Thereis nothing in Italy, more beautiful to me, than the coast-road between Genoa and Spezzia. On one side: sometimes far below, sometimes nearly on a level with the road, and often skirted by broken rocks of many shapes: there is the free blue sea, with here and there a picturesque felucca gliding slowly on; on the other side are lofty hills, ravines besprinkled with white cottages, patches of dark olive woods, country churches with their light open towers, and country houses gaily painted. On every bank and knoll by the wayside, the wild cactus and aloe flourish in exuberant profusion; and the gardens of the bright villages along the road, are seen, all blushing in the summer-time with clusters of the Belladonna, and are fragrant in the autumn and winter with golden oranges and lemons.
Some of the villages are inhabited, almost exclusively, by fishermen; and it is pleasant to see their great boats hauled up on the beach, making little patches of shade, where they lie asleep, or where the women and children sit romping and looking out to sea, while they mend their nets upon the shore. There is one town, Camoglia, with its little harbour on the sea, hundreds of feet below the road; where families of mariners live, who, time out of mind, have owned coasting-vessels in that place, and have traded to Spain and elsewhere. Seen from the road above, it is like a tiny model on the margin of the dimpled water, shining in the sun. Descended into, by the winding mule-tracks, it is a perfect miniature of a primitive seafaring town; the saltest, roughest, most piratical little place that ever was seen. Great rusty iron rings and mooring-chains, capstans, and fragments of old masts and spars, choke up the way; hardy rough-weather boats, and seamen’s clothing, flutter in the little harbour or are drawn out on the sunny stones to dry; on the parapet of the rude pier, a few amphibious-looking fellows lie asleep, with their legs dangling over the wall, as though earth or water were all one to them, and if they slipped in, they would float away, dozing comfortably among the fishes; the church is bright with trophies of the sea, and votive offerings, in commemoration of escape from storm and shipwreck. The dwellings not immediately abutting on the harbour are approached by blind low archways, and by crooked steps, as if in darkness and in difficulty of access they should be like holds of ships, or inconvenient cabins under water; and everywhere, there is a smell of fish, and sea-weed, and old rope.
The coast-road whence Camoglia is descried so far below, is famous, in the warm season, especially in some parts near Genoa, for fire-flies. Walking there on a dark night, I have seen it made one sparkling firmament by these beautiful insects: so that the distant stars were pale against the flash and glitter that spangled every olive wood and hill-side, and pervaded the whole air.
It was not in such a season, however, that we traversed this road on our way to Rome. The middle of January was only just past, and it was very gloomy and dark weather; very wet besides. In crossing the fine pass of Bracco, we encountered such a storm of mist and rain, that we travelled in a cloud the whole way. There might have been no Mediterranean in the world, for anything that we saw of it there, except when a sudden gust of wind, clearing the mist before it, for a moment, showed the agitated sea at a great depth below, lashing the distant rocks, and spouting up its foam furiously. The rain was incessant; every brook and torrent was greatly swollen; and such a deafening leaping, and roaring, and thundering of water, I never heard the like of in my life.
Hence, when we came to Spezzia, we found that the Magra, an unbridged river on the high-road to Pisa, was too high to be safely crossed in the Ferry Boat, and were fain to wait until the afternoon of next day, when it had, in some degree, subsided. Spezzia, however, is a good place to tarry at; by reason, firstly, of its beautiful bay; secondly, of its ghostly Inn; thirdly, of the head-dress of the women, who wear, on one side of their head, a small doll’s straw hat, stuck on to the hair; which is certainly the oddest and most roguish head-gear that ever was invented.
The Magra safely crossed in the Ferry Boat—the passage is not by any means agreeable, when the current is swollen and strong—we arrived at Carrara, within a few hours. In good time next morning, we got some ponies, and went out to see the marble quarries.
They are four or five great glens, running up into a range of lofty hills, until they can run no longer, and are stopped by being abruptly strangled by Nature. The quarries, ‘or caves,’ as they call them there, are so many openings, high up in the hills, on either side of these passes, where they blast and excavate for marble: which may turn out good or bad: may make a man’s fortune very quickly, or ruin him by the great expense of working what is worth nothing. Some of these caves were opened by the ancient Romans, and remain as they left them to this hour. Many others are being worked at this moment; others are to be begun to-morrow, next week, next month; others are unbought, unthought of; and marble enough for more ages than have passed since the place was resorted to, lies hidden everywhere: patiently awaiting its time of discovery.
As you toil and clamber up one of these steep gorges (having left your pony soddening his girths in water, a mile or two lower down) you hear, every now and then, echoing among the hills, in a low tone, more silent than the previous silence, a melancholy warning bugle,—a signal to the miners to withdraw. Then, there is a thundering, and echoing from hill to hill, and perhaps a splashing up of great fragments of rock into the air; and on you toil again until some other bugle sounds, in a new direction, and you stop directly, lest you should come within the range of the new explosion.
There were numbers of men, working high up in these hills—on the sides—clearing away, and sending down the broken masses of stone and earth, to make way for the blocks of marble that had been discovered. As these came rolling down from unseen hands into the narrow valley, I could not help thinking of the deep glen (just the same sort of glen) where the Roc left Sindbad the Sailor; and where the merchants from the heights above, flung down great pieces of meat for the diamonds to stick to. There were no eagles here, to darken the sun in their swoop, and pounce upon them; but it was as wild and fierce as if there had been hundreds.
But the road, the road down which the marble comes, however immense the blocks! The genius of the country, and the spirit of its institutions, pave that road: repair it, watch it, keep it going! Conceive a channel of water running over a rocky bed, beset with great heaps of stone of all shapes and sizes, winding down the middle of this valley; andthatbeing the road—because it was the road five hundred years ago! Imagine the clumsy carts of five hundred years ago, being used to this hour, and drawn, as they used to be, five hundred years ago, by oxen, whose ancestors were worn to death five hundred years ago, as their unhappy descendants are now, in twelve months, by the suffering and agony of this cruel work! Two pair, four pair, ten pair, twenty pair, to one block, according to its size; down it must come, this way. In their struggling from stone to stone, with their enormous loads behind them, they die frequently upon the spot; and not they alone; for their passionate drivers, sometimes tumbling down in their energy, are crushed to death beneath the wheels. But it was good five hundred years ago, and it must be good now: and a railroad down one of these steeps (the easiest thing in the world) would be flat blasphemy.
When we stood aside, to see one of these cars drawn by only a pair of oxen (for it had but one small block of marble on it), coming down, I hailed, in my heart, the man who sat upon the heavy yoke, to keep it on the neck of the poor beasts—and who faced backwards: not before him—as the very Devil of true despotism. He had a great rod in his hand, with an iron point; and when they could plough and force their way through the loose bed of the torrent no longer, and came to a stop, he poked it into their bodies, beat it on their heads, screwed it round and round in their nostrils, got them on a yard or two, in the madness of intense pain; repeated all these persuasions, with increased intensity of purpose, when they stopped again; got them on, once more; forced and goaded them to an abrupter point of the descent; and when their writhing and smarting, and the weight behind them, bore them plunging down the precipice in a cloud of scattered water, whirled his rod above his head, and gave a great whoop and hallo, as if he had achieved something, and had no idea that they might shake him off, and blindly mash his brains upon the road, in the noontide of his triumph.
Standing in one of the many studii of Carrara, that afternoon—for it is a great workshop, full of beautifully-finished copies in marble, of almost every figure, group, and bust, we know—it seemed, at first, so strange to me that those exquisite shapes, replete with grace, and thought, and delicate repose, should grow out of all this toil, and sweat, and torture! But I soon found a parallel to it, and an explanation of it, in every virtue that springs up in miserable ground, and every good thing that has its birth in sorrow and distress. And, looking out of the sculptor’s great window, upon the marble mountains, all red and glowing in the decline of day, but stern and solemn to the last, I thought, my God! how many quarries of human hearts and souls, capable of far more beautiful results, are left shut up and mouldering away: while pleasure-travellers through life, avert their faces, as they pass, and shudder at the gloom and ruggedness that conceal them!
The then reigning Duke of Modena, to whom this territory in part belonged, claimed the proud distinction of being the only sovereign in Europe who had not recognised Louis-Philippe as King of the French! He was not a wag, but quite in earnest. He was also much opposed to railroads; and if certain lines in contemplation by other potentates, on either side of him, had been executed, would have probably enjoyed the satisfaction of having an omnibus plying to and fro across his not very vast dominions, to forward travellers from one terminus to another.
Carrara, shut in by great hills, is very picturesque and bold. Few tourists stay there; and the people are nearly all connected, in one way or other, with the working of marble. There are also villages among the caves, where the workmen live. It contains a beautiful little Theatre, newly built; and it is an interesting custom there, to form the chorus of labourers in the marble quarries, who are self-taught and sing by ear. I heard them in a comic opera, and in an act of ‘Norma;’ and they acquitted themselves very well; unlike the common people of Italy generally, who (with some exceptions among the Neapolitans) sing vilely out of tune, and have very disagreeable singing voices.
From the summit of a lofty hill beyond Carrara, the first view of the fertile plain in which the town of Pisa lies—with Leghorn, a purple spot in the flat distance—is enchanting. Nor is it only distance that lends enchantment to the view; for the fruitful country, and rich woods of olive-trees through which the road subsequently passes, render it delightful.
The moon was shining when we approached Pisa, and for a long time we could see, behind the wall, the leaning Tower, all awry in the uncertain light; the shadowy original of the old pictures in school-books, setting forth ‘The Wonders of the World.’ Like most things connected in their first associations with school-books and school-times, it was too small. I felt it keenly. It was nothing like so high above the wall as I had hoped. It was another of the many deceptions practised by Mr. Harris, Bookseller, at the corner of St. Paul’s Churchyard, London.HisTower was a fiction, but this was a reality—and, by comparison, a short reality. Still, it looked very well, and very strange, and was quite as much out of the perpendicular as Harris had represented it to be. The quiet air of Pisa too; the big guard-house at the gate, with only two little soldiers in it; the streets with scarcely any show of people in them; and the Arno, flowing quaintly through the centre of the town; were excellent. So, I bore no malice in my heart against Mr. Harris (remembering his good intentions), but forgave him before dinner, and went out, full of confidence, to see the Tower next morning.
I might have known better; but, somehow, I had expected to see it, casting its long shadow on a public street where people came and went all day. It was a surprise to me to find it in a grave retired place, apart from the general resort, and carpeted with smooth green turf. But, the group of buildings, clustered on and about this verdant carpet: comprising the Tower, the Baptistery, the Cathedral, and the Church of the Campo Santo: is perhaps the most remarkable and beautiful in the whole world; and from being clustered there, together, away from the ordinary transactions and details of the town, they have a singularly venerable and impressive character. It is the architectural essence of a rich old city, with all its common life and common habitations pressed out, and filtered away.
Simondcompares the Tower to the usual pictorial representations in children’s books of the Tower of Babel. It is a happy simile, and conveys a better idea of the building than chapters of laboured description. Nothing can exceed the grace and lightness of the structure; nothing can be more remarkable than its general appearance. In the course of the ascent to the top (which is by an easy staircase), the inclination is not very apparent; but, at the summit, it becomes so, and gives one the sensation of being in a ship that has heeled over, through the action of an ebb-tide. The effectupon the low side, so to speak—looking over from the gallery, and seeing the shaft recede to its base—is very startling; and I saw a nervous traveller hold on to the Tower involuntarily, after glancing down, as if he had some idea of propping it up. The view within, from the ground—looking up, as through a slanted tube—is also very curious. It certainly inclines as much as the most sanguine tourist could desire. The natural impulse of ninety-nine people out of a hundred, who were about to recline upon the grass below it, to rest, and contemplate the adjacent buildings, would probably be, not to take up their position under the leaning side; it is so very much aslant.
The manifold beauties of the Cathedral and Baptistery need no recapitulation from me; though in this case, as in a hundred others, I find it difficult to separate my own delight in recalling them, from your weariness in having them recalled. There is a picture of St. Agnes, by Andrea del Sarto, in the former, and there are a variety of rich columns in the latter, that tempt me strongly.
It is, I hope, no breach of my resolution not to be tempted into elaborate descriptions, to remember the Campo Santo; where grass-grown graves are dug in earth brought more than six hundred years ago, from the Holy Land; and where there are, surrounding them, such cloisters, with such playing lights and shadows falling through their delicate tracery on the stone pavement, as surely the dullest memory could never forget. On the walls of this solemn and lovely place, are ancient frescoes, very much obliterated and decayed, but very curious. As usually happens in almost any collection of paintings, of any sort, in Italy, where there are many heads, there is, in one of them, a striking accidental likeness of Napoleon. At one time, I used to please my fancy with the speculation whether these old painters, at their work, had a foreboding knowledge of the man who would one day arise to wreak such destruction upon art: whose soldiers would make targets of great pictures, and stable their horses among triumphs of architecture. But the same Corsican face is so plentiful in some parts of Italy at this day, that a more commonplace solution of the coincidence is unavoidable.
If Pisa be the seventh wonder of the world in right of its Tower, it may claim to be, at least, the second or third in right of its beggars. They waylay the unhappy visitor at every turn, escort him to every door he enters at, and lie in wait for him, with strong reinforcements, at every door by which they know he must come out. The grating of the portal on its hinges is the signal for a general shout, and the moment he appears, he is hemmed in, and fallen on, by heaps of rags and personal distortions. The beggars seem to embody all the trade and enterprise of Pisa. Nothing else is stirring, but warm air. Going through the streets, the fronts of the sleepy houses look like backs. They are all so still and quiet, and unlike houses with people in them, that the greater part of the city has the appearance of a city at daybreak, or during a general siesta of the population. Or it is yet more like those backgrounds of houses in common prints, or old engravings, where windows and doors are squarely indicated, and one figure (a beggar of course) is seen walking off by itself into illimitable perspective.
Not so Leghorn (made illustrious bySmollett’sgrave), which is a thriving, business-like, matter-of-fact place, where idleness is shouldered out of the way by commerce. The regulations observed there, in reference to trade and merchants, are very liberal and free; and the town, of course, benefits by them. Leghorn had a bad name in connection with stabbers, and with some justice it must be allowed; for, not many years ago, there was an assassination club there, the members of which bore no ill-will to anybody in particular, but stabbed people (quite strangers to them) in the streets at night, for the pleasure and excitement of the recreation. I think the president of this amiable society was a shoemaker. He was taken, however, and the club was broken up. It would, probably, have disappeared in the natural course of events, before the railroad between Leghorn and Pisa, which is a good one, and has already begun to astonish Italy with a precedent of punctuality, order, plain dealing, and improvement—the most dangerous and heretical astonisher of all. There must have been a slight sensation, as of earthquake, surely, in the Vatican, when the first Italian railroad was thrown open.
Returning to Pisa, and hiring a good-tempered Vetturíno, and his four horses, to take us on to Rome, we travelled through pleasant Tuscan villages and cheerful scenery all day. The roadside crosses in this part of Italy are numerous and curious. There is seldom a figure on the cross, though there is sometimes a face, but they are remarkable for being garnished with little models in wood, of every possible object that can be connected with the Saviour’s death. The cock that crowed when Peter had denied his Master thrice, is usually perched on the tip-top; and an ornithological phenomenon he generally is. Under him, is the inscription. Then, hung on to the cross-beam, are the spear, the reed with the sponge of vinegar and water at the end, the coat without seam for which the soldiers cast lots, the dice-box with which they threw for it, the hammer that drove in the nails, the pincers that pulled them out, the ladder which was set against the cross, the crown of thorns, the instrument of flagellation, the lanthorn with which Mary went to the tomb (I suppose), and the sword with which Peter smote the servant of the high priest,—a perfect toy-shop of little objects, repeated at every four or five miles, all along the highway.
On the evening of the second day from Pisa, we reached the beautiful old city of Siena. There was what they called a Carnival, in progress; but, as its secret lay in a score or two of melancholy people walking up and down the principal street in common toy-shop masks, and being more melancholy, if possible, than the same sort of people in England, I say no more of it. We went off, betimes next morning, to see the Cathedral, which is wonderfully picturesque inside and out, especially the latter—also the market-place, or great Piazza, which is a large square, with a great broken-nosed fountain in it: some quaint Gothic houses: and a high square brick tower;outsidethe top of which—a curious feature in such views in Italy—hangs an enormous bell. It is like a bit of Venice, without the water. There are some curious old Palazzi in the town, which is very ancient; and without having (for me) the interest of Verona, or Genoa, it is very dreamy and fantastic, and most interesting.
We went on again, as soon as we had seen these things, and going over a rather bleak country (there had been nothing but vines until now: mere walking-sticks at that season of the year), stopped, as usual, between one and two hours in the middle of the day, to rest the horses; that being a part of every Vetturíno contract. We then went on again, through a region gradually becoming bleaker and wilder, until it became as bare and desolate as any Scottish moors. Soon after dark, we halted for the night, at the osteria of La Scala: a perfectly lone house, where the family were sitting round a great fire in the kitchen, raised on a stone platform three or four feet high, and big enough for the roasting of an ox. On the upper, and only other floor of this hotel, there was a great, wild, rambling sála, with one very little window in a by-corner, and four black doors opening into four black bedrooms in various directions. To say nothing of another large black door, opening into another large black sála, with the staircase coming abruptly through a kind of trap-door in the floor, and the rafters of the roof looming above: a suspicious little press skulking in one obscure corner: and all the knives in the house lying about in various directions. The fireplace was of the purest Italian architecture, so that it was perfectly impossible to see it for the smoke. The waitress was like a dramatic brigand’s wife, and wore the same style of dress upon her head. The dogs barked like mad; the echoes returned the compliments bestowed upon them; there was not another house within twelve miles; and things had a dreary, and rather a cut-throat, appearance.
They were not improved by rumours of robbers having come out, strong and boldly, within a few nights; and of their having stopped the mail very near that place. They were known to have waylaid some travellers not long before, on Mount Vesuvius itself, and were the talk at all the roadside inns. As they were no business of ours, however (for we had very little with us to lose), we made ourselves merry on the subject, and were very soon as comfortable as need be. We had the usual dinner in this solitary house; and a very good dinner it is, when you are used to it. There is something with a vegetable or some rice in it which is a sort of shorthand or arbitrary character for soup, and which tastes very well, when you have flavoured it with plenty of grated cheese, lots of salt, and abundance of pepper. There is the half fowl of which this soup has been made. There is a stewed pigeon, with the gizzards and livers of himself and other birds stuck all round him. There is a bit of roast beef, the size of a small French roll. There are a scrap of Parmesan cheese, and five little withered apples, all huddled together on a small plate, and crowding one upon the other, as if each were trying to save itself from the chance of being eaten. Then there is coffee; and then there is bed. You don’t mind brick floors; you don’t mind yawning doors, nor banging windows; you don’t mind your own horses being stabled under the bed: and so close, that every time a horse coughs or sneezes, he wakes you. If you are good-humoured to the people about you, and speak pleasantly, and look cheerful, take my word for it you may be well entertained in the very worst Italian Inn, and always in the most obliging manner, and may go from one end of the country to the other (despite all stories to the contrary) without any great trial of your patience anywhere. Especially, when you get such wine in flasks, as the Orvieto, and the Monte Pulciano.
It was a bad morning when we left this place; and we went, for twelve miles, over a country as barren, as stony, and as wild, as Cornwall in England, until we came to Radicofani, where there is a ghostly, goblin inn: once a hunting-seat, belonging to the Dukes of Tuscany. It is full of such rambling corridors, and gaunt rooms, that all the murdering and phantom tales that ever were written might have originated in that one house. There are some horrible old Palazzi in Genoa: one in particular, not unlike it, outside: but there is a winding, creaking, wormy, rustling, door-opening, foot-on-staircase-falling character about this Radicofani Hotel, such as I never saw, anywhere else. The town, such as it is, hangs on a hill-side above the house, and in front of it. The inhabitants are all beggars; and as soon as they see a carriage coming, they swoop down upon it, like so many birds of prey.
When we got on the mountain pass, which lies beyond this place, the wind (as they had forewarned us at the inn) was so terrific, that we were obliged to take my other half out of the carriage, lest she should be blown over, carriage and all, and to hang to it, on the windy side (as well as we could for laughing), to prevent its going, Heaven knows where. For mere force of wind, this land-storm might have competed with an Atlantic gale, and had a reasonable chance of coming off victorious. The blast came sweeping down great gullies in a range of mountains on the right: so that we looked with positive awe at a great morass on the left, and saw that there was not a bush or twig to hold by. It seemed as if, once blown from our feet, we must be swept out to sea, or away into space. There was snow, and hail, and rain, and lightning, and thunder; and there were rolling mists, travelling with incredible velocity. It was dark, awful, and solitary to the last degree; there were mountains above mountains, veiled in angry clouds; and there was such a wrathful, rapid, violent, tumultuous hurry, everywhere, as rendered the scene unspeakably exciting and grand.
It was a relief to get out of it, notwithstanding; and to cross even the dismal, dirty Papal Frontier. After passing through two little towns; in one of which, Acquapendente, there was also a ‘Carnival’ in progress: consisting of one man dressed and masked as a woman, and one woman dressed and masked as a man, walking ankle-deep, through the muddy streets, in a very melancholy manner: we came, at dusk, within sight of the Lake of Bolsena, on whose bank there is a little town of the same name, much celebrated for malaria. With the exception of this poor place, there is not a cottage on the banks of the lake, or near it (for nobody dare sleep there); not a boat upon its waters; not a stick or stake to break the dismal monotony of seven-and-twenty watery miles. We were late in getting in, the roads being very bad from heavy rains; and, after dark, the dulness of the scene was quite intolerable.
We entered on a very different, and a finer scene of desolation, next night, at sunset. We had passed through Montefiaschone (famous for its wine) and Viterbo (for its fountains): and after climbing up a long hill of eight or ten miles’ extent, came suddenly upon the margin of a solitary lake: in one part very beautiful, with a luxuriant wood; in another, very barren, and shut in by bleak volcanic hills. Where this lake flows, there stood, of old, a city. It was swallowed up one day; and in its stead, this water rose. There are ancient traditions (common to many parts of the world) of the ruined city having been seen below, when the water was clear; but however that may be, from this spot of earth it vanished. The ground came bubbling up above it; and the water too; and here they stand, like ghosts on whom the other world closed suddenly, and who have no means of getting back again. They seem to be waiting the course of ages, for the next earthquake in that place; when they will plunge below the ground, at its first yawning, and be seen no more. The unhappy city below, is not more lost and dreary, than these fire-charred hills and the stagnant water, above. The red sun looked strangely on them, as with the knowledge that they were made for caverns and darkness; and the melancholy water oozed and sucked the mud, and crept quietly among the marshy grass and reeds, as if the overthrow of all the ancient towers and housetops, and the death of all the ancient people born and bred there, were yet heavy on its conscience.
A short ride from this lake, brought us to Ronciglione; a little town like a large pig-sty, where we passed the night. Next morning at seven o’clock, we started for Rome.
As soon as we were out of the pig-sty, we entered on the Campagna Romana; an undulating flat (as you know), where few people can live; and where, for miles and miles, there is nothing to relieve the terrible monotony and gloom. Of all kinds of country that could, by possibility, lie outside the gates of Rome, this is the aptest and fittest burial-ground for the Dead City. So sad, so quiet, so sullen; so secret in its covering up of great masses of ruin, and hiding them; so like the waste places into which the men possessed with devils used to go and howl, and rend themselves, in the old days of Jerusalem. We had to traverse thirty miles of this Campagna; and for two-and-twenty we went on and on, seeing nothing but now and then a lonely house, or a villainous-looking shepherd: with matted hair all over his face, and himself wrapped to the chin in a frowsy brown mantle, tending his sheep. At the end of that distance, we stopped to refresh the horses, and to get some lunch, in a common malaria-shaken, despondent little public-house, whose every inch of wall and beam, inside, was (according to custom) painted and decorated in a way so miserable that every room looked like the wrong side of another room, and, with its wretched imitation of drapery, and lop-sided little daubs of lyres, seemed to have been plundered from behind the scenes of some travelling circus.
When we were fairly going off again, we began, in a perfect fever, to strain our eyes for Rome; and when, after another mile or two, the Eternal City appeared, at length, in the distance; it looked like—I am half afraid to write the word—like LONDON!!! There it lay, under a thick cloud, with innumerable towers, and steeples, and roofs of houses, rising up into the sky, and high above them all, one Dome. I swear, that keenly as I felt the seeming absurdity of the comparison, it was so like London, at that distance, that if you could have shown it me, in a glass, I should have taken it for nothing else.
Weentered the Eternal City, at about four o’clock in the afternoon, on the thirtieth of January, by the Porta del Popolo, and came immediately—it was a dark, muddy day, and there had been heavy rain—on the skirts of the Carnival. We did not, then, know that we were only looking at the fag end of the masks, who were driving slowly round and round the Piazza until they could find a promising opportunity for falling into the stream of carriages, and getting, in good time, into the thick of the festivity; and coming among them so abruptly, all travel-stained and weary, was not coming very well prepared to enjoy the scene.
We had crossed the Tiber by the Ponte Molle two or three miles before. It had looked as yellow as it ought to look, and hurrying on between its worn-away and miry banks, had a promising aspect of desolation and ruin. The masquerade dresses on the fringe of the Carnival, did great violence to this promise. There were no great ruins, no solemn tokens of antiquity, to be seen;—they all lie on the other side of the city. There seemed to be long streets of commonplace shops and houses, such as are to be found in any European town; there were busy people, equipages, ordinary walkers to and fro; a multitude of chattering strangers. It was no moremyRome: the Rome of anybody’s fancy, man or boy; degraded and fallen and lying asleep in the sun among a heap of ruins: than the Place de la Concorde in Paris is. A cloudy sky, a dull cold rain, and muddy streets, I was prepared for, but not for this: and I confess to having gone to bed, that night, in a very indifferent humour, and with a very considerably quenched enthusiasm.
Immediately on going out next day, we hurried off to St. Peter’s. It looked immense in the distance, but distinctly and decidedly small, by comparison, on a near approach. The beauty of the Piazza, on which it stands, with its clusters of exquisite columns, and its gushing fountains—so fresh, so broad, and free, and beautiful—nothing can exaggerate. The first burst of the interior, in all its expansive majesty and glory: and, most of all, the looking up into the Dome: is a sensation never to be forgotten. But, there were preparations for a Festa; the pillars of stately marble were swathed in some impertinent frippery of red and yellow; the altar, and entrance to the subterranean chapel: which is before it: in the centre of the church: were like a goldsmith’s shop, or one of the opening scenes in a very lavish pantomime. And though I had as high a sense of the beauty of the building (I hope) as it is possible to entertain, I felt no very strong emotion. I have been infinitely more affected in many English cathedrals when the organ has been playing, and in many English country churches when the congregation have been singing. I had a much greater sense of mystery and wonder, in the Cathedral of San Mark at Venice.
When we came out of the church again (we stood nearly an hour staring up into the dome: and would not have ‘gone over’ the Cathedral then, for any money), we said to the coachman, ‘Go to the Coliseum.’ In a quarter of an hour or so, he stopped at the gate, and we went in.
It is no fiction, but plain, sober, honest Truth, to say: so suggestive and distinct is it at this hour: that, for a moment—actually in passing in—they who will, may have the whole great pile before them, as it used to be, with thousands of eager faces staring down into the arena, and such a whirl of strife, and blood, and dust going on there, as no language can describe. Its solitude, its awful beauty, and its utter desolation, strike upon the stranger the next moment, like a softened sorrow; and never in his life, perhaps, will he be so moved and overcome by any sight, not immediately connected with his own affections and afflictions.
To see it crumbling there, an inch a year; its walls and arches overgrown with green; its corridors open to the day; the long grass growing in its porches; young trees of yesterday, springing up on its ragged parapets, and bearing fruit: chance produce of the seeds dropped there by the birds who build their nests within its chinks and crannies; to see its Pit of Fight filled up with earth, and the peaceful Cross planted in the centre; to climb into its upper halls, and look down on ruin, ruin, ruin, all about it; the triumphal arches of Constantine, Septimus Severus, and Titus; the Roman Forum; the Palace of the Cæsars; the temples of the old religion, fallen down and gone; is to see the ghost of old Rome, wicked, wonderful old city, haunting the very ground on which its people trod. It is the most impressive, the most stately, the most solemn, grand, majestic, mournful sight, conceivable. Never, in its bloodiest prime, can the sight of the gigantic Coliseum, full and running over with the lustiest life, have moved one’s heart, as it must move all who look upon it now, a ruin.Godbe thanked: a ruin!
As it tops the other ruins: standing there, a mountain among graves: so do its ancient influences outlive all other remnants of the old mythology and old butchery of Rome, in the nature of the fierce and cruel Roman people. The Italian face changes as the visitor approaches the city; its beauty becomes devilish; and there is scarcely one countenance in a hundred, among the common people in the streets, that would not be at home and happy in a renovated Coliseum to-morrow.
Here was Rome indeed at last; and such a Rome as no one can imagine in its full and awful grandeur! We wandered out upon the Appian Way, and then went on, through miles of ruined tombs and broken walls, with here and there a desolate and uninhabited house: past the Circus of Romulus, where the course of the chariots, the stations of the judges, competitors, and spectators, are yet as plainly to be seen as in old time: past the tomb of Cecilia Metella: past all inclosure, hedge, or stake, wall or fence: away upon the open Campagna, where on that side of Rome, nothing is to be beheld but Ruin. Except where the distant Apennines bound the view upon the left, the whole wide prospect is one field of ruin. Broken aqueducts, left in the most picturesque and beautiful clusters of arches; broken temples; broken tombs. A desert of decay, sombre and desolate beyond all expression; and with a history in every stone that strews the ground.
On Sunday, the Pope assisted in the performance of High Mass at St. Peter’s. The effect of the Cathedral on my mind, on that second visit, was exactly what it was at first, and what it remains after many visits. It is not religiously impressive or affecting. It is an immense edifice, with no one point for the mind to rest upon; and it tires itself with wandering round and round. The very purpose of the place, is not expressed in anything you see there, unless you examine its details—and all examination of details is incompatible with the place itself. It might be a Pantheon, or a Senate House, or a great architectural trophy, having no other object than an architectural triumph. There is a black statue of St. Peter, to be sure, under a red canopy; which is larger than life and which is constantly having its great toe kissed by good Catholics. You cannot help seeing that: it is so very prominent and popular. But it does not heighten the effect of the temple, as a work of art; and it is not expressive—to me at least—of its high purpose.
A large space behind the altar, was fitted up with boxes, shaped like those at the Italian Opera in England, but in their decoration much more gaudy. In the centre of the kind of theatre thus railed off, was a canopied dais with the Pope’s chair upon it. The pavement was covered with a carpet of the brightest green; and what with this green, and the intolerable reds and crimsons, and gold borders of the hangings, the whole concern looked like a stupendous Bonbon. On either side of the altar, was a large box for lady strangers. These were filled with ladies in black dresses and black veils. The gentlemen of the Pope’s guard, in red coats, leather breeches, and jack-boots, guarded all this reserved space, with drawn swords that were very flashy in every sense; and from the altar all down the nave, a broad lane was kept clear by the Pope’s Swiss guard, who wear a quaint striped surcoat, and striped tight legs, and carry halberds like those which are usually shouldered by those theatrical supernumeraries, who nevercanget off the stage fast enough, and who may be generally observed to linger in the enemy’s camp after the open country, held by the opposite forces, has been split up the middle by a convulsion of Nature.
I got upon the border of the green carpet, in company with a great many other gentlemen, attired in black (no other passport is necessary), and stood there at my ease, during the performance of Mass. The singers were in a crib of wirework (like a large meat-safe or bird-cage) in one corner; and sang most atrociously. All about the green carpet, there was a slowly moving crowd of people: talking to each other: staring at the Pope through eye-glasses; defrauding one another, in moments of partial curiosity, out of precarious seats on the bases of pillars: and grinning hideously at the ladies. Dotted here and there, were little knots of friars (Frances-cáni, or Cappuccíni, in their coarse brown dresses and peaked hoods) making a strange contrast to the gaudy ecclesiastics of higher degree, and having their humility gratified to the utmost, by being shouldered about, and elbowed right and left, on all sides. Some of these had muddy sandals and umbrellas, and stained garments: having trudged in from the country. The faces of the greater part were as coarse and heavy as their dress; their dogged, stupid, monotonous stare at all the glory and splendour, having something in it, half miserable, and half ridiculous.
Upon the green carpet itself, and gathered round the altar, was a perfect army of cardinals and priests, in red, gold, purple, violet, white, and fine linen. Stragglers from these, went to and fro among the crowd, conversing two and two, or giving and receiving introductions, and exchanging salutations; other functionaries in black gowns, and other functionaries in court-dresses, were similarly engaged. In the midst of all these, and stealthy Jesuits creeping in and out, and the extreme restlessness of the Youth of England, who were perpetually wandering about, some few steady persons in black cassocks, who had knelt down with their faces to the wall, and were poring over their missals, became, unintentionally, a sort of humane man-traps, and with their own devout legs, tripped up other people’s by the dozen.
There was a great pile of candles lying down on the floor near me, which a very old man in a rusty black gown with an open-work tippet, like a summer ornament for a fireplace in tissue-paper, made himself very busy in dispensing to all the ecclesiastics: one a-piece. They loitered about with these for some time, under their arms like walking-sticks, or in their hands like truncheons. At a certain period of the ceremony, however, each carried his candle up to the Pope, laid it across his two knees to be blessed, took it back again, and filed off. This was done in a very attenuated procession, as you may suppose, and occupied a long time. Not because it takes long to bless a candle through and through, but because there were so many candles to be blessed. At last they were all blessed: and then they were all lighted; and then the Pope was taken up, chair and all, and carried round the church.
I must say, that I never saw anything, out of November, so like the popular English commemoration of the fifth of that month. A bundle of matches and a lantern, would have made it perfect. Nor did the Pope, himself, at all mar the resemblance, though he has a pleasant and venerable face; for, as this part of the ceremony makes him giddy and sick, he shuts his eyes when it is performed: and having his eyes shut and a great mitre on his head, and his head itself wagging to and fro as they shook him in carrying, he looked as if his mask were going to tumble off. The two immense fans which are always borne, one on either side of him, accompanied him, of course, on this occasion. As they carried him along, he blessed the people with the mystic sign; and as he passed them, they kneeled down. When he had made the round of the church, he was brought back again, and if I am not mistaken, this performance was repeated, in the whole, three times. There was, certainly nothing solemn or effective in it; and certainly very much that was droll and tawdry. But this remark applies to the whole ceremony, except the raising of the Host, when every man in the guard dropped on one knee instantly, and dashed his naked sword on the ground; which had a fine effect.
The next time I saw the cathedral, was some two or three weeks afterwards, when I climbed up into the ball; and then, the hangings being taken down, and the carpet taken up, but all the framework left, the remnants of these decorations looked like an exploded cracker.
The Friday and Saturday having been solemn Festa days, and Sunday being always adies nonin carnival proceedings, we had looked forward, with some impatience and curiosity, to the beginning of the new week: Monday and Tuesday being the two last and best days of the Carnival.
On the Monday afternoon at one or two o’clock, there began to be a great rattling of carriages into the court-yard of the hotel; a hurrying to and fro of all the servants in it; and, now and then, a swift shooting across some doorway or balcony, of a straggling stranger in a fancy dress: not yet sufficiently well used to the same, to wear it with confidence, and defy public opinion. All the carriages were open, and had the linings carefully covered with white cotton or calico, to prevent their proper decorations from being spoiled by the incessant pelting of sugar-plums; and people were packing and cramming into every vehicle as it waited for its occupants, enormous sacks and baskets full of these confétti, together with such heaps of flowers, tied up in little nosegays, that some carriages were not only brimful of flowers, but literally running over: scattering, at every shake and jerk of the springs, some of their abundance on the ground. Not to be behindhand in these essential particulars, we caused two very respectable sacks of sugar-plums (each about three feet high) and a large clothes-basket full of flowers to be conveyed into our hired barouche, with all speed. And from our place of observation, in one of the upper balconies of the hotel, we contemplated these arrangements with the liveliest satisfaction. The carriages now beginning to take up their company, and move away, we got into ours, and drove off too, armed with little wire masks for our faces; the sugar-plums, like Falstaff’s adulterated sack, having lime in their composition.
The Corso is a street a mile long; a street of shops, and palaces, and private houses, sometimes opening into a broad piazza. There are verandahs and balconies, of all shapes and sizes, to almost every house—not on one story alone, but often to one room or another on every story—put there in general with so little order or regularity, that if, year after year, and season after season, it had rained balconies, hailed balconies, snowed balconies, blown balconies, they could scarcely have come into existence in a more disorderly manner.
This is the great fountain-head and focus of the Carnival. But all the streets in which the Carnival is held, being vigilantly kept by dragoons, it is necessary for carriages, in the first instance, to pass, in line, down another thoroughfare, and so come into the Corso at the end remote from the Piázza del Popolo; which is one of its terminations. Accordingly, we fell into the string of coaches, and, for some time, jogged on quietly enough; now crawling on at a very slow walk; now trotting half-a-dozen yards; now backing fifty; and now stopping altogether: as the pressure in front obliged us. If any impetuous carriage dashed out of the rank and clattered forward, with the wild idea of getting on faster, it was suddenly met, or overtaken, by a trooper on horseback, who, deaf as his own drawn sword to all remonstrances, immediately escorted it back to the very end of the row, and made it a dim speck in the remotest perspective. Occasionally, we interchanged a volley of confétti with the carriage next in front, or the carriage next behind; but as yet, this capturing of stray and errant coaches by the military, was the chief amusement.
Presently, we came into a narrow street, where, besides one line of carriages going, there was another line of carriages returning. Here the sugar-plums and the nosegays began to fly about, pretty smartly; and I was fortunate enough to observe one gentleman attired as a Greek warrior, catch a light-whiskered brigand on the nose (he was in the very act of tossing up a bouquet to a young lady in a first-floor window) with a precision that was much applauded by the bystanders. As this victorious Greek was exchanging a facetious remark with a stout gentleman in a doorway—one-half black and one-half white, as if he had been peeled up the middle—who had offered him his congratulations on this achievement, he received an orange from a housetop, full on his left ear, and was much surprised, not to say discomfited. Especially, as he was standing up at the time; and in consequence of the carriage moving on suddenly, at the same moment, staggered ignominiously, and buried himself among his flowers.
Some quarter of an hour of this sort of progress, brought us to the Corso; and anything so gay, so bright, and lively as the whole scene there, it would be difficult to imagine. From all the innumerable balconies: from the remotest and highest, no less than from the lowest and nearest: hangings of bright red, bright green, bright blue, white and gold, were fluttering in the brilliant sunlight. From windows, and from parapets, and tops of houses, streamers of the richest colours, and draperies of the gaudiest and most sparkling hues, were floating out upon the street. The buildings seemed to have been literally turned inside out, and to have all their gaiety towards the highway. Shop-fronts were taken down, and the windows filled with company, like boxes at a shining theatre; doors were carried off their hinges, and long tapestried groves, hung with garlands of flowers and evergreens, displayed within; builders’ scaffoldings were gorgeous temples, radiant in silver, gold, and crimson; and in every nook and corner, from the pavement to the chimney-tops, where women’s eyes could glisten, there they danced, and laughed, and sparkled, like the light in water. Every sort of bewitching madness of dress was there. Little preposterous scarlet jackets; quaint old stomachers, more wicked than the smartest bodices; Polish pelisses, strained and tight as ripe gooseberries; tiny Greek caps, all awry, and clinging to the dark hair, Heaven knows how; every wild, quaint, bold, shy, pettish, madcap fancy had its illustration in a dress; and every fancy was as dead forgotten by its owner, in the tumult of merriment, as if the three old aqueducts that still remain entire had brought Lethe into Rome, upon their sturdy arches, that morning.
The carriages were now three abreast; in broader places four; often stationary for a long time together, always one close mass of variegated brightness; showing, the whole street-full, through the storm of flowers, like flowers of a larger growth themselves. In some, the horses were richly caparisoned in magnificent trappings; in others they were decked from head to tail, with flowing ribbons. Some were driven by coachmen with enormous double faces: one face leering at the horses: the other cocking its extraordinary eyes into the carriage: and both rattling again, under the hail of sugar-plums. Other drivers were attired as women, wearing long ringlets and no bonnets, and looking more ridiculous in any real difficulty with the horses (of which, in such a concourse, there were a great many) than tongue can tell, or pen describe. Instead of sittinginthe carriages, upon the seats, the handsome Roman women, to see and to be seen the better, sit in the heads of the barouches, at this time of general licence, with their feet upon the cushions—and oh, the flowing skirts and dainty waists, the blessed shapes and laughing faces, the free, good-humoured, gallant figures that they make! There were great vans, too, full of handsome girls—thirty, or more together, perhaps—and the broadsides that were poured into, and poured out of, these fairy fire-shops, splashed the air with flowers and bon-bons for ten minutes at a time. Carriages, delayed long in one place, would begin a deliberate engagement with other carriages, or with people at the lower windows; and the spectators at some upper balcony or window, joining in the fray, and attacking both parties, would empty down great bags of confétti, that descended like a cloud, and in an instant made them white as millers. Still, carriages on carriages, dresses on dresses, colours on colours, crowds upon crowds, without end. Men and boys clinging to the wheels of coaches, and holding on behind, and following in their wake, and diving in among the horses’ feet to pick up scattered flowers to sell again; maskers on foot (the drollest generally) in fantastic exaggerations of court-dresses, surveying the throng through enormous eye-glasses, and always transported with an ecstasy of love, on the discovery of any particularly old lady at a window; long strings of Policinelli, laying about them with blown bladders at the ends of sticks; a waggon-full of madmen, screaming and tearing to the life; a coach-full of grave mamelukes, with their horse-tail standard set up in the midst; a party of gipsy-women engaged in terrific conflict with a shipful of sailors; a man-monkey on a pole, surrounded by strange animals with pigs’ faces, and lions’ tails, carried under their arms, or worn gracefully over their shoulders; carriages on carriages, dresses on dresses, colours on colours, crowds upon crowds, without end. Not many actual characters sustained, or represented, perhaps, considering the number dressed, but the main pleasure of the scene consisting in its perfect good temper; in its bright, and infinite, and flashing variety; and in its entire abandonment to the mad humour of the time—an abandonment so perfect, so contagious, so irresistible, that the steadiest foreigner fights up to his middle in flowers and sugar-plums, like the wildest Roman of them all, and thinks of nothing else till half-past four o’clock, when he is suddenly reminded (to his great regret) that this is not the whole business of his existence, by hearing the trumpets sound, and seeing the dragoons begin to clear the street.
How it everiscleared for the race that takes place at five, or how the horses ever go through the race, without going over the people, is more than I can say. But the carriages get out into the by-streets, or up into the Piázza del Popolo, and some people sit in temporary galleries in the latter place, and tens of thousands line the Corso on both sides, when the horses are brought out into the Piázza—to the foot of that same column which, for centuries, looked down upon the games and chariot-races in the Circus Maximus.
At a given signal they are started off. Down the live lane, the whole length of the Corso, they fly like the wind: riderless, as all the world knows: with shining ornaments upon their backs, and twisted in their plaited manes: and with heavy little balls stuck full of spikes, dangling at their sides, to goad them on. The jingling of these trappings, and the rattling of their hoofs upon the hard stones; the dash and fury of their speed along the echoing street; nay, the very cannon that are fired—these noises are nothing to the roaring of the multitude: their shouts: the clapping of their hands. But it is soon over—almost instantaneously. More cannon shake the town. The horses have plunged into the carpets put across the street to stop them; the goal is reached; the prizes are won (they are given, in part, by the poor Jews, as a compromise for not running foot-races themselves); and there is an end to that day’s sport.
But if the scene be bright, and gay, and crowded, on the last day but one, it attains, on the concluding day, to such a height of glittering colour, swarming life, and frolicsome uproar, that the bare recollection of it makes me giddy at this moment. The same diversions, greatly heightened and intensified in the ardour with which they are pursued, go on until the same hour. The race is repeated; the cannon are fired; the shouting and clapping of hands are renewed; the cannon are fired again; the race is over; and the prizes are won. But the carriages: ankle-deep with sugar-plums within, and so be-flowered and dusty without, as to be hardly recognisable for the same vehicles that they were, three hours ago: instead of scampering off in all directions, throng into the Corso, where they are soon wedged together in a scarcely moving mass. For the diversion of the Moccoletti, the last gay madness of the Carnival, is now at hand; and sellers of little tapers like what are called Christmas candles in England, are shouting lustily on every side, ‘Moccoli, Moccoli! Ecco Moccoli!’—a new item in the tumult; quite abolishing that other item of ‘Ecco Fióri! Ecco Fior-r-r!’ which has been making itself audible over all the rest, at intervals, the whole day through.
As the bright hangings and dresses are all fading into one dull, heavy, uniform colour in the decline of the day, lights begin flashing, here and there: in the windows, on the housetops, in the balconies, in the carriages, in the hands of the foot-passengers: little by little: gradually, gradually: more and more: until the whole long street is one great glare and blaze of fire. Then, everybody present has but one engrossing object; that is, to extinguish other people’s candles, and to keep his own alight; and everybody: man, woman, or child, gentleman or lady, prince or peasant, native or foreigner: yells and screams, and roars incessantly, as a taunt to the subdued, ‘Senza Moccolo, Senza Moccolo!’ (Without a light! Without a light!) until nothing is heard but a gigantic chorus of those two words, mingled with peals of laughter.
The spectacle, at this time, is one of the most extraordinary that can be imagined. Carriages coming slowly by, with everybody standing on the seats or on the box, holding up their lights at arms’ length, for greater safety; some in paper shades; some with a bunch of undefended little tapers, kindled altogether; some with blazing torches; some with feeble little candles; men on foot, creeping along, among the wheels, watching their opportunity, to make a spring at some particular light, and dash it out; other people climbing up into carriages, to get hold of them by main force; others, chasing some unlucky wanderer, round and round his own coach, to blow out the light he has begged or stolen somewhere, before he can ascend to his own company, and enable them to light their extinguished tapers; others, with their hats off, at a carriage-door, humbly beseeching some kind-hearted lady to oblige them with a light for a cigar, and when she is in the fulness of doubt whether to comply or no, blowing out the candle she is guarding so tenderly with her little hand; other people at the windows, fishing for candles with lines and hooks, or letting down long willow-wands with handkerchiefs at the end, and flapping them out, dexterously, when the bearer is at the height of his triumph, others, biding their time in corners, with immense extinguishers like halberds, and suddenly coming down upon glorious torches; others, gathered round one coach, and sticking to it; others, raining oranges and nosegays at an obdurate little lantern, or regularly storming a pyramid of men, holding up one man among them, who carries one feeble little wick above his head, with which he defies them all! Senza Moccolo! Senza Moccolo! Beautiful women, standing up in coaches, pointing in derision at extinguished lights, and clapping their hands, as they pass on, crying, ‘Senza Moccolo! Senza Moccolo!’; low balconies full of lovely faces and gay dresses, struggling with assailants in the streets; some repressing them as they climb up, some bending down, some leaning over, some shrinking back—delicate arms and bosoms—graceful figures—glowing lights, fluttering dresses, Senza Moccolo, Senza Moccoli, Senza Moc-co-lo-o-o-o!—when in the wildest enthusiasm of the cry, and fullest ecstasy of the sport, the Ave Maria rings from the church steeples, and the Carnival is over in an instant—put out like a taper, with a breath!
There was a masquerade at the theatre at night, as dull and senseless as a London one, and only remarkable for the summary way in which the house was cleared at eleven o’clock: which was done by a line of soldiers forming along the wall, at the back of the stage, and sweeping the whole company out before them, like a broad broom. The game of the Moccoletti (the word, in the singular, Moccoletto, is the diminutive of Moccolo, and means a little lamp or candlesnuff) is supposed by some to be a ceremony of burlesque mourning for the death of the Carnival: candles being indispensable to Catholic grief. But whether it be so, or be a remnant of the ancient Saturnalia, or an incorporation of both, or have its origin in anything else, I shall always remember it, and the frolic, as a brilliant and most captivating sight: no less remarkable for the unbroken good-humour of all concerned, down to the very lowest (and among those who scaled the carriages, were many of the commonest men and boys), than for its innocent vivacity. For, odd as it may seem to say so, of a sport so full of thoughtlessness and personal display, it is as free from any taint of immodesty as any general mingling of the two sexes can possibly be; and there seems to prevail, during its progress, a feeling of general, almost childish, simplicity and confidence, which one thinks of with a pang, when the Ave Maria has rung it away, for a whole year.