PHILIP III, too, above-mentioned, having brought to Paris the remains of his father from Tunis in Africa, carried them barefooted, on his shoulders, to St. Denis. Wherever he rested by the way, towers were erected in commemoration of this act of filial piety; but these have been destroyed since the revolution.
The casements of this hall, in the form of ogives, are ornamented with stained glass of the first epoch of the invention of that art. We now come to the
HALL OF THE FOURTEENTH CENTURY.
This hall shews us the light, yet splendid architecture of the Arabs, introduced into France in consequence of the Crusades. Here are the statues of the kings that successively appeared in this age down to king JOHN, who was taken prisoner by Edward, the black prince, at the battle of Poietiers. They are clad after the manner of their time, and lying at length on a stylobate, strewn with flower-de-luces. Twenty-two knights, each mounted on lions, armed cap-à-pié, represented of the natural size, and coloured, fill ogive niches ornamented with Mosaic designs, relieved with gold, red, and blue.
The tombs of CHARLES V, surnamed theWise, and of the worthy constable, DU GUESCLIN, together with that of SANCERRE, his faithful friend, rise in the middle of this apartment; which presents to the eye all the magnificence of a Turkish mosque. After having quitted it, what a striking contrast do we not remark on entering the
HALL OF THE FIFTEENTH CENTURY!
Columns, arabesque ceilings charged with gilding, light pieces of sculpture applied on blue and violet grounds, imitating cameo, china, or enamel; every thing excites astonishment, and concurs in calling to mind the first epoch of the regeneration of the arts in this country.
The ideas of the amateur are enlivened in this brilliant apartment: they prepare him for the gratification which he is going to experience at the sight of the beautiful monuments produced by the age, so renowned of Francis I. There, architecture predominates over sculpture; here, sculpture over architecture.
The genius of RAPHAEL paved the way to this impulse of regeneration: he had recently produced the decorations of the Vatican; and the admirable effect of these master-pieces of art, kindled an enthusiasm in the mind of the artists, who travelled. On their return to France, they endeavoured to imitate them: in this attempt, JEAN JUSTE, a sculptor sent to Rome, at the expense of the Cardinal D'AMBOISE, was the most succcessful.
First, we behold the mausoleum of LOUIS D'ORLÉANS, victim of the faction of the Duke of Burgundy, and that of his brother CHARLES, the poet. Near them is that of VALENTINE DE MILAN, the inconsolable wife of the former, who died through grief the year after she lost her husband. As an emblem of her affliction, she took for her device a watering-pot stooped, whence drops kept trickling in the form of tears. Let it not be imagined, however, that it was on account of his constancy that this affectionate woman thus bewailed him till she fell a victim to her sorrow.
LOUIS D'ORLÉANS was a great seducer of ladies of the court, and of the highest rank too, says Brantome. Indeed, historians concur in stating that to a brilliant understanding, he joined the most captivating person. We accordingly find that the Dutchess of Burgundy and several others were by no means cruel to him; and he had been supping tête-à-tête with Queen Isabeau de Bavière, when, in returning home, he was assassinated on the twenty-third of November 1407. His amorous intrigues at last proved fatal to the English, as you will learn from the following story, related by the same author.
One morning, M. d'Orléans having in bed with him a woman of quality, whose husband came to pay him an early visit, he concealed the lady's head, while he exhibited the rest of her person to the contemplation of the unsuspecting intruder, at the same time forbidding him, as he valued his life, to remove the sheet from her face. Now, the cream of the jest was, that, on the following night, the good soul of a husband, as he lay beside his dear, boasted to her that the Duke of Orleans had shewn him the most beautiful woman that he had ever seen: but that for her face he could not tell what to say of it, as it was concealed under the sheet. "From this little intrigue," adds Brantome, "sprang that brave and valiant bastard of Orleans, Count Dunois, the pillar of France, and the scourge of the English."
Here we see the statues of CHARLES VI, and of JANE of Burgundy. The former being struck by acoup de soleil, became deranged in his intellects and imbecile, after having displayed great genius; he is represented with a pack of cards in his hand to denote that they were first invented for that prince's diversion. The latter was Dutchess of BEAUFORT, wife to the Duke, who commanded the English army against Charles VII, and as brother to our Henry IV, was appointed regent of France, during the minority of his nephew, Henry V.
Next come those of RÉNÉE D'ORLÉANS, grand-daughter of the intrepid Dunois; and of PHILIPPE DE COMMINES, celebrated by his memoirs of the tyrant, LEWIS XI, whose statue faces that of CHARLES VII, his father.
The image of JOAN OF ARC, whom that king had the baseness to suffer to perish, after she had maintained him on the throne, also figures in this hall with that of ISABEAU DE BAVIÈRE. The shameful death of the Maid of Orleans, who, as every one knows, was, at the instigation of the English, condemned as a witch, and burnt alive at Rouen on the 30th of May 1430, must inspire with indignation every honest Englishman who reflects on this event, which will ever be a blot in the page of our history. Isabeau affords a striking example of the influence of a queen's morals on the affections of the people. On her first arrival in Paris, she was crowned by angels, and received from the burghers the most magnificent and costly presents. At her death, she was so detested by the nation, that in order to convey her body privately to St. Denis, it was embarked in a little skiff atPort-Landri, with directions to the waterman to deliver it to the abbot.
The superb tomb of LEWIS XII, placed in the middle of this apartment, displays great magnificence; and his statue, lying at length, which represents him in a state of death, recalls to mind that moment so grievous to the French people, who exclaimed, in following his funeral procession to St. Denis, "Our good king Lewis XII is dead, and we have lost our father."
The historian delights to record a noble trait of that prince's character. Lewis XII had been taken prisoner at the battle of St. Aubin by Louis de la Trimouille, who, fearing the resentment of the new king, and wishing to excuse himself for his conduct, received this magnanimous reply: "It is not for the king of France to revenge the quarrels of the duke of Orleans."
The statue of PIERRE DE NAVARRE, son of Charles theBad, seems placed here to form in the mind of the spectator a contrast between his father and Lewis XII. The tragical end of Charles is of a nature to fix attention, and affords an excellent subject for a pencil like that of Fuseli.
Charles theBad, having fallen into such a state of decay that he could not make use of his limbs, consulted his physician, who ordered him to be wrapped up from head to foot, in a linen cloth impregnated with brandy, so that he might be inclosed in it to the very neck as in a sack. It was night when this remedy was administered. One of the female attendants of the palace, charged to sew up the cloth that contained the patient, having come to the neck, the fixed point where she was to finish her seam, made a knot according to custom; but as there was still remaining an end of thread, instead of cutting it as usual with scissars, she had recourse to the candle, which immediately set fire to the whole cloth. Being terrified, she ran away, and abandoned the king, who was thus burnt alive in his own palace.
What a picture for the moralist is this assemblage of persons, celebrated either for their errors, crimes, talents, or virtues!
Paris, November 28, 1801.
Conceiving how interested you (who are not only a connoisseur, but an F.A.S.) must feel in contemplating the only repository in the world, I believe, which contains such a chronological history of the art of sculpture, I lose no time in conducting you to complete our survey of the MUSEUM OF FRENCH MONUMENTS in theRue des Petits Augustins.
Having examined those of the fifteenth century, during our former visit, we are at length arrived at the age of the Fine Arts in France, and now enter the
HALL OF THE SIXTEENTH CENTURY.
"But see! each muse in LEO'S golden days,Starts from her trance, and trims her wither'd bays;Rome's ancient Genius, o'er its ruins spread,Shakes off the dust, and rears his reverend head;Then Sculpture and her sister arts revive,Stones leap'd to form, and rocks began to live."
These beautiful lines of Pope immediately occur to the mind, on considering that, in Italy, the Great LEO, by the encouragement which he gave to men of talents, had considerably increased the number of master-pieces; when the taste for the Fine Arts, after their previous revival by the Medici, having spread throughout that country, began to dawn in France about the end of the fifteenth century. By progressive steps, the efforts made by the French artists to emulate their masters, attained, towards the middle of the sixteenth century, a perfection which has since fixed the attention of Europe.
On entering this hall, which is consecrated to that period, the amateur finds his genius inflamed. What a deep impression does not the perfection of the numerous monuments which it has produced make on his imagination! First, he admires the beautiful tomb erected to the memory of FRANCIS I, the restorer of literature and the arts; who, by inviting to his court LEONARDO DA VINCI and PRIMATICCIO, and establishing schools and manufactories, consolidated the great work of their regeneration.
"Curse the monks!" exclaimed I, on surveying this magnificent monument, constructed in 1550, from the designs of the celebrated PHILIBERT DE L'ORME. "Who cannot but regret," continued I to myself, "that so gallant a knight as Francis I. should fall a victim to that baneful disease which strikes at the very sources of generation? Who cannot but feel indignant that so generous a prince, whose first maxim was, thattrue magnanimity consisted in the forgiveness of injuries, and pusillanimity in the prosecution of revenge, should owe his death to the diabolical machinations of a filthy friar?" Yet, so it was; the circumstances are as follows:
Francis I. was smitten by the charms of the wife of one Lunel, a dealer in iron. A Spanish chaplain, belonging to the army of the Emperor Charles V, passing through Paris in order to repair to Flayers, threw himself in this man's way, and worked on his mind till he had made him a complete fanatic: "Your king," said the friar, "protects Lutheranism in Germany, and will soon introduce it into France. Be revenged on him and your wife, by serving religion. Communicate to him that disease for which no certain remedy is yet known."—"And how am I to give it to him?" replied Lunel; "neither I nor my wife have it."—"But I have," rejoined the monk: "I hold up my hand and swear it. Introduce me only for one half-hour by night, into your place, by the side of your faithless fair, and I will answer for the rest."
The priest having prevailed on Lunel to consent to his scheme, went to a place where he was sure to catch the infection, and, by means of Lunel's wife, he communicated it to the king. Being previously in possession of a secret remedy, the monk cured himself in a short time; the poor woman died at the expiration of a month; and Francis I, after having languished for three or four years, at length, in 1547, sunk under the weight of a disorder then generally considered as incurable.
The tomb of the VALOIS, erected in honour of that family, by Catherine de Medicis, soon after the death of Henry II, is one of the masterpieces of GERMAIN PILON. In the execution of this beautiful monument, that famous artist has found means to combine the correctness of style of Michael Angelo with the grace of Primaticcio. To the countenance of HENRY and CATHERINE, who are represented in a state of death, lying as on a bed, he has imparted an expression of sensibility truly affecting.
Next comes the tomb of DIANE DE POITIERS, that celebrated beauty, who displayed equal judgment in the management of State affairs and in the delicacy of her attachments; who at the age of 40, captivated king Henry II, when only 18; and, who, though near 60 at the death of that prince, had never ceased to preserve the same empire over his heart. At the age of fourteen, she was married to Louis de Brézé, grand seneschal of Normandy, and died in April 1506, aged 66.
Brantome, who saw her not long before her death, when she had just recovered from the confinement of a broken leg, and had experienced troubles sufficient to lessen her charms, thus expresses himself: "Six months ago, when I met her, she was still so beautiful that I know not any heart of adamant which would not have been moved at the sight of her."—To give you a perfect idea of her person, take this laconic description, which is not one of fancy, but collected from the best historians.
Her jet black hair formed a striking contrast to her lily complexion. On her cheeks faintly blushed the budding rose. Her teeth vied with ivory itself in whiteness: in a word, her form was as elegant as her deportment was graceful.
By way of lesson to the belles of the present day, let them be told that DIANE DE POITIERS was never ill, nor affected indisposition. In the severity of the winter, she daily washed her face with spring-water, and never had recourse to cosmetics.----"What pity," says Brantome, "that earth should cover so beautiful a woman!"
No man, indeed, who sympathizes with the foibles of human nature, can contemplate the tomb of DIANE DE POITIERS, and reflect on her numerous virtues and attractions, without adopting the sentiments of Brantome, and feeling his breast glow with admiration.
This extraordinary woman afforded the most signal protection to literati and men of genius, and was, in fact, no less distinguished for the qualities of her heart than for the beauty of her person. "She was extremely good-humoured, charitable, and humane," continues Brantome "The people of France ought to pray to God that the female favourite of every chief magistrate of their country may resemble this amiable frail one."
As a proof of the elevation of her sentiments, I shall conclude by quoting to you the spirited reply DIANE made to Henry II, who, by dint of royal authority, wished to legitimate a daughter he had by her: "I am of a birth," said she, "to have had lawful children by you. I have been your mistress, because I loved you. I will never suffer a decree to declare me your concubine."
The beautiful group of the modest Graces, and that representing Diana, accompanied by her dogs Procion and Syrius, sculptured by Jean Gougeon, to serve as the decoration of a fountain in the park of DIANE DE POITIERS at Anet, attracts the attention of the connoisseur.
The tomb of GOUGEON, composed of his own works, and erected to the memory of that great artist, through gratitude, is, undoubtedly, a homage which he justly deserved. This French Phidias was a Calvinist, and one of the numerous victims of St. Bartholomew's day, being shot on his scaffold, as he was at work on theLouvre, the 24th of August 1572. Here too we behold the statues of BIRAGUE and of the GONDI, those atrocious wretches who, together with Catherine de Medicis, plotted that infamous massacre; while CHARLES IX, no less criminal, here exhibits on his features the stings of a guilty conscience.
The man that has a taste for learning, gladly turns his eye from this horde of miscreants, to fix it on the statue of CLAUDE-CATHERINE DE CLERMONT-TONNERRE, who was so conversant in the dead languages as to bear away the palm from Birague and Chiveray, in a speech which she composed and spoke in Latin, at twenty-four hours' notice, in answer to the ambassadors who tendered the crown of Poland to Charles IX.
If the friend of the arts examine the beautiful portico erected by Philibert de l'Orme, on the banks of the Eure, for Diane de Poitiers, composed of the three orders of architecture, placed the one above the other, and forming altogether an elevation of sixty feet, he will be amazed to learn that this superb monument constructed at Anet, twenty leagues distant from Paris, was removed thence, and re-established in this Museum, by the indefatigable conservator, LENOIR.
On leaving the apartment containing the master-pieces brought to light by Francis I, the next we reach is the
HALL OF THE SEVENTEENTH CENTURY.
What a crowd of celebrated men contained in the temple consecrated to virtue, courage, and talents!
There, I behold TURENNE, CONDÉ, MONTAUSIER, COLBERT, MOLIÈRE, CORNEILLE, LA FONTAINE, RACINE, FÉNÉLON, and BOILEAU. The great LEWIS XIV, placed in the middle of this hall, seems to become still greater near those immortal geniuses.
Farther on, we see the statue of the implacable RICHELIEU, represented expiring in the arms of Religion, while Science is weeping at his feet. Ye Gods! what a prostitution of talent! This is the master-piece of GIRARDON; but, in point of execution, many connoisseurs prefer the mausoleum of the crafty MAZARIN, whom COYZEVOX has pourtrayed in a supplicating posture.
LEWIS XIII, surnamed theJust, less great than his illustrious subject, DE THOU, casts down his eyes in the presence of his ministers.
The mausolea of LE BRUN, LULLI, and JÉROME BIGNON, the honour, the love, and the example of his age, terminate the series of monuments of that epoch, still more remarkable for its literati than its artists. We at last come to the
HALL OF THE EIGHTEENTH CENTURY.
Here we admire the statues of MONTESQUIEU, FONTENELLE, VOLTAIRE, ROUSSEAU, HELVÉTIUS, CRÉBILLON, PIRON, &c. &c. The tombs of the learned MAUPERTUIS and CAYLUS, and also that of Marshal D'HARCOURT, give a perfect idea of the state of degradation into which the art of design had fallen at the beginning of this century; but the new productions which decorate the extremity of this spacious hall are sufficient to prove to what degree the absolute will of a great genius can influence the progress of the arts, as well as of the sciences. VIEN and DAVID appeared, and the art was regenerated.
Here, too, we find a statue, as large as life, representing Christ leaning on a pillar, executed by MICHAEL ANGELO STODTZ. I notice this statue merely to observe, that the original, from which it is taken, is to be seen at Rome, in theChiesa della Minervawhere it is held in such extraordinary veneration, that the great toe-nail of the right foot having been entirely worn away by the repeated kisses of the faithful, one of silver had been substituted. At length this second nail having been likewise worn away, a third was placed, of copper, which is already somewhat worn. It was sculptured by MICHAEL ANGELO BUONAROTI.
We experience an emotion of regret at the aspect of the handsome monument by MICHALLON, on learning that it was erected to the memory of young DROUAIS, a skilful and amiable artist, stopped by death, in 1788, during his brilliant career, at the early age of 24. He has left behind him three historical pictures, which are so many master-pieces.
The beautiful statue of the youthful Cyparissus, by CHAUDET, the most eminent French sculptor, reminds us of the full and elegant form of the fine Greek Bacchus, which decorates the peristyle of the antichamber or Hall of Introduction.
Thus the amateur and the student will find, in this Museum, an uninterrupted chronology of monuments, both antique and modern, beginning by those of ancient Greece, whose date goes back to two thousand five hundred years before our era, to examine those of the Romans, of the Lower Empire, of the Gauls, and thence pass to the first epoch of the French monarchy, and at length follow all the gradations through which the art has passed from its cradle to its decrepitude. The whole of this grand establishment is terminated by a spacious garden, which is converted into an
ELYSIUM.
There, on a verdant lawn, amid firs, cypresses, poplars, and weeping willows, repose the ashes of the illustrious poets, MOLIÈRE, LA FONTAINE, BOILEAU, &c.; of the learned DESCARTES, MABILLON, MONTFAUCON, &c., inclosed in sarcophagi; there, they still receive the homage which mankind owe to talents and virtue.
But hold! mark the sepulchre of the learned and tender HÉLOÏSE. Her remains, though formerly conjoined to those of her lover, were subsequently separated, and after a lapse of three hundred years, they are now reassembled.
Here one kind grave unites their hapless name,And grafts her love immortal on his fame.
With a smile seated on her lips, HÉLOÏSE seems to be sighing for the object of her glowing affection: while the unfortunate ABÉLARD, coldly reclined, is still commenting on the Trinity. TheParaclete, having been sold and demolished, LENOIR, with all the sensibility of an admirer of genius, withdrew the bones of ABÉLARD and HÉLOÏSE from that monastery, and placed them here in a sepulchral chapel, partly constructed from the remains of their ancient habitation.
Such is the MUSEUM OF FRENCH MONUMENTS. When completed, for some valuable specimens of the arts slill remain to be added, it will be one of the most interesting establishments in Paris, and perhaps in Europe, especially if considered in regard to the improvement of modern sculpture, and, I may add, architecture. No building can be better adapted than a monastery for an establishment of this nature. The solemn gloom of cloisters suits the temper of the mind, when we reflect on the mortality incident to a succession of ages, and the melancholy which it inspires, is in perfect unison with our feelings, when we contemplate the sepulchral monuments that recall to our memory the actions of the illustrious departed.
This Museum is very extensive, the three courts and large garden, which at present compose the whole of its premises, occupying a space of three thousand seven hundred and sixty-two toises. LENOIR, however, has recently presented to the First Consul a plan for enlarging it, without any additional expense of building, by adding to it the neighbouringHôtel de Bouillon. He proposes that there should be a new entrance by the quay, exhibiting a spacious court, decorated with statues, erected in regular order; and that the apartments on the ground-floor should be appropriated as follows:
When I consider the mutilated state in which most of these monuments were found at the first formation of this interesting establishment, and view the perfection in which they now appear; when I remark the taste and judgment displayed in the distribution and interior arrangement of the different apartments of this rich museum; when I learn, from the printed documents on the subject, the strict economy which has been observed in the acquisition or restoration of a great number of monuments, the more valuable as they illustrate the history of the arts; I confess that I find myself at a loss which most to admire in the Conservator, his courage, zeal, perseverance, or discrimination. Indeed, nothing but an assemblage of those qualities could have overcome the difficulties and obstacles which he has surmounted.
I shall add that LENOIR'S obliging disposition and amenity of manners equally entitle him to the gratitude and esteem of the connoisseur, the student, or the inquisitive stranger.
Paris, December 1, 1801.
I was highly gratified the other day on finding myself in company with some of those men whom (to borrow Lord Thurlow's expression, in speaking of Warren Hastings,) I have known only as I know Alexander, by the greatness of their exploits; men whose names will be transmitted to posterity, and shine with distinguished lustre in the military annals of France.
General A----y had already invited me to dine with him, in order to meet General B----r; but, on the day fixed, the latter, as minister for the war department, being under the necessity of entertaining Lord Cornwallis, the party was postponed till the 8th of Frimaire, (20th of November), when, in addition to General B----r, General A----y had assembled at his table several men of note. Among others, were General M----rd, who commanded the right wing of the army of Naples under Macdonald, in which he distinguished himself as a brave soldier; and D----ttes, physician in chief to the army of the East. This officer of health, as medical men are here denominated, is lately returned from Egypt, where his skill and attention to his professional duties gained him universal admiration.
In society so agreeable, time passed away rapidly till General B----r arrived. It was late, that is about seven o'clock, though the invitation expressed five precisely, as the hour of dinner. But, in Paris, a minister is always supposed to be detained on official business of a nature paramount to every other consideraton. On my being introduced to General B----r, he immediately entered into conversation with me concerning Lord Cornwallis, whom he had known in the American war, having served in the staff of Rochambeau at the siege of Yorktown. As far back as that period B----r signalized himself by his skill in military science. It was impossible to contemplate these distinguished officers without calling to mind how greatly their country was indebted to the exertion of their talents on various important occasions. These recollections led me to admire that wisdom which had placed them in stations for which they had proved themselves so eminently qualified. In England, places are generally sought for men; in France, men are sought for places.
At seven, dinner was announced, and an excellent one it was, both in quality and quantity.Prestowas the word, and all the guests seemed habituated to expedition. The difference between the duration of such a repast at this day, and what it was before the revolution, shews how constantly men become the slaves of fashion. Had BONAPARTE resembled Lucullus in being addicted to the pleasures of the festive board, I make no doubt that it would have been the height oftonto sit quietly two or three hours after dinner. But the Chief Consul is said to be temperate, almost to abstemiousness; he rises from table in less than half an hour; and that mode is now almost universal in Paris, especially among the great men in office. Two elegant courses and a desert were presently dispatched; the whole time employed in eating I know not how many good dishes, and drinking a variety of choice wines, not exceeding thirty-five minutes. At the end of the repast, coffee was presented to the company in an adjoining room, after which the opera ofTararewas the attraction of the evening.
I have already mentioned to you that General A----y had put into my handL'Histoire du Canal du Midi, written by himself.From a perusal of this interesting work, it appears that one of his ancestors[1] was the first who conceived the idea of that canal, which was not only planned by him, but entirely completed under his immediate direction. Having communicated his plan to Riquet, the latter submited it to Colbert, and, on its being approved by Lewis XIV, becamecontractorfor all the works of that celebrated undertaking, which he did not live to see finished. Riquet, however, not content with having derived from the undertaking every advantage of honour and emolument, greedily snatched from the original projector the meed of fame, so dearly earned by the unremitting labour of thirty successive years. These facts are set forth in the clearest light in the above-mentioned work, in which I was carefully examining General A----y's plans for the improvement of this famous canal, when I was most agreeably interrupted.
I had expressed to the General a wish to know the nature of the establishment of which he is the director, at the same time apprizing him that this wish did not extend to any thing that could not with propriety be made public. He obligingly promised that I should be gratified, and this morning I received ftom him a very friendly letter, accompanied by the following account of the
DÉPÔT DE LA GUERRE.
The generalDépôtor repository of maps and plans of war, &c, &c, was established by LOUVOIS, in 1688. This was the celebrated period when France, having attained the highest degree of splendour, secured her glory by the results of an administration enlightened in all its branches.
At the beginning of its institution, theDépôt de la guerrewas no more than archives, where were collected, and preserved with order, the memoirs of the generals, their correspondence, the accounts yet imperfect, and the traces of anterior military operations.
The numerous resources afforded by this collection alone, the assistance and advantages derived from it on every occasion, when it was necessary to investigate a military system, or determine an important operation, suggested the idea of assembling it under a form and classification more methodical. Greater attention and exactness were exerted in enriching theDépôtwith every thing that might complete the theoretical works and practical elucidations of all the branches of the military art,
Marshal DE MAILLEBOIS, who was appointed director of this establishment in 1730, was one of the first authors of the present existing order. The classification at first consisted only in forming registers of the correspondence of the generals, according to date, distinguishing it bydifferent wars. It was divided into two parts, the former containing the letters of the generals; and the latter, the minutes or originals of the answers of the king and his ministers. To each volume was added a summary of the contents, and, in regular succession, the journal of the military operations of the year. These volumes, to the number of upwards of two thousand seven hundred, contain documents from the eleventh century to the close of the last American war; but the series is perfect only from the year 1631. This was a valuable mine for a historiographer to explore; and, indeed, it is well known that theMemoirs of Turenne and of Condé, theHistory of the war of 1741, and part of the fragments of theEssay on the Manners and History of Nations, by Voltaire, were compiled and digested from the original letters and memoirs preserved in theDépôt de la guerre.
Geographical engineers did not then exist as a corps. Topography was practised by insulated officers, impelled thereto by the rather superficial study of the mathematics and a taste for drawing; because it was for them a mean of obtaining more advantageous employments in the staffs of the armies: but the want of a central point, the difference of systems and methods, not admitting of directing the operations to one same principle, as well as to one same object, topography, little encouraged, was making but a slow progress, when M. DE CHOISEUIL established, as a particular corps, the officers who had applied themselves to the practice of that science. TheDépôtwas charged to direct and assemble the labours of the new corps. This authority doubled the utility of theDépôt: its results had the most powerful influence during the war from 1757 to 1763.
Lieutenant-General De VAULT, who had succeeded Marshal De MAILLEBOIS as director of theDépôt de la guerre, conceived, and executed a plan, destined to render still more familiar and secure the numerous documents collected in this establishment. He first retrenched from theMilitary Correspondences and Memoirsall tedious repetitions and unnecessary details; he then classed the remainder under the head of a different army or operation, without subjecting himself to any other order than a simple chronology; but he caused each volume to be preceded by a very succinct, historical summary, in order to enable the reader to seize the essence of the original memoirs and documents, the text of which was faithfully copied in the body of each volume, In this manner did he arrange all the military events from the German war in 1677 to the peace of 1763. This analysis forms one hundred and twenty five volumes.
It is easy to conceive how much more interesting these historical volumes became by the addition, which took place about the same epoch, of the labours of the geographical engineers employed in the armies. The military men having it at the same time in his power to follow the combinations of the generals with the execution of their plans, imbibes, without difficulty, the principles followed by great captains, or improves himself from the exact account of the errors and faults which it is so natural to commit on critical occasions.
When all the establishments of the oldrégimewere tottering, or threatened by the revolutionary storm, measures were suggested for preserving theDépôt de la guerre, and, towards the end of 1791, it was transferred from Versailles to Paris. Presently the new system of government, the war declared against the emperor, and the foreseen conflagration of Europe, concurred to give a new importance to this establishment. Alone, amidst the general overthrow, it had preserved a valuable collection of the military and topographical labours of the monarchy, of manuscripts of the greatest importance, and a body of information of every kind respecting the resources, and the country, of the powers already hostile, or on the point of becoming so.All the utility which might result from theDépôtwas then felt, and it was thought necessary to give it a new organization.[2]
TheDépôt de la guerre, however, would have attained but imperfectly the object of its institution, had there not been added to its topographical treasure, the richest, as well as the finest, collection in Europe of every geographical work held in any estimation. The first epochs of the revolution greatly facilitated the increase of its riches of that description. The general impulse, imprinted on the mind of the French nation, prompted every will towards useful sacrifices. Private cabinets in possession of the scarcest maps, gave them up to the government,The suppression of the monasteries and abbeys caused to flow to the centre the geographical riches which they preserved in an obscurity hurtful to the progress of that important science: and thus theDépôt de la guerreobtained one of the richest collections in Europe.[3] The government, besides, completed it by the delivery of the great map of France by CASSINI, begun in 1750, together with all the materials forming the elements of that grand work.It is painful to add that not long before that period (in 1791) the corps of geographical engineers, which alone could give utility to such valuable materials had been suppressed.[4]
In the mean time, the sudden changes in the administrative system had dispersed the learned societies employed in astronomy, or the mathematical sciences. TheNational Observatorywas disused. The celebrated astronomers attached to it had no rallying point: they could not devote themselves to their labours but amidst the greatest difficulties; the salary allowed to them was not paid; the numerous observations, continued for two centuries, were on the point of being interrupted.
TheDépôt de la guerrethen became the asylum of those estimable men. This establishment excited and obtained the reverification of the measure of an arc of the meridian, in order to serve as a basis for the uniformity of the weights and measures which the government wished to establish.
MÉCHAIN, DELAMBRE, NOUET, TRANCHOT, and PERNY were dispatched to different places from Barcelona to Dunkirk. After having established at each extremity of this line a base, measured with the greatest exactness, they were afterwards to advance their triangles, in order to ascend to the middle point of the line. This operation, which has served for rectifying a few errors that the want of perfection in the instruments had occasioned to be introduced into the measure of the meridian of CASSINI, may be reckoned one of the most celebrated works which have distinguished the close of the eighteenth century.
The establishment of the system of administration conformably to the constitution of the year III (1795) separated the various elements which theDépôt de la guerrehad found means to preserve. TheBoard of Longitudewas established; theNational Institutewas formed to supply the place of theAcademy of Sciences, &c. TheDépôt de la guerrewas restored solely to its ancient prerogatives.Two years before, it had been under the necessity of forming new geographical engineers and it succeeded in carrying the number sufficiently high to suffice for the wants of the fourteen armies which France had afterwards on foot.[5] These officers being employed in the service of the staffs, no important work was undertaken. But, since the 18th of Brumaire, year VIII, (9th of November, 1799) the Consuls of the Republic have bestowed particular attention on geographical and topographical operations. The new limits of the French territory require that the map of it should be continued; and the new political system, resulting from the general pacification, renders necessary the exact knowledge of the states of the allies of the Republic.
TheDépôt de la guerreforms various sections of geographers, who are at present employed in constructing accurate maps of the four united departments. Piedmont, Savoy, Helvetia, and the part of Italy comprised between the Adige and the Adda. One section, in conjunction with the Bavarian engineers, is constructing a topographical map of Bavaria: another section is carrying into execution the military surveys, and other topographical labours, ordered by General MOREAU for the purpose of forming a map of Suabia.
TheDépôthas just published an excellent map of the Tyrol, reduced from that of PAYSAN, and to which have been added the observations made by Chevaliers DUPAY and LA LUCERNE. It has caused to be resumed the continuation of the superb map of the environs of Versailles, calledLa carte des chasses, a master-piece of topography and execution in all the arts relating to that science. Since the year V (1795), it has also formed a library composed of upwards of eight thousand volumes or manuscripts, the most rare, as well as the most esteemed, respecting every branch of the military art in general.
Although, in the preceding account, General A----y, with that modesty which is the characteristic of a superior mind, has been totally silent respecting his own indefatigable exertions, I have learned from the best authority, that France is soon likely to derive very considerable advantages from the activity and talent introduced by him, as director, into every branch of theDépôt de la guerre, and of which he has afforded in his own person an illustrious example.
In giving an impulse to the interior labours of theDépôt, the sole object of General A----y is to make this establishment lose itsparalyzingdestination of archives, in which, from time to time, literati might come to collect information concerning some periods of national or foreign history. He is of opinion that these materials ought to be drawn from oblivion, and brought into action by those very persons who, having the experience of war, are better enabled than any others to arrange its elements. Instruction and method being the foundations of a good administration, of the application of an art and of a science, as well as of their improvement, he has conceived the idea of uniting in a classical work the exposition of the knowledge necessary for the direction of theDépôt, for geographical engineers, staff-officers, military men in general, and historians.This, then, is the object of theMémomorial du Dépôt de la guerre, a periodical work, now in hand, which will become the guide of every establishment of this nature[6], by directing with method the various labours used in the application of mathematical and physical sciences to topography, and to that art which, of all others, has the greatest influence on the destiny of empires: I mean the art military. The improvements of which it is still susceptible will be pointed out in theMémorial, and every new idea proposed on the subject will there be critically investigated.
In transcribing General A----y's sketch of this extremely-interesting establishment, I cannot but reflect on the striking contrast that it presents, in point of geographical riches, even half a century ago, to the disgraceful poverty, in that line, which, about the same period, prevailed in England, and was severely felt in the planning of our military expeditions.
I remember to have been told by the late Lord Howe, that, when he was captain of the Magnanime at Plymouth, and was sent for express to London, in the year 1757, in order to command the naval part of an expedition to the coast of France, George II, and the whole cabinet council, seemed very much astonished at his requiring the production of a map of that part of the enemy's coast against which the expedition was intended. Neither in the apartment where the council sat, nor in any adjoining one, was any such document; even in the Admiralty-office no other than an indifferent map of the coast could be found: as for the adjacent country, it was so little known in England, that, when the British troops landed, their commander was ignorant of the distance of the neighbouring villages.
Of late years, indeed, we have ordered these matters better; but, to judge from circumstances, it should seem that we are still extremely deficient in geographical and topographical knowledge; though we are not quite so ill informed as in the time of a certain duke, who, when First Lord of the Treasury, asked in what part of Germany was the Ohio?
P.S. In order to give you, at one view, a complete idea of the collections of theDépôt de la guerre, and of what they have furnished during the war for the service of the government and of the armies, I shall end my letter by stating that, independently of eight thousand chosen volumes, among which is a valuable collection of atlases, of two thousand seven hundred volumes of old archives, and of upwards of nine hundredcartonsor pasteboard boxes of modern original documents, theDépôtpossesses one hundred and thirty-one volumes and seventy-eightcartonsof descriptive memoirs, composed at least of fifty memoirs each, four thousand seven hundred engraved maps, of each of which there are from two to twenty-five copies, exclusively of those printed at theDépôt, and upwards of seven thousand four hundred valuable manuscript maps, plans, or drawings of marches, battles, sieges, &c.
By order of the government, it has furnished, in the course of the war, seven thousand two hundred and seventy-eight engraved maps, two hundred and seven manuscript maps or plans, sixty-one atlases of various parts of the globe, and upwards of six hundred descriptive memoirs.
Footnote 1: FRANÇOIS ANDREOSSY; who was the great great grandfather of the present French ambassador at our court.Return to text
Footnote 2: On the 25th of April, 1792, was published a regulation, decreed by the king, respecting the general direction of theDépôt de la guerre. The annual expense of the establishment, at that time amounted to 68,000 francs, but the geographical and historical departments were not filled.Note of the Author.Return to text
Footnote 3: AnAgence des carteswas appointed, by the National Assembly, to class these materials, and arrange them in useful order.Return to text
Footnote 4: At the juncture alluded to (1793), the want of geographical engineers having been felt as soon as the armies took the field, three brigades were formed, each consisting of twelve persons. The composition of theDépôt de la guerre, was increased in proportion to its importance: intelligent officers were placed there; and no less than thirty-eight persons were employed in the interior labour, that is, in drawing plans of campaigns, sieges, &c.Note of the Author.Return to text
Footnote 5: That tempestuous period having dispersed the then director and his assistants, theDépôt de la guerreremained, for some time, without officers capable of conducting it in a manner useful to the country. In the mean while, wants were increasing, and military operations daily becoming more important, when, in 1793, CARNOT, then a member of the Committee of Public Welfare, formed a private cabinet of topography, the elements of which he drew from theDépôt de la guerre. This was a first impulse given to these valuable collections.Note of the Author.Return to text
Footnote 6: Prince Charles is employed at Vienna in forming a collection of books, maps, and military memoirs for the purpose of establishing aDépôtfor the instruction of the staff-officers of the Austrian army. Spain has also begun to organize a system of military topography in imitation of that of France. Portugal follows the example. What are we doing in England?Return to text
Paris, December 3, 1801.
In this season, when the blasts of November have entirely stripped the trees of their few remaining leaves, and Winter has assumed his hoary reign, the garden of theTuileries, loses much of the gaiety of its attractions. Besides, to frequent that walk, at present, is like visiting daily one of our theatres, you meet the same faces so often, that the scene soon becomes monotonous. As well for the sake of variety as exercise, I therefore now and then direct my steps along the
BOULEVARDS.
This is the name given to the promenades with which Paris is, in part, surrounded for an extent of six thousand and eighty-four toises.
They are distinguished by the names of theOldand theNew. TheOld, orNorth Boulevards, commonly called theGrands Boulevards, were begun in 1536, and, when faced with ditches, which were to have been dug, they were intended to serve as fortifications against the English who were ravaging Picardy, and threatening the capital. Thence, probably, the etymology of their name;Boulevardsignifying, as every one knows, a bulwark.
However this may be, the extent of theseOldBoulevards is two thousand four hundred toises from theRue de la Concordeto thePlace de la Liberté, formerly the site of the Bastille. They were first planted in 1660, and are formed into three alleys by four rows of trees: the middle alley is appropriated to carriages and persons on horseback, and the two lateral ones are for foot-passengers.
Here, on each side, is assembled every thing that ingenuity can imagine for the diversion of the idle stroller, or the recreation of the man of business. Places of public entertainment, ambulating musicians, exhibitions of different kinds, temples consecrated to love or pleasure, Vauxhalls, ball-rooms, magnificent hotels, and other tasteful buildings, &c. Even the coffee-houses and taverns here have their shady bowers, and an agreeable orchestra. Thus, you may always dine in Paris with a band of music to entertain you, without additional expense.
TheNewBoulevards, situated to the south, were finished in 1761. They are three thousand six hundred and eighty-three toises in extent from theObservatoireto theHôtel des Invalides. Although laid out much in the same manner as theOld, there is little resemblance between them; each having a very distinct appearance.
On theNew Boulevards, the alleys are both longer and wider, and the trees are likewise of better growth. There, the prospect is rural; and the air pure; while cultivated fields, with growing corn, present themselves to the eye. Towards the town, however, stand several pretty houses; little theatres even were built, but did not succeed. This was not their latitude. But some skittle-grounds and tea-gardens, lately opened, and provided with swings, &c. have attracted much company of a certain class in the summer.
In this quarter, you seldom meet with a carriage, scarcely ever with persons sprucely dressed, but frequently with honest citizens, accompanied by their whole family, as plain in their garb as in their manners. Lovers too with their mistresses, who seek solitude, visit this retired walk; and now and then a poor poet comes hither, not to sharpen his appetite, but to arrange his numbers.
Before, the revolution, theOldBoulevards, from thePorte St. Martinto theThéâtre Favart, was the rendezvous of theélegantes, who, on Sundays and Thursdays, used to parade there slowly, backward and forward, in their carriages, as our belles do in Hyde Park; with this difference, that, if their admirers did not accompany them, they generally followed them to interchange significant glances, or indulge in amorous parley. I understand that the summer lounge of the modernéleganteshas, of late years, been from the corner of theRue Grange Batelièreto that of theRue Mont-Blanc, where the ladies took their seats. This attracting themuscadinsin great numbers, not long since obtained for that part of the Boulevard the appellation ofPetit Coblentz.
Nearly about the middle of the North Boulevard stand two edifices, which owe their erection to the vanity of Lewis XIV. In the gratification of that passion did theGrand Monarqueconsole himself for his numerous defeats and disappointments; and the age in which he lived being fertile in great men, owing, undoubtedly, to the encouragement he afforded them, his display of it was well seconded by their superior talents. Previously to his reign, Paris had several gates, but some of these being taken down, arcs of triumph, in imitation of those of the Romans, were erected in their stead byLouis le Grand, in commemoration of his exploits. And this too, at a time when the allies might, in good earnest, have marched to Paris, had they not, by delay, given Marshal Villars an opportunity of turning the tide of their victories on the plain of Denain. Such was the origin of the
PORTE SAINT DENIS.
The magnificence of its architecture classes it among the first public monuments in Paris. It consists of a triumphal arch, insulated in the manner of those of the ancients: it is seventy-two feet in diameter as well as in elevation, and was executed in 1672, by BULLET from the designs of BLONDEL.
On each side of the principal entrance rise two sculptured pyramids, charged with trophies of arms, both towards the faubourg, and towards the city. Underneath each of these pyramids is a small collateral passage for persons on foot. The arch is ornamented with two bas-reliefs: the one facing the city represents the passage of the Rhine; and the other, the capture of Maestricht.
On the frieze on both sides LUDOVICO MAGNO was formerly to be read, in large characters of gilt bronze. This inscription is removed, and to it are substituted the wordLiberté, Égalité, Fraternité.
On arriving from Calais, you enter Paris by thePorte St. Denis. It was also by thePorte St. Denisthat kings and queens made their public entry. On these occasions, the houses in all the streets through which they passed, were decorated with silk hangings and tapestry, as far as the cathedral ofNotre-Dame. Scented waters perfumed the air in the form ofjets d'eau; while wine and milk flowed from the different public fountains.
Froissard relates that, on the entrance of Isabeau de Bavière, there was in theRue St. Denisa representation of a clouded heaven, thickly sown with stars, whence descended two angels who gently placed on her head a very rich crown of gold, set with precious stones, at the same time singing verses in her praise.
It was on this occasion that Charles VI, anxious for a sight of his intended bride, took a fancy to mix in the crowd, mounted on horseback behind Savoisi, his favourite. Pushing forward in order to approach her, he received from the serjeants posted to keep off the populace several sharp blows on the shoulders, which occasioned great mirth in the evening, when the circumstance was related before the queen and her ladies.
Proceeding along the Boulevard towards the east, at a short distance from thePorte St. Denis, you arrive at the
PORTE SAINT MARTIN.
Although this triumphal arch cannot be compared to the preceding in magnificence, it was nevertheless executed by the same artists, having been erected in 1674. It is pierced with three openings, the centre one of which is eighteen feet wide, and the two others nine. The whole structure, which is fifty-four feet both in height and breadth, is rusticated, and in the spandles of the arch are four bas-reliefs; the two towards the city represent the capture of Besançon, and the rupture of the triple alliance; and those towards the faubourg, the capture of Lomberg, and the defeat of the Germans under the emblem of an eagle repulsed by the god of war. These bas-reliefs are crowned by an entablature of the Doric order, surmounted by an attic. ThePorte St. Martinis the grand entrance into Paris from all parts of Flanders.
At the west extremity of thisNorthBoulevard, facing theRue de la Concorde, stands an unfinished church, calledLa Magdeleine, whose cemetery received not only the bodies of Lewis XVI, his consort, and his sister, but of the greater part of the victims that perished by guillotine.
In the space comprised betweenLa Magdeleineand theVieille Rue du Temple, I speak within compass when I say that there are sometimes to be seen fifty ambulating conjurers of both sexes. They all vary the form of their art. Some have tables, surmounted by flags, bearing mysterious devices; some have wheels, with compartments adapted to every age and profession—One has a robe charged with hieroglyphics, and tells you your fortune through a long tube which conveys the sound to your ear; the other makes you choose in a parcel, a square piece of white paper, which becomes covered with characters at the moment when it is thrown into a jug that appears empty. The secret of this is as follows:
The jug contains a little sulphuret of potash, and the words are written with acetite of lead. The action of the exterior air, on, the sulphuret of potash, disengages from it sulphurated hydrogen gas, which, acting on the oxyd of lead, brings to view the characters that before were invislble.
Here, the philosophic Parisians stop before the movable stall of an astrologer, who has surmounted it with an owl, as an emblem of his magic wisdom. Many of them take this animal for a curiosity imported from foreign countries; for they are seldom able to distinguish a bat from a swallow.
"Does that bird come from China, my dear?" says a lusty dame to her elderly husband, a shopkeeper of theRue St. Denis.—"I don't know, my love," replies the other.—"What eyes it has got," continues she; "it must see a great deal better than we." "No;" cries a countryman standing by; "though its eyes are so big, it can't, in broad day, tell a cow from a calf."
The lady continues her survey of the scientific repository; and the conjurer, with an air of importance, proposes to her to draw, for twosous, a motto from Merlin's wheel. "Take one, my dear," says the husband; "I wish to know whether you love me." The wife blushes and hesitates; the husband insists; she refuses, and is desirous of continuing her walk, saying that it is all foolishness.—"What if it is?" rejoins the husband, "I've paid, so take a motto to please me." For this once, the lady is quite at a nonplus; she at last consents, and, with a trembling hand, draws a card from the magic wheel: the husband unrolls it with eagerness and confidence, and reads these words: "My young lover is and will be constant."—"What the devil does this mean?" exclaims the old husband; quite disconcerted. —"'Tis a mistake," says the conjurer; "the lady put her hand into the wrong box; she drew the motto from the wheel foryoung girls, instead of that formarried women. LetMadamedraw again, she shall pay nothing more."—"No, Mr. Conjurer," replies the shopkeeper, "that's enough. I've no faith in such nonsense; but another time, madam, take care that you don't put your hand into the wrong box." The fat lady, with her face as red as fire, follows her husband, who walks off grumbling, and it is easy to see, by their gestures, that the fatal motto has sown discord in the family, and confirmed the shopkeeper's suspicions.
Independently of these divers into futurity, the corners of streets and walls of public squares, are covered with hand-bills announcing books containing secrets, sympathetic calculations of numbers in the lottery, the explanation of dreams in regard to those numbers, together with the different manners of telling fortunes, and interpreting prognostics.
At all times, the marvellous has prevailed over simple truth, and the Cumæan Sibyl attracted the inquisitive in greater crowds than Socrates, Plato, or any philosopher, had pupils in the whole course of their existence.
In Paris, the sciences are really making a rapid progress, notwithstanding the fooleries of the pseudo-philosophers, who parade the streets, and here, on theBoulevards, as well as in other parts of the town, exhibit lessons of physics.
One has an electrifying machine, and phials filled with phosphorus: for twosous, he gives you a slight shock, and makes you a present of a small phial.
Farther on, you meet with acamera obscura, whose effect surprises the spectators the more, as the objects represented within it have the motion which they do not find in common optics.
There, you see a double refracting telescope: for twosous, you enjoy its effect. At either end, you place any object whatever, and though a hat, a board, or a child be introduced between the two glasses, the object placed appears not, on that account, the less clear and distinct to the eye of the person looking through the opposite glass.Pierrehas seen, and cannot believe his eyes:Jacqueswishes to see, and, on seeing, is in ecstacy: next comesFanchon, who remains stupified. Enthusiasm becomes general, and the witnesses of their delirium are ready to go mad at not having twosousin their pocket.
Another fellow, in short, has a microscope, of which he extols the beauty, and, above all, the effects: he will not describe the causes which produce them, because he is unacquainted with them; but, provided he adapts his lessons to the understanding of those who listen to him, this is all he wants. Sometimes he may be heard to say to the people about him: "Gentlemen, give me a creeping insect, and for onesou, I will shew it to you as big as my fist." Sometimes too, unfortunately for him, the insect which he requires is more easily found among part of his auditors, than the money.
P.S. For the preceding account of the Parisian conjurers I am indebted to M. Pujoulx.
Paris, December 4, 1802.
In one of your former letters you questioned me on a subject, which, though it had not escaped my notice, I was desirous to avoid, till I should be able to obtain on it some precise information. This I have done; and I hasten to present you with the following sketch, which will afford you a tolerably-correct idea of the
FRENCH FUNDS, AND NATIONAL DEBT.
The booked or consolidated debt is called
TIERS CONSOLIDÉ,
from its being the consolidated third of the national debt, of which the remaining two-thirds were reimbursed inBons de deux Tiersin 1797 and 98. It bears interest at five per Cent. payable half yearly at theBanque de France. The payment of the interest is at present six months in arrear. But the intention of the government is, by paying off in specie the interest of one whole year, to pay in future as soon as due.
The days of payment are the 1st of Germinal (23d of March) and the 1st of Vendémiaire (23d of September).
This stock purchased at the present price of from 55 to 60 would produce from eight to nine per cent. The general opinion is, that it will rise to 80; and as it is the chief stock, and the standard of the national credit, it is the interest, and must be the constant object of the government to keep up its price.
There is aCaisse d'amortissementor Sinking Fund, for the special purpose of paying off this stock, the effect of which, though not exactly known, must shortly be very considerable. TheTiers Consolidéis saleable and transferable at a moment's warning, and at a trifling expense. It is not subject to taxation, nor open to attachments, either on the principal or interest.
For purchasing, no sort of formality is required; but for receiving interest, or selling, it is necessary to produce a power of attorney. An established rule is, that the seller always retains his right to half a year's interest at the succeeding stated period of payment, so that he who purchases in the interval between March and September, is entitled to the interest commencing from the 23d of the latter month only; and he who buys between September and March, receives not his first dividend till the 23d of the following September.
TIERS PROVISOIRE.
This is the debt, yet unbooked, which is composed of the provisional claims of the creditors of the emigrants, the contractors, and various other holders of claims on the government.
TheTiers Provisoireis to be booked before the 1st of Vendémiaire, year XII of the Republic (23d of September, 1803), and will from that day bear interest of five per cent; so that, setting aside the danger of any retrospect in the interval, and that of any other change, it is at the present price, of from 15 to 50, cheaper than theTiers Consolidéto which, in about eighteen months, it will, in every respect, be assimilated.
BONS DE DEUX TIERS,
Is paper issued for the purpose of reimbursing the reduced two-thirds of the National Debt, and in the origin rendered applicable to the purchase of national houses and estates in the French Colonies, since ordered to be funded at five per cent; so that the price of this species of paper is entirely subordinate to that of theTiers Consolidéand supposing that to be 60 francs per cent, theBon de deux Tierswould be worth 3 francs. There are no hopes, however distant, that the government will ever restore theBons de deux Tiersto their original value.
BONS DE TROIS QUARTS,
So called from having been issued for the purpose of reimbursing the three-fourths of the interest of the fifth and sixth years of the Republic (1797 to 1798). They are, in all respects, assimilated to the preceding stock.
COUPONS D'EMPRUNT FORCÉ.
These are the receipts given by the government to the persons who contributed to the various forced loans. This paper is likewise assimilated to the two last-mentioned species, with this difference, that it is generally considered as a less sacred claim, and is therefore liquidated with greater difficulty. The holders of these three claims are hastening the liquidation and consolidation of them, and they are evidently right in so doing.
QUARTS AU NOM ET QUART NUMÉRAIRE.
This paper is thus denominated from its having been issued for the purpose of reimbursing the fourth of the dividend of the fifth and sixth years of the Republic (1797 to 1798). It is generally thought that this very sacred claim on the government will be fundedin toto.
RACHATS DE RENTE,
Is the name given to the redemption of perpetual annuities due by individuals to the government, on a privileged mortgage on landed estates; the said annuities having been issued by the government in times of great distress, for the purpose of supplying immediate and urgent events.
This paper is not only a mere government security, but is also specially mortgaged on the estates of the person who owes the annuity to the government, and who is, at any time, at liberty to redeem it at from twenty to twenty-five years purchase. Claims of this description, mortgaged on most desirable estates near the metropolis, might be obtained for less than 60 per cent; which, at the interest of five per cent, and with the additional advantage, in some instances, of the arrears of one or two years, would produce between eight and nine per cent.
Next to theTiers Consolidé,Rachats de Renteare particularly worthy of attention; indeed, this debt is of so secure and sacred a nature, that the government has appropriated a considerable part of it to the special purpose and service of the hospitals and schools; two species of institutions which ought ever to be sheltered from all vicissitudes, and which, whatever may be the form or character of the government, must be supported and respected.
ACTIONS DE LA BANQUE DE FRANCE.
These are shares in the National Bank of France, which are limited to the number of thirty thousand, and were originally worth one thousand francs each; they therefore form a capital of 30,000,000 francs, or £1,250,000 sterling, and afford as follows:
The present price of anactionis about twelve hundred francs, which may be considered as producing:
Actions de la Banque de France, though subject, in common with all stocks, to the influence of the government, are, however, far more independent of it than any other, and are the more secure, as the National Bank is not only composed of all the first bankers, but also supported by the principal merchants in the country. This investment is at present very beneficial, and certainly promises great eventual advantages. The dividends are paid in two half-yearly instalments.
ACTIONS DE LA CAISSE DE COMMERCE,ET ACTIONS DU COMPTOIR COMMERCIAL.
TheCaisse de Commerceand theComptoir Commercialare two establishments on the same plan, and affording, as nearly as possible, the same advantages as theBanque de France: the only difference is as follows:
TheBanque de FrancetheCaisse de Commerce, and theComptoir Commercial, discount three times a week. The first, the paper of the banking-houses and the principal commercial houses holding bank-stock; the second, the paper of the wholesale merchants of every class; and the third, the paper of retailers of all descriptions; and in a circulation which amounts to 100 millions of francs (circa4 millions sterling) per month, there have not, it is said, been seen, in the course of the last month, protests to the amount of 20,000 francs.
BONS DE L'AN VII ET DE L'AN VIII.
Is a denomination applied to paper, issued for the purpose of paying the dividend of the debt during the seventh and eighth years of the Republic.
TheseBonsare no further deserving of notice than as they still form a part of the floating debt, and are an article of the supposed liquidation at the conclusion of the present summary. It is therefore unnecessary to say more of them.
ARRÉRAGES DES ANNÉES V ET VI.
These are the arrears due to such holders of stock as, during the fifth and sixth years of the Republic, had not their dividend paid inBons de trois QuartsandQuart Numéraire, mentioned in Art. IV and VI of this sketch. I also notice them as forming an essential part of the above-mentioned supposed liquidation, at the end of the sketch, and shall only add that it is the general opinion that they will be funded.
To the preceding principal investments and claims on the government, might be added the following:
Coupes de Bois.Cédules Hypothécaires.Rescriptions de Domaines Nationaux.Actions de la Caisse des Rentiers.Actions des Indes.Bons de Moines et Réligieuses.Obligations de Reçeveur.
However, they are almost entirely unworthy of attention, and afford but occasionally openings for speculation. Of the last,(Obligations de Reçeveur)it may be necessary to observe that they are monthy acceptances issued by the Receivers-General of all the departments, which the government has given to the five bankers, charged with supplying money for the current service, as security for their advances, and which are commonly discounted at from 7/8 to one per cent per month.