“Penrod!” Mrs. Lora Rewbush stood in the doorway, indignantly gazing upon a Child Sir Lancelot mantled to the heels. “Do you know that you have kept an audience of five hundred people waiting for ten minutes?” She, also, detained the five hundred while she spake further.
“Well,” said Penrod contentedly, as he followed her toward the buzzing stage, “I was just sitting there thinking.”
Two minutes later the curtain rose on a medieval castle hall richly done in the new stage-craft made in Germany and consisting of pink and blue cheesecloth. The Child King Arthur and the Child Queen Guinevere were disclosed upon thrones, with the Child Elaine and many other celebrities in attendance; while about fifteen Child Knights were seated at a dining-room table round, which was covered with a large Oriental rug, and displayed (for the knights' refreshment) a banquet service of silver loving-cups and trophies, borrowed from the Country Club and some local automobile manufacturers.
In addition to this splendour, potted plants and palms have seldom been more lavishly used in any castle on the stage or off.
The footlights were aided by a “spot-light” from the rear of the hall; and the children were revealed in a blaze of glory.
A hushed, multitudinous “O-OH” of admiration came from the decorous and delighted audience. Then the children sang feebly:
“Chuldrun of the Tabul Round,Lit-tul knights and ladies we.Let our voy-siz all resoundFaith and hope and charitee!”
The Child King Arthur rose, extended his sceptre with the decisive gesture of a semaphore, and spake:
“Each littul knight and lady bornHas noble deedstoperformIntheechild-world of shivullree,No matter how small his share may be.Let each advance and tell in turnWhat claim has each to knighthood earn.”
The Child Sir Mordred, the villain of this piece, rose in his place at the table round, and piped the only lines ever written by Mrs. Lora Rewbush which Penrod Schofield could have pronounced without loathing. Georgie Bassett, a really angelic boy, had been selected for the role of Mordred. His perfect conduct had earned for him the sardonic sobriquet, “The Little Gentleman,” among his boy acquaintances. (Naturally he had no friends.) Hence the other boys supposed that he had been selected for the wicked Mordred as a reward of virtue. He declaimed serenely:
“I hight Sir Mordred the Child, and I teachLessons of selfishest evil, and reachOut into darkness. Thoughtless, unkind,And ruthless is Mordred, and unrefined.”
The Child Mordred was properly rebuked and denied the accolade, though, like the others, he seemed to have assumed the title already. He made a plotter's exit. Whereupon Maurice Levy rose, bowed, announced that he highted the Child Sir Galahad, and continued with perfect sang-froid:
“I am the purest of the pure.I have but kindest thoughts each day.I give my riches to the poor,And follow in the Master's way.”
This elicited tokens of approval from the Child King Arthur, and he bade Maurice “stand forth” and come near the throne, a command obeyed with the easy grace of conscious merit.
It was Penrod's turn. He stepped back from his chair, the table between him and the audience, and began in a high, breathless monotone:
“I hight Sir Lancelot du Lake, the Child,Gentul-hearted, meek, and mild.What though I'mbuta littul child,Gentul-heartud, meek, and mild,I do my share though but—though but——”
Penrod paused and gulped. The voice of Mrs. Lora Rewbush was heard from the wings, prompting irritably, and the Child. Sir Lancelot repeated:
“I do my share though but—though but a tot,I pray you knight Sir Lancelot!”
This also met the royal favour, and Penrod was bidden to join Sir Galahad at the throne. As he crossed the stage, Mrs. Schofield whispered to Margaret:
“That boy! He's unpinned his mantle and fixed it to cover his whole costume. After we worked so hard to make it becoming!”
“Never mind; he'll have to take the cape off in a minute,” returned Margaret. She leaned forward suddenly, narrowing her eyes to see better. “Whatisthat thing hanging about his left ankle?” she whispered uneasily. “How queer! He must have got tangled in something.”
“Where?” asked Mrs. Schofield, in alarm.
“His left foot. It makes him stumble. Don't you see? It looks—it looks like an elephant's foot!”
The Child Sir Lancelot and the Child Sir Galahad clasped hands before their Child King. Penrod was conscious of a great uplift; in a moment he would have to throw aside his mantle, but even so he was protected and sheltered in the human garment of a man. His stage-fright had passed, for the audience was but an indistinguishable blur of darkness beyond the dazzling lights. His most repulsive speech (that in which he proclaimed himself a “tot”) was over and done with; and now at last the small, moist hand of the Child Sir Galahad lay within his own. Craftily his brown fingers stole from Maurice's palm to the wrist. The two boys declaimed in concert:
“We are two chuldrun of the Tabul RoundStrewing kindness all a-round.With love and good deeds striving ever for the best,May our littul efforts e'er be blest.Two littul hearts we offer. SeeUnited in love, faith, hope, and char—OW!”
The conclusion of the duet was marred. The Child Sir Galahad suddenly stiffened, and, uttering an irrepressible shriek of anguish, gave a brief exhibition of the contortionist's art. (“HE'S TWISTIN' MY WRIST! DERN YOU, LEGGO!”)
The voice of Mrs. Lora Rewbush was again heard from the wings; it sounded bloodthirsty. Penrod released his victim; and the Child King Arthur, somewhat disconcerted, extended his sceptre and, with the assistance of the enraged prompter, said:
“Sweet child-friends of the Tabul Round,In brotherly love and kindness abound,Sir Lancelot, you have spoken well,Sir Galahad, too, as clear as bell.So now pray doff your mantles gay.You shall be knighted this very day.”
And Penrod doffed his mantle.
Simultaneously, a thick and vasty gasp came from the audience, as from five hundred bathers in a wholly unexpected surf. This gasp was punctuated irregularly, over the auditorium, by imperfectly subdued screams both of dismay and incredulous joy, and by two dismal shrieks. Altogether it was an extraordinary sound, a sound never to be forgotten by any one who heard it. It was almost as unforgettable as the sight which caused it; the word “sight” being here used in its vernacular sense, for Penrod, standing unmantled and revealed in all the medieval and artistic glory of the janitor's blue overalls, falls within its meaning.
The janitor was a heavy man, and his overalls, upon Penrod, were merely oceanic. The boy was at once swaddled and lost within their blue gulfs and vast saggings; and the left leg, too hastily rolled up, had descended with a distinctively elephantine effect, as Margaret had observed. Certainly, the Child Sir Lancelot was at least a sight.
It is probable that a great many in that hall must have had, even then, a consciousness that they were looking on at History in the Making. A supreme act is recognizable at sight: it bears the birthmark of immortality. But Penrod, that marvellous boy, had begun to declaim, even with the gesture of flinging off his mantle for the accolade:
“I first, the Child Sir Lancelot du Lake,Will volunteer to knighthood take,And kneeling here before your throneI vow to——”
He finished his speech unheard. The audience had recovered breath, but had lost self-control, and there ensued something later described by a participant as a sort of cultured riot.
The actors in the “pageant” were not so dumfounded by Penrod's costume as might have been expected. A few precocious geniuses perceived that the overalls were the Child Lancelot's own comment on maternal intentions; and these were profoundly impressed: they regarded him with the grisly admiration of young and ambitious criminals for a jail-mate about to be distinguished by hanging. But most of the children simply took it to be the case (a little strange, but not startling) that Penrod's mother had dressed him like that—which is pathetic. They tried to go on with the “pageant.”
They made a brief, manful effort. But the irrepressible outbursts from the audience bewildered them; every time Sir Lancelot du Lake the Child opened his mouth, the great, shadowy house fell into an uproar, and the children into confusion. Strong women and brave girls in the audience went out into the lobby, shrieking and clinging to one another. Others remained, rocking in their seats, helpless and spent. The neighbourhood of Mrs. Schofield and Margaret became, tactfully, a desert. Friends of the author went behind the scenes and encountered a hitherto unknown phase of Mrs. Lora Rewbush; they said, afterward, that she hardly seemed to know what she was doing. She begged to be left alone somewhere with Penrod Schofield, for just a little while.
They led her away.
The sun was setting behind the back fence (though at a considerable distance) as Penrod Schofield approached that fence and looked thoughtfully up at the top of it, apparently having in mind some purpose to climb up and sit there. Debating this, he passed his fingers gently up and down the backs of his legs; and then something seemed to decide him not to sit anywhere. He leaned against the fence, sighed profoundly, and gazed at Duke, his wistful dog.
The sigh was reminiscent: episodes of simple pathos were passing before his inward eye. About the most painful was the vision of lovely Marjorie Jones, weeping with rage as the Child Sir Lancelot was dragged, insatiate, from the prostrate and howling Child Sir Galahad, after an onslaught delivered the precise instant the curtain began to fall upon the demoralized “pageant.” And then—oh, pangs! oh, woman!—she slapped at the ruffian's cheek, as he was led past her by a resentful janitor; and turning, flung her arms round the Child Sir Galahad's neck.
“PENROD SCHOFIELD, DON'T YOU DARE EVER SPEAK TO ME AGAIN AS LONG AS YOU LIVE!” Maurice's little white boots and gold tassels had done their work.
At home the late Child Sir Lancelot was consigned to a locked clothes-closet pending the arrival of his father. Mr. Schofield came and, shortly after, there was put into practice an old patriarchal custom. It is a custom of inconceivable antiquity: probably primordial, certainly prehistoric, but still in vogue in some remaining citadels of the ancient simplicities of the Republic.
And now, therefore, in the dusk, Penrod leaned against the fence and sighed.
His case is comparable to that of an adult who could have survived a similar experience. Looking back to the sawdust-box, fancy pictures this comparable adult a serious and inventive writer engaged in congenial literary activities in a private retreat. We see this period marked by the creation of some of the most virile passages of a Work dealing exclusively in red corpuscles and huge primal impulses. We see this thoughtful man dragged from his calm seclusion to a horrifying publicity; forced to adopt the stage and, himself a writer, compelled to exploit the repulsive sentiments of an author not only personally distasteful to him but whose whole method and school in belles lettres he despises.
We see him reduced by desperation and modesty to stealing a pair of overalls. We conceive him to have ruined, then, his own reputation, and to have utterly disgraced his family; next, to have engaged in the duello and to have been spurned by his lady-love, thus lost to him (according to her own declaration) forever. Finally, we must behold: imprisonment by the authorities; the third degree and flagellation.
We conceive our man decided that his career had been perhaps too eventful. Yet Penrod had condensed all of it into eight hours.
It appears that he had at least some shadowy perception of a recent fulness of life, for, as he leaned against the fence, gazing upon his wistful Duke, he sighed again and murmured aloud:
“WELL, HASN'T THIS BEEN A DAY!”
But in a little while a star came out, freshly lighted, from the highest part of the sky, and Penrod, looking up, noticed it casually and a little drowsily. He yawned. Then he sighed once more, but not reminiscently: evening had come; the day was over. It was a sigh of pure ennui.
Next day, Penrod acquired a dime by a simple and antique process which was without doubt sometimes practised by the boys of Babylon. When the teacher of his class in Sunday-school requested the weekly contribution, Penrod, fumbling honestly (at first) in the wrong pockets, managed to look so embarrassed that the gentle lady told him not to mind, and said she was often forgetful herself. She was so sweet about it that, looking into the future, Penrod began to feel confident of a small but regular income.
At the close of the afternoon services he did not go home, but proceeded to squander the funds just withheld from China upon an orgy of the most pungently forbidden description. In a Drug Emporium, near the church, he purchased a five-cent sack of candy consisting for the most part of the heavily flavoured hoofs of horned cattle, but undeniably substantial, and so generously capable of resisting solution that the purchaser must needs be avaricious beyond reason who did not realize his money's worth.
Equipped with this collation, Penrod contributed his remaining nickel to a picture show, countenanced upon the seventh day by the legal but not the moral authorities. Here, in cozy darkness, he placidly insulted his liver with jaw-breaker upon jaw-breaker from the paper sack, and in a surfeit of content watched the silent actors on the screen.
One film made a lasting impression upon him. It depicted with relentless pathos the drunkard's progress; beginning with his conversion to beer in the company of loose travelling men; pursuing him through an inexplicable lapse into evening clothes and the society of some remarkably painful ladies, next, exhibiting the effects of alcohol on the victim's domestic disposition, the unfortunate man was seen in the act of striking his wife and, subsequently, his pleading baby daughter with an abnormally heavy walking-stick. Their flight—through the snow—to seek the protection of a relative was shown, and finally, the drunkard's picturesque behaviour at the portals of a madhouse.
So fascinated was Penrod that he postponed his departure until this film came round again, by which time he had finished his unnatural repast and almost, but not quite, decided against following the profession of a drunkard when he grew up.
Emerging, satiated, from the theatre, a public timepiece before a jeweller's shop confronted him with an unexpected dial and imminent perplexities. How was he to explain at home these hours of dalliance? There was a steadfast rule that he return direct from Sunday-school; and Sunday rules were important, because on that day there was his father, always at home and at hand, perilously ready for action. One of the hardest conditions of boyhood is the almost continuous strain put upon the powers of invention by the constant and harassing necessity for explanations of every natural act.
Proceeding homeward through the deepening twilight as rapidly as possible, at a gait half skip and half canter, Penrod made up his mind in what manner he would account for his long delay, and, as he drew nearer, rehearsed in words the opening passage of his defence.
“Now see here,” he determined to begin; “I do not wished to be blamed for things I couldn't help, nor any other boy. I was going along the street by a cottage and a lady put her head out of the window and said her husband was drunk and whipping her and her little girl, and she asked me wouldn't I come in and help hold him. So I went in and tried to get hold of this drunken lady's husband where he was whipping their baby daughter, but he wouldn't pay any attention, and I TOLD her I ought to be getting home, but she kep' on askin' me to stay——”
At this point he reached the corner of his own yard, where a coincidence not only checked the rehearsal of his eloquence but happily obviated all occasion for it. A cab from the station drew up in front of the gate, and there descended a troubled lady in black and a fragile little girl about three. Mrs. Schofield rushed from the house and enfolded both in hospitable arms.
They were Penrod's Aunt Clara and cousin, also Clara, from Dayton, Illinois, and in the flurry of their arrival everybody forgot to put Penrod to the question. It is doubtful, however, if he felt any relief; there may have been even a slight, unconscious disappointment not altogether dissimilar to that of an actor deprived of a good part.
In the course of some really necessary preparations for dinner he stepped from the bathroom into the pink-and-white bedchamber of his sister, and addressed her rather thickly through a towel.
“When'd mamma find out Aunt Clara and Cousin Clara were coming?”
“Not till she saw them from the window. She just happened to look out as they drove up. Aunt Clara telegraphed this morning, but it wasn't delivered.”
“How long they goin' to stay?”
“I don't know.”
Penrod ceased to rub his shining face, and thoughtfully tossed the towel through the bathroom door. “Uncle John won't try to make 'em come back home, I guess, will he?” (Uncle John was Aunt Clara's husband, a successful manufacturer of stoves, and his lifelong regret was that he had not entered the Baptist ministry.) “He'll let 'em stay here quietly, won't he?”
“What ARE you talking about?” demanded Margaret, turning from her mirror. “Uncle John sent them here. Why shouldn't he let them stay?”
Penrod looked crestfallen. “Then he hasn't taken to drink?”
“Certainly not!” She emphasized the denial with a pretty peal of soprano laughter.
“Then why,” asked her brother gloomily, “why did Aunt Clara look so worried when she got here?”
“Good gracious! Don't people worry about anything except somebody's drinking? Where did you get such an idea?”
“Well,” he persisted, “you don't KNOW it ain't that.”
She laughed again, wholeheartedly. “Poor Uncle John! He won't even allow grape juice or ginger ale in his house. They came because they were afraid little Clara might catch the measles. She's very delicate, and there's such an epidemic of measles among the children over in Dayton the schools had to be closed. Uncle John got so worried that last night he dreamed about it; and this morning he couldn't stand it any longer and packed them off over here, though he thinks its wicked to travel on Sunday. And Aunt Clara was worried when she got here because they'd forgotten to check her trunk and it will have to be sent by express. Now what in the name of the common sense put it into your head that Uncle John had taken to——”
“Oh, nothing.” He turned lifelessly away and went downstairs, a new-born hope dying in his bosom. Life seems so needlessly dull sometimes.
Next morning, when he had once more resumed the dreadful burden of education, it seemed infinitely duller. And yet what pleasanter sight is there than a schoolroom well filled with children of those sprouting years just before the 'teens? The casual visitor, gazing from the teacher's platform upon these busy little heads, needs only a blunted memory to experience the most agreeable and exhilarating sensations. Still, for the greater part, the children are unconscious of the happiness of their condition; for nothing is more pathetically true than that we “never know when we are well off.” The boys in a public school are less aware of their happy state than are the girls; and of all the boys in his room, probably Penrod himself had the least appreciation of his felicity.
He sat staring at an open page of a textbook, but not studying; not even reading; not even thinking. Nor was he lost in a reverie: his mind's eye was shut, as his physical eye might well have been, for the optic nerve, flaccid with ennui, conveyed nothing whatever of the printed page upon which the orb of vision was partially focused. Penrod was doing something very unusual and rare, something almost never accomplished except by coloured people or by a boy in school on a spring day: he was doing really nothing at all. He was merely a state of being.
From the street a sound stole in through the open window, and abhorring Nature began to fill the vacuum called Penrod Schofield; for the sound was the spring song of a mouth-organ, coming down the sidewalk. The windows were intentionally above the level of the eyes of the seated pupils; but the picture of the musician was plain to Penrod, painted for him by a quality in the runs and trills, partaking of the oboe, of the calliope, and of cats in anguish; an excruciating sweetness obtained only by the wallowing, walloping yellow-pink palm of a hand whose back was Congo black and shiny. The music came down the street and passed beneath the window, accompanied by the care-free shuffling of a pair of old shoes scuffing syncopations on the cement sidewalk. It passed into the distance; became faint and blurred; was gone. Emotion stirred in Penrod a great and poignant desire, but (perhaps fortunately) no fairy godmother made her appearance.
Otherwise Penrod would have gone down the street in a black skin, playing the mouth-organ, and an unprepared coloured youth would have found himself enjoying educational advantages for which he had no ambition whatever.
Roused from perfect apathy, the boy cast about the schoolroom an eye wearied to nausea by the perpetual vision of the neat teacher upon the platform, the backs of the heads of the pupils in front of him, and the monotonous stretches of blackboard threateningly defaced by arithmetical formulae and other insignia of torture. Above the blackboard, the walls of the high room were of white plaster—white with the qualified whiteness of old snow in a soft coal town. This dismal expanse was broken by four lithographic portraits, votive offerings of a thoughtful publisher. The portraits were of good and great men, kind men; men who loved children. Their faces were noble and benevolent. But the lithographs offered the only rest for the eyes of children fatigued by the everlasting sameness of the schoolroom. Long day after long day, interminable week in and interminable week out, vast month on vast month, the pupils sat with those four portraits beaming kindness down upon them. The faces became permanent in the consciousness of the children; they became an obsession—in and out of school the children were never free of them. The four faces haunted the minds of children falling asleep; they hung upon the minds of children waking at night; they rose forebodingly in the minds of children waking in the morning; they became monstrously alive in the minds of children lying sick of fever. Never, while the children of that schoolroom lived, would they be able to forget one detail of the four lithographs: the hand of Longfellow was fixed, for them, forever, in his beard. And by a simple and unconscious association of ideas, Penrod Schofield was accumulating an antipathy for the gentle Longfellow and for James Russell Lowell and for Oliver Wendell Holmes and for John Greenleaf Whittier, which would never permit him to peruse a work of one of those great New Englanders without a feeling of personal resentment.
His eyes fell slowly and inimically from the brow of Whittier to the braid of reddish hair belonging to Victorine Riordan, the little octoroon girl who sat directly in front of him. Victorine's back was as familiar to Penrod as the necktie of Oliver Wendell Holmes. So was her gayly coloured plaid waist. He hated the waist as he hated Victorine herself, without knowing why. Enforced companionship in large quantities and on an equal basis between the sexes appears to sterilize the affections, and schoolroom romances are few.
Victorine's hair was thick, and the brickish glints in it were beautiful, but Penrod was very tired of it. A tiny knot of green ribbon finished off the braid and kept it from unravelling; and beneath the ribbon there was a final wisp of hair which was just long enough to repose upon Penrod's desk when Victorine leaned back in her seat. It was there now. Thoughtfully, he took the braid between thumb and forefinger, and, without disturbing Victorine, dipped the end of it and the green ribbon into the inkwell of his desk. He brought hair and ribbon forth dripping purple ink, and partially dried them on a blotter, though, a moment later when Victorine leaned forward, they were still able to add a few picturesque touches to the plaid waist.
Rudolph Krauss, across the aisle from Penrod, watched the operation with protuberant eyes, fascinated. Inspired to imitation, he took a piece of chalk from his pocket and wrote “RATS” across the shoulder-blades of the boy in front of him, then looked across appealingly to Penrod for tokens of congratulation. Penrod yawned. It may not be denied that at times he appeared to be a very self-centred boy.
Half the members of the class passed out to a recitation-room, the empurpled Victorine among them, and Miss Spence started the remaining half through the ordeal of trial by mathematics. Several boys and girls were sent to the blackboard, and Penrod, spared for the moment, followed their operations a little while with his eyes, but not with his mind; then, sinking deeper in his seat, limply abandoned the effort. His eyes remained open, but saw nothing; the routine of the arithmetic lesson reached his ears in familiar, meaningless sounds, but he heard nothing; and yet, this time, he was profoundly occupied. He had drifted away from the painful land of facts, and floated now in a new sea of fancy which he had just discovered.
Maturity forgets the marvellous realness of a boy's day-dreams, how colourful they glow, rosy and living, and how opaque the curtain closing down between the dreamer and the actual world. That curtain is almost sound-proof, too, and causes more throat-trouble among parents than is suspected.
The nervous monotony of the schoolroom inspires a sometimes unbearable longing for something astonishing to happen, and as every boy's fundamental desire is to do something astonishing himself, so as to be the centre of all human interest and awe, it was natural that Penrod should discover in fancy the delightful secret of self-levitation. He found, in this curious series of imaginings, during the lesson in arithmetic, that the atmosphere may be navigated as by a swimmer under water, but with infinitely greater ease and with perfect comfort in breathing. In his mind he extended his arms gracefully, at a level with his shoulders, and delicately paddled the air with his hands, which at once caused him to be drawn up out of his seat and elevated gently to a position about midway between the floor and the ceiling, where he came to an equilibrium and floated; a sensation not the less exquisite because of the screams of his fellow pupils, appalled by the miracle. Miss Spence herself was amazed and frightened, but he only smiled down carelessly upon her when she commanded him to return to earth; and then, when she climbed upon a desk to pull him down, he quietly paddled himself a little higher, leaving his toes just out of her reach. Next, he swam through a few slow somersaults to show his mastery of the new art, and, with the shouting of the dumfounded scholars ringing in his ears, turned on his side and floated swiftly out of the window, immediately rising above the housetops, while people in the street below him shrieked, and a trolley car stopped dead in wonder.
With almost no exertion he paddled himself, many yards at a stroke, to the girls' private school where Marjorie Jones was a pupil—Marjorie Jones of the amber curls and the golden voice! Long before the “Pageant of the Table Round,” she had offered Penrod a hundred proofs that she considered him wholly undesirable and ineligible. At the Friday Afternoon Dancing Class she consistently incited and led the laughter at him whenever Professor Bartet singled him out for admonition in matters of feet and decorum. And but yesterday she had chid him for his slavish lack of memory in daring to offer her a greeting on the way to Sunday-school. “Well! I expect you must forgot I told you never to speak to me again! If I was a boy, I'd be too proud to come hanging around people that don't speak to me, even if I WAS the Worst Boy in Town!” So she flouted him. But now, as he floated in through the window of her classroom and swam gently along the ceiling like an escaped toy balloon, she fell upon her knees beside her little desk, and, lifting up her arms toward him, cried with love and admiration:
“Oh, PENrod!”
He negligently kicked a globe from the high chandelier, and, smiling coldly, floated out through the hall to the front steps of the school, while Marjorie followed, imploring him to grant her one kind look.
In the street an enormous crowd had gathered, headed by Miss Spence and a brass band; and a cheer from a hundred thousand throats shook the very ground as Penrod swam overhead. Marjorie knelt upon the steps and watched adoringly while Penrod took the drum-major's baton and, performing sinuous evolutions above the crowd, led the band. Then he threw the baton so high that it disappeared from sight; but he went swiftly after it, a double delight, for he had not only the delicious sensation of rocketing safely up and up into the blue sky, but also that of standing in the crowd below, watching and admiring himself as he dwindled to a speck, disappeared and then, emerging from a cloud, came speeding down, with the baton in his hand, to the level of the treetops, where he beat time for the band and the vast throng and Marjorie Jones, who all united in the “Star-spangled Banner” in honour of his aerial achievements. It was a great moment.
It was a great moment, but something seemed to threaten it. The face of Miss Spence looking up from the crowd grew too vivid—unpleasantly vivid. She was beckoning him and shouting, “Come down, Penrod Schofield! Penrod Schofield, come down here!”
He could hear her above the band and the singing of the multitude; she seemed intent on spoiling everything. Marjorie Jones was weeping to show how sorry she was that she had formerly slighted him, and throwing kisses to prove that she loved him; but Miss Spence kept jumping between him and Marjorie, incessantly calling his name.
He grew more and more irritated with her; he was the most important person in the world and was engaged in proving it to Marjorie Jones and the whole city, and yet Miss Spence seemed to feel she still had the right to order him about as she did in the old days when he was an ordinary schoolboy. He was furious; he was sure she wanted him to do something disagreeable. It seemed to him that she had screamed “Penrod Schofield!” thousands of times.
From the beginning of his aerial experiments in his own schoolroom, he had not opened his lips, knowing somehow that one of the requirements for air floating is perfect silence on the part of the floater; but, finally, irritated beyond measure by Miss Spence's clamorous insistence, he was unable to restrain an indignant rebuke and immediately came to earth with a frightful bump.
Miss Spence—in the flesh—had directed toward the physical body of the absent Penrod an inquiry as to the fractional consequences of dividing seventeen apples, fairly, among three boys, and she was surprised and displeased to receive no answer although to the best of her knowledge and belief, he was looking fixedly at her. She repeated her question crisply, without visible effect; then summoned him by name with increasing asperity. Twice she called him, while all his fellow pupils turned to stare at the gazing boy. She advanced a step from the platform.
“Penrod Schofield!”
“Oh, my goodness!” he shouted suddenly. “Can't you keep still a MINUTE?”
The whole room filled with a swelling conglomerate “O-O-O-O-H!”
As for Penrod himself, the walls reeled with the shock. He sat with his mouth open, a mere lump of stupefaction. For the appalling words that he had hurled at the teacher were as inexplicable to him as to any other who heard them.
Nothing is more treacherous than the human mind; nothing else so loves to play the Iscariot. Even when patiently bullied into a semblance of order and training, it may prove but a base and shifty servant. And Penrod's mind was not his servant; it was a master, with the April wind's whims; and it had just played him a diabolical trick. The very jolt with which he came back to the schoolroom in the midst of his fancied flight jarred his day-dream utterly out of him; and he sat, open-mouthed in horror at what he had said.
The unanimous gasp of awe was protracted. Miss Spence, however, finally recovered her breath, and, returning deliberately to the platform, faced the school. “And then for a little while,” as pathetic stories sometimes recount, “everything was very still.” It was so still, in fact, that Penrod's newborn notoriety could almost be heard growing. This grisly silence was at last broken by the teacher.
“Penrod Schofield, stand up!”
The miserable child obeyed.
“What did you mean by speaking to me in that way?”
He hung his head, raked the floor with the side of his shoe, swayed, swallowed, looked suddenly at his hands with the air of never having seen them before, then clasped them behind him. The school shivered in ecstatic horror, every fascinated eye upon him; yet there was not a soul in the room but was profoundly grateful to him for the sensation—including the offended teacher herself. Unhappily, all this gratitude was unconscious and altogether different from the kind which, results in testimonials and loving-cups. On the contrary!
“Penrod Schofield!”
He gulped.
“Answer me at once! Why did you speak to me like that?”
“I was——” He choked, unable to continue.
“Speak out!”
“I was just—thinking,” he managed to stammer.
“That will not do,” she returned sharply. “I wish to know immediately why you spoke as you did.”
The stricken Penrod answered helplessly:
“Because I was just thinking.”
Upon the very rack he could have offered no ampler truthful explanation. It was all he knew about it.
“Thinking what?”
“Just thinking.”
Miss Spence's expression gave evidence that her power of self-restraint was undergoing a remarkable test. However, after taking counsel with herself, she commanded:
“Come here!”
He shuffled forward, and she placed a chair upon the platform near her own.
“Sit there!”
Then (but not at all as if nothing had happened), she continued the lesson in arithmetic. Spiritually the children may have learned a lesson in very small fractions indeed as they gazed at the fragment of sin before them on the stool of penitence. They all stared at him attentively with hard and passionately interested eyes, in which there was never one trace of pity. It cannot be said with precision that he writhed; his movement was more a slow, continuous squirm, effected with a ghastly assumption of languid indifference; while his gaze, in the effort to escape the marble-hearted glare of his schoolmates, affixed itself with apparent permanence to the waistcoat button of James Russell Lowell just above the “U” in “Russell.”
Classes came and classes went, grilling him with eyes. Newcomers received the story of the crime in darkling whispers; and the outcast sat and sat and sat, and squirmed and squirmed and squirmed. (He did one or two things with his spine which a professional contortionist would have observed with real interest.) And all this while of freezing suspense was but the criminal's detention awaiting trial. A known punishment may be anticipated with some measure of equanimity; at least, the prisoner may prepare himself to undergo it; but the unknown looms more monstrous for every attempt to guess it. Penrod's crime was unique; there were no rules to aid him in estimating the vengeance to fall upon him for it. What seemed most probable was that he would be expelled from the schools in the presence of his family, the mayor, and council, and afterward whipped by his father upon the State House steps, with the entire city as audience by invitation of the authorities.
Noon came. The rows of children filed out, every head turning for a last unpleasingly speculative look at the outlaw. Then Miss Spence closed the door into the cloakroom and that into the big hall, and came and sat at her desk, near Penrod. The tramping of feet outside, the shrill calls and shouting and the changing voices of the older boys ceased to be heard—and there was silence. Penrod, still affecting to be occupied with Lowell, was conscious that Miss Spence looked at him intently.
“Penrod,” she said gravely, “what excuse have you to offer before I report your case to the principal?”
The word “principal” struck him to the vitals. Grand Inquisitor, Grand Khan, Sultan, Emperor, Tsar, Caesar Augustus—these are comparable. He stopped squirming instantly, and sat rigid.
“I want an answer. Why did you shout those words at me?”
“Well,” he murmured, “I was just—thinking.”
“Thinking what?” she asked sharply.
“I don't know.”
“That won't do!”
He took his left ankle in his right hand and regarded it helplessly.
“That won't do, Penrod Schofield,” she repeated severely. “If that is all the excuse you have to offer I shall report your case this instant!”
And she rose with fatal intent.
But Penrod was one of those whom the precipice inspires. “Well, I HAVE got an excuse.”
“Well”—she paused impatiently—“what is it?”
He had not an idea, but he felt one coming, and replied automatically, in a plaintive tone:
“I guess anybody that had been through what I had to go through, last night, would think they had an excuse.”
Miss Spence resumed her seat, though with the air of being ready to leap from it instantly.
“What has last night to do with your insolence to me this morning?”
“Well, I guess you'd see,” he returned, emphasizing the plaintive note, “if you knew what I know.”
“Now, Penrod,” she said, in a kinder voice, “I have a high regard for your mother and father, and it would hurt me to distress them, but you must either tell me what was the matter with you or I'll have to take you to Mrs. Houston.”
“Well, ain't I going to?” he cried, spurred by the dread name. “It's because I didn't sleep last night.”
“Were you ill?” The question was put with some dryness.
He felt the dryness. “No'm;Iwasn't.”
“Then if someone in your family was so ill that even you were kept up all night, how does it happen they let you come to school this morning?”
“It wasn't illness,” he returned, shaking his head mournfully. “It was lots worse'n anybody's being sick. It was—it was—well, it was jest awful.”
“WHAT was?” He remarked with anxiety the incredulity in her tone.
“It was about Aunt Clara,” he said.
“Your Aunt Clara!” she repeated. “Do you mean your mother's sister who married Mr. Farry of Dayton, Illinois?”
“Yes—Uncle John,” returned Penrod sorrowfully. “The trouble was about him.”
Miss Spence frowned a frown which he rightly interpreted as one of continued suspicion. “She and I were in school together,” she said. “I used to know her very well, and I've always heard her married life was entirely happy. I don't——”
“Yes, it was,” he interrupted, “until last year when Uncle John took to running with travelling men——”
“What?”
“Yes'm.” He nodded solemnly. “That was what started it. At first he was a good, kind husband, but these travelling men would coax him into a saloon on his way home from work, and they got him to drinking beer and then ales, wines, liquors, and cigars——”
“Penrod!”
“Ma'am?”
“I'm not inquiring into your Aunt Clara's private affairs; I'm asking you if you have anything to say which would palliate——”
“That's what I'm tryin' to TELL you about, Miss Spence,” he pleaded,—“if you'd jest only let me. When Aunt Clara and her little baby daughter got to our house last night——”
“You say Mrs. Farry is visiting your mother?”
“Yes'm—not just visiting—you see, she HAD to come. Well of course, little baby Clara, she was so bruised up and mauled, where he'd been hittin' her with his cane——”
“You mean that your uncle had done such a thing as THAT!” exclaimed Miss Spence, suddenly disarmed by this scandal.
“Yes'm, and mamma and Margaret had to sit up all night nursin' little Clara—and AUNT Clara was in such a state SOMEBODY had to keep talkin' to HER, and there wasn't anybody but me to do it, so I——”
“But where was your father?” she cried.
“Ma'am?”
“Where was your father while——”
“Oh—papa?” Penrod paused, reflected; then brightened. “Why, he was down at the train, waitin' to see if Uncle John would try to follow 'em and make 'em come home so's he could persecute 'em some more. I wanted to do that, but they said if he did come I mightn't be strong enough to hold him and——” The brave lad paused again, modestly. Miss Spence's expression was encouraging. Her eyes were wide with astonishment, and there may have been in them, also, the mingled beginnings of admiration and self-reproach. Penrod, warming to his work, felt safer every moment.
“And so,” he continued, “I had to sit up with Aunt Clara. She had some pretty big bruises, too, and I had to——”
“But why didn't they send for a doctor?” However, this question was only a flicker of dying incredulity.
“Oh, they didn't want any DOCTOR,” exclaimed the inspired realist promptly. “They don't want anybody to HEAR about it because Uncle John might reform—and then where'd he be if everybody knew he'd been a drunkard and whipped his wife and baby daughter?”
“Oh!” said Miss Spence.
“You see, he used to be upright as anybody,” he went on explanatively. “It all begun——”
“Began, Penrod.”
“Yes'm. It all commenced from the first day he let those travelling men coax him into the saloon.” Penrod narrated the downfall of his Uncle John at length. In detail he was nothing short of plethoric; and incident followed incident, sketched with such vividness, such abundance of colour, and such verisimilitude to a drunkard's life as a drunkard's life should be, that had Miss Spence possessed the rather chilling attributes of William J. Burns himself, the last trace of skepticism must have vanished from her mind. Besides, there are two things that will be believed of any man whatsoever, and one of them is that he has taken to drink. And in every sense it was a moving picture which, with simple but eloquent words, the virtuous Penrod set before his teacher.
His eloquence increased with what it fed on; and as with the eloquence so with self-reproach in the gentle bosom of the teacher. She cleared her throat with difficulty once or twice, during his description of his ministering night with Aunt Clara. “And I said to her, 'Why, Aunt Clara, what's the use of takin' on so about it?' And I said, 'Now, Aunt Clara, all the crying in the world can't make things any better.' And then she'd just keep catchin' hold of me, and sob and kind of holler, and I'd say, 'DON'T cry, Aunt Clara—PLEASE don't cry.”'
Then, under the influence of some fragmentary survivals of the respectable portion of his Sunday adventures, his theme became more exalted; and, only partially misquoting a phrase from a psalm, he related how he had made it of comfort to Aunt Clara, and how he had besought her to seek Higher guidance in her trouble.
The surprising thing about a structure such as Penrod was erecting is that the taller it becomes the more ornamentation it will stand. Gifted boys have this faculty of building magnificence upon cobwebs—and Penrod was gifted. Under the spell of his really great performance, Miss Spence gazed more and more sweetly upon the prodigy of spiritual beauty and goodness before her, until at last, when Penrod came to the explanation of his “just thinking,” she was forced to turn her head away.
“You mean, dear,” she said gently, “that you were all worn out and hardly knew what you were saying?”
“Yes'm.”
“And you were thinking about all those dreadful things so hard that you forgot where you were?”
“I was thinking,” he said simply, “how to save Uncle John.”
And the end of it for this mighty boy was that the teacher kissed him!