N. B. ALitreis nearly equal to 2-7/8 Pints, English Wine Measure.
Footnote 1: Since dead. The former is replaced by DELAMBRE. CHABERT and PRONY are elected supernumerary members, and LEFRANÇAIS LALANDE, BOUVARD, and BURCKHARDT, appointed assistant astronomers.Return to text
Footnote 2: The Prize has been awarded to M. BURG, an astronomer at Vienna.Return to text
Paris, February 14, 1802.
After speaking of theBoard of Longitudeand theNational Observatory, I must not omit to say a few words of an establishment much wanted in England. I mean the
DÉPÔT DE LA MARINE.
This general repository of maps, charts, plans, journals, and archives of the Navy and the Colonies, is under the direction of a flag-officer. It is situated in theRue de la Place Vendôme; but the archives are still kept in an office at Versailles. To thisDépôtare attached the Hydrographer and Astronomer of the Navy, both members of the National Institute and of the Board of Longitude, and also a number of engineers and draughtsmen proportioned to the works which the government orders to be executed.
The title of thisDépôtsufficiently indicates what it contains. To it has been lately added a library, composed of all the works relative to navigation, hydrography, naval architecture, and to the navy in general, as well as of all the voyages published in the different dead or living languages. The collection of maps, charts, plans, &c. belonging to it, is composed of originals in manuscript, ancient and modern, of French or foreign sea-charts, published at different times, and of maps of the possessions beyond the seas belonging to the maritime states of Europe and to the United-States of America.
All the commanders of vessels belonging to the State are bound, on their return to port, to address to the Minister of the Naval Department, in order to be deposited in the archives, the journals of their voyage, and the astronomical or other observations which they have been enabled to make, and the charts and plans which they have had an opportunity of constructing.
One of the apartments of theDépôtcontains models of ships of war and other vessels, the series of which shews the progress of naval architecture for two centuries past, and the models of the different machines employed in the ports for the various operations relative to building, equipping, repairing, and keeping in order ships and vessels of war.
TheDépôt de la Marinepublishes new sea-charts in proportion as new observations or discoveries indicate the necessity of suppressing or rectifying the old ones.
When the service requires it, the engineers belonging to theDépôtare detached to verify parts of the coasts of the French territory in Europe, or in any other part of the world, where experience has proved that time has introduced changes with which it is important to be acquainted, or to rectify the charts of other parts that had not yet been surveyed with the degree of exactness of which the methods now known and practised have rendered such works susceptible.
In the French navy, commanders of ships and vessels are supplied with useful charts and atlases of every description, at the expense of the nation. These are delivered into their care previously to the ship leaving port. When a captain is superseded in his command, he transfers them to his successor; and when the ship is put out of commission, they are returned to the proper office. Why does not the British government follow an example so justly deserving of imitation?
Paris, February 15, 1802.
After the beautiful theatre of the oldComédie Française, under its new title ofl'Odéon, became a prey to flames, as I have before mentioned, the comedians belonging it were dispersed on all sides. At length, PICARD assembled a part of them in a house, built at the beginning of the revolution, which, from the name of the street where it is situated, is called the
THÉÂTRE LOUVOIS.
No colonnade, no exterior decoration announces it as a place of public amusement, and any one might pass it at noon-day without suspecting the circumstance, but for the prices of admission being painted in large characters over the apertures in the wall, where the public deposit their money.
This house, which is of a circular form, is divided, into four tiers of boxes. The ornaments in front of them, not being in glaring colours, give, by their pale tint, a striking brilliancy to the dress of the women.
PICARD, the manager of this theatre, is the MOLIÈRE of his company; that is, he is at once author and actor, and, in both lines, indefatigable. Undoubtedly, the most striking, and, some say, the only resemblance he bears to the mirror of French comedy, is to be compelled to bring on the stage pieces in so unfinished a state as to be little more than sketches, or, in other words, he is forced to write in order to subsist his company. Thus then, the stock-pieces of this theatre are all of them of his own composition. The greater part areimbrogliosbordering on farce. Thevis comicato be found in them is not easily understood by foreigners, since it chiefly consists in allusions to local circumstances and sayings of the day. However, they sometimes produce laughter in a surprising degree, but more frequently make those laugh who never blush to laugh at any thing.
The most lively of his pieces areLe Collatéralandla Petite Ville. In the course of last month, he produced one under the name ofLa Grande Ville, ou les Provinciaux à Paris, which occasioned a violent uproar. The characters of this pseudo-comedy are swindlers or fools; and the spectators insisted that the portraits were either too exact a copy of the originals, or not at all like them.By means of much insolence, by means of the guard which was incautiously introduced into the pit, and which put to flight the majority of the audience, and, lastly, by means of several alterations, PICARD contrived to get his piece endured. But this triumph may probably be the signal of his ruin,[1] as the favour of the Parisian public, once lost, is never to be regained.
This histrionic author and manager has written some pieces of a serious cast. The principal are,Médiocre et Rampant, andL'Entrée dans le Monde. As inLa Grande Ville, the characters in these are also cheats or fools. Consequently, it was not difficult to conduct the plot, it would have been much more so to render it interesting. These two comedies are written in verse which might almost pass for prose.
TheThéâtre Louvoisis open to all young authors who have the ambition to write for the stage, before they have well stored their mind with the requisites. Novelties here succeed each other with astonishing rapidity. Hence, whatever success PICARD may have met with as an author, he has not been without competitors for his laurels. Out of no less than one hundred and sixty-seven pieces presented for rehearsal and read at this house, one hundred and sixty-five are said to have been refused. Of the two accepted, the one, though written forty years ago, was brought out as a new piece, and damned. However, the ill success of a piece represented here is not remarked; the fall not being great.
The friends of this theatre call itLa petite Maison de Thalie. They take the part for the whole. It is, in fact, no more than her anti-chamber. As for the drawing-room of the goddess, it is no longer to be found any where in Paris.
The performers who compose PICARD'S company do no injustice to his pieces. It is affirmed that this company has what is called, on the French stage,de l'ensemble. With few exceptions, there is anensemble, as it is very indifferent. For such an interpretation to be correct, it would be necessary for all the comedians of theThéâtre Louvoisto have great talents, and none can be quoted.
PICARD, though not unfrequently applauded, is but a sorry actor. His cast of parts is that of valets and comic characters.
DEVIGNY performs the parts of noble fathers and foolish ones, here termeddindons, and grooms, called by the Frenchjockeis. The remark, that he who plays every thing plays nothing, has not been unaptly applied to him. He has a defect of pronunciation which shocks even the ear of a foreigner.
DORSAN is naturally cold and stiff, and when he endeavours to repair the former of these defects, the weakness of his powers betrays him. If he speaks correctly, it is withoutfinesse, and he never adds by expression to the thought of the author.
CLOZEL is a very handsome young man. He performs the characters ofpetits-maîtresand those of valets, which he confounds incessantly. The other actors of theThéâtre Louvoisexempt me from naming them.
As for the actresses at this theatre, those only worthy to be mentioned are, Mademoiselle ADELINE, who has a rather pretty face, and plays not ill innocent parts; Mademoiselle BEFFROI, who is handsome, especially in male attire; and Mademoiselle MOLIÈRE, who is a very goodsoubrette. Mademoiselle LESCOT, tired of obtaining applause at theThéâtre du Vaudeville, wished to do the same on a larger theatre. Here, she has not even the consolation of saying
"Tel brille au second rang, qui s'éclipse au premier."
Madame MOLÉ, who is enormous in bulk, is a coarse caricature, whether she performs the parts of noble mothers, or what the French callcaractères, that is, singular characters.
Theci-devant Comédie Italiennein Paris partly owed its prosperity to theVaudeville, which might be considered as the parent of theOpéra-Comique. They were united, when thedramebeing introduced with songs, had like to have annihilated them both. TheVaudevillewas sacrificed and banished. Several years elapsed before it reappeared. This offspring of French gaiety was thought to be lost for ever; but a few authors had prepared for it an asylum under the name of
THÉÂTRE DU VAUDEVILLE.
This little theatre is situated in theRue de Chartres, which faces the principal entrance of thePalais du Tribunat. The interior is of a circular form, and divided into four tiers of boxes. In general, the decorations are not of the first class, but in the dresses the strictest propriety is observed.
The pieces performed at theVaudevilleare little comedies of the sentimental cast, a very extensive collection of portraits of French authors and of a few foreigners,[2] some pastoral pieces, parodies closely bordering on the last new piece represented at one of the principal theatres, charmingharlequinades, together with a few pieces, in some of which parade and show are introduced; in others, scenes of low life and vulgarity; but the latter species is now almost abandoned.
These pieces are almost always composed in conjunction. It is by no means uncommon to see in the play-bills the names of five or six authors to a piece, in which the public applaud, perhaps, no more than three verses of a song. This association of names, however, has the advantage of saving many of them from ridicule.
The authors who chiefly devote themselves to the species of composition from which this theatre derives its name, are BARRÉ, RADET, and DESFONTAINES, who may be considered as its founders. BOURGEUIL, DESCHAMPS, DESPREZ, and the two SÉGURS, also contribute to the success of theVaudeville, together with CHAZET, JOUY, LONGCHAMPS, and some others.
In the exercise of their talents, these writers suffer no striking adventure, no interesting anecdote to escape their satirical humour; but aim the shafts of ridicule at every subject likely to afford amusement. It may therefore be conceived that this house is much frequented. No people on earth can be more fickle than the French in general, and the Parisians in particular, in the choice of their diversions. Like children, they are soon tired of the same toy, and novelty is for them the greatest attraction. Hence, theVaudeville, as has been seen, presents a great variety of pieces. In general, these are by no means remarkable for the just conception of their plan. The circumstance of the moment adroitly seized, and related in some well-turned stanzas, interspersed with dialogue, is sufficient to insure the success of a new piece, especially if adapted to the abilities of the respective performers.
Among them, HENRY would shine in the parts of lovers, were he less of amannerist.
JULIEN may be quoted as an excellent imitator of the beaux of the day.
VERTPRÉ excels in personating a striking character.
CARPENTIER is no bad representative of a simpleton.
CHAPELLE displays much comic talent and warmth in the character of dotards, who talk themselves out of their reason.
LAPORTE, as a speaking Harlequin, has no equal in Paris.
So much for the men: I shall now speak of the women deserving of notice.
Madame HENRY, in the parts of lovers, is to be preferred for her fine eyes, engaging countenance, elegant shape, and clear voice.
Mesdemoiselles COLOMBE and LAPORTE, who follow her in the same line of acting, are both young, and capable of improvement.
Mademoiselle DESMARES is far from being pretty; neither is she much of an actress, but she treads the stage well, and sings not amiss.
Mademoiselle BLOSSEVILLE plays chambermaids and characters of parody with tolerable success.
Mademoiselle DELILLE, however, who performs caricatures and characters where frequent disguises are assumed, is a still greater favourite with the public. So much has been said of the glibness of a female tongue that many of the comparisons made on the subject are become proverbial; but nothing that I ever heard in that way can be compared to the volubility of utterance of Mademoiselle DELILLE, except the clearness of her articulation. A quick and attentive ear may catch every syllable as distinctly as if she spoke with the utmost gravity and slowness. The piece in which she exhibits this talent to great advantage, and under a rapid succession of disguises, is calledFrosine ou la dernière venue.
Mademoiselle FLEURY makes an intelligent Columbine, not unworthy of LAPORTE.
Madame DUCHAUME represents not ill characters of duennas, country-women, &c.
Nothing can be said of the voice of the different performers of this theatre, on which acccount, perhaps, the orchestra is rather feeble; but still it might be better composed.
During my present visit to Paris, theVaudeville, as it is commonly called, has, I think, insensibly declined. It has, however, been said that its destiny seems insured by the character of the French, and that being the first theatre to bend to the caprices of the day, it can never be out of fashion. Certainly, if satire be a good foundation, it ought to be the most substantial dramatic establishment in Paris. It rests on public malignity, which is its main support. Hence, one might conclude that it will last as long as there is evil doing or evil saying, an absurdity to catch at, an author to parody, a tale of scandal to relate, a rogue to abuse, and, in short, as long as the chapter of accidents shall endure. At this rate, theVaudevillemust stand to all eternity.
Whatever may be its defects, it unquestionably exemplifies the character of the nation, so faithfully pourtrayed by Beaumarchais, in the following lines of thevaudevillewhich concludes theMariage de Figaro:
"Si l'on opprime, il peste, il crie,Il s'agite en cent façons,Tout finit par des chansons." bis.
Footnote 1: TheThéâtre Louvoisis rapidly on the decline.Return to text
Footnote 2: These are pieces the hero of which is a celebrated personage, such as RABELAIS, SCARRON, VOLTAIRE, ROUSSEAU, MALESHERBES, FREDERIC, king of Prussia, &c. &c.Return to text
Paris, February 17, 1802.
After having traversed thePont Neuf, from the north side of the Seine, you cannot avoid noticing a handsome building to the right, situated on theQuai de Conti, facing the river. This is the Mint, or
HÔTEL DE LA MONNAIE.
The construction of this edifice was suggested by M. LAVERDY, Minister of State, and executed under the direction of M. ANTOINE, architect. I do not recollect any building of the kind in Europe that can be compared to it, since it far surpasses theZeccaat Venice.
The Abbé Terray (whose name will not be readily forgotten by the State-annuitants of his time, and for whom Voltaire, as one, said that he preserved his only tooth) when Comptroller-general of the Finances, laid the first stone of theHôtél de la Monnaie, in April 1771.
An avant-corps, decorated with six Ionic pillars, and supported by two wings, from the division of the façade, which is three hundred and thirty-six feet in breadth by eighty-four in elevation. It is distributed into two stories above the ground-floor. Perpendicularly to the six pillars, rise six statues, representing Peace, Commerce, Prudence, Law, Strength, and Plenty.
In this avant-corps are three arches, the centre one of which is the principal entrance of the building. The vestibule is decorated with twenty-four fluted Doric pillars, and on the right hand, is a stair-case, leading to the apartments intended for the use of the officers belonging to the Mint, and in which they hold their meetings. This stair-case is lighted by a dome supported by sixteen fluted pillars of the Ionic order.
The whole building contains six courts: the principal court is one hundred and ten feet in depth by ninety-two in breadth. All round it are covered galleries, terminated by a circular wall alternately pierced with arches and gates.
The entrance of the hall for the money-presses is ornamented by four Doric pillars. This hall is sixty-two feet long by about forty broad, and contains nine money-presses. Above it is the hall of the sizers or persons who prepare the blank pieces for stamping. Next come the flatting-mills. Here, in a word, are all the apartments necessary for the different operations, and aptly arranged for the labours of coinage.
In the principal apartment of the avant-corps of theHôtel de la Monnaie, towards theQuai de Conti, is the cabinet known in Paris by the name of the
MUSÉE DES MINES.
This cabinet or Museum was formed in 1778 by M. SAGE, who had then spent eighteen years in collecting minerals. When he began to employ himself on that science forty-five years ago, there existed in this country no collection which could facilitate the study of mineralogy. Docimacy vas scarcely known here by name. France was tributary to foreign countries thirty-seven millions of livres (circa£1,541,666 sterling) a year for the mineral and metallic substances which she drew from them, although she possesses them within herself. M. SAGE directed his studies and labours to the research and analysis of minerals. For twenty years he has deliveredgratispublic courses of chymistry and mineralogy. For the advancement of those sciences, he also availed himself of the favour he enjoyed with some persons at court and in the ministry, and this was certainly making a very meritorious use of it. To his care and interest is wholly due the collection of minerals placed in this building. The apartment containing it has, by some, been thought to deviate from the simple and severe style suitable to its destination, and to resemble too much the drawing-room of a fine lady. But those who have hazarded such a reproach do not consider that, at the period when this cabinet was formed, it was not useless, in order to bring the sciences into fashion, to surround them with the show of luxury and the elegance of accessory decoration. Who knows even whether that very circumstance, trifling as it may appear, has not somewhat contributed to spread a taste for the two sciences in question among the great, and in the fashionable world?
However this may be, the arrangement of this cabinet is excellent, and, in that respect, it is worthy to serve as a model. The productions of nature are so disposed that the glazed closets and cases containing them present, as it were, an open book in which the curious and attentive observer instructs himself with the greater facility and expedition, as he can without effort examine and study perfectly every individual specimen.
The inside of the Museum is about forty-five feet in length, thirty-eight in breadth, and forty in elevation. In the middle is an amphitheatre capable of holding two hundred persons. In the circumference are glazed cabinets or closets, in which are arranged methodically and analytically almost all the substances known in mineralogy. The octagonal gallery, above the elliptical amphitheatre, contains large specimens of different minerals. To each specimen is annexed an explanatory ticket. One of the large lateral galleries presents part of the productions of the mines of France, classed according to the order of the departments where they are found. The new transversal gallery contains models of furnaces and machines employed in the working of mines. The third gallery is also destined to contain the minerals of France, the essays and results of which are deposited in a private cabinet. The galleries are decorated with tables and vases of different species of marble, porphyry, and granite, also from the mines of France, collected by SAGE. The cupola which rises above, is elegantly ornamented from the designs of ANTOINE, the architect of the building.
This Museum is open to the public every day from nine o'clock in the morning till two, and, though it has been so many years an object of curiosity, such is the care exerted in superintending it, that it has all the freshness of novelty.
In a niche, on the first landing-place of the stair-case, is the bust of M. SAGE, a tribute of gratitude paid to him by his pupils. SAGE'S principal object being to naturalize in France mineralogy, docimacy, and metallurgy, he first obtained the establishment of aSpecial School of Mines, in which pupils were maintained by the State. Here, he directed their studies, and enjoyed the happiness of forming intelligent men, capable of improving the science of metallurgy, and promoting the search of ores, &c.
For a number of years past, as I have already observed, SAGE has deliveredgratis, in this Museum; public courses of chymistry and mineralogy. He attracts hither many auditors by the ease of his elocution, and the address, the grace even which he displays in his experiments. If all those who have attended his lectures are to be reckoned his pupils, there will be found in the number names illustrious among thesavansof France. Unfortunately, this veteran of science has created for himself a particular system in chymistry, and this system differs from that of LAVOISIER, FOURCROY, GUYTON-MORVEAU, BERTHOLLET, CHAPTAL, &c. The sciences have also their schisms; but the realsavansare not persecutors. Although SAGE was not of their opinion on many essential points, his adversaries always respected him as the man who had first drawn the attention of the government towards the art of mines, instigated the establishment of the first school which had existed for this important object, and been the author of several good analyses. On coming out of prison, into which he had been thrown during the reign of terror, he found this cabinet of mineralogy untouched. It would then have been easy, from motives of public utility, to unite it to the new School of Mines. But the heads of this new school had, for the most part, issued from the old one, and SAGE was dear to them from every consideration. It was from a consequence of this sentiment that SAGE, who had been a member of theAcademy of Sciences, not having been comprised in the list of the members of the National Institute at the time of its formation, has since been admitted into that learned body, not as a chymist indeed, but as a professor of mineralogy, a science which owes to him much of its improvement.
The new School of Mines is now abolished, and practical ones are established in the mountains, as I have before mentioned. While I am speaking of mineralogy, I shall take you to view the
CABINET DU CONSEIL DES MINES.
This cabinet of mineralogy, formed at theHôtel des Mines,Rue de l'Université,No. 293, is principally intended to present a complete collection of all the riches of the soil of the French Republic, arranged in local order. A succession of glazed closets, contiguous and similar to each other, that is about six feet and a half in height by sixteen inches in depth, affords every facility of observing them with ease and convenience. On these cases the names of the departments are inscribed in alphabetical order, and the vacancies which still exist in this geographical collection, are daily filled up by specimens sent by the engineers of mines, who, being spread over the different districts they are charged to visit, employ themselves in recognizing carefully the mineral substances peculiar to each country, in order to submit their views to the government respecting the means of rendering them useful to commerce and to the arts.
The departmental collection, being thus arranged on the sides of the gallery, leaves vacant the middle of the apartments, which is furnished with tables covered with large glazed cases, intended for receiving systematic collections, and the most remarkable mineral substances from foreign countries, distributed in geographical order.
An apartment is specially appropriated to the systematic order adopted by HAÜY in his new treatise on mineralogy; another is reserved for the method of WERNER.
In both these oryctognostic collections, minerals of all countries are indiscriminately admitted. They are arranged byclasses,orders,genera,species, andvarieties, with the denominations adopted by the author of the method, and consequently designated by specific names in French for HAÜY'S method, and in German for that of WERNER. The proximity of the two apartments where they are exhibited, affords every advantage for comparing both methods, and acquiring an exact knowledge of mineralogical synonymy. Each of the two methods contains also a geological collection of rocks and various aggregates, classed and named after the principles which their respective authors have thought fit to adopt.
The other apartments are likewise furnished with tables covered with glazed cases, where are exhibited, in a manner very advantageous for study, the most remarkable minerals of every description from foreign countries, among which are:
Such is the present state of the mineralogical collection of theConseil des Mines, which the superintendants will, no doubt, with time and attention, bring to the highest degree of perfection. It is open to the public every Monday and Thursday: but, on the other days of the week, amateurs and students have access to it.
A few years before the revolution, France was still considered as destitute of an infinite number of mineral riches, which were thought to belong exclusively to several of the surrounding countries. Germany was quoted as a country particularly favoured, in this respect, by Nature. Yet France is crossed by mountains similar to those met with in Germany, and these mountains contain rocks of the same species as those of that country which is so rich in minerals. What has happened might therefore have been foreseen; namely, that, when intelligent men, with an experienced eye, should examine the soil of the various departments of the Republic, they would find in it not only substances hitherto considered as scarce, but even several of those whose existence there had not yet been suspected. Since the revolution, the following are the
Principal Mineral Substances discovered in France.
Dolomitein the mountains of Vosges and in the Pyrenees.
Carburet of ironorplumbago, in the south peak of Bigorre. The same variety has been been found near Argentière, and the valley of Chamouny, department of Mont-Blanc.
A rock of the appearance ofporphyry, with acalcareousbase, in the same valley of Chamouny.
Tremoliteorgrammatiteof HAÜY, in the same place. These two last-mentioned substances were in terminated crystals.
Red oxyd of titanium, in the same place.
New violet schorl, orspheneof HAÜY, (rayonnante en goutièreof SAUSSURE) in the same place.
Crystallized sulphate of strontia, in the mines of Villefort in La Lozère, in the environs of Paris, at Bartelemont, near theSalternsin the department of La Meurthe.
Fibrous and crystallized sulphate of strontia, at Bouvron, near Toul.
Earthy sulphate of strontia, in the vicinity of Paris, near the forest of Montmorency, and to the north-east of it.
Onyx-agate-quartz, at Champigny, in the department of La Seine.
Avanturine-quartz, in the Deux-Sevres.
Marine bodies, imbedded in the soil, a little above theOule de Gavernie.
Anthracite, and its direction determined in several departments.
Other marine bodies, at the height of upwards of 3400mètresor 3683 yards, on the summit of Mont-Perdu, in the Upper Pyrenées.
Wolfram, near St. Yriex, in Upper Vienne.
Oxyd of antimony, at Allemont, in the department of L'Isère.
Chromate of iron, near Gassin, in the department ofLe Var, at thebastideof the cascade.
Oxyd of uranite, at St. Simphorien de Marmagne, in the department of La Côte d'Or.
Acicular arsenical lead ore, at St. Prix, in the department of Saone and Loire. This substance was found among some piles of rubbish, near old works made for exploring a vein of lead ore, which lies at the foot of a mountain to the north-east, and at three quarters of a league from thecommuneof St. Prix.
In this country have likewise been found several varieties of new interesting forms relative to substances already known; several important geological facts have been ascertained; and, lastly, the emerald has here been recently discovered. France already possesses eighteen of the twenty-one metallic substances known. Few countries inherit from Nature the like advantages.
With respect to the administration of the mines of France, the under-mentioned are the regulations now in force.
A council composed of three members, is charged to give to the Minister of the Interior ideas, together with their motives, respecting every thing that relates to mines. It corresponds, in the terms of the law, with all the grantees and with all persons who explore mines, salterns, and quarries. It superintends the research and extraction of all substances drawn from the bosom of the earth, and their various management. It proposes the grants, permissions, and advances to be made, and the encouragements to be given. Under its direction are the two practical schools, and twenty-five engineers of mines, nine of whom are spread over different parts of the French territory. General information relative to statistics, every thing that can concur in the formation of the mineralogical map of France and complete the collection of her minerals, and all observations and memoirs relative to the art of mines or of the different branches of metallurgy, are addressed by the engineers to theConseil des Minesat Paris.
Paris, February 20, 1802.
Having fully described to you all the theatres here of the first and second rank, I shall confine myself to a rapid sketch of those which may be classed in the third order.[1]
THÉÂTRE MONTANSIER.
This house stands at the north-west angle of thePalais du Tribunat. It is of an oval form, and contains three tiers of boxes, exclusively of a large amphitheatre. Before the revolution, it bore the name ofThéâtre des Petits Comédiens du Comte de Beaujolais, and was famous for the novelty of the spectacle here given. Young girls and boys represented little comedies and comic operas in the following manner. Some gesticulated on the stage; while others, placed in the side-scenes, spoke or sang their parts without being seen. It was impossible to withhold one's admiration from the perfect harmony between the motions of the one and the speaking and singing of the other. In short, this double acting was executed with such precision that few strangers detected the deception.
To these actors succeeded full-grown performers, who have since continued to play interludes of almost every description. Indeed, this theatre is the receptacle of all the nonsense imaginable; nothing is too absurd or too low for its stage. Here are collected all the trivial expressions to be met with in this great city, whether made use of in the markets, gaming-houses, taverns, or dancing-rooms.
CAROLINE and BRUNET, or BRUNET and CAROLINE. They are like two planets, round which move a great number of satellites, some more imperceptible than others. If to these we add TIERCELIN, an actor of the grotesque species, little more is to be said. Were it not for BRUNET, who makes the most of his comic humour, in playing all sorts of low characters, and sometimes in a manner truly original, and Mademoiselle CAROLINE, whose clear, flexible, and sonorous voice insures the success of several little operas, theThéâtre Montansierwould not be able to maintain its ground, notwithstanding the advantages of its centrical situation, and the attractions of its lobby, where the impures of the environs exhibit themselves to no small advantage, and literally carry all before them.
We now come to the theatres on theBoulevard, at the head of which is to be placed
L'AMBIGU COMIQUE.
This little theatre is situated on theBoulevard du Temple, and, of all those of the third order, has most constantly enjoyed the favour of the public. Previously to the revolution, AUDINOT drew hither crowded houses by the representation of comic operas and baddramesof a gigantic nature, called herepantomimes dialoguées. The effects of decoration and show were carried farther at this little theatre than at any other. Ghosts, hobgoblins, and devils were, in the sequel, introduced. All Paris ran to see them, till the women were terrified, and the men disgusted.
CORSE, the present manager, has of late added considerably to the attraction of theAmbigu Comique, by not only restoring it to what it was in the most brilliant days of AUDINOT, but by collecting all the best actors and dancers of theBoulevard, and improving on the plan adopted by his predecessor. He has neglected nothing necessary for the advantageous execution of the new pieces which he has produced. The most attractive of these areVictor,le Pélerin blanc,L'Homme à trois visages,Le Jugement de Salomon, &c.
The best performers at this theatre are CORSE, the manager, TAUTIN, and Mademoiselle LEVESQUE.
In regard to all the other minor theatres, the enumeration of which I have detailed to you in a preceding letter,[2] I shall briefly, observe that the curiosity of a stranger may be satisfied in paying each of them a single visit. Some of thesepetits spectaclesare open one day, shut the next, and soon after reopened with performances of a different species. Therefore, to attempt a description of their attractions would probably be superfluous; and, indeed, the style of the pieces produced is varied according to the ideas of the speculators, the taste of the managers, or the abilities of the performers, who, if not "the best actors in the world," are ready to play either "tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, scene individable, or poem unlimited."
Footnote 1: The Theatre of thePorte St. Martinnot having been open, when this letter was written, it is not here noticed. It may be considered as of the second rank. Its representations include almost every line of acting; but those for which the greatest expense is incurred are melo-drames and pieces connected with pantomime and parade. The house is the same in which the grand French opera was performed before the revolution.Return to text
Footnote 2: See Vol. i. Letter XXI.Return to text
Paris, February 22, 1802.
The variety of matter which crowds itself on the mind of a man who attempts to describe this immense capital, forms such a chaos, that you will, I trust, give me credit for the assertion, when I assure you that it is not from neglect or inattention I sometimes take more time than may appear strictly necessary to comply with your wishes. Considering how deeply it involves the peace and comfort of strangers, as well as inhabitants, I am not at all surprised at the anxiety which you express to acquire some knowledge of the
POLICE OF PARIS.
In the present existing circumstances, it might be imprudent, if not dangerous, to discuss, freely openly, so delicate a question. I shall take a middle course. Silence would imply fear; while boldness of expression might give offence; and though I certainly am not afraid to mention the subject, yet to offend, is by no means my wish or intention. In this country, the Post-Office has often been the channel through which the opinion of individuals has been collected. What has been, may again occur; and in such critical times, who knows, but the government may conceive itself justified in not considering as absolutely sacred the letters intrusted to that mode of conveyance? Under these considerations, I shall beg leave to refer you to a work which has gone through the hands of every inquisitive reader; that is theTableau de Paris, published in 1788: but, on recollection, as this letter will, probably, find you in the country, where you may not have an immediate opportunity of gratifying your curiosity, and as the book is become scarce, I shall select from it for your satisfaction a few extracts concerning the Police.
This establishment is necessary and useful for maintaining order and tranquillity in a city like Paris, where the very extremes of luxury and wretchedness are continually in collision. I meanuseful, when no abuse is made of its power; and it is to be hoped that the present government of France is too wise and too just to convert an institution of public utility into an instrument of private oppression.
Since the machinery of the police was first put in order by M. D'ARGENSON, in 1697, its wheels and springs have been continually multiplied by the thirteen ministers who succeeded him in that department. The last of these was the celebrated M. LENOIR.
The present Minister of the Police, M. FOUCHÉ, has, it seems, adopted, in a great measure, the means put in practice before the revolution.His administration, according to general report, bears most resemblance to that of M. LENOIR: he is said, however, to have improved on that vigilant magistrate: but he surpasses him, I am told, more in augmentation of expenses and agents, than in real changes.[1]
In selecting from the before-mentioned work the followingwidely scatteredpassages, and assembling them as apiece of Mosaic, it has been my endeavour to enable you to form an impartial judgment of the police of Paris, by exhibiting it with all its perfections and imperfections. Borrowing the language of MERCIER, I shall trace the institution through all its ramifications, and, in pointing out its effects, I shall "nothing extenuate, nor set down aught in malice."
If we take it for granted, that the police of Paris is now exercised on the same plan as that pursued towards the close of the oldrégime, this sketch will be the more interesting, as its resemblance to the original will exempt me from adding a single stroke from my own pencil.
"D'ARGENSON was severe," says MERCIER, "perhaps because he felt, in first setting the machine in motion, a resistance which his successors have less experienced. For a long time it was imagined that a Minister of Police ought to be harsh; he ought to be firm only.Several of these magistrates have laid on too heavy a hand, because they were not acquainted with the people of Paris; a people of quick feeling, but not ferocious,[2] whose motions are to be divined, and consequently easy to be led. Whoever should be void of pity in that post, would be a monster."
MERCIER then gives the fragment by FONTENELLE, on the police of Paris and on M. D'ARGENSON, of which I shall select only what may be necessary for elucidating the main subject.
"The inhabitants of a well-governed city," says FONTENELLE, "enjoy the good order which is there established, without considering what trouble it costs those who establish or preserve it, much in the same manner as all mankind enjoy the regularity of the motions of celestial bodies, without having any knowledge of them, and even the more the good order of a police resembles by its uniformity that of the celestial bodies, the more is it imperceptible, and, consequently, the more it is unknown, the greater is its perfection. But he who would wish to know it and fathom it, would be terrified. To keep up perpetually in a city, like Paris, an immense consumption, some sources of which may always be dried up by a variety of accidents; to repress the tyranny of shop-keepers in regard to the public, and at the same time animate their commerce; to prevent the mutual usurpations of the one over the other, often difficult to discriminate; to distinguish in a vast crowd all those who may easily conceal there a hurtful industry; to purge society of them, or tolerate them only as far as they can be useful to it by employments which no others but themselves would undertake, or discharge so well; to keep necessary abuses within the precise limits of necessity which they are always ready to over-leap; to envelop them in the obscurity to which they ought to be condemned, and not even draw them from it by chastisement too notorious; to be ignorant of what it is better to be ignorant of than to punish, and to punish but seldom and usefully; to penetrate by subterraneous avenues into the bosom of families, and keep for them the secrets which they have not confided, as long as it is not necessary to make use of them; to be present every where without being seen; in short, to move or stop at pleasure an immense multitude, and be the soul ever-acting, and almost unknown, of this great body: these are, in general, the functions of the chief magistrate of the police. It should seem that one man alone could not be equal to them, either on account of the quantity of things of which he must be informed, or of that of the views which he must follow, or of the application which he must exert, or of the variety of conduct which he most observe, and of the characters which he must assume: but the public voice will answer whether M. D'ARGENSON has been equal to them.
"Under him, cleanliness, tranquillity, plenty, and safety were brought to the highest degree of perfection in this city. And, indeed, the late king (Lewis XIV) relied entirely on his care respecting Paris. He could have given an account of a person unknown who should have stolen into it in the dark; this person, whatever ingenuity he exerted in concealing himself, was always under his eye; and if, at last, any one escaped him, at least what produced almost the same effect, no one would have dared to think himself well-concealed.
"Surrounded and overwhelmed in his audiences by a crowd of people chiefly of the lower class, little informed themselves of what brought them, warmly agitated by interests very trifling, and frequently very ill understood, accustomed to supply the place of discourse by senseless clamour, he neither betrayed the inattention nor the disdain which such persons or such subjects might have occasioned."
"FONTENELLE has not," continues MERCIER, "spoken of the severity of M. D'ARGENSON, of his inclination to punish, which was rather a sign of weakness than of strength. Alas! human laws, imperfect and rude, cannot dive to the bottom of the human heart, and there discover the causes of the delinquencies which they have to punish! They judge only from the surface: they would acquit, perhaps, those whom they condemn; they would strike him whom they suffer to escape. But they cannot, I confess, do otherwise. Nevertheless, they ought to neglect nothing that serves to disclose the heart of man. They ought to estimate the strength of natural and indestructible passions, not in their effects, but in their principles; to pay attention to the age, the sex, the time, the day; these are nice rules, which could not be found in the brain of the legislator, but which ought to be met with in that of a Minister of the Police."
"There are also epidemical errors in which the multitude of those who go astray, seems to lessen the fault; in which a sort of circumspection is necessary, in order that punishment may not be in opposition to public interest, because punishment would then appear absurd or barbarous, and indignation might recoil on the law, as well as on the magistrate."
"What a life has a Minister of Police! He has not a moment that he can call his own; he is every day obliged to punish; he is afraid to give way to indulgence, because he does not know that he may not one day have to reproach himself with it. He is under the necessity of being severe, and of acting contrary to the inclination of his heart; not a crime is committed but he receives the shameful or cruel account: he hears of nothing but vicious men and vices; every instant he is told: 'there's a murder! a suicide! a rape!' Not an accident happens but he must prescribe the remedy, and hastily; he has but a moment to deliberate and act, and he must be equally fearful to abuse the power intrusted to him, and not to use it opportunely. Popular rumours, flighty conversations, theatrical factions, false alarms, every thing concerns him.
"Is he gone to rest? A fire rouses him from his bed. He must be answerable for every thing; he must trace the robber, and the lurking assassin who has committed a crime; for the magistrate appears blameable, if he has not found means to deliver him up quickly to justice. The time that his agents have employed in this capture will be calculated, and his honour requires that the interval between the crime and the imprisonment should be the shortest possible. What dreadful duties! What a laborious life! And yet this place is coveted!
"On some occasions, it is necessary for the Minister of Police to demean himself like a trueGreek, as was the case in the following instance:
"A person, being on the point of making a journey, had in his possession a sum of twenty thousand livres which embarrassed him; he had only one servant, whom he mistrusted, and the sum was tempting. He accordingly requested a friend to be so obliging as to take care of it for him till his return.
"A fortnight after, the friend denied the circumstance. As there was no proof, the civil law could not pronounce in this affair. Recourse was had to the Minister of Police, who pondered a moment, and sent for the receiver, making the accuser retire into an adjoining room:
"The friend arrives, and maintains that he has not received the twenty thousand livres. "Well," said the magistrate, "I believe you; and as you are innocent you run no, risk in writing to your wife the note that I am going to dictate. Write."
"'"My dear wife, all is discovered. I shall be punished if I do not restore you know what. Bring the sum: your coming quickly to my relief is the only way for me to get out of trouble and obtain my pardon."
"'This note,' added the magistrate, 'will fully justify you. Your wife can bring nothing since you have received nothing, and your accuser will be foiled.'
"The note was dispatched; the wife, terrified, ran with the twenty thousand livres.
"Thus the Minister of Police can daily make up for the imperfection and tardiness of our civil laws; but he ought to use this rare and splendid privilege with extreme circumspection.
"The chief magistrate of the police is become a minister of importance; he has a secret and prodigious influence; he knows so many things, that he can do much mischief or much good, because he has in hand a multitude of threads which he can entangle or disentangle at his pleasure; he strikes or he saves; he spreads darkness or light: his authority is as delicate as it is extensive.
"The Minister of Police exercises a despotic sway over themouchardswho are found disobedient, or who make false reports: as for these fellows, they are of a class so vile and so base, that the authority to which they have sold themselves, has necessarily an absolute right over their persons.
"This is not the case with those who are apprehended in the name of the police; they may have committed trifling faults: they may have enemies in that crowd ofexempts, spies, and satellites, who are believed on their word. The eye of the magistrate may be incessantly deceived, and the punishment of these crimes ought to be submitted to a more deliberate investigation; but the house of correction ingulfs a vast number of men who there become still more perverted, and who, on coming out, are still more wicked than when they went in. Being degraded in their own eyes, they afterwards plunge themselves headlong into all sorts of irregularities.
"These different imprisonments are sometimes rendered necessary by imperious circumstances; yet it were always to be wished that the detention of a citizen should not depend on a single magistrate, but that there should be a sort of tribunal to examine when this great act of authority, withdrawn from the eye of the law, ceases to be illegal.
"A few real advantages compensate for these irregular forms, and there are, in fact, an infinite number of irregularities which the slow and grave process of our tribunals can neither take cognizance of, nor put a stop to, nor foresee, nor punish. The audacious or subtle delinquent would triumph in the winding labyrinth of our civil laws. The laws of the police, more direct, watch him, press him, and surround him mose closely. The abuse, is contiguous to the benefit, I admit; but a great many private acts of violence, base and shameful crimes, are repressed by this vigilant and active force which ought, nevertheless, to publish its code and submit it to the inspection of enlightened citizens."
"Could the Minister of Police communicate to the philosopher all he knows, all he learns, all he sees, and likewise impart to him certain secret things, of which he alone is well-informed, there would be nothing so curious and so instructive under the pen of the philosopher; for he would astonish all his brethren. But this magistrate is like the great penitentiary; he hears every thing, relates nothing, and is not astonished at certain delinquencies in the same degree as another man. By dint of seeing the tricks of roguery, the crimes of vice, secret treachery, and all the filth of human actions, he has necessarily a little difficulty in giving credit to the integrity and virtue of honest people. He is in a perpetual state of mistrust; and, in the main, he ought to possess such a character; for, he ought to think nothing impossible, after the extraordinary lessons which he receives from men and from things. In a word, his place commands a continual, and scrutinizing suspicion."
February 22, in continuation.
"Even should not the Parisian have the levity with which he is reproached, reason would justify him in its adoption. He walks surrounded by spies. No sooner do two citizens whisper to each other, than up comes a third, who prowls about in order to listen to what they are saying. The spies of the police are a regiment of inquisitive fellows; with this difference, that each individual belonging to this regiment has a distinct dress, which he changes frequently every day; and nothing so quick or so astonishing, as these sorts of metamorphoses.
"The same spy who figures as a private gentleman in the morning, in the evening represents a priest: at one time, he is a peaceable limb of the law; at another, a swaggering bully. The next day, with a gold-headed cane in his hand, he will assume the deportment of a monied man buried in calculations; the most singular disguises are quite familiar to him. In the course of the twenty-four hours, he is an officer of distinction and a journeyman hair-dresser, a shorn apostle and a scullion. He visits the dress-ball and the lowest sink of vice. At one time with a diamond ring on his finger, at another with the most filthy wig on his head, he almost changes his countenance as he does his apparel; and more than one of thesemouchardswould teach the FrenchRosciusthe art ofdecomposinghimself; he is all eyes, all ears, all legs; for he trots, I know not how, over the pavement of every quarter of the town. Squatted sometimes in the corner of a coffee-room, you would take him for a dull, stupid, tiresome fellow, snoring till supper is ready: he has seen and heard all that has passed. At another time, he is an orator, and been the first to make a bold speech; he courts you to open your mind; he interprets even your silence, and whether you speak to him or not, he knows what you think of this or that proceeding.
"Such is the universal instrument employed in Paris for diving into secrets; and this is what determines the actions of persons in power more willingly than any thing that could be imagined in reasoning or politics.
"The employment of spies has destroyed the ties of confidence and friendship. None but frivolous questions are agitated, and the government dictates, as it were, to citizens the subject on which they shall speak in the evening in coffee-houses, as well as in private circles.
"The people have absolutely lost every idea of civil or political administration; and if any thing could excite laughter in the midst of an ignorance so deplorable, it would be the conversation of such a silly fellow who constantly imagines that Paris must give the law and thetonto all Europe, and thence to all the world.
"The men belonging to the police are a mass of corruption which the Minister of that department divides into two parts: of the one, he makes spies ormouchards; of the other, satellites,exempts, that is, officers, whom he afterwards lets loose against pickpockets, swindlers, thieves, &c., much in the same manner as a huntsman sets hounds on wolves and foxes.
"The spies have other spies at their heels, who watch over them, and see that they do their duty. They all accuse each other reciprocally, and worry one another for the vilest gain."
I cannot here avoid interrupting my copious but laboriously-gathered selection from MERCIER, to relate an anecdote which shews in what a detestable lightmouchardsare considered in Paris.
A man who appeared to be in tolerably good circumstances, fell in love, and married a girl whom the death of her parents and accumulated distress had driven to a life of dissipation. At the end of a few months, she learnt that her husband was a spy of the police. "Probably," said, she to him, "you did not take up this trade till after you had reflected that in following that of a thief or a murderer, you would have risked your life." On saying this, she ran out of the house, and precipitated herself from thePont Royalinto the Seine, where she was drowned.—But to resume the observations of MERCIER.
"It is from these odious dregs," continues our author, "that public order arises.
"When themouchardsof the police have acted contrary to their instructions, they are confined in the house of correction; but they are separated from the other prisoners, because they would be torn to pieces by those whom they have caused to be imprisoned, and who would recognize them. They inspire less pity on account of the vile trade which they follow. One sees with surprise, and with still more pain, that these fellows are very young. Spies, informers at sixteen!—O! what a shocking life does this announce!" exclaims MERCIER. "No; nothing ever distressed me more than to see boys act such a part.... And those who form them into squads, who drill them, who corrupt such inexperienced youth!"
Such is the admirable order which reigns in Paris, that a man suspected or described is watched so closely, that his smallest steps are known, till the very moment when it is expedient to apprehend him.
"The description taken of the man is a real portrait, which it is impossible to mistake; and the art of thus describing the person by words, is carried to so great a nicety, that the best writer, after much reflection on the matter, could add nothing to it, nor make use of other expressions.
"The Theseuses of the police are on foot every night to purge the city of robbers, and it might be said that the lions, bears, and tigers are chained by political order.
"There are also the court-spies, the town-spies, the bed-spies, the street-spies, the spies of impures, and the spies of wits: they are all called by the name ofmouchards, the family name of the first spy employed by the court of France.
"Men of fashion at this day follow the trade ofmouchards; most of them style themselvesMonsieur le Baron,Monsieur le Comte,Monsieur le Marquis. There was a time, under Lewis XV, when spies were so numerous, that it was impossible for friends, who assembled together, to open their heart to each other concerning matters which deeply affected their interest. The ministerial inquisition had posted its sentinels at the door of every room, and listeners in every closet. Ingenuous confidences, made from friends to friends, and intended to die in the very bosom where they had been deposited, were punished as dangerous conspiracies.
"These odious researches poisoned social life, deprived men of pleasures the most innocent, and transformed citizens into enemies who trembled to unbosom themselves to each other.
"One fourth of the servants in Paris serve as spies; and the secrets of families, which are thought the most concealed, come to the knowledge of those interested in being acquainted with them.
"Independently of the spies of the police, ministers have spies belonging to themselves, and keep them in pay: these are the most dangerous of all, because they are less suspected than others, and it is more difficult to know them. By these means, ministers know what is said of them; yet, of this they avail themselves but little. They are more intent to ruin their enemies, and thwart their adversaries, than to derive a prudent advantage from the free and ingenuous hints given them by the multitude.
"It is entertaining enough to consider that, in proper time and place, spies are watching him who, at his pleasure, sets spies to watch other citizens. Thus, the links which connect mankind in political order are really incomprehensible. He who does not admire the manner in which society exists, and is supported by the simultaneous reaction of its members, and who sees not the serpent'stailentering itsmouth, is not born for reflection.
"But the secrets of courts are not revealed through spies; they get wind by means of certain people who are not in the least mistrusted; in like manner the best built ships leak through an imperceptible chink, which cannot be discovered.
"What is interesting in courts, and particularly so in ours," says MERCIER, "is that there is a degree of obscurity spread over all its proceedings. We wish to penetrate what is concealed, we endeavour to know till we learn; thus it is that the most ingenious machine preserves its highest value only till we have seen the springs which set it in motion.
"After having considered the different parts which form the police of the capital, we still perceive all the radii reaching from the centre to the circumference. How many ramifications issue from the same stem! How far the branches extend! What an impulse does not Paris give to other neighbouring cities!
"The police of Paris has an intimate correspondence with that of Lyons and other provincial cities: for it is evident that it would be imperfect, if it could not follow the disturber of public order, and if the distance of a few leagues skreened him from researches.
"The correspondence of the Parisian police is not therefore limited to its walls; it extends much farther; and it is in towns where imprudent or rash persons would imagine that they might give their tongue greater freedom, that the vigilant magistrate pries into conversation, and keeps a watchful eye over those who would measure their audacity by the degree of distance from the capital.
"Thus the police of Paris, after having embraced France, penetrates also into Switzerland, Italy, Holland, and Germany;[3] and when occasion requires, its eye is open on all sides to what can interest the government. When it wishes to know any fact, it is informed of it to a certainty; when it wishes to strike a serious blow, it seldom misses its aim.
"It may easily be conceived that the machine would be incomplete, and that its play would fail in the desired effect, did it not embrace a certain extent. It costs but little to give to the lever the necessary length. Whether the spy be kept in pay at Paris, or a hundred leagues off, the expense is the same, and the utility becomes greater.
"Experience has shewn that these observations admit of essential differences in the branches of the police. Weights and measures must be changed, according to time, place, persons, and circumstances. There are no fixed rules; they must be created at the instant, and the most versatile actions are not destitute of wisdom and reason.
"Of this wholesale legislators are not aware: it is reserved for practitioners to seize these shades of distinction. There must be a customary, and, as it were, every-day policy, in order to decide well without precipitation, without weakness, and without rigour. What would be a serious fault at Paris, would be a simple imprudence at Lyons, an indifferent thing elsewhere, and so on reciprocally.
"Now this science has not only its details and its niceties, it has also its variations, and sometimes even its oppositions.Ministers must have a steady eye and great local experience, in order to be able to strike true, and strike opportunely, without espousing imaginary terrors; which, in matters of police, is the greatest fault that can be committed.[4]