INTRODUCTORY EPISTLETO MADAME VIRGINIE ANCELOT.

INTRODUCTORY EPISTLETO MADAME VIRGINIE ANCELOT.

I have reread my book, and I tremble in offering it to you; yet who can appreciate it better? You like neither romances nor dramas; my work is neither a romance nor a drama.

The tale which I have related, madam, is simple; so simple, indeed, that perhaps never has pen laboured on a subject more utterly restricted. My heroine is so unimportant! Not that I wish beforehand to throw the fault of failure on her; for if the action of my little history is thus meagre, its principle is lofty, its aim is elevated; and if I fail in attaining my purpose, it will be that my strength is insufficient. Yet I am not careless as to the fate of my labour, for in it are the deepest of my convictions; and believe me that, more from benevolence than vanity, I hope, though the crowd of ordinary readers may pass over my work with carelessness, that still for some it may possess a charm, for others, utility.

Do you find interest in the truth of a story? If so, I offer that to you to compensate for what you may not find in the story itself.

You remember that lovely woman, so lately dead, the Countess de Charney, whose expression, though mournful, seemed already to breathe of Heaven. Her look, so open, so sweet, which seemed to caress while wandering over you, and to make the heart swell as it lingered; from which one turned away only to be drawn again within its enchantment; youhave seen it, at first timid as that of a young girl, suddenly become animated, brilliant, and self-possessed, exhibiting all its native energy, power, and devotion. Such was the woman; a marvellous union of tenderness and courage, of the weakness of sense and the strength of soul.

Such have I known her; such did others know her, long before me, when her soul was excited only by the affections of a daughter and of a wife. You understand the pleasure with which I dwell with you on such a woman; I may not often again have the opportunity. Still, she is not the heroine of my story.

In the only visit which you made her at Belleville, where was the tomb of her husband, and now, alas! her own, you more than once seemed surprised with what you saw. You were struck with an old, white-haired man, who sat next her at table, whose appearance and manners were coarse, even for his class. You saw him speak familiarly with the daughter of the countess, who, beautiful as her mother had been, answered him with kindness, and even with deference, giving him the name of godfather, which, indeed, was the relation he bore to her. Perhaps you have not forgotten a flower, dried and colourless, in a rich case; and, also, that when you asked her concerning it, a saddened look stole over the countenance of the widow, and your questions remained unanswered. This answer you now have before you.

Honoured with the confidence and affection of the countess, more than once, before that simple flower, between her and the venerable man, have I listened to long and touching details. Besides this, I hold the manuscripts of the count, his letters, and his two prison journals.

I have carefully retained in my memory those precious details; I have attentively perused those manuscripts; I have made important extracts from those letters; and in those journals have I found my inspiration. If, then, I succeed in rousing in your soul the feelings which have agitated mine in presence of these relics of the captive, my fears for my little book are vain.

One word. I have given throughout to my hero his title of count, even during a time in which such dignities were obsolete. This is because I have always heard him so called, in French and in Italian; and in my memory his name and his title are inseparably connected.

You now understand me, madam. You will not expect in this book a history of important events, or the vivid details of love. I have spoken of utility; and of what use is a love-story? In that sweet study, practice is worth more than theory, and each one needs his own experience: each one hastens to acquire it, and cares little to seek it already prepared in books. It is useless for old men, moralists by necessity, to cry, “Shun that dangerous rock, where we have once been shipwrecked!” Their children answer them, “You have tempted that sea, and we must tempt it in turn. We claim our right of shipwreck.”

Yet is there in my story something still of love; but, before all, of a man’s love for——shall I tell you? No, read, and you will learn.

X. B. Saintine.


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