" … Ruth, all heart and tendernessWho wept, like Chaucer's Prioress,When Dash was smitten:Who blushed before the mildest men,Yet waxed a very Corday whenYou teased the kitten."
Before seeking her stony couch at the end of her first day at Priorsford, Pamela finished the letter begun in the morning to her brother.
* * * * *
" … I began this letter in the morning and now it is bedtime. Robinson Crusoe is no longer solitary: the island is inhabited. My first visitors arrived about 11 a.m.—a small boy and a dog—an extremely good-looking little boy and a well-bred fox-terrier. They sat on the garden wall until I invited them in, when they ate chocolates and biscuits, and the boy offered to repeat poetry. I expected 'Casabianca' or the modern equivalent, but instead I got the song from Hippolytus, 'O take me to the Mountains, O.' It was rather surprising, but when he invited me to go with him to his home, which is next door, it was more surprising still. Instead of finding another small villa like Hillview with a breakneck stair and poky little rooms, I found a real old cottage. The room I was taken into was about the nicest I ever saw. I think it would have fulfilled all your conditions as to the proper furnishing of a room; indeed, now that I think of it, it was quite a man's room.
"It had a polished floor and some good rugs, and creamy yellow walls with delicious coloured prints. There were no ornaments except some fine old brass: solid chairs and a low, wide-seated sofa, and books everywhere.
"The shape of the room is delightfully unusual. It is long and rather low-ceilinged, and one end comes almost to a point like the bow of a ship. There is a window with a window-seat in the bow, and as the house stands high on a slope and faces west, you look straight across the river to the hills, and almost have the feeling that you are sailing into the sunset.
"In this room a girl sat, darning stockings and crying quietly to herself—crying because her brother David had gone to Oxford the day before, and she was afraid he would find it hard work to live on his scholarship with the small help she could give him, afraid that he might find himself shabby and feel it bitter, afraid that he might not come back to her the kind, clear-eyed boy he had gone away.
"She told me all about it as simply as a child. Didn't seem to find it in the least odd to confide in a stranger, didn't seem at all impressed by the sudden appearance of my fashionably dressed self!
"People, I am often told, find themselves rather in awe of me. I know that they would rather have me for a friend than an enemy. You see, I can think of such extraordinarily nasty things to say about people I don't like. But this little girl treated me as if I had been an older sister or a kind big brother, and—well, I found it rather touching.
"Jean Jardine is her funny little name. She looks a mere child, but she tells me she is twenty-three and she has been head of the house since she was nineteen.
"It is really the strangest story. The father, one Francis Jardine, was in the Indian Civil Service—pretty good at his job, I gather—and these three children, Jean and her two brothers, David and Jock, were brought up in this cottage—The Rigs it is called—by an old aunt of the father's, Great-aunt Alison. The mother died when Jock was a baby, and after some years the father married again, suddenly and unpremeditatedly, a beautiful and almost friendless girl whom he met in London when home on leave. Jean offered no comment on the wisdom or the unwisdom of the match, but she told me the young Mrs. Jardine had sent for her (Jean was then a schoolgirl of fourteen) and had given her a good time in London before she sailed with her husband for India. Rather unusual when you come to think of it! It isn't every young wife who has thought on the honeymoon for schoolgirl stepdaughters, and Jean had seen that it was kind and unselfish, and was grateful. The Jardines sailed for India, and were hardly landed when Mr. Jardine died of cholera. The young widow stayed on—I suppose she liked the life and had little to bring her back to England—and when the first year of her widowhood was over she married a young soldier, Gervase Taunton. I'm almost sure I remember meeting him about—good-looking, perfect dancer, crack polo player. They seem, in spite of lack of money, to have been supremely happy for about three years, when young Taunton was killed playing polo. The poor girl broke her heart and slipped out of life, leaving behind one little boy. She had no relations, and Captain Taunton had no one very near, and when she was dying she had left instructions. 'Send my boy to Scotland. Ask Jean to bring him up. She will understand.' I suppose she had detected even in the schoolgirl of fourteen Jean's most outstanding quality, steadfastness, and entrusted the child to her without a qualm.
"So the baby of two was sent to the child of eighteen, and Jean glows with gratitude and tells you how good it was of her at-one-time stepmother to think of her! That is how she seems to take life: no suspecting of motives: looking for, therefore perhaps finding, kindness on every side. It is rather absurd in this wicked world, but I shouldn't wonder if it made for happiness.
"The Taunton child has, of course, no shadow of claim on the Jardines, but he is to them a most treasured little brother. 'The Mhor,' as they call him, is their great amusement and delight. He is quite absurdly good-looking, with great grave green eyes and a head most wonderfully set on his shoulders. He has a small income of his own, which Jean keeps religiously apart so that he may be able to go to a good school when he is old enough.
"The great-aunt who brought up the Jardines must have been an uncommon old woman. She died (perhaps luckily) just as the young Gervase Taunton came on the scene.
"It seems she always dressed in rustling black silk, sat bolt upright on the edge of chairs for the sake of her figure, took the greatest care of her hands and complexion, and was a great age. She had, Jean said, 'come out at the Disruption.' Jean was so impressive over it that I didn't like to ask what it meant. Do you suppose she made her début then?
"Perhaps 'the Disruption' is a sort of religioustamasha. Anyway, she was frightfully religious—a strict Calvinist—and taught Jean to regard everything from the point of view of her own death-bed. I mean to say, the child had to ask herself, 'How will this action look when I am on my death-bed?' Every cross word, every small disobedience, she was told, would be a 'thorn in her dying pillow.' I said, perhaps rather rudely, that Great-aunt Alison must have been a horrible old ghoul, but Jean defended her hotly. She seems to have had a great admiration for her aged relative, though she owned that her death was something of a relief. Unfortunately most of her income died with her.
"I think perhaps it was largely this training that has given Jean her particular flavour. She is the most happy change from the ordinary modern girl. Her manners are delightful—not noisy, but frank and gay like a nice boy's. She neither falls into the Scylla of affectation nor the Charybdis of off-handness. She has been nowhere and seen very little; books are her world, and she talks of book-people as if they were everyday acquaintances. She adores Dr. Johnson and quotes him continually.
"She has no slightest trace of accent, but she has that lilt in her voice—I have noticed it once or twice before in Scots people—that makes one think of winds over heathery moorlands, and running water. In appearance she is like a wood elf, rather small and brown, very light and graceful. She is so beautifully made that there is great satisfaction in looking at her. (If she had all the virtues in the world I could never take any interest in a girl who had a large head, or short legs, or thick ankles!) She knows how to dress, too. The little brown frock was just right, and the ribbon that was tied round her hair. I'll tell you what she reminded me of a good deal—Romney's 'Parson's Daughter.'
"What a find for my first day at Priorsford!
"I went to tea with the Jardines and I never was at a nicer tea-party. We said poems to each other most of the time. Mhor's rendering of Chesterton's 'The Pleasant Town of Roundabout' was very fine, but Jock loves best 'Don John of Austria.' You would like Jock. He has a very gruff voice and such surprised blue eyes, and is fond of weird interjections like 'Gosh, Maggie!' and 'Earls in the streets of Cork!' He is a determined foe to sentiment. He won't read a book that contains love-making or death-beds. 'Does anybody marry?' 'Does anybody die?' are his first questions about a book, so naturally his reading is much restricted.
"The Jardines have the lovable habit of becoming suddenly overpowered with laughter, crumpled up, and helpless. You have it, too; I have it; all really nice people have it. I have been refreshing myself withIrish Memoriessince dinner. Do you remember what is said of Martin Ross? 'The large conventional jest had but small power over her; it was the trivial absurdity, the inversion of the expected the sublimity getting a little above itself and failing to realise that it had taken that fatal step over the border—those were the things that felled her, and laid her, wherever she might be, in ruins….'
"Bella Bathgate, I must tell you, remains unthawed. She hinted to me to-night that she thought the Hydropathic was the place for me—surely the unkindest cut of all. People dress for dinner every night there, she tells me, and most of them are English, and a band plays. Evidently she thinks I would be at home in such company.
"Some day I think you must visit Priorsford and get to know MissBathgate.—Yours,
"I forgot to tell you that for some dark reason the Jardines call their cat Sir J.M. Barrie.
"I asked why, but got no satisfaction.
"'Well, you see, there's Peter,' Mhor said vaguely.
"Jock looked at the cat and observed obscurely, 'It's not a sentimental beast either'—while Jean asked if I would have preferred it called Sir Rabindranath Tagore!"
"O, the land is fine, fine,I could buy it a' for mine,For ma gowd's as the stooks in Strathairlie."
Scots Song.
When Peter Reid arrived at Priorsford Station from London he stood for a few minutes looking about him in a lost way, almost as if after thirty years he expected to see a "kent face" coming to meet him. He had no -notion where to go; he had not written for rooms; he had simply obeyed the impulse that sent him—the impulse that sends a hurt child to its mother. It is said that an old horse near to death turns towards the pastures where he was foaled. It is true of human beings. "Man wanders back to the fields which bred him."
After a talk with a helpful porter he found rooms in a temperance hotel in the Highgate—a comfortable quiet place.
The next day he was too tired to rise, and spent rather a dreary day in his rooms with theScotsmanfor sole companion.
The landlord, a cheery little man, found time once or twice to talk for a few minutes, but he had only been ten years in Priorsford and could tell his guest nothing of the people he had once known.
"D'you know a house called The Rigs?" he asked him.
The landlord knew it well—a quaint cottage with a pretty garden. Old Miss Alison Jardine was living in it when he came first to Priorsford; dead now, but the young folk were still in it.
"Young folk?" said Peter Reid.
"Yes," said the landlord, "Miss Jean Jardine and her brothers. Orphans, I'm told. Father an Anglo-Indian. Nice people? Oh, very. Quiet and inoffensive. They don't own the house, though. I hear the landlord is a very wealthy man in London. By the way, same name as yourself, sir."
"Do I look like a millionaire?" asked Peter Reid, and the landlord laughed pleasantly and non-committally.
The next day was sunny and Peter Reid went out for a walk. It was a different Priorsford that he had come back to. A large draper's shop with plate-glass windows occupied the corner where Jenny Baxter had rolled her toffee-balls and twisted her "gundy," and where old Davy Linton had cut joints and weighed out mince-collops accompanied by wise weather prophecies, a smart fruiterer's shop now stood furnished with a wealth of fruit and vegetables unimagined in his young days. There were many handsome shops, the streets were wider and better kept, unsightly houses had been demolished; it was a clean, prosperous-looking town, but it was different.
Peter Reid (of London) would have been the first to carp at the tumbledown irregular old houses, with their three steps up and three steps down, remaining, but Peter Reid (of Priorsford) missed them. He resented the new shops, the handsome villas, the many motors, all the evidences of prosperity.
And why had Cuddy Brig been altered?
It had been far liker the thing, he thought—the old hump-backed bridge with the grass and ferns growing in the crannies. He had waded in Cuddy when he was a boy, picking his way among the broken dishes and the tin cans, and finding wonderful adventures in the dark of the bridge; he had bathed in it as it wound, clear and shining, among the green meadows outside the town, and run "skirl-naked" to dry himself, in full sight of scandalised passengers in the Edinburgh train; he had slid on it in winter. The memory of the little stream had always lain in the back of his mind as something precious—and now to find it spanned by a staring new stone bridge. Those Town Councils with their improvements!
Even Tweed Bridge had not been left alone. It had been widened, as an inscription in the middle told the world at large. He leant on it and looked up the river. Peel Tower was the same, anyway. No one had dared to add one cubit to its grey stature. It was a satisfaction to look at something so unchanging.
The sun had still something of its summer heat, and it was pleasant to stand there and listen to the sound of the river over the pebbles and see the flaming trees reflected in the blue water all the way up Tweedside till the river took a wide curve before the green slope on which the castle stood. A wonderfully pretty place, Priorsford, he told himself: a home-like place—if one had anyone to come home to.
He turned slowly away. He would go and look at The Rigs. His mother had come to it as a bride. He had been born there. Though occupied by strangers, it was the nearest he had to a home. The house in Prince's Gate was well furnished, comfortable, smoothly run by efficient servants, but only a house when all was said. He felt he would like to creep into The Rigs, into the sitting-room where his mother had always sat (the other larger rooms, the "good room" as it was called, was kept for visitors and high days), and lay his tired body on the horsehair arm-chair by the fireside. He could rest there, he thought. It was impossible, of course. There would be no horsehair arm-chair, for everything had been sold—and there was no mother.
But, anyway, he would go and look at it. There used to be primroses—but this was autumn. Primroses come in the spring.
Thirty years—but The Rigs was not changed, at least not outwardly. Old Mrs. Reid had loved the garden, and Great-aunt Alison, and Jean after her, had carried on her work.
The little house looked just as Peter Reid remembered it.
He would go in and ask to see it, he told himself.
He would tell these Jardines that the house was his and he meant to live in it himself. They wouldn't like it, but he couldn't help that. Perhaps he would be able to persuade them to go almost at once. He would make it worth their while.
He was just going to lift the latch of the gate when the front door opened and shut, and Jean Jardine came down the flagged path. She stopped at the gate and looked at Peter Reid.
"Were you by any chance coming in?" she asked.
"Yes," said Mr. Reid; "I was going to ask if I might see over the house."
"Surely," said Jean. "But—you're not going to buy it, are you?"
The face she turned to him was pink and distressed.
"Did you think of buying it yourself?" Peter Reid asked.
"Me? You wouldn't ask that if you knew how little money I have. But come in. I shall try to think of all its faults to tell you—but in my eyes it hasn't got any."
They went slowly up the flagged path and into the square, low-roofed hall. This was not as his mother had it. Then the floor had been covered with linoleum on which had stood two hard chairs and an umbrella-stand. Now there was an oak chest and a gate-table, old brass very well rubbed up, a grandfather clock with a "clear" face, and a polished floor with a Chinese rug on it.
"It is rather dark," said Jean, "but I like it dark. Coming in on a hot summer day it is almost like a pool; it is so cool and dark and polished." Mr. Reid said nothing, and Jean was torn between a desire to have her home appreciated and a desire to have this stranger take an instant dislike to it, and to leave it speedily and for ever.
"You see," she pointed out, "the little staircase is rather steep and winding, but it is short; and the bedrooms are charming—not very big, but so prettily shaped and with lovely views." Then she remembered that she should miscall rather than praise, and added, "Of course, they have all got queer ceilings; you couldn't expect anything else in a cottage. Will you go upstairs?"
Mr. Reid thought not, and asked if he might see the sitting-rooms."This," said Jean, opening a door, "is the dining-room."
It was the room his mother had always sat in, where the horsehair arm-chair had had its home, but it, too, had suffered a change. Gone was the arm-chair, gone the round table with the crimson cover. This room had an austerity unknown in the room he remembered. It was small, and every inch of space was made the most of. An old Dutch dresser held china and acted as a sideboard; a bare oak table, having in its centre a large blue bowl filled with berries and red leaves, stood in the middle of the room; eight chairs completed the furniture.
"This is the least nice room in the house," Jean told him, "but we are never in it except to eat. It looks out on the road."
"Yes," said Peter Reid, remembering that that was why his mother had liked it. She could sit with her knitting and watch the passers-by. She had always "infused" the tea when she heard the click of the gate as he came home from school.
"You will like to see the living-room," said Jean, shivering for the effect its charm might have on a potential purchaser. She led him in, hoping that it might be looking its worst, but, as if in sheer contrariness, the fire was burning brightly, a shaft of sunlight lay across a rug, making the colours glow like jewels, and the whole room seemed to hold out welcoming hands. It was satisfactory (though somewhat provoking) that the stranger seemed quite unimpressed.
"You have some good furniture," he said.
"Yes," Jean agreed eagerly. "It suits the room and makes it beautiful. Can you imagine it furnished with a 'suite' and ordinary pictures, and draped curtains at the windows and silver photograph frames and a grand piano? It would simply be no sort of room at all. All its individuality would be gone. But won't you sit down and rest? That hill up from the town is steep."
Peter Reid sank thankfully into a corner of the sofa, while Jean busied herself at the writing-table so that this visitor, who looked so tired, need not feel that he should offer conversation.
Presently he said, "You are very fond of The Rigs?"
Jean came and sat down beside him.
"It's the only home we have ever known," she said. "We came here from India to live with our great-aunt—first me alone, and then David and Jock. And Father and Mother were with us when Father had leave. I have hardly ever been away from The Rigs. It's such a veryaffectionatesort of house—perhaps that is rather an absurd thing to say, but you do get so fond of it. But if I take you in to see Mrs. M'Cosh in the kitchen she will tell you plenty of faults. The water doesn't heat well, for one thing, and the range simply eats up coal, and there is no proper pantry. Your wife would want to know about these things."
"Haven't got a wife," said Peter Reid gruffly.
"No? Well, your housekeeper, then. You couldn't buy a house without getting to know all about the hot water and pantries."
"There is no question of my buying it."
"Oh, isn't there?" cried Jean joyfully. "What a relief! All the time I've been showing you the house I've been picturing us removing sadly to a villa in the Langhope Road. They are quite nice villas as villas go, but they have only tiny strips of gardens, and stairs that come to meet you as you go in at the front door, and anyway no house could ever be home to us after The Rigs—not though it had hot and cold water in every room and a pantry on every floor."
"Dear me," said Peter Reid.
He felt perplexed, and annoyed with himself for being perplexed. All he had to do was to tell this girl with the frank eyes that The Rigs was his, that he wanted to live in it himself, that if they would turn out at once he would make it worth their while. Quite simple—They were nice people evidently, and would make no fuss. He would say it now—but Jean was speaking.
"I think I know why you wanted to see through this house," she was saying. "I think you must have known it long ago when you were a boy. Perhaps you loved it too—and had to leave it."
"I went to London when I was eighteen to make my fortune."
"Oh," said Jean, and into that "Oh" she put all manner of things she could not say. She had been observing her visitor, and she was sure that this shabby little man (Peter Reid cared not at all for appearances and never bought a new suit of clothes unless compelled) had returned no Whittington, Lord Mayor of London. Probably he was one of the "faithful failures" of the world, one who had tried and missed, and had come back, old and tired and shabby, to see his boyhood's home. The tenderest corner of Jean's tender heart was given to shabby people, and she longed to try to comfort and console, but dared not in case of appearing impertinent. She reflected dismally that he had not even a wife to be nice to him, and he was far too old to have a mother.
"Are you staying in Priorsford?" she asked gently.
"I'm at the Temperance Hotel for a few days. I—the fact is, I haven't been well. I had to take a rest, so I came back here—after thirty years."
"Have you really been away for thirty years? Great-aunt Alison came to The Rigs first about thirty years ago. Do you, by any chance, know our landlord in London? Mr. Peter Reid is his name."
"I know him."
"He's frightfully rich, they say. I don't suppose you know him well enough to ask him not to sell The Rigs? It can't make much difference to him, though it means so much to us. Is he old, our landlord?"
"A man in his prime," said Peter Reid.
"That's pretty old, isn't it?" said Jean—"about sixty, I think. Of course," hastily, "sixty isn't really old. When I'm sixty—if I'm spared—I expect I shall feel myself good for another twenty years."
"I thought I was," said Peter Reid, "until I broke down."
"Oh, but a rest at Priorsford will put you all right."
Could he afford a holiday? she wondered. Even temperance hotels were rather expensive when you hadn't much money. Would it be very rash and impulsive to ask him to stay at The Rigs?
"Are you comfortable at the Temperance?" she asked. "Because if you don't much care for hotels we would love to put you up here. Mhor is apt to be noisy, but I'm sure he would try to be quiet when he knew that you needed a rest."
"My dear young lady," gasped Peter Reid. "I'm afraid you are rash. You know nothing of me. I might be an impostor, a burglar—"
Jean threw back her head and laughed. "Do forgive me, but the thought of you with a jemmy and a dark lantern is so funny."
"You don't even know my name."
"I don't," said Jean, "but does that matter? You will tell it me when you want to."
"My name is Reid, the same as your landlord."
"Then," said Jean, "are you a relative of his?"
"A connection." It was not what he meant to say, but he said it.
"How odd!" said Jean. She was trying to remember if she had said anything unbecoming of one relative to another. "Oh, here's Jock and Mhor," as two figures ran past the windows; "you must stay and have tea with us, Mr. Reid."
"But I ought to be getting back to the hotel. I had no intention of inflicting myself on you in this way." He rose to his feet and looked about for his hat. "The fact is—I must tell you—I am——"
The door burst open and Mhor appeared. He had forgotten to remove his cap, or wipe his muddy boots, so eager was he to tell his news.
"Jean," he shouted, oblivious in his excitement of the presence of a stranger—"Jean, there are six red puddock-stools at the bottom of the garden—bright red puddock-stools." He noticed Mr. Reid and, going up to him and looking earnestly into his face, he repeated, "Six!"
"Indeed," said Peter Reid.
He had no acquaintance with boys, and felt extremely ill at ease, but Mhor, after studying him for a minute, was seized with a violent fancy for this new friend.
"You're going to stay to tea, aren't you? Would you mind coming with me just now to look at the puddock-stools? It might be too dark after tea. Here is your hat."
"But I'm not staying to tea," cried the unhappy owner of The Rigs. Why, he asked himself had he not told them at once that he was their landlord? A connection! Fool that he was! He would say it now—"I only came—"
"It was very nice of you to come," said Jean soothingly. "But, Mhor, don't worry Mr. Reid. Everybody hasn't your passion for puddock-stools."
"But you would like to see them," Mhor assured him. "I'm going to fill a bowl with chucky-stones and moss and stick the puddock-stools among them and make a fairy garden for Jean. And if I can find any more I'll make one for the Honourable; she is very kind about giving me chocolates."
They were out of doors by this time, and Mhor was pointing out the glories of the garden.
"You see, we have a burn in our garden with a little bridge over it; almost no one else has a burn and a bridge of their very own. There are minnows in it and all sorts of things—water-beetles, you know.And here are my puddock-stools."
When Mr. Reid came back from the garden Mhor had firm hold of his hand and was telling him a long story about a "mavis-bird" that the cat had caught and eaten.
"Tea's ready," he said, as they entered the room; "you can't go away now, Mr. Reid. See these cookies? I went for them myself to Davidson the baker's, and they were so hot and new-baked that the bag burst and they all fell out on the road."
"Mhor! You horrid little boy."
"They're none the worse, Jean. I dusted them all with me useful little hanky, and the road wasn't so very dirty."
"All the same," said Jean, "I think we'll leave the cookies to you andJock. The other things are baked at home, Mr. Reid, and are quite safe.Mhor, tell Jock tea's in, and wash your hands."
So Peter Reid found himself, like Balaam, remaining to bless. After all, why should he turn these people out of their home? A few years (with care) was all the length of days promised to him, and it mattered little where he spent them. Indeed, so little profitable did leisure seem to him that he cared little when the end came. Mhor and his delight over a burn of his own, and a garden that grew red puddock-stools, had made up his mind for him. He would never be the angel with the flaming sword who turned Mhor out of paradise. He had not known that a boy could be such a pleasant person. He had avoided children as he had avoided women, and now he found himself seated, the centre of interest, at a family tea-table, with Jean, anxiously making tea to his liking, while Mhor (with a well-soaped, shining face, but a high-water mark of dirt where the sponge had not reached) sat close beside him, and Jock, the big schoolboy, shyly handed him scones: and Peter walked among the feet of the company, waiting for what he could get.
Peter Reid quite shone through the meal. He remembered episodes of his boyhood, forgotten for forty years, and told them to Jock and Mhor, who listened with most gratifying interest. He questioned Jock about Priorsford Grammar School, and recalled stories of the masters who had taught there in his day.
Jean told him about David going to Oxford, and about Great-aunt Alison who had "come out at the Disruption"—about her father's life in India, and about her mother, and he became every minute more human and interested. He even made one or two small jokes which were received with great applause by Jock and Mhor, who were grateful to anyone who tried, however feebly, to be funny. They would have said with Touchstone, "It is meat and drink to me to see a clown."
Jean watched with delight her rather difficult guest blossom into affability. "You are looking better already," she told him. "If you stayed here for a week and rested and Mrs. M'Cosh cooked you light, nourishing food and Mhor didn't make too much noise, I'm sure you would feel quite well again. And it does seem such a pity to pay hotel bills when we want you here."
Hotel bills! Peter Reid looked sharply at her. Did she imagine, this girl, that hotel bills were of any moment to him? Then he looked down at his shabby clothes and recalled their conversation and owned that her mistake was not unjustifiable.
But how extraordinary it was! The instinct that makes people wish to stand well with the rich and powerful he could understand and commend, but the instinct that opens wide doors to the shabby and the unsuccessful was not one that he knew anything about: it was certainly not an instinct for this world as he knew it.
Just as they were finishing tea Mrs. M'Cosh ushered in Miss PamelaReston.
"You did say I might come in when I liked," she said as she greeted Jean. "I've had tea, thank you. Mhor, you haven't been to see me to-day."
"I would have been," Mhor assured her, "but Jean said I'd better not. Do you invite me to come to-morrow?"
"I do."
"There, Jean," said Mhor. "You can'tun-vite me after that."
"Indeed she can't," said Pamela. "Jock, this is the book I told you about…. Please, Miss Jean, don't let me disturb you."
"We've finished," said Jean. "May I introduce Mr. Reid?"
Pamela shook hands and at once proceeded to make herself so charming that Peter Reid was galvanised into a spirited conversation. Pamela had brought her embroidery-frame with her, and she sat on the sofa and sorted out silks, and talked and laughed as if she had sat there off and on all her life. To Jean, looking at her, it seemed impossible that two days ago none of them had beheld her. It seemed—absurdly enough—that the room could never have looked quite right when it had not this graceful creature with her soft gowns and her pearls, her embroidery-frame and heaped, bright-hued silks sitting by the fire.
"Miss Jean, won't you sing us a song? I'm convinced that you sing Scots songs quite perfectly."
Jean laughed. "I can sing Scots songs in a way, but I have a voice about as big as a sparrow's. If it would amuse you I'll try."
So Jean sat down to the piano and sang "Proud Maisie," and "Colin'sCattle," and one or two other old songs.
"I wonder," said Peter Reid, "if you know a song my mother used to sing—'Strathairlie'?"
"Indeed I do. It's one I like very much. I have it here in this little book." She struck a few simple chords and began to sing: it was a lilting, haunting tune, and the words were "old and plain."
"O, the lift is high and blue,And the new mune glints through,On the bonnie corn-fields o' Strathairlie;Ma ship's in Largo Bay,And I ken weel the wayUp the steep, steep banks o' Strathairlie.
When I sailed ower the sea,A laddie bold and free,The corn sprang green on Strathairlie!When I come back again,It's an auld man walks his laneSlow and sad ower the fields o' Strathairlie.
O' the shearers that I seeNo' a body kens me,Though I kent them a' in Strathairlie;An' the fisher-wife I pass,Can she be the braw lassI kissed at the back o' Strathairlie?O, the land is fine, fine,I could buy it a' for mine,For ma gowd's as the stooks in Strathairlie;But I fain the lad would beWha sailed ower the saut seaWhen the dawn rose grey on Strathairlie."
Jean rose from the piano. Jock had got out his books and had begun his lessons. Mhor and Peter were under the table playing at being cave-men. Pamela was stitching at her embroidery. Peter Reid sat shading his eyes from the light with his hand.
Jean knelt down on the rug and held out her hands to the blazing fire.
"It must be sad to be old and rich," she said softly, almost as if she were speaking to herself. "It is so very certain that we can carry nothing out of this world…. I read somewhere of a man who, on every birthday, gave away some of his possessions so that at the end he might not be cumbered and weighted with them." She looked up and caught the gaze of Peter Reid fixed on her intently. "It's rather a nice idea, don't you think, to give away all the superfluous money and lands, pictures and jewels, everything we have, and stand stripped, as it were, ready when we get the word to come, to leap into the beyond?"
Pamela spoke first. "There speaks sweet and twenty," she said.
"Yes," said Jean. "I know it's quite easy for me to speak in that lordly way of disposing of possessions, for I haven't got any to dispose of."
"Then," said Pamela, "we are to take it that you are ready to spring across any minute?"
"So far as goods and gear go; but I'm rich in other things. I'm pretty heavily weighted by David, and Jock, and Mhor."
Then Peter Reid spoke, still with his hand over his eyes.
"Once you begin to make money it clings. How can you get rid of it?"
"I'm saving up for a bicycle," the Mhor broke in, becoming aware that the conversation turned on money. "I've got half a crown and a thru-penny-bit and fourpence-ha'penny in pennies: and I've got a duster to clean it with when I've got it."
Jean stroked his head. "I don't think you'll ever be overburdened with riches, Mhor, old man. But it must be tremendous fun to be rich. I love books where suddenly a lawyer's letter comes saying that someone has left them a fortune."
"What would you do with a fortune if you got it?" Peter Reid asked.
"Need you ask?" laughed Pamela. "Miss Jean would at once make it over toDavid and Jock and Mhor."
"Oh, well," said Jean, "of course they would comefirst, but, oh, I would do such a lot of things! I'd find out where money was most needed and drop it on the people anonymously so that they wouldn't be bothered about thanking anyone. I would creep about like a beneficent Puck and take worried frowns away, and straighten out things for tired people, and, above all, I'd make children smile. There's no fun or satisfaction got from giving big sums to hospitals and things—that's all right for when you're dead. I want to make happiness while I'm alive. I don't think a million pounds would be too much for all I want to do."
"Aw, Jean," said Mhor, "if you had a million pounds would you buy me a bicycle?"
"A bicycle," said Jean, "and a motor and an aeroplane and a Shetland pony and a Newfoundland pup. I'll make a story for you in bed to-night all about what you would have if I were rich."
"And Jock, too?"
Being assured that Jock would not be overlooked Mhor grabbed Peter round the neck and proceeded to babble to him about bicycles and aeroplanes, motors and Newfoundland pups.
Jean looked apologetically at her guests.
"When you're poor you've got to dream," she said. "Oh, must you go, Mr. Reid? But you'll come back to-morrow, won't you? We would honestly like you to come and stay with us."
"Thank you," said Peter Reid, "but I am going back to London in a day or two. I am obliged to you for your hospitality, especially for singing me 'Strathairlie.' I never thought to hear it again. I wonder if I might trouble you to write me out the words."
"But take the book," said Jean, running to get it and pressing it into his hands. "Perhaps you'll find other songs in it you used to know and like. Take it to keep."
Pamela dropped her embroidery-frame and watched the scene.
Mhor and Peter stood looking on. Jock lifted his head from his books to listen. It was no new thing for the boys to see Jean give away her most treasured possessions: she was a born "Madam Liberality."
"But," Peter Reid objected, "it is rather a rare book. You value it yourself."
"Of course I do," said Jean, "and that is why I am giving it toyou. I know you will appreciate it."
Peter Reid took the book as if it was something fragile and very precious. Pamela was puzzled by the expression on his face. He did not seem so much touched by the gift as amused—sardonically amused.
"Thank you," he said. And again, "Thank you!"
"Jock will go down with you to the hotel," Jean said, explaining, when the visitor demurred, that the road was steep and not very well lighted.
"I'll go too," said Mhor, "me and Peter."
"Well, come straight back. Good-bye, Mr. Reid. I'm so glad you came to see The Rigs, but I wish you could have stayed…."
"Is he an old friend?" Pamela asked, when the cavalcade had departed.
"I never saw him before to-day. He once lived in this house and he came back to see it, and he looks ill and I think he is poor, so I asked him to come and stay with us for a week."
"My dear child, do you invite every stranger to stay with you if you think he is poor?"
"Of course not. But he looked so lonely and lost somehow, and he doesn't seem to have anyone belonging to him, and I was sorry for him."
"And so you gave him that song-book you value so much?"
"Yes," said Jean, looking rather ashamed. "But," she brightened, "he seemed pleased, don't you think? It's a pretty song, 'Strathairlie,' but it's not apukkaold one—it's early Victorian."
"Miss Jean, it's a marvel to me that you have anything left belonging to you."
"Don't call me Miss Jean!"
"Jean, then; but you must call me Pamela."
"Oh, but wouldn't that be rather familiar? You see, you are so—so—"
"Stricken in years," Pamela supplied.
"No—but—well, you are rather impressive, you know. It would be like calling Miss Bathgate 'Bella' to her face. However—Pamela—"
"For 'tis a chronicle of day by day."
The Tempest.
About this time Jean wrote a letter to David at Oxford. It is wonderful how much news there is when people write every other day; if they wait for a month there is nothing that seems worth telling.
Jean wrote:
" … You have been away now for four days, and we still miss you badly. Nobody sits in your place at the table, and it gives us such a horrid bereaved feeling when we look at it. Mhor was waiting at the gate for the post yesterday and brought your letter in in triumph. He was particularly interested in hearing about your scout, and has added his name to the list he prays for. You will be glad to hear that he has got over his prejudice against going to heaven. It seems it was because someone told him that dogs couldn't go there, and he wouldn't desert Micawber—Peter, in other words. Jock has put it right by telling him that the translators of the Bible probably made a slip, and Mhor now prays earnestly every night: 'Let everyone in The Rigs go to heaven,' hoping thus to smuggle in his dear companion.
"It is an extraordinary thing, but almost the very minute you leftPriorsford things began to happen.
"I told you in the note I wrote the day you left that Bella Bathgate's lodger had arrived and that I had seen her, but I didn't realise then what a difference her coming would make to us. I never knew such a friendly person; she comes in at any sort of time—after breakfast, a few minutes before luncheon, for tea, between nine and ten at night. Did I tell you her name is Pamela Reston, and her brother, who seems to be ranging about India somewhere, is Lord Bidborough ('A lord-no-less,' as Mrs. M'Cosh would say). She calls him Biddy, and seems devoted to him.
"Although she is horribly rich and an 'honourable,' and all that sort of thing, she isn't in the least grand. She never impresses one with her opulence as, for instance, Mrs. Duff-Whalley does. Her clothes are beautiful, but so much a part of her personality that you never think of them. Her pearls don't hit you in the face as most other people's do. Because she is so unconscious of them, I suppose. I think she is lovely. Jock says she is like a greyhound, and I know what he means—it is the long, swift, graceful way she has of moving. She says she is forty. I always thought forty was quite old, but now it seems to me the very prettiest age. Age doesn't really matter at all to people who have got faces and figures and manners like Pamela Reston. They will always make whatever age they are seem the perfect age.
"I do wonder what brings her to Priorsford! I rather think that having been all her life so very 'twopence coloured' she wants the 'penny plain' for a change. Perhaps that is why she likes The Rigs and us. There is no mistake about our 'penny-plainness'—it jumps to the eye!
"I am just afraid she won't stay very long. There are so many pretty little houses in Priorsford, and so many kind and forthcoming landladies, it was bad luck that she should choose Hillview and Bella Bathgate. Bella is almost like a stage-caricature of a Scotswoman, so dour she is and uncompromising and she positively glories in the drab ugliness of her rooms. Ugliness means to Bella respectability; any attempt at adornment is 'daft-like.'
"Pamela (she has asked me to call her that) trembles before her, and that makes Bella worse. She wants someone to stand up to her, to laugh at her grimness; she simply thinks when Pamela is charming to her that she is a poor creature.
"She is charming to everyone, this lodger of Bella's. Jock and Mhor and Mrs. M'Cosh are all at her feet. She brings us books and papers and chocolates and fruit, and makes us feel we are conferring the favour by accepting them. She is a real charmer, for when she speaks to you she makes you feel that no one matters to her but just you yourself. And she is simple (or at least appears to be); she hasn't that Now-I-am-going-to-be-charming manner that is so difficult to bear. It is such fun talking to her, for she is very—pliable I think is the word I want. Accustomed to converse with people who constantly pull one up short with an 'Ah, now I don't agree,' or 'There, I think you are quite wrong,' it is wonderfully soothing to discuss things with someone who has the air of being convinced by one's arguments. It is weak, I know, but I'm afraid I agree with Mrs. M'Cosh, who described a friend as 'a rale nice buddy. She clinks wi' every word ye say.'
"I am thinking to myself how Great-aunt Alison would have dreaded Pamela's influence. She would have seen in her the personification of the World, the Flesh, and the Devil—albeit she would have been much impressed by her long descent: dear Aunt Alison.
"All the same, Davie, it is odd what an effect one's early training has. D'you remember how discouraged G.-A. Alison was about our levity—especially mine? She once said bitterly that I was like the ell-woman—hollow—because I laughed in the middle of the Bible lesson. And how antiquated and stuffy we thought her views, and took pleasure in assuring ourselves that we had got far beyond them, and you spent an evening tea-less in your room because you said you would rather be a Buddhist than a Disruption Worthy—do you remember that?
"Yes, but Great-aunt Alison had builded better than she knew. When Pamela laughs 'How Biblical!' or says in her pretty, soft voice that our great-aunt's religion must have been a hard and ugly thing, I get hot with anger and feel I must stick unswervingly to the antiquated views. Is it because poor Great-aunt isn't here to make me? I don't know.
"Mhor is really surprisingly naughty. Yesterday I heard angry shouts from the road, and then I met Mhor sauntering in, on his face the seraphic expression he wears when some nefarious scheme has prospered, and in his hand the brass breakfast kettle. He had been pouring water on the passers-by from the top of the wall. 'Only,' he explained to me, 'on the men who wore hard black hats, who could swear.'
"I told him the police would probably visit us in the course of the afternoon, and pointed out to him how ungentleman-like was his behaviour, and he said he was sorry; but I'm afraid he will soon think of some other wickedness.
"He thinks he can do anything he hasn't been told not to do, but how could I foresee that he would want to pour water on men with hard black hats, capable of swearing?
"I had almost forgotten to tell you, an old man came yesterday and wanted to see over the house. You can imagine what a scare I got—I made sure he wanted to buy it; but it turned out that he had lived at The Rigs as a boy, and had come back for old sake's sake. He looked ill and rather shabby, and I don't believe life had been very good to him. I did want to try and make up a little, but he was difficult. He was staying at the Temperance, and it seemed so forlorn that he should have no one of his own to come home to. He didn't look as if anybody had ever made a fuss of him. I asked him to stay with us for a week, but he wouldn't. I think he thought I was rather mad to ask him, and Pamela laughed at me about it…. She laughs at me a good deal and calls me a 'sentimentalist.' …
"There is the luncheon bell.
"We are longing for your letter to-morrow to hear how you are settling down. Mrs. M'Cosh has baked some shortbread for you, which I shall post this afternoon.
"Love from each of us, and Peter.—Your
"Is this a world to hide virtues in?"
Twelfth Night.
"You should never wear a short string of beads when you are wearing big earrings," Pamela said.
"But why?" asked Jean.
"Well, see for yourself. I am wearing big round earrings—right. I put on the beads that match—quite wrong. It's a question of line."
"I see," said Jean thoughtfully. "But how do you learn those things?"
"You don't learn them. You either know them, or you don't. A sort of instinct for dress, I suppose."
Jean was sitting in Pamela's bedroom. Pamela's bedroom it was now, certainly not Bella Bathgate's.
The swinging looking-glass had been replaced by one which, according to Pamela, was at least truthful. "The other one," she complained, "made me look pale green and drowned."
A cloth of fine linen and lace covered the toilet-table which was spread with brushes and boxes in tortoiseshell and gold, quaint-shaped bottles for scent, and roses in a tall glass.
A jewel-box stood open and Pamela was pulling out earrings and necklaces, rings and brooches for Jean's amusement.
"Most of my things are at the bank," Pamela was saying as she held up a pair of Spanish earrings made of rows of pearls. "They generally are there, for I don't care a bit about ordinary jewels. These are what I like—odd things, old things, things picked up in odd corners of the world, things that have a story and a meaning. Biddy got me these turquoises in Tibet: that is a devil charm: isn't that jade delicious? I think I like Chinese things best of all."
She threw a string of cloudy amber round Jean's neck and cried, "My dear, how it becomes you. It brings out all the golden lights in your hair and eyes."
Jean sat forward in her chair and looked at her reflection in the glass with a pleased smile.
"I do like dressing-up," she confessed. "Pretty things are a great temptation to me. I'm afraid if I had money I would spend a lot in adorning my vile body."
"I simply don't know," said Pamela, "how people who don't care for clothes get through their lives. Clothes are a joy to the prosperous, a solace to the unhappy, and an interest always—even to old age. I knew a dear old lady of ninety-four whose chief diversion was to buy a new bonnet. She would sit before the mirror discarding model after model because they were 'too old' for her. One would have thought it difficult to find anything too old for ninety-four."
Jean laughed, but shook her head.
"Doesn't it seem to you rather awful to care about bonnets at ninety-four?"
"Not a bit," said Pamela. She was powdering her face as she spoke. "I like to see old people holding on, not losing interest in their appearance, making a brave show to the end…. Did you never see anyone use powder before, Jean? Your eyes in the glass look so surprised."
"Oh, I beg your pardon," said Jean, in great confusion, "I didn't mean to stare—" She hastily averted her eyes.
Pamela looked at her with an amused smile.
"There's nothing actively immoral about powdering one's nose, you know,Jean. Did Great-aunt Alison tell you it was wrong?"
"Great-aunt Alison never talked about such things," Jean said, flushing hotly. "I don't think it's wrong, but I don't see that it's an improvement. I couldn't take any pleasure in myself if my face were made up."
Pamela swung round on her chair and laid her hands on Jean's shoulders.
"Jean," she said, "you're within an ace of being a prig. It's only the freckles on your little unpowdered nose, and the yellow lights in your eyes, and the way your hair curls up at the ends that save you. Remember, please, that three-and-twenty with a perfect complexion has no call to reprove her elders. Just wait till you come to forty years."
"Oh," said Jean, "it's absurd of you to talk like that. As if you didn't know that you are infinitely more attractive than any young girl. I never know why people talk so much aboutyouth. What does being young matter if you're awkward and dull and shy as well? I'd far rather be middle-aged and interesting."
"That," said Pamela, as she laid her treasures back in the box, "is one of the minor tragedies of life. One begins by being bored with being young, and as we begin to realise what an asset youth is, it flies. Rejoice in your youth, little Jean-girl, for it's a stuff will not endure…. Now we'll go downstairs. It's too bad of me keeping you up here."
"How you have changed this room," said Jean. "It smells so nice."
"It is slightly less forbidding. I am quite attached to both my rooms, though when Mawson and I are both here together I sometimes feel I must poke my arms out of the window or thrust my head up the chimney like Bill the Lizard, in order to get room. It is a great disadvantage to be too large for one's surroundings."
The parlour was as much changed as the bedroom.
The round table with the red-and-green cover that filled up the middle of the room had been banished and a small card-table stood against the wall ready to be brought out for meals. A Persian carpet covered the linoleum and two comfortable wicker-chairs filled with cushions stood by the fireside. The sideboard had been converted into a stand for books and flowers. The blue vases had gone from the mantelshelf and two tall candlesticks and a strip of embroidery took their place. A writing-table stood in the window, from which the hard muslin curtains had been removed; there were flowers wherever a place could be found for them, and new books and papers lay about.
Jean sank into a chair with a book, but Pamela produced some visiting-cards and read aloud:
"Who are they, please? and why do they come to see me?"
Jean shut her book, but kept her finger in as if hoping to get back to it soon, and smiled broadly.
"Mrs. Duff-Whalley is a wonderful woman," she said. "She knows everything about everybody and simply scents out social opportunities. Your name would draw her like a magnet."
"Why is she called Duff-Whalley? and where does she live? I'm frightfully intrigued."
"As to the first," said Jean, "there was no thought of pleasing either you or me when she was christened—or rather when the late Mr. Duff-Whalley was christened. And I pointed out the house to you the other day. You asked what the monstrosity was, and I told you it was called The Towers."
"I remember. A staring red-and-white house with about thirty bow-windows and twenty turrets. It denies the landscape."
"Wait," said Jean, "till you see it close at hand. It's the most naked, newest thing you ever saw. Not a creeper, not an ivy leaf is allowed to crawl on it; weather seems to have no effect on it: it never gets to look any less new. And in summer it is worse, for then round about it blaze the reddest geraniums and the yellowest calceolarias and the bluest lobelias that it's possible to imagine."
"Ghastly! What is the owner like?"
"Small, with yellowish hair turning grey. She has a sharp nose, and her eyes seem to dart out at you, take you all in, and then look away. She is rather like a ferret, and she has small, sharp teeth like a ferret. I'm never a bit sure she won't bite. She really is rather a wonderful woman. She hasn't been here very many years, but she dominates everyone. At whatever house you meet her she has the air of being hostess. She welcomes you and advises you where to sit, makes suitable conversation and finally bids you good-bye, and you feel yourself murmuring to her the grateful 'Such a pleasant afternoon,' that was due to the real hostess. She is in constant conflict with the other prominent matrons in Priorsford, but she always gets her own way. At a meeting she is quite insupportable. She just calmly tells us what we are to do. It's no good saying we are busy; it's no good saying anything. We walk away with a great district to collect and a pile of pamphlets under one arm…. Her nose is a little on one side, and when I sit and look at her presiding at a meeting I toy with the thought that someone goaded to madness by her calm persistence had once heaved something at her, and wish I had been there to see. Really, though, she is rather a blessing in the place; she keeps us from stagnation. I read somewhere that when they bring tanks of cod to this country from wherever cod abound, they put a cat-fish in beside them, and it chases the cod round all the time, so that they arrive in good condition. Mrs. Duff-Whalley is our cat-fish."
"I see. Has she children?"
"Three. A daughter, married in London—Mrs. Egerton-Thomson—a son at Cambridge, and a daughter, Muriel, at home. I think it must be very bad for the Duff-Whalleys living in such a vulgar, restless-looking house."
Pamela laughed. "Do you think all the little pepper-pot towers must have an effect on the soul? I doubt it, my dear."
"Still," said Jean, "I think more will be expected at the end from the people who have all their lives lived in and looked at lovely places. It always worries me, the thought of people who live in the dark places of big cities—children especially, growing up like 'plants in mines that never saw the sun.' It is so dreadful that sometimes I feel Imustgo and help."
"What could you do?"
"That's what common sense always asks. I could do nothing alone, but if all the decent people tried their hardest it would make a difference…. It's the thought of the cruelty in the world that makes me sick. It's the hardest thing for me to keep from being happy. Great-aunt Alison said I had a light nature. Even when I ought to be sad my heart jumps up in the most unreasonable way, and I am happy. But sometimes it feels as if we comfortable people are walking on a flowery meadow that is really a great quaking morass, and underneath there is black slime full of unimagined horrors. A paragraph in the newspaper makes a crack and you see down: women who take money for keeping little babies and allow them to die, men who torture: tales of horror and terror. The War made a tremendous crack. It seemed then as if we were all to be drawn into the slime, as if cruelty had got its fangs into the heart of the world. When you knelt to pray at nights you could only cry and cry. The courage of the men who grappled in the slime with the horrors was the one thing that kept one from despair. And the fact that they couldlaugh. You know about the dying man who told his nurse some joke and finished, 'This istheWar for laughs.'"
Pamela nodded. "It hardly bears thinking of yet—the War and the fighters. Later on it will become the greatest of all sagas. But I want to hear about Priorsford people. That's a clean, cheerful subject. Who lives in the pretty house with the long ivy-covered front?"
"The Knowe it is called. The Jowetts live there—retired Anglo-Indians. Mr. Jowett is a funny, kind little man with a red face and rather a nautical air. He is so busy that often it is afternoon before he reads his morning's letters."
"What does he do?"
"I don't think he does anything much: taps the barometer, advises the gardener, fusses with fowls, potters in the garden, teaches the dog tricks. It makes him happy to feel himself rushed, and to go carrying unopened letters at tea-time. They have no children. Mrs. Jowett is a dear. She collects servants as other people collect prints or old china or Sheffield plate. They are her hobby, and she has the most wonderful knack of managing them. Even now, when good servants seem to have become extinct, and people who need five or six are grubbing away miserably with one and a charwoman, she has four pearls with soft voices and gentle ways, experts at their job. She thinks about them all the time, and considers their comfort, and dresses them in pale grey with the daintiest spotted muslin aprons and mob caps. It is a pleasure to go to the Jowetts for a meal, everything is so perfect. The only drawback is if anyone makes the slightest mark on the cloth one of the silver-grey maids brings a saucer of water and wipes it off, and it is apt to make one nervous. I shall never forget going there to a children's party with David and Jock. Great-aunt Alison warned us most solemnly before we left home about marking the cloth, so we went rather tremblingly. There was a splendid tea in the dining-room with silver candlesticks and pink shades, and lovely china, and a glittering cloth, and heaps of good things to eat—grown-up things like sandwiches and rich cakes, such as we hardly ever saw. Jock was quite small and loved his food even more than he does now, dear lamb. A maid handed round the egg-shell china—if only they had given us mugs—and as she was putting down Jock's cup he turned round suddenly and his elbow simply shot it out of her hand, and sent it flying across the table. As it went it spattered everything with weak tea and then smashed itself against one of the candlesticks.
"I wished at that moment that the world would come to an end. There seemed no other way of clearing up the mess. I was so ashamed, and so sorry for my poor Jock, I couldn't lift my eyes, but Mr. Jowett rose to the occasion and earned my affection and unending gratitude. He pretended to find it a very funny episode, and made so many jokes about it that stiffness vanished from the party, and we all became riotously happy. And Mrs. Jowett, whose heart must have been wrung to see the beautiful table ruined at the outset, so mastered her emotion as to be able to smile and say no harm had been done…. You must go with me and see Mrs. Jowett, only don't tell her anything in the very least sad: she weeps at the slightest provocation."
"Tell me more," said Pamela—"tell me about all the people who live in those houses on the hill. It's like reading a niceCranfordybook."
"But," Jean objected, "we're not in the least like people in a book. I often wonder why Priorsford is so unlike a story-book little town. We're not nearly interested enough in each other for one thing. We don't gossip to excess. Everyone goes his or her own way. In books people do things or are suspected of doing things, and are immediately cut by a feverishly interested neighbourhood. I can't imagine that happening in Priorsford. No one ever does anything very striking, but if they did I'm sure they wouldn't be ostracised. Nobody would care much, except perhaps Mrs. Hope, and she would only be amused."
"Mrs. Hope?"
"Have you noticed a whitewashed house standing among trees about half a mile down Tweed from the bridge? That is Hopetoun, and Mrs. Hope and her daughter live there."
"Nice?"
Jean nodded her head like a wise mandarin. "You must meet Mrs. Hope. To describe her is far beyond my powers."
"I see. Well, go on with the houses on the hill. Who lives in the one at the corner with the well-kept garden?"
"The Prestons. Mr. Preston is a lawyer, but he isn't much like a lawyer in appearance—not yellow and parchmenty, you know. He's a good shot and an ardent fisher, what Sir Walter would have called 'a just leevin' man for a country writer.' There are several daughters, all musical, and it is a very hospitable, cheerful house. Next the Prestons live the Williamsons. Ordinary nice people. There is really nothing to say about them…. The house after that is Woodside, the home of the two Miss Speirs. They are not ordinary. Miss Althea is a spiritualist. She sees visions and spends much of her time with spooks. Miss Clarice is a Buddhist. Their father, when he lived, was an elder in the U.F. Church. I sometimes wonder what he would say to his daughters now. When he died they left the U.F. Church and became Episcopalians, then Miss Clarice found that she couldn't believe in vicarious sacrifice and went over to Buddhism. She took me into her bedroom once. There was a thick yellow carpet, and a bed with a tapestry cover, and almost no furniture, except—is it impious to call Buddha furniture?—a large figure of Buddha with a lamp burning before it. It all seemed to me horribly unfresh. Both ladies provide much simple amusement to the townsfolk with their clothes and their antics."
"I know the Speirs type," said Pamela. "Foolish virgins."
"Next to Woodside is Craigton," went on Jean, "and there live three spinsters—the very best brand of spinsters—the Duncans, Miss Mary, Miss Janet, and Miss Phemie. I don't know what Priorsford would do without these good women. Spinsters they are, but they are also real mothers in Israel. They have time to help everyone. Benign Miss Mary is the housekeeper—and such a housekeeper! Miss Janet is the public one, sits on all the Committees. Miss Phemie does the flowers and embroiders beautiful things and is like a tea-cosy, so soft and warm and comfortable. Somehow they always seem to be there when you want them. You never go to their door and get a dusty answer. There is the same welcome for everyone, gentle and simple, and always the bright fire, and the kind, smiling faces, and tea with thick cream and cake of the richest and freshest…. You know how some people beg you to visit them, and when you go they seem to wear a surprised look, and you feel unexpected and awkward? The Duncans make you feel so pleased with yourself. They are so unselfishly interested in other people's concerns; and they are grand laughers. Even the dullest warm to something approaching wit when surrounded by that appreciative audience of three. They don't talk much themselves, but they have made of listening a fine art."
"Jean," said Pamela, "do you actually mean to tell me that everybody in Priorsford is nice? Or are you merely being charitable? I don't know anything duller than your charitable person who always says the kind thing."
Jean laughed. "I'm sorry, but I'm afraid the Priorsford people are all more or less nice. At least, they seem so to me, but perhaps I'm not very discriminating. You will tell me what you think of them when you meet them. All these people I've been telling you about are rich people, 'in a large way,' as Priorsford calls it. They have all large motor-cars and hothouses and rich things like that. Mrs. M'Cosh says Priorsford is a 'real tone-y wee place,' and we do fancy ourselves a good deal. It's a community largely made up of women and middle-aged retired men. You see, there is nothing for the young men to do; we haven't even mills like so many of the Tweedside towns."
"Will people call on me?" Pamela asked. "Is Priorsford sociable?"
Jean pursed up her mouth in an effort to look worldly wise. "I thinkyouwill find it sociable, but if you had come here obscure and unknown, your existence would never have been heard of, even if you had taken a house and settled down. Priorsford hardly looks over its shoulder at a newcomer. Some of the 'little' people might call and ask you to tea—the kind 'little' people—but—"
"Who do you call the 'little' people?"
"All the people who aren't 'in a large way,' all the dwellers in the snug little villas—most of Priorsford in fact." Jean got up to go. "Dear me, look at the time! The boys will be home from school. May I have the book you spoke of? Priorsford would be enraged if it heard me calmly discussing its faults and foibles." She laughed softly. "Lewis Elliot says Priorsford is made up of three classes—the dull, the daft, and the devout."