THE STONES OF OXFORD

Lost to the Church and deaf to me, this townYet wears the reverend garniture of peace.Set in a land of trade, like Gideon’s fleeceBedewed where all is dry; the Pope may frown;But, if this city is the shrine of youth,How shall the Preacher lord of virgin souls,When by glad streams and laughing lawns he strolls,How can he bless them not? Yet in sad sooth,When I would love those English gownsmen, sighsHeave my frail breast, and weakness dims mine eyes.These strangers heed me not—far off in FranceAre young men not so fair, and not so cold,My listeners. Were they here, their greeting glanceMight charm me to forget that I were old.

Some time ago I went into a grey quadrangle, filled[Pg 35]with gusty light and the crimson of creeper-leaves, tremulous or already in flight. A tall poplar, the favourite of the months from April to October, was pensively distributing its foliage upon the grass. There, the leaves became invisible, because of brilliant frost, and in a high attic I heard once again the laud or summons or complaint of bells. That was All Saints’; that, St. Mary’s; that, the Cathedral’s; and that was their blended after-tone, seeming to come from the sky. Each bell had its own character or mood, sometimes constant, sometimes changing with the weather of the night. One, for example, spoke out sullenly and ceased, as if to return to musing that had been painfully interrupted. Another bell seemed to take deep joy in its frequent melodious duty—like some girl seated alone in her bower at easy toil, now and then lifting her head, and with her embroidery upon her knee, chanting joys past and present and yet to come. Once again I felt the mysterious pleasure of being in an elevated Oxford chamber at night, among cloud and star,—so that I seemed to join in the inevitable motion of the planets,—and as I saw the sea of roofs and horned turrets and spires I knew that, although architecture is a dead language, here at least it speaks strongly and clearly, pompous as Latin, subtle as Greek. I used to envy the bell-ringers on days of ancient festival or recent victory, and cannot wonder that old Anthony à Wood should have noted the eight bells of Merton as he came home from antiquarian walks, and would often ring those same bells “for recreatio[Pg 36]n’s sake.” When their sound is dead it is sweet to enter that peacefullest and homeliest of churchyards, St. Peter’s in the East, overlooked by St. Edmund’s Hall and Queen’s College and the old city wall. There is a peace which only the thrush and blackbird break, and even their singing is at length merely the most easily distinguishable part of the great melody of the place. Most of the graves are so old or so forgotten that it is easy—and in Spring it is difficult not—to perceive a kind of dim reviving life among the stones, where, as in some old, quiet books, the names live again a purged and untroubled existence.

In Oxford nothing is the creation of one man or of one year. Every college and church and garden is the work of centuries of men and time. Many a stone reveals an octave of colour that is the composition of a long age. The founder of a college laid his plans; in part, perhaps he fixed them in stone. His successors continued the work, and without haste, without contempt of the future or ignorance of the past, helped the building to ascend unto complete beauty by means of its old and imperfect selves. The Benedictine Gloucester House of 1283 has grown by strange methods into the Worcester College of to-day. The Augustinian Priory site is now occupied by Wadham. St. Alban’s Hall is no more; but its lamp—“Stubbin’s moon”—is a light in a recess of Merton. Wolsey drew upon the bank of old foundations for the munificence which is still his renown. A chantry for the comfort of departed souls became a kind of scholarship.[Pg 38][Pg 37]

ST. EDMUND’S HALLThe picture shows the north wall of the Hall, pierced with windows looking on to the graveyard of St. Peter’s in the East.The confused mass of chimneys and dormer windows give a picturesque appearance to this side of the Hall.New College Gardens lie beyond the wall running across the picture.

ST. EDMUND’S HALL

The picture shows the north wall of the Hall, pierced with windows looking on to the graveyard of St. Peter’s in the East.

The confused mass of chimneys and dormer windows give a picturesque appearance to this side of the Hall.

New College Gardens lie beyond the wall running across the picture.

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Duke Humphrey’s library was the nest from which Bodley’s august collection overflowed; the very timber of the Bodleian was in part Merton’s gift. No city preserves the memory and signature of so many men. The past and the dead have here, as it were, a corporate life. They are an influence, an authority; they create and legislate to-day. Everything in the present might have been foretold, and in fact existed in some latent form, in the past, as Merlin was said to have foretold the migration of Oxford scholars from Cricklade,i.e.Greeklade. Therefore, in Oxford alone, as I walk, I seem to be in the living past. The oldest thing is not as in most places a curiosity. Since it is told of Oxford, the story is not lightly to be discredited, that Ludovicus Vives, who was sent as professor of rhetoric by Wolsey, was welcomed by a swarm of bees, and that they, “to signify the incomparable sweetness of his eloquence,” settled under the leads of his study at Corpus Christi College, and there for a hundred and thirty years continued, until they dispersed out of sorrow for the fallen Stuart family. When dawn arrives to the student, after a night among books, and the towers and spires seem to be just fresh from the acting of some stately drama; or at nightfall, when the bells ring as he comes, joyful and tired, home from the west,—then the city and all its component ages speak out, as if the past were but a fine memory, richly stored and ordered.

Once, answering the call of one of those bells that are to a scholar as a trumpet to a soldier, I found[Pg 42]myself at a service that had in it elements older than Oxford. I was surely at a Greek festival. The genial, flushed, slightly grotesque faces of the College fellows contrasted with the white children of the choir, very much as the swarthy faun with the young god in Titian’s “Bacchus and Ariadne.” The notes of the choristers and of the organ were moulded to finer results by the severe decorations of the carven stone around and above. When one sang alone, it was as it had been a dove floating to the windows and away, away. There were parts of the music so faint and so exquisitely blended that the twenty voices were but as the sound of a reverberating bell. A voice of baser metal read the lesson with a melancholy dignity that made the words at once pleasing and unintelligible. When the last surplice had floated past the exit, the worshippers looked a little pained and confused, as if doubting whether they had not assisted some beautiful rash heresy. Turning into High Street, I was rudely called back from a fantastic visit to Tempe, by the wind and rain of every day. The usual pageant of study and pleasure was passing up and down.

Here was a smiling gentleman, red as the opening morn, with black clothes, white tie,—one who scoffs at everything but gout. He notes in the fragrance of his favourite dishes omens of greater import than augurs used to read from sacrificial victims.

Here was a pale seraph, his eyes commercing with the sky. He has taken every possible prize. Nobody but his friends can think that he is uninteresting.[Pg 43]

Here was a little, plain-featured, gentle ascetic, one of the “last enchantments of the middle ages” that are to be seen still walking about Oxford. Five hundred years ago he might have ridden, “coy as a maid,” to Canterbury and told “the clerk of Oxford’s tale.” Now, the noises of the world are too much for him, and he murmurs among his trees—

How safe, methinks, and strong behindThese trees have I encamped my mind,Where beauty aiming at the heart,Bends in some tree its useless dart,And where the world no certain shotCan make, or me it toucheth not,But I on it securely play,And gall its horsemen all the day.Bind me, ye woodbines in your twines.Curl me about, ye gadding vines,And oh so close your circles lace,That I may never leave this place!

Here was a youth not much past seventeen. In his face thewelt schmerzcontends with the pride in his lastbon mot. He is a wide and subtle reader; he has contributed to the halfpenny press. He has materialised spirits and moved objects at a distance. In the world, there is little left for him except repose and weak tea.

Here was one that might be a monk and might equally well be St. Michael, with flashing eyes and high white forehead that catches a light from beyond the dawn and glows. He is a splendour among men as he walks in the crowd of high churchmen, low churchmen, broad churchmen, nonconformists, and men who on Sunday wear bowler hats.[Pg 44]

Here was a shy don, married to Calliope—a brilliant companion—one who shares a wisdom as deep and almost as witty as Montaigne’s, with a few fellows of colleges, and ever murmuring “Codex.”

Here was one, watched over alike by the Muses and the Graces; honey-tongued; athletic; who would rather spend a life in deciding between the Greek and Roman ideals than in ruling Parliament and being ruled by society. He strode like a Plantagenet. When he stood still he was a classical Hermes.

Here was a Blue “with shy but conscious look”; and there the best of all Vices.

Here was a youth, with gaudy tie, who believed that he was leading a bull-dog, but showed a wise acquiescence in the intricate canine etiquette. May his dog not cease before him.

Here was a martial creature, walking six miles an hour, pensively, in his master’s gown. His beard, always blown over his shoulder, has been an inspiration to generations of undergraduates, and, with his bellying gown, gives him a resemblance to Boreas or Notus.

Probably because the able novelist has not visited Oxford, men move about its streets more naïvely and with more expression in their faces than anywhere else in the world. There you may do anything but carry a walking-stick. (As I write, fashion has changed her mind, and walking-sticks of the more flippant kinds are commonly in use.) There are therefore more unmasked faces in half of Turl Street than in the whole of the Strand. Almost every one appears to have[Pg 45]a sense of part proprietorship in the city; walks as if he were in his own garden; has no fear lest he should be caught smiling to himself, or, as midnight approaches, even singing loudly to himself. A don will not hesitate to make the worst joke in a strong and cheerful voice in the bookseller’s shop, when it is full of clever freshmen.

Yonder they go, the worldly and the unworldly, the rich and poor, high and low, proving that Oxford is one of the most democratic places in Europe. The lax discipline that broadens the horizon of the inexpert stranger is probably neither unwise nor unpremeditated. It is certainly not inconsistent with the genius of a city whose very stones may be supposed to have acquired an educative faculty, and a sweet presence that is not to be put by. No fool ever went up without becoming at least a coxcomb before he came down. In no place are more influences brought to bear upon the mind, though it is emphatically a place where a man is expected to educate himself. A man is apt to feel on first entering Oxford, and still more on leaving it, that the beautiful city is unfortunate in having but mortal minds to teach. There is a keen and sometimes pathetic sense of a great music which one cannot wholly follow, a light unapprehended, a wisdom not realised. Yet much is to be guessed at or privily understood, when we behold St. Mary’s spire, marvellously attended, and crowned, when the night is one sapphire, by Cassiopeia. And the ghosts take shape—the cowled, mitred, mail-coated, sceptred company of founders,[Pg 46]benefactors, master-masons, scholars, philosophers, and the later soldiers, poets, statesmen, and wits, and finally some one, among the rich in influence of yesterday, who embodies for one or another of us the sweetness of the place.

For me, when the first splendour of the city in my imagination has somewhat grown dim, I see in the midst and on high, a room, little wider than the thickness of its walls, which were part stone, part books; for the books fitted naturally into the room, leaving spaces only for a bust of Plato, a portrait of Sir Thomas Browne, a decanter, and a window commanding sky and clouds and stars above an horizon of many towers. There, too, is a great fire; a dowager brown teapot; with a pair of slippers,—and to get into them was no whit less magical than into the seven-league boots. I see a chair also, where a man might sit, curled, with the largest folio and be hidden. I guess at the face of the man under the folio. He was a small, shrunken, elvish figure, with a smile like the first of June often budding in a face like the last of December. In rest, that face was grim as if carved in limestone; in expression, like waters in Spring. His curled, ebony hair had a singular freshness and hint of vitality that gave the lie to his frail form and husky voice. Cut in wood, the large nose and chin, peering forward, would have served well as the figure-head of a merry ship, and to me he seemed indeed to travel on such a ship towards a land that no other man desires. His talk was ever of men, fighting, ploughing, singing; and how fair women be;[Pg 48][Pg 47]

THE UNIVERSITY CHURCH OF ST. MARYThe podium and part of one of the Doric columns of the Canterbury Gate of Christ Church show at the extreme left of the picture.The lantern of the Radcliffe Library appears between the column and the picturesque house covered with greenery, above which rises the tower and spire of St. Mary’s, the University Church.Between this house and a lower building—St. Mary’s Hall—runs St. Mary’s Hall Lane, emerging into “the High” opposite the porch of St. Mary’s Church.The buildings on the extreme right of the picture are those belonging to Oriel College.

THE UNIVERSITY CHURCH OF ST. MARY

The podium and part of one of the Doric columns of the Canterbury Gate of Christ Church show at the extreme left of the picture.

The lantern of the Radcliffe Library appears between the column and the picturesque house covered with greenery, above which rises the tower and spire of St. Mary’s, the University Church.

Between this house and a lower building—St. Mary’s Hall—runs St. Mary’s Hall Lane, emerging into “the High” opposite the porch of St. Mary’s Church.

The buildings on the extreme right of the picture are those belonging to Oriel College.

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with jests and fancies that disenthroned all powers except fantasy and adventure and mirth. Out of doors, at Yarnton or Cumnor or Tew, he seemed near kinsman to the sun and the south wind, so that for a time we were one with them, with a sense of mystery and of pride. And, whether in or out of doors, he loved the night, because her hands were soft, and he found the shadowsinfernis hilares sine regibus, as in the world of Saturn. He would hail the morn as he saw her from a staircase window with “Sweet cousin” and such follies; and would go into the chapel on summer evenings without a candle to see prophet and apostle lit by the tender beam. He wrote, and never printed, much verse. When I look at it now, I wonder in what language it was conceived, and where the key is hidden, and by what shores and forests to-day, men speak or dream it. The verses seem to maturer eyes but as crude translations out of silence. Yet in the old days we called him sometimes the Last, sometimes the First, of the Bards, so nimble and radiant was his spirit. He seemed one that might have writtenTamerlanein his youth, after a pot of sack with Shakespeare at the “Crown” in Cornmarket Street. I know not whether to call him immemorially old or young. He had touches of the golden age, and as it were a tradition from the singer who was in that ship which

First through the Euxine seas bore all the flower of Greece.

Unlike other clever people in Oxford he was brilliant[Pg 52]in early morning; would rise and talk and write at dawn,—go a-maying,—sing hunting ditties amid the snow to the leaden east and the frozen starlings, by Marston or above Wytham and Eynsham. His laugh fell upon our ears like an echo from long-forgotten, Arcadian existences; it was in harmony with the songs of thrushes and the murmur of the Evenlode. Coming into his room we expected to see a harp at his side. But where are the voices that we heard and uttered?—

Are they exiled out of stony breasts,Never to make return?

Once more is the blackbird’s fluting a mystery save that it speaks of him, last of the Bards.

“Beautiful Mother,” he sang, to Oxford, “too old not to be sad, too austere to look sad and to mourn! Sometimes thou art young to my eyes because thy children are always young, and for a little while it was a journey to youth itself to visit thee. More often, not only art thou old and austere, but thy fresh and youthful children seem to have learned austerity and the ways of age, for love of thee, graciously apparelling their youth,—so that I have met old Lyly in Holywell, and Johnson at the Little Clarendon Street bookshop, and Newman by Iffley rose-window,—with their age taken away, by virtue of a mellower light upon thy lawns and a mellower shade under thy towers, than other cities. Or have I truly heard thee weep when the last revelry is quiet, and the scholar by his lamp sees thee as thou wast and wilt be, and the moonlight has her will with the spires and gardens?[Pg 54][Pg 53]

IFFLEY CHURCH FROM THE SOUTH-EASTThe massive Norman tower of the Church shows to the left of the picture, the chancel extending eastward to the right.A yew tree—perhaps of the same age as the Church—covers part of the building, serving to throw into relief the remains of a cross, the shaft and base of which are ancient.

IFFLEY CHURCH FROM THE SOUTH-EAST

The massive Norman tower of the Church shows to the left of the picture, the chancel extending eastward to the right.

A yew tree—perhaps of the same age as the Church—covers part of the building, serving to throw into relief the remains of a cross, the shaft and base of which are ancient.

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Oh, to the sad how pleasant thy age, to the joyous how admirable thy youth! Yet to the wise, perhaps, thou art neither young nor old, but eternal; and not so much beautiful as Beauty herself, masked as Cybele! And perhaps, oh sweet and wise and solemn mother, thou wilt not hear unkindly thy latest froward courtier, or at least will let him pass unnoticed, since one that speaks of thee,

“Cannot dispraise without a kind of praise.”

Or will it more delight thee to be praised in a tongue that is out of time, as thou seemest out of space and time?—

“Vive Midae gazis et Lydo ditior auroTroica et Euphratea super diademata felix,Quem non ambigui fasces, non mobile vulgus,Non leges, non castra tenent, qui pectore magnoSpemque metumque domas. Nos, vilia turba, caducisDeservire bonis semperque optare parati,Spargimur in casus. Celsa tu mentis ab arceDespicis errantes, humanaque gaudia rides.”[Pg 59][Pg 58]

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TOM TOWER, CHRIST CHURCH COLLEGEThe palisade enclosing the graveyard of St. Aldate’s Church is on the left; some of the buildings of Pembroke College appear to the right.The gateway in the centre of the picture is the west entrance to Christ Church from St. Aldate’s, and leads into the Fountain Quadrangle. The tower, to the level of the finial of the ogee-headed window, is of the date of Wolsey’s foundation; the remaining part was added by Sir Christopher Wren.

TOM TOWER, CHRIST CHURCH COLLEGE

The palisade enclosing the graveyard of St. Aldate’s Church is on the left; some of the buildings of Pembroke College appear to the right.

The gateway in the centre of the picture is the west entrance to Christ Church from St. Aldate’s, and leads into the Fountain Quadrangle. The tower, to the level of the finial of the ogee-headed window, is of the date of Wolsey’s foundation; the remaining part was added by Sir Christopher Wren.

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Quia lapis de pariete clamabit, et lignum,quod inter juncturas aedificiorum est, respondebit.

Standingat Carfax, and occasionally moving a step to one side or another, I see with my eyes, indeed, the west front of Christ Church, with Tom Tower; the borders of All Saints’ and St. Mary’s; and that grim tower of St. Michael’s; and the handsome curves of High Street and St. Aldate’s, which are part of the mere good fortune of Oxford: but, especially if a dawn light recall the first dim shining, or a sunset recall the grey and golden splendour of its maturity, I may also see the past of the University unrolled again. For at Carfax I am in sight of monuments on which is implied or recorded all its history. On the south, above Folly Bridge, is the gravelly reach that formed the eponymous ford; between that and Christ Church was the old south gate; and, through Wolsey’s gateway, lies the Cathedral, speaking of St. Frideswide, the misty, original founder,—King’s daughter, virgin, martyr, saint,—and, with its newly revealed Norman crypt, which perhaps[Pg 66]held the University chest in the beginning, representative of Oxford’s piety and generosity. On the east, in the High Street, University College and St. Mary’s and Brasenose speak clearly, although falsely, of King Alfred. There, by St. Peter’s in the East, was the old east gate; and in sight of these is Merton, the fount of the collegiate idea. On the north, in Cornmarket Street, St. Michael’s marks the place of the north gate, and while it is one of the oldest, is by far the oldest-looking place in Oxford, rising up always to our surprise, like a piece of substantial night left by the dark ages, yet clothed with green in June. On the west, the Castle tower, twin made with St. Michael’s by the first Norman lord of Oxford, lies by the old west gate; and the quiet, monstrous mound beyond recalls the days of King Alfred’s daughter’s supremacy in Mercia. At Carfax itself there is still a St. Martin’s church, a descendant of the one whose bells in the Middle Ages and again in the seventeenth century, called the city to arms against the University, but long ago deprived of its insolent height of tower, because the citizens pelted the scholars therefrom.

Moved by the presence of a city whose strange beauty was partly interpreted from these vigorous hieroglyphics, mediæval and later men, who had the advantage of living before history was invented, framed for it a divine or immensely ancient origin. Even kings, or such as quite certainly existed, were deemed unworthy to be the founders. We believe now that the first mention of Oxford was as an inconsiderable[Pg 68][Pg 67]

ST. GILES’S, LOOKING TOWARDS ST. MARY MAGDALEN (SOUTH)Some picturesque houses on the left lead to the entrance of St. John’s College, seen through the trees. Farther on appears the tower of the Church of St. Mary Magdalen in Cornmarket. The mass to the extreme right above the cab shelter is part of the west side of St. Giles’s and the houses surrounding the Taylor Institution and new Ashmolean Museum.The posts and rails in the foreground enclose a grassed space in front of St. Giles’s Church.The time is sunset in summer.

ST. GILES’S, LOOKING TOWARDS ST. MARY MAGDALEN (SOUTH)

Some picturesque houses on the left lead to the entrance of St. John’s College, seen through the trees. Farther on appears the tower of the Church of St. Mary Magdalen in Cornmarket. The mass to the extreme right above the cab shelter is part of the west side of St. Giles’s and the houses surrounding the Taylor Institution and new Ashmolean Museum.

The posts and rails in the foreground enclose a grassed space in front of St. Giles’s Church.

The time is sunset in summer.

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but progressive township in the reign of Edward the Elder, Alfred’s son: but those old lovers attributed to Alfred the restoration of a university that was in his time old and honoured; and some said that he endowed three doctors of grammar, arts, and theology, there; others, less precise than those who put the foundation of Cambridge at 4317B.C., discovered that Oxford was founded by the Trojans who (as used to be well known) came to Britain from their burning city. But to Oxford the Trojans brought certain Greek philosophers, and at that early date illustrated the universal hospitality and independence of nationality and language that were so characteristic, before the place became a Stuart park. And as the Athenians had in their city and its attendant landscape all those natural beauties and utilities which make possible a peerless academy, so also had the Britons, says Anthony à Wood, herein agreeing with Polydore Vergil, “when by a remnant of the Grecians, that came amongst them, they or their successors selected such a place in Britain to plant a school or schools therein, which for its pleasant situation was afterwards calledBellositumorBellosite, now Oxford.” Among these generous suppositions or dreams was the story that Apollo, at the downfall of the Olympians, flying now to Rome and now to Athens, found at last something congenial in the brown oak woods and silver waters of Oxford, and a bride in the puissant nymph of Isis; on which favoured site, as was fitting, there afterwards arose a place, with the learning and architectural beauty of Athens, the divine[Pg 72]inspiration of Delphi, and the natural loveliness of Delos....

There is, said Anthony à Wood, “an old tradition that goeth from father to son of our inhabitants, which much derogateth from the antiquity of this city—and that is: When Frideswyde had bin soe long absent from hence, she came from Binsey (triumphing with her virginity) into the city mounted on a milk-white ox betokening innocency; and as she rode along the streets, she would forsooth be still speaking to her ox, ‘Ox forth,’ ‘Ox forth’ or (as ’tis related) ‘bos perge’ (that is, ‘ox goe on,’ or ‘ox (goe on) forth’)—and hence they indiscreetly say that our city was from thence called Oxforth or Oxford.”

But there has never been composed a quite appropriately magnificent legend that could be received by the faithful as the canonical fiction for Oxford, as theAeneidis for Rome; and now there can never be.

There is, however, still a pleasant haze (that might encourage a poet or a herald) suspended over the early history of Oxford. It is unlikely that the place was of importance in Roman times; later, its position on a river and a boundary brought it many sufferings at the hands of Dane and Saxon. But no one need fear to believe that, early in the eighth century, Didan, an under king, and his daughter Frideswide established there a nunnery and built a church of stone, now perhaps mingled with the later masonry. It was rebuilt by Ethelred in the eleventh century with a quite exceptional fineness in the Saxon workmanship; and was girdled by the churches[Pg 74][Pg 73]

CHRIST CHURCH—INTERIOR OF LATIN CHAPELThe Shrine of St. Frideswide appears in the middle of the picture, standing in one of the eastern bays of the north wall of the choir. The north side of the Shrine is seen, together with the ancient wooden watching-chamber above.A tomb shows between the column and the seventeenth-century reading-desk at the right of the picture, also a glimpse of the choir.The carved oak stall front immediately under the Shrine is probably of the time of Wolsey, and part of the furniture of his choir.To the left is the east window of the Chapel—filled with stained glass representing scenes in the life of St. Frideswide, designed by Sir Edward Burne-Jones, Bart., and executed by Mr. William Morris.The two figures represent a visitor to the shrine of the saint and a verger.

CHRIST CHURCH—INTERIOR OF LATIN CHAPEL

The Shrine of St. Frideswide appears in the middle of the picture, standing in one of the eastern bays of the north wall of the choir. The north side of the Shrine is seen, together with the ancient wooden watching-chamber above.

A tomb shows between the column and the seventeenth-century reading-desk at the right of the picture, also a glimpse of the choir.

The carved oak stall front immediately under the Shrine is probably of the time of Wolsey, and part of the furniture of his choir.

To the left is the east window of the Chapel—filled with stained glass representing scenes in the life of St. Frideswide, designed by Sir Edward Burne-Jones, Bart., and executed by Mr. William Morris.

The two figures represent a visitor to the shrine of the saint and a verger.

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of St. Martin, St. George, St. Mary Magdalen, St. Mary the Virgin, St. Ebbe, St. Michael, and St. Peter in the East; and the last two, to one who had stood at Carfax in 1100, would still be recognised, if he visited the shadowed doorway and stern crypt of the one, and the tower of the other, though he might look in vain for what he knew in “The Seven Deadly Sins lane” and elsewhere.

Whatever learning then flourished in the city is now to be found in its architecture, in Prior Philip’s book on the miracles of St. Frideswide, and in the inestimable atmosphere of the place. We can guess that there was much that is worthy to be known, from the eloquent monkish figures of the corbels in Christ Church chapter-house; and can wistfully think of the wisdom that was uttered in Beaumont, the royal palace and learned resort, whose gardens lay at Broken Hays and near Worcester College; and in Osney Abbey, whose bells—Hautclere, Douce, Clement, Austin, Marie, Gabriel et John—made music that was known to the Eynsham abbot on May evenings, when it was a rich, calm retreat, and not as now, a shadowy outline and a sorrowful heap of stones beyond the railway station. More than the ghost of the abbey survives in the sketch of its ruined but still noble walls, in the background of that picture of its last abbot, in a window of the south choir aisle at Christ Church.

Before the Conquest Oxford had been visited by parliaments and kings; it now began to be honoured by learning and art.Olim truncus eram....[Pg 78]maluit esse deum.It had often been violated or burned; in Doomsday Book it appears as a half desolate city, despite the churches; but it had already begun, though again checked by fire that flew among the wooden houses with such ghastly ease, to assume the proportions and the grace which were fostered by William of Wykeham and a hundred of the great unknown, and in the last few years by Aldrich and Wren and Jones,—crowned by the munificence of Radcliffe,—illuminated with green and white and gold and purple by the unremembered and by Reynolds, Morris, and Burne-Jones. The Saxon work at St. Frideswide’s was superseded or veiled by the Norman architects; the fine old pillars were in part altered or replaced; and the relics of the Saint herself were transferred ceremoniously and “with all the sweet odours and spices imaginable,” to a more imposing place of rest. Upon the base of the old fortifications probably now rose the bastions of the mediæval city wall, once so formidable but now defensive only against time, and unable any longer to make history, but only poetry, as they stand peacefully and muffled with herbage in New College Gardens, or at Merton or Pembroke, or by the churchyard of St. Peter’s in the East.

The history of that age in Oxford is indistinct, and recorded events therein have a suddenness, for modern readers, which is vivid and fascinating, but to the historian at least, painful and false. And so the birth of the University, in the midst of darkness and noise, is to us to-day a melodious sudden cry. It is as if a voice,[Pg 80][Pg 79]

ST. PETER’S-IN-THE-EASTTo the extreme right of the picture, through a huge buttress on the south side of the chancel, is pierced the doorway to the twelfth-century crypt, extending some 36 feet under the chancel of the Church.To the west of this buttress, in the angle formed by another buttress, appear the remains of a Norman arcading, broken through for the insertion of the early fifteenth-century window. The windows of the nave showing in the picture are also of this date, as is the south porch.It will be noted that this porch has a room over it—probably the lodgings of a priest. Across the graveyard and Queen’s Lane to the west are the buildings of Queen’s College; to the immediate left of the yew tree in the centre of the picture shows the east end of the Chapel; more to the north the dome of the campanile appears.To the extreme left of the graveyard shows a portion of the ivy-covered north wall of St. Edmund’s Hall (see other picture).

ST. PETER’S-IN-THE-EAST

To the extreme right of the picture, through a huge buttress on the south side of the chancel, is pierced the doorway to the twelfth-century crypt, extending some 36 feet under the chancel of the Church.

To the west of this buttress, in the angle formed by another buttress, appear the remains of a Norman arcading, broken through for the insertion of the early fifteenth-century window. The windows of the nave showing in the picture are also of this date, as is the south porch.

It will be noted that this porch has a room over it—probably the lodgings of a priest. Across the graveyard and Queen’s Lane to the west are the buildings of Queen’s College; to the immediate left of the yew tree in the centre of the picture shows the east end of the Chapel; more to the north the dome of the campanile appears.

To the extreme left of the graveyard shows a portion of the ivy-covered north wall of St. Edmund’s Hall (see other picture).

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unexpectedly arose, calling—and the words are said to have been used by two poor Irish students in an ignorant and worldly land—“Here is wisdom for sale! Come, buy!” We know that famous lecturers from the continental universities came; but not with what eloquence and applause they spoke. It may confidently be surmised that there was something sweet to learned minds in the air or tradition of the place. The walls are fallen or forgotten that heard the prelusive lectures of Pullein and Vacarius; and the brilliant Franciscan house in St. Benedict’s is chiefly known by its influence in the founding of Balliol, and by the greatest schoolmen, its alumni. But if we go to the grey domestic little lodgings, with “arms and rebusses that are depicted and cut in stone over each door,” vestiges of a Benedictine scholastic house, at Worcester College, we may fancifully pierce beyond John Giffard’s foundation and the preceding Carmelites, to the earliest lovers of learning who loved Oxford too. At St. Mary’s the work of the fancy is easier and more sure. There the University books, and there a money chest, reposed. There were the highest deliberations and ceremonies. There a man was graduated, and from its porch he passed out a clerk of Oxford.

If the University was early associated with a place of holiness and beauty, still more firmly was it rooted in a becoming poverty. It had neither a roof nor a certain purse. For years it had not a name. The University was in fact but a spirit of wisdom and grace; men had heard of it and sought it; and where one or two were[Pg 84]gathered together to take advantage of it, there was her school and her only endowment. Now and then to such a group came in a legacy of books or gold. But that was a crop for which no one sowed, and before it was possible, it had been rumoured that there was something in Oxford not visible, yet very present and necessary; and scholars came with as great zeal as was ever cherished by reports of gold. They brought what in their devotion they came to seek. Thus Gerald of Wales came, and for three days read aloud his glorious book to large audiences. Every day was marked by sumptuous and generous feasts. It was, indeed, “a costly and noble act,” as he says himself, “for the authentic and ancient times of the poets were thus in some measure renewed.” Carmelites, Dominicans, and Franciscans, and vivid men from the University of Paris, came to teach. Even then, the University quarrelled with the town over the price of victuals and rooms, and invaded the extortionate Jew. There, about the streets, walked the magnificent Franciscans, Roger Bacon and Grosseteste, and the pure and gracious and learned St. Thomas Cantelupe.

Early in the nineteenth century there was a Chancellor set over the scholars by the Bishop of Lincoln, in whose diocese Oxford lay. Very soon the Chancellor was elected by the University; and the Masters in congregation could legislate, and sometimes did, although questions were often effectually decided by a popular vote among the students,—who also themselves chose by vote the heads of their hostels or halls. For there[Pg 85]were, at an early date, houses already associated with learning, and governed either by a common landlord or by a scholar of some standing and age. There a man might read, and comfort himself according to his means, and finally at night stamp up and down a passage, to warm his feet, before going to sleep in a crowded bed-chamber. On any day there was a chance that some splendid man, coming a little in the rear of his fame, would arrive in Oxford, and lecture or read a book. Should kings, or priests, or rude citizens interfere, the scholar could rusticate voluntarily—as he sometimes did—at Stamford, or Reading, or Maidstone, or Cambridge, and there, as best he might, by study and self-denial, as by a sacrament, recreate the University. The City, and until our own time the Crown, had to pay in round sums for such an insult as the hanging of several scholars; the money lined the bottom of St. Frideswide’s chest. A man with no possessions but the leaf of a manuscript, or a dagger, or a cloak, left it with the keepers of the chest as security for a loan, whether he were Welsh, or Hungarian, or Italian, or French.

An Englishman, William of Durham, who had enjoyed the University hospitality at Paris, first kindled the flame which was to be kept burning by so many afterwards, as afocus perennisfor the homeless student. He left Paris after a town-and-gown quarrel, along with many French students, whom Henry III. welcomed to Oxford in 1229. William went to Rome, before returning to England, and remembered Oxford when he lay dying at Rouen—perchance reminded there of the city[Pg 86]which until fifty years ago was equal with it in ancient beauty, and has been clouded in the same way. He left in his will a sum of money to the University. It was employed in making more steadfast abodes for Oxford students; at a house, for example, that stood on the site of the bookseller’s shop opposite University College lodge. This act is counted the foundation of University College, with its original four masters, who shall be thought “most fit to advance or profit in the Holy Church and who have not to live handsomely without it in the state of Masters of Arts.”

There had previously been similar Halls, and many were afterwards founded,—Hawk Hall, Perilous Hall, Elm Hall, Winton Hall, Beef Hall, Greek Hall, Segrim Hall; in fact so large a number that half the Oxford inns are or were perversions of the old Halls; and even tradesmen who are not innkeepers now make their rich accounts among the ghosts of forgotten principals. These had not in them the necessary statutes and “great bases for eternity” which a college deserves. But henceforward there were some fortunate students who might indeed have to sing or make Latin verses in order to earn a bed, or a crust and a pot of ale, while making their way to or from Oxford; but, once there, they were sure of such a home as no other place, unless, perhaps, the place of their nativity, could give.

“It is all,” says Newman, speaking of a college, “and does all that is implied in the name of home. Youths, who have left the maternal roof, and travelled some hundred miles for the acquisition of knowledge, find an[Pg 88][Pg 87]

UNIVERSITY COLLEGE—PRIVATE GARDEN OF THE MASTERThe building to the left is the east end of the College Chapel, the entrance tower being seen over the dividing wall almost in the centre of the picture.A bay window to the extreme right of the picture, looking over the garden, is part of the Master’s Lodging.

UNIVERSITY COLLEGE—PRIVATE GARDEN OF THE MASTER

The building to the left is the east end of the College Chapel, the entrance tower being seen over the dividing wall almost in the centre of the picture.

A bay window to the extreme right of the picture, looking over the garden, is part of the Master’s Lodging.

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altera Trojaandsimulata Pergamaat the end of their journey and their place of temporary sojourn. Home is for the youth, who knows nothing of the world, and who would be forlorn and sad, if thrown upon it. It is the refuge of helpless boyhood, which would be famished and pine away if it were not maintained by others. It is the providential shelter of the weak and inexperienced who have still to learn how to cope with the temptations which lie outside of it. It is the place of training for those who are not only ignorant, but have not yet learned how to learn, and who have to be taught, by careful individual trial, how to set about profiting by the lessons of a teacher. And it is the school of elementary studies, not of advanced; for such studies alone can boys at best apprehend and master. Moreover, it is the shrine of our best affections, the bosom of our fondest recollections, a spell upon our after life, a stay for world-weary mind and soul, wherever we are cast, till the end comes. Such are the attributes or offices of home, and like to these in one or other sense and measure, are the attributes and offices of a College in a University.”

In the unconscious preparation for such a place William of Durham was the first to leave money; the founders of Balliol the first to gather a number of scholars under one roof, with a corporate life, and as we may assume, a set of customary, unwritten laws; but Walter de Merton was the first to endow and provide with tenements and statutes a college, in all important respects, like a college of to-day,—a place even at that time standing in a genial avuncular relationship towards[Pg 92]the students, which was rich in influence and the making of endearing tradition. Perhaps the Merton treasury, still conspicuous for its steep roof and burliness, was part of the founder’s gift; and no building could have been a fitter nest of an idea which was for so long to make little of time. The Hall retains some features of the same date. Almost at once the chapel began to rise, and its light was coloured by the topmost glass just as it is to-day. In fact, Merton with its older little sister foundation of St. Alban Hall was, until theannus mirabilisof Mr. Butterfield, in itself a symbol of the origin and growth of Oxford as a collegiate university and as a place of beauty.

The royal Dervorguilla was the godmother of the kindly college life of to-day. She was the wife of the founder of Balliol, and was often in Oxford, with her honoured Franciscan, Richard of Slikeburne, to look after her sixteen scholars at Old Balliol Hall, in Horsemonger Street, now Broad Street. Close by, at the Church of St. Mary Magdalen, she devised an oratory for the Balliol men. They chose their own Principal, who presided at disputations and meals. They had breakfast and supper together, and the more comfortable of them paid anything in excess of their allowance which the expenses of the common table might demand. One poor scholar lived on the crumbs. Thus were men less often compelled to borrow from the Jews at 60 per cent on the security of their books.

While Balliol was so progressing, and University College had its statutes, and Merton already had its Hall,[Pg 94][Pg 93]

MERTON COLLEGE AND ST. ALBAN’S HALLThe entrance Quadrangle of the College is shown in the picture, to the right of which is the Warden’s residence.The building farther to the right is the Library, the steps of which show in the immediate foreground.St. Alban’s Hall, recently attached to Merton College, appears over the north-east corner of the Quadrangle.

MERTON COLLEGE AND ST. ALBAN’S HALL

The entrance Quadrangle of the College is shown in the picture, to the right of which is the Warden’s residence.

The building farther to the right is the Library, the steps of which show in the immediate foreground.

St. Alban’s Hall, recently attached to Merton College, appears over the north-east corner of the Quadrangle.

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the spire of the church of St. Mary the Virgin first rose against the sky. Then also the ashes of St. Frideswide were promoted to a new and more precious place of rest. The sculptor at work upon the shrine had evidently at his side the leaves of maple and crowfoot and columbine, ivy and sycamore and oak, hawthorn and bryony, from the neighbouring woods, where the saint had lain in hiding or ministered to the calamities of the poor; and perhaps the season was late autumn, for among the oak leaves are acorns, and some of the cups are empty. All these things he carved on the base of the shrine.

It was of this period that the story was told that two barefooted, hungry travellers from the west were approaching Oxford, and had come in sight of it near Cumnor, when they found a beautiful woman seated by the wayside. So beautiful was she that they knelt at her feet, “being simple men.”Salve Regina!they cried. Then, she bending forward and speaking, they were first surprised that she should speak to them; and next ventured to speak to her, and ask her name. Whereat she “raised her small golden head so that in the sun her hair seemed to flow and flow continually down,” and looked towards Oxford. There two spires and two towers could just be seen betwixt the oak trees. “My name,” she said, “is known to all men save you. It is Pulchritudo. And that,” as she pointed to the shining stones of the city, “is my home.” Those two were silent, between amazement and joy, until one said “It is our Lady!” and the other “Lo! it is Venus, and[Pg 98]she sits upon many waters yonder.” Hardly had they resumed their ordinary pace when they found an old man, seated by the wayside, very white and yet “very pleasant and alluring to behold.” So to him also the simple wayfarers knelt down. Then that old man bent forward and spoke to them with golden words, and only the one who had called the beautiful woman “Venus” dared to speak. He it was that questioned the old man about the woman and about himself. “My name is Sapientia,” he said, and “that is my home,” he continued, and looked towards Oxford, where two spires and two towers could just be seen betwixt the oak trees. “And,” he concluded solemnly, “that woman is my mother and she grows not old.” The men went their way, one saying, “It is a place of lies”; the other saying, “It is wonderful”; and when they looked back the old man and the beautiful woman had vanished. In the city they were often seen, but the two strangers could not speak with them, “for they were greatest in the city of Oxford. Some said that he was an Austin friar and she a light woman; but they are not to be believed.” And when they had dwelt in Oxford a short time and had seen “what store of pious and learned and illuminated books were in the Halls, and what costly and fine things in its churches and Convents,” the one said, “I believe that what Sapientia and Pulchritudo said was the truth”; and the other said, “Truly, the city is worthy of them both”; wherefore they dwelt there until their deaths, and found it “the most loving and lovely city” in Christendom.[Pg 100][Pg 99]

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