The tale of the grasshoppers is naturally suggested by the surrounding scene. They are also the representatives of the Athenians as children of the soil. Under the image of the lively chirruping grasshoppers who inform the Muses in heaven about those who honour them on earth, Plato intends to represent an Athenian audience (tettigessin eoikotes). The story is introduced, apparently, to mark a change of subject, and also, like several other allusions which occur in the course of the Dialogue, in order to preserve the scene in the recollection of the reader.
No one can duly appreciate the dialogues of Plato, especially the Phaedrus, Symposium, and portions of the Republic, who has not a sympathy with mysticism. To the uninitiated, as he would himself have acknowledged, they will appear to be the dreams of a poet who is disguised as a philosopher. There is a twofold difficulty in apprehending this aspect of the Platonic writings. First, we do not immediately realize that under the marble exterior of Greek literature was concealed a soul thrilling with spiritual emotion. Secondly, the forms or figures which the Platonic philosophy assumes, are not like the images of the prophet Isaiah, or of the Apocalypse, familiar to us in the days of our youth. By mysticism we mean, not the extravagance of an erring fancy, but the concentration of reason in feeling, the enthusiastic love of the good, the true, the one, the sense of the infinity of knowledge and of the marvel of the human faculties. When feeding upon such thoughts the 'wing of the soul' is renewed and gains strength; she is raised above 'the manikins of earth' and their opinions, waiting in wonder to know, and working with reverence to find out what God in this or in another life may reveal to her.
ON THE DECLINE OF GREEK LITERATURE.
One of the main purposes of Plato in the Phaedrus is to satirize Rhetoric, or rather the Professors of Rhetoric who swarmed at Athens in the fourth century before Christ. As in the opening of the Dialogue he ridicules the interpreters of mythology; as in the Protagoras he mocks at the Sophists; as in the Euthydemus he makes fun of the word-splitting Eristics; as in the Cratylus he ridicules the fancies of Etymologers; as in the Meno and Gorgias and some other dialogues he makes reflections and casts sly imputation upon the higher classes at Athens; so in the Phaedrus, chiefly in the latter part, he aims his shafts at the rhetoricians. The profession of rhetoric was the greatest and most popular in Athens, necessary 'to a man's salvation,' or at any rate to his attainment of wealth or power; but Plato finds nothing wholesome or genuine in the purpose of it. It is a veritable 'sham,' having no relation to fact, or to truth of any kind. It is antipathetic to him not only as a philosopher, but also as a great writer. He cannot abide the tricks of the rhetoricians, or the pedantries and mannerisms which they introduce into speech and writing. He sees clearly how far removed they are from the ways of simplicity and truth, and how ignorant of the very elements of the art which they are professing to teach. The thing which is most necessary of all, the knowledge of human nature, is hardly if at all considered by them. The true rules of composition, which are very few, are not to be found in their voluminous systems. Their pretentiousness, their omniscience, their large fortunes, their impatience of argument, their indifference to first principles, their stupidity, their progresses through Hellas accompanied by a troop of their disciples—these things were very distasteful to Plato, who esteemed genius far above art, and was quite sensible of the interval which separated them (Phaedrus). It is the interval which separates Sophists and rhetoricians from ancient famous men and women such as Homer and Hesiod, Anacreon and Sappho, Aeschylus and Sophocles; and the Platonic Socrates is afraid that, if he approves the former, he will be disowned by the latter. The spirit of rhetoric was soon to overspread all Hellas; and Plato with prophetic insight may have seen, from afar, the great literary waste or dead level, or interminable marsh, in which Greek literature was soon to disappear. A similar vision of the decline of the Greek drama and of the contrast of the old literature and the new was present to the mind of Aristophanes after the death of the three great tragedians (Frogs). After about a hundred, or at most two hundred years if we exclude Homer, the genius of Hellas had ceased to flower or blossom. The dreary waste which follows, beginning with the Alexandrian writers and even before them in the platitudes of Isocrates and his school, spreads over much more than a thousand years. And from this decline the Greek language and literature, unlike the Latin, which has come to life in new forms and been developed into the great European languages, never recovered.
This monotony of literature, without merit, without genius and without character, is a phenomenon which deserves more attention than it has hitherto received; it is a phenomenon unique in the literary history of the world. How could there have been so much cultivation, so much diligence in writing, and so little mind or real creative power? Why did a thousand years invent nothing better than Sibylline books, Orphic poems, Byzantine imitations of classical histories, Christian reproductions of Greek plays, novels like the silly and obscene romances of Longus and Heliodorus, innumerable forged epistles, a great many epigrams, biographies of the meanest and most meagre description, a sham philosophy which was the bastard progeny of the union between Hellas and the East? Only in Plutarch, in Lucian, in Longinus, in the Roman emperors Marcus Aurelius and Julian, in some of the Christian fathers are there any traces of good sense or originality, or any power of arousing the interest of later ages. And when new books ceased to be written, why did hosts of grammarians and interpreters flock in, who never attain to any sound notion either of grammar or interpretation? Why did the physical sciences never arrive at any true knowledge or make any real progress? Why did poetry droop and languish? Why did history degenerate into fable? Why did words lose their power of expression? Why were ages of external greatness and magnificence attended by all the signs of decay in the human mind which are possible?
To these questions many answers may be given, which if not the true causes, are at least to be reckoned among the symptoms of the decline. There is the want of method in physical science, the want of criticism in history, the want of simplicity or delicacy in poetry, the want of political freedom, which is the true atmosphere of public speaking, in oratory. The ways of life were luxurious and commonplace. Philosophy had become extravagant, eclectic, abstract, devoid of any real content. At length it ceased to exist. It had spread words like plaster over the whole field of knowledge. It had grown ascetic on one side, mystical on the other. Neither of these tendencies was favourable to literature. There was no sense of beauty either in language or in art. The Greek world became vacant, barbaric, oriental. No one had anything new to say, or any conviction of truth. The age had no remembrance of the past, no power of understanding what other ages thought and felt. The Catholic faith had degenerated into dogma and controversy. For more than a thousand years not a single writer of first-rate, or even of second-rate, reputation has a place in the innumerable rolls of Greek literature.
If we seek to go deeper, we can still only describe the outward nature of the clouds or darkness which were spread over the heavens during so many ages without relief or light. We may say that this, like several other long periods in the history of the human race, was destitute, or deprived of the moral qualities which are the root of literary excellence. It had no life or aspiration, no national or political force, no desire for consistency, no love of knowledge for its own sake. It did not attempt to pierce the mists which surrounded it. It did not propose to itself to go forward and scale the heights of knowledge, but to go backwards and seek at the beginning what can only be found towards the end. It was lost in doubt and ignorance. It rested upon tradition and authority. It had none of the higher play of fancy which creates poetry; and where there is no true poetry, neither can there be any good prose. It had no great characters, and therefore it had no great writers. It was incapable of distinguishing between words and things. It was so hopelessly below the ancient standard of classical Greek art and literature that it had no power of understanding or of valuing them. It is doubtful whether any Greek author was justly appreciated in antiquity except by his own contemporaries; and this neglect of the great authors of the past led to the disappearance of the larger part of them, while the Greek fathers were mostly preserved. There is no reason to suppose that, in the century before the taking of Constantinople, much more was in existence than the scholars of the Renaissance carried away with them to Italy.
The character of Greek literature sank lower as time went on. It consisted more and more of compilations, of scholia, of extracts, of commentaries, forgeries, imitations. The commentator or interpreter had no conception of his author as a whole, and very little of the context of any passage which he was explaining. The least things were preferred by him to the greatest. The question of a reading, or a grammatical form, or an accent, or the uses of a word, took the place of the aim or subject of the book. He had no sense of the beauties of an author, and very little light is thrown by him on real difficulties. He interprets past ages by his own. The greatest classical writers are the least appreciated by him. This seems to be the reason why so many of them have perished, why the lyric poets have almost wholly disappeared; why, out of the eighty or ninety tragedies of Aeschylus and Sophocles, only seven of each had been preserved.
Such an age of sciolism and scholasticism may possibly once more get the better of the literary world. There are those who prophesy that the signs of such a day are again appearing among us, and that at the end of the present century no writer of the first class will be still alive. They think that the Muse of Literature may transfer herself to other countries less dried up or worn out than our own. They seem to see the withering effect of criticism on original genius. No one can doubt that such a decay or decline of literature and of art seriously affects the manners and character of a nation. It takes away half the joys and refinements of life; it increases its dulness and grossness. Hence it becomes a matter of great interest to consider how, if at all, such a degeneracy may be averted. Is there any elixir which can restore life and youth to the literature of a nation, or at any rate which can prevent it becoming unmanned and enfeebled?
First there is the progress of education. It is possible, and even probable, that the extension of the means of knowledge over a wider area and to persons living under new conditions may lead to many new combinations of thought and language. But, as yet, experience does not favour the realization of such a hope or promise. It may be truly answered that at present the training of teachers and the methods of education are very imperfect, and therefore that we cannot judge of the future by the present. When more of our youth are trained in the best literatures, and in the best parts of them, their minds may be expected to have a larger growth. They will have more interests, more thoughts, more material for conversation; they will have a higher standard and begin to think for themselves. The number of persons who will have the opportunity of receiving the highest education through the cheap press, and by the help of high schools and colleges, may increase tenfold. It is likely that in every thousand persons there is at least one who is far above the average in natural capacity, but the seed which is in him dies for want of cultivation. It has never had any stimulus to grow, or any field in which to blossom and produce fruit. Here is a great reservoir or treasure-house of human intelligence out of which new waters may flow and cover the earth. If at any time the great men of the world should die out, and originality or genius appear to suffer a partial eclipse, there is a boundless hope in the multitude of intelligences for future generations. They may bring gifts to men such as the world has never received before. They may begin at a higher point and yet take with them all the results of the past. The co-operation of many may have effects not less striking, though different in character from those which the creative genius of a single man, such as Bacon or Newton, formerly produced. There is also great hope to be derived, not merely from the extension of education over a wider area, but from the continuance of it during many generations. Educated parents will have children fit to receive education; and these again will grow up under circumstances far more favourable to the growth of intelligence than any which have hitherto existed in our own or in former ages.
Even if we were to suppose no more men of genius to be produced, the great writers of ancient or of modern times will remain to furnish abundant materials of education to the coming generation. Now that every nation holds communication with every other, we may truly say in a fuller sense than formerly that 'the thoughts of men are widened with the process of the suns.' They will not be 'cribbed, cabined, and confined' within a province or an island. The East will provide elements of culture to the West as well as the West to the East. The religions and literatures of the world will be open books, which he who wills may read. The human race may not be always ground down by bodily toil, but may have greater leisure for the improvement of the mind. The increasing sense of the greatness and infinity of nature will tend to awaken in men larger and more liberal thoughts. The love of mankind may be the source of a greater development of literature than nationality has ever been. There may be a greater freedom from prejudice and party; we may better understand the whereabouts of truth, and therefore there may be more success and fewer failures in the search for it. Lastly, in the coming ages we shall carry with us the recollection of the past, in which are necessarily contained many seeds of revival and renaissance in the future. So far is the world from becoming exhausted, so groundless is the fear that literature will ever die out.
PERSONS OF THE DIALOGUE: Socrates, Phaedrus.
SCENE: Under a plane-tree, by the banks of the Ilissus.
SOCRATES: My dear Phaedrus, whence come you, and whither are you going?
PHAEDRUS: I come from Lysias the son of Cephalus, and I am going to take a walk outside the wall, for I have been sitting with him the whole morning; and our common friend Acumenus tells me that it is much more refreshing to walk in the open air than to be shut up in a cloister.
SOCRATES: There he is right. Lysias then, I suppose, was in the town?
PHAEDRUS: Yes, he was staying with Epicrates, here at the house of Morychus; that house which is near the temple of Olympian Zeus.
SOCRATES: And how did he entertain you? Can I be wrong in supposing that Lysias gave you a feast of discourse?
PHAEDRUS: You shall hear, if you can spare time to accompany me.
SOCRATES: And should I not deem the conversation of you and Lysias 'a thing of higher import,' as I may say in the words of Pindar, 'than any business'?
PHAEDRUS: Will you go on?
SOCRATES: And will you go on with the narration?
PHAEDRUS: My tale, Socrates, is one of your sort, for love was the theme which occupied us—love after a fashion: Lysias has been writing about a fair youth who was being tempted, but not by a lover; and this was the point: he ingeniously proved that the non-lover should be accepted rather than the lover.
SOCRATES: O that is noble of him! I wish that he would say the poor man rather than the rich, and the old man rather than the young one;—then he would meet the case of me and of many a man; his words would be quite refreshing, and he would be a public benefactor. For my part, I do so long to hear his speech, that if you walk all the way to Megara, and when you have reached the wall come back, as Herodicus recommends, without going in, I will keep you company.
PHAEDRUS: What do you mean, my good Socrates? How can you imagine that my unpractised memory can do justice to an elaborate work, which the greatest rhetorician of the age spent a long time in composing. Indeed, I cannot; I would give a great deal if I could.
SOCRATES: I believe that I know Phaedrus about as well as I know myself, and I am very sure that the speech of Lysias was repeated to him, not once only, but again and again;—he insisted on hearing it many times over and Lysias was very willing to gratify him; at last, when nothing else would do, he got hold of the book, and looked at what he most wanted to see,—this occupied him during the whole morning;—and then when he was tired with sitting, he went out to take a walk, not until, by the dog, as I believe, he had simply learned by heart the entire discourse, unless it was unusually long, and he went to a place outside the wall that he might practise his lesson. There he saw a certain lover of discourse who had a similar weakness;—he saw and rejoiced; now thought he, 'I shall have a partner in my revels.' And he invited him to come and walk with him. But when the lover of discourse begged that he would repeat the tale, he gave himself airs and said, 'No I cannot,' as if he were indisposed; although, if the hearer had refused, he would sooner or later have been compelled by him to listen whether he would or no. Therefore, Phaedrus, bid him do at once what he will soon do whether bidden or not.
PHAEDRUS: I see that you will not let me off until I speak in some fashion or other; verily therefore my best plan is to speak as I best can.
SOCRATES: A very true remark, that of yours.
PHAEDRUS: I will do as I say; but believe me, Socrates, I did not learn the very words—O no; nevertheless I have a general notion of what he said, and will give you a summary of the points in which the lover differed from the non-lover. Let me begin at the beginning.
SOCRATES: Yes, my sweet one; but you must first of all show what you have in your left hand under your cloak, for that roll, as I suspect, is the actual discourse. Now, much as I love you, I would not have you suppose that I am going to have your memory exercised at my expense, if you have Lysias himself here.
PHAEDRUS: Enough; I see that I have no hope of practising my art upon you. But if I am to read, where would you please to sit?
SOCRATES: Let us turn aside and go by the Ilissus; we will sit down at some quiet spot.
PHAEDRUS: I am fortunate in not having my sandals, and as you never have any, I think that we may go along the brook and cool our feet in the water; this will be the easiest way, and at midday and in the summer is far from being unpleasant.
SOCRATES: Lead on, and look out for a place in which we can sit down.
PHAEDRUS: Do you see the tallest plane-tree in the distance?
SOCRATES: Yes.
PHAEDRUS: There are shade and gentle breezes, and grass on which we may either sit or lie down.
SOCRATES: Move forward.
PHAEDRUS: I should like to know, Socrates, whether the place is not somewhere here at which Boreas is said to have carried off Orithyia from the banks of the Ilissus?
SOCRATES: Such is the tradition.
PHAEDRUS: And is this the exact spot? The little stream is delightfully clear and bright; I can fancy that there might be maidens playing near.
SOCRATES: I believe that the spot is not exactly here, but about a quarter of a mile lower down, where you cross to the temple of Artemis, and there is, I think, some sort of an altar of Boreas at the place.
PHAEDRUS: I have never noticed it; but I beseech you to tell me, Socrates, do you believe this tale?
SOCRATES: The wise are doubtful, and I should not be singular if, like them, I too doubted. I might have a rational explanation that Orithyia was playing with Pharmacia, when a northern gust carried her over the neighbouring rocks; and this being the manner of her death, she was said to have been carried away by Boreas. There is a discrepancy, however, about the locality; according to another version of the story she was taken from Areopagus, and not from this place. Now I quite acknowledge that these allegories are very nice, but he is not to be envied who has to invent them; much labour and ingenuity will be required of him; and when he has once begun, he must go on and rehabilitate Hippocentaurs and chimeras dire. Gorgons and winged steeds flow in apace, and numberless other inconceivable and portentous natures. And if he is sceptical about them, and would fain reduce them one after another to the rules of probability, this sort of crude philosophy will take up a great deal of time. Now I have no leisure for such enquiries; shall I tell you why? I must first know myself, as the Delphian inscription says; to be curious about that which is not my concern, while I am still in ignorance of my own self, would be ridiculous. And therefore I bid farewell to all this; the common opinion is enough for me. For, as I was saying, I want to know not about this, but about myself: am I a monster more complicated and swollen with passion than the serpent Typho, or a creature of a gentler and simpler sort, to whom Nature has given a diviner and lowlier destiny? But let me ask you, friend: have we not reached the plane-tree to which you were conducting us?
PHAEDRUS: Yes, this is the tree.
SOCRATES: By Here, a fair resting-place, full of summer sounds and scents. Here is this lofty and spreading plane-tree, and the agnus castus high and clustering, in the fullest blossom and the greatest fragrance; and the stream which flows beneath the plane-tree is deliciously cold to the feet. Judging from the ornaments and images, this must be a spot sacred to Achelous and the Nymphs. How delightful is the breeze:—so very sweet; and there is a sound in the air shrill and summerlike which makes answer to the chorus of the cicadae. But the greatest charm of all is the grass, like a pillow gently sloping to the head. My dear Phaedrus, you have been an admirable guide.
PHAEDRUS: What an incomprehensible being you are, Socrates: when you are in the country, as you say, you really are like some stranger who is led about by a guide. Do you ever cross the border? I rather think that you never venture even outside the gates.
SOCRATES: Very true, my good friend; and I hope that you will excuse me when you hear the reason, which is, that I am a lover of knowledge, and the men who dwell in the city are my teachers, and not the trees or the country. Though I do indeed believe that you have found a spell with which to draw me out of the city into the country, like a hungry cow before whom a bough or a bunch of fruit is waved. For only hold up before me in like manner a book, and you may lead me all round Attica, and over the wide world. And now having arrived, I intend to lie down, and do you choose any posture in which you can read best. Begin.
PHAEDRUS: Listen. You know how matters stand with me; and how, as I conceive, this affair may be arranged for the advantage of both of us. And I maintain that I ought not to fail in my suit, because I am not your lover: for lovers repent of the kindnesses which they have shown when their passion ceases, but to the non-lovers who are free and not under any compulsion, no time of repentance ever comes; for they confer their benefits according to the measure of their ability, in the way which is most conducive to their own interest. Then again, lovers consider how by reason of their love they have neglected their own concerns and rendered service to others: and when to these benefits conferred they add on the troubles which they have endured, they think that they have long ago made to the beloved a very ample return. But the non-lover has no such tormenting recollections; he has never neglected his affairs or quarrelled with his relations; he has no troubles to add up or excuses to invent; and being well rid of all these evils, why should he not freely do what will gratify the beloved? If you say that the lover is more to be esteemed, because his love is thought to be greater; for he is willing to say and do what is hateful to other men, in order to please his beloved;—that, if true, is only a proof that he will prefer any future love to his present, and will injure his old love at the pleasure of the new. And how, in a matter of such infinite importance, can a man be right in trusting himself to one who is afflicted with a malady which no experienced person would attempt to cure, for the patient himself admits that he is not in his right mind, and acknowledges that he is wrong in his mind, but says that he is unable to control himself? And if he came to his right mind, would he ever imagine that the desires were good which he conceived when in his wrong mind? Once more, there are many more non-lovers than lovers; and if you choose the best of the lovers, you will not have many to choose from; but if from the non-lovers, the choice will be larger, and you will be far more likely to find among them a person who is worthy of your friendship. If public opinion be your dread, and you would avoid reproach, in all probability the lover, who is always thinking that other men are as emulous of him as he is of them, will boast to some one of his successes, and make a show of them openly in the pride of his heart;—he wants others to know that his labour has not been lost; but the non-lover is more his own master, and is desirous of solid good, and not of the opinion of mankind. Again, the lover may be generally noted or seen following the beloved (this is his regular occupation), and whenever they are observed to exchange two words they are supposed to meet about some affair of love either past or in contemplation; but when non-lovers meet, no one asks the reason why, because people know that talking to another is natural, whether friendship or mere pleasure be the motive. Once more, if you fear the fickleness of friendship, consider that in any other case a quarrel might be a mutual calamity; but now, when you have given up what is most precious to you, you will be the greater loser, and therefore, you will have more reason in being afraid of the lover, for his vexations are many, and he is always fancying that every one is leagued against him. Wherefore also he debars his beloved from society; he will not have you intimate with the wealthy, lest they should exceed him in wealth, or with men of education, lest they should be his superiors in understanding; and he is equally afraid of anybody's influence who has any other advantage over himself. If he can persuade you to break with them, you are left without a friend in the world; or if, out of a regard to your own interest, you have more sense than to comply with his desire, you will have to quarrel with him. But those who are non-lovers, and whose success in love is the reward of their merit, will not be jealous of the companions of their beloved, and will rather hate those who refuse to be his associates, thinking that their favourite is slighted by the latter and benefited by the former; for more love than hatred may be expected to come to him out of his friendship with others. Many lovers too have loved the person of a youth before they knew his character or his belongings; so that when their passion has passed away, there is no knowing whether they will continue to be his friends; whereas, in the case of non-lovers who were always friends, the friendship is not lessened by the favours granted; but the recollection of these remains with them, and is an earnest of good things to come.
Further, I say that you are likely to be improved by me, whereas the lover will spoil you. For they praise your words and actions in a wrong way; partly, because they are afraid of offending you, and also, their judgment is weakened by passion. Such are the feats which love exhibits; he makes things painful to the disappointed which give no pain to others; he compels the successful lover to praise what ought not to give him pleasure, and therefore the beloved is to be pitied rather than envied. But if you listen to me, in the first place, I, in my intercourse with you, shall not merely regard present enjoyment, but also future advantage, being not mastered by love, but my own master; nor for small causes taking violent dislikes, but even when the cause is great, slowly laying up little wrath—unintentional offences I shall forgive, and intentional ones I shall try to prevent; and these are the marks of a friendship which will last.
Do you think that a lover only can be a firm friend? reflect:—if this were true, we should set small value on sons, or fathers, or mothers; nor should we ever have loyal friends, for our love of them arises not from passion, but from other associations. Further, if we ought to shower favours on those who are the most eager suitors,—on that principle, we ought always to do good, not to the most virtuous, but to the most needy; for they are the persons who will be most relieved, and will therefore be the most grateful; and when you make a feast you should invite not your friend, but the beggar and the empty soul; for they will love you, and attend you, and come about your doors, and will be the best pleased, and the most grateful, and will invoke many a blessing on your head. Yet surely you ought not to be granting favours to those who besiege you with prayer, but to those who are best able to reward you; nor to the lover only, but to those who are worthy of love; nor to those who will enjoy the bloom of your youth, but to those who will share their possessions with you in age; nor to those who, having succeeded, will glory in their success to others, but to those who will be modest and tell no tales; nor to those who care about you for a moment only, but to those who will continue your friends through life; nor to those who, when their passion is over, will pick a quarrel with you, but rather to those who, when the charm of youth has left you, will show their own virtue. Remember what I have said; and consider yet this further point: friends admonish the lover under the idea that his way of life is bad, but no one of his kindred ever yet censured the non-lover, or thought that he was ill-advised about his own interests.
'Perhaps you will ask me whether I propose that you should indulge every non-lover. To which I reply that not even the lover would advise you to indulge all lovers, for the indiscriminate favour is less esteemed by the rational recipient, and less easily hidden by him who would escape the censure of the world. Now love ought to be for the advantage of both parties, and for the injury of neither.
'I believe that I have said enough; but if there is anything more which you desire or which in your opinion needs to be supplied, ask and I will answer.'
Now, Socrates, what do you think? Is not the discourse excellent, more especially in the matter of the language?
SOCRATES: Yes, quite admirable; the effect on me was ravishing. And this I owe to you, Phaedrus, for I observed you while reading to be in an ecstasy, and thinking that you are more experienced in these matters than I am, I followed your example, and, like you, my divine darling, I became inspired with a phrenzy.
PHAEDRUS: Indeed, you are pleased to be merry.
SOCRATES: Do you mean that I am not in earnest?
PHAEDRUS: Now don't talk in that way, Socrates, but let me have your real opinion; I adjure you, by Zeus, the god of friendship, to tell me whether you think that any Hellene could have said more or spoken better on the same subject.
SOCRATES: Well, but are you and I expected to praise the sentiments of the author, or only the clearness, and roundness, and finish, and tournure of the language? As to the first I willingly submit to your better judgment, for I am not worthy to form an opinion, having only attended to the rhetorical manner; and I was doubting whether this could have been defended even by Lysias himself; I thought, though I speak under correction, that he repeated himself two or three times, either from want of words or from want of pains; and also, he appeared to me ostentatiously to exult in showing how well he could say the same thing in two or three ways.
PHAEDRUS: Nonsense, Socrates; what you call repetition was the especial merit of the speech; for he omitted no topic of which the subject rightly allowed, and I do not think that any one could have spoken better or more exhaustively.
SOCRATES: There I cannot go along with you. Ancient sages, men and women, who have spoken and written of these things, would rise up in judgment against me, if out of complaisance I assented to you.
PHAEDRUS: Who are they, and where did you hear anything better than this?
SOCRATES: I am sure that I must have heard; but at this moment I do not remember from whom; perhaps from Sappho the fair, or Anacreon the wise; or, possibly, from a prose writer. Why do I say so? Why, because I perceive that my bosom is full, and that I could make another speech as good as that of Lysias, and different. Now I am certain that this is not an invention of my own, who am well aware that I know nothing, and therefore I can only infer that I have been filled through the ears, like a pitcher, from the waters of another, though I have actually forgotten in my stupidity who was my informant.
PHAEDRUS: That is grand:—but never mind where you heard the discourse or from whom; let that be a mystery not to be divulged even at my earnest desire. Only, as you say, promise to make another and better oration, equal in length and entirely new, on the same subject; and I, like the nine Archons, will promise to set up a golden image at Delphi, not only of myself, but of you, and as large as life.
SOCRATES: You are a dear golden ass if you suppose me to mean that Lysias has altogether missed the mark, and that I can make a speech from which all his arguments are to be excluded. The worst of authors will say something which is to the point. Who, for example, could speak on this thesis of yours without praising the discretion of the non-lover and blaming the indiscretion of the lover? These are the commonplaces of the subject which must come in (for what else is there to be said?) and must be allowed and excused; the only merit is in the arrangement of them, for there can be none in the invention; but when you leave the commonplaces, then there may be some originality.
PHAEDRUS: I admit that there is reason in what you say, and I too will be reasonable, and will allow you to start with the premiss that the lover is more disordered in his wits than the non-lover; if in what remains you make a longer and better speech than Lysias, and use other arguments, then I say again, that a statue you shall have of beaten gold, and take your place by the colossal offerings of the Cypselids at Olympia.
SOCRATES: How profoundly in earnest is the lover, because to tease him I lay a finger upon his love! And so, Phaedrus, you really imagine that I am going to improve upon the ingenuity of Lysias?
PHAEDRUS: There I have you as you had me, and you must just speak 'as you best can.' Do not let us exchange 'tu quoque' as in a farce, or compel me to say to you as you said to me, 'I know Socrates as well as I know myself, and he was wanting to speak, but he gave himself airs.' Rather I would have you consider that from this place we stir not until you have unbosomed yourself of the speech; for here are we all alone, and I am stronger, remember, and younger than you:—Wherefore perpend, and do not compel me to use violence.
SOCRATES: But, my sweet Phaedrus, how ridiculous it would be of me to compete with Lysias in an extempore speech! He is a master in his art and I am an untaught man.
PHAEDRUS: You see how matters stand; and therefore let there be no more pretences; for, indeed, I know the word that is irresistible.
SOCRATES: Then don't say it.
PHAEDRUS: Yes, but I will; and my word shall be an oath. 'I say, or rather swear'—but what god will be witness of my oath?—'By this plane-tree I swear, that unless you repeat the discourse here in the face of this very plane-tree, I will never tell you another; never let you have word of another!'
SOCRATES: Villain! I am conquered; the poor lover of discourse has no more to say.
PHAEDRUS: Then why are you still at your tricks?
SOCRATES: I am not going to play tricks now that you have taken the oath, for I cannot allow myself to be starved.
PHAEDRUS: Proceed.
SOCRATES: Shall I tell you what I will do?
PHAEDRUS: What?
SOCRATES: I will veil my face and gallop through the discourse as fast as I can, for if I see you I shall feel ashamed and not know what to say.
PHAEDRUS: Only go on and you may do anything else which you please.
SOCRATES: Come, O ye Muses, melodious, as ye are called, whether you have received this name from the character of your strains, or because the Melians are a musical race, help, O help me in the tale which my good friend here desires me to rehearse, in order that his friend whom he always deemed wise may seem to him to be wiser than ever.
Once upon a time there was a fair boy, or, more properly speaking, a youth; he was very fair and had a great many lovers; and there was one special cunning one, who had persuaded the youth that he did not love him, but he really loved him all the same; and one day when he was paying his addresses to him, he used this very argument—that he ought to accept the non-lover rather than the lover; his words were as follows:—
'All good counsel begins in the same way; a man should know what he is advising about, or his counsel will all come to nought. But people imagine that they know about the nature of things, when they don't know about them, and, not having come to an understanding at first because they think that they know, they end, as might be expected, in contradicting one another and themselves. Now you and I must not be guilty of this fundamental error which we condemn in others; but as our question is whether the lover or non-lover is to be preferred, let us first of all agree in defining the nature and power of love, and then, keeping our eyes upon the definition and to this appealing, let us further enquire whether love brings advantage or disadvantage.
'Every one sees that love is a desire, and we know also that non-lovers desire the beautiful and good. Now in what way is the lover to be distinguished from the non-lover? Let us note that in every one of us there are two guiding and ruling principles which lead us whither they will; one is the natural desire of pleasure, the other is an acquired opinion which aspires after the best; and these two are sometimes in harmony and then again at war, and sometimes the one, sometimes the other conquers. When opinion by the help of reason leads us to the best, the conquering principle is called temperance; but when desire, which is devoid of reason, rules in us and drags us to pleasure, that power of misrule is called excess. Now excess has many names, and many members, and many forms, and any of these forms when very marked gives a name, neither honourable nor creditable, to the bearer of the name. The desire of eating, for example, which gets the better of the higher reason and the other desires, is called gluttony, and he who is possessed by it is called a glutton; the tyrannical desire of drink, which inclines the possessor of the desire to drink, has a name which is only too obvious, and there can be as little doubt by what name any other appetite of the same family would be called;—it will be the name of that which happens to be dominant. And now I think that you will perceive the drift of my discourse; but as every spoken word is in a manner plainer than the unspoken, I had better say further that the irrational desire which overcomes the tendency of opinion towards right, and is led away to the enjoyment of beauty, and especially of personal beauty, by the desires which are her own kindred—that supreme desire, I say, which by leading conquers and by the force of passion is reinforced, from this very force, receiving a name, is called love (erromenos eros).'
And now, dear Phaedrus, I shall pause for an instant to ask whether you do not think me, as I appear to myself, inspired?
PHAEDRUS: Yes, Socrates, you seem to have a very unusual flow of words.
SOCRATES: Listen to me, then, in silence; for surely the place is holy; so that you must not wonder, if, as I proceed, I appear to be in a divine fury, for already I am getting into dithyrambics.
PHAEDRUS: Nothing can be truer.
SOCRATES: The responsibility rests with you. But hear what follows, and perhaps the fit may be averted; all is in their hands above. I will go on talking to my youth. Listen:—
Thus, my friend, we have declared and defined the nature of the subject. Keeping the definition in view, let us now enquire what advantage or disadvantage is likely to ensue from the lover or the non-lover to him who accepts their advances.
He who is the victim of his passions and the slave of pleasure will of course desire to make his beloved as agreeable to himself as possible. Now to him who has a mind diseased anything is agreeable which is not opposed to him, but that which is equal or superior is hateful to him, and therefore the lover will not brook any superiority or equality on the part of his beloved; he is always employed in reducing him to inferiority. And the ignorant is the inferior of the wise, the coward of the brave, the slow of speech of the speaker, the dull of the clever. These, and not these only, are the mental defects of the beloved;—defects which, when implanted by nature, are necessarily a delight to the lover, and when not implanted, he must contrive to implant them in him, if he would not be deprived of his fleeting joy. And therefore he cannot help being jealous, and will debar his beloved from the advantages of society which would make a man of him, and especially from that society which would have given him wisdom, and thereby he cannot fail to do him great harm. That is to say, in his excessive fear lest he should come to be despised in his eyes he will be compelled to banish from him divine philosophy; and there is no greater injury which he can inflict upon him than this. He will contrive that his beloved shall be wholly ignorant, and in everything shall look to him; he is to be the delight of the lover's heart, and a curse to himself. Verily, a lover is a profitable guardian and associate for him in all that relates to his mind.
Let us next see how his master, whose law of life is pleasure and not good, will keep and train the body of his servant. Will he not choose a beloved who is delicate rather than sturdy and strong? One brought up in shady bowers and not in the bright sun, a stranger to manly exercises and the sweat of toil, accustomed only to a soft and luxurious diet, instead of the hues of health having the colours of paint and ornament, and the rest of a piece?—such a life as any one can imagine and which I need not detail at length. But I may sum up all that I have to say in a word, and pass on. Such a person in war, or in any of the great crises of life, will be the anxiety of his friends and also of his lover, and certainly not the terror of his enemies; which nobody can deny.
And now let us tell what advantage or disadvantage the beloved will receive from the guardianship and society of his lover in the matter of his property; this is the next point to be considered. The lover will be the first to see what, indeed, will be sufficiently evident to all men, that he desires above all things to deprive his beloved of his dearest and best and holiest possessions, father, mother, kindred, friends, of all whom he thinks may be hinderers or reprovers of their most sweet converse; he will even cast a jealous eye upon his gold and silver or other property, because these make him a less easy prey, and when caught less manageable; hence he is of necessity displeased at his possession of them and rejoices at their loss; and he would like him to be wifeless, childless, homeless, as well; and the longer the better, for the longer he is all this, the longer he will enjoy him.
There are some sort of animals, such as flatterers, who are dangerous and mischievous enough, and yet nature has mingled a temporary pleasure and grace in their composition. You may say that a courtesan is hurtful, and disapprove of such creatures and their practices, and yet for the time they are very pleasant. But the lover is not only hurtful to his love; he is also an extremely disagreeable companion. The old proverb says that 'birds of a feather flock together'; I suppose that equality of years inclines them to the same pleasures, and similarity begets friendship; yet you may have more than enough even of this; and verily constraint is always said to be grievous. Now the lover is not only unlike his beloved, but he forces himself upon him. For he is old and his love is young, and neither day nor night will he leave him if he can help; necessity and the sting of desire drive him on, and allure him with the pleasure which he receives from seeing, hearing, touching, perceiving him in every way. And therefore he is delighted to fasten upon him and to minister to him. But what pleasure or consolation can the beloved be receiving all this time? Must he not feel the extremity of disgust when he looks at an old shrivelled face and the remainder to match, which even in a description is disagreeable, and quite detestable when he is forced into daily contact with his lover; moreover he is jealously watched and guarded against everything and everybody, and has to hear misplaced and exaggerated praises of himself, and censures equally inappropriate, which are intolerable when the man is sober, and, besides being intolerable, are published all over the world in all their indelicacy and wearisomeness when he is drunk.
And not only while his love continues is he mischievous and unpleasant, but when his love ceases he becomes a perfidious enemy of him on whom he showered his oaths and prayers and promises, and yet could hardly prevail upon him to tolerate the tedium of his company even from motives of interest. The hour of payment arrives, and now he is the servant of another master; instead of love and infatuation, wisdom and temperance are his bosom's lords; but the beloved has not discovered the change which has taken place in him, when he asks for a return and recalls to his recollection former sayings and doings; he believes himself to be speaking to the same person, and the other, not having the courage to confess the truth, and not knowing how to fulfil the oaths and promises which he made when under the dominion of folly, and having now grown wise and temperate, does not want to do as he did or to be as he was before. And so he runs away and is constrained to be a defaulter; the oyster-shell (In allusion to a game in which two parties fled or pursued according as an oyster-shell which was thrown into the air fell with the dark or light side uppermost.) has fallen with the other side uppermost—he changes pursuit into flight, while the other is compelled to follow him with passion and imprecation, not knowing that he ought never from the first to have accepted a demented lover instead of a sensible non-lover; and that in making such a choice he was giving himself up to a faithless, morose, envious, disagreeable being, hurtful to his estate, hurtful to his bodily health, and still more hurtful to the cultivation of his mind, than which there neither is nor ever will be anything more honoured in the eyes both of gods and men. Consider this, fair youth, and know that in the friendship of the lover there is no real kindness; he has an appetite and wants to feed upon you:
'As wolves love lambs so lovers love their loves.'
But I told you so, I am speaking in verse, and therefore I had better make an end; enough.
PHAEDRUS: I thought that you were only half-way and were going to make a similar speech about all the advantages of accepting the non-lover. Why do you not proceed?
SOCRATES: Does not your simplicity observe that I have got out of dithyrambics into heroics, when only uttering a censure on the lover? And if I am to add the praises of the non-lover what will become of me? Do you not perceive that I am already overtaken by the Nymphs to whom you have mischievously exposed me? And therefore I will only add that the non-lover has all the advantages in which the lover is accused of being deficient. And now I will say no more; there has been enough of both of them. Leaving the tale to its fate, I will cross the river and make the best of my way home, lest a worse thing be inflicted upon me by you.
PHAEDRUS: Not yet, Socrates; not until the heat of the day has passed; do you not see that the hour is almost noon? there is the midday sun standing still, as people say, in the meridian. Let us rather stay and talk over what has been said, and then return in the cool.
SOCRATES: Your love of discourse, Phaedrus, is superhuman, simply marvellous, and I do not believe that there is any one of your contemporaries who has either made or in one way or another has compelled others to make an equal number of speeches. I would except Simmias the Theban, but all the rest are far behind you. And now I do verily believe that you have been the cause of another.
PHAEDRUS: That is good news. But what do you mean?
SOCRATES: I mean to say that as I was about to cross the stream the usual sign was given to me,—that sign which always forbids, but never bids, me to do anything which I am going to do; and I thought that I heard a voice saying in my ear that I had been guilty of impiety, and that I must not go away until I had made an atonement. Now I am a diviner, though not a very good one, but I have enough religion for my own use, as you might say of a bad writer—his writing is good enough for him; and I am beginning to see that I was in error. O my friend, how prophetic is the human soul! At the time I had a sort of misgiving, and, like Ibycus, 'I was troubled; I feared that I might be buying honour from men at the price of sinning against the gods.' Now I recognize my error.
PHAEDRUS: What error?
SOCRATES: That was a dreadful speech which you brought with you, and you made me utter one as bad.
PHAEDRUS: How so?
SOCRATES: It was foolish, I say,—to a certain extent, impious; can anything be more dreadful?
PHAEDRUS: Nothing, if the speech was really such as you describe.
SOCRATES: Well, and is not Eros the son of Aphrodite, and a god?
PHAEDRUS: So men say.
SOCRATES: But that was not acknowledged by Lysias in his speech, nor by you in that other speech which you by a charm drew from my lips. For if love be, as he surely is, a divinity, he cannot be evil. Yet this was the error of both the speeches. There was also a simplicity about them which was refreshing; having no truth or honesty in them, nevertheless they pretended to be something, hoping to succeed in deceiving the manikins of earth and gain celebrity among them. Wherefore I must have a purgation. And I bethink me of an ancient purgation of mythological error which was devised, not by Homer, for he never had the wit to discover why he was blind, but by Stesichorus, who was a philosopher and knew the reason why; and therefore, when he lost his eyes, for that was the penalty which was inflicted upon him for reviling the lovely Helen, he at once purged himself. And the purgation was a recantation, which began thus,—