Chapter 58

Do Not Use a Piano Extreme in "Action"Is it not better for a student in the advanced stage of study, who is preparing for concert work, to practise on a piano with a heavy action in order todevelop the finger and hand muscles, and to use an instrument with a light action for obtaining an artistic finish to the lighter passages occurring so often, for instance, in Chopin's music?All extremes are harmful in their effects upon study and practice. A too heavy action stiffens and overtires the fingers, while too light an action tends to impair your control. Try to obtain for your practice a piano the action of which approximates as nearly as possible that of the piano on which you have to play in the concert, in order to avoid unpleasant surprises, such as premature fatigue or a running away of the fingers.

Do Not Use a Piano Extreme in "Action"

Is it not better for a student in the advanced stage of study, who is preparing for concert work, to practise on a piano with a heavy action in order todevelop the finger and hand muscles, and to use an instrument with a light action for obtaining an artistic finish to the lighter passages occurring so often, for instance, in Chopin's music?

All extremes are harmful in their effects upon study and practice. A too heavy action stiffens and overtires the fingers, while too light an action tends to impair your control. Try to obtain for your practice a piano the action of which approximates as nearly as possible that of the piano on which you have to play in the concert, in order to avoid unpleasant surprises, such as premature fatigue or a running away of the fingers.


Back to IndexNext