HENRYK SIENKIEWICZ

IT WAS A SUPERB BUILDING

"I dondt know much apout 'em," he said, simply. "Dey go avay for a year or two every six months, undt dey come back mit plenty ohf money ohf one kind undt anodder, but I subbosed dey made it all oudt ohf butter undt eggs. Vot is dose focal bowers you iss dalking apout? Iss dot some new kindt ohf chiggens?"

I gave the landlord up as a difficult case; but the next day, when I called at the castle of the two famous singers, I perceived why it was that in their own land they were known chiefly as farmers.

"The De Reszkes?" said I, as I entered their castle, some ten miles out of Warsaw, and held out my hands for the brothers to clasp.

It was a superb building, with a façadeof imposing quality, and not, as I had supposed, built of painted canvas, but of granite. To be sure, there were romantic little balconies distributed about it for Jean to practise on, with here and there a dark, forbidding casement which suggested the most base of Édouard's bass notes; but generally the castle suggested anything but the flimsy structure of a grand-opera scene.

Their reply was instant, and I shall never forget the magnificent harmony of their tones as they sang in unison:

"Miss Witherup—Miss Wi-hith-hith-erup?" they inquired.

"The sa-ha-ha-hay-hame!" I sang, and I haven't a bad voice at all.

"We are glad," sang Jean, in tenor tones.

"We are glad," echoed Édouard, only in bass notes, and then they joined together in, "We are glad, we are glad, to see-hee-hee-hee you."

I wish I could write music, so that I could convey the delightful harmonies ofthe moment to the reader's ear, particularly the last phrase. If a typographical subterfuge may be employed, it went like this:

"To see—hee—hee—heeyou!"

Start on C, and go a note lower on each line, and you will get some idea of the exquisite musical phrasing of my greeting.

"Excuse me, Jean," said Édouard, "but we are forgetting ourselves. It is only abroad that we are singers. Here we are farmers, and not even yodellists."

"True," said Jean. "Miss Witherup, we must apologize. We recognized in you a matinée girl from New York, and succumbed to the temptation to try to impress you; but here we are not operatic people. We run a farm. Do you come to interview us as singers or farmers?"

"I've come to interview you in any old way you please," said I. "I want to see you at home."

"Well, here we are," said Édouard, with one of his most fascinating smiles. "Look at us."

"Tell me," said I, "how did you know I was a matinée girl? You just said you recognized me as one."

"Easy!" laughed Jean, with a wink at his brother. "By the size of your hat."

"Ah, but you said from the United States," I urged. "How did you know that? Don't English matinée girls wear large hats?"

"Yes," returned Édouard, with a courteous bow, "but yours is in exquisite taste."

Just then the telephone-bell rang, and Jean ran to the receiver. Édouard looked a trifle uneasy, and I kept silent.

"What is it, Jean?" Édouard asked in a moment.

"It's a message from the Countess Poniatowska. She says the milk this morningwas sour. Those cows must have been at the green apples again," replied the tenor, moodily.

"It's very annoying," put in Édouard, impatiently. "That stage-carpenter we brought over from the Metropolitan isn't worth a cent. I told him to build a coop large enough for those cows to run around in, and strong enough to keep them from breaking out and eating the apples, and this is the third time they've done this. I really think we ought to send him back to New York. He'd make a good target for the gunners to shoot at over at the Navy Yard."

"What are the prospects for grand opera next year, Mr. De Reszke?" I asked, after a slight pause.

"Pretty good," replied Jean, absently. "Of course, if the milk was sour, we'll have to send another can over to the Countess."

"I suppose so," said Édouard; "but the thing's got to stop. I don't mind losing a little money on this farm at theoutset, but when it costs us $1500 a quart to raise milk, I don't much like having to provide substitute quarts, when it sours, at sixteen cents a gallon, just because a fool of a carpenter can't build a cow-coop strong enough to keep the beasts away from green apples."

I had to laugh quietly; for, as the daughter of a farmer, I could see that these spoiled children of fortune knew as much about farming as I knew about building light-houses.

"Perhaps," I suggested, "it wasn't the green apples that soured the milk. It may have been the thunder-storm last night that did it."

READY FOR THE STORM

"That can't be," said Jean, positively. "We have provided against that. All our cows have lightning-rods on them; we bought them from a Connecticut man, who was in here the other day, for $500 apiece, so you see no electrical disturbance could possibly affect them. It must have been the apples."

"I suppose I had better tell Plançonto take the extra quart over himself at once and explain to the Countess," said Édouard.

"Plançon here too?" I cried, in sheer delight.

"Yes; but it's a secret," said Jean. "The whole troupe is here. Plançon has charge of the cows, but nobody knows it. I wouldn't send Plançon," he added, reverting to Édouard's suggestion. "He'll stay over there all day singing duets with the ladies. Why not ask Scalchi to attend to it? She's going to town after the turnip seed this morning, and she can stop on her way."

"All right," said Édouard; "I imagine that will be better. Plançon's got all he can do to get the hay in, anyhow."

Édouard looked at me and laughed.

"We are hard workers here, Miss Witherup," he cried. "And I can tell you what it is, there is no business on earth so exacting and yet so delightful as farming."

"And you are all in it together?" I said.

"Yes. You see, last time we were allin New York we were the most harmonious opera troupe there ever was," Édouard explained, "and it was such a novel situation that Jean and I invited them all here for the farming season, and have put the various branches of the work into the hands of our guests, we two retaining executive control."

"Delightful!" I cried.

MELBA, THE DAIRY MAID

"Melba has charge of the dairy, and does a great deal of satisfactory rehearsing while churning the butter. You should hear the Spinning Song from 'Faust' as she does it to the accompaniment of a churn. Magnificent!"

"And you ought to see little Russitano and Cremonini rounding up the chickens every night, while Bauermeister collects the eggs," put in Jean; "and Plançon milking the cows after Maurel has called them home; and that huge old chap Tamagno pushing the lawn-mower up and down the hay-fields through the summer sun—those are sights that even the gods rarely witness."

"It must be a picture!" I ejaculated, with enthusiasm. "And Ancona? Is he with you?"

"He is, and he's as useful a man as ever was," said Édouard. "He is our head ploughboy. And Calvé's vegetable garden—well, Jean and I do not wish to seem vain, Miss Witherup, but really if there is a vegetable garden in the world that produces cabbages that are cabbages, and artichokes that are artichokes, and Bermuda potatoes that are Bermuda potatoes, it is Calvé's garden right here."

"And what becomes of all the product of your farm?" I asked.

"We sell it all," said Jean. "We supply the Czar of Russia with green pease and radishes. The Emperor of Germany buys all his asparagus from us; and we have secured the broiled-chicken contract for the Austrian court for the next five years."

"And you don't feel, Mr. De Reszke," I asked, "that all this interferes with your work?"

"It is my work," replied the great tenor.

"Then why," I queried, "do you not take it up exclusively? Singing in grand opera must be very exhausting."

"It is," sighed Jean. "It is indeed. Siegfried is harder than haying, and I would rather shear six hundred sheep than sing Tristan; but, alas, Édouard and I cannot afford to give it up, for if we did, what would become of our farm? The estimated expense of producing one can of pease on this estate, Miss Witherup, is $300, but we have to let it go at 50 cents. Asparagus costs us $14.80 a spear. A lamb chop from the De Reszke Lambery sells for 60 cents in a Paris restaurant, but it costs us $97 a pound to raise them. So you see why it is that my brother and I still appear periodically in public, and also why it is that our services are very expensive. We didn't want to take the gross receipts of opera the last time we were in New York, and when the company went to the wall we'd have gladly compromised for 99cents on the dollar, had we not at that very time received our semi-annual statement from the agent of our farm, showing an expenditure of $800,000, as against gross receipts of $1650."

"Sixteen hundred and thirty dollars," said Édouard, correcting his brother. "We had to deduct $20 from our bill against Queen Victoria for those pheasants' eggs we sent to Windsor. Three crates of them turned out to be Shanghai roosters."

"True," said Jean. "I had forgotten."

I rose, and after presenting the singers with the usual check and my cordial thanks for their hospitality, prepared to take my leave.

"You must have a souvenir of your visit, Miss Witherup," said Jean. "What shall it be—a radish or an Alderney cow? They both cost us about the same."

"Thank you," I said. "I do not eat radishes, and I have no place to keep a cow; but if you will sing the 'Lohengrin'farewell for me, it will rest with me forever."

The brothers laughed.

"You ask too much!" they cried. "That would be like giving you $10,000."

"Oh, very well," said I. "I'll take the will for the deed."

"We'll send you our pictures autographed," said Édouard. "How will thatdo?"

"I shall be delighted," I replied, as I bowed myself out.

"You can use 'em to illustrate the interview with," Jean called outafter me.

And so I left them. I hope their anxiety over their crops will not damage their "focal bowers," as the landlord called them, for with their voices gone I believe their farm would prove a good deal of a burden.

On my way back from the Polish home of the De Reszkes it occurred to me that it would be worth while to stop over a day or so and interview Mr. Sienkiewicz. There were a great many things I desired to ask that gentleman, and he is so comparatively unknown a personality that I thought a word or two with him would be interesting.

I had great difficulty in finding him, for the very simple reason that, like most other people, I did not know how to ask for him. Ordinarily I can go into a shop and ask where the person I wish to see may chance to dwell. But when a man has a name like Sienkiewicz,the task is not an easy one. When it is remembered that poets in various parts of the United States have made the name rhyme to such words as sticks, fizz, and even vichy, it will be seen that it requires an unusually bold person to try to speak it in a country where words of that nature are considered as easy to pronounce as Jones or Smith would be in my own beloved land. However, I was not to be daunted, and set about my self-appointed task without hesitation. My first effort was to seek information from my friends the De Reszkes, and I telegraphed them: "Where can I find Sienkiewicz? Please answer." With their usual courtesy the brothers replied promptly: "We don't know what it is. If it is a patent-medicine, apply at any apothecary shop; if it is a vegetable, we do not raise it, but we have a fine line of parsley we can send you if there is any immediate hurry."

I suppose I ought not to give the brothers away by printing their message of reply, but it seems to me to be so interestingthat I may hope to be forgiven if I have erred.

I next turned to the book-shops, but even there I was puzzled. Most of the booksellers spoke French; and while I am tolerably familiar with the idiom of the boulevards, I do not speak it fluently, and was utterly at a loss to know whatQuo Vadismight be in that language. So I asked for a copy ofWith Fire and Sword.

"Avez-vousAvec Feu et Sabre?" I asked of the courteous salesman.

It may have been my accent, or it may have been his stupidity. In any event, he did not seem to understand me, so I changed the book, and asked forThe Children of the Soil.

"N'importe," said I. "Avez-vousLes Enfants de la Terre?"

"Excuse me, madame," he replied, in English, "but what do you want, anyhow?"

"I want to know where—er—where the author ofQuo Vadislives."

"Oh!" said he. "I did not quite understand you. It is so long since I was in Boston that my American French is a trifle weak. If you will take the blue trolley-car that goes up Ujazdowska Avenue, and ask the conductor to let you out at the junction of the Krakowskie Przedmiescie and the Nowy Swiat, the gendarme on the corner will be able to direct you thither."

"Great Heavens!" I cried. "Would you mind writing that down?"

He was a very agreeable young man, and consented. It is from his memorandum that I have copied the names he spoke with such ease, and if it so happens that I have got them wrong, it is his fault, and not mine.

"One more thing before I go," said I, folding up the memorandum and shoving it into the palm of my hand through the opening in my glove. "When I get to—er—the author ofQuo Vadis'shouse, whom shall I ask for?"

I fear the young man thought I wasmad. He eyed me suspiciously for a moment.

"That all depends upon whom you wish to see," he said.

"I want to see—er—him," said I.

"Then ask for him," he replied. "It is always well, when calling, to ask for the person one wishes to see. If you desired to call upon Mrs. Brown-Jones, for instance, it would be futile to go to her house and ask for Mrs. Pink-Smith, or Mrs. Greene-Robinson."

"I know that," said I. "But what's his name?"

The young man paled visibly. He now felt certain that I was an escaped lunatic.

"I mean, how do you pronounce it?" I hastened to add.

ASKED A POLICEMAN

"Oh!" he replied, with a laugh, and visibly relieved. "Oh, that! Why, Sienkiewicz, of course! It is frequently troublesome to those who are not familiar with the Polish language. It is pronounced Sienkiewicz. S-i-e-n-k, Sienk, i-e, ie, w-i-c-z, wicz—Sienkiewicz."

And so I left him, no wiser than before. He did it so fluently and so rapidly that I failed to catch the orthoepic curves involved in this famous name.

Armed with the slip of paper he had so kindly handed me, I sought out and found the trolley-car; conveyed by signs rather than by word of mouth to the conductor where I wished to alight; discovered the gendarme, who turned out to be a born policeman, and was therefore an Irishman, who escorted me without more ado to the house in which dwelt the man for whom I was seeking.

"Is—er—the head of the house in?" I asked of the maid who answered my summons. I spoke in French, and this time met with no difficulty. The maid had served in America, and understood me at once.

THE AUTHOR IN HIS STUDY

"Yes, ma'm," she replied, and immediately ushered me into the author's den, where I discovered the great man himself scolding his secretary.

"I cannot understand why you are socareless," he was saying as I entered. "In spite of all my orders, repeatedly given, you will not dot your jays or cross your ells. If you do not take greater care I shall have to get some one else who will. Write this letter over again."

Then he looked up, and perceiving me, rose courteously, and, much to my surprise, observed in charming English:

"Miss Witherup, I presume?"

"Yes," said I, grasping his proffered hand. "How did you know?"

"I was at the De Reszkes' when your telegram reached there yesterday," he explained. "We thought you would be amused by the answer we sent you."

"Oh!" said I, seeing that I had been made the victim of a joke. "It wasn't polite, was it?"

"Oh, I don't know," he replied. "It was inspired by our confidence in your American alertness. We were sure you would be able to find me, anyhow, and we thought we'd indulge in a little humor, that was all."

"Ah!" I said, smiling, to show my forgiveness. "Well, you were right; and now that I have found you, tell me, do you write or dictate your stories?"

"I dictate them," he said.

"Wonderful!" said I. "Can you really speak all those dreadful Polish words? They are so long and so full of unexpected consonants in curious juxtaposition that they suggest barb-wire rather than literature to the average American mind."

I had a sort of sneaking idea that he would find in juxtaposition a word to match any of his own, and I spoke it with some pride. He did not seem to notice it, however, and calmly responded:

"One gets used to everything, Miss Witherup. I have known men who could speak Russian so sweetly that you'd never notice how full of jays the language is," said he. "And I have heard Englishmen say that after ten years' residence in the United States they got rather to like the dialect of you New-Yorkers, and in some cases to speak it with some degree of fluency themselves."

"What is your favorite novel, Mr.—er—"

"Sienkiewicz," he said, smiling over my hesitation.

"Thanks," said I, gratefully. "But never mind that. I have a toothache, anyhow, and if you don't mind I won't—"

"Don't mention it," he said.

"I won't," I answered. "What is your favorite novel?"

"Quo Vadis," he replied, promptly, and without any conceit whatever. He was merely candid.

"I don't mean of your own. I mean of other people's," said I.

"Oh!" said he. "I didn't understand; still, my answer must be the same. My favorite novel in Polish is, of course, my own; but of the novels that others have published, I thinkQuo Vadis, by Jeremiah Curtin, is my favorite. Of course it is only a translation, but it is good."

I did not intend to be baffled, however, so I persisted.

"Very well, Mr.—er—You," said I. "What is your favorite novel in Chinese?"

"My favorite novel has not yet been translated into Chinese," he replied, calmly, and I had to admit myself defeated.

"Do you likeVanity Fair?" I asked.

"I have never been there," said he, simply.

"What do you think of Pickwick?" I asked.

"That is a large question," he replied, with some uneasiness, I thought. "But as far as my impressions go, I think he was guilty."

I passed the matter over.

"Are you familiar with American literature?" I asked.

"Somewhat," said he. "I have watched the popular books in your country, and have read some of them."

"And what books are they?" I asked.

"Well,Quo VadisandThe Prisoner of Zenda," he replied. "They are both excellent."

"I suppose you never read Conan Doyle," I put in, with some sarcasm. A man who is familiar with what is popular in American literature ought to have read Conan Doyle.

"Yes," he replied, "I have read Conan Doyle. I've read it through three times, but I think Dr. Holmes did better work than that. HisAutograph on the Breakfast Tablewas a much better novel than Conan Doyle, and his poem, 'The Charge of the Light Brigade,' is a thing to be remembered. Still, I liked Conan Doyle," he added.

"Everybody does," I said.

"Naturally. It is a novel that suggests life, blood, insight, and all that," said my host. "But of all the books you Americans have written the best is Mr. Thackeray's estimate of your American boulevardier. It was named, if I remember rightly,Tommie Fadden. I read thatwith much interest, and I do not think that Mr. Thackeray ever did anything better, although his story ofJane Eyrewas very good indeed. Fadden was such a perfect representation of your successful American, and in reading it one can picture to one's self all the peculiar qualities of your best society. Really, I am grateful to Mr. Thackeray for hisTommie Fadden, and when you return to New York I hope you will tell him so, with my compliments."

I looked at my watch and observed that the hour was growing late.

"I am returning to Paris," said I, "so I have very little time left. Still, I wish to ask you two questions. First, did you find it hard to make a name for yourself?"

"Very," said he. "It has taken sixteen hours a day for twenty years."

"ONE MUST BE INTRODUCED"

"Then why didn't you choose an easier name, like Lang, or Johnson?" I asked.

"What is your other question?" he said, in response. "When I make a name, I make a name that will be remembered. Sienkiewicz will be remembered, whether it can be pronounced without rehearsal or not. What is your other question?"

"Are you going to read from your own works in America, or not? Dr. Doyle, Dr. Watson, Anthony Hope, Matthew Arnold, and Richard Le Gallienne have done it. How about yourself?" I said.

Mr. Sienkiewicz sighed.

"I wanted to, but I can't," said he. "Nobody will have me."

"Nonsense," said I. "Have you? They'll all have you."

"But," he added, "how can I? One must be introduced, and how can chairmen of the evening introduce me?"

"They have intelligence," said I. And some of them have, so I was quite right.

"Yes, but they have no enunciation or memory," said he. "I can explain forever the pronunciation of my name, but your American chairman can never remember how it is pronounced. I shallnotgo."

And so I departed from the house of Mr. Sienkiewicz.

I can't really see why, when he was making a name for himself, he did not choose one that people outside of his own country could speakoccasionally without wrecking their vocal chords—one like Boggs, for instance.

Upon returning to my London lodgings I was greatly rejoiced to find awaiting me there a cable message from the War Department at Washington, saying that if I would visit General Weyler at Madrid, and secure from him a really frank expression of his views concerning our Spanish imbroglio, the President would be very glad to give me a commission as First Assistant Vivandière to the army of the Philippines, with rank of Captain. I saw at once that in endeavoring to secure an interview with this particular celebrity I ran risks far greater than any I had yet encountered—greater even than those involved in my visit to Mr. Caine at hisManx home. It is my custom, however, to go wherever duty may call, and inasmuch as my sex has, since the days of Joan of Arc, secured military recognition nowhere except in the ranks of the Salvation Army, I resolved to accept the commission, and notified the War Department accordingly. Fortunately my style of beauty is of the Spanish type, and, furthermore, when at boarding-school, many years ago, in Brooklyn, I had studied the Spanish tongue, so that disguise was not difficult. I had seen Carmencita dance at a private residence in New York, and had therefore some slight knowledge of how a full-fledged señorita should enter a room, so that, on the whole, I went to Madrid tolerably confident that I could beard the great Spanish lion in his den, and escape unscathed.

"A RATHER STUNNING BANDERILLO OPENED THE DOOR"

Purchasing a lace mantilla and a scarlet scarf about eight feet long, my feet covered with red slippers, and a slight suggestion of yellow silk hosiery peeping from beneath a satin skirt of the lengthprescribed by the rainy-day club, and armed with a pack of cards and a pair of castanets, I ventured forth upon my perilous mission. Nothing of moment occurred on the journey. I did not don my Spanish dress until I had left England behind—indeed, I had reached the Pyrenees before I arrayed myself in my costume, although I was most anxious to do so. It was, after all, so fetching.

Once in Spain I had no difficulty at all, and in fact made myself very popular with the natives by telling most charming fortunes for them, and dancing the armadillo and opadildock with a verve which pleased them and surprised even myself. I have always known myself to be a resourceful creature, but I had never dreamed that among my reserve accomplishments the agility and grace of a premiere danseuse could be numbered.

It was Friday evening when I reached Madrid, and Saturday morning, bright and early, I called at General Weyler's house. A rather stunning banderilloopened the front door and inquired my business.

"Tell General Weyler," said I, "that Señorita Gypsy del Castillanos de Sierra de Santiago, of Newark, New Jersey, wishes to speak with him on affairs of national importance."

IN HIDING

I had resolved upon a bold stroke, and it worked to a charm. The General, who is mortally afraid of assassins, had been listening from his usual hiding-place behind the hat-rack. Pushing the hat-rack from before him, he stepped out into the hall, and, standing between me and the door, inquired threateningly if Newark, New Jersey, was not one of the dependencies of the United States. I answered him in fluent Spanish that it was, told him that I had lived there through no fault of my own for three years, had had to fly before a mob because of my pro-Spanish sympathies, and, travelling night and day, had come to lay before him a complete sketch of the fortifications of Newark, together with the ground-plan of Harlem, which, as I informed him, he would have to take before he could possibly hope to place Washington in a state of siege. I also gave him a chart showing by what waterways a Spanish fleet could approach and reduce Niagara Falls to ashes—a blow which would strike England and the United States with equal force, without necessarily altering thestatus quo antewith Great Britain.

The General, like the quick-witted soldier that he is, became interested at once. The lowering aspect of his brow cleared like the summer clouds before an August sun, and, with an urbanity which I had not expected, invited me to step into his sanctum. I accepted with alacrity. I cannot say that it was a pleasant room; it was in military disorder. Machetes and murderous-looking pistols were everywhere, and the chair to which I was assigned was a pleasant little relic of the Inquisition, and was so arranged that had the General so wished, the arms holding hidden iron spikes would fold about meat any moment and give me a hug I should not forget in a hurry. Added to this was a series of Kodak pictures of all the atrocities of which he was guilty while in Havana. These were framed in one massive oaken frieze running from one end of the room to the other, and labelled on a gilt tablet with black letters, "Snap Shots I Have Snapped, or Pleasant Times in Cuba."

This demonstrates that Weyler is one of those rarely fortunate people who take pleasure and pride in the profession they are called upon to follow.

"General," said I, once we were seated, "did it ever occur to you that if you were two feet shorter, and clean-shaven, with a different nose and a smaller mouth, and a shorter chin and a bigger brow, and less curve to your arms when you walk, you would resemble Napoleon Bonaparte?"

The General was evidently pleased by my compliment.

"Do you think so?" said he, with a smile which absolutely froze my soul.

"I do," I said, meekly, and then I began to weep. I was really unnerved, and began to wish I had never accepted the commission. He was so frightfully cold-blooded, and toyed with a stiletto of razor-like sharpness so carelessly that I was truly terrified.

"Don't cry, Gypsy," he said. "War is a terrible thing, but we will beat those Yankee pigs yet." This, of course, was before peace was declared.

The remark nerved me up again. He believed in me, and that was half the battle.

"Oh, I hope so, General," I sobbed. "But how? Poor old Spain has nothing to fight with."

"Spain has me, señorita!" he cried, passionately. "And I single-handed will give them battle."

"But you do not know the country, General," said I. "Don't risk your life, I beg of you—our only hope! I haven't a doubt that in a fight with pigs you will win; but, General, the United States is sovast, so complicated; it is full of pitfalls!"

I could see that I had him worked up.

"I AM TOO OLD A SPANIARD TO BE CAUGHT LIKE THAT"

"Señorita," he cried, "fear not for Weyler. Think you that I do not know America! Ha—ha! I know its every inch. And let me tell you this: it is because I have devoted hour after hour, day after day, night after night, to the study of the United States, and, best of all, they do not suspect it over there. Why? Because of my strategy! When I wished to learn where was situated the city of Ohio did I send to New York for a map? Not I. I knew that if I bought a map in New York, the house of which I bought it would advertise me as one of their patrons. I am too old a Spaniard to be caught like that." Here his voice sank to a whisper, and, leaning forward, he added, impressively: "I sent for a railway time-table. Figures express to my mind what lines or maps could not express to others. What did I learn from the New York Centraltime-table, for instance? This: Ohio is twelve hours from New York. Good, say you—but what does that mean? Travelling at the rate of four miles an hour, Ohio is just forty-eight miles from New York city! Forty-eight miles! Pah! By forced marches our troops could cover that in ten days."

The General snapped his fingers.

"But why Ohio, General?" I asked.

"The most important city in the American Union," he replied. "Ohio captured, we have the home of McKinley. Ohio captured, we have captured eighty per cent. of the Yankees' public officials. Your Minister of State comes from there; all the vocal powers of the Senate; all their political resource. Ah!" he cried, ecstatically, rubbing his hands together, "they little know me! Let them destroy our navy. Let them take the Philippines. Let them blockade Cuba. Let them do what they please. Spain will wait. Spain will wait a day, a week, a month, a year, a decade, a century—but when least expected, anew fleet, built secretly, a new army, recruiting now on the D. Q." (this is a translation) "will dash into New York Harbor, up the Missouri River, through the Raritan Canal, and Ohio will lie at our mercy."

"And then?" said I, overwhelmed.

"We'll hold Ohio until the pig gives back the Philippines and Cuba," said the General, suavely.

"Now, General," said I, pursing my lips, "your plan is a mighty good one, and I hope you'll try to put it through. But let me tell you one thing—your time-tables have misled you. In the first place, any part of Ohio worth talking of is eighteen hours from New York by rail, not twelve. New York Harbor is mined all the way from Fortress Monroe to the Golden Gate; and you can't get to Ohio by a dash up the Missouri River and the Raritan Canal, because those two waterways above Los Angeles are not navigable. It is very evident that you, in studying a railroad map, have forgotten that they are designed toadvertise railroads, and have no geographical significance whatsoever."

"Are you sure?" he asked.

"Perfectly," said I. "I have lived in the country, as I have told you, for three years, and I know what I am talking about."

"Then what shall I do to attack Ohio?" he demanded.

"Well," said I, "the question is not easy to answer, but I think if you would first capture Hoboken—"

"Yes," he said, making a note of my suggestion.

"And then take your transports, guarded by your fighting-ships, out as far as Rahway—" I continued.

"I have it here," said he, putting it down.

"Land your troops there, and send 150,000 south to Bangor, and 100,000 north to Louisville, Kentucky, with a mere handful of sharp-shooters to overawe the Seminoles at Seattle, and then let these troops close in"—said I.

"I understand," said he, enthusiastically.

"If you will do that," I put in, "you'll come as near to capturing Ohio as any man can come."

The General rose up and excitedly paced the floor.

"Señorita!" he said, at length, "you have done your country a service. But for you my plans would all have fallen through, because based upon the unreliable information put forth upon an ignorant people by corrupt railway officials. I have studied with care every railway map issued in the United States for ten years past. I had supposed that Ohio could be reached by way of the Missouri and the Raritan. I had supposed that to bring about the fall of Nebraska where their immortal General—for I admit that those pigs have occasionally produced a man—O'Bryan lives, it could be attacked by a land and sea force simultaneously, should the land forces approach the city from the Chicago side,and the fleet pass the forts at Galveston and sail up Chesapeake Bay without further molestation. I see, from what you have told me, that these maps arefalsus in unoanyhow. I am wondering now if they are notfalsus in omnibus."

"I shouldn't be surprised if they were evenfalsus in trolleybus," I put in, with a feeble attempt at humor. "Certainly they have misled you, General."

"But," he cried, angrily, "I am not to be thwarted. My ultimate idea remains unchanged. On to Ohio is my watchword. When that falls, the rest will be easy. Thanks to the information you have given, I now know how it may be done, and I assure you, señorita, that you will not be forgotten in the—ah—the—" here his sallow features grew animated, and a flush of real pleasure crossed them as he finished—"in the—ah—reorganization."

"There is to be a reorganization, then?" I asked.

"Yes," he answered. "That is certain,and, on the whole, it is good that there is to be. People are always pleased with that which is novel, and up to this time there have been no kings on the throne bearing the name of Valeriano.Ithink Valeriano the First will make a very pretty autograph. Don't you?"

"Indeed I do!" I cried. "Write one for me, won't you?"

But the sagacious warrior merely winked his eye, and by a swish of his machete courteously gave me to understand that the audience was over.

I immediately cabled to Washington the results of my interview, and, by the time I got back to London, had the pleasure of reading in the newspapers that the United States Senate had confirmed my appointment of First Assistant Vivandière to the Department of Manila, with the rank of captain, for services rendered, wherefore I have given up the pleasant task of interviewing celebrities for the sterner duties of war.

I was glad also to learn that the Administration,acting upon my advices, had taken steps to make Ohio impregnable by sea in any event. The Gibraltar of American politics should not be allowed to fall into the hands of a ruthless Castilian like Weyler, and, frankly, whatever else our government will permit, I do not think it will ever do this, and as long as we possess Ohio we need have no fear that we shall be governed by foreign people.

THE MARTIAN. A Novel. Illustrated by the Author. Post 8vo, Cloth, Ornamental, $1.75.

SOCIAL PICTORIAL SATIRE. Reminiscences and Appreciations of English Illustrators of the Past Generation. With Illustrations by the Author and Others. Post 8vo, Cloth, Ornamental, $1.50.

A LEGEND OF CAMELOT. Pictures and Verses. Oblong 4to, Cloth, Ornamental, Full Gilt, $5.00. (In a box.)

TRILBY. A Novel. Illustrated by the Author. Post 8vo, Cloth, Ornamental, $1.75; Three-quarter Calf, $3.50; Three-quarter Crushed Levant, $4.50.

PETER IBBETSON. With an Introduction by his Cousin, Lady *** ("Madge Plunket"). Illustrated by the Author. Post 8vo, Cloth, Ornamental, $1.50; Three-quarter Calf, $3.25; Three-quarter Crushed Levant, $4.25.

ENGLISH SOCIETY. Sketched byGeorge du Maurier. About 100 Illustrations. With an Introduction byW. D. Howells. Oblong 4to, Cloth, Ornamental, $2.50.

ASPECTS OF FICTION, and Other Ventures in Criticism.

HIS FATHER'S SON. Illustrated byT. de Thulstrup.

VIGNETTES OF MANHATTAN. Illustrated byW. T. Smedley.

OUTLINES IN LOCAL COLOR. Stories. Illus'd. Post 8vo, Cloth, Ornamental, $1.50 per volume.

TALES OF FANTASY AND FACT. With an Illustration byA. B. Frost. Post 8vo, $1.25.

THE STORY OF A STORY, and Other Stories. Illustrated. 16mo, Cloth, Ornamental, $1.25.

STUDIES OF THE STAGE. With Portrait. 16mo, Cloth, Ornamental, $1.00.

AMERICANISMS AND BRITICISMS, with Other Essays. With Portrait. 16mo, Cloth, Ornamental, $1.00.

THE ROYAL MARINE. Illustrated. Square 16mo, Cloth, Ornamental, $1.00.

THIS PICTURE AND THAT. A Comedy.

THE DECISION OF THE COURT. A Comedy.

IN THE VESTIBULE LIMITED. A Story. Illustrated. 32mo, Cloth, Ornamental, 50 cts. each.

FABLES FOR THE FRIVOLOUS. (With Apologies to La Fontaine.) With Illustrations byPeter Newell. 8vo, Cloth, Ornamental, Deckel Edges and Gilt Top, $1.50.

FABLES FOR THE FRIVOLOUS. (With Apologies to La Fontaine.) With Illustrations byPeter Newell. 8vo, Cloth, Ornamental, Deckel Edges and Gilt Top, $1.50.

The central idea of each apologue is preserved, but the treatment is certainly original, and at times brilliant. The book will appeal particularly to those who appreciate the piquant humor of the writings of Gilbert, Lewis Carroll, and Edward Lear. The book-work is extraordinarily handsome.—Churchman, N. Y.

Mr. Carryl apologizes to La Fontaine, presumably for hanging the puns, slang, and very modern drollery of hisFables for the Frivolousupon a framework borrowed from a great classic. But he need not apologize. The book is too funny. The "Morals" are turned with the neatest humor, the ancient axioms are brought "up to date" with an ingenious comicality that could not be resisted, and Mr. Newell's pictures add the finishing touch to a capital bit of fooling. These clever rhymes deserve the artistic form given to them by the publishers.—N. Y. Tribune.

MENTONE, CAIRO, AND CORFU. Illustrated. Post 8vo, Cloth, Ornamental, $1.75.

DOROTHY, and Other Italian Stories. Illustrated. 16mo, Cloth, Ornamental, $1.25.

THE FRONT YARD, and Other Italian Stories. Illustrated. 16mo, Cloth, Ornamental, $1.25.

HORACE CHASE. A Novel. 16mo, Cloth, Ornamental, $1.25.

JUPITER LIGHTS. A Novel. 16mo, Cloth, Ornamental, $1.25.

EAST ANGELS. A Novel. 16mo, Cloth, Ornamental, $1.25.

ANNE. A Novel. Illustrated. 16mo, Cloth, Ornamental, $1.25.

FOR THE MAJOR. A Novelette. 16mo, Cloth, Ornamental, $1.00.

CASTLE NOWHERE. Lake-Country Sketches. 16mo, Cloth, Ornamental, $1.00.

RODMAN THE KEEPER. Southern Sketches. 16mo, Cloth, Ornamental, $1.00.

For swiftly graphic stroke, for delicacy of appreciative coloring, and for sentimental suggestiveness it would be hard to rival Miss Woolson's sketches—Watchman, Boston.

For swiftly graphic stroke, for delicacy of appreciative coloring, and for sentimental suggestiveness it would be hard to rival Miss Woolson's sketches—Watchman, Boston.

Illustrated. 32mo, Cloth, 50 cents each.

MY YEAR IN A LOG CABIN. ByWilliam Dean Howells.

THE WORK OF WASHINGTON IRVING. ByCharles Dudley Warner.

EDWIN BOOTH. ByLaurence Hutton.

THE DECISION OF THE COURT. ByBrander Matthews.

PHILLIPS BROOKS. By the Rev.Arthur Brooks, D.D.

GEORGE WILLIAM CURTIS. ByJohn White Chadwick.

THE RIVALS. ByFrançois Coppée.

SLAVERY AND THE SLAVE TRADE IN AFRICA. ByHenry M. Stanley.

THE JAPANESE BRIDE. ByNaomi Tamura.

GILES COREY, YEOMAN. ByMary E. Wilkins.

WHITTIER. By Mrs.James T. Fields.

SEEN FROM THE SADDLE. ByIsa Carrington Cabell.

TRAVELS IN AMERICA 100 YEARS AGO. ByThomas Twining.

JAMES RUSSELL LOWELL. An Address. ByGeorge William Curtis.

THE UNEXPECTED GUESTS.—A LETTER OF INTRODUCTION.—THE ALBANY DEPOT.—EVENING DRESS.—A LIKELY STORY.—THE MOUSE-TRAP.—THE GARROTERS.—FIVE O'CLOCK TEA. Farces. Each complete in one volume. ByWilliam Dean Howells.

COFFEE AND REPARTEE. ByJohn Kendrick Bangs.

THREE WEEKS IN POLITICS. ByJohn Kendrick Bangs.

A FAMILY CANOE TRIP. ByFlorence Watters Snedeker.

A LITTLE SWISS SOJOURN. ByWilliam Dean Howells.

IN THE VESTIBULE LIMITED. ByBrander Matthews.

THIS PICTURE AND THAT. ByBrander Matthews.

☞Any of the above works will be sent by mail, postage prepaid, to any part of the United States, Canada, or Mexico, on receipt of the price.


Back to IndexNext