[pg 15]THE HAMPTON SINGER, By Dorothy Abbott, New York CityTHE HAMPTON SINGERByDorothy Abbott,New York City[pg 16]THE ARCH OF JEWELS, NEW YORK CITY, By William A. Alcock, New York CityTHE ARCH OF JEWELS, NEW YORK CITYByWilliam A. Alcock,New York City[pg 17]WILLOW VALLEY, By Charles K. Archer, Pittsburgh, Pa.WILLOW VALLEYByCharles K. Archer,Pittsburgh, Pa.[pg 18]PRAYERS OF BUDDHA, By F. Bauer, San Francisco, Cal.PRAYERS OF BUDDHAByF. Bauer,San Francisco, Cal.[pg 19]THE SWANS, By Jesse Tarbox Beals, New York CityTHE SWANSByJesse Tarbox Beals,New York City[pg 20]ABOVE THE CLOUDS, By Clark Blickensderfer, Denver, Colo.ABOVE THE CLOUDSByClark Blickensderfer,Denver, Colo.[pg 21]GRAMERCY PARK, By Mary F. Boyd, Chambersburg, Pa.GRAMERCY PARKByMary F. Boyd,Chambersburg, Pa.[pg 22]HILL TOP—WINTER, By George Butler, Worcester, Mass.HILL TOP—WINTERByGeorge Butler,Worcester, Mass.[pg 23]WEISSTHURM—ROTENBURG O. TAUBER, By A. D. Chaffee, New York CityWEISSTHURM—ROTENBURG O. TAUBERByA. D. Chaffee,New York City[pg 24]CABLES, By Arthur D. Chapman, West Hoboken, N.J.CABLESByArthur D. Chapman,West Hoboken, N.J.[pg 25]BOOKPLATE, By Alfred Cohn, Brooklyn, N.Y.BOOKPLATEByAlfred Cohn,Brooklyn, N.Y.[pg 26]THE BUGLE CALL, By Dwight A. Davis, Worcester, Mass.THE BUGLE CALLByDwight A. Davis,Worcester, Mass.[pg 27]THE BRIDGE, By John Paul Edwards, Sacramento, CaliforniaTHE BRIDGEByJohn Paul Edwards,Sacramento, California[pg 28]MY FATHER, By Vernon E. Duroe, Brooklyn, N.Y.MY FATHERByVernon E. Duroe,Brooklyn, N.Y.[pg 29]MAIDS O' THE MIST, By Mr. and Mrs. J. D. Drew, Montclair, N.J.MAIDS O' THE MISTByMr. and Mrs. J. D. Drew,Montclair, N.J.[pg 30]AFTERNOON TEA, By Eleanor C. Erving, Albany, N.Y.AFTERNOON TEAByEleanor C. Erving,Albany, N.Y.[pg 31]SUMMER PORTRAIT, By Laura Gilpin, Colorado Springs, Colo.SUMMER PORTRAITByLaura Gilpin,Colorado Springs, Colo.[pg 32]SUNLIGHT—TAOS, By Forman Hanna, Globe, ArizonaSUNLIGHT—TAOSByForman Hanna,Globe, Arizona[pg 33]DICK'S STALL, By G. W. Harting, New York CityDICK'S STALLByG. W. Harting,New York City[pg 34]BETH-EL, By Edward Heim, New York CityBETH-ELByEdward Heim,New York City[pg 35]THE TOILERS, By Eugene P. Henry, Brooklyn, N.Y.THE TOILERSByEugene P. Henry,Brooklyn, N.Y.[pg 36]ARCHES OF THE MUNICIPAL BUILDING, By Atoinette B. Hervey, New York CityARCHES OF THE MUNICIPAL BUILDINGByAtoinette B. Hervey,New York City[pg 37]MORNING—PLYMOUTH, By Lillian M. Hobart, Northborough, Mass.MORNING—PLYMOUTHByLillian M. Hobart,Northborough, Mass.[pg 38]LAST OF THE SQUARE RIGGERS, By G. Buell and Hebe Hollister, Corning, N.Y.LAST OF THE SQUARE RIGGERSByG. Buell and Hebe Hollister,Corning, N.Y.[pg 39]WAR VETERANS, By Millie Hoops, New York CityWAR VETERANSByMillie Hoops,New York City[pg 40]STILL LIFE, By D. S. Horne, Princeton, N.J.STILL LIFEByD. S. Horne,Princeton, N.J.[pg 41]THE SUNSHINE OF JOHNNIE'S SMILE, By Roberta Hostetler, Davenport, IowaTHE SUNSHINE OF JOHNNIE'S SMILEByRoberta Hostetler,Davenport, Iowa[pg 42]SUN DRYING, By H. A. Hussey, Berkeley, Cal.SUN DRYINGByH. A. Hussey,Berkeley, Cal.[pg 43]PORTRAIT, By Doris U. Jaeger, New York CityPORTRAITByDoris U. Jaeger,New York City[pg 44]THE PIPES OF PAN, By Myers R. Jones, Brooklyn, N.Y.>THE PIPES OF PANByMyers R. Jones,Brooklyn, N.Y.[pg 45]IN AN ITALIAN VILLAGE, By H. A. Latimer, Boston, Mass.IN AN ITALIAN VILLAGEByH. A. Latimer,Boston, Mass.[pg 46]CROW'S NEST RESTAURANT, By Sophie L. Lauffer, Brooklyn, N.Y.CROW'S NEST RESTAURANTBySophie L. Lauffer,Brooklyn, N.Y.[pg 47]THE QUARRY, By GEORGE P. LESTER, Bloomfield, N. J.THE QUARRYByGEORGE P. LESTER,Bloomfield, N. J.[pg 48]DETAIL OF CALIFORNIA BUILDING, By Florence Burton Livingston, Mohegan Lake, N.Y.DETAIL OF CALIFORNIA BUILDINGByFlorence Burton Livingston,Mohegan Lake, N.Y.[pg 49]SUNBEAMS, By Ben J. Lubschez, New York CitySUNBEAMSByBen J. Lubschez,New York City[pg 50]ALONG THE CANAL, By William Elbert Macnaughton, Brooklyn, N.Y.ALONG THE CANALByWilliam Elbert Macnaughton,Brooklyn, N.Y.[pg 51]SPRING, By Holmes I. Mettee, Arlington, Md.SPRINGByHolmes I. Mettee,Arlington, Md.[pg 52]SYMPATHY, By Hervey W. Minns, Kenmore, OhioSYMPATHYByHervey W. Minns,Kenmore, Ohio[pg 53]THE MEADOW, By Robert B. Montgomery, Brooklyn, N.Y.THE MEADOWByRobert B. Montgomery,Brooklyn, N.Y.[pg 54]THE RAILWAY STATION, By Henry Hoyt Moore, Brooklyn, N.Y.THE RAILWAY STATIONByHenry Hoyt Moore,Brooklyn, N.Y.[pg 55]Cultivating, By L. Pokras, Brooklyn, N. Y.CULTIVATINGByL. Pokras,Brooklyn, N. Y.[pg 56]PORTRAIT—MISS F., By Arthur Racicot, Quantico, Va.PORTRAIT—MISS F.ByArthur Racicot,Quantico, Va.[pg 57]TO THE UNKNOWN SHORE, By Lawrence C. Randall, Columbus, OhioTO THE UNKNOWN SHOREByLawrence C. Randall,Columbus, Ohio[pg 58]THE EAST RIVER, By D. J. Ruzicka, New York CityTHE EAST RIVERByD. J. Ruzicka,New York City[pg 59]CLOSING OF AN AUTUMN DAY, By J. G. Sarvent, Kansas City, Mo.CLOSING OF AN AUTUMN DAYByJ. G. Sarvent,Kansas City, Mo.[pg 60]THE VANISHING ROAD, By Otto C. Shulte, San Francisco, Cal.THE VANISHING ROADByOtto C. Shulte,San Francisco, Cal.[pg 61]THE HOUR OF TWILIGHT, By William Gordon Shields, New York CityTHE HOUR OF TWILIGHTByWilliam Gordon Shields,New York City[pg 62]A SONG, By Guy Spencer, New York CityA SONGByGuy Spencer,New York City[pg 63]OPEN-AIR PULPIT, GRACE CHURCH, By Elizabeth G. Stoltz, Marion, OhioOPEN-AIR PULPIT, GRACE CHURCHByElizabeth G. Stoltz,Marion, Ohio[pg 64]L'ENTRE'ACTE, By Mankichi Sugimoto, New York CityL'ENTRE'ACTEByMankichi Sugimoto,New York City[pg 65]FARMYARD, By George P. Swain, East Orange, N.J.FARMYARDByGeorge P. Swain,East Orange, N.J.[pg 66]CARLOTTA, By Lacy Van Wagenen, Orange, N.J.CARLOTTAByLacy Van Wagenen,Orange, N.J.[pg 67]MRS. PICKFORD, By Mabel Watson, Pasadena, CaliforniaMRS. PICKFORDByMabel Watson,Pasadena, California[pg 68]THE LITTLE ART SHOP—WOODSTOCK, By Anthony J. Weis, New York CityTHE LITTLE ART SHOP—WOODSTOCKByAnthony J. Weis,New York City[pg 69]THE DANCE, By Delight Weston, Blue Hill, MaineTHE DANCEByDelight Weston,Blue Hill, Maine[pg 70]SISTERS, By Clarence H. White, New York CitySISTERSByClarence H. White,New York City[pg 71]SAND DUNE, By Mildred Ruth Wilson, Flushing, Long IslandSAND DUNEByMildred Ruth Wilson,Flushing, Long Island[pg 73]ThePICTORIAL PHOTOGRAPHERSofAMERICAThe objects of the Pictorial Photographers of America are to stimulate and encourage those engaged and interested in the Art of Photography; to enlist the aid of museums and public libraries in adding photographic prints to their departments; to stimulate public taste through exhibitions, lectures, and publications; to invite exhibits of foreign work; and generally to promote education in this Art so as to raise the standards of Photography in the United States of America.Meetings of the Association are held in New York City on the first Monday of each month. During the winter of 1919-1920 the following lecturers addressed the Association at these meetings: Mr. Robert J. Cole, Art Reviewer, New York Evening Sun, on“Man and the Camera;”Mr. H. J. Potter, of the Eastman Kodak Company, on“Both Ways from F-8;”Mr. Albert Sterner, on“Before the Click of the Shutter;”Mr. Pirie MacDonald and Mr. E. B. Core, on“The Pictorial Side of Professional Photography;”and Mr. Walter G. Wolfe, on“The Use of the Soft Focus Lens.”Mr. Allen Eaton, Field Secretary of the American Federation of Arts; Mr. William M. Ivins, Curator of Prints, Metropolitan Museum of Art; Dr. Frank Weitenkampf, of the New York Public Library; Prof. Charles H. Farnsworth, of Columbia University, and Walter L. Hervey, Ph.D., also made addresses.Another feature of the meetings which added to their interest and usefulness was a monthly print competition. Prints were submitted by members from all parts of the United States, judged by a committee in advance of the meeting, and a selection of ten prints presented to the members for their consideration. From these they chose each month the two best prints.The Pictorial Photographers of America this year for the first time arranged an exhibition of prints in Europe. Acting on the invitation of the Copenhagen Photographic Amateur Club to cooperate in celebrating its Twenty-fifth Anniversary, about 350 prints from leading pictorialists all over this country were assembled and forwarded in July to Copenhagen.At home, in cooperation with the American Federation of Arts, the Pictorial Photographers of America exhibited at the following museums the hundred prints which are reproduced in“Pictorial Photography in America for 1920.”The John Herron Art Institute of Indianapolis, The Jackson Art Association of Michigan, The Boston Society of Arts and Crafts, The Mechanics Institute of Rochester, The Arnot Art Gallery of Elmira; and during May, at the University of Virginia.During the past season the Association has cooperated with other organizations of a similar nature in planning for and establishing an Art Center in New York City. The plans for this have been successfully worked out, funds are already in hand for its accomplishment and buildings purchased for occupancy. This will provide a home for our Association, a splendid gallery for exhibitions, and thus make certain of immediate accomplishment plans for our future which have seemed impracticable up to the present time.In publishing“Pictorial Photography in America for 1921”the Association has invited the cooperation of pictorialists whether or not members of the organization. We hope that it will interest in our work men and women, whether photographers or not, who are interested in the development of the Art of Photography. The Secretary will gladly give more detailed information about the work of the Association and its plans for the coming year to any who are interested.JERRY D. DREW,Secretary.National Arts Club, 119 East 19th Street, New York City.[pg 74]Advertisement: Pinkham and Smith Company[pg 75]Advertisement: Eastman Kodak Company[pg 76]Advertisement: Ansco Company[pg 77]Advertisement: Ica-Contessa[pg 78]Advertisements: Kalogen; Willis and Clements[pg 79]Advertisements: Japan Paper Company; George Murphy, Inc.[pg 80]Advertisements: Fred'k W. Keasbey, Abe Cohen's Exchange[pg 81]Advertisements: Wollensack Optical Company; Willoughby's
[pg 15]THE HAMPTON SINGER, By Dorothy Abbott, New York CityTHE HAMPTON SINGERByDorothy Abbott,New York City[pg 16]THE ARCH OF JEWELS, NEW YORK CITY, By William A. Alcock, New York CityTHE ARCH OF JEWELS, NEW YORK CITYByWilliam A. Alcock,New York City[pg 17]WILLOW VALLEY, By Charles K. Archer, Pittsburgh, Pa.WILLOW VALLEYByCharles K. Archer,Pittsburgh, Pa.[pg 18]PRAYERS OF BUDDHA, By F. Bauer, San Francisco, Cal.PRAYERS OF BUDDHAByF. Bauer,San Francisco, Cal.[pg 19]THE SWANS, By Jesse Tarbox Beals, New York CityTHE SWANSByJesse Tarbox Beals,New York City[pg 20]ABOVE THE CLOUDS, By Clark Blickensderfer, Denver, Colo.ABOVE THE CLOUDSByClark Blickensderfer,Denver, Colo.[pg 21]GRAMERCY PARK, By Mary F. Boyd, Chambersburg, Pa.GRAMERCY PARKByMary F. Boyd,Chambersburg, Pa.[pg 22]HILL TOP—WINTER, By George Butler, Worcester, Mass.HILL TOP—WINTERByGeorge Butler,Worcester, Mass.[pg 23]WEISSTHURM—ROTENBURG O. TAUBER, By A. D. Chaffee, New York CityWEISSTHURM—ROTENBURG O. TAUBERByA. D. Chaffee,New York City[pg 24]CABLES, By Arthur D. Chapman, West Hoboken, N.J.CABLESByArthur D. Chapman,West Hoboken, N.J.[pg 25]BOOKPLATE, By Alfred Cohn, Brooklyn, N.Y.BOOKPLATEByAlfred Cohn,Brooklyn, N.Y.[pg 26]THE BUGLE CALL, By Dwight A. Davis, Worcester, Mass.THE BUGLE CALLByDwight A. Davis,Worcester, Mass.[pg 27]THE BRIDGE, By John Paul Edwards, Sacramento, CaliforniaTHE BRIDGEByJohn Paul Edwards,Sacramento, California[pg 28]MY FATHER, By Vernon E. Duroe, Brooklyn, N.Y.MY FATHERByVernon E. Duroe,Brooklyn, N.Y.[pg 29]MAIDS O' THE MIST, By Mr. and Mrs. J. D. Drew, Montclair, N.J.MAIDS O' THE MISTByMr. and Mrs. J. D. Drew,Montclair, N.J.[pg 30]AFTERNOON TEA, By Eleanor C. Erving, Albany, N.Y.AFTERNOON TEAByEleanor C. Erving,Albany, N.Y.[pg 31]SUMMER PORTRAIT, By Laura Gilpin, Colorado Springs, Colo.SUMMER PORTRAITByLaura Gilpin,Colorado Springs, Colo.[pg 32]SUNLIGHT—TAOS, By Forman Hanna, Globe, ArizonaSUNLIGHT—TAOSByForman Hanna,Globe, Arizona[pg 33]DICK'S STALL, By G. W. Harting, New York CityDICK'S STALLByG. W. Harting,New York City[pg 34]BETH-EL, By Edward Heim, New York CityBETH-ELByEdward Heim,New York City[pg 35]THE TOILERS, By Eugene P. Henry, Brooklyn, N.Y.THE TOILERSByEugene P. Henry,Brooklyn, N.Y.[pg 36]ARCHES OF THE MUNICIPAL BUILDING, By Atoinette B. Hervey, New York CityARCHES OF THE MUNICIPAL BUILDINGByAtoinette B. Hervey,New York City[pg 37]MORNING—PLYMOUTH, By Lillian M. Hobart, Northborough, Mass.MORNING—PLYMOUTHByLillian M. Hobart,Northborough, Mass.[pg 38]LAST OF THE SQUARE RIGGERS, By G. Buell and Hebe Hollister, Corning, N.Y.LAST OF THE SQUARE RIGGERSByG. Buell and Hebe Hollister,Corning, N.Y.[pg 39]WAR VETERANS, By Millie Hoops, New York CityWAR VETERANSByMillie Hoops,New York City[pg 40]STILL LIFE, By D. S. Horne, Princeton, N.J.STILL LIFEByD. S. Horne,Princeton, N.J.[pg 41]THE SUNSHINE OF JOHNNIE'S SMILE, By Roberta Hostetler, Davenport, IowaTHE SUNSHINE OF JOHNNIE'S SMILEByRoberta Hostetler,Davenport, Iowa[pg 42]SUN DRYING, By H. A. Hussey, Berkeley, Cal.SUN DRYINGByH. A. Hussey,Berkeley, Cal.[pg 43]PORTRAIT, By Doris U. Jaeger, New York CityPORTRAITByDoris U. Jaeger,New York City[pg 44]THE PIPES OF PAN, By Myers R. Jones, Brooklyn, N.Y.>THE PIPES OF PANByMyers R. Jones,Brooklyn, N.Y.[pg 45]IN AN ITALIAN VILLAGE, By H. A. Latimer, Boston, Mass.IN AN ITALIAN VILLAGEByH. A. Latimer,Boston, Mass.[pg 46]CROW'S NEST RESTAURANT, By Sophie L. Lauffer, Brooklyn, N.Y.CROW'S NEST RESTAURANTBySophie L. Lauffer,Brooklyn, N.Y.[pg 47]THE QUARRY, By GEORGE P. LESTER, Bloomfield, N. J.THE QUARRYByGEORGE P. LESTER,Bloomfield, N. J.[pg 48]DETAIL OF CALIFORNIA BUILDING, By Florence Burton Livingston, Mohegan Lake, N.Y.DETAIL OF CALIFORNIA BUILDINGByFlorence Burton Livingston,Mohegan Lake, N.Y.[pg 49]SUNBEAMS, By Ben J. Lubschez, New York CitySUNBEAMSByBen J. Lubschez,New York City[pg 50]ALONG THE CANAL, By William Elbert Macnaughton, Brooklyn, N.Y.ALONG THE CANALByWilliam Elbert Macnaughton,Brooklyn, N.Y.[pg 51]SPRING, By Holmes I. Mettee, Arlington, Md.SPRINGByHolmes I. Mettee,Arlington, Md.[pg 52]SYMPATHY, By Hervey W. Minns, Kenmore, OhioSYMPATHYByHervey W. Minns,Kenmore, Ohio[pg 53]THE MEADOW, By Robert B. Montgomery, Brooklyn, N.Y.THE MEADOWByRobert B. Montgomery,Brooklyn, N.Y.[pg 54]THE RAILWAY STATION, By Henry Hoyt Moore, Brooklyn, N.Y.THE RAILWAY STATIONByHenry Hoyt Moore,Brooklyn, N.Y.[pg 55]Cultivating, By L. Pokras, Brooklyn, N. Y.CULTIVATINGByL. Pokras,Brooklyn, N. Y.[pg 56]PORTRAIT—MISS F., By Arthur Racicot, Quantico, Va.PORTRAIT—MISS F.ByArthur Racicot,Quantico, Va.[pg 57]TO THE UNKNOWN SHORE, By Lawrence C. Randall, Columbus, OhioTO THE UNKNOWN SHOREByLawrence C. Randall,Columbus, Ohio[pg 58]THE EAST RIVER, By D. J. Ruzicka, New York CityTHE EAST RIVERByD. J. Ruzicka,New York City[pg 59]CLOSING OF AN AUTUMN DAY, By J. G. Sarvent, Kansas City, Mo.CLOSING OF AN AUTUMN DAYByJ. G. Sarvent,Kansas City, Mo.[pg 60]THE VANISHING ROAD, By Otto C. Shulte, San Francisco, Cal.THE VANISHING ROADByOtto C. Shulte,San Francisco, Cal.[pg 61]THE HOUR OF TWILIGHT, By William Gordon Shields, New York CityTHE HOUR OF TWILIGHTByWilliam Gordon Shields,New York City[pg 62]A SONG, By Guy Spencer, New York CityA SONGByGuy Spencer,New York City[pg 63]OPEN-AIR PULPIT, GRACE CHURCH, By Elizabeth G. Stoltz, Marion, OhioOPEN-AIR PULPIT, GRACE CHURCHByElizabeth G. Stoltz,Marion, Ohio[pg 64]L'ENTRE'ACTE, By Mankichi Sugimoto, New York CityL'ENTRE'ACTEByMankichi Sugimoto,New York City[pg 65]FARMYARD, By George P. Swain, East Orange, N.J.FARMYARDByGeorge P. Swain,East Orange, N.J.[pg 66]CARLOTTA, By Lacy Van Wagenen, Orange, N.J.CARLOTTAByLacy Van Wagenen,Orange, N.J.[pg 67]MRS. PICKFORD, By Mabel Watson, Pasadena, CaliforniaMRS. PICKFORDByMabel Watson,Pasadena, California[pg 68]THE LITTLE ART SHOP—WOODSTOCK, By Anthony J. Weis, New York CityTHE LITTLE ART SHOP—WOODSTOCKByAnthony J. Weis,New York City[pg 69]THE DANCE, By Delight Weston, Blue Hill, MaineTHE DANCEByDelight Weston,Blue Hill, Maine[pg 70]SISTERS, By Clarence H. White, New York CitySISTERSByClarence H. White,New York City[pg 71]SAND DUNE, By Mildred Ruth Wilson, Flushing, Long IslandSAND DUNEByMildred Ruth Wilson,Flushing, Long Island
THE HAMPTON SINGER, By Dorothy Abbott, New York CityTHE HAMPTON SINGERByDorothy Abbott,New York City
THE HAMPTON SINGERByDorothy Abbott,New York City
THE ARCH OF JEWELS, NEW YORK CITY, By William A. Alcock, New York CityTHE ARCH OF JEWELS, NEW YORK CITYByWilliam A. Alcock,New York City
THE ARCH OF JEWELS, NEW YORK CITYByWilliam A. Alcock,New York City
WILLOW VALLEY, By Charles K. Archer, Pittsburgh, Pa.WILLOW VALLEYByCharles K. Archer,Pittsburgh, Pa.
WILLOW VALLEYByCharles K. Archer,Pittsburgh, Pa.
PRAYERS OF BUDDHA, By F. Bauer, San Francisco, Cal.PRAYERS OF BUDDHAByF. Bauer,San Francisco, Cal.
PRAYERS OF BUDDHAByF. Bauer,San Francisco, Cal.
THE SWANS, By Jesse Tarbox Beals, New York CityTHE SWANSByJesse Tarbox Beals,New York City
THE SWANSByJesse Tarbox Beals,New York City
ABOVE THE CLOUDS, By Clark Blickensderfer, Denver, Colo.ABOVE THE CLOUDSByClark Blickensderfer,Denver, Colo.
ABOVE THE CLOUDSByClark Blickensderfer,Denver, Colo.
GRAMERCY PARK, By Mary F. Boyd, Chambersburg, Pa.GRAMERCY PARKByMary F. Boyd,Chambersburg, Pa.
GRAMERCY PARKByMary F. Boyd,Chambersburg, Pa.
HILL TOP—WINTER, By George Butler, Worcester, Mass.HILL TOP—WINTERByGeorge Butler,Worcester, Mass.
HILL TOP—WINTERByGeorge Butler,Worcester, Mass.
WEISSTHURM—ROTENBURG O. TAUBER, By A. D. Chaffee, New York CityWEISSTHURM—ROTENBURG O. TAUBERByA. D. Chaffee,New York City
WEISSTHURM—ROTENBURG O. TAUBERByA. D. Chaffee,New York City
CABLES, By Arthur D. Chapman, West Hoboken, N.J.CABLESByArthur D. Chapman,West Hoboken, N.J.
CABLESByArthur D. Chapman,West Hoboken, N.J.
BOOKPLATE, By Alfred Cohn, Brooklyn, N.Y.BOOKPLATEByAlfred Cohn,Brooklyn, N.Y.
BOOKPLATEByAlfred Cohn,Brooklyn, N.Y.
THE BUGLE CALL, By Dwight A. Davis, Worcester, Mass.THE BUGLE CALLByDwight A. Davis,Worcester, Mass.
THE BUGLE CALLByDwight A. Davis,Worcester, Mass.
THE BRIDGE, By John Paul Edwards, Sacramento, CaliforniaTHE BRIDGEByJohn Paul Edwards,Sacramento, California
THE BRIDGEByJohn Paul Edwards,Sacramento, California
MY FATHER, By Vernon E. Duroe, Brooklyn, N.Y.MY FATHERByVernon E. Duroe,Brooklyn, N.Y.
MY FATHERByVernon E. Duroe,Brooklyn, N.Y.
MAIDS O' THE MIST, By Mr. and Mrs. J. D. Drew, Montclair, N.J.MAIDS O' THE MISTByMr. and Mrs. J. D. Drew,Montclair, N.J.
MAIDS O' THE MISTByMr. and Mrs. J. D. Drew,Montclair, N.J.
AFTERNOON TEA, By Eleanor C. Erving, Albany, N.Y.AFTERNOON TEAByEleanor C. Erving,Albany, N.Y.
AFTERNOON TEAByEleanor C. Erving,Albany, N.Y.
SUMMER PORTRAIT, By Laura Gilpin, Colorado Springs, Colo.SUMMER PORTRAITByLaura Gilpin,Colorado Springs, Colo.
SUMMER PORTRAITByLaura Gilpin,Colorado Springs, Colo.
SUNLIGHT—TAOS, By Forman Hanna, Globe, ArizonaSUNLIGHT—TAOSByForman Hanna,Globe, Arizona
SUNLIGHT—TAOSByForman Hanna,Globe, Arizona
DICK'S STALL, By G. W. Harting, New York CityDICK'S STALLByG. W. Harting,New York City
DICK'S STALLByG. W. Harting,New York City
BETH-EL, By Edward Heim, New York CityBETH-ELByEdward Heim,New York City
BETH-ELByEdward Heim,New York City
THE TOILERS, By Eugene P. Henry, Brooklyn, N.Y.THE TOILERSByEugene P. Henry,Brooklyn, N.Y.
THE TOILERSByEugene P. Henry,Brooklyn, N.Y.
ARCHES OF THE MUNICIPAL BUILDING, By Atoinette B. Hervey, New York CityARCHES OF THE MUNICIPAL BUILDINGByAtoinette B. Hervey,New York City
ARCHES OF THE MUNICIPAL BUILDINGByAtoinette B. Hervey,New York City
MORNING—PLYMOUTH, By Lillian M. Hobart, Northborough, Mass.MORNING—PLYMOUTHByLillian M. Hobart,Northborough, Mass.
MORNING—PLYMOUTHByLillian M. Hobart,Northborough, Mass.
LAST OF THE SQUARE RIGGERS, By G. Buell and Hebe Hollister, Corning, N.Y.LAST OF THE SQUARE RIGGERSByG. Buell and Hebe Hollister,Corning, N.Y.
LAST OF THE SQUARE RIGGERSByG. Buell and Hebe Hollister,Corning, N.Y.
WAR VETERANS, By Millie Hoops, New York CityWAR VETERANSByMillie Hoops,New York City
WAR VETERANSByMillie Hoops,New York City
STILL LIFE, By D. S. Horne, Princeton, N.J.STILL LIFEByD. S. Horne,Princeton, N.J.
STILL LIFEByD. S. Horne,Princeton, N.J.
THE SUNSHINE OF JOHNNIE'S SMILE, By Roberta Hostetler, Davenport, IowaTHE SUNSHINE OF JOHNNIE'S SMILEByRoberta Hostetler,Davenport, Iowa
THE SUNSHINE OF JOHNNIE'S SMILEByRoberta Hostetler,Davenport, Iowa
SUN DRYING, By H. A. Hussey, Berkeley, Cal.SUN DRYINGByH. A. Hussey,Berkeley, Cal.
SUN DRYINGByH. A. Hussey,Berkeley, Cal.
PORTRAIT, By Doris U. Jaeger, New York CityPORTRAITByDoris U. Jaeger,New York City
PORTRAITByDoris U. Jaeger,New York City
THE PIPES OF PAN, By Myers R. Jones, Brooklyn, N.Y.>THE PIPES OF PANByMyers R. Jones,Brooklyn, N.Y.
THE PIPES OF PANByMyers R. Jones,Brooklyn, N.Y.
IN AN ITALIAN VILLAGE, By H. A. Latimer, Boston, Mass.IN AN ITALIAN VILLAGEByH. A. Latimer,Boston, Mass.
IN AN ITALIAN VILLAGEByH. A. Latimer,Boston, Mass.
CROW'S NEST RESTAURANT, By Sophie L. Lauffer, Brooklyn, N.Y.CROW'S NEST RESTAURANTBySophie L. Lauffer,Brooklyn, N.Y.
CROW'S NEST RESTAURANTBySophie L. Lauffer,Brooklyn, N.Y.
THE QUARRY, By GEORGE P. LESTER, Bloomfield, N. J.THE QUARRYByGEORGE P. LESTER,Bloomfield, N. J.
THE QUARRYByGEORGE P. LESTER,Bloomfield, N. J.
DETAIL OF CALIFORNIA BUILDING, By Florence Burton Livingston, Mohegan Lake, N.Y.DETAIL OF CALIFORNIA BUILDINGByFlorence Burton Livingston,Mohegan Lake, N.Y.
DETAIL OF CALIFORNIA BUILDINGByFlorence Burton Livingston,Mohegan Lake, N.Y.
SUNBEAMS, By Ben J. Lubschez, New York CitySUNBEAMSByBen J. Lubschez,New York City
SUNBEAMSByBen J. Lubschez,New York City
ALONG THE CANAL, By William Elbert Macnaughton, Brooklyn, N.Y.ALONG THE CANALByWilliam Elbert Macnaughton,Brooklyn, N.Y.
ALONG THE CANALByWilliam Elbert Macnaughton,Brooklyn, N.Y.
SPRING, By Holmes I. Mettee, Arlington, Md.SPRINGByHolmes I. Mettee,Arlington, Md.
SPRINGByHolmes I. Mettee,Arlington, Md.
SYMPATHY, By Hervey W. Minns, Kenmore, OhioSYMPATHYByHervey W. Minns,Kenmore, Ohio
SYMPATHYByHervey W. Minns,Kenmore, Ohio
THE MEADOW, By Robert B. Montgomery, Brooklyn, N.Y.THE MEADOWByRobert B. Montgomery,Brooklyn, N.Y.
THE MEADOWByRobert B. Montgomery,Brooklyn, N.Y.
THE RAILWAY STATION, By Henry Hoyt Moore, Brooklyn, N.Y.THE RAILWAY STATIONByHenry Hoyt Moore,Brooklyn, N.Y.
THE RAILWAY STATIONByHenry Hoyt Moore,Brooklyn, N.Y.
Cultivating, By L. Pokras, Brooklyn, N. Y.CULTIVATINGByL. Pokras,Brooklyn, N. Y.
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TO THE UNKNOWN SHORE, By Lawrence C. Randall, Columbus, OhioTO THE UNKNOWN SHOREByLawrence C. Randall,Columbus, Ohio
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[pg 73]ThePICTORIAL PHOTOGRAPHERSofAMERICAThe objects of the Pictorial Photographers of America are to stimulate and encourage those engaged and interested in the Art of Photography; to enlist the aid of museums and public libraries in adding photographic prints to their departments; to stimulate public taste through exhibitions, lectures, and publications; to invite exhibits of foreign work; and generally to promote education in this Art so as to raise the standards of Photography in the United States of America.Meetings of the Association are held in New York City on the first Monday of each month. During the winter of 1919-1920 the following lecturers addressed the Association at these meetings: Mr. Robert J. Cole, Art Reviewer, New York Evening Sun, on“Man and the Camera;”Mr. H. J. Potter, of the Eastman Kodak Company, on“Both Ways from F-8;”Mr. Albert Sterner, on“Before the Click of the Shutter;”Mr. Pirie MacDonald and Mr. E. B. Core, on“The Pictorial Side of Professional Photography;”and Mr. Walter G. Wolfe, on“The Use of the Soft Focus Lens.”Mr. Allen Eaton, Field Secretary of the American Federation of Arts; Mr. William M. Ivins, Curator of Prints, Metropolitan Museum of Art; Dr. Frank Weitenkampf, of the New York Public Library; Prof. Charles H. Farnsworth, of Columbia University, and Walter L. Hervey, Ph.D., also made addresses.Another feature of the meetings which added to their interest and usefulness was a monthly print competition. Prints were submitted by members from all parts of the United States, judged by a committee in advance of the meeting, and a selection of ten prints presented to the members for their consideration. From these they chose each month the two best prints.The Pictorial Photographers of America this year for the first time arranged an exhibition of prints in Europe. Acting on the invitation of the Copenhagen Photographic Amateur Club to cooperate in celebrating its Twenty-fifth Anniversary, about 350 prints from leading pictorialists all over this country were assembled and forwarded in July to Copenhagen.At home, in cooperation with the American Federation of Arts, the Pictorial Photographers of America exhibited at the following museums the hundred prints which are reproduced in“Pictorial Photography in America for 1920.”The John Herron Art Institute of Indianapolis, The Jackson Art Association of Michigan, The Boston Society of Arts and Crafts, The Mechanics Institute of Rochester, The Arnot Art Gallery of Elmira; and during May, at the University of Virginia.During the past season the Association has cooperated with other organizations of a similar nature in planning for and establishing an Art Center in New York City. The plans for this have been successfully worked out, funds are already in hand for its accomplishment and buildings purchased for occupancy. This will provide a home for our Association, a splendid gallery for exhibitions, and thus make certain of immediate accomplishment plans for our future which have seemed impracticable up to the present time.In publishing“Pictorial Photography in America for 1921”the Association has invited the cooperation of pictorialists whether or not members of the organization. We hope that it will interest in our work men and women, whether photographers or not, who are interested in the development of the Art of Photography. The Secretary will gladly give more detailed information about the work of the Association and its plans for the coming year to any who are interested.JERRY D. DREW,Secretary.National Arts Club, 119 East 19th Street, New York City.[pg 74]Advertisement: Pinkham and Smith Company[pg 75]Advertisement: Eastman Kodak Company[pg 76]Advertisement: Ansco Company[pg 77]Advertisement: Ica-Contessa[pg 78]Advertisements: Kalogen; Willis and Clements[pg 79]Advertisements: Japan Paper Company; George Murphy, Inc.[pg 80]Advertisements: Fred'k W. Keasbey, Abe Cohen's Exchange[pg 81]Advertisements: Wollensack Optical Company; Willoughby's
ThePICTORIAL PHOTOGRAPHERSofAMERICAThe objects of the Pictorial Photographers of America are to stimulate and encourage those engaged and interested in the Art of Photography; to enlist the aid of museums and public libraries in adding photographic prints to their departments; to stimulate public taste through exhibitions, lectures, and publications; to invite exhibits of foreign work; and generally to promote education in this Art so as to raise the standards of Photography in the United States of America.Meetings of the Association are held in New York City on the first Monday of each month. During the winter of 1919-1920 the following lecturers addressed the Association at these meetings: Mr. Robert J. Cole, Art Reviewer, New York Evening Sun, on“Man and the Camera;”Mr. H. J. Potter, of the Eastman Kodak Company, on“Both Ways from F-8;”Mr. Albert Sterner, on“Before the Click of the Shutter;”Mr. Pirie MacDonald and Mr. E. B. Core, on“The Pictorial Side of Professional Photography;”and Mr. Walter G. Wolfe, on“The Use of the Soft Focus Lens.”Mr. Allen Eaton, Field Secretary of the American Federation of Arts; Mr. William M. Ivins, Curator of Prints, Metropolitan Museum of Art; Dr. Frank Weitenkampf, of the New York Public Library; Prof. Charles H. Farnsworth, of Columbia University, and Walter L. Hervey, Ph.D., also made addresses.Another feature of the meetings which added to their interest and usefulness was a monthly print competition. Prints were submitted by members from all parts of the United States, judged by a committee in advance of the meeting, and a selection of ten prints presented to the members for their consideration. From these they chose each month the two best prints.The Pictorial Photographers of America this year for the first time arranged an exhibition of prints in Europe. Acting on the invitation of the Copenhagen Photographic Amateur Club to cooperate in celebrating its Twenty-fifth Anniversary, about 350 prints from leading pictorialists all over this country were assembled and forwarded in July to Copenhagen.At home, in cooperation with the American Federation of Arts, the Pictorial Photographers of America exhibited at the following museums the hundred prints which are reproduced in“Pictorial Photography in America for 1920.”The John Herron Art Institute of Indianapolis, The Jackson Art Association of Michigan, The Boston Society of Arts and Crafts, The Mechanics Institute of Rochester, The Arnot Art Gallery of Elmira; and during May, at the University of Virginia.During the past season the Association has cooperated with other organizations of a similar nature in planning for and establishing an Art Center in New York City. The plans for this have been successfully worked out, funds are already in hand for its accomplishment and buildings purchased for occupancy. This will provide a home for our Association, a splendid gallery for exhibitions, and thus make certain of immediate accomplishment plans for our future which have seemed impracticable up to the present time.In publishing“Pictorial Photography in America for 1921”the Association has invited the cooperation of pictorialists whether or not members of the organization. We hope that it will interest in our work men and women, whether photographers or not, who are interested in the development of the Art of Photography. The Secretary will gladly give more detailed information about the work of the Association and its plans for the coming year to any who are interested.JERRY D. DREW,Secretary.National Arts Club, 119 East 19th Street, New York City.[pg 74]Advertisement: Pinkham and Smith Company[pg 75]Advertisement: Eastman Kodak Company[pg 76]Advertisement: Ansco Company[pg 77]Advertisement: Ica-Contessa[pg 78]Advertisements: Kalogen; Willis and Clements[pg 79]Advertisements: Japan Paper Company; George Murphy, Inc.[pg 80]Advertisements: Fred'k W. Keasbey, Abe Cohen's Exchange[pg 81]Advertisements: Wollensack Optical Company; Willoughby's
The objects of the Pictorial Photographers of America are to stimulate and encourage those engaged and interested in the Art of Photography; to enlist the aid of museums and public libraries in adding photographic prints to their departments; to stimulate public taste through exhibitions, lectures, and publications; to invite exhibits of foreign work; and generally to promote education in this Art so as to raise the standards of Photography in the United States of America.
Meetings of the Association are held in New York City on the first Monday of each month. During the winter of 1919-1920 the following lecturers addressed the Association at these meetings: Mr. Robert J. Cole, Art Reviewer, New York Evening Sun, on“Man and the Camera;”Mr. H. J. Potter, of the Eastman Kodak Company, on“Both Ways from F-8;”Mr. Albert Sterner, on“Before the Click of the Shutter;”Mr. Pirie MacDonald and Mr. E. B. Core, on“The Pictorial Side of Professional Photography;”and Mr. Walter G. Wolfe, on“The Use of the Soft Focus Lens.”Mr. Allen Eaton, Field Secretary of the American Federation of Arts; Mr. William M. Ivins, Curator of Prints, Metropolitan Museum of Art; Dr. Frank Weitenkampf, of the New York Public Library; Prof. Charles H. Farnsworth, of Columbia University, and Walter L. Hervey, Ph.D., also made addresses.
Another feature of the meetings which added to their interest and usefulness was a monthly print competition. Prints were submitted by members from all parts of the United States, judged by a committee in advance of the meeting, and a selection of ten prints presented to the members for their consideration. From these they chose each month the two best prints.
The Pictorial Photographers of America this year for the first time arranged an exhibition of prints in Europe. Acting on the invitation of the Copenhagen Photographic Amateur Club to cooperate in celebrating its Twenty-fifth Anniversary, about 350 prints from leading pictorialists all over this country were assembled and forwarded in July to Copenhagen.
At home, in cooperation with the American Federation of Arts, the Pictorial Photographers of America exhibited at the following museums the hundred prints which are reproduced in“Pictorial Photography in America for 1920.”The John Herron Art Institute of Indianapolis, The Jackson Art Association of Michigan, The Boston Society of Arts and Crafts, The Mechanics Institute of Rochester, The Arnot Art Gallery of Elmira; and during May, at the University of Virginia.
During the past season the Association has cooperated with other organizations of a similar nature in planning for and establishing an Art Center in New York City. The plans for this have been successfully worked out, funds are already in hand for its accomplishment and buildings purchased for occupancy. This will provide a home for our Association, a splendid gallery for exhibitions, and thus make certain of immediate accomplishment plans for our future which have seemed impracticable up to the present time.
In publishing“Pictorial Photography in America for 1921”the Association has invited the cooperation of pictorialists whether or not members of the organization. We hope that it will interest in our work men and women, whether photographers or not, who are interested in the development of the Art of Photography. The Secretary will gladly give more detailed information about the work of the Association and its plans for the coming year to any who are interested.
JERRY D. DREW,Secretary.National Arts Club, 119 East 19th Street, New York City.
JERRY D. DREW,Secretary.
National Arts Club, 119 East 19th Street, New York City.
Advertisement: Pinkham and Smith Company
Advertisement: Eastman Kodak Company
Advertisement: Ansco Company
Advertisement: Ica-Contessa
Advertisements: Kalogen; Willis and Clements
Advertisements: Japan Paper Company; George Murphy, Inc.
Advertisements: Fred'k W. Keasbey, Abe Cohen's Exchange
Advertisements: Wollensack Optical Company; Willoughby's