It was during the discussion of the details of this enterprise that Georgie's mother, a short distance down the street, received a few female callers, who came by appointment to drink a glass of iced tea with her, and to meet the Rev. Mr. Kinosling. Mr. Kinosling was proving almost formidably interesting to the women and girls of his own and other flocks. What favour of his fellow clergymen a slight precociousness of manner and pronunciation cost him was more than balanced by the visible ecstasies of ladies. They blossomed at his touch.
He had just entered Mrs. Bassett's front door, when the son of the house, followed by an intent and earnest company of four, opened the alley gate and came into the yard. The unconscious Mrs. Bassett was about to have her first experience of a fatal coincidence. It was her first, because she was the mother of a boy so well behaved that he had become a proverb of transcendency. Fatal coincidences were plentiful in the Schofield and Williams families, and would have been familiar to Mrs. Bassett had Georgie been permitted greater intimacy with Penrod and Sam.
Mr. Kinosling sipped his iced tea and looked about, him approvingly. Seven ladies leaned forward, for it was to be seen that he meant to speak.
“This cool room is a relief,” he said, waving a graceful hand in a neatly limited gesture, which everybody's eyes followed, his own included. “It is a relief and a retreat. The windows open, the blinds closed—that is as it should be. It is a retreat, a fastness, a bastion against the heat's assault. For me, a quiet room—a quiet room and a book, a volume in the hand, held lightly between the fingers. A volume of poems, lines metrical and cadenced; something by a sound Victorian. We have no later poets.”
“Swinburne?” suggested Miss Beam, an eager spinster. “Swinburne, Mr. Kinosling? Ah, SWINBURNE!”
“Not Swinburne,” said Mr. Kinosling chastely. “No.”
That concluded all the remarks about Swinburne.
Miss Beam retired in confusion behind another lady; and somehow there became diffused an impression that Miss Beam was erotic.
“I do not observe your manly little son,” Mr. Kinosling addressed his hostess.
“He's out playing in the yard,” Mrs. Bassett returned. “I heard his voice just now, I think.”
“Everywhere I hear wonderful report of him,” said Mr. Kinosling. “I may say that I understand boys, and I feel that he is a rare, a fine, a pure, a lofty spirit. I say spirit, for spirit is the word I hear spoken of him.”
A chorus of enthusiastic approbation affirmed the accuracy of this proclamation, and Mrs. Bassett flushed with pleasure. Georgie's spiritual perfection was demonstrated by instances of it, related by the visitors; his piety was cited, and wonderful things he had said were quoted.
“Not all boys are pure, of fine spirit, of high mind,” said Mr. Kinosling, and continued with true feeling: “You have a neighbour, dear Mrs. Bassett, whose household I indeed really feel it quite impossible to visit until such time when better, firmer, stronger handed, more determined discipline shall prevail. I find Mr. and Mrs. Schofield and their daughter charming——”
Three or four ladies said “Oh!” and spoke a name simultaneously. It was as if they had said, “Oh, the bubonic plague!”
“Oh! Penrod Schofield!”
“Georgie does not play with him,” said Mrs. Bassett quickly—“that is, he avoids him as much as he can without hurting Penrod's feelings. Georgie is very sensitive to giving pain. I suppose a mother should not tell these things, and I know people who talk about their own children are dreadful bores, but it was only last Thursday night that Georgie looked up in my face so sweetly, after he had said his prayers and his little cheeks flushed, as he said: 'Mamma, I think it would be right for me to go more with Penrod. I think it would make him a better boy.'”
A sibilance went about the room. “Sweet! How sweet! The sweet little soul! Ah, SWEET!”
“And that very afternoon,” continued Mrs. Bassett, “he had come home in a dreadful state. Penrod had thrown tar all over him.”
“Your son has a forgiving spirit!” said Mr. Kinosling with vehemence. “A too forgiving spirit, perhaps.” He set down his glass. “No more, I thank you. No more cake, I thank you. Was it not Cardinal Newman who said——”
He was interrupted by the sounds of an altercation just outside the closed blinds of the window nearest him.
“Let him pick his tree!” It was the voice of Samuel Williams. “Didn't we come over here to give him one of his own trees? Give him a fair show, can't you?”
“The little lads!” Mr. Kinosling smiled. “They have their games, their outdoor sports, their pastimes. The young muscles are toughening. The sun will not harm them. They grow; they expand; they learn. They learn fair play, honour, courtesy, from one another, as pebbles grow round in the brook. They learn more from themselves than from us. They take shape, form, outline. Let them.”
“Mr. Kinosling!” Another spinster—undeterred by what had happened to Miss Beam—leaned fair forward, her face shining and ardent. “Mr. Kinosling, there's a question I DO wish to ask you.”
“My dear Miss Cosslit,” Mr. Kinosling responded, again waving his hand and watching it, “I am entirely at your disposal.”
“WAS Joan of Arc,” she asked fervently, “inspired by spirits?”
He smiled indulgently. “Yes—and no,” he said. “One must give both answers. One must give the answer, yes; one must give the answer, no.”
“Oh, THANK you!” said Miss Cosslit, blushing.
“She's one of my great enthusiasms, you know.”
“And I have a question, too,” urged Mrs. Lora Rewbush, after a moment's hasty concentration. “'I've never been able to settle it for myself, but NOW——”
“Yes?” said Mr. Kinosling encouragingly.
“Is—ah—is—oh, yes: Is Sanskrit a more difficult language than Spanish, Mr. Kinosling?”
“It depends upon the student,” replied the oracle smiling. “One must not look for linguists everywhere. In my own especial case—if one may cite one's self as an example—I found no great, no insurmountable difficulty in mastering, in conquering either.”
“And mayIask one?” ventured Mrs. Bassett. “Do you think it is right to wear egrets?”
“There are marks of quality, of caste, of social distinction,” Mr. Kinosling began, “which must be permitted, allowed, though perhaps regulated. Social distinction, one observes, almost invariably implies spiritual distinction as well. Distinction of circumstances is accompanied by mental distinction. Distinction is hereditary; it descends from father to son, and if there is one thing more true than 'Like father, like son,' it is—” he bowed gallantly to Mrs. Bassett—“it is, 'Like mother, like son.' What these good ladies have said this afternoon of YOUR——”
This was the fatal instant. There smote upon all ears the voice of Georgie, painfully shrill and penetrating—fraught with protest and protracted, strain. His plain words consisted of the newly sanctioned and disinfected curse with a big H.
With an ejaculation of horror, Mrs. Bassett sprang to the window and threw open the blinds.
Georgie's back was disclosed to the view of the tea-party. He was endeavouring to ascend a maple tree about twelve feet from the window. Embracing the trunk with arms and legs, he had managed to squirm to a point above the heads of Penrod and Herman, who stood close by, watching him earnestly—Penrod being obviously in charge of the performance. Across the yard were Sam Williams and Maurice Levy, acting as a jury on the question of voice-power, and it was to a complaint of theirs that Georgie had just replied.
“That's right, Georgie,” said Penrod encouragingly. “They can, too, hear you. Let her go!”
“Going to heaven!” shrieked Georgie, squirming up another inch. “Going to heaven, heaven, heaven!”
His mother's frenzied attempts to attract his attention failed utterly. Georgie was using the full power of his lungs, deafening his own ears to all other sounds. Mrs. Bassett called in vain; while the tea-party stood petrified in a cluster about the window.
“Going to heaven!” Georgie bellowed. “Going to heaven! Going to heaven, my Lord! Going to heaven, heaven, heaven!”
He tried to climb higher, but began to slip downward, his exertions causing damage to his apparel. A button flew into the air, and his knickerbockers and his waistband severed relations.
“Devil's got my coat-tails, sinners! Old devil's got my coat-tails!” he announced appropriately. Then he began to slide.
He relaxed his clasp of the tree and slid to the ground.
“Going to hell!” shrieked Georgie, reaching a high pitch of enthusiasm in this great climax. “Going to hell! Going to hell! I'm gone to hell, hell, hell!”
With a loud scream, Mrs. Bassett threw herself out of the window, alighting by some miracle upon her feet with ankles unsprained.
Mr. Kinosling, feeling that his presence as spiritual adviser was demanded in the yard, followed with greater dignity through the front door. At the corner of the house a small departing figure collided with him violently. It was Penrod, tactfully withdrawing from what promised to be a family scene of unusual painfulness.
Mr. Kinosling seized him by the shoulders and, giving way to emotion, shook him viciously.
“You horrible boy!” exclaimed Mr. Kinosling. “You ruffianly creature! Do you know what's going to happen to you when you grow up? Do you realize what you're going to BE!”
With flashing eyes, the indignant boy made know his unshaken purpose. He shouted the reply:
“A minister!”
This busy globe which spawns us is as incapable of flattery and as intent upon its own affair, whatever that is, as a gyroscope; it keeps steadily whirling along its lawful track, and, thus far seeming to hold a right of way, spins doggedly on, with no perceptible diminution of speed to mark the most gigantic human events—it did not pause to pant and recuperate even when what seemed to Penrod its principal purpose was accomplished, and an enormous shadow, vanishing westward over its surface, marked the dawn of his twelfth birthday.
To be twelve is an attainment worth the struggle. A boy, just twelve, is like a Frenchman just elected to the Academy.
Distinction and honour wait upon him. Younger boys show deference to a person of twelve: his experience is guaranteed, his judgment, therefore, mellow; consequently, his influence is profound. Eleven is not quite satisfactory: it is only an approach. Eleven has the disadvantage of six, of nineteen, of forty-four, and of sixty-nine. But, like twelve, seven is an honourable age, and the ambition to attain it is laudable. People look forward to being seven. Similarly, twenty is worthy, and so, arbitrarily, is twenty-one; forty-five has great solidity; seventy is most commendable and each year thereafter an increasing honour. Thirteen is embarrassed by the beginnings of a new colthood; the child becomes a youth. But twelve is the very top of boyhood.
Dressing, that morning, Penrod felt that the world was changed from the world of yesterday. For one thing, he seemed to own more of it; this day was HIS day. And it was a day worth owning; the midsummer sunshine, pouring gold through his window, came from a cool sky, and a breeze moved pleasantly in his hair as he leaned from the sill to watch the tribe of clattering blackbirds take wing, following their leader from the trees in the yard to the day's work in the open country. The blackbirds were his, as the sunshine and the breeze were his, for they all belonged to the day which was his birthday and therefore most surely his. Pride suffused him: he was twelve!
His father and his mother and Margaret seemed to understand the difference between to-day and yesterday. They were at the table when he descended, and they gave him a greeting which of itself marked the milestone. Habitually, his entrance into a room where his elders sat brought a cloud of apprehension: they were prone to look up in pathetic expectancy, as if their thought was, “What new awfulness is he going to start NOW?” But this morning they laughed; his mother rose and kissed him twelve times, so did Margaret; and his father shouted, “Well, well! How's the MAN?”
Then his mother gave him a Bible and “The Vicar of Wakefield”; Margaret gave him a pair of silver-mounted hair brushes; and his father gave him a “Pocket Atlas” and a small compass.
“And now, Penrod,” said his mother, after breakfast, “I'm going to take you out in the country to pay your birthday respects to Aunt Sarah Crim.”
Aunt Sarah Crim, Penrod's great-aunt, was his oldest living relative. She was ninety, and when Mrs. Schofield and Penrod alighted from a carriage at her gate they found her digging with a spade in the garden.
“I'm glad you brought him,” she said, desisting from labour. “Jinny's baking a cake I'm going to send for his birthday party. Bring him in the house. I've got something for him.”
She led the way to her “sitting-room,” which had a pleasant smell, unlike any other smell, and, opening the drawer of a shining old what-not, took therefrom a boy's “sling-shot,” made of a forked stick, two strips of rubber and a bit of leather.
“This isn't for you,” she said, placing it in Penrod's eager hand. “No. It would break all to pieces the first time you tried to shoot it, because it is thirty-five years old. I want to send it back to your father. I think it's time. You give it to him from me, and tell him I say I believe I can trust him with it now. I took it away from him thirty-five years ago, one day after he'd killed my best hen with it, accidentally, and broken a glass pitcher on the back porch with it—accidentally. He doesn't look like a person who's ever done things of that sort, and I suppose he's forgotten it so well that he believes he never DID, but if you give it to him from me I think he'll remember. You look like him, Penrod. He was anything but a handsome boy.”
After this final bit of reminiscence—probably designed to be repeated to Mr. Schofield—she disappeared in the direction of the kitchen, and returned with a pitcher of lemonade and a blue china dish sweetly freighted with flat ginger cookies of a composition that was her own secret. Then, having set this collation before her guests, she presented Penrod with a superb, intricate, and very modern machine of destructive capacities almost limitless. She called it a pocket-knife.
“I suppose you'll do something horrible with it,” she said, composedly. “I hear you do that with everything, anyhow, so you might as well do it with this, and have more fun out of it. They tell me you're the Worst Boy in Town.”
“Oh, Aunt Sarah!” Mrs. Schofield lifted a protesting hand.
“Nonsense!” said Mrs. Crim.
“But on his birthday!”
“That's the time to say it. Penrod, aren't you the Worst Boy in Town?”
Penrod, gazing fondly upon his knife and eating cookies rapidly, answered as a matter of course, and absently, “Yes'm.”
“Certainly!” said Mrs. Crim. “Once you accept a thing about yourself as established and settled, it's all right. Nobody minds. Boys are just people, really.”
“No, no!” Mrs. Schofield cried, involuntarily.
“Yes, they are,” returned Aunt Sarah. “Only they're not quite so awful, because they haven't learned to cover themselves all over with little pretences. When Penrod grows up he'll be just the same as he is now, except that whenever he does what he wants to do he'll tell himself and other people a little story about it to make his reason for doing it seem nice and pretty and noble.”
“No, I won't!” said Penrod suddenly.
“There's one cookie left,” observed Aunt Sarah. “Are you going to eat it?”
“Well,” said her great-nephew, thoughtfully, “I guess I better.”
“Why?” asked the old lady. “Why do you guess you'd 'better'?”
“Well,” said Penrod, with a full mouth, “it might get all dried up if nobody took it, and get thrown out and wasted.”
“You're beginning finely,” Mrs. Crim remarked. “A year ago you'd have taken the cookie without the same sense of thrift.”
“Ma'am?”
“Nothing. I see that you're twelve years old, that's all. There are more cookies, Penrod.” She went away, returning with a fresh supply and the observation, “Of course, you'll be sick before the day's over; you might as well get a good start.”
Mrs. Schofield looked thoughtful. “Aunt Sarah,” she ventured, “don't you really think we improve as we get older?”
“Meaning,” said the old lady, “that Penrod hasn't much chance to escape the penitentiary if he doesn't? Well, we do learn to restrain ourselves in some things; and there are people who really want someone else to take the last cookie, though they aren't very common. But it's all right, the world seems to be getting on.” She gazed whimsically upon her great-nephew and added, “Of course, when you watch a boy and think about him, it doesn't seem to be getting on very fast.”
Penrod moved uneasily in his chair; he was conscious that he was her topic but unable to make out whether or not her observations were complimentary; he inclined to think they were not. Mrs. Crim settled the question for him.
“I suppose Penrod is regarded as the neighbourhood curse?”
“Oh, no,” cried Mrs. Schofield. “He——”
“I dare say the neighbours are right,” continued the old lady placidly. “He's had to repeat the history of the race and go through all the stages from the primordial to barbarism. You don't expect boys to be civilized, do you?”
“Well, I——”
“You might as well expect eggs to crow. No; you've got to take boys as they are, and learn to know them as they are.”
“Naturally, Aunt Sarah,” said Mrs. Schofield, “I KNOW Penrod.”
Aunt Sarah laughed heartily. “Do you think his father knows him, too?”
“Of course, men are different,” Mrs. Schofield returned, apologetically. “But a mother knows——”
“Penrod,” said Aunt Sarah, solemnly, “does your father understand you?”
“Ma'am?”
“About as much as he'd understand Sitting Bull!” she laughed.
“And I'll tell you what your mother thinks you are, Penrod. Her real belief is that you're a novice in a convent.”
“Ma'am?”
“Aunt Sarah!”
“I know she thinks that, because whenever you don't behave like a novice she's disappointed in you. And your father really believes that you're a decorous, well-trained young business man, and whenever you don't live up to that standard you get on his nerves and he thinks you need a walloping. I'm sure a day very seldom passes without their both saying they don't know what on earth to do with you. Does whipping do you any good, Penrod?”
“Ma'am?”
“Go on and finish the lemonade; there's about glassful left. Oh, take it, take it; and don't say why! Of COURSE you're a little pig.”
Penrod laughed gratefully, his eyes fixed upon her over the rim of his uptilted glass.
“Fill yourself up uncomfortably,” said the old lady. “You're twelve years old, and you ought to be happy—if you aren't anything else. It's taken over nineteen hundred years of Christianity and some hundreds of thousands of years of other things to produce you, and there you sit!”
“Ma'am?”
“It'll be your turn to struggle and muss things up, for the betterment of posterity, soon enough,” said Aunt Sarah Crim. “Drink your lemonade!”
“Aunt Sarah's a funny old lady,” Penrod observed, on the way back to the town. “What's she want me to give papa this old sling for? Last thing she said was to be sure not to forget to give it to him. HE don't want it; and she said, herself, it ain't any good. She's older than you or papa, isn't she?”
“About fifty years older,” answered Mrs. Schofield, turning upon him a stare of perplexity. “Don't cut into the leather with your new knife, dear; the livery man might ask us to pay if——No. I wouldn't scrape the paint off, either—nor whittle your shoe with it. COULDN'T you put it up until we get home?”
“We goin' straight home?”
“No. We're going to stop at Mrs. Gelbraith's and ask a strange little girl to come to your party, this afternoon.”
“Who?”
“Her name is Fanchon. She's Mrs. Gelbraith's little niece.”
“What makes her so queer?”
“I didn't say she's queer.”
“You said——”
“No; I mean that she is a stranger. She lives in New York and has come to visit here.”
“What's she live in New York for?”
“Because her parents live there. You must be very nice to her, Penrod; she has been very carefully brought up. Besides, she doesn't know the children here, and you must help to keep her from feeling lonely at your party.”
“Yes'm.”
When they reached Mrs. Gelbraith's, Penrod sat patiently humped upon a gilt chair during the lengthy exchange of greetings between his mother. and Mrs. Gelbraith. That is one of the things a boy must learn to bear: when his mother meets a compeer there is always a long and dreary wait for him, while the two appear to be using strange symbols of speech, talking for the greater part, it seems to him, simultaneously, and employing a wholly incomprehensible system of emphasis at other times not in vogue. Penrod twisted his legs, his cap and his nose.
“Here she is!” Mrs. Gelbraith cried, unexpectedly, and a dark-haired, demure person entered the room wearing a look of gracious social expectancy. In years she was eleven, in manner about sixty-five, and evidently had lived much at court. She performed a curtsey in acknowledgment of Mrs. Schofield's greeting, and bestowed her hand upon Penrod, who had entertained no hope of such an honour, showed his surprise that it should come to him, and was plainly unable to decide what to do about it.
“Fanchon, dear,” said Mrs. Gelbraith, “take Penrod out in the yard for a while, and play.”
“Let go the little girl's hand, Penrod,” Mrs. Schofield laughed, as the children turned toward the door.
Penrod hastily dropped the small hand, and exclaiming, with simple honesty, “Why,Idon't want it!” followed Fanchon out into the sunshiny yard, where they came to a halt and surveyed each other.
Penrod stared awkwardly at Fanchon, no other occupation suggesting itself to him, while Fanchon, with the utmost coolness, made a very thorough visual examination of Penrod, favouring him with an estimating scrutiny which lasted until he literally wiggled. Finally, she spoke.
“Where do you buy your ties?” she asked.
“What?”
“Where do you buy your neckties? Papa gets his at Skoone's. You ought to get yours there. I'm sure the one you're wearing isn't from Skoone's.”
“Skoone's?” Penrod repeated. “Skoone's?”
“On Fifth Avenue,” said Fanchon. “It's a very smart shop, the men say.”
“Men?” echoed Penrod, in a hazy whisper. “Men?”
“Where do your people go in summer?” inquired the lady. “WE go to Long Shore, but so many middle-class people have begun coming there, mamma thinks of leaving. The middle classes are simply awful, don't you think?”
“What?”
“They're so boorjaw. You speak French, of course?”
“Me?”
“We ran over to Paris last year. It's lovely, don't you think? Don't you LOVE the Rue de la Paix?”
Penrod wandered in a labyrinth. This girl seemed to be talking, but her words were dumfounding, and of course there was no way for him to know that he was really listening to her mother. It was his first meeting with one of those grown-up little girls, wonderful product of the winter apartment and summer hotel; and Fanchon, an only child, was a star of the brand. He began to feel resentful.
“I suppose,” she went on, “I'll find everything here fearfully Western. Some nice people called yesterday, though. Do you know the Magsworth Bittses? Auntie says they're charming. Will Roddy be at your party?”
“I guess he will,” returned Penrod, finding this intelligible. “The mutt!”
“Really!” Fanchon exclaimed airily. “Aren't you great pals with him?”
“What's 'pals'?”
“Good heavens! Don't you know what it means to say you're 'great pals' with any one? You ARE an odd child!”
It was too much.
“Oh, Bugs!” said Penrod.
This bit of ruffianism had a curious effect. Fanchon looked upon him with sudden favour.
“I like you, Penrod!” she said, in an odd way, and, whatever else there may have been in her manner, there certainly was no shyness.
“Oh, Bugs!” This repetition may have lacked gallantry, but it was uttered in no very decided tone. Penrod was shaken.
“Yes, I do!” She stepped closer to him, smiling. “Your hair is ever so pretty.”
Sailors' parrots swear like mariners, they say; and gay mothers ought to realize that all children are imitative, for, as the precocious Fanchon leaned toward Penrod, the manner in which she looked into his eyes might have made a thoughtful observer wonder where she had learned her pretty ways.
Penrod was even more confused than he had been by her previous mysteries: but his confusion was of a distinctly pleasant and alluring nature: he wanted more of it. Looking intentionally into another person's eyes is an act unknown to childhood; and Penrod's discovery that it could be done was sensational. He had never thought of looking into the eyes of Marjorie Jones.
Despite all anguish, contumely, tar, and Maurice Levy, he still secretly thought of Marjorie, with pathetic constancy, as his “beau”—though that is not how he would have spelled it. Marjorie was beautiful; her curls were long and the colour of amber; her nose was straight and her freckles were honest; she was much prettier than this accomplished visitor. But beauty is not all.
“I do!” breathed Fanchon, softly.
She seemed to him a fairy creature from some rosier world than this. So humble is the human heart, it glorifies and makes glamorous almost any poor thing that says to it: “I like you!”
Penrod was enslaved. He swallowed, coughed, scratched the back of his neck, and said, disjointedly:
“Well—I don't care if you want to. I just as soon.”
“We'll dance together,” said Fanchon, “at your party.”
“I guess so. I just as soon.”
“Don't you want to, Penrod?”
“Well, I'm willing to.”
“No. Say you WANT to!”
“Well——”
He used his toe as a gimlet, boring into the ground, his wide open eyes staring with intense vacancy at a button on his sleeve.
His mother appeared upon the porch in departure, calling farewells over her shoulder to Mrs. Gelbraith, who stood in the doorway.
“Say it!” whispered Fanchon.
“Well, I just as SOON.”
She seemed satisfied.
A dancing floor had been laid upon a platform in the yard, when Mrs. Schofield and her son arrived at their own abode; and a white and scarlet striped canopy was in process of erection overhead, to shelter the dancers from the sun. Workmen were busy everywhere under the direction of Margaret, and the smitten heart of Penrod began to beat rapidly. All this was for him; he was Twelve!
After lunch, he underwent an elaborate toilette and murmured not. For the first time in his life he knew the wish to be sand-papered, waxed, and polished to the highest possible degree. And when the operation was over, he stood before the mirror in new bloom, feeling encouraged to hope that his resemblance to his father was not so strong as Aunt Sarah seemed to think.
The white gloves upon his hands had a pleasant smell, he found; and, as he came down the stairs, he had great content in the twinkling of his new dancing slippers. He stepped twice on each step, the better to enjoy their effect and at the same time he deeply inhaled the odour of the gloves. In spite of everything, Penrod had his social capacities. Already it is to be perceived that there were in him the makings of a cotillon leader.
Then came from the yard a sound of tuning instruments, squeak of fiddle, croon of 'cello, a falling triangle ringing and tinkling to the floor; and he turned pale.
Chosen guests began to arrive, while Penrod, suffering from stage-fright and perspiration, stood beside his mother, in the “drawing-room,” to receive them. He greeted unfamiliar acquaintances and intimate fellow-criminals with the same frigidity, murmuring: “'M glad to see y',” to all alike, largely increasing the embarrassment which always prevails at the beginning of children's festivities. His unnatural pomp and circumstance had so thoroughly upset him, in truth, that Marjorie Jones received a distinct shock, now to be related. Doctor Thrope, the kind old clergyman who had baptized Penrod, came in for a moment to congratulate the boy, and had just moved away when it was Marjorie's turn, in the line of children, to speak to Penrod. She gave him what she considered a forgiving look, and, because of the occasion, addressed him in a perfectly courteous manner.
“I wish you many happy returns of the day, Penrod.”
“Thank you, sir!” he returned, following Dr. Thrope with a glassy stare in which there was absolutely no recognition of Marjorie. Then he greeted Maurice Levy, who was next to Marjorie: “'M glad to see y'!”
Dumfounded, Marjorie turned aside, and stood near, observing Penrod with gravity. It was the first great surprise of her life. Customarily, she had seemed to place his character somewhere between that of the professional rioter and that of the orang-outang; nevertheless, her manner at times just hinted a consciousness that this Caliban was her property. Wherefore, she stared at him incredulously as his head bobbed up and down, in the dancing-school bow, greeting his guests. Then she heard an adult voice, near her, exclaim:
“What an exquisite child!”
Mariorie galanced up—a little consciously, though she was used to it—naturally curious to ascertain who was speaking of her. It was Sam Williams' mother addressing Mrs. Bassett, both being present to help Mrs. Schofield make the festivities festive.
“Exquisite!”
Here was a second heavy surprise for Marjorie: they were not looking at her. They were looking with beaming approval at a girl she had never seen; a dark and modish stranger of singularly composed and yet modest aspect. Her downcast eyes, becoming in one thus entering a crowded room, were all that produced the effect of modesty, counteracting something about her which might have seemed too assured. She was very slender, very dainty, and her apparel was disheartening to the other girls; it was of a knowing picturesqueness wholly unfamiliar to them. There was a delicate trace of powder upon the lobe of Fanchon's left ear, and the outlines of her eyelids, if very closely scrutinized, would have revealed successful experimentation with a burnt match.
Marjorie's lovely eyes dilated: she learned the meaning of hatred at first sight. Observing the stranger with instinctive suspicion, all at once she seemed, to herself, awkward. Poor Marjorie underwent that experience which hearty, healthy, little girls and big girls undergo at one time or another—from heels to head she felt herself, somehow, too THICK.
Fanchon leaned close to Penrod and whispered in his ear:
“Don't you forget!”
Penrod blushed.
Marjorie saw the blush. Her lovely eyes opened even wider, and in them there began to grow a light. It was the light of indignation;—at least, people whose eyes glow with that light always call it indignation.
Roderick Magsworth Bitts, Junior, approached Fanchon, when she had made her courtesy to Mrs. Schofield. Fanchon whispered in Roderick's ear also.
“Your hair is pretty, Roddy! Don't forget what you said yesterday!”
Roderick likewise blushed.
Maurice Levy, captivated by the newcomer's appearance, pressed close to Roderick.
“Give us an intaduction, Roddy?”
Roddy being either reluctant or unable to perform the rite, Fanchon took matters into her own hands, and was presently favourably impressed with Maurice, receiving the information that his tie had been brought to him by his papa from Skoone's, whereupon she privately informed him that she liked wavy hair, and arranged to dance with him. Fanchon also thought sandy hair attractive, Sam Williams discovered, a few minutes later, and so catholic was her taste that a ring of boys quite encircled her before the musicians in the yard struck up their thrilling march, and Mrs. Schofield brought Penrod to escort the lady from out-of-town to the dancing pavilion.
Headed by this pair, the children sought partners and paraded solemnly out of the front door and round a corner of the house. There they found the gay marquee; the small orchestra seated on the lawn at one side of it, and a punch bowl of lemonade inviting attention, under a tree. Decorously the small couples stepped upon the platform, one after another, and began to dance.
“It's not much like a children's party in our day,” Mrs. Williams said to Penrod's mother. “We'd have been playing 'Quaker-meeting,' 'Clap-in, Clap-out,' or 'Going to Jerusalem,' I suppose.”
“Yes, or 'Post-office' and 'Drop-the-handkerchief,'” said Mrs. Schofield. “Things change so quickly. Imagine asking little Fanchon Gelbraith to play 'London Bridge'! Penrod seems to be having a difficult time with her, poor boy; he wasn't a shining light in the dancing class.”
However, Penrod's difficulty was not precisely of the kind his mother supposed. Fanchon was showing him a new step, which she taught her next partner in turn, continuing instructions during the dancing. The children crowded the floor, and in the kaleidoscopic jumble of bobbing heads and intermingling figures her extremely different style of motion was unobserved by the older people, who looked on, nodding time benevolently.
Fanchon fascinated girls as well as boys. Many of the former eagerly sought her acquaintance and thronged about her between the dances, when, accepting the deference due a cosmopolitan and an oracle of the mode, she gave demonstrations of the new step to succeeding groups, professing astonishment to find it unknown: it had been “all the go,” she explained, at the Long Shore Casino for fully two seasons. She pronounced “slow” a “Fancy Dance” executed during an intermission by Baby Rennsdale and Georgie Bassett, giving it as her opinion that Miss Rennsdale and Mr. Bassett were “dead ones”; and she expressed surprise that the punch bowl contained lemonade and not champagne.
The dancing continued, the new step gaining instantly in popularity, fresh couples adventuring with every number. The word “step” is somewhat misleading, nothing done with the feet being vital to the evolutions introduced by Fanchon. Fanchon's dance came from the Orient by a roundabout way; pausing in Spain, taking on a Gallic frankness in gallantry at the Bal Bullier in Paris, combining with a relative from the South Seas encountered in San Francisco, flavouring itself with a carefree negroid abandon in New Orleans, and, accumulating, too, something inexpressible from Mexico and South America, it kept, throughout its travels, to the underworld, or to circles where nature is extremely frank and rank, until at last it reached the dives of New York, when it immediately broke out in what is called civilized society. Thereafter it spread, in variously modified forms—some of them disinfected—to watering-places, and thence, carried by hundreds of older male and female Fanchons, over the country, being eagerly adopted everywhere and made wholly pure and respectable by the supreme moral axiom that anything is all right if enough people do it. Everybody was doing it.
Not quite everybody. It was perhaps some test of this dance that earth could furnish no more grotesque sight than that of children doing it.
Earth, assisted by Fanchon, was furnishing this sight at Penrod's party. By the time ice-cream and cake arrived, about half the guests had either been initiated into the mysteries by Fanchon or were learning by imitation, and the education of the other half was resumed with the dancing, when the attendant ladies, unconscious of what was happening, withdrew into the house for tea.
“That orchestra's a dead one,” Fanchon remarked to Penrod. “We ought to liven them up a little!”
She approached the musicians.
“Don't you know,” she asked the leader, “the Slingo Sligo Slide?”
The leader giggled, nodded, rapped with his bow upon his violin; and Penrod, following Fanchon back upon the dancing floor, blindly brushed with his elbow a solitary little figure standing aloof on the lawn at the edge of the platform.
It was Marjorie.
In no mood to approve of anything introduced by Fanchon, she had scornfully refused, from the first, to dance the new “step,” and, because of its bonfire popularity, found herself neglected in a society where she had reigned as beauty and belle. Faithless Penrod, dazed by the sweeping Fanchon, had utterly forgotten the amber curls; he had not once asked Marjorie to dance. All afternoon the light of indignation had been growing brighter in her eyes, though Maurice Levy's defection to the lady from New York had not fanned this flame. From the moment Fanchon had whispered familiarly in Penrod's ear, and Penrod had blushed, Marjorie had been occupied exclusively with resentment against that guilty pair. It seemed to her that Penrod had no right to allow a strange girl to whisper in his ear; that his blushing, when the strange girl did it, was atrocious; and that the strange girl, herself, ought to be arrested.
Forgotten by the merrymakers, Marjorie stood alone upon the lawn, clenching her small fists, watching the new dance at its high tide, and hating it with a hatred that made every inch of her tremble. And, perhaps because jealousy is a great awakener of the virtues, she had a perception of something in it worse than lack of dignity—something vaguely but outrageously reprehensible. Finally, when Penrod brushed by her, touched her with his elbow, and, did not even see her, Marjorie's state of mind (not unmingled with emotion!) became dangerous. In fact, a trained nurse, chancing to observe her at this juncture, would probably have advised that she be taken home and put to bed. Marjorie was on the verge of hysterics.
She saw Fanchon and Penrod assume the double embrace required by the dance; the “Slingo Sligo Slide” burst from the orchestra like the lunatic shriek of a gin-maddened nigger; and all the little couples began to bob and dip and sway.
Marjorie made a scene. She sprang upon the platform and stamped her foot.
“Penrod Schofield!” she shouted. “You BEHAVE yourself!”
The remarkable girl took Penrod by the ear. By his ear she swung him away from Fanchon and faced him toward the lawn.
“You march straight out of here!” she commanded.
Penrod marched.
He was stunned; obeyed automatically, without question, and had very little realization of what was happening to him. Altogether, and without reason, he was in precisely the condition of an elderly spouse detected in flagrant misbehaviour. Marjorie, similarly, was in precisely the condition of the party who detects such misbehaviour. It may be added that she had acted with a promptness, a decision and a disregard of social consequences all to be commended to the attention of ladies in like predicament.
“You ought to be ashamed of yourself!” she raged, when they reached the lawn. “Aren't you ashamed of yourself?”
“What for?” he inquired, helplessly.
“You be quiet!”
“But what'dIdo, Marjorie?Ihaven't done anything to you,” he pleaded. “I haven't even seen you, all aftern——”
“You be quiet!” she cried, tears filling her eyes. “Keep still! You ugly boy! Shut up!”
She slapped him.
He should have understood from this how much she cared for him. But he rubbed his cheek and declared ruefully:
“I'll never speak to you again!”
“You will, too!” she sobbed, passionately.
“I will not!”
He turned to leave her, but paused.
His mother, his sister Margaret, and their grownup friends had finished their tea and were approaching from the house. Other parents and guardians were with them, coming for their children; and there were carriages and automobiles waiting in the street. But the “Slingo Slide” went on, regardless.
The group of grown-up people hesitated and came to a halt, gazing at the pavilion.
“What are they doing?” gasped Mrs. Williams, blushing deeply. “What is it? What IS it?”
“WHAT IS IT?” Mrs. Gelbraith echoed in a frightened whisper. “WHAT——”
“They're Tangoing!” cried Margaret Schofield. “Or Bunny Hugging or Grizzly Bearing, or——”
“They're only Turkey Trotting,” said Robert Williams.
With fearful outcries the mothers, aunts, and sisters rushed upon the pavilion.
“Of course it was dreadful,” said Mrs. Schofield, an hour later, rendering her lord an account of the day, “but it was every bit the fault of that one extraordinary child. And of all the quiet, demur little things—that is, I mean, when she first came. We all spoke of how exquisite she seemed—so well trained, so finished! Eleven years old! I never saw anything like her in my life!”
“I suppose it's the New Child,” her husband grunted.
“And to think of her saying there ought to have been champagne in the lemonade!”
“Probably she'd forgotten to bring her pocket flask,” he suggested musingly.
“But aren't you proud of Penrod?” cried Penrod's mother. “It was just as I told you: he was standing clear outside the pavilion——”
“I never thought to see the day! And Penrod was the only boy not doing it, the only one to refuse? ALL the others were——”
“Every one!” she returned triumphantly. “Even Georgie Bassett!”
“Well,” said Mr. Schofield, patting her on the shoulder. “I guess we can hold up our heads at last.”