The New York Humane Society has at last taken action, looking to the destruction of improper, immoral and friendless cats, and agents are at work capturing the nocturnal prowlers, and turning them over to the proper authorities of the society, who cause them to be killed.
This action cannot but be favorably commented upon by all loyal citizens, and as the Milwaukee Humane Society is a branch of the New York society, it is only reasonable to suppose that it will not be long before our home society will be engaged in cat extermination. There is a great field here for such a society, and applause awaits the humane people who have banded together to put these cats out of their misery.
We know there are those who will say that cats are not in misery when they give vent to those soul-stirring passages from unwritten opera, under the currant bushes, but we cannot but think that they are in the most crushing misery which it would be a charity to put them out of, or they would not chew their words so, and expectorate imaginary tobacco juice, mingled with hair and profanity. We know that human beings when they are enjoying each others society do not groan, and scratch, and Samantha around with their backs up, and their eyes sot, and run up board fences, and it is a safe inference to draw that these after dark cats are in pain. Of course cats are not human, though they are endowed with certain human instincts, such as staying out nights, and following other cats.
Sitting on the sharp edge of a board fence for hours, gazing at a neighboring cat, and occasionally purmowing, may be likened by the student of nature, to human beings who sit for hours on a cast iron seat in the park, with arms around each other; but it is far different. We have yet to hear of instances where quantities of hair have been found on the ground in the parks, and no young man or young woman, after an evening in the park, comes to his place of business in the morning, with eyes clawed out, ears chewed, or so stiff as to be unable to get up from under the stove without being kicked. Weighing this matter carefully and in an unbiased manner, we must give the chromo for good conduct, correct deportment, and good citizenship, to the human beings who frequent the parks at night, over the cats who picnic under our gooseberry bustes, and play Copenhagen on our area fences, when those who have brought them up from innocent kittenhood think they are abed and asleep.
So it is plain that the humane society has got work to do. We, as a people, have got tired of seeing a Thomas cat that never paid any taxes, get upon a pile of wood, swell his tail up to the size of a rolling pin, bid defiance to all laws, spit on his hands and say in ribald language to a Mariar cat, of a modest and retiring disposition, “Lay on, Mac Duff, and blanked be he who first cries purmeow.” This thing has got to cease. The humane society will soon be on the track of the enemy.
We know that the war is about to commence, because Mr. Holton has resigned the presidency of the society. But there are bold men in the society that are not so tender-hearted as Brother Holton, and they will fight this cat question to the bitter end.
We can almost see Mr. Oliver, with his trusty shot gun, going through back alleys at midnight, his white plume always to be found where cat hair is the thickest. John Woodhull will meet him, after the enemy is driven over the fence in disorder, and taken refuge under the shrubbery, and they will compare notes and cats. Good Mr. Spencer sees the handwriting on the wall, and his voice will be still for cats. Winfield Smith and Chas. Ray will go out in the pale moonlight with stuffed clubs and sell cats short, while Prof. McAllister and Chaplain Gordon, of the Light House, will sing a solemn requiem for the repose of the alleged souls of the midnight opera performers on the back fence, and a grateful people will pass resolutions of thanks that where once all was chaos and cat hair, all will be peace and good will towards morning. And may grace, mercy, peace and plenty of cat scalps abide with the bold night riders of the Humane society of Milwaukee. Scat!
There was one of those things occurred at a Chicago hotel during the conclave that is so near a fight and yet so ridiculously laughable that you don't know whether you are on foot or a horseback. Of course some of the Knights in attendance were from the back woods, and while they were well up in all the secret workings of the order, they were awful “new” in regard to city ways.
There was one Sir Knight from the Wisconsin pineries, who had never been to a large town before, and his freshness was the subject of remark. He was a large hearted gentleman, and a friend that any person might be proud to have. But he was fresh. He went to the Palmer House Tuesday night, after the big ball, tired nearly to death, and registered his name and called for a bed.
The clerk told him that he might have to sleep on a red lounge, in a room with two other parties, but that was the best that could be done. He said that was all right, he “had tried to sleep on one of them cots down to camp, but it nearly broke his back,” and he would be mighty glad to strike a lounge. The clerk called a bell boy and said, “Show the gentleman to 253.”
The boy took the Knight's keister and went to the elevator, the door opened and the Knight went in and began to pull off his coat, when he looked around and saw a woman on the plush upholstered seat of the elevator, leaning against the wall with her head on her hand. She was dressed in ball costume, with one of those white Oxford tie dresses, cut low in the instep, which looked, in the mussed and bedraggled condition in which she had escaped from the exposition ball, very much to the Knight like a Knight shirt. The astonished pinery man stopped pulling off his coat and turned pale. He looked at the woman, and then at the elevator boy, whom he supposed was the bridegroom, and said:
“By gaul, they told me I would have to sleep with a couple of other folks, but I had no idea that I should strike a wedding party in a cussed little bridal chamber not bigger than a hen coop. But there ain't nothing mean about me, only I swear it's pretty cramped quarters, ain't it, miss?” and he sat down on one end of the seat and put the toe of one boot against the calf of his leg, took hold of the heel with the other hand and began to pull it off.
“Sir!” says the lady, as she opened her eyes and began to take in the situation, and she jumped up and glared at the Knight as though she would eat him.
He stopped pulling on the boot heel, looked up at the woman, as she threw a loose shawl over her low neck shoulders, and said:
“Now don't take on. The bookkeeper told me I could sleep on the lounge, but you can have it, and I will turn in on the floor. I ain't no hog. Sometimes they think we are a little rough up in Wausau, but we always give the best places to the wimmen, and don't you forget it,” and he began tugging on the boot again.
By this time the elevator had reached the next floor, and as the door opened the woman shot out of the door, and the elevator boy asked the Knight what floor he wanted to go to. He said he “didn't want to go to no floor,” unless that woman wanted the lounge, but if she was huffy, and didn't want to stay there, he was going to sleep on the lounge, and he began to unbutton his vest.
Just then a dozen ladies and gentlemen got into the elevator from the parlor floor, and they all looked at the Knight in astonishment. Five of the ladies sat down on the plush seat, and he looked around at them, picked up his boots and keister and started for the door, saying:
“O, say, this is too allfired much. I could get along well enough with one woman and a man, but when they palm off twelve grown persons onto a granger, in a sweat box like this, I had rather go to camp,” and he strode out, to be met by a policeman and the manager of the house and two clerks, who had been called by the lady who got out first and who said there was a drunken man in the elevator. They found that he was sober, and all that ailed him was that he had not been salted, and explanations followed and he was sent to his room by the stairs.
The next day some of the Knights heard the story, and it cost the Wausau man several dollars to foot the bill at the bar, and they say he is treating yet. Such accidents will happen in these large towns.
The Minneapolis fair has been for some months advertising a race of twenty miles between a California and a Minnesota girl, on horseback, and on Wednesday it occurred. The girls were splendid horsewomen, but they had to change horses each mile, and the horses were strangers to the girls, and excited, and the crowd of 30,000 was excited, and the girls were kicked, trampled on and jammed into saddles by main strength, and away the horses would go, the crowd howling, the horses flying and the poor girls sighing and holding on with their teeth and toe nails, expecting every moment to be thrown off and galloped over by the horses and the crowd.
The pandemonium was kept up until the seventh round, when the saddle of Miss Jewett, the Minnesota girl, slipped, and she was thrown to the ground on the back stretch, and the crowd clamored for the master of ceremonies to send her another horse, while the California girl whooped it up around the track. They had to send a stretcher for the girl, and she was brought to the judge's stand as near a cold corpse as could be, her pale face showing through the dirt, and her limber form telling its own story.
Then people that had been enjoying the “fun” looked at each other as much as to say, “We are the biggest fools outside of congress, to enjoy coldblooded murder, and call it fun.” The girl will live, though some of her bones are warped. This whole subject of lady horseback riding is wrong. The same foolish side saddles are used that were used before the flood, with no improvement since Eve used to ride to town after the doctor when Adam had the rheumatiz.
Women can ride as well as men, if they are given a show, but to place them on a horse with both legs on one side of the animal, so they have to allow for the same weight of other portions of the body on the other side to balance them, is awkward and dangerous, and it is a wonder that more do not fall off and squash themselves, A well built woman is as able to ride as a man. Her legs are strong enough to keep her on a horse—we say legs understandingly, because that is the right name for them—if she can have one on each side, but to shut one leg up like a jack-knife and hang it up on a pommel, and get a check for it, and forget that she has got a leg, and to let the other one hang down listlessly beside the horse, the heel of the foot pounding him in the sixth rib, is all nonsense, and those two legs, that ought to be the main support of the rider, are of no more use than two base ball clubs would be hung to the saddle. For all the good legs do on a side saddle they might as well be taken off and left at home.
Of course they are handy to have along if a lady wants to dismount, out in the woods, and pick flowers, or climb a tree after a squirrel, but the minute she gets in the saddle her legs are not worth the powder to blow them up. And talk about exercise and developing muscle, walking a mile is better than riding all summer.
In walking, the legs and all the muscles of the body are brought into action, and the blood courses through the veins, and a girl looks like a thoroughbred, but in horseback riding the legs lay dormant, get to sleep and have to be waked up when the owner dismounts, and all the exercise is got by portions of the human frame that never has seemed to us as though there was absolute need of greater development.
It is true that horseback riding makes the cheeks-red. Well, blood that wouldn't rush to the head after being churned that way wouldn't be worth having. It has to go somewhere. It can't go to the legs, because they are paralyzed, being curled up like a tailor, mending trousers. Horseback exercise for ladies, on a side saddle, is a delusion and a snare, and does not amount to a row of pins, and it never will be worth a cent until women can ride like men. Then the lower limbs—now it islimbs—will be developed and health will be the result, and there will be no danger of a saddle turning and a helpless woman being dragged to her death.
There is nothing indelicate about riding on both sides of a horse, if they once get used to it. But they have got to get over this superstition that to ride on horseback a woman must put her limbs up in curl papers.
A dispatch from Chicago says that Wilbur F. Storey, of theTimes, is in a bad state, and that he gets around by leaning on his young wife with one hand and a cane with the other, that he believes his latter end is approaching, and that he is giving liberally to churches and has quit abusing ministers, and is trying to lead a different life.
We should have no objections to Mr. Storey's going to heaven. However much he might try to revolutionize things there, and run the place, there will be enough of us there to hold the balance of power and prevent him from doing any particular damage. Besides, we do not believe he is responsible for the cussedness of his newspaper. It is the wicked young men he keeps. The four that we know, Wilkie, Snowdon, Seymour and Doc Hinman, are enough to make the truly good Mr. Storey have night sweats. They never refuse when you ask them up, and they are full of guile.
Storey got fooled the worst on Snowdon. Snow-don is a graduate of a nice Christian college at Ripon, a beautiful blonde young man with the most resigned and pious countenance we ever saw, one that seems to draw people to him. His heart is tender and he weeps at the recital of suffering. A stranger, to look at his face in repose, would say that he was an evangelist and the pillar of some church, and that he associated only with the truly good, but he plays the almightiest game of draw poker of any man in Chicago.
The boys say that when Storey engaged Snowdon, after the fire, he got him to attend to the Sunday school department, and to keep track of the church sociables and to report the noon prayer meetings, but that while he was giving him instructions in the duties that he would be expected to perform, Storey suggested that as the evening was well advanced that they play a game of “old maid,” an innocent game played with cards.
Mr. Snowdon hesitated at first, said it was something he never allowed himself to do, to touch a card, as he had promised his old professor, Mr. Merrill, of Ripon college, that he never would do anything that would bring reproach upon hisalmira mater, but seeing it was Storey he would play one game, just for luck. Well, you know how it is. One word brought on another, they drifted, by easy stages, into draw poker, and before Snowdon left he had won two hundred and eighty dollars and, an oroide watch chain of Storey.
Mr. Storey told his wife the next morning that he never was so deceived in a pious looking young person in his life. “Why,” said he, as he was thumbing over the Bible to read a chapter before morning prayers, “the tow headed cuss would draw to a pair of deuces and get an ace full. Let us unite in prayer.”
However, he was not going to see any other paper secure Snowdon's talent, so he gave him a box stall up in the top of theTimesbuilding, and any day, after 3 o'clock in the afternoon, you can go there and borrow a couple of dollars of him, if you are in Chicago hard up.
TheSunhopes Mr. Storey may live as long as he can make it pay, and when he dies that he may go to the celestial regions, but he must not go and build any temporary seats and charge a dollar a head for us fellows from the country to see the procession go by. We can stand those things here on earth, but when we get over there we must have a square deal, or jump the game.
The tendency of the stage is to present practical, everyday affairs in plays, and those are the most successful which are the most natural. The shoeing of a horse on the stage in a play attracts the attention of the audience wonderfully, and draws well. The inner workings of a brewery, or a mill, is a big card, but there is hardly enough tragedy about it. If they could run a man or two through the wheel, and have them cut up into hash, or have them crowned in a beer vat? audiences could applaud as they do when eight or nine persons are stabbed, poisoned or beheaded in the Hamlets and Three Richards, where corpses are piled up on top of each other.
What the people want is a compromise between old tragedy and new comedy. Now, if some manager could have a love play, where the heroine goes into a slaughter house to talk love to the butcher, instead of a blacksmith shop or a brewery, it would take. A scene could be set for a slaughter house, with all the paraphernalia for killing cattle, and supe butchers to stand around the star butcher with cleavers and knives.
The star butcher could sit on a barrel of pigs' feet, or a pile of heads and horns, and soliloquize over his unrequited love, as he sharpened a butcher knife on his boot. The hour for slaughtering having arrived, cattle could be driven upon the stage, the star could knock down a steer and cut its throat, and hang it up by the hind legs and skin it, with the audience looking on breathlessly.
As he was about to cut open the body of the dead animal, the orchestra could suddenly break the stillness, and the heroine could waltz out from behind a lot of dried meat hanging up at one side, dressed in a lavender satin princess dress,en train, with a white reception hat with ostrich feathers, and, wading through the Blood of the steer on the carpet, shout, “Stay your hand, Reginald!”
The star butcher could stop, wipe his knife on his apron, motion to the supe butchers to leave, and he would take three strides through the blood and hair, to the side of the heroine, take her by the wrist with his bloody hand, and shout, “What wiltest thou, Mary Anderson de Montmorence?” Then they could sit down on a box of intestines and liver and things and talk it over, and the curtain could go down with the heroine swooning in the arms of the butcher.
Seven years could elapse between that act and the next, and a scene could be laid in a boarding house, and some of the same beef could be on the table, and all that. Of course we do not desire to go into details. We are no play writer, but we know what takes. People have got tired of imitation blood on the stage. They kick on seeing a man killed in one act, and come out as good as new in the next. Any good play writer can take the cue from this article and give the country a play that will take the biscuit.
Imagine John McCullough, or Barrett, instead of killing Roman supes with night gowns on, and bare legs, killing a Texas steer. There's where you would get the worth of your money. It would make them show the metal within them, and they would have to dance around to keep from getting a horn in their trousers. It does not require any pluck to go out behind the scenes with a sword and kill enough supes for a mess. Give us some slaughter house tragedy, right away.
There is nothing that is more touching than the gallantry of men, total strangers, to a lady who has met with an accident. Any man who has a heart in him, who sees a lady whose apparel has become disarranged in such a manner that she cannot see it, will, though she be a total stranger, tell her of her misfortune, so she can fix up and not be stared at. But sometimes these efforts to do a kindly action are not appreciated, and men get fooled.
This was illustrated at Watertown last week. People have no doubt noticed that one of the late fashions among women is to wear at the bottom of the dress a strip of red, which goes clear around. To the initiated it looks real nice, but a man who is not posted in the fashions would swear that the woman's petticoat was dropping off, and if she was not notified, and allowed to fix it, she would soon be in a terrible fix on the street.
It was a week ago Monday that a lady from Oshkosh was at Watertown on a visit, and she wore a black silk dress with a red strip on the bottom. As she walked across the bridge Mr. Calvin Cheeney, a gentleman whose heart is in the right place, saw what he supposed would soon be a terrible accident, which would tend to embarrass the lady, so he stepped up to her in the politest manner possible, took off his hat and said:
“Excuse me, madame, but I think your wearing apparel is becoming disarranged. You might step right into Clark's, here, and fix it,” and he pointed to the bottom of her dress.
She gave him a look which froze his blood, and shaking her dress out she went on. He said it was the last time he would ever try to help a woman in distress.
She sailed along down to a grocery store and stopped to look at some grapes, when the practiced eye of Hon. Peter Brook saw that something was wrong. To think is to act with Peter, and he at once said:
“Miss, your petticoat seems to be dropping off. You can go in the store and get behind that box of codfish and fix it if you want to.”
Now that was a kind thing for Peter to do, and an act that any gentleman might be proud of, but he was amazed at her when she told him to mind his own business, and she would attend to her own petticoat, and she marched off just a trifle mad.
She went into the postoffice to mail a postal card, just as Mr. Moak, the postmaster, came out of his private office with Hon. L. B. Caswell, the congressman. Mr. Moak, without the aid of his glasses, saw that there was liable to be trouble, so he asked Caswell to excuse him a moment, and turning to the delivery window where she was asking the clerk what time the mail came in, he said:
“I beg a thousand pardons, madame. It ill becomes a stranger to speak to one so fair without an introduction, but I believe that I am not violating the civil service rules laid down by Mr. Hayes for the guidance of postmasters when I tell you, lady, that something has broke loose and that the red garment that you fain would hide from the gaze of the world has asserted itself and appears to the naked eye about two chains and three links below your dress. I am going abroad, to visit Joe Lindon, the independent candidate for sheriff, and you can step into the back office and take a reef in it.”
He did not see the look of fire in her eyes as he went out, because he was not looking at her eye. She passed out, and Doc Spaulding, who has got a heart in him as big as a box car, saw it, and touching his broad brimmed felt hat he said, in a whisper:
“Madame, you better drop into a millinery store and fasten up your—”
But she passed him on a run, and was just going into a hardware store, with her hand on her pistol pocket, when Jule Keyes happened along. Now, Jule would consider himself a horse thief if he should allow a woman to go along the street with anything the matter with her clothes, and he not warn her of the consequences, so he stopped and told her that she must excuse him, a perfect stranger, for mentioning her petticoat, but the fact was that it was coming off.
By this time the woman was mad. She bought a pistol and started for the depot, firmly resolved to kill the first man that molested her. She did not meet anybody until she arrived at the Junction, and she sat down in the depot to rest before the train came.
Pierce, the hotel man, is one of the most noticin' persons anywhere, and she hadn't been seated a York minute before his eye caught the discrepancy in her apparel. He tried to get the telegraph operator and the express man to go and tell her about it, but they wouldn't, so he went and took a seat near her.
“It is a warm day, madame,” said Pierce, looking at the red strip at the bottom of her dress.
She drew her pistol, cocked it, and pointed it at Pierce, who was trembling in every leg, and said:
“Look-a-here, you young cuss. I have had half a dozen grown persons down town tell me my petticoat was coming off, and I have stood it because I thought they were old enough to know what they were talking about, but when it comes to boys of your age coming around thinking they know all about women's clothes it is too much, and the shooting is going to commence.”
Mr. Pierce made one bound and reached the door, and then got behind a white grey hound and waited for her to go away, which she soon did. As she was stepping on the car the conductor, Jake Sazerowski, said to her:
“Your apparel, madame, seems to be demoralized,” but she rushed into the car, and was seen no more.
Since then these gentlemen have all learned that the fashion calls for a red strip at the bottom of a dress, and they will make no more mistakes. But they were all serious enough, and their interference was prompted by pure kindness of heart, and not from any wicked thoughts.
Last week, a young man from the country west of here came in on the evening train and walked up to Grand avenue, with a fresh looking young woman hanging on to one handle of a satchel while he held the other. They turned into the Plankinton House, and with a wild light in his eye the man went to the book and registered his name and that of the lady with him.
While the clerk was picking out a couple of rooms that were near together, the man looked around at the colored man who had the satchel, and as the clerk said, “Show the gentleman to No. 65 and the lady to 67,” he said, “Hold on, 'squire! One room will do.”
On being shown to the room, the bridegroom came right out with the bell boy and appeared at the office. Picking out a benevolent looking gentleman, with a good place to raise hair on his head, who was behind the counter, the groom said:
“Say, can a man enjoy religion in this house?”
Mr. White said a man could if he brought it with him. They had none on hand to issue out to guests, but they never interfered with those who had it when they arrived.
“Why,” says the manager of the house, “has anybody interfered with your devotions here?”
“No, not here,” said the man, wiping his fore-head with a red handkerchief. “But they have at Dubuque. I'll tell you how it was. I was married a couple of days ago, and night before last I put up at a Dubuque hotel. My wife never had been married before, any at all, and she is timid, and thinks everybody is watching us, and making fun of us.
“She jumps at the slightest sound. Well, we went to our room in the afternoon, and she began to cry, and said if she wasn't married she never would be the longest day she lived. I sort of put my arm around her, and was just telling her that everybody had to get married, when there was a knock on the door, and she jumped more than thirty feet. “You see that finger. Well, a pin in her belt stuck clear through, and came near making me faint away. I held my finger in my mouth, and telling her the house was not on fire, I went to the door and there was a porter there who wanted to know if I wanted any more coal on the fire. I drove him away, and sat down in a big rocking chair with my wife in my lap, and was stroking her hair and telling her that if she would forgive me for marrying I never would do so again, and trying to make her feel more at home, when there came another knock at the door, and she jumped clear across the room and knocked over a water pitcher.
“This seal ring on my finger caught in her frizzes and I'll be cussed if the whole top of her head didn't come off. I was a little flurried and went to the door, and a chambermaid was there with an armful of towels and she handed me a couple and went off. My wife came into camp again, and began to cry and accuse me of pulling her hair, when I went up to her and put my arm around her waist, and was just going to kiss her, just as any man would be justified in kissing his wife under the circumstances, when she screamed murder and fell against the bureau.
“I looked around and the door had opened, and there was a colored man coming into the room with a kerosene lamp, and he chuckled and said he begged my pardon. Now, I am a man that don't let my temper get away with me, but as it was three hours before dark I didn't see what was the use of a lamp, and I told him to get out of there. Before 6 o'clock that evening there had been twenty raps at the door, and we got sick. My wife said she would not stay in that house for a million dollars. So we started for Milwaukee.
“I tried to get a little sleep on the cars, but every little while a conductor would wake me up and roll me over in the seat to look at my ticket, and brake-men would run against my legs in the aisle of the car, and shout the names of stations till I was sorry I ever left home. Now, I want to have rest and quietude. Can I have it here?”
The manager told him to go to his room, and if he wanted any coal or ice water to ring for it, and if anybody knocked at his door without being sent for, to begin shooting bullets through the door. That settled it, and when the parties returned to Iowa they said this country was a mighty sight different from Dubuque.
A dispatch from Brooklyn states that at the conclusion of a performance at the theatre, Fanny Davenport's wardrobe was attached by Anna Dickinson and the remark is made that Fanny will contest the matter. Well, we should think she would. What girl would sit down silently and allow another to attach her wardrobe without contesting? It is no light thing for an actress to have her wardrobe attached after the theatre is out. Of course Fanny could throw something over her, a piece of scenery, or a curtain, and go to her hotel, but how would she look? Miss Davenport always looked well with her wardrobe on, but it may have been all in the wardrobe. Without a wardrobe she may look very plain and unattractive.
Anna Dickinson has done very wrong. She has struck Fanny in a vital part. An actress with a wardrobe is one of the noblest works of nature. She is the next thing to an honest man, which is the noblest work, though we do not say it boastingly. We say she is next to an honest man, with a wardrobe, but if she has no wardrobe it is not right.
However, we will change the subject before it gets too deep for us.
Now, the question is, what is Anna Dickinson going to do with Fanny's wardrobe? She may think Fanny's talent goes with it, but if she will carefully search the pockets she will find that Fanny retains her talent, and has probably hid it under a bushel, or an umbrella; or something, before this time. Anna cannot wear Fanny's wardrobe to play on the stage, because she is not bigger than a banana, while Fanny is nearly six feet long, from tip to tip. If Anna should come out on a stage with the Davenport wardrobe, the boys would throw rolls of cotton batting at her.
Fanny's dress, accustomed to so much talent, would have to be stuffed full of stuff. There would be room in Fanny's dress, if Anna had it on, as we remember the two, to put in a feather bed, eleven rolls of cotton batting, twelve pounds of bird seed, four rubber air cushions, two dozen towels, two brass bird cages, a bundle of old papers, a sack of bran and a bale of hay. That is, in different places. Of course all this truck wouldn't go in the dress in any one given locality. If Anna should put on Fanny's dress, and have it filled up so it would look any way decent, and attempt to go to Canada, she would be arrested for smuggling.
Why, if Dickinson should put on a pair of Davenport's stockings, now for instance, it would be necessary to get out a search warrant to find her. She could pin the tops of them at her throat with a brooch, and her whole frame would not fill one stocking half as well as they have been filled before being attached, and Anna would look like a Santa Claus present of a crying doll, hung on to a mantel piece.
Fanny Davenport is one of the handsomest and splendidest formed women on the American stage, and a perfect lady, while Dickinson, who succeeds to her old clothes through the law, is small, not handsome, and a quarrelsome female who thinks she has a mission. The people of this country had rather see Fanny Davenport without any wardrobe to speak of than to see Dickinson with clothes enough to start a second hand store.
A woman at Wyocena, who chews gum, laid her “quid” on a green paper box, and when she came to chew it again was poisoned and it was with difficulty her life was saved. This reminds us of an accident that happened to Mary Anderson when she was here last. Mary will remember that in the second scene of “Ingomar,” just when Parthenia was winding herself around the heart of the barbarian, she looked pale, and whenever she would try to say sweet words to him, she acted as though she was on a lake excursion.
During some of the love passages we remember a far away look in her eyes, as though she was searching for the unfathomable, or looking for a friendly railing to lean over, and when her bosom heaved with emotion she acted as though she expected to hear from down country, and doubted whether her boots would remain on her feet or throw up their situation. Those who sat in the left box will remember that when she threw her head on Ingomar's shoulder, that she spit cotton over towards the back of the stage, and acted like the little girl that had been eating tomatoes.
Ingomar seemed to notice that something was the matter, and he kept his face as far from Parthenia as the rules of polite society would admit, and the theory that she had been eating onions, which was advanced by a bald-headed man in the dress circle, found many believers. However, that was not the case, as we found by inquiring of a gentlemanly supe. It is well known that Miss Anderson is addicted to the gum chewing habit, and that when she goes upon the stage she sticks her chew of gum on an old castle painted on the scenery.
There was a wicked young man playing a minor part in the play, who had been treated scornfully by Mary, as he thought, and he had been heard to say he would make her sick. He did. He took her chew of gum and spread it out so it was as thin as paper, then placed a chew of tobacco inside, neatly wrapped it up, and stuck it back on the old castle. Mary came off, when the curtain went down, and going up to the castle she bit like a bass. Putting the gum, which she had no idea was loaded, into her mouth, she mashed it between her ivories and rolled it as a sweet morsel under her tongue. It is said by those who happened to be behind the scenes, that when the tobacco began to get in its work there was the worst transformation scene that ever appeared on the stage. The air, one supe said, seemed to be full of fine cut tobacco and spruce gum, and Mary stood there and leaned against a painted rock, a picture of homesickness.
She was pale about the gills, and trembled like ap aspen leaf shaken by the wind. She was calm as a summer's morning, and while concealment, like a worm in an apple, gnawed at her stomach, and tore her corset strings, she did not upbraid the wretch who had smuggled the vile pill into her countenance. All she said, as she turned her pale face to the painted ivy on the rock, and grasped a painted mantel piece with her left hand, as her right hand rested on her heaving stomach, was, “I die by the hand of an assassin.” And the soft scenic moon rose up slowly, and calmly she looked down from the flies, and Mary was saved. Women can't be too careful where they put their gum.
The names of Indians are sometimes so peculiar that people are made to wonder how the red men became possessed of them. That of “Sitting Bull,” “Crazy Horse,” “Man Afraid of his Horses,” “Red Cloud,” etc., cause a good deal of thought to those who do not know how the names are given. The fact of the matter is that after a child of the forest is born the medicine man goes to the door and looks out and the first object that attracts his attention is made use of to name the child. When the mother of that great warrior gave birth to her child the medicine man looked out and saw a bull seated on its haunches; hence the name “Sitting Bull.” It is an evidence of our superior civilization that we name children on a different plan, taking the name of some eminent man or woman, some uncle or aunt to fasten on to the unsuspecting stranger. Suppose that the custom that is in vogue among the Indians should be in use among us, we would have, instead of “George Washington” and “Hanner Jane,” and such beautiful names, some of the worst jaw-breakers that ever was. Suppose the attending physician should go the door after a child was born and name it after the first object he saw. We might have some future statesman named “Red Headed Servant Girl with a Rubber Bag of Hot Water” or “Bald-headed Husband Walking Up and Down the Alley with His Hands in His Pockets swearing this thing shall never Happen Again.” If the doctor happened to go the door when the grocery delivery wagon was there he would name the child “Boy from Dixon's Grocery with a Codfish by the Tail and a Bag of Oatmeal,” or if the ice man was the first object the doctor saw some beautiful girl might go down to history with the name, “Pirate with a Lump of Ice About as Big as a Solitaire Diamond.” Or suppose it was about election time, and the doctor should look out, he might name a child that had a right to grow up a minister, “Candidate for office so Full of Bug Juice that His Back Teeth are Afloat;” or suppose he should look out and see a woman crossing a muddy street, he might name a child “Woman with a Sealskin Cloak and a Hole in Her Stocking going Down Town to Buy a Red Hat.” It wouldn't do at all to name children the way Indians do, because the doctors would have the whole business in their hands, and the directories are big enough now.
About the time the Wisconsin Central conductors were being hauled over the coals, some paper did a very unjust thing by insinuating that there was about to be a general overhauling on the old established roads, and carried the idea that there was crookedness among conductors who have been trusted employees for more years than the reporters of the papers making the insinuations have lived.
This is entirely wrong. It is well enough to joke conductors about “dividing with the company,” and all that, and the conductors take such jokes all right, and laugh about them, but when a serious charge is made by a newspaper it is no joking matter.
Men who have held responsible positions for fifteen years under managers who are the sharpest men in this country, are not apt to be crooked, and we notice that when there is a chance they are promoted, and if they leave the railroad it is always to enter into a better business, and they are honored everywhere.
We hold that no man can occupy a position on one of our great railroads for ten years if he is crooked. It would not pay a conductor to steal, if he had the desire. They are all men of families, well connected, and many of them have children grown up. Would they do an act that would bring disgrace not only upon themselves but their relatives, wives, children, and forever debar them from society for a paltry few dollars that they could bilk a railroad company out of? The idea is preposterous, and an insult to their intelligence.
As well say that the bookkeepers of our business houses, the managers of our manufactories, were systematically stealing from employers. The conductors have got sense. This talk about stealing is disgusting. You send your wives and children off on a train liable to meet with accident. The first thing you do if you are acquainted with the road is to find out what conductor is going to run the train. If it is one you know, you feel just as secure as though the wife and children were under the escort of your brother.
You know that if anything happens the first thought of the conductor is the safety of the women and children, at the expense of his own safety. And when your loved ones come home safe, and you meet them at the train, and the conductor stands upon the platform as the train backs into the depot, looking at nobody, but his eye fixed upon the chances of accident, you always feel as though you wanted to put your arm around him and say, “Bully for you, old boy.”
If your wife gets out of money on a journey the conductor goes down into hisownpocket, and not into the railroad company's, and tells her not to worry, as he hands her what money she wants. If your child is taken sick on the journey, who but the conductor sees to sending a dispatch to you quicker than lightning, and who brings a pillow in from the sleeper and makes the little one as comfortable as he would his own little one at home?
You appreciate these things at the time, but some day you will say, “How can a man drive a fast horse on eighty dollars a month?” Then you think you are smart. We will tell you. The conductors are pretty sharp business men. They can't travel all the time, and come in contact with all the world, and not be sharp. They see chances to make money outside of their business.
For instance, one of them who is a good judge sees a horse at some interior town that he knows is worth three times as much in Milwaukee or Chicago as the owner asks for it. He would be a fool if he did not buy it. We have known a conductor to make more money on two horse trades than his salary would amount to for three months. Would you object to his doing it? He did not neglect the business the company paid him to perform.
Sometimes a conductor feels in his inmost heart that the indications are that wheat is going up. Is it any worse for him to take a deal in wheat than it is for the deacon in his church? If he makes five hundred dollars on the deal, and puts an addition on his house, is it the square thing for you to say he stole it out of the company? Their knowledge of railroads and business frequently gives them an idea that stocks are liable to go up or down, and often they invest with good results.
We will take the chances with conductors, as square men, by the side of any business men, and it makes us as mad as a wet hen to hear people talk about their stealing. As well say that because one bank cashier steals that they are all robbing the banks. Quit this, now.