'Bright being, thou—'”
“But you must have another glass of wine first, and a slice of the haunch.”
“With alacrity, madam.” He laid in a fresh stock of provisions.
Strange it was to see them side by side!he,a Don Quixote, with cordage instead of lines in his mahogany face, and clothes hanging upon him;she,smooth, duck-like, delicious, and bright as an opening rose fresh with dew!
She watched him kindly, archly and demurely; and still plied him, countrywise, with every mortal thing on the table.
But the poet was not a boa-constrictor, and even a boa-constrictor has an end. Hunger satisfied, his next strongest feeling, simple vanity, remained to be contented. As the last morsel went in out came:
“'Bright being, thou whose ra—'”
“No! no!” said she, who fancied herself (and not without reason) the bright being. “Mr. Vane intended them for a surprise.”
“As you please, madam;” and the disappointed bore sighed. “But you would have liked them, for the theme inspired me. The kindest, the most generous of women! Don't you agree with me, madam?”
Mabel Vane opened her eyes. “Hardly, sir,” laughed she.
“If you knew her as I do.”
“I ought to know her better, sir.”
“Ay, indeed! Well, madam, now her kindness to me, for instance—a poor devil like me. The expression, I trust, is not disagreeable to you, madam? If so, forgive me, and consider it withdrawn.”
“La, sir! civility is so cheap, if you go to that.”
“Civility, ma'am? Why, she has saved me from despair—from starvation, perhaps.”
“Poor thing! Well, indeed, sir, you looked—you looked—what a shame! and you a poet.”
“From an epitaph to an epic, madam.”
At this moment a figure looked in upon them from the garden, but retreated unobserved. It was Sir Charles Pomander, who had slipped away, with the heartless and malicious intention of exposing the husband to the wife, and profiting by her indignation and despair. Seeing Triplet, he made an extemporaneous calculation that so infernal a chatterbox could not be ten minutes in her company without telling her everything, and this would serve his turn very well. He therefore postponed his purpose, and strolled away to a short distance.
Triplet justified the baronet's opinion. Without any sort of sequency he now informed Mrs. Vane that the benevolent lady was to sit to him for her portrait.
Here was a new attention of Ernest's. How good he was, and how wicked and ungrateful she!
“What! are you a painter too?” she inquired.
“From a house front to an historical composition, madam.”
“Oh, what a clever man! And so Ernest commissioned you to paint a portrait?”
“No, madam; for that I am indebted to the lady herself.”
“The lady herself?”
“Yes, madam; and I expected to find her here. Will you add to your kindness by informing me whether she has arrived? Or she is gone—”
“Who, sir? (Oh, dear! not my portrait! Oh, Ernest!)”
“Who, madam!” cried Triplet; “why, Mrs. Woffington!”
“She is not here,” said Mrs. Vane, who remembered all the names perfectly well. “There is one charming lady among our guests, her face took me in a moment; but she is a titled lady. There is no Mrs. Woffington among them.”
“Strange!” replied Triplet; “she was to be here; and, in fact, that is why I expedited these lines in her honor.”
“Inherhonor, sir?”
“Yes, madam. Allow me:
'Brights being, thou whose radiant brow—'”
“No! no! I don't care to hear them now, for I don't know the lady.”
“Well, madam, but at least you have seen her act?”
“Act! you don't mean all this is for an actress?”
“Anactress?Theactress! And you have never seen her act? What a pleasure you have to come! To see her act is a privilege; but to act with her, asIonce did! But she does not remember that, nor shall I remind her, madam,” said Triplet sternly. “On that occasion I was hissed, owing to circumstances which, for the credit of our common nature, I suppress.”
“What! are you an actor too? You are everything.”
“And it was in a farce of my own, madam, which, by the strangest combination of accidents, was damned!”
“A play-writer? Oh, what clever men there are in the world—in London, at least! He is a play-writer, too. I wonder my husband comes not. Does Mr. Vane—does Mr. Vane admire this actress?” said she, suddenly.
“Mr. Vane, madam, is a gentleman of taste,” said he, pompously.
“Well, sir,” said the lady, languidly, “she is not here.” Triplet took the hint and rose. “Good-by,” said she, sweetly; and thank you kindly for your company.
“Triplet, madam—James Triplet, of 10, Hercules Buildings, Lambeth. Occasional verses, odes, epithalamia, elegies, dedications, squibs, impromptus and hymns executed with spirit, punctuality and secrecy. Portraits painted, and instruction in declamation, sacred, profane and dramatic. The card, madam” (and he drew it as doth a theatrical fop his rapier) “of him who, to all these qualifications adds a prouder still—that of being,
“Madam,
“Your humble, devoted and grateful servant,
“JAMES TRIPLET.”
He bowed in a line from his right shoulder to his left toe, and moved off. But Triplet could not go all at one time out of such company; he was given to return in real life, he had played this trick so often on the stage. He came back, exuberant with gratitude.
“The fact is, madam,” said he, “strange as it may appear to you, a kind hand has not so often been held out to me, that I should forget it, especially when that hand is so fair and gracious. May I be permitted, madam—you will impute it to gratitude rather than audacity—I—I—” (whimper), “madam” (with sudden severity), “I am gone!”
These last words he pronounced with the right arm at an angle of forty-five degrees, and the fingers pointing horizontally. The stage had taught him this grace also. In his day, an actor who had three words to say, such as, “My lord's carriage is waiting,” came on the stage with the right arm thus elevated, delivered his message in the tones of a falling dynasty, wheeled like a soldier, and retired with the left arm pointing to the sky and the right hand extended behind him like a setter's tail.
Left to herself, Mabel was uneasy. “Ernest is so warm-hearted.” This was the way she put it even to herself. He admired her acting and wished to pay her a compliment. “What if I carried him the verses?” She thought she should surely please him by showing she was not the least jealous or doubtful of him. The poor child wanted so to win a kind look from her husband; but ere she could reach the window Sir Charles Pomander had entered it.
Now Sir Charles was naturally welcome to Mrs. Vane; for all she knew of him was, that he had helped her on the road to her husband.
Pomander.“What, madam! all alone here as in Shropshire?”
Mabel.“For the moment, sir.”
Pomander.“Force of habit. A husband with a wife in Shropshire is so like a bachelor.”
Mabel.“Sir!”
Pomander.“And our excellent Ernest is such a favorite!”
Mabel.“No wonder, sir!”
Pomander.“Few can so pass from the larva state of country squire to the butterfly nature of beau.”
Mabel.“Yes” (sadly), “I find him changed.”
Pomander.“Changed! Transformed. He is now the prop of the 'Cocoa-Tree,' the star of Ranelagh, the Lauzun of the green-room.”
Mabel.“The green-room! Where is that? You mean kindly, sir; but you make me unhappy.”
Pomander.“The green-room, my dear madam, is the bower where houris put off their wings, and goddesses become dowdies; where Lady Macbeth weeps over her lap-dog, dead from repletion; and Belvidera soothes her broken heart with a dozen of oysters. In a word, it is the place where actors and actresses become men and women, and act their own parts with skill, instead of a poet's clumsily.”
Mabel.“Actors! actresses! Does Mr. Vane frequent such—”
Pomander.“He has earned in six months a reputation many a fine gentleman would give his ears for. Not a scandalous journal his initials have not figured in; not an actress of reputation gossip has not given him for a conquest.”
“How dare you say this to me?” cried Mrs. Vane, with a sudden flash of indignation, and then the tears streamed over her lovely cheeks; and even a Pomander might have forborne to torture her so; but Sir Charles had no mercy.
“You would be sure to learn it,” said he; “and with malicious additions. It is better to hear the truth from a friend.”
“A friend? He is no friend to a house who calumniates the husband to the wife. Is it the part of a friend to distort dear Ernest's kindliness and gayety into ill morals; to pervert his love of poetry and plays into an unworthy attachment to actors and—oh!” and the tears would come. But she dried them, for now she hated this man; with all the little power of hatred she had, she detested him. “Do you suppose I did not know Mrs. Woffington was to come to us to-day?” cried she, struggling passionately against her own fears and Sir Charles's innuendoes.
“What!” cried he; “you recognized her? You detected the actress of all work under the airs of Lady Betty Modish?”
“Lady Betty Modish!” cried Mabel. “That good, beautiful face!”
“Ah!” cried Sir Charles, “I see you did not. Well, Lady Betty was Mrs. Woffington!”
“Whom my husband, I know, had invited here to present her with these verses, which I shall take him for her;” and her poor little lip trembled. “Had the visit been in any other character, as you are so base, so cruel as to insinuate (what have I done to you that you kill me so, you wicked gentleman?), would he have chosen the day of my arrival?”
“Not if he knew you were coming,” was the cool reply.
“And he did know—I wrote to him.”
“Indeed!” said Pomander, fairly puzzled.
Mrs. Vane caught sight of her handwriting on the tray, and darted to it, and seized her letter, and said, triumphantly:
“My last letter, written upon the road—see!”
Sir Charles took it with surprise, but, turning it in his hand, a cool, satirical smile came to his face. He handed it back, and said, coldly:
“Read me the passage, madam, on which you argue.”
Poor Mrs. Vane turned the letter in her hand, and her eye became instantly glazed; the seal was unbroken! She gave a sharp cry of agony, like a wounded deer. She saw Pomander no longer; she was alone with her great anguish. “I had but my husband and my God in the world,” cried she. “My mother is gone. My God, have pity on me! my husband does not love me.”
The cold villain was startled at the mighty storm his mean hand had raised. This creature had not only more feeling, but more passion, than a hundred libertines. He muttered some villain's commonplaces; while this unhappy young lady raised her hands to heaven, and sobbed in a way very terrible to any manly heart.
“He is unworthy you,” muttered Pomander. “He has forfeited your love. He has left you nothing but revenge. Be comforted. Let me, who have learned already to adore you—”
“So,” cried she, turning on him in a moment (for, on some points, woman's instinct is the lightning of wisdom), “this, sir, was your object? I may no longer hold a place in my husband's heart; but I am mistress of his house. Leave it, sir! and never return to it while I live.”
Sir Charles, again discomfited, bowed reverentially. “Your wish shall ever be respected by me, madam! But here they come. Use the right of a wife. Conceal yourself in that high chair. See, I turn it; so that they cannot see you. At least you will find I have but told you the truth.”
“No!” cried Mabel, violently. “I will not spy upon my husband at the dictation of his treacherous friend.”
Sir Charles vanished. He was no sooner gone than Mrs. Vane crouched, trembling, and writhing with jealousy, in the large, high-backed chair. She heard her husband and thesoi-disantLady Betty Modish enter. During their absence, Mrs. Woffington had doubtless been playing her cards with art; for it appeared that a reconciliation was now taking place. The lady, however, was still cool and distant. It was poor Mabel's fate to hear these words: “You must permit me to go alone, Mr. Vane. I insist upon leaving this house alone.”
On this, he whispered to her.
She answered: “You are not justified.”
“I can explain all,” was his reply. “I am ready to renounce credit, character, all the world for you.”
They passed out of the room before the unhappy listener could recover the numbing influence of these deadly words.
But the next moment she started wildly up, and cried as one drowning cries vaguely for help: “Ernest! oh, no—no! you cannot use me so! Ernest—husband! Oh, mother! mother!”
She rose, and would have made for the door, but nature had been too cruelly tried. At the first step she could no longer see anything; and the next moment, swooning dead away, she fell back insensible, with her head and shoulders resting on the chair.
MR. VANE was putting Mrs. Woffington into her chair, when he thought he heard his name cried. He bade that lady a mournful farewell, and stepped back into his own hall. He had no sooner done so than he heard a voice, the accent of which alarmed him, though he distinguished no word. He hastily crossed the hall and flew into the banquet-room. Coming rapidly in at the folding-doors he almost fell over his wife, lying insensible half upon the floor and half upon the chair. When he saw her pale and motionless, a terrible misgiving seized him; he fell on his knees.
“Mabel, Mabel!” cried he, “my love! my innocent wife! Oh, God! what have I done? Perhaps it is the fatigue—perhaps she has fainted.”
“No, it is not the fatigue!” screamed a voice near him. It was old James Burdock, who, with his white hair streaming and his eye gleaming with fire, shook his fist in his master's face—“no, it is not the fatigue, you villain! It is you who have killed her, with your jezebels and harlots, you scoundrel!”
“Send the women here, James, for God's sake!” cried Mr. Vane, not even noticing the insult he had received from a servant. He stamped furiously, and cried for help. The whole household was round her in a moment. They carried her to bed.
The remorse-stricken man, his own knees trembling under him, flew, in an agony of fear and self-reproach, for a doctor!
A doctor?
DURING the garden scene, Mr. Vane had begged Mrs. Woffington to let him accompany her. She peremptorily refused, and said in the same breath she was going to Triplet, in Hercules Buildings, to have her portrait finished.
Had Mr. Vane understood the sex, he would not have interpreted her refusal to the letter; when there was a postscript, the meaning of which was so little enigmatical.
Some three hours after the scene we have described, Mrs. Woffington sat in Triplet's apartment; and Triplet, palette in hand, painted away upon her portrait.
Mrs. Woffington was in that languid state which comes to women after their hearts have received a blow. She felt as if life was ended, and but the dregs of existence remained; but at times a flood of bitterness rolled over her, and she resigned all hope of perfect happiness in this world—all hope of loving and respecting the same creature; and at these moments she had but one idea—to use her own power, and bind her lover to her by chains never to be broken; and to close her eyes, and glide down the precipice of the future.
“I think you are master of this art,” said she, very languidly, to Triplet, “you paint so rapidly.”
“Yes, madam,” said Triplet, gloomily; and painted on. “Confound this shadow!” added he; and painted on.
His soul, too, was clouded. Mrs. Woffington, yawning in his face, had told him she had invited all Mr. Vane's company to come and praise his work; and ever since that he had beenmorne et silencieux.
“You are fortunate,” continued Mrs. Woffington, not caring what she said; “it is so difficult to make execution keep pace with conception.”
“Yes, ma'am;” and he painted on.
“You are satisfied with it?”
“Anything but, ma'am;” and he painted on.
“Cheerful soul!—then I presume it is like?”
“Not a bit, ma'am;” and he painted on.
Mrs. Woffington stretched.
“You can't yawn, ma'am—you can't yawn.”
“Oh, yes, I can. You are such good company;” and she stretched again.
“I was just about to catch the turn of the lip,” remonstrated Triplet.
“Well, catch it—it won't run away.”
“I'll try, ma'am. A pleasant half-hour it will be for me, when they all come here like cits at a shilling ordinary—each for his cut.”
“At a sensitive goose!”
“That is as may be, madam. Those critics flay us alive!”
“You should not hold so many doors open to censure.”
“No, ma'am. Head a little more that way. I suppose youcan'tsit quiet, ma'am?—then never mind!” (This resignation was intended as a stinging reproach.) “Mr. Cibber, with his sneering snuff-box! Mr. Quin, with his humorous bludgeon! Mrs. Clive, with her tongue! Mr. Snarl, with his abuse! And Mr. Soaper, with his praise!—arsenic in treacle I call it! But there, I deserve it all! For look on this picture, and on this!”
“Meaning, I am painted as well as my picture!”
“Oh, no, no, no! But to turn from your face, madam—on which the lightning of expression plays, continually—to this stony, detestable, dead daub!—I could—And I will, too! Imposture! dead caricature of life and beauty, take that!” and he dashed his palette-knife through the canvas. “Libelous lie against nature and Mrs. Woffington, take that!” and he stabbed the canvas again; then, with sudden humility: “I beg your pardon, ma'am,” said he, “for this apparent outrage, which I trust you will set down to the excitement attendant upon failure. The fact is, I am an incapable ass, and no painter! Others have often hinted as much; but I never observed it myself till now!”
“Right through my pet dimple!” said Mrs. Woffington, with perfectnonchalance.“Well, now I suppose I may yawn, or do what I like?”
“You may, madam,” said Triplet, gravely. “I have forfeited what little control I had over you, madam.”
So they sat opposite each other, in mournful silence. At length the actress suddenly rose. She struggled fiercely against her depression, and vowed that melancholy should not benumb her spirits and her power.
“He ought to have been here by this time,” said she to herself. “Well, I will not mope for him. I must do something. Triplet,” said she.
“Madam.”
“Nothing.”
“No, madam.”
She sat gently down again, and leaned her head on her hand, and thought. She was beautiful as she thought!—her body seemed bristling with mind! At last, her thoughtful gravity was illumined by a smile. She had thought out somethingexcogitaverat.
“Triplet, the picture is quite ruined!”
“Yes, madam. And a coach-load of criticism coming!”
“Triplet, we actors and actresses have often bright ideas.”
“Yes, ma am.”
“When we take other people's!”
“He, he!” went Triplet. “Those are our best, madam!”
“Well, sir, I have got a bright idea.”
“You don't say so, ma'am!”
“Don't be a brute, dear!” said the lady gravely.
Triplet stared!
“When I was in France, taking lessons of Dumesnil, one of the actors of the Theatre Francais had his portrait painted by a rising artist. The others were to come and see it. They determined, beforehand, to mortify the painter and the sitter, by abusing the work in good set terms. But somehow this got wind, and the patients resolved to be the physicians. They put their heads together, and contrived that the living face should be in the canvas, surrounded by the accessories; these, of course, were painted. Enter the actors, who played their little prearranged farce; and, when they had each given the picture a slap, the picture rose and laughed in their faces, and discomfited them! By the by, the painter did not stop there; he was not content with a short laugh, he laughed at them five hundred years!”
“Good gracious, Mrs. Woffington!”
“He painted a picture of the whole thing; and as his work is immortal, ours an April snow-flake, he has got tremendously the better of those rash little satirists. Well, Trip, what is sauce for the gander is sauce for the goose; so give me the sharpest knife in the house.”
Triplet gave her a knife, and looked confused, while she cut away the face of the picture, and by dint of scraping, cutting, and measuring, got her face two parts through the canvas. She then made him take his brush and paint all round her face, so that the transition might not be too abrupt. Several yards of green baize were also produced. This was to be disposed behind the easel, so as to conceal her.
Triplet painted here, and touched and retouched there. While thus occupied, he said, in his calm, resigned way: “It won't do, madam. I suppose you know that?”
“I know nothing,” was the reply: “life is a guess. I don't think we could deceive Roxalana and Lucy this way, because their eyes are without colored spectacles; but, when people have once begun to see by prejudices and judge by jargon what can't be done with them? Who knows? do you? I don't; so let us try.”
“I beg your pardon, madam; my brush touched your face.”
“No offense, sir; I am used to that. And I beg, if you can't tone the rest of the picture up to me, that you will instantly tone me down to the rest. Let us be in tune, whatever it costs, sir.”
“I will avail myself of the privilege, madam, but sparingly. Failure, which is certain, madam, will cover us with disgrace.”
“Nothing is certain in this life, sir, except that you are a goose. It succeeded in France; and England can match all Europe for fools. Besides, it will be well done. They say Davy Garrick can turn his eyes into bottled gooseberries. Well, Peg Woffington will turn hers into black currants. Haven't you done? I wonder they have not come. Make haste!”
“They will know by its beauty I never did it.”
“That is a sensible remark, Trip. But I think they will rather argue backward; that, as you did it, it cannot be beautiful, and so cannot be me. Your reputation will be our shield.”
“Well, madam, now you mention it, they are like enough to take that ground. They despise all I do; if they did not—”
“You would despise them.”
At this moment the pair were startled by the sound of a coach. Triplet turned as pale as ashes. Mrs. Woffington had her misgivings; but, not choosing to increase the difficulty, she would not let Triplet, whose self-possession she doubted, see any sign of emotion in her.
“Lock the door,” said she, firmly, “and don't be silly. Now hold up my green baize petticoat, and let me be in a half-light. Now put that table and those chairs before me, so that they can't come right up to me; and, Triplet, don't let them come within six yards, if you can help it. Say it is unfinished, and so must be seen from a focus.”
“A focus! I don't know what you mean.”
“No more do I; no more will they, perhaps; and if they don't they will swallow it directly. Unlock the door. Are they coming?”
“They are only at the first stair.”
“Mr. Triplet, your face is a book, where one may read strange matters. For Heaven's sake, compose yourself. Let all the risk lie in one countenance. Look at me, sir. Make your face like the Book of Daniel in a Jew's back parlor. Volto Sciolto is your cue.”
“Madam, madam, how your tongue goes! I hear them on the stairs. Pray don't speak!”
“Do you know what we are going to do?” continued the tormenting Peggy. “We are going to weigh goose's feathers! to criticise criticism, Trip—”
“Hush! hush!”
A grampus was heard outside the door, and Triplet opened it. There was Quin leading the band.
“Have a care, sir,” cried Triplet; “there is a hiatus the third step from the door.”
“Agradus ad Parnassuma wanting,” said Mr. Cibber.
Triplet's heart sank. The hole had been there six months, and he had found nothing witty to say about it, and at first sight Mr. Cibber had done its business. And on such men he and his portrait were to attempt a preposterous delusion. Then there was Snarl, who wrote critiques on painting, and guided the national taste. The unlucky exhibitor was in a cold sweat. He led the way, like a thief going to the gallows.
“The picture being unfinished, gentlemen,” said he, “must, if you would do me justice, be seen from a—a focus; must be judged from here, I mean.”
“Where, sir?” said Mr. Cibber.
“About here, sir, if you please,” said poor Triplet faintly.
“It looks like a finished picture from here,” said Mrs. Clive.
“Yes, madam,” groaned Triplet.
They all took up a position, and Triplet timidly raised his eyes along with the rest. He was a little surprised. The actress had flattened her face! She had done all that could be done, and more than he had conceived possible, in the way of extracting life and the atmosphere of expression from her countenance. She was “dead still!”
There was a pause. Triplet fluttered. At last some of them spoke as follows:
Soaper.“Ah!”
Quin.“Ho!”
Clive.“Eh!”
Cibber.“Humph!”
These interjections are small on paper, but as the good creatures uttered them they were eloquent; there was a cheerful variety of dispraise skillfully thrown into each of them.
“Well,” continued Soaper, with his everlasting smile.
Then the fun began.
“May I be permitted to ask whose portrait this is?” said Mr. Cibber slyly.
“I distinctly told you, it was to be Peg Woffington's,” said Mrs. Clive. “I think you might take my word.”
“Do you act as truly as you paint?” said Quin.
“Your fame runs no risk from me, sir!” replied Triplet.
“It is not like Peggy's beauty! Eh?” rejoined Quin.
“I can't agree with you,” cried Kitty Clive. “I think it a very pretty face; and not at all like Peg Woffington's.”
“Compare paint with paint,” said Quin. “Are you sure you ever saw down to Peggy's real face?”
Triplet had seen with alarm that Mr. Snarl spoke not; many satirical expressions crossed his face, but he said nothing. Triplet gathered from this that he had at once detected the trick. “Ah!” thought Triplet, “he means to quiz them, as well as expose me. He is hanging back; and, in point of fact, a mighty satirist like Snarl would naturally choose to quiz six people rather than two.”
“Now I call it beautiful!” said the traitor Soaper. “So calm and reposeful; no particular expression.”
“None whatever,” said Snarl.
“Gentlemen,” said Triplet, “does it never occur to you that the fine arts are tender violets, and cannot blow when the north winds—”
“Blow!” inserted Quin.
“Are so cursed cutting?” continued Triplet.
“My good sir, I am never cutting!” smirked Soaper. “My dear Snarl,” whined he, “give us the benefit of your practiced judgment. Do justice to this ad-mirable work of art,” drawled the traitor.
“I will!” said Mr. Snarl; and placed himself before the picture.
“What on earth will he say?” thought Triplet. “I can see by his face he has found us out.”
Mr. Snarl delivered a short critique. Mr. Snarl's intelligence was not confined to his phrases; all critics use intelligent phrases and philosophical truths. But this gentleman's manner was very intelligent; it was pleasant, quiet, assured, and very convincing. Had the reader or I been there, he would have carried us with him, as he did his hearers; and as his successors carry the public with them now.
“Your brush is by no means destitute of talent, Mr. Triplet,” said Mr. Snarl. “But you are somewhat deficient, at present, in the great principles of your art; the first of which is a loyal adherence to truth. Beauty itself is but one of the forms of truth, and nature is our finite exponent of infinite truth.”
His auditors gave him a marked attention. They could not but acknowledge that men who go to the bottom of things like this should be the best instructors.
“Now, in nature, a woman's face at this distance—ay, even at this short distance—melts into the air. There is none of that sharpness; but, on the contrary, a softness of outline.” He made a lorgnette of his two hands; the others did so too, and found they saw much better—oh, ever so much better! “Whereas yours,” resumed Snarl, “is hard; and, forgive me, rather tea-board like. Then yourchiaro scuro,my good sir, is very defective; for instance, in nature, the nose, intercepting the light on one side the face, throws, of necessity, a shadow under the eye. Caravaggio, Venetians generally, and the Bolognese masters, do particular justice to this. No such shade appears in this portrait.”
“'Tis so, stop my vitals!” observed Colley Cibber. And they all looked, and, having looked, wagged their heads in assent—as the fat, white lords at Christie's waggle fifty pounds more out for a copy of Rembrandt, a brown levitical Dutchman, visible in the pitch-dark by some sleight of sun Newton had not wit to discover.
Soaper dissented from the mass.
“But, my dear Snarl, if there are no shades, there are lights, loads of lights.”
“There are,” replied Snarl; “only they are impossible, that is all. You have, however,” concluded he, with a manner slightly supercilious, “succeeded in the mechanical parts; the hair and the dress are well, Mr. Triplet; but your Woffington is not a woman, not nature.”
They all nodded and waggled assent; but this sagacious motion was arrested as by an earthquake.
The picture rang out, in the voice of a clarion, an answer that outlived the speaker: “She's a woman! for she has taken four men in! She's nature! for a fluent dunce doesn't know her when he sees her!”
Imagine the tableau! It was charming! Such opening of eyes and mouths! Cibber fell by second nature into an attitude of the old comedy. And all were rooted where they stood, with surprise and incipient mortification, except Quin, who slapped his knee, and took the trick at its value.
Peg Woffington slipped out of the green baize, and, coming round from the back of the late picture, stood in person before them; while they looked alternately at her and at the hole in the canvas. She then came at each of them in turn,more dramatico.
“A pretty face, and not like Woffington. I owe you two, Kate Clive.”
“Who ever saw Peggy's real face? Look at it now if you can without blushing, Mr. Quin.”
Quin, a good-humored fellow, took the wisest view of his predicament, and burst into a hearty laugh.
“For all this,” said Mr. Snarl, peevishly, “I maintain, upon the unalterable principles of art—” At this they all burst into a roar, not sorry to shift the ridicule. “Goths!” cried Snarl, fiercely. “Good-morning, ladies and gentlemen,” cried Mr. Snarl,avec intention,“I have a criticism to write of last night's performance.” The laugh died away to a quaver. “I shall sit on your pictures one day, Mr. Brush.”
“Don't sit on them with your head downward, or you'll addle them,” said Mr. Brush, fiercely. This was the first time Triplet had ever answered a foe. Mrs. Woffington gave him an eloquent glance of encouragement. He nodded his head in infantine exultation at what he had done.
“Come, Soaper,” said Mr. Snarl.
Mr. Soaper lingered one moment to say: “You shall always have my good word, Mr. Triplet.”
“I will try—and not deserve it, Mr. Soaper,” was the prompt reply.
“Serve 'em right,” said Mr. Cibber, as soon as the door had closed upon them; “for a couple of serpents, or rather one boa-constrictor. Soaper slavers, for Snarl to crush. But we were all a little too hard on Triplet here; and, if he will accept my apology—”
“Why, sir,” said Triplet, half trembling, but driven on by looks from Mrs. Woffington, “'Cibber's Apology' is found to be a trifle wearisome.”
“Confound his impertinence!” cried the astounded laureate. “Come along, Jemmy.”
“Oh, sir,” said Quin, good-humoredly, “we must give a joke and take a joke. And when he paints my portrait—which he shall do—”
“The bear from Hockley Hole shall sit for the head!”
“Curse his impudence!” roared Quin. “I'm at your service, Mr. Cibber,” added he, in huge dudgeon.
Away went the two old boys.
“Mighty well!” said waspish Mrs. Clive. “I did intend you should have painted Mrs. Clive. But after this impertinence—”
“You will continue to do it yourself, ma'am!”
This was Triplet's hour of triumph. His exultation was undignified, and such as is said to precede a fall. He inquired gravely of Mrs. Woffington, whether he had or had not shown a spirit. Whether he had or had not fired into each a parting shot, as they sheered off. To repair which, it might be advisable for them to put into friendly ports.
“Tremendous!” was the reply. “And when Snarl and Soaper sit on your next play, they won't forget the lesson you have given them.”
“I'll be sworn they won't!” chuckled Triplet. But, reconsidering her words, he looked blank, and muttered: “Then perhaps it would have been more prudent to let them alone!”
“Incalculably more prudent!” was the reply.
“Then why did you set me on, madam?” said Triplet, reproachfully.
“Because I wanted amusement, and my head ached,” was the cool answer, somewhat languidly given.
“I defy the coxcombs!” cried Triplet, with reviving spirit. “But real criticism I respect, honor, and bow to. Such as yours, madam; or such as that sweet lady's at Mr. Vane's would have been; or, in fact, anybody's who appreciates me. Oh, madam, I wanted to ask you, was it not strange your not being at Mr. Vane's, after all, to-day?”
“I was at Mr. Vane's, Triplet.”
“You were? Why, I came with my verses, and she said you were not there! I will go fetch the verses.”
“No, no! Who said I was not there?”
“Did I not tell you? The charming young lady who helped me with her own hand to everything on the table. What wine that gentleman possesses!”
“Was it a young lady, Triplet?”
“Not more than two-and-twenty, I should say.
“In a traveling-dress?”
“I could not see her dress, madam, for her beauty—brown hair, blue eyes, charming in conversation—”
“Ah! What did she tell you?”
“She told me, madam—Ahem!”
“Well, what did you tell her? And what did she answer?”
“I told her that I came with verses for you, ordered by Mr. Vane. That he admired you. I descanted, madam, on your virtues, which had made him your slave.”
“Go on,” said Mrs. Woffington, encouraging him with a deceitful smile. “Tell me all you told her.”
“That you were sitting to me for your portrait, the destination of which was not doubtful. That I lived at 10, Hercules Buildings.”
“You told that lady all this?”
“I give my honor. She was so kind, I opened my heart to her. But tell me now, madam,” said Triplet, joyously dancing round the Woffington volcano, “do you know this charming lady?”
“Yes.”
“I congratulate you, madam. An acquaintance worthy even of you; and there are not many such. Who is she, madam?” continued Triplet, lively with curiosity.
“Mrs. Vane,” was the quiet, grim answer.
“Mrs. Vane? His mother? No—am I mad? His sister! Oh, I see, his—”
“His wife!”
“His wife! Why, then, Mr. Vane's married?”
“Yes.”
“Oh, look there!—Oh, look here now! Well, but, good Heavens! she wasn't to know you were there, perhaps?”
“No.”
“But then I let the cat out of the bag?”
“Yes.”
“But, good gracious! there will be some serious mischief!”
“No doubt of it.”
“And it is all my fault?”
“Yes.”
“I've played the deuce with their married happiness?”
“Probably.”
“And ten to one if you are not incensed against me too?”
Mrs. Woffington replied by looking him in the face, and turning her back upon him. She walked hastily to the window, threw it open, and looked out of it, leaving poor Triplet to very unpleasant reflections. She was so angry with him she dared not trust herself to speak.
“Just my luck,” thought he. “I had a patron and a benefactress; I have betrayed them both.” Suddenly an idea struck him. “Madam,” said he, timorously, “see what these fine gentlemen are! What business had he, with a wife at home, to come and fall in love with you? I do it forever in my plays—I am obliged—they would be so dull else; but inreallife to do it is abominable.”
“You forget, sir,” replied Mrs. Woffington, without moving, “that I am an actress—a plaything for the impertinence of puppies and the treachery of hypocrites. Fool! to think there was an honest man in the world, and that he had shone on me!”
With these words she turned, and Triplet was shocked to see the change in her face. She was pale, and her black, lowering brows were gloomy and terrible. She walked like a tigress to and fro, and Triplet dared not speak to her. Indeed she seemed but half conscious of his presence. He went for nobody with her. How little we know the people we eat and go to church and flirt with! Triplet had imagined this creature an incarnation of gayety, a sportive being, the daughter of smiles, the bride of mirth; needed but a look at her now to see that her heart was a volcano, her bosom a boiling gulf of fiery lava. She walked like some wild creature; she flung her hands up to heaven with a passionate despair, before which the feeble spirit of her companion shrank and cowered; and, with quivering lips and blazing eyes, she burst into a torrent of passionate bitterness.
“But who is Margaret Woffington,” she cried, “that she should pretend to honest love, or feel insulted by the proffer of a stolen regard? And what have we to do with homes, or hearts, or firesides? Have we not the playhouse, its paste diamonds, its paste feelings, and the loud applause of fops and sots—hearts?—beneath loads of tinsel and paint? Nonsense! The love that can go with souls to heaven—such love for us? Nonsense! These men applaud us, cajole us, swear to us, flatter us; and yet, forsooth, we would have them respect us too.”
“My dear benefactress,” said Triplet, “they are not worthy of you.”
“I thought this man was not all dross; from the first I never felt his passion an insult. Oh, Triplet! I could have loved this man—really loved him! and I longed so to be good. Oh, God! oh, God!”
“Thank Heaven, you don't love him!” cried Triplet, hastily. “Thank Heaven for that!”
“Love him? Love a man who comes to me with a silly second-hand affection from his insipid baby-face, and offers me half, or two-thirds, or a third of his worthless heart? I hate him! and her! and all the world!”
“That is what I call a very proper feeling,” said poor Triplet, with a weak attempt to soothe her. “Then break with him at once, and all will be well.”
“Break with him? Are you mad? No! Since he plays with the tools of my trade I shall fool him worse than he has me. I will feed his passion full, tempt him, torture him, play with him, as the angler plays a fish upon his hook. And, when his very life depends on me, then by degrees he shall see me cool, and cool, and freeze into bitter aversion. Then he shall rue the hour he fought with the Devil against my soul, and played false with a brain and heart like mine!”
“But his poor wife? You will have pity on her?”
“His wife! Are wives' hearts the only hearts that throb, and burn, and break? His wife must defend herself. It is not from me that mercy can come to her, nor from her to me. I loathe her, and I shall not forget that you took her part. Only, if you are her friend, take my advice, don't you assist her. I shall defeat her without that. Let her fightherbattle, andImine.
“Ah, madam! she cannot fight; she is a dove.”
“You are a fool! What do you know about women? You were with her five minutes, and she turned you inside out. My life on it, while I have been fooling my time here, she is in the field, with all the arts of our sex, simplicity at the head of them.”
Triplet was making a futile endeavor to convert her to his view of her rival, when a knock suddenly came to his door. A slovenly girl, one of his own neighbors, brought him a bit of paper, with a line written in pencil.
“'Tis from a lady, who waits below,” said the girl.
Mrs. Woffington went again to the window, and there she saw getting out of a coach, and attended by James Burdock, Mabel Vane, who had sent up her name on the back of an old letter.
“What shall I do?” said Triplet, as soon as he recovered the first stunning effects of thiscontretemps.To his astonishment, Mrs. Woffington bade the girl show the lady upstairs. The girl went down on this errand.
“Butyouare here,” remonstrated Triplet. “Oh, to be sure, you can go into the other room. There is plenty of time to avoid her,” said Triplet, in a very natural tremor. “This way, madam!”
Mrs. Woffington stood in the middle of the room like a statue.
“What does she come here for?” said she, sternly. “You have not told me all.”
“I don't know,” cried poor Triplet, in dismay; “and I think the Devil brings her here to confound me. For Heaven's sake, retire! What will become of us all? There will be murder, I know there will!”
To his horror, Mrs. Woffington would not move. “You are on her side,” said she slowly, with a concentration of spite and suspicion. She looked frightful at this moment. “All the better for me,” added she, with a world of female malignity.
Triplet could not make head against this blow; he gasped, and pointed piteously to the inner door. “No; I will know two things: the course she means to take, and the terms you two are upon.”
By this time Mrs. Vane's light foot was heard on the stair, and Triplet sank into a chair. “They will tear one another to pieces,” said he.
A tap came to the door.
He looked fearfully round for the woman whom jealousy had so speedily turned from an angel to a fiend; and saw with dismay that she had actually had the hardihood to slip round and enter the picture again. She had not quite arranged herself when her rival knocked.
Triplet dragged himself to the door. Before he opened it, he looked fearfully over his shoulder, and received a glance of cool, bitter, deadly hostility, that boded ill both for him and his visitor. Triplet's apprehensions were not unreasonable. His benefactress and this sweet lady were rivals!
Jealousy is a dreadful passion, it makes us tigers. The jealous always thirst for blood. At any moment when reason is a little weaker than usual, they are ready to kill the thing they hate, or the thing they love.
Any open collision between these ladies would scatter ill consequences all round. Under such circumstances, we are pretty sure to say or do something wicked, silly, or unreasonable. But what tortured Triplet more than anything was his own particular notion that fate doomed him to witness a formal encounter between these two women, and of course an encounter of such a nature as we in our day illustrate by “Kilkenny cats.”
To be sure Mrs. Vane had appeared a dove, but doves can peck on certain occasions, and no doubt she had a spirit at bottom. Her coming to him proved it. And had not the other been a dove all the morning and afternoon? Yet, jealousy had turned her to a fiend before his eyes. Then if (which was not probable) no collision took place, what a situation was his! Mrs. Woffington (his buckler from starvation) suspected him, and would distort every word that came from Mrs. Vane's lips.
Triplet's situation was, in fact, that of AEneas in the storm.
“Olim et haec meminisse juvabit—” “But, while present, such things don't please any one a bit.”
It was the sort of situation we can laugh at, and see the fun of it six months after, if not shipwrecked on it at the time.
With a ghastly smile the poor quaking hypocrite welcomed Mrs. Vane, and professed a world of innocent delight that she had so honored his humble roof.
She interrupted his compliments, and begged him to see whether she was followed by a gentleman in a cloak.
Triplet looked out of the window.
“Sir Charles Pomander!” gasped he.
Sir Charles was at the very door. If, however, he had intended to mount the stairs he changed his mind, for he suddenly went off round the corner with a businesslike air, real or fictitious.
“He is gone, madam,” said Triplet.
Mrs. Vane, the better to escape detection or observation, wore a thick mantle and a hood that concealed her features. Of these Triplet debarrassed her.
“Sit down, madam;” and he hastily drew a chair so that her back was to the picture.
She was pale, and trembled a little. She hid her face in her hands a moment, then, recovering her courage, “she begged Mr. Triplet to pardon her for coming to him. He had inspired her with confidence,” she said; “he had offered her his services, and so she had come to him, for she had no other friend to aid her in her sore distress.” She might have added, that with the tact of her sex she had read Triplet to the bottom, and came to him, as she would to a benevolent, muscular old woman.
Triplet's natural impulse was to repeat most warmly his offers of service. He did so; and then, conscious of the picture, had a misgiving.
“Dear Mr. Triplet,” began Mrs. Vane, “you know this person, Mrs. Woffington?”
“Yes, madam,” replied Triplet, lowering his eyes, “I am honored by her acquaintance.”
“You will take me to the theater where she acts?”
“Yes, madam; to the boxes, I presume?”
“No! oh, no! How could I bear that? To the place where the actors and actresses are.”
Triplet demurred. This would be courting that very collision, the dread of which even now oppressed him.
At the first faint sign of resistance she began to supplicate him, as if he was some great, stern tyrant.
“Oh, you must not, you cannot refuse me. You do not know what I risk to obtain this. I have risen from my bed to come to you. I have a fire here!” She pressed her hand to her brow. “Oh, take me to her!”
“Madam, I will do anything for you. But be advised; trust to my knowledge of human nature. What you require is madness. Gracious Heavens! you two are rivals, and when rivals meet there's murder or deadly mischief.”
“Ah! if you knew my sorrow, you would not thwart me. Oh, Mr. Triplet! little did I think you were as cruel as the rest.” So then this cruel monster whimpered out that he should do any folly she insisted upon. “Good, kind Mr. Triplet!” said Mrs. Vane. “Let me look in your face? Yes, I see you are honest and true. I will tell you all.” Then she poured in his ear her simple tale, unadorned and touching as Judah's speech to Joseph. She told him how she loved her husband; how he had loved her; how happy they were for the first six months; how her heart sank when he left her; how he had promised she should join him, and on that hope she lived. “But for two months he had ceased to speak of this, and I grew heart-sick waiting for the summons that never came. At last I felt I should die if I did not see him; so I plucked up courage and wrote that I must come to him. He did not forbid me, so I left our country home. Oh, sir! I cannot make you know how my heart burned to be by his side. I counted the hours of the journey; I counted the miles. At last I reached his house; I found a gay company there. I was a little sorry, but I said: 'His friends shall be welcome, right welcome. He has asked them to welcome his wife.'”
“Poor thing!” muttered Triplet.
“Oh, Mr. Triplet! they were there to do honor to ——, and the wife was neither expected nor desired. There lay my letters with their seals unbroken. I know allhisletters by heart, Mr. Triplet. The seals unbroken—unbroken! Mr. Triplet.”
“It is abominable!” cried Triplet fiercely. “And she who sat in my seat—in his house, and in his heart—was this lady, the actress you so praised to me?”
“That lady, ma'am,” said Triplet, “has been deceived as well as you.”
“I am convinced of it,” said Mabel.
“And it is my painful duty to tell you, madam, that, with all her talents and sweetness, she has a fiery temper; yes, a very fiery temper,” continued Triplet, stoutly, though with an uneasy glance in a certain direction; “and I have reason to believe she is angry, and thinks more of her own ill-usage than yours. Don't you go near her. Trust to my knowledge of the sex, madam; I am a dramatic writer. Did you ever read the 'Rival Queens'?”
“No.”
“I thought not. Well, madam, one stabs the other, and the one that is stabbed says things to the other that are more biting than steel. The prudent course for you is to keep apart, and be always cheerful, and welcome him with a smile—and—have you read 'The Way to keep him'?”
“No, Mr. Triplet,” said Mabel, firmly, “I cannot feign. Were I to attempt talent and deceit, I should be weaker than I am now. Honesty and right are all my strength. I will cry to her for justice and mercy. And if I cry in vain, I shall die, Mr. Triplet, that is all.”
“Don't cry, dear lady,” said Triplet, in a broken voice.
“It is impossible!” cried she, suddenly. “I am not learned, but I can read faces. I always could, and so could my Aunt Deborah before me. I read you right, Mr. Triplet, and I have read her too. Did not my heart warm to her among them all? There is a heart at the bottom of all her acting, and that heart is good and noble.”
“She is, madam! she is! and charitable too. I know a family she saved from starvation and despair. Oh, yes! she has a heart—to feel for thepoor,at all events.”
“And am I not the poorest of the poor?” cried Mrs. Vane. “I have no father nor mother, Mr. Triplet; my husband is all I have in the world—all Ihad,I mean.”
Triplet, deeply affected himself, stole a look at Mrs. Woffington. She was pale; but her face was composed into a sort of dogged obstinacy. He was disgusted with her. “Madam,” said he, sternly, “there is a wild beast more cruel and savage than wolves and bears; it is called 'a rival,' and don't you get in its way.”
At this moment, in spite of Triplet's precaution, Mrs. Vane, casting her eye accidentally round, caught sight of the picture, and instantly started up, crying, “She is there!” Triplet was thunderstruck. “What likeness!” cried she, and moved toward the supposed picture.
“Don't go to it!” cried Triplet, aghast; “the color is wet.”
She stopped; but her eye and her very soul dwelt upon the supposed picture; and Triplet stood quaking. “How like! It seems to breathe. You are a great painter, sir. A glass is not truer.”
Triplet, hardly knowing what he said, muttered something about “critics and lights and shades.”
“Then they are blind!” cried Mabel, never for a moment removing her eye from the object. “Tell me not of lights and shades. The pictures I see have a look of paint; but yours looks like life. Oh, that she were here, as thiswonderfulimage of hers is. I would speak to her. I am not wise or learned; but orators never pleaded as I would plead to her for my Ernest's heart.” Still her eye glanced upon the picture; and I suppose her heart realized an actual presence, though her judgment did not; for by some irresistible impulse she sank slowly down and stretched her clasped hands toward it, while sobs and words seemed to break direct from her bursting heart. “Oh, yes! you are beautiful, you are gifted, and the eyes of thousands wait upon your very word and look. What wonder that he, ardent, refined, and genial, should lay his heart at your feet? And I have nothing but my love to make him love me. I cannot take him from you. Oh, be generous to the weak! Oh, give him back to me! What is one heart more to you? You are so rich, and I am so poor, that without his love I have nothing, and can do nothing but sit me down and cry till my heart breaks. Give him back to me, beautiful, terrible woman! for, with all your gifts, you cannot love him as his poor Mabel does; and I will love you longer perhaps than men can love. I will kiss your feet, and Heaven above will bless you; and I will bless you and pray for you to my dying day. Ah! it is alive! I am frightened! I am frightened!” She ran to Triplet and seized his arm. “No!” cried she, quivering close to him; “I'm not frightened, for it was for me she—Oh, Mrs. Woffington!” and, hiding her face on Mr. Triplet's shoulder, she blushed, and wept, and trembled.
What was it had betrayed Mrs. Woffington?A tear!
During the whole of this interview (which had taken a turn so unlooked for by the listener) she might have said with Beatrice, “What fire is in mine ears?” and what self-reproach and chill misgiving in her heart too. She had passed through a hundred emotions, as the young innocent wife told her sad and simple story. But, anxious now above all things to escape without being recognized—for she had long repented having listened at all, or placed herself in her present position—she fiercely mastered her countenance; but, though she ruled her features, she could not rule her heart. And when the young wife, instead of inveighing against her, came to her as a supplicant, with faith in her goodness, and sobbed to her for pity, a big tear rolled down her cheek, and proved her something more than a picture or an actress.
Mrs. Vane, as we have related, screamed and ran to Triplet.
Mrs. Woffington came instantly from her frame, and stood before them in a despairing attitude, with one hand upon her brow. For a single moment her impulse was to fly from the apartment, so ashamed was she of having listened, and of meeting her rival in this way; but she conquered this feeling, and, as soon as she saw Mrs. Vane too had recovered some composure, she said to Triplet, in a low but firm voice:
“Leave us, sir. No living creature must hear what I say to this lady!”
Triplet remonstrated, but Mrs. Vane said, faintly:
“Oh, yes, good Mr. Triplet, I would rather you left me.”
Triplet, full of misgivings, was obliged to retire.
“Be composed, ladies,” said he piteously. “Neither of you could help it;” and so he entered his inner room, where he sat and listened nervously, for he could not shake off all apprehension of a personal encounter.
In the room he had left there was a long, uneasy silence. Both ladies were greatly embarrassed. It was the actress who spoke first. All trace of emotion, except a certain pallor, was driven from her face. She spoke with very marked courtesy, but in tones that seemed to freeze as they dropped one by one from her mouth.
“I trust, madam, you will do me the justice to believe I did not know Mr. Vane was married?”
“I am sure of it!” said Mabel, warmly. “I feel you are as good as you are gifted.”
“Mrs. Vane, I am not!” said the other, almost sternly. “You are deceived!”
“Then Heaven have mercy on me! No! I am not deceived, you pitied me. You speak coldly now; but I know your face and your heart—you pity me!”
“I do respect, admire, and pity you,” said Mrs. Woffington, sadly; “and I could consent nevermore to communicate with your—with Mr. Vane.”
“Ah!” cried Mabel; “Heaven will bless you! But will you give me back his heart?”
“How can I do that?” said Mrs. Woffington, uneasily; she had not bargained for this.
“The magnet can repel as well as attract. Can you not break your own spell? What will his presence be to me, if his heart remain behind?”
“You ask much of me.”
“Alas! I do.”
“But I could do even this.” She paused for breath. “And perhaps if you, who have not only touched my heart, but won my respect, were to say to me, 'Do so,' I should do it.” Again she paused, and spoke with difficulty; for the bitter struggle took away her breath. “Mr. Vane thinks better of me than I deserve. I have—only—to make him believe me—worthless—worse than I am—and he will drop me like an adder—and love you better, far better—for having known—admired—and despised Margaret Woffington.”
“Oh!” cried Mabel, “I shall bless you every hour of my life.” Her countenance brightened into rapture at the picture, and Mrs. Woffington's darkened with bitterness as she watched her.
But Mabel reflected. “Rob you of your good name?” said this pure creature. “Ah, Mabel Vane! you think but of yourself.”
“I thank you, madam,” said Mrs. Woffington, a little touched by this unexpected trait; “but some one must suffer here, and—”
Mabel Vane interrupted her. “This would be cruel and base,” said she firmly. “No woman's forehead shall be soiled by me. Oh, madam! beauty is admired, talent is adored; but virtue is a woman's crown. With it, the poor are rich; without it, the rich are poor. It walks through life upright, and never hides its head for high or low.”