‘Eugene,’ resumed Mortimer, disregarding the light interruption, and laying a hand upon Eugene’s shoulder, as he, Mortimer, stood before him seated on his bed, ‘you are withholding something from me.’
Eugene looked at him, but said nothing.
‘All this past summer, you have been withholding something from me. Before we entered on our boating vacation, you were as bent upon it as I have seen you upon anything since we first rowed together. But you cared very little for it when it came, often found it a tie and a drag upon you, and were constantly away. Now it was well enough half-a-dozen times, a dozen times, twenty times, to say to me in your own odd manner, which I know so well and like so much, that your disappearances were precautions against our boring one another; but of course after a short while I began to know that they covered something. I don’t ask what it is, as you have not told me; but the fact is so. Say, is it not?’
‘I give you my word of honour, Mortimer,’ returned Eugene, after a serious pause of a few moments, ‘that I don’t know.’
‘Don’t know, Eugene?’
‘Upon my soul, don’t know. I know less about myself than about most people in the world, and I don’t know.’
‘You have some design in your mind?’
‘Have I? I don’t think I have.’
‘At any rate, you have some subject of interest there which used not to be there?’
‘I really can’t say,’ replied Eugene, shaking his head blankly, after pausing again to reconsider. ‘At times I have thought yes; at other times I have thought no. Now, I have been inclined to pursue such a subject; now I have felt that it was absurd, and that it tired and embarrassed me. Absolutely, I can’t say. Frankly and faithfully, I would if I could.’
So replying, he clapped a hand, in his turn, on his friend’s shoulder, as he rose from his seat upon the bed, and said:
‘You must take your friend as he is. You know what I am, my dear Mortimer. You know how dreadfully susceptible I am to boredom. You know that when I became enough of a man to find myself an embodied conundrum, I bored myself to the last degree by trying to find out what I meant. You know that at length I gave it up, and declined to guess any more. Then how can I possibly give you the answer that I have not discovered? The old nursery form runs, “Riddle-me-riddle-me-ree, p’raps you can’t tell me what this may be?” My reply runs, “No. Upon my life, I can’t.”’
So much of what was fantastically true to his own knowledge of this utterly careless Eugene, mingled with the answer, that Mortimer could not receive it as a mere evasion. Besides, it was given with an engaging air of openness, and of special exemption of the one friend he valued, from his reckless indifference.
‘Come, dear boy!’ said Eugene. ‘Let us try the effect of smoking. If it enlightens me at all on this question, I will impart unreservedly.’
They returned to the room they had come from, and, finding it heated, opened a window. Having lighted their cigars, they leaned out of this window, smoking, and looking down at the moonlight, as it shone into the court below.
‘No enlightenment,’ resumed Eugene, after certain minutes of silence. ‘I feel sincerely apologetic, my dear Mortimer, but nothing comes.’
‘If nothing comes,’ returned Mortimer, ‘nothing can come from it. So I shall hope that this may hold good throughout, and that there may be nothing on foot. Nothing injurious to you, Eugene, or—’
Eugene stayed him for a moment with his hand on his arm, while he took a piece of earth from an old flowerpot on the window-sill and dexterously shot it at a little point of light opposite; having done which to his satisfaction, he said, ‘Or?’
‘Or injurious to any one else.’
‘How,’ said Eugene, taking another little piece of earth, and shooting it with great precision at the former mark, ‘how injurious to any one else?’
‘I don’t know.’
‘And,’ said Eugene, taking, as he said the word, another shot, ‘to whom else?’
‘I don’t know.’
Checking himself with another piece of earth in his hand, Eugene looked at his friend inquiringly and a little suspiciously. There was no concealed or half-expressed meaning in his face.
‘Two belated wanderers in the mazes of the law,’ said Eugene, attracted by the sound of footsteps, and glancing down as he spoke, ‘stray into the court. They examine the door-posts of number one, seeking the name they want. Not finding it at number one, they come to number two. On the hat of wanderer number two, the shorter one, I drop this pellet. Hitting him on the hat, I smoke serenely, and become absorbed in contemplation of the sky.’
Both the wanderers looked up towards the window; but, after interchanging a mutter or two, soon applied themselves to the door-posts below. There they seemed to discover what they wanted, for they disappeared from view by entering at the doorway. ‘When they emerge,’ said Eugene, ‘you shall see me bring them both down’; and so prepared two pellets for the purpose.
He had not reckoned on their seeking his name, or Lightwood’s. But either the one or the other would seem to be in question, for now there came a knock at the door. ‘I am on duty to-night,’ said Mortimer, ‘stay you where you are, Eugene.’ Requiring no persuasion, he stayed there, smoking quietly, and not at all curious to know who knocked, until Mortimer spoke to him from within the room, and touched him. Then, drawing in his head, he found the visitors to be young Charley Hexam and the schoolmaster; both standing facing him, and both recognized at a glance.
‘You recollect this young fellow, Eugene?’ said Mortimer.
‘Let me look at him,’ returned Wrayburn, coolly. ‘Oh, yes, yes. I recollect him!’
He had not been about to repeat that former action of taking him by the chin, but the boy had suspected him of it, and had thrown up his arm with an angry start. Laughingly, Wrayburn looked to Lightwood for an explanation of this odd visit.
‘He says he has something to say.’
‘Surely it must be to you, Mortimer.’
‘So I thought, but he says no. He says it is to you.’
‘Yes, I do say so,’ interposed the boy. ‘And I mean to say what I want to say, too, Mr Eugene Wrayburn!’
Passing him with his eyes as if there were nothing where he stood, Eugene looked on to Bradley Headstone. With consummate indolence, he turned to Mortimer, inquiring: ‘And who may this other person be?’
‘I am Charles Hexam’s friend,’ said Bradley; ‘I am Charles Hexam’s schoolmaster.’
‘My good sir, you should teach your pupils better manners,’ returned Eugene.
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Composedly smoking, he leaned an elbow on the chimneypiece, at the side of the fire, and looked at the schoolmaster. It was a cruel look, in its cold disdain of him, as a creature of no worth. The schoolmaster looked at him, and that, too, was a cruel look, though of the different kind, that it had a raging jealousy and fiery wrath in it.
Very remarkably, neither Eugene Wrayburn nor Bradley Headstone looked at all at the boy. Through the ensuing dialogue, those two, no matter who spoke, or whom was addressed, looked at each other. There was some secret, sure perception between them, which set them against one another in all ways.
‘In some high respects, Mr Eugene Wrayburn,’ said Bradley, answering him with pale and quivering lips, ‘the natural feelings of my pupils are stronger than my teaching.’
‘In most respects, I dare say,’ replied Eugene, enjoying his cigar, ‘though whether high or low is of no importance. You have my name very correctly. Pray what is yours?’
‘It cannot concern you much to know, but—’
‘True,’ interposed Eugene, striking sharply and cutting him short at his mistake, ‘it does not concern me at all to know. I can say Schoolmaster, which is a most respectable title. You are right, Schoolmaster.’
It was not the dullest part of this goad in its galling of Bradley Headstone, that he had made it himself in a moment of incautious anger. He tried to set his lips so as to prevent their quivering, but they quivered fast.
‘Mr Eugene Wrayburn,’ said the boy, ‘I want a word with you. I have wanted it so much, that we have looked out your address in the book, and we have been to your office, and we have come from your office here.’
‘You have given yourself much trouble, Schoolmaster,’ observed Eugene, blowing the feathery ash from his cigar. ‘I hope it may prove remunerative.’
‘And I am glad to speak,’ pursued the boy, ‘in presence of Mr Lightwood, because it was through Mr Lightwood that you ever saw my sister.’
For a mere moment, Wrayburn turned his eyes aside from the schoolmaster to note the effect of the last word on Mortimer, who, standing on the opposite side of the fire, as soon as the word was spoken, turned his face towards the fire and looked down into it.
‘Similarly, it was through Mr Lightwood that you ever saw her again, for you were with him on the night when my father was found, and so I found you with her on the next day. Since then, you have seen my sister often. You have seen my sister oftener and oftener. And I want to know why?’
‘Was this worth while, Schoolmaster?’ murmured Eugene, with the air of a disinterested adviser. ‘So much trouble for nothing? You should know best, but I think not.’
‘I don’t know, Mr Wrayburn,’ answered Bradley, with his passion rising, ‘why you address me—’
‘Don’t you? said Eugene. ‘Then I won’t.’
He said it so tauntingly in his perfect placidity, that the respectable right-hand clutching the respectable hair-guard of the respectable watch could have wound it round his throat and strangled him with it. Not another word did Eugene deem it worth while to utter, but stood leaning his head upon his hand, smoking, and looking imperturbably at the chafing Bradley Headstone with his clutching right-hand, until Bradley was wellnigh mad.
‘Mr Wrayburn,’ proceeded the boy, ‘we not only know this that I have charged upon you, but we know more. It has not yet come to my sister’s knowledge that we have found it out, but we have. We had a plan, Mr Headstone and I, for my sister’s education, and for its being advised and overlooked by Mr Headstone, who is a much more competent authority, whatever you may pretend to think, as you smoke, than you could produce, if you tried. Then, what do we find? What do we find, Mr Lightwood? Why, we find that my sister is already being taught, without our knowing it. We find that while my sister gives an unwilling and cold ear to our schemes for her advantage—I, her brother, and Mr Headstone, the most competent authority, as his certificates would easily prove, that could be produced—she is wilfully and willingly profiting by other schemes. Ay, and taking pains, too, for I know what such pains are. And so does Mr Headstone! Well! Somebody pays for this, is a thought that naturally occurs to us; who pays? We apply ourselves to find out, Mr Lightwood, and we find that your friend, this Mr Eugene Wrayburn, here, pays. Then I ask him what right has he to do it, and what does he mean by it, and how comes he to be taking such a liberty without my consent, when I am raising myself in the scale of society by my own exertions and Mr Headstone’s aid, and have no right to have any darkness cast upon my prospects, or any imputation upon my respectability, through my sister?’
The boyish weakness of this speech, combined with its great selfishness, made it a poor one indeed. And yet Bradley Headstone, used to the little audience of a school, and unused to the larger ways of men, showed a kind of exultation in it.
‘Now I tell Mr Eugene Wrayburn,’ pursued the boy, forced into the use of the third person by the hopelessness of addressing him in the first, ‘that I object to his having any acquaintance at all with my sister, and that I request him to drop it altogether. He is not to take it into his head that I am afraid of my sister’s caring forhim—’
(As the boy sneered, the Master sneered, and Eugene blew off the feathery ash again.)
—‘But I object to it, and that’s enough. I am more important to my sister than he thinks. As I raise myself, I intend to raise her; she knows that, and she has to look to me for her prospects. Now I understand all this very well, and so does Mr Headstone. My sister is an excellent girl, but she has some romantic notions; not about such things as your Mr Eugene Wrayburns, but about the death of my father and other matters of that sort. Mr Wrayburn encourages those notions to make himself of importance, and so she thinks she ought to be grateful to him, and perhaps even likes to be. Now I don’t choose her to be grateful to him, or to be grateful to anybody but me, except Mr Headstone. And I tell Mr Wrayburn that if he don’t take heed of what I say, it will be worse for her. Let him turn that over in his memory, and make sure of it. Worse for her!’
A pause ensued, in which the schoolmaster looked very awkward.
‘May I suggest, Schoolmaster,’ said Eugene, removing his fast-waning cigar from his lips to glance at it, ‘that you can now take your pupil away.’
‘And Mr Lightwood,’ added the boy, with a burning face, under the flaming aggravation of getting no sort of answer or attention, ‘I hope you’ll take notice of what I have said to your friend, and of what your friend has heard me say, word by word, whatever he pretends to the contrary. You are bound to take notice of it, Mr Lightwood, for, as I have already mentioned, you first brought your friend into my sister’s company, and but for you we never should have seen him. Lord knows none of us ever wanted him, any more than any of us will ever miss him. Now Mr Headstone, as Mr Eugene Wrayburn has been obliged to hear what I had to say, and couldn’t help himself, and as I have said it out to the last word, we have done all we wanted to do, and may go.’
‘Go down-stairs, and leave me a moment, Hexam,’ he returned. The boy complying with an indignant look and as much noise as he could make, swung out of the room; and Lightwood went to the window, and leaned there, looking out.
‘You think me of no more value than the dirt under your feet,’ said Bradley to Eugene, speaking in a carefully weighed and measured tone, or he could not have spoken at all.
‘I assure you, Schoolmaster,’ replied Eugene, ‘I don’t think about you.’
‘That’s not true,’ returned the other; ‘you know better.’
‘That’s coarse,’ Eugene retorted; ‘but youdon’tknow better.’
‘Mr Wrayburn, at least I know very well that it would be idle to set myself against you in insolent words or overbearing manners. That lad who has just gone out could put you to shame in half-a-dozen branches of knowledge in half an hour, but you can throw him aside like an inferior. You can do as much by me, I have no doubt, beforehand.’
‘Possibly,’ remarked Eugene.
‘But I am more than a lad,’ said Bradley, with his clutching hand, ‘and Iwillbe heard, sir.’
‘As a schoolmaster,’ said Eugene, ‘you are always being heard. That ought to content you.’
‘But it does not content me,’ replied the other, white with passion. ‘Do you suppose that a man, in forming himself for the duties I discharge, and in watching and repressing himself daily to discharge them well, dismisses a man’s nature?’
‘I suppose you,’ said Eugene, ‘judging from what I see as I look at you, to be rather too passionate for a good schoolmaster.’ As he spoke, he tossed away the end of his cigar.
‘Passionate with you, sir, I admit I am. Passionate with you, sir, I respect myself for being. But I have not Devils for my pupils.’
‘For your Teachers, I should rather say,’ replied Eugene.
‘Mr Wrayburn.’
‘Schoolmaster.’
‘Sir, my name is Bradley Headstone.’
‘As you justly said, my good sir, your name cannot concern me. Now, what more?’
‘This more. Oh, what a misfortune is mine,’ cried Bradley, breaking off to wipe the starting perspiration from his face as he shook from head to foot, ‘that I cannot so control myself as to appear a stronger creature than this, when a man who has not felt in all his life what I have felt in a day can so command himself!’ He said it in a very agony, and even followed it with an errant motion of his hands as if he could have torn himself.
Eugene Wrayburn looked on at him, as if he found him beginning to be rather an entertaining study.
‘Mr Wrayburn, I desire to say something to you on my own part.’
‘Come, come, Schoolmaster,’ returned Eugene, with a languid approach to impatience as the other again struggled with himself; ‘say what you have to say. And let me remind you that the door is standing open, and your young friend waiting for you on the stairs.’
‘When I accompanied that youth here, sir, I did so with the purpose of adding, as a man whom you should not be permitted to put aside, in case you put him aside as a boy, that his instinct is correct and right.’ Thus Bradley Headstone, with great effort and difficulty.
‘Is that all?’ asked Eugene.
‘No, sir,’ said the other, flushed and fierce. ‘I strongly support him in his disapproval of your visits to his sister, and in his objection to your officiousness—and worse—in what you have taken upon yourself to do for her.’
‘Isthatall?’ asked Eugene.
‘No, sir. I determined to tell you that you are not justified in these proceedings, and that they are injurious to his sister.’
‘Are you her schoolmaster as well as her brother’s?—Or perhaps you would like to be?’ said Eugene.
It was a stab that the blood followed, in its rush to Bradley Headstone’s face, as swiftly as if it had been dealt with a dagger. ‘What do you mean by that?’ was as much as he could utter.
‘A natural ambition enough,’ said Eugene, coolly. ‘Far be it from me to say otherwise. The sister who is something too much upon your lips, perhaps—is so very different from all the associations to which she had been used, and from all the low obscure people about her, that it is a very natural ambition.’
‘Do you throw my obscurity in my teeth, Mr Wrayburn?’
‘That can hardly be, for I know nothing concerning it, Schoolmaster, and seek to know nothing.’
‘You reproach me with my origin,’ said Bradley Headstone; ‘you cast insinuations at my bringing-up. But I tell you, sir, I have worked my way onward, out of both and in spite of both, and have a right to be considered a better man than you, with better reasons for being proud.’
‘How I can reproach you with what is not within my knowledge, or how I can cast stones that were never in my hand, is a problem for the ingenuity of a schoolmaster to prove,’ returned Eugene. ‘Isthatall?’
‘No, sir. If you suppose that boy—’
‘Who really will be tired of waiting,’ said Eugene, politely.
‘If you suppose that boy to be friendless, Mr Wrayburn, you deceive yourself. I am his friend, and you shall find me so.’
‘And you will findhimon the stairs,’ remarked Eugene.
‘You may have promised yourself, sir, that you could do what you chose here, because you had to deal with a mere boy, inexperienced, friendless, and unassisted. But I give you warning that this mean calculation is wrong. You have to do with a man also. You have to do with me. I will support him, and, if need be, require reparation for him. My hand and heart are in this cause, and are open to him.’
‘And—quite a coincidence—the door is open,’ remarked Eugene.
‘I scorn your shifty evasions, and I scorn you,’ said the schoolmaster. ‘In the meanness of your nature you revile me with the meanness of my birth. I hold you in contempt for it. But if you don’t profit by this visit, and act accordingly, you will find me as bitterly in earnest against you as I could be if I deemed you worth a second thought on my own account.’
With a consciously bad grace and stiff manner, as Wrayburn looked so easily and calmly on, he went out with these words, and the heavy door closed like a furnace-door upon his red and white heats of rage.
‘A curious monomaniac,’ said Eugene. ‘The man seems to believe that everybody was acquainted with his mother!’
Mortimer Lightwood being still at the window, to which he had in delicacy withdrawn, Eugene called to him, and he fell to slowly pacing the room.
‘My dear fellow,’ said Eugene, as he lighted another cigar, ‘I fear my unexpected visitors have been troublesome. If as a set-off (excuse the legal phrase from a barrister-at-law) you would like to ask Tippins to tea, I pledge myself to make love to her.’
‘Eugene, Eugene, Eugene,’ replied Mortimer, still pacing the room, ‘I am sorry for this. And to think that I have been so blind!’
‘How blind, dear boy?’ inquired his unmoved friend.
‘What were your words that night at the river-side public-house?’ said Lightwood, stopping. ‘What was it that you asked me? Did I feel like a dark combination of traitor and pickpocket when I thought of that girl?’
‘I seem to remember the expression,’ said Eugene.
‘How doyoufeel when you think of her just now?’
His friend made no direct reply, but observed, after a few whiffs of his cigar, ‘Don’t mistake the situation. There is no better girl in all this London than Lizzie Hexam. There is no better among my people at home; no better among your people.’
‘Granted. What follows?’
‘There,’ said Eugene, looking after him dubiously as he paced away to the other end of the room, ‘you put me again upon guessing the riddle that I have given up.’
‘Eugene, do you design to capture and desert this girl?’
‘My dear fellow, no.’
‘Do you design to marry her?’
‘My dear fellow, no.’
‘Do you design to pursue her?’
‘My dear fellow, I don’t design anything. I have no design whatever. I am incapable of designs. If I conceived a design, I should speedily abandon it, exhausted by the operation.’
‘Oh Eugene, Eugene!’
‘My dear Mortimer, not that tone of melancholy reproach, I entreat. What can I do more than tell you all I know, and acknowledge my ignorance of all I don’t know! How does that little old song go, which, under pretence of being cheerful, is by far the most lugubrious I ever heard in my life?
“Away with melancholy,Nor doleful changes ringOn life and human folly,But merrily merrily singFal la!”
Don’t let us sing Fal la, my dear Mortimer (which is comparatively unmeaning), but let us sing that we give up guessing the riddle altogether.’
‘Are you in communication with this girl, Eugene, and is what these people say true?’
‘I concede both admissions to my honourable and learned friend.’
‘Then what is to come of it? What are you doing? Where are you going?’
‘My dear Mortimer, one would think the schoolmaster had left behind him a catechizing infection. You are ruffled by the want of another cigar. Take one of these, I entreat. Light it at mine, which is in perfect order. So! Now do me the justice to observe that I am doing all I can towards self-improvement, and that you have a light thrown on those household implements which, when you only saw them as in a glass darkly, you were hastily—I must say hastily—inclined to depreciate. Sensible of my deficiencies, I have surrounded myself with moral influences expressly meant to promote the formation of the domestic virtues. To those influences, and to the improving society of my friend from boyhood, commend me with your best wishes.’
‘Ah, Eugene!’ said Lightwood, affectionately, now standing near him, so that they both stood in one little cloud of smoke; ‘I would that you answered my three questions! What is to come of it? What are you doing? Where are you going?’
‘And my dear Mortimer,’ returned Eugene, lightly fanning away the smoke with his hand for the better exposition of his frankness of face and manner, ‘believe me, I would answer them instantly if I could. But to enable me to do so, I must first have found out the troublesome conundrum long abandoned. Here it is. Eugene Wrayburn.’ Tapping his forehead and breast. ‘Riddle-me, riddle-me-ree, perhaps you can’t tell me what this may be?—No, upon my life I can’t. I give it up!’
The arrangement between Mr Boffin and his literary man, Mr Silas Wegg, so far altered with the altered habits of Mr Boffin’s life, as that the Roman Empire usually declined in the morning and in the eminently aristocratic family mansion, rather than in the evening, as of yore, and in Boffin’s Bower. There were occasions, however, when Mr Boffin, seeking a brief refuge from the blandishments of fashion, would present himself at the Bower after dark, to anticipate the next sallying forth of Wegg, and would there, on the old settle, pursue the downward fortunes of those enervated and corrupted masters of the world who were by this time on their last legs. If Wegg had been worse paid for his office, or better qualified to discharge it, he would have considered these visits complimentary and agreeable; but, holding the position of a handsomely-remunerated humbug, he resented them. This was quite according to rule, for the incompetent servant, by whomsoever employed, is always against his employer. Even those born governors, noble and right honourable creatures, who have been the most imbecile in high places, have uniformly shown themselves the most opposed (sometimes in belying distrust, sometimes in vapid insolence) totheiremployer. What is in such wise true of the public master and servant, is equally true of the private master and servant all the world over.
When Mr Silas Wegg did at last obtain free access to ‘Our House’, as he had been wont to call the mansion outside which he had sat shelterless so long, and when he did at last find it in all particulars as different from his mental plans of it as according to the nature of things it well could be, that far-seeing and far-reaching character, by way of asserting himself and making out a case for compensation, affected to fall into a melancholy strain of musing over the mournful past; as if the house and he had had a fall in life together.
‘And this, sir,’ Silas would say to his patron, sadly nodding his head and musing, ‘was once Our House! This, sir, is the building from which I have so often seen those great creatures, Miss Elizabeth, Master George, Aunt Jane, and Uncle Parker’—whose very names were of his own inventing—‘pass and repass! And has it come to this, indeed! Ah dear me, dear me!’
So tender were his lamentations, that the kindly Mr Boffin was quite sorry for him, and almost felt mistrustful that in buying the house he had done him an irreparable injury.
Two or three diplomatic interviews, the result of great subtlety on Mr Wegg’s part, but assuming the mask of careless yielding to a fortuitous combination of circumstances impelling him towards Clerkenwell, had enabled him to complete his bargain with Mr Venus.
‘Bring me round to the Bower,’ said Silas, when the bargain was closed, ‘next Saturday evening, and if a sociable glass of old Jamaikey warm should meet your views, I am not the man to begrudge it.’
‘You are aware of my being poor company, sir,’ replied Mr Venus, ‘but be it so.’
It being so, here is Saturday evening come, and here is Mr Venus come, and ringing at the Bower-gate.
Mr Wegg opens the gate, descries a sort of brown paper truncheon under Mr Venus’s arm, and remarks, in a dry tone: ‘Oh! I thought perhaps you might have come in a cab.’
‘No, Mr Wegg,’ replies Venus. ‘I am not above a parcel.’
‘Above a parcel! No!’ says Wegg, with some dissatisfaction. But does not openly growl, ‘a certain sort of parcel might be above you.’
‘Here is your purchase, Mr Wegg,’ says Venus, politely handing it over, ‘and I am glad to restore it to the source from whence it—flowed.’
‘Thankee,’ says Wegg. ‘Now this affair is concluded, I may mention to you in a friendly way that I’ve my doubts whether, if I had consulted a lawyer, you could have kept this article back from me. I only throw it out as a legal point.’
‘Do you think so, Mr Wegg? I bought you in open contract.’
‘You can’t buy human flesh and blood in this country, sir; not alive, you can’t,’ says Wegg, shaking his head. ‘Then query, bone?’
‘As a legal point?’ asks Venus.
‘As a legal point.’
‘I am not competent to speak upon that, Mr Wegg,’ says Venus, reddening and growing something louder; ‘but upon a point of fact I think myself competent to speak; and as a point of fact I would have seen you—will you allow me to say, further?’
‘I wouldn’t say more than further, if I was you,’ Mr Wegg suggests, pacifically.
—‘Before I’d have given that packet into your hand without being paid my price for it. I don’t pretend to know how the point of law may stand, but I’m thoroughly confident upon the point of fact.’
As Mr Venus is irritable (no doubt owing to his disappointment in love), and as it is not the cue of Mr Wegg to have him out of temper, the latter gentleman soothingly remarks, ‘I only put it as a little case; I only put it ha’porthetically.’
‘Then I’d rather, Mr Wegg, you put it another time, penn’orth-etically,’ is Mr Venus’s retort, ‘for I tell you candidly I don’t like your little cases.’
Arrived by this time in Mr Wegg’s sitting-room, made bright on the chilly evening by gaslight and fire, Mr Venus softens and compliments him on his abode; profiting by the occasion to remind Wegg that he (Venus) told him he had got into a good thing.
‘Tolerable,’ Wegg rejoins. ‘But bear in mind, Mr Venus, that there’s no gold without its alloy. Mix for yourself and take a seat in the chimbley-corner. Will you perform upon a pipe, sir?’
‘I am but an indifferent performer, sir,’ returns the other; ‘but I’ll accompany you with a whiff or two at intervals.’
So, Mr Venus mixes, and Wegg mixes; and Mr Venus lights and puffs, and Wegg lights and puffs.
‘And there’s alloy even in this metal of yours, Mr Wegg, you was remarking?’
‘Mystery,’ returns Wegg. ‘I don’t like it, Mr Venus. I don’t like to have the life knocked out of former inhabitants of this house, in the gloomy dark, and not know who did it.’
‘Might you have any suspicions, Mr Wegg?’
‘No,’ returns that gentleman. ‘I know who profits by it. But I’ve no suspicions.’
Having said which, Mr Wegg smokes and looks at the fire with a most determined expression of Charity; as if he had caught that cardinal virtue by the skirts as she felt it her painful duty to depart from him, and held her by main force.
‘Similarly,’ resumes Wegg, ‘I have observations as I can offer upon certain points and parties; but I make no objections, Mr Venus. Here is an immense fortune drops from the clouds upon a person that shall be nameless. Here is a weekly allowance, with a certain weight of coals, drops from the clouds upon me. Which of us is the better man? Not the person that shall be nameless. That’s an observation of mine, but I don’t make it an objection. I take my allowance and my certain weight of coals. He takes his fortune. That’s the way it works.’
‘It would be a good thing for me, if I could see things in the calm light you do, Mr Wegg.’
‘Again look here,’ pursues Silas, with an oratorical flourish of his pipe and his wooden leg: the latter having an undignified tendency to tilt him back in his chair; ‘here’s another observation, Mr Venus, unaccompanied with an objection. Him that shall be nameless is liable to be talked over. He gets talked over. Him that shall be nameless, having me at his right hand, naturally looking to be promoted higher, and you may perhaps say meriting to be promoted higher—’
(Mr Venus murmurs that he does say so.)
‘—Him that shall be nameless, under such circumstances passes me by, and puts a talking-over stranger above my head. Which of us two is the better man? Which of us two can repeat most poetry? Which of us two has, in the service of him that shall be nameless, tackled the Romans, both civil and military, till he has got as husky as if he’d been weaned and ever since brought up on sawdust? Not the talking-over stranger. Yet the house is as free to him as if it was his, and he has his room, and is put upon a footing, and draws about a thousand a year. I am banished to the Bower, to be found in it like a piece of furniture whenever wanted. Merit, therefore, don’t win. That’s the way it works. I observe it, because I can’t help observing it, being accustomed to take a powerful sight of notice; but I don’t object. Ever here before, Mr Venus?’
‘Not inside the gate, Mr Wegg.’
‘You’ve been as far as the gate then, Mr Venus?’
‘Yes, Mr Wegg, and peeped in from curiosity.’
‘Did you see anything?’
‘Nothing but the dust-yard.’
Mr Wegg rolls his eyes all round the room, in that ever unsatisfied quest of his, and then rolls his eyes all round Mr Venus; as if suspicious of his having something about him to be found out.
‘And yet, sir,’ he pursues, ‘being acquainted with old Mr Harmon, one would have thought it might have been polite in you, too, to give him a call. And you’re naturally of a polite disposition, you are.’ This last clause as a softening compliment to Mr Venus.
‘It is true, sir,’ replies Venus, winking his weak eyes, and running his fingers through his dusty shock of hair, ‘that I was so, before a certain observation soured me. You understand to what I allude, Mr Wegg? To a certain written statement respecting not wishing to be regarded in a certain light. Since that, all is fled, save gall.’
‘Not all,’ says Mr Wegg, in a tone of sentimental condolence.
‘Yes, sir,’ returns Venus, ‘all! The world may deem it harsh, but I’d quite as soon pitch into my best friend as not. Indeed, I’d sooner!’
Involuntarily making a pass with his wooden leg to guard himself as Mr Venus springs up in the emphasis of this unsociable declaration, Mr Wegg tilts over on his back, chair and all, and is rescued by that harmless misanthrope, in a disjointed state and ruefully rubbing his head.
‘Why, you lost your balance, Mr Wegg,’ says Venus, handing him his pipe.
‘And about time to do it,’ grumbles Silas, ‘when a man’s visitors, without a word of notice, conduct themselves with the sudden wiciousness of Jacks-in-boxes! Don’t come flying out of your chair like that, Mr Venus!’
‘I ask your pardon, Mr Wegg. I am so soured.’
‘Yes, but hang it,’ says Wegg argumentatively, ‘a well-governed mind can be soured sitting! And as to being regarded in lights, there’s bumpey lights as well as bony.Inwhich,’ again rubbing his head, ‘I object to regard myself.’
‘I’ll bear it in memory, sir.’
‘If you’ll be so good.’ Mr Wegg slowly subdues his ironical tone and his lingering irritation, and resumes his pipe. ‘We were talking of old Mr Harmon being a friend of yours.’
‘Not a friend, Mr Wegg. Only known to speak to, and to have a little deal with now and then. A very inquisitive character, Mr Wegg, regarding what was found in the dust. As inquisitive as secret.’
‘Ah! You found him secret?’ returns Wegg, with a greedy relish.
‘He had always the look of it, and the manner of it.’
‘Ah!’ with another roll of his eyes. ‘As to what was found in the dust now. Did you ever hear him mention how he found it, my dear friend? Living on the mysterious premises, one would like to know. For instance, where he found things? Or, for instance, how he set about it? Whether he began at the top of the mounds, or whether he began at the bottom. Whether he prodded’; Mr Wegg’s pantomime is skilful and expressive here; ‘or whether he scooped? Should you say scooped, my dear Mr Venus; or should you as a man—say prodded?’
‘I should say neither, Mr Wegg.’
‘As a fellow-man, Mr Venus—mix again—why neither?’
‘Because I suppose, sir, that what was found, was found in the sorting and sifting. All the mounds are sorted and sifted?’
‘You shall see ’em and pass your opinion. Mix again.’
On each occasion of his saying ‘mix again’, Mr Wegg, with a hop on his wooden leg, hitches his chair a little nearer; more as if he were proposing that himself and Mr Venus should mix again, than that they should replenish their glasses.
‘Living (as I said before) on the mysterious premises,’ says Wegg when the other has acted on his hospitable entreaty, ‘one likes to know. Would you be inclined to say now—as a brother—that he ever hid things in the dust, as well as found ’em?’
‘Mr Wegg, on the whole I should say he might.’
Mr Wegg claps on his spectacles, and admiringly surveys Mr Venus from head to foot.
‘As a mortal equally with myself, whose hand I take in mine for the first time this day, having unaccountably overlooked that act so full of boundless confidence binding a fellow-creeturtoa fellow creetur,’ says Wegg, holding Mr Venus’s palm out, flat and ready for smiting, and now smiting it; ‘as such—and no other—for I scorn all lowlier ties betwixt myself and the man walking with his face erect that alone I call my Twin—regarded and regarding in this trustful bond—what do you think he might have hid?’
‘It is but a supposition, Mr Wegg.’
‘As a Being with his hand upon his heart,’ cries Wegg; and the apostrophe is not the less impressive for the Being’s hand being actually upon his rum and water; ‘put your supposition into language, and bring it out, Mr Venus!’
‘He was the species of old gentleman, sir,’ slowly returns that practical anatomist, after drinking, ‘that I should judge likely to take such opportunities as this place offered, of stowing away money, valuables, maybe papers.’
‘As one that was ever an ornament to human life,’ says Mr Wegg, again holding out Mr Venus’s palm as if he were going to tell his fortune by chiromancy, and holding his own up ready for smiting it when the time should come; ‘as one that the poet might have had his eye on, in writing the national naval words:
Helm a-weather, now lay her close,Yard arm and yard arm she lies;Again, cried I, Mr Venus, give her t’other dose,Man shrouds and grapple, sir, or she flies!
—that is to say, regarded in the light of true British Oak, for such you are—explain, Mr Venus, the expression “papers”!’
‘Seeing that the old gentleman was generally cutting off some near relation, or blocking out some natural affection,’ Mr Venus rejoins, ‘he most likely made a good many wills and codicils.’
The palm of Silas Wegg descends with a sounding smack upon the palm of Venus, and Wegg lavishly exclaims, ‘Twin in opinion equally with feeling! Mix a little more!’
Having now hitched his wooden leg and his chair close in front of Mr Venus, Mr Wegg rapidly mixes for both, gives his visitor his glass, touches its rim with the rim of his own, puts his own to his lips, puts it down, and spreading his hands on his visitor’s knees thus addresses him:
‘Mr Venus. It ain’t that I object to being passed over for a stranger, though I regard the stranger as a more than doubtful customer. It ain’t for the sake of making money, though money is ever welcome. It ain’t for myself, though I am not so haughty as to be above doing myself a good turn. It’s for the cause of the right.’
Mr Venus, passively winking his weak eyes both at once, demands: ‘What is, Mr Wegg?’
‘The friendly move, sir, that I now propose. You see the move, sir?’
‘Till you have pointed it out, Mr Wegg, I can’t say whether I do or not.’
‘If thereisanything to be found on these premises, let us find it together. Let us make the friendly move of agreeing to look for it together. Let us make the friendly move of agreeing to share the profits of it equally betwixt us. In the cause of the right.’ Thus Silas assuming a noble air.
‘Then,’ says Mr Venus, looking up, after meditating with his hair held in his hands, as if he could only fix his attention by fixing his head; ‘if anything was to be unburied from under the dust, it would be kept a secret by you and me? Would that be it, Mr Wegg?’
‘That would depend upon what it was, Mr Venus. Say it was money, or plate, or jewellery, it would be as much ours as anybody else’s.’
Mr Venus rubs an eyebrow, interrogatively.
‘In the cause of the right it would. Because it would be unknowingly sold with the mounds else, and the buyer would get what he was never meant to have, and never bought. And what would that be, Mr Venus, but the cause of the wrong?’
‘Say it was papers,’ Mr Venus propounds.
‘According to what they contained we should offer to dispose of ’em to the parties most interested,’ replies Wegg, promptly.
‘In the cause of the right, Mr Wegg?’
‘Always so, Mr Venus. If the parties should use them in the cause of the wrong, that would be their act and deed. Mr Venus. I have an opinion of you, sir, to which it is not easy to give mouth. Since I called upon you that evening when you were, as I may say, floating your powerful mind in tea, I have felt that you required to be roused with an object. In this friendly move, sir, you will have a glorious object to rouse you.’
Mr Wegg then goes on to enlarge upon what throughout has been uppermost in his crafty mind:—the qualifications of Mr Venus for such a search. He expatiates on Mr Venus’s patient habits and delicate manipulation; on his skill in piecing little things together; on his knowledge of various tissues and textures; on the likelihood of small indications leading him on to the discovery of great concealments. ‘While as to myself,’ says Wegg, ‘I am not good at it. Whether I gave myself up to prodding, or whether I gave myself up to scooping, I couldn’t do it with that delicate touch so as not to show that I was disturbing the mounds. Quite different withyou, going to work (asyouwould) in the light of a fellow-man, holily pledged in a friendly move to his brother man.’ Mr Wegg next modestly remarks on the want of adaptation in a wooden leg to ladders and such like airy perches, and also hints at an inherent tendency in that timber fiction, when called into action for the purposes of a promenade on an ashey slope, to stick itself into the yielding foothold, and peg its owner to one spot. Then, leaving this part of the subject, he remarks on the special phenomenon that before his installation in the Bower, it was from Mr Venus that he first heard of the legend of hidden wealth in the Mounds: ‘which’, he observes with a vaguely pious air, ‘was surely never meant for nothing.’ Lastly, he returns to the cause of the right, gloomily foreshadowing the possibility of something being unearthed to criminate Mr Boffin (of whom he once more candidly admits it cannot be denied that he profits by a murder), and anticipating his denunciation by the friendly movers to avenging justice. And this, Mr Wegg expressly points out, not at all for the sake of the reward—though it would be a want of principle not to take it.
To all this, Mr Venus, with his shock of dusty hair cocked after the manner of a terrier’s ears, attends profoundly. When Mr Wegg, having finished, opens his arms wide, as if to show Mr Venus how bare his breast is, and then folds them pending a reply, Mr Venus winks at him with both eyes some little time before speaking.
‘I see you have tried it by yourself, Mr Wegg,’ he says when he does speak. ‘You have found out the difficulties by experience.’
‘No, it can hardly be said that I have tried it,’ replies Wegg, a little dashed by the hint. ‘I have just skimmed it. Skimmed it.’
‘And found nothing besides the difficulties?’
Wegg shakes his head.
‘I scarcely know what to say to this, Mr Wegg,’ observes Venus, after ruminating for a while.
‘Say yes,’ Wegg naturally urges.
‘If I wasn’t soured, my answer would be no. But being soured, Mr Wegg, and driven to reckless madness and desperation, I suppose it’s Yes.’
Wegg joyfully reproduces the two glasses, repeats the ceremony of clinking their rims, and inwardly drinks with great heartiness to the health and success in life of the young lady who has reduced Mr Venus to his present convenient state of mind.
The articles of the friendly move are then severally recited and agreed upon. They are but secrecy, fidelity, and perseverance. The Bower to be always free of access to Mr Venus for his researches, and every precaution to be taken against their attracting observation in the neighbourhood.
‘There’s a footstep!’ exclaims Venus.
‘Where?’ cries Wegg, starting.
‘Outside. St!’
They are in the act of ratifying the treaty of friendly move, by shaking hands upon it. They softly break off, light their pipes which have gone out, and lean back in their chairs. No doubt, a footstep. It approaches the window, and a hand taps at the glass. ‘Come in!’ calls Wegg; meaning come round by the door. But the heavy old-fashioned sash is slowly raised, and a head slowly looks in out of the dark background of night.
‘Pray is Mr Silas Wegg here? Oh! I see him!’
The friendly movers might not have been quite at their ease, even though the visitor had entered in the usual manner. But, leaning on the breast-high window, and staring in out of the darkness, they find the visitor extremely embarrassing. Especially Mr Venus: who removes his pipe, draws back his head, and stares at the starer, as if it were his own Hindoo baby come to fetch him home.
‘Good evening, Mr Wegg. The yard gate-lock should be looked to, if you please; it don’t catch.’
‘Is it Mr Rokesmith?’ falters Wegg.
‘It is Mr Rokesmith. Don’t let me disturb you. I am not coming in. I have only a message for you, which I undertook to deliver on my way home to my lodgings. I was in two minds about coming beyond the gate without ringing: not knowing but you might have a dog about.’
‘I wish I had,’ mutters Wegg, with his back turned as he rose from his chair. ‘St! Hush! The talking-over stranger, Mr Venus.’
‘Is that any one I know?’ inquires the staring Secretary.
‘No, Mr Rokesmith. Friend of mine. Passing the evening with me.’
‘Oh! I beg his pardon. Mr Boffin wishes you to know that he does not expect you to stay at home any evening, on the chance of his coming. It has occurred to him that he may, without intending it, have been a tie upon you. In future, if he should come without notice, he will take his chance of finding you, and it will be all the same to him if he does not. I undertook to tell you on my way. That’s all.’
With that, and ‘Good night,’ the Secretary lowers the window, and disappears. They listen, and hear his footsteps go back to the gate, and hear the gate close after him.
‘And for that individual, Mr Venus,’ remarks Wegg, when he is fully gone, ‘I have been passed over! Let me ask you what you think of him?’
Apparently, Mr Venus does not know what to think of him, for he makes sundry efforts to reply, without delivering himself of any other articulate utterance than that he has ‘a singular look’.
‘A double look, you mean, sir,’ rejoins Wegg, playing bitterly upon the word. ‘That’shislook. Any amount of singular look for me, but not a double look! That’s an under-handed mind, sir.’
‘Do you say there’s something against him?’ Venus asks.