PICTORIAL BEAUTYON THE SCREENBYVICTOR OSCAR FREEBURG,Ph.D.AUTHOR OF “THE ART OF PHOTOPLAY MAKING,” AND“DISGUISE PLOTS IN ELIZABETHAN DRAMA.”WITH A PREFATORY NOTEBy Rex IngramNew YorkTHE MACMILLAN COMPANY1923All rights reservedPRINTED IN THE UNITED STATES OF AMERICA.Copyright, 1923,ByTHE MACMILLAN COMPANY.Set up and electrotyped. Published October, 1923.
PICTORIAL BEAUTYON THE SCREENBYVICTOR OSCAR FREEBURG,Ph.D.AUTHOR OF “THE ART OF PHOTOPLAY MAKING,” AND“DISGUISE PLOTS IN ELIZABETHAN DRAMA.”WITH A PREFATORY NOTEBy Rex IngramNew YorkTHE MACMILLAN COMPANY1923All rights reservedPRINTED IN THE UNITED STATES OF AMERICA.Copyright, 1923,ByTHE MACMILLAN COMPANY.Set up and electrotyped. Published October, 1923.
PICTORIAL BEAUTYON THE SCREEN
BYVICTOR OSCAR FREEBURG,Ph.D.AUTHOR OF “THE ART OF PHOTOPLAY MAKING,” AND“DISGUISE PLOTS IN ELIZABETHAN DRAMA.”
WITH A PREFATORY NOTEBy Rex Ingram
New YorkTHE MACMILLAN COMPANY1923All rights reserved
PRINTED IN THE UNITED STATES OF AMERICA.
Copyright, 1923,ByTHE MACMILLAN COMPANY.
Set up and electrotyped. Published October, 1923.
ToJAMES CRUZEBecause the Various Types of Pictorial Beauty Described in this Book May Be Seen Richly Blended with Epic Narrative and Stirring Drama in “The Covered Wagon,” a Cinema Composition That Will Live
ToJAMES CRUZE
Because the Various Types of Pictorial Beauty Described in this Book May Be Seen Richly Blended with Epic Narrative and Stirring Drama in “The Covered Wagon,” a Cinema Composition That Will Live