England is very near to the Continent of Europe, and we are accustomed to thinking of Western civilisation as one. Yet every time we cross the Channel we are reminded in some fresh way of the foreignness of foreign countries. The dwelling-houses of France, for instance, are different from the dwelling-houses of England in respect of the important fact that they are all to some extent fortified houses. Great and small houses alike are evidently built with a view to defence from within. If you take a country walk anywhere in Normandy you find that the gardens of the country houses have massive gates and high walls, the front door is like a portcullis, and the window shutters are barricades. The smallest cottages have great doors and window shutters, and if there is a garden, it is two to one that the wall is a real wall. And not only in the country districts, but in the towns, pre-eminently in Paris itself, each house or block of flats is so constructed as to defy the violent intruder.
It strikes us strangely, as we walk through the cities of France and reflect upon the reasons for these square doors and these guarded windows. We have suffered no recent invasion, we have had no bloody revolution. During the whole of the nineteenthcentury our island has known nothing more violent than the Peterloo massacre or the Chartist riots. We have constantly had wars, but they have been distant wars, a matter for the hireling soldier, and not often dragging in the volunteer civilian. If we were disgusted when we heard the true story of the Crimea, we soon forgot the story. We were shocked again by the facts of the Boer War; we had not thought that so many men could be so quickly killed, so many millions of money whittled away. But even the South African War never remotely seemed to threaten the security of our own islands. For the most part, the policeman has been enough. A light bolt and a key guard us against petty burglars; we walk abroad unarmed—at the worst, we comment on the fact that it is well to carry a stick if we walk alone in Epping Forest. We have abolished duelling. We have forbidden prize-fights. Even the horse-whip has ceased to be the patrician's mode of redressing wrong. For assault, libel, slander, we have a remedy in the law courts. Even in our punishment of criminals, if occasionally we have to put a man out of the way by discreetly hanging him, we never subject him to the degradation of a whipping. Youthful barbarians at public schools still roll about and pummel one another, but the organised, stand-up fight, such as was fought in Tom Brown's schooldays, is discouraged; public opinion is against it. From infancy we are taught to be peaceful, law-abiding citizens.
Most of us, then, know very little about physical violence. The shedding of blood is an unfamiliarspectacle. If a man is knocked down by a motor-bus, we may or we may not feel human sympathy, but certainly we are physically shocked by the gruesome sight. We send men to the gallows, but we no longer watch their agony on Tyburn Hill. We despatch men to a frontier war, but we know little about their wounds. And yet, as of old, our martial ardour is aroused and we glow with patriotic pride when a regiment of soldiers marches past to the sound of music. As of old, the thought of any great European war excites us, even fascinates us. We know enough, indeed, to assure ourselves that a great war would mean economic ruin, that even a distant war between two foreign countries, such as Turkey and Italy, or Turkey and Bulgaria, will probably react unfavourably on our own trade. Yet the thought of a great war still profoundly interests the mass of Englishmen; they are fascinated; they almost long for news of the great, decisive, bloody battle which means a sensation, a spectacle, an acquaintance with something doing, a something strange, gruesome, violent, and vast.
I am not saying that the people of this country approved of the war which Italy thought good to wage against Turkey, or were pleased at the horrible slaughter in the Balkans. It is obvious, on the contrary, that they strongly disapproved. The "Great Illusion," so effectively exposed by Norman Angell, is no longer universally entertained. Capital has learnt the horrors of war, and organised labour has emphatically declared against it. And yet, though there were few English people who would not havestopped the Turco-Italian war and mitigated the horrors of the Balkan war if they could have done so, it is manifest that there were few who did not revel in the sensation, just as some years ago even our most philanthropic classes deplored and revelled in the spectacle of Macedonian atrocities. A fire at a theatre, an appalling railway accident, and especially murder on a vast, heroic scale, attracts, in these peaceful days, certainly not less than in the days when barbarism was customary.
Now, violence and brutality are obviously one thing to a peaceful people and a very different thing to people accustomed to violence in their daily lives. Upon a man of sedentary occupation a prize-fight must have a very different effect from that which it will have upon men accustomed to the use of their fists. It is worth asking: What is this love of violence which moves the breast of the man of peace? What is this emotion which leads men to be heroic by proxy? Is it surviving physical excellence which reveals itself in this way, or is it a cumbrous atavistic relic like the appendix which the doctors remove? We see, for instance, enormous crowds gathering at the football matches where professional players show their prowess, and muscles trained and hardened for the fray. We know that there was a crowd looking forward to the Wells-Johnson contest. Contrast these events with a cricket match, where there is practically no violence. Whatever be the reason, any sportsman will testify to the fact that the crowd which goes to see cricket is generally a cricketing crowd, but that the crowd which goes to a cup-tie football match isby no means in the same way a footballing crowd. In other words, so far as the onlookers are concerned, the cricket match is more truly a sporting event than is the professional football match or the Wells-Johnson contest.
Whatever the answer be, it is certain that when we beat the big drum of patriotism and set the guns firing, the thrill which it arouses in the vocal populace is different from the thrill in a people accustomed to violence and blood. We say the "vocal" populace, remembering that there is a portion of the population, very important to the community and growing in power, which is not facile in the art of self-expression. That portion of the population was in evidence at the time of the great Coal Strike, when it seemed actually on the verge of rebellion, when it actually committed violence to the horror and surprise of our peaceful middle classes. The fact is that the very poor are never so far from the violent life as are members of other classes. Violent deaths are not infrequent in factories, in coal-mines, in great building-works, in dockyards. The life of deprivation makes the passion of anger frequent; among the poor blows are often exchanged, and the police are seldom called upon to interfere. Necessarily, from the nature of the case, the poor are more familiar with violence than are their richer and more conventional neighbours; it is a natural thing for the more ignorant of them to fall back upon physical force, as they did at Liverpool. And so, too, just as they are more accustomed to petty war, they are less interested in war between nations. In Italy it was theworking-men who protested against the war with Turkey.
But it seems that the more educated and the more organised we become, the more we leave our affairs to be managed by professionals. When a nation declares for war, it declares for a war to be waged by its professionals, and it turns them on to do a job which, according to civilised practices, is a dirty job. And when it is fired with patriotic pride for achievements won in the field it is exercising its emotions on something it cannot understand or realise, for the simple reason that the violence of war is strange, distantly horrible, fascinating, but unfamiliar. It has never directly entered into our experience.
Some time ago Mr. Brander Matthews made the original suggestion in theNorth American Reviewthat books should be written for the benefit of the reader. The suggestion is not on the face of it paradoxical, but it will be rank heresy to those who blame the public for not bowing down before the sacrosanctity of the "serious" author. He admits that "a book ought to be rich with the full flavour of the author's personality;" primarily it ought to express him; but secondarily—and this is Mr. Brander Matthews' point—"it is for the sole benefit of the reader."
I think we may go a little further than Mr. Matthews, and find a second reason why certain authors fail to find favour with the general reader. In the case which Mr. Matthews seemed to be considering there are authors who have every qualification for writing except that they cannot write. Secondly, there are authors who, in the ordinary literary sense of the term, can write, who have gathered knowledge and formed seriously-grounded opinions about life, who are nevertheless so out of touch with the broad, common interests of men that they invariably fail to make a strong emotional or imaginative appeal.
Every reader is acquainted with the tiresome writer who has a great deal to say but labours infinitely in the saying of it. In a crude, energetic, excessively eulogised novel published in America a few years ago—Queed—we were introduced to an economist engaged upon a work so learned that he knew there were only three persons in America capable of understanding it. There is, doubtless, something to be said for an appreciative audience of three; but it is safe to assert that even the exact sciences might be made more widely intelligible. I am, however, thinking primarily of those studies which have some claim to rank as literary studies. It is through literature that the historian, the biographer, the sociologist, and the philosopher must make their contributions to knowledge. Yet how much research and how much acute thinking are wasted because the student has not the means of making his subject alive for others, has not the reconstructive imagination by means of which truth is communicated! It is because he cannot write.
But this being able to write is not a matter of putting words and clauses together with correctness and elegance. That much the mere scholar generally understands, and it is because he thinks it sufficient that he fails. What is wanted is a quality of mind which is too often excluded from the specialist by his habit of thought. "A few years of journalism," said Mr. W.B. Yeats on one occasion, "is an invaluable discipline for the man of letters." No one is more fully alive to the defects of journalism than Mr. Yeats—its frequent looseness, prejudice, obviousness, and dissipation of interest. But, in spite of that, he sawthat the good journalist's faculty of addressing himself directly to the subject in hand, of stating it clearly and in its essentials without waste of words, of so escaping his own particular mould of thought that he may be easily intelligible to a variety of minds, required a discipline and a broadening invaluable to the man who really has something to say. The specialist is inclined to lack the broad outlook of one who is interested in many things; he acquires a jargon of his own; his mind runs in the narrow channel to which that jargon corresponds; the language he uses becomes stilted and dead. There is no tonic in the truths he tries to proclaim, no relevance to the rest of knowledge. In other words, what he has to say may be scientifically valuable, but he fails to convey it to any but his fellow-specialists.
Mr. Brander Matthews points out that the great students are those who have combined the Teutonic thoroughness with the French comprehensiveness and lucidity. Gibbon and Mommsen are the great examples to which he points. England surely has been very rich in writers thorough and lucid, but we may observe that they follow rather the eighteenth-century tradition, with its intelligible common sense, than the romantic or transcendental tradition, with its mysticism and obscurity. Locke, Berkeley, and Hume, the most lucid of philosophers, are scarcely easier to follow than John Stuart Mill, Huxley, and Leslie Stephen. But it is hardly necessary to enter acaveatagainst supposing that lucidity of expression is precisely proportional to clearness of thought. The philosophy of Kant did not admit of the simple language of Hume, and T.H. Green and Mr. Bradleyare not to be blamed if they are more difficult to understand than Sir Leslie Stephen.
The second aspect of the question is more important, especially at a time when we are constantly reminded that the public is indifferent to the finest creative literature now produced. The fault may be with the public, and it may also be with the authors. It is worth remembering that this is a time when special forms of expression are being made to do work which once belonged to other forms. Fiction, for example, is being made to carry the load of philosophic psychology, of poetry, of the economic, moral, or political treatise. Drama is often used as a vehicle for truths which were once left to the pulpit, the political platform, or the lecture hall. Both of them, in the case of the extreme realists, are being used as the store-room or the dissecting chamber of the experimental scientist. Supposing that an author's facts are supremely important, his discernment most acute, his ideas significant, still, before we condemn the public unheard, we are compelled to ask of him: Have you given to this material a form which it will accept? Have you addressed the public in a language which has a wide human appeal? Are you, in fact, a master of that higher technique which implies an understanding, not only of the fine essences of truth, but the broad, common facts of human nature? It is just because they are not masters of this higher technique that many exponents of so-called "intellectual fiction" and "intellectual drama" are doomed to failure.
I am well aware that such arguments as this must be qualified. For I have not forgotten that what arenow the commonplaces of culture were once the unintelligible obscurities of a sage. Much that we now apprehend at a glance, all that makes our cultural birthright, was only acquired by slow and arduous processes, in which the pioneers were laughed to scorn. The original mind sees things in a new light, and his language is to us strange and unfamiliar, and we do not learn it till our eyes and ears have become accustomed. And there are others who do not stand conspicuously in the main stream of mental progress, who, nevertheless, remote and perhaps secluded as they are, have a vision rarefied, subtle, strange not only in their own times, but for all times. Those men have their own communication to make to those anxious to add to the fineness of their perception, or merely perhaps to the oddness of experience. If some sting of truth reaches the mind through writing obscure to the general, through language which may be barbarous in form, an author has justified himself; and it would be idle to follow Mr. Brander Matthews in his quotation from the ever-pleasing Lord Chesterfield: "Speak the language of the company you are in; speak it purely and unloaded with any other." For, after all, is it not open to the author to choose his company? If his receptions are ill-attended, that may not reflect ill on those who accept the invitation. Not everyone will read the poems of Mr. Doughty; Mr. Doughty has made it hard for them; but if they do, they are repaid. Not everyone will tolerate the finesse of Mr. Henry James; but among those who can understand him, assuredly Mr. James is in very good company.
In the play calledJustice, Mr. Galsworthy attacked the professional mechanism of English law in much the same way as the late William James attacked professional philosophy. These two kinds of specialism, or departmentalism, may therefore conveniently be treated together; for I may leave Mr. Galsworthy and William James to conduct the attack, contenting myself with the task of linking up their forces. Both Professor James and Mr. Galsworthy appealed against the machine—the one against the machine of thought which is divorced from common perception, the other against the machine of the law which has no contact with the needs of persons. "We," said William James, meaning the Pragmatists, or the Humanists, "turn to the great unpent and unstayed wilderness of truth as we feel it to be constituted, with as good a conscience as rationalists are moved by when they turn from our wilderness into their neater and cleaner intellectual abodes." InJusticethe young advocate who appears for the defence is not so much pleading for the client under the law, as arraigning the present legal system, setting up a new conception of law based upon common sense, human insight, and a morality finer than legalism."Gentlemen," he says, "men like the defendant are destroyed daily under our laws for want of that human insight which sees them as they are, patients, and not criminals.... Justice is a machine that, when someone has once given it the starting push, rolls on of itself. Is this young man to be ground to pieces under this machine for an act which at the worst was one of weakness?"
This attempt to get back to something thatsatisfiesthe human mind, the human idea of good, is to be seen equally in these two thinkers who belong to different countries and different traditions. The word "satisfactory" continually occurs in Professor James' writings. "Humanism," he says, "conceiving the more 'true' as the more 'satisfactory,' has sincerely to renounce rectilinear arguments and ancient ideals of rigour and finality." He wishes to break with that view of philosophy which says "the anatomy of the world is logical, and its logic is that of a university professor." He is one of those who, having been a lifelong student of philosophy and psychology, has the energy to know that, however theoretically perfect may be the logical system evolved by thought, that system will not be sufficient to prevent a man from saying, "After all, am I sure of it?" The only things of which we are sure are those things which we directly experience. We know the appearance of a tree, because we see it; we know the emotion of pity or love, because we have felt it; we know that what we call tigers exist in India, because acquaintances have seen them, and direct experience has taught us that their evidenceis satisfactory, and if we went to India their testimony could be found true by the evidence of our own senses. "What becomes our warrant for calling anything reality? The only reply is—the faith of the present critic or inquirer. At every moment of his life he finds himself subject to a belief insomerealities, even though his realities of this year should prove to be his illusions of the next." "The most we can claim is, that what we say about cognition may be counted as true as what we say about anything else." Nothing is true for him unless it has reference to the world which we know, which we accept on faith, by the practical evidence of our senses, or, it might be added, our desires, our aspirations, our intuitions. Nothing is ruled out so long as it can be pinned down at any moment to what is real, to what is individual. "Demonstration in the last resort" is to the senses.
Contemned though they may be by some thinkers, these sensations are the mother-earth, the anchorage, the stable rock, the first and last limits, theterminus a quoand theterminus ad quemof the mind. To find such sensationalterminishould be our aim with all higher thought. They end discussion, they destroy the false conceit of knowledge, and without them we are all at sea with each other's meaning. If two men act alike on a percept, they believe themselves to feel alike about it; if not, they may suspect they know it in differing ways. We can never be sure we understand each other till we are able to bring the matter to this test. This is why metaphysical discussions are so much like fighting with the air; they have no practical issue of a sensational kind.
Contemned though they may be by some thinkers, these sensations are the mother-earth, the anchorage, the stable rock, the first and last limits, theterminus a quoand theterminus ad quemof the mind. To find such sensationalterminishould be our aim with all higher thought. They end discussion, they destroy the false conceit of knowledge, and without them we are all at sea with each other's meaning. If two men act alike on a percept, they believe themselves to feel alike about it; if not, they may suspect they know it in differing ways. We can never be sure we understand each other till we are able to bring the matter to this test. This is why metaphysical discussions are so much like fighting with the air; they have no practical issue of a sensational kind.
Truth, then, for the Pragmatists is that which has "practical consequences." A belief is held to be true when it is "found to work." Transcendent ideas have no validity except as ideas unless they are found to have a "cash value" in practical life, that is to say, unless they refer to, and are operative in, the world of immediate experience. "Reality is an accumulation of our own intellectual inventions, and the struggle for 'truth' in our progressive dealings with it is always a struggle to work in new nouns and adjectives while altering as little as possible the old." You may talk of Absolutes as much as you like, you may contemplate the fundamental categories of the mind, you may dwell upon thea prioriconceptions to which all our experiences must conform, but the fact remains, says Professor James, turning his back on all transcendental idealism, "the concrete truthfor uswill always be that way of thinking in which our various experiences most profitably combine."
The true is the opposite of whatever is instable, of whatever is practically disappointing, of whatever is useless, of whatever is lying and unreliable, of whatever is unverifiable and unsupported, of whatever is inconsistent and contradictory, of whatever is artificial and eccentric, of whatever is unreal in the sense of being of no practical account. Here are pragmatic reasons with a vengeance why we should turn to truth—truth saves us from a world of that complexion. What wonder that its very name awakens loyal feeling! In particular what wonder that all little provisional fools' paradises of belief should appear contemptible in comparison with its bare pursuit!When Absolutists reject humanism because they feel it to be untrue, that means that the whole habit of their mental needs is wedded already to a different view of reality, in comparison with which the humanistic world seems but the whim of a few irresponsible youths. Their own subjective apperceiving mass is what speaks here in the name of the eternal natures and bids them reject our humanism—as they apprehend it. Just so with us humanists, when we condemn all noble, clean-cut, fixed, eternal, rational, temple-like systems of philosophy.
The true is the opposite of whatever is instable, of whatever is practically disappointing, of whatever is useless, of whatever is lying and unreliable, of whatever is unverifiable and unsupported, of whatever is inconsistent and contradictory, of whatever is artificial and eccentric, of whatever is unreal in the sense of being of no practical account. Here are pragmatic reasons with a vengeance why we should turn to truth—truth saves us from a world of that complexion. What wonder that its very name awakens loyal feeling! In particular what wonder that all little provisional fools' paradises of belief should appear contemptible in comparison with its bare pursuit!When Absolutists reject humanism because they feel it to be untrue, that means that the whole habit of their mental needs is wedded already to a different view of reality, in comparison with which the humanistic world seems but the whim of a few irresponsible youths. Their own subjective apperceiving mass is what speaks here in the name of the eternal natures and bids them reject our humanism—as they apprehend it. Just so with us humanists, when we condemn all noble, clean-cut, fixed, eternal, rational, temple-like systems of philosophy.
I am not here seeking to examine closely, still less to criticise, Professor James' pragmatic doctrines. What I am concerned to show is that we have in him a trained philosopher adopting towards the theory of knowledge a point of view strangely similar to that which Mr. Galsworthy takes up towards the social ethics of modern England. Is it not Mr. Galsworthy's function to "condemn all noble, clean-cut, fixed, eternal, rational, temple-like systems" of morality and etiquette? Professor James' rationalist antagonists are exactly like the administrators of law and order criticised by Sweedle in the play: "They've forgot what human nature's like." Just as your Hegelian wishes for nothing but the perfection of knowledge, and leaves you in an inconceivable, unknowable Absolute, so, according to Falder, who has been in prison, "Nobody wishes you any harm, but they down you all the same." In precisely the same way as Professor James pleads for a view of truth which rests on the unfailing vividness of finite experience, so Mr. Galsworthy pleads for a justice which shall be applicable, not to an infinite numberof imaginary cases, but to the individual, to the person whom we might chance to know, and meet, and work with—to the necessitous human being. He pleads for a law which shall be elastic, not rigid; dealing with men, not cases; for which mercy shall come to be a part of the idea of justice. That which is good enough for human beings in their dealings one with another ought not to be too good for the law. Intercourse with concrete reality is Professor James' requirement for the truth of an idea; intercourse with human beings is Mr. Galsworthy's requirement as the basis of social morality and of law. That does not of course mean that the legislator must be acquainted with all those for whom he legislates any more than that we can directly experience the facts of history which we claim to know. But every rule—in knowledge, in morality, in law—must be referable to this test of intercourse. Let your judgment of human beings be such as you would award to those who are sufficiently human to be among your friends. Let it be directed solely towards the well-being of the individual so far as that is consistent with the well-being of society. Again and again Mr. Galsworthy has shown us how stereotyped views, abstractions of the human mind, settle down upon classes and individuals and warp their judgments and their conduct. InFraternityhe showed how the idea of class differences becomes an obsession in the human mind, obliterating the truer idea of human community, of those common qualities in character which are not skin-deep, like class, but fundamental. InStrifehe showed how the ideaof the rights of an employer, of the rights of a workman, is an abstraction hiding from master and workman the human bond which human intercourse would have revealed. InJustice, again, he showed how that lowest of all existing codes, the legal code, erects a "temple-like" abstraction of the law to which all individuals, however different they may be, however various their requirements, are made to conform.
We may notice that in the cases both of the philosopher and the dramatist there is a return to what I may call a rudimentary common sense. Professor James' views come as a reaction in the course of the long evolution of ideas. If on the one side we had not had thinker after thinker who emphasised the necessity of approaching reality as a relation of the conscious mind, and on the other side sceptics who asserted that there is nothing knowable but the continuum of disconnected sensations which present themselves—a blind array of atoms—there would be no meaning in a thesis like that of Professor James, which refutes the follies of the two extremes, and stands upon a ground which is very nearly a denial of the possibility of philosophy. In like manner Mr. Galsworthy's ethics are only valuable as a chain in the progress of morality and institutions. Primitive society conceived punishment as an antidote to the horrors of unchecked violence. Mediæval law devised fearful penalties for the forger, because forgery was a fearful menace to the stability of a commerce not yet backed by a high commercial morality. But now we have reached the time when we are menaced by the machinery set up by our ancestors. The law workswith a violence and a brutality which were invented in, and proper to, an age of violence and brutality; and we are confronted with the daily spectacle of judges compelled to administer an antiquated and ferocious law, which awards to the criminal the double penalty of chastisement and shame. The old barbarism clings to the machine and works havoc. And because it is old, and because we are accustomed to it, we tolerate it. We do not put it to the test, which must be a personal test: How does it work in the case of this individual and of that? Is the application of these rules "satisfactory" when they are made to operate on the human beings for whom they were devised? Has this code any social "cash value" when it is brought to bear on the lawyer's clerk who forged a cheque to save a woman?
I have not considered Professor James' merits as a dialectician, or Mr. Galsworthy's as a dramatist. I have attempted to hint at that quality in them which is called "humanism," humanism in thought, humanism in ethics—the quality which makes men seek to judge ideas, institutions and things by what they are worth to human beings for their most pressing, their most vital needs. It is evident that this same "humanism" is beginning to manifest itself in politics, religion and even literary criticism. Clearly it tends at all times to set up individual conviction against authority, freedom against discipline. It has as its virtue the quality of being opposed to red tape, professionalism, departmentalism pedantry, officiousness, intolerance, lethargy, and the tyranny of custom; it has its dangers in that, restingas it does in the last resort on the personal and the concrete, it tends in ill-balanced minds to neglect the value of ancient and dear illusions, and to degenerate into chaos and caprice. Chaos, however, is not so much to be feared as those "little provisional fools' paradises of belief" exposed so brilliantly by William James.
It is doubtful if any person in England exercises so many-sided and so considerable an influence as that of Mr. Bernard Shaw. It is not that his books are read by very many thousands of readers; that his plays have long runs or can compete in popularity with those of Mr. Barrie or the Gaiety Theatre; that his lectures and speeches are reported so fully as those of an ordinary Cabinet Minister; that his letters to the newspapers are as numerous as those of Mr. Algernon Ashton or Dr. Clifford in his prime. He seldom demonstrates his power by passing Acts of Parliament or organising garden parties. He figures less often in the Social and Personal columns than Sir H. Beerbohm Tree. He is not so well known in the law courts as Mr. Horatio Bottomley. Yet there is no other man in England who is so conspicuous in so many spheres of activity, and wherever he appears he is alwaysfacile princepsin the public eye. Everyone who has any knowledge of him is compelled to think about him, and those who have no direct knowledge of him—so insidious is his influence—are to be found constantly thinking in terms of Bernard Shaw. The active, talking, persuading, book-writing, lecturing, propagandist population of England has been bitten by him; it re-writes andpopularises him; it even talks his jargon when it is criticising him. It began by regarding him as a brilliant and witty writer whom no one could take seriously; it now regards him as a serious, and indeed responsible, thinker whose wit is a matter of harmless inspiration, and often a tactical advantage.
Mr. Shaw, in fact, has thrust himself upon English public life. Wherever anything is doing or being talked about he is in the thick of it. Whenever he rises to speak, he is supreme. He sweeps away all the false issues in a few sentences; he attacks the very heart of the problem under discussion, and makes the most practical proposals. He can cover a hostile argument with ridicule, and drive it out of the field with good-tempered laughter. But his method is not only that of raillery. He is remorselessly logical. He can pursue the logical sequence of his case, and set it forth with a fusillade of perfectly relevant and illuminating instances and analogies. He never loses his thread like Mr. Chesterton; he never wanders off into vague rhetoric like Mr. Wells. He chases his enemies and his subject until he has subdued the first and set forth the second so that it shines with crystal clearness. There is no man in England who can state a case, on the platform or in the Press, with such perfect lucidity, such logical order, with such brightness and lightness, or with such force as Mr. Bernard Shaw. He is the greatest debater in England, the greatest pamphleteer, the most observable personality in public life.
That is not all. As an organiser there is no one who has more driving power. He can set himself tocommittee work, and keep every member of a committee active, himself included. He can, when necessary, pester responsible persons till they are goaded into action. Whilst his attention is always fixed on the central object, he has an eye for the most trifling details.
He is a first-rate business man. He knows as much about the trade of publishing as any publisher. He refuses to employ a literary agent, and personally transacts the business of placing his work—and sometimes that of his friends—in the literary and dramatic market all over the world.
Also he is a man personally benevolent. No one was ever less sentimental or romantic, but he is charitably disposed to everyone whom he does not regard as a fool.
If we examine the records of Mr. Shaw's life we shall see that it has been spent somewhere mid-way between the lives of the man-of-action and the man-of-letters. He has been primarily and essentially a critic of the current ideas about existing facts, the ideas which are pre-supposed in the typical and habitual activities of our modern world. He has been, almost invariably, a destructive critic—a critic of that rare kind which is able to win attention because he himself is so active in this Vandal work of his, because he can make his critical attack in so many different ways, because there seem to be a greater vital force and spirit in his pulling down of gods than ever existed in the gods themselves. Socrates, one would suppose, was not more insistent and unexpected in his gadfly attacks upon theAthenian sophists than is Mr. Shaw in his raids upon the Pharisees of sophisticated London. His biography, when it is written, will be a very fascinating and a very large book, and Mr. Shaw himself thinks that it will be identical with the history of his time. There is already in existence a book which claims to be an authorised "Critical Biography;" and, needless to say, it was written by an American—Dr. Archibald Henderson—who stepped in with superb confidence and compelled Mr. Shaw to criticise, overhaul, and contribute to his daring enterprise. "You can force my hand to some extent," said Mr. Shaw, "for any story that you start will pursue me to all eternity."
This valiant American describes with gusto the active, talking, debating, propagating, protesting life that Mr. Shaw has lived. It has not been a "domestic" life; not even a specially "literary" life. We feel it has been a life in which there has been little privacy or intimacy, that it has seldom been wholly shut off from the market-place and the theatre; that if he is a man entirely destitute of "company manners," this is because he has lived always "in company." He was, of course, born in Ireland, not very far from Dublin. His parents were Protestants belonging to that middle class which is hampered by social pretensions and insufficient worldly means. He was taught at Protestant schools, where he was expected to believe that "Roman Catholics are socially inferior persons, who will go to hell when they die, and leave Heaven in the exclusive possession of ladies and gentlemen." At the age offifteen he went into a land office and helped to collect rents, without realising, it is to be presumed, that he was contributing to an iniquitous system. He studied pictures in the Irish National Gallery, became interested in music through his mother and her friends, and made his first appearance in print when moved to protest against the evangelistic services of Sankey and Moody. At the age of twenty he turned his back upon Ireland, and started a literary career in London. In the first nine years of "consistent literary drudgery" he succeeded in earning six pounds.
To put it frankly, Mr. Shaw was not born to succeed as "a mere man of letters," and assuredly not as a writer of romances. His own statement that he "exhausted romanticism before he was ten years old" is historically inaccurate. He started a literary career early, but at twenty-nine he was still a romantic young man who had written reams of romantic literature, and had signally failed. He was right to abandon romance; it had never inspired him, and it was entirely natural and human that he should ever after disown and abuse this treacherous mistress. It is characteristic that what really did inspire him and set him moving upon the course ever after to be his own was an event unconnected with those personal, intimate issues of experience which usually feed the flame of imaginative art. It was a debating speech by Henry George which aroused the reforming ardour thenceforward essential and characteristic in Mr. Shaw, a speech which sent him to Karl Marx, and made him a "man with some business in the world."Henry George sent him to Karl Marx, and Karl Marx sent him to that group of clever people among whom were Graham Wallas, Hubert Bland, Sidney Olivier, and—of main importance—Sidney Webb.
"Quite the cleverest thing I ever did in my life," Mr. Shaw is reported to have said to his American interviewer, "was to force my friendship on Webb, to extort his, and keep it." Mr. Sidney Webb was then, as now, the constructive encyclopædist, the man who, wherever he went, "knew more than anybody present." "The truth of the matter is that Webb and I are very useful to each other. We are in perfect contrast, each supplying the deficiency in the other.... As I am an incorrigible mountebank, and Webb is one of the simplest of geniuses, I have always been in the centre of the stage, whilst Webb has been prompting me, invisible, from the side." It was this singular union more than anything else which gave direction and motive force to the propaganda carried on by the Fabian Society for a quarter of a century, whilst to Mr. Shaw personally it gave the consistency of thought and definiteness of aim which underlie all his later work. We cannot, of course, neglect the intellectual influence of Ibsen and Nietzsche, Wagner and Samuel Butler, the individualists and aristocrats who corrected the mob-sentiment of old-fashioned socialism; but these and similar influences matured in him through his Fabianism.
Bernard Shaw, of the Fabian Society, ceased to be a private citizen. He became a man of "affairs," destined, thenceforward, to live in the publicity of debating-halls, among those ideas which reformersand politicians have actually socialised, removing them from the privacy of human experience and turning them into public property—like parks, open spaces, and wash-houses. I do not mean that he treated this public property as other, and more conventionally-minded, men habitually treat it. Mr. Shaw walks down the Strand as if it were his private bridle-path. He walks across an Insurance Bill or a National Theatre scheme or a policy for giving self-government to Englishmen as a man who might be treading the weeds in his own garden. But the intellectual stage-properties were all prepared for him and presented ready-made in those times when he went night after night to lecture in the city and suburbs of London. He had, indeed, the social cosmopolitanism which made him dissociate himself from small literary coteries and gain a practical knowledge of publicly-minded men. But one cannot fail to see that his long experience of lecturing, debating, setting up arguments, and parrying verbal attacks—which made him the best debater in England, and turned him, as Dr. Henderson has suggested, from a doctrinaire into a "practical opportunist"—served not only to endow him with his consistency as a thinker and his excellence in expounding ideas, but also confirmed him in his defects as a humanist. His continual intercourse with the innumerable fixed ideas of societies and committees, his debater's habit of attacking whatever fixed idea he encounters, have had the effect of organising his own mind along the lines of such fixed ideas, theses, positions and oppositions as could be defended or countered by hisboundless resource in argument, wit, and raillery; and it followed that his interpretation of life was likely to resolve itself into the debater's generalisations, the partialities and half-truths which ignore what is individual, personal, intimate, and finest—for the finest things in life are those which cannot be generalised, which are individual and unique, which admit of being stated but not argued. It follows also that his strength is in attack and in destructive criticism. The only important positive ideas for which he stands are the Supermannish idea of the duty of every man to be himself to the utmost, and a generous democratic idea of freedom, in accordance with which every self-respecting man and woman should be given the opportunity to work out his or her own destiny fully, unhampered by the tyrannies of caste, prestige, sentimental traditions, false codes, and effete moral obligations.
But these ideas are of very considerable magnitude. They are capable of almost infinite extension and application to life. And it should be observed that, though Mr. Shaw thinks mainly about obvious "public questions"—politics, the professions, the institution of marriage, patriotism, public oratory, public health, etc., he has nothing in common with the unimaginative public man who merely criticises proposals and policies. He is always interested in the state of mind which produces proposals and policies. When he pleads for the abolition of the Dramatic Censorship before a Royal Commission, he gives us not only the most effective practical exposure of the Censorship that has ever been written, butalso a far-reaching philosophical analysis of liberty as freedom to express and propagate ideas. "My reputation has been gained by my persistent struggle to force the public to reconsider its morals," he says in theRejected Statement, the presentation of which to the Royal Commission affords one of those delightful true stories that only a Shaw can make so damaging. "I write plays with the deliberate object of converting the nation to my opinion in these matters." That he has to a large extent already converted the intellectuals—whether by his plays or by other means—is beyond question. Many of the most powerful writers of the last ten years have concentrated their efforts on exposing the tyranny of the established idea and the established moral code. Such diverse writers as Mr. Wells, Mr. Galsworthy, Mr. Granville Barker, Mr. Cunninghame-Graham, Mr. Belloc, and Mr. Chesterton have written books the motives of which have been satire, divine anger,sæva indignatio, directed against the established moral codes or intellectual habits of the time. Mr. Shaw, who originally followed the obscure Samuel Butler, showed the way for the others. His method was, and is, to combine argument with the more telling weapon of ridicule. In his Preface toBlanco Posnethe exposes and ridicules the Dramatic Censorship, just as inGetting Marriedhe exposes and ridicules the popular conception of happy domestic life, and in like manner inThe Doctor's Dilemmathe superstition that the faculty of medicine is infallible.
The picture of concerted professional fraud given us inThe Doctor's Dilemmais not too exaggeratedfor the purposes of a debating argument; but in his long essay on the subject he gives a far more reasonable statement of the case. He does not treat the doctor as a murderer, or a pickpocket, or a human vulture, or even a cold-blooded cynic; he explains what is likely to happen to the ordinary, moderately decent, normal man, without any special moral or intellectual equipment, who becomes a doctor. "As to the honour and conscience of doctors, they have as much as any other class of men, no more and no less. And what other men," he adds characteristically, "dare pretend to be impartial where they have a strong pecuniary interest on one side?" He analyses the psychology of the practitioner and the specialist. He shows how much guesswork there must be where even the most distinguished differ; in what manner we are all handed over, bound, to the tender mercies of the men who are often poor, overworked, unscientific, and, if they are specialists, prejudiced by exclusive study of one disease. What he says about the surgeon and the specialist is nearer to the truth than what he says about the general practitioner. Long experience of all sorts of illnesses is more valuable for the curing of simple diseases than much so-called "scientific knowledge;" and, as it happens, the life of the general practitioner who comes into sympathetic contact with so many men and women of different types is one which does promote certain healthy cynicisms and human decencies singularly lacking in the specialist on the one side and the routine-driven hospital nurse on the other. But there we have the individualequation. Mr. Shaw is good at considering general cases; he is never, in his writing, much concerned about individuals.
The essay which precededGetting Marriedis stronger in its attack than in its reconstructive proposals; and the essay is better than the play, because Mr. Shaw can present arguments more effectively than persons, and arguments are more suited to essays than to plays. It is interesting to find him confessing that "young women come to me and ask me whether they ought to consent to marry the man they have decided to live with." Mr. Shaw, of course, urges them "on no account to compromise themselves without the security of an authentic wedding-ring." He should not have been surprised. He, if anyone, should have known that if you attack an existing morality, the public will inevitably think you are advocating the corresponding "immorality" as popularly understood; and one suspects that Mr. Shaw has, from this natural misunderstanding, more to answer for than he himself dreams of. When he calls himself "an immoralist," he means that he is the true moralist; that he is going to substitute for a decayed, outworn, conventional, and stupid morality, a morality based upon a rational human principle—a morality that will make society better and more tolerable. In this particular essay he asks us to get rid of the idea that the family,as at present constituted, is the highest form of human co-partnership. "The people who talk and write as if the highest attainable state is that of a family stewing in love continuously from the cradle to the grave canhardly have given five minutes' serious consideration to so outrageous a proposition."