THE DOWNFALL OF GEORGE SNIPE

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(Delivered to Cain and Abel, the first graduating class of the Garden of Eden Normal School.)

(Delivered to Cain and Abel, the first graduating class of the Garden of Eden Normal School.)

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My young friends—It is a privilege to be permitted to address you this morning, for I am convinced that never in the world's history did the age beckon with so eager a gesture to the young men on the threshold of active life. Never indeed in the past, and certainly never in the future, was there or will there be a time more deeply fraught with significance. And as I gaze upon your keen faces it seems almost as though the world had amassed all the problems that now confront us merely in order to give you tasks worthy of your prowess.

The world, I think I may safely say, is smaller now than ever before. The recent invention of youngwomen, something quite new in the way of a social problem, has introduced a hitherto undreamed-of complexity into human affairs. The extreme rapidity with which ideas and thoughts now circulate, due to the new invention of speech, makes it probable that what is said in Eden to-day will be known in the land of Nod within a year. The greatest need is plainly for big-visioned and purposeful men, efficient men, men with forward-looking minds. I hope you will pattern after your admirable father in this respect; he truly was a forward-looking man, for he had nothing to look back on.

You are aware, however, that your father has had serious problems to deal with, and it is well that you should consider those problems in the light of the experiences you are about to face. One of his most perplexing difficulties would never have come upon him if he had not fallen into a deep sleep. I counsel you, therefore, be wary not to overslumber. The prizes of life always come to those who press resolutely on, undaunted by fatigue and discouragement. Another of your father's failings was probably due to the fact that he was never a small boy and thus had no chance to work the deviltry out of his system. You yourselves have been abundantly blessed in this regard. I think I may say that here, in our Normal Academy, you have had an almost ideal playground to work off those boyish high spirits, to perpetrate those mischievous pranks that the world expects ofits young. Remember that you are now going out into the mature work of life, where you will encounter serious problems.

As you wend your way from these accustomed shades into the full glare of public life you will do so, I hope, with the consciousness that the eyes of the world are upon you. The sphere of activity in which you may find yourselves called upon to perform may be restricted, but you will remember that not failure but low aim is base. You will hold a just balance between the conflicting tendencies of radicalism and conservatism. You will endeavour to secure for labour its due share in the profits of labour. You will not be forgetful that all government depends in the last resort on the consent of the governed. These catch words in the full flush of your youth you may be inclined to dismiss as truisms, but I assure you that 10,000 years from now men will be uttering them with the same air of discovery.

It is my great pleasure to confer upon you both the degree of bachelor of arts and to pray that you may never bring discredit upon your alma mater.

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George Snipe was an ardent book-lover, and sat in the smoking car in a state of suspended ecstasy. He had been invited out to Mandrake Park to visit the library of Mr. Genial Girth, the well-known collector of rare autographed books. Devoted amateur of literature as he was, George's humble career rarely brought him into contact with bookish treasures, and a tremulous excitement swam through his brain as he thought of the glories he was about to see. In his devout meditation the train carried him a station beyond his alighting place, and he ran frantically back through the well-groomed suburban countryside in order to reach Mr. Girth's home on time.

They went through the library together. Mr. Girth displayed all his fascinating prizes with generous good nature, and George grew excited. The palms of his hands were clammy with agitation. All round the room, encased in scarlet slip-covers of tooled morocco, on fireproof shelves, were the priceless booty of the collector. Here was Charles Lamb's “Essays of Elia,” inscribed by the author to the woman he loved. Here was a copy of “ParadiseLost,” signed by John Milton. Here was a “Hamlet” given by Shakespeare to Bacon with the inscription, “Dear Frank, don't you wish you could have written something like this?” Here was the unpublished manuscript of a story by Robert Louis Stevenson. Here was a note written by Doctor Johnson to the landlord of the Cheshire Cheese, refusing to pay a bill and accusing the tavern-keeper of profiteering. Here were volumes autographed by Goldsmith, Keats, Shelley, Poe, Byron, DeFoe, Swift, Dickens, Thackeray, and all the other great figures of modern literature.

Poor George's agitation became painful. His head buzzed as he surveyed the faded signatures of all these men who had become the living figures of his day-dreams. His eye rolled wildly in its orbit. Just then Mr. Girth was called out of the room, and left George alone among the treasures.

Just at what instant the mania seized him we shall never know. There were a pen and an inkpot on the table, and the frenzied lover of books dipped the quill deep in the dark blue fluid. He ran eagerly to the shelves. The first volume he saw was a copy of “Lorna Doone.” In it he wrote “Affectionately yours, R. D. Blackmore.” Then came Longfellow's poems. He scrawled “With deep esteem, Henry W. Longfellow” on the flyleaf. Then three volumes of Macaulay's “History of England.” In the first he jotted “I have alwayswanted you to have these admirable books, T. B. M.” In “The Mill on the Floss” he wrote “This comes to you still warm from the press, George Eliot.” The next book happened to be a copy of Edgar Guest's poems. In this he inscribed “You are the host I love the best, This is my boast, Yours, Edgar Guest.” In a copy of Browning's Poems he wrote “To my dear and only wife, Elizabeth, from her devoted Robert.” In a pamphlet reprint of the Gettysburg Speech he penned “This is straight stuff, A. Lincoln.” But perhaps his most triumphant exploit was signing a copy of the Rubaiyat thus: “This book is given to the Anti-Saloon League of Naishapur by that thorn in their side, O. Khayyam.”

By the time the ambulance reached Mr. Girth's home George was completely beyond control. He was taken away screaming because he had not had a chance to autograph a copy of the “Songs of Solomon.”

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(Roger Mifflinloquitur)

(Roger Mifflinloquitur)

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I had a pleasant adventure to-day. A free verse poet came in to see me, wanted me to buy some copies of “The Pagan Anthology.” I looked over the book, to which he himself had contributed some pieces. I advised him to read Tennyson. I wish you could have seen his face.

If you want to see a really good anthology (I said)have a look at Pearsall Smith's “Treasury of English Prose,” just out. The only thing that surprises me is that Mr. Smith didn't include some free verse in it. The best thing about free verse is that it is often awfully good prose.

It's a superb clear night: a milky pallor washed in the blue: a white moon overhead: stars rare but brilliant, one in the south twinkles and flutters like a tiny flower stirred by faint air. The wind is “a cordial of incredible virtue” (Emerson)—sharp and chill, but with a milder tincture. To-day, though brisk and snell on the streets, the sunshine had a lively vigour, a generous quality, a promissory note of the equinox. I felt it from first rising this morning—the old demiurge at work! As I sat in the bathtub (when a man is fifty he may be pardoned for taking a warm bath on winter mornings) my mind fell upon the desire of wandering: it occurred to me that a spread of legs in the vital air would be richly repaid. The windows called me: as soon as shirt and trousers were on, I was at the sill peering out over Gissing Street. Later, even through closed panes, the chink of milk bottles on the pavement below seemed to rise with a clearer, merrier note. Setting out for some tobacco about 8:30, I stopped to study the ice-man's great blocks of silvery translucence, lying along the curb by a big apartment house. “Artificial” ice, I suppose: it was interesting to see, in the meridian of each cake, a kind of silveryfracture or membrane, with the grain of air-bubbles tending outward therefrom—showing, no doubt, if one knew the mechanics of refrigeration, just how the freezing proceeded. Even in so humble a thing as a block of ice are these harmonic and lovely patterns, the seal of Nature's craft, inscrutable, inimitable. I might have made a point of this in talking to that free verse poet. I'm glad I didn't, however: he would have had some tedious reply, convincing to himself. That's the trouble with replies: they are always convincing to the replier. As a friend of mine used to say, one good taciturn deserves another.

I was thinking, as I took a parcel of laundry up to the Chinaman on McFee Street just now, it would be interesting to write a book dealing solely, candidly, exactly, and fully with the events, emotions, and thoughts of just one day in a man's life. If one could do that, in a way to carry conviction, assent, and reality, to convey to the reader's senses a recognition of genuine actual humanbeing, one might claim to be a true artist.

I have found an admirable book for reading in bed—this little anthology of prose, collected by Pearsall Smith. He knows what good prose is, having written some of the daintiest bits of our time in his “Trivia,” a book with which I occasionally delight a truly discerning customer. What a fascination there is in good prose—“the cool elementof prose” as Milton calls it—a sort of fluid happiness of the mind, unshaken by the violent pangs of great poetry. I am not subtle enough to describe it, but in the steadily cumulating satisfaction of first-class prose there seems to be something that speaks direct to the brain, unmarred by the claims of the senses, the emotions. I meditate much, ignorantly and fumblingly, on the modes and purposes of writing. It is so simple—“Fool!” said my Muse to me, “look in thy heart and write!”—all that is needful is to tell what happens; and yet how hard it is to summon up that necessary candor. Every time I read great work I see the confirmation of what I grope for. How vivid, straight, and cleanly it seems when done: merely the outward utterance of “what the mind at home, in the spacious circuits of her musing, hath liberty to propose to herself.” Let a man's mind depart from his audience; let him have no concern whether to shock or to please. Let him carry no consideration save to utter, with unsparing fidelity, what passes in his own spirit. One can trust the brain to do its part. All that is needed is honourable frankness: not to be ashamed to open our hearts, to speak our privy weakness, our inward exulting. Then the pain and perplexity, or the childish satisfactions, of our daily life are the true material of the writer's art, and that which is sown in weakness may be raised in power. Curious indeed that in this life, brief and precariously enjoyed, menshould so set their hearts on building a permanence in words: something to stand, in the lovely stability of ink and leaden types, as our speech out of silence to those who follow on. Indefensible absurdity, and yet the secret and impassioned dream of those who write!

I was about to say that, for the writing of anything truly durable, the first requisite is plenty of silence. Then I recall Dr. Johnson's preface to his Dictionary—“written not in the soft obscurities of retirement, or under the shelter of academic bowers, but amid inconvenience and distraction, in sickness and in sorrow.”

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This Indenture

This Indenture

between A. B., an innkeeper, organized and existing under the laws of good cooking, party of the first part, and C. D., party of the second part, witnesseth:

Thatthe said party of the first part, for and in consideration of the sum of $1.50, lawful money of the United States, paid by the said party of the second part, does hereby grant and release unto the said C. D., and his heirs, administrators, and assigns forever,

Allthat certain group, parcels, or allotments of food, viands, or victuals, situate or to be spread, served, and garnished upon the premises of said A. B., shown and known and commonly designed as one square meal, table d'hôte, together with the drinking water, napkin, ash tray, finger-bowl and hat-and-coat-hanging privileges or easements appurtenant thereto,

And Together Withthe rights, privileges, andopportunities (as an easement additionally appurtenant to the meal above nominated) to partake, eat, enjoy, and be nourished upon said victuals, and to call for extra pats, parcels, or portions of butter.

Subjectto the following restrictions, to wit: That neither the party of the second part, nor his heirs, executors, or assigns, will feast immoderately upon onions, to the confusion of his neighbours; nor will the said C. D. or his guests smoke any form of tobacco other than cigars and cigarettes, the instrument commonly known as a pipe being offensive to the head waiter (a man of delicate nurture); nor will said party of the second part covet, retain, nor seek to remove any knives, forks, spoons, or other tableware whatsoever; nor is anything said or implied or otherwise intimated in this covenant to be construed as permitting the party of the second part to carry on loud laughter, song, carnival, nor social uproar; nor unnecessarily, further than is tactful for the procurement of expeditious attention, to endear himself to or otherwise cajole, compliment, and ingratiate the waitress.

And Furthermore,that title to said Meal does not pass until the party of the second part has conveyed, of his mansuetude and proper charity, a gratuity, fee,honorarium, lagniappe, pourboire, easement or tip of not less than 15 per cent of the price of said Meal; which easement, while customarily spoken of as a free-will grant or gratuity, is to be constructively regarded as an entail and a necessary encumbrance upon said Meal.

Andthe said party of the first part covenants with the said party of the second part as follows: That the said C. D. is seized of the said Meal in fee simple, and shall quietly enjoy said Meal subject to the covenants and restrictions and encumbrances hereinbefore set out, subject to the good pleasure of the Head Waiter.

In Witness Whereofthese presents are signed,

(LOC. SIG.)

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There is no way in which one can so surely arouse the suspicions of bankers as by trying to put some money in their hands. We went round to a near-by bank hoping to open an account. As we had formerly dealt with an uptown branch of the same institution, and as the cheque we wanted to deposit bore the name of a quite well-known firm, we thought all would be easy. But no; it seemed that there was no convincing way to identify ourself. Hopefully we pulled out a stack of letters, butthese were waved aside. We began to feel more and more as though we had come with some sinister intent. We started to light our pipe, and then it occurred to us that perhaps that would be regarded as the gesture of a hardened cracksman, seeking to appear at his ease. We wondered if, in all our motions, we were betraying the suspicious conduct of the professional embezzler. Perhaps the courteous banker was putting us through some Freudian third degree ... in these days when the workings of the unconscious are so shrewdly canvassed, was there anything abominable in the cellar of our soul which we were giving away without realizing ... had we not thought to ourself, as we entered the door, well, this is a fairly decent cheque to start an account with, but we won't keep our balance anywhere near that figure ... perhaps our Freudian banker had spotted that thought and was sending for a psychological patrol wagon ... well, howcouldwe identify ourself? Did we know any one who had an account in that branch? No.

We thought of a friend of ours who banked at another branch of this bank, not far away. The banker called him up and whispered strangely over the phone. We were asked to take off our hat. Apparently our friend was describing us. We hoped that he was saying “stout” rather than “fat.” But it seemed that the corroboration of our friendonly increased our host's precaution. Perhaps he thought it was a carefully worked-out con game, in which our friend was a confederate. We signed our name several times, on little cards, with a desperate attempt to appear unconcerned. In spite of our best efforts, we could not help thinking that each time we wrote it we must be looking as though we were trying to remember how we had written it the last time. Still the banker hesitated. Then he called up our friend again. He asked him if he would know our voice over the phone. Our friend said he would. We spoke to our friend, with whom we had eaten lunch a few minutes before. He asked, to identify us, what we had had for lunch. Horrible instant! For a moment we could not remember. The eyes of the banker and his assistant were glittering upon us. Then we spoke glibly enough. “An oyster patty,” we said; “two cups of tea, and a rice pudding which we asked for cold, but which was given us hot.”

Our friend asserted, to the banker, that we were undeniably us, and indeed the homely particularity of the luncheon items had already made incision in his hardened bosom. He smiled radiantly at us and gave us a cheque book. Then he told us we couldn't draw against our account until the original cheque had passed through the Clearing House, and sent a youth back to the office with us so that we could be unmistakably identified.

As we left the banker's office someone else was ushered in. “Here's another gentleman to open an account,” said the assistant. “We hope he knows what he had for lunch,” we said to the banker.

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It Is a curious thing that so many people only go into a bookshop when they happen to need some particular book. Do they never drop in for a little innocent carouse and refreshment? There are some knightly souls who even go so far as to make their visits to bookshops a kind of chivalrous errantry at large. They go in not because they need any certain volume, but because they feel that there may besome book that needs them. Some wistful, little forgotten sheaf of loveliness, long pining away on an upper shelf—why not ride up, fling her across your charger (or your charge account), and gallop away. Be a little knightly, you book-lovers!

The lack of intelligence with which people use bookshops is, one supposes, no more flagrant than the lack of intelligence with which we use all the rest of the machinery of civilization. In this age, and particularly in this city, we haven't time to be intelligent.

A queer thing about books, if you open your heart to them, is the instant and irresistible way they follow you with their appeal. You know at once, if you are clairvoyant in these matters (libre-voyant, one might say), when you have met your book. You may dally and evade, you may go on about your affairs, but the paragraph of prose your eye fell upon, or the snatch of verses, or perhaps only the spirit and flavour of the volume, more divined than reasonably noted, will follow you. A few lines glimpsed on a page may alter your whole trend of thought for the day, reverse the currents of the mind, change the profile of the city. The other evening, on a subway car, we were reading Walter de la Mare's interesting little essay about Rupert Brooke. His discussion of children, their dreaming ways, their exalted simplicity and absorption, changed the whole tenor of our voyage by somemagical chemistry of thought. It was no longer a wild, barbaric struggle with our fellowmen, but a venture of faith and recompense, taking us home to the bedtime of a child.

The moment when one meets a book and knows, beyond shadow of doubt, that that book must be his—not necessarily now, but some time—is among the happiest excitements of the spirit. An indescribable virtue effuses from some books. One can feel the radiations of an honest book long before one sees it, if one has a sensitive pulse for such affairs. Its honour and truth will speak through the advertising. Its mind and heart will cry out even underneath the extravagance of jacket-blurbings. Some shrewd soul, who understands books, remarked some time ago on the editorial page of theSun'sbook review that no superlative on a jacket had ever done the book an atom of good. He was right, as far as the true bookster is concerned. We choose our dinner not by the wrappers, but by the veining and gristle of the meat within. The other day, prowling about a bookshop, we came upon two paper-bound copies of a little book of poems by Alice Meynell. They had been there for at least two years. We had seen them before, a year or more ago, but had not looked into them fearing to be tempted. This time we ventured. We came upon two poems—“To O, Of Her Dark Eyes,” and “A Wind of Clear Weather in England.” The bookwas ours—or rather, we were its, though we did not yield at once. We came back the next day and got it. We are still wondering how a book like that could stay in the shop so long. Once we had it, the day was different. The sky was sluiced with a clearer blue, air and sunlight blended for a keener intake of the lungs, faces seen along the street moved us with a livelier shock of interest and surprise. The wind that moved over Sussex and blew Mrs. Meynell's heart into her lines was still flowing across the ribs and ledges of our distant scene.

There is no mistaking a real book when one meets it. It is like falling in love, and like that colossal adventure it is an experience of great social import. Even as the tranced swain, the book-lover yearns to tell others of his bliss. He writes letters about it, adds it to the postscript of all manner of communications, intrudes it into telephone messages, and insists on his friends writing down the title of the find. Like the simple-hearted betrothed, once certain of his conquest, “I want you to love her, too!” It is a jealous passion also. He feels a little indignant if he finds that any one else has discovered the book, too. He sees an enthusiastic review—very likely inThe New Republic—and says, with great scorn, “I read the book three months ago.” There are even some perversions of passion by which a book-lover loses much of his affection for his pet if he sees it too highly commended by some rival critic.

This sharp ecstasy of discovering books for one's self is not always widespread. There are many who, for one reason or another, prefer to have their books found out for them. But for the complete zealot nothing transcends the zest of pioneering for himself. And therefore working for a publisher is, to a certain type of mind, a never-failing fascination. As H. M. Tomlinson says in “Old Junk,” that fascinating collection of sensitive and beautifully poised sketches which came to us recently with a shock of thrilling delight:

To come upon a craft rigged so, though at her moorings and with sails furled, her slender poles upspringing from the bright plane of a brimming harbour, is to me as rare and sensational a delight as the rediscovery, when idling with a book, of a favourite lyric.

To come upon a craft rigged so, though at her moorings and with sails furled, her slender poles upspringing from the bright plane of a brimming harbour, is to me as rare and sensational a delight as the rediscovery, when idling with a book, of a favourite lyric.

To read just that passage, and the phrasethe bright plane of a brimming harbour, is one of those “rare and sensational delights” that set the mind moving on lovely journeys of its own, and mark off visits to a bookshop not as casual errands of reason, but as necessary acts of devotion. We visit bookshops not so often to buy any one special book, but rather to rediscover, in the happier and more expressive words of others, our own encumbered soul.

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We are going to tell the truth. It has been on our mind for some time. We are going to tell it exactly, without any balancing or trimming or crimped edges. We are weary of talking about trivialities and are going to come plump and plain to the adventures of our own mind. These are real adventures, just as real as the things we see. The green frog that took refuge on our porch last night was no more real. Perhaps frogs don't care so much for wet as they are supposed to, for when that excellent thunderstorm came along and the ceiling of the night was sheeted with lilac brightness, through which ran quivering threads of naked fire (not just the soft, tame, flabby fire of the domestic hearth, butthe real core and marrow of flame, its hungry, terrible, destroying self), our friend the frog came hopping up on the porch where we stood, apparently to take shelter. How brilliant was his black and silver eye when we picked him up! His direct and honourable regard somehow made us feel ashamed, we know not why. And yet we have plenty to be ashamed about—but how did he know? He was still on the porch this morning. Equally real was the catbird on the hedge as we came down toward the station. She—we call her so, for there was unmistakable ladyhood in her delicately tailored trimness—she bickered at us in a cheerful way, on top of those bushes which were so loaded with the night's rainfall that they shone a blurred cobweb gray in the lifting light. Her eye was also dark and polished and lucid, like a bead of ink. It also had the same effect of tribulation on our spirit. Neither the catbird nor the frog, we said to ourself, would have tormented their souls trying to “invent” something to write about. They would have told what happened to them, and let it go at that. So, as we walked along under an arcade of maple trees, admiring the little green seed-biplanes brought down by the thrash of the rain—they look rather as though they would make good coathangers for fairies—we asked ourself why we could not be as straightforward as the bird and the frog, and talk about what was in our mind.

The most exciting thing that happened to us when we got to New York last February was finding a book in a yellow wrapper. Its title was “Old Junk,” which appealed to us. The name of the author was H. M. Tomlinson, which immediately became to us a name of honour and great meaning. All day and every day intelligent men find themselves surrounded by oceans of what is quaintly called “reading matter.” Most of it is turgid, lumpy, fuzzy in texture, squalid in intellect. The rewards of the literary world—that is, the tangible, potable, spendable rewards—go mostly to the cheapjack and the mountebank. And yet here was a man who in every paragraph spoke to the keenest intellectual sense—who, ten times a page, enchanted the reader with the surprising and delicious pang given by the critically chosen word. We sat up late at night reading that book, marvelling at our good fortune. We wanted to cry aloud (to such as cared to understand), “Rejoice and be exceeding glad, for here is born a man who knows how to write!” In our exuberance we seized a pen and wrote in the stern of our copy: “Here speaks the Lord God of prose; here is the clear eye, the ironic mind, the compassionate heart; the thrilling honesty and (apparent) simplicity of great work.” Then we set about making the book known to our friends. We propelled them into bookshops and made them buy it. We took our own copy down to William McFee onS.S.Turrialbaand a glad heart was ours when he, too, said it was “the real thing.” This is a small matter, you say? When the discovery of an honest pen becomes a small matter life will lose something of its savour. Those who understand will understand; let the others spend their time in the smoker playing pinochle. Those who care about these things can get the book for themselves.

Of Mr. Tomlinson in person: he is a London newspaperman, we understand, and now on the staff of the LondonNation. (Trust Mr. Massingham, the editor of that journal, to know an honest writer when he sees him.) Mr. Tomlinson says of himself:

My life is like my portrait. It won't bear investigation. I am not conscious of having done anything that would interest either a policeman or the young lady of the kind who dotes on Daddy Long Legs; worse luck. It's about time I got down to business and did something interesting either to one or the other. That is why it won't bear investigation, this record of mine. I am about as entertaining as one of the crowd coming out of the factory gates with his full dinner pail. All my adventures have been no more than keeping that pail moderately full. I've been doing that since I was twelve, in all sorts of ways. I was an office boy and a clerk among London's ships, in the last days of the clippers. And I am forced to recall some of the things—such as bookkeeping in a jam factory and stoking on a tramp steamer—I can understandwhy I and my fellows, without wanting to, drifted about in indecision till we drifted into war and drifted into peace. And of course, I've been a journalist. I am still; and so have seen much of Africa, America, and Europe, without knowing exactly why. I was in France in 1914—the August, too, of that year, and woke up from that nightmare in 1917, after the Vimy Ridge attack, when I returned to England to sit with my wife and children in a cellar whenever it was a fine night and listened to the guns and bombs. God, who knows all, might make something of this sort of inconsequential drift of one day into the next, but I give it up.

My life is like my portrait. It won't bear investigation. I am not conscious of having done anything that would interest either a policeman or the young lady of the kind who dotes on Daddy Long Legs; worse luck. It's about time I got down to business and did something interesting either to one or the other. That is why it won't bear investigation, this record of mine. I am about as entertaining as one of the crowd coming out of the factory gates with his full dinner pail. All my adventures have been no more than keeping that pail moderately full. I've been doing that since I was twelve, in all sorts of ways. I was an office boy and a clerk among London's ships, in the last days of the clippers. And I am forced to recall some of the things—such as bookkeeping in a jam factory and stoking on a tramp steamer—I can understandwhy I and my fellows, without wanting to, drifted about in indecision till we drifted into war and drifted into peace. And of course, I've been a journalist. I am still; and so have seen much of Africa, America, and Europe, without knowing exactly why. I was in France in 1914—the August, too, of that year, and woke up from that nightmare in 1917, after the Vimy Ridge attack, when I returned to England to sit with my wife and children in a cellar whenever it was a fine night and listened to the guns and bombs. God, who knows all, might make something of this sort of inconsequential drift of one day into the next, but I give it up.

But now we pass to the phase of the matter that puzzles us. How is it that there are some books which can never have abiding life until they perish and are born again? We have noticed it so often. There is a book of a certain sort to which this process seems inevitable. One need only mention Leonard Merrick or Samuel Butler as examples. The book, we will suppose, has some peculiar subtlety or flavour of appeal. (We are thinking at the moment of William McFee's “Letters From an Ocean Tramp.”) It is published and falls dead. Later on—usually about ten years later—it is taken up with vigour by some other publisher, the stone is rolled away from the sepulchre, and it begins to move among its destined lovers.

This remark is caused by our delighted discoveryof a previous book by the author of “Old Junk.” “The Sea and the Jungle” is the title of it, the tale of a voyage on the tramp steamerCapella, from Swansea to Para in the Brazils, and thence 2,000 miles along the forests of the Amazon and Madeira rivers. It is the kind of book whose readers will never forget it; the kind of book that happens to some happy writers once in a lifetime (and to many never at all) when the moving hand seems gloriously in gear with the tremulous and busy mind, and all the spinning earth stands hearkeningly still waiting for the perfect expression of the thought. It is the work of a hand trained in laborious task-work and then set magnificently free, for a few blessed months, under no burden save that of putting its captaining spirit truthfully on paper. And this book—in which there is a sea passage that not even Mr. Conrad has ever bettered—this book, which makes the utmost self-satisfied heroics of the Prominent Writers of our market place shrivel uncomfortably in remembrance—this book, we repeat, though published in this country in 1913, has been long out of print; and the copy which we were lucky enough to lay hand on through the courtesy of the State Librarian of Pennsylvania had not previously been borrowed since November 18, 1913. Someone asks us if this man can really write. Let us choose a paragraph for example. This deals with the first day at sea of the tramp steamerCapella:

It was December, but by luck we found a halcyon morning which had got lost in the year's procession. It was a Sunday morning, and it had not been ashore. It was still virgin, bearing a vestal light. It had not been soiled yet by any suspicion of this trampled planet, this muddy star, which its innocent and tenuous rays had discovered in the region of night. I thought it still was regarding us as a lucky find there. Its light was tremulous, as if with joy and eagerness. I met this discovering morning as your ambassador while you still slept, and betrayed not, I hope, any grayness and bleared satiety of ours to its pure, frail, and lucid regard. That was the last good service I did before leaving you quite. I was glad to see how well your old earth did meet such a light, as though it had no difficulty in looking day in the face. The world was miraculously renewed. It rose, and received the newborn of Aurora in its arms. There were clouds of pearl above hills of chrysoprase. The sea ran in volatile flames. The shadows on the bright deck shot to and fro as we rolled. The breakfast bell rang not too soon. This was a right beginning.

It was December, but by luck we found a halcyon morning which had got lost in the year's procession. It was a Sunday morning, and it had not been ashore. It was still virgin, bearing a vestal light. It had not been soiled yet by any suspicion of this trampled planet, this muddy star, which its innocent and tenuous rays had discovered in the region of night. I thought it still was regarding us as a lucky find there. Its light was tremulous, as if with joy and eagerness. I met this discovering morning as your ambassador while you still slept, and betrayed not, I hope, any grayness and bleared satiety of ours to its pure, frail, and lucid regard. That was the last good service I did before leaving you quite. I was glad to see how well your old earth did meet such a light, as though it had no difficulty in looking day in the face. The world was miraculously renewed. It rose, and received the newborn of Aurora in its arms. There were clouds of pearl above hills of chrysoprase. The sea ran in volatile flames. The shadows on the bright deck shot to and fro as we rolled. The breakfast bell rang not too soon. This was a right beginning.

The above is a paragraph that we have chosen from Mr. Tomlinson's book almost at random. We could spend the whole afternoon (and a happy afternoon it would be for us) copying out for you passages from “The Sea and the Jungle” that would give you the extremity of pleasure, O high-spirited reader! It is an odd thing, it is a quaint thing, it is a thing that would seem inconceivable (were we not tolerably acquainted with the vagaries of the readingpublic) that a book of this sort should lie perdu on the shelves of a few libraries. Yet one must not leap too heartily to the wrong conclusion. The reading public is avid of good books, but it does not hear about them. Now we would venture to say that we know fifty people—nay, two hundred and fifty—who would never have done thanking us if we could lay a copy of a book of this sort in their hand. They would think it the greatest favour we could do them if we could tell them where they could go and lay down honest money and buy it. And we have to retort that it is out of print, not procurable.[1]Is it the fault of publishers? We do not think so—or not very often. For every publisher has experience of this sort of thing—books that he knows to be of extraordinary quality and fascination which simply lie like lead in his stockroom, and people will not listen to what he says about them. Whose fault is it, then? Heaven knows.

[1]Since this was written, a new edition has been published by E. P. Dutton & Co.

[1]Since this was written, a new edition has been published by E. P. Dutton & Co.

[1]Since this was written, a new edition has been published by E. P. Dutton & Co.

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There died in New York, on February 11, 1918, one who perhaps as worthily as any man in any age represented the peculiar traits and charms of the book-lover, a man whose personal loveliness was only equalled by his unassuming modesty, a man who was an honour to the fine old profession of bookselling.

There will be some who frequent Brentano's bookstore in New York who will long remember the quiet little gentleman who held the post nearest the front door, whose face lit with such a gentle and gracious smile when he saw a friend approach, who endured with patience and courtesy the thousand small annoyances that every salesman knows. There were encounters with the bourgeois customer, there were the exhausting fatigues of the rush season, there were the day-long calls on the slender and none too robust frame. But through it all he kept the perfect and unassuming grace of the high-born gentleman he was. An old-fashioned courtesy and gallantry moved in his blood.

It was an honour to know Silas Orrin Howes, and some have been fortunate to have disclosed to themthe richness and simple bravery of that lover of truth and beauty. The present writer was one of the least and latest of these. Twice, during the last months of his life, it was my very good fortune to spend an evening with him at his room on Lexington Avenue, to drink the delicious coffee he brewed in his percolator given him by William Marion Reedy, to mull with him over the remarkable scrap-books he had compiled out of the richness of his varied reading, and to hear him talk about books and life.

Silas Orrin Howes was born in Macon, Georgia, October 15, 1867. He attended school in Macon and Atlanta, and then in Franklin, Indiana. He never went to college.

When he was born, a passion for books was born with him. His niece tells me that by the time he was twenty-one he had collected a considerable library. He began life as a newspaper man, on the MaconTelegraph. About the age of twenty-four he went to Galveston where he was first a copy-reader, and then for seven years telegraph editor of the GalvestonNews.

I do not know all the details of his life in Galveston, where he lived for about twenty years. He told me that at the time of the disastrous storm and flood he was working in a drug store near the Gulf front. He gave me a thrilling description of the night he spent standing on the prescription counter with the water swirling about his waist. He sleptin a little room at the back of the store, where he had a shelf of books which were particularly dear to him. Among them was a volume of Henley's poems. When the flood subsided all the books were gone, but the next day as he was looking over the wreckage of neighbouring houses he found his Henley washed up on a doorstep—covered with slime and filth but still intact. He sent it to Brentano's in New York to be rebound in vellum, instructing them not to clean it in any way. He wrote to Henley about the incident, who sent him a very friendly autographed card which he pasted in the volume. That was one of the books which he held most dear, and rightly.

I do not know just when he came to New York; about 1910, I believe. He took a position as salesman at Brentano's. After a couple of years there he became anxious to try the book business on his own account. He and his nephew opened a shop in San Antonio. Neither of them had much real business experience. Certainly Howes himself was far too devoted a book-lover to be a good business man! After a few months the venture ended in failure, and all the personal library which he had collected through patient years was swallowed up in the disaster. After this he returned to Brentano's, where he remained until his death. About a year before his death he was run over by a taxicab, which shook his nerves a great deal.

At some time during his career he came intointimate friendly contact with Ambrose Bierce, and used to tell many entertaining anecdotes about that erratic venturer in letters. He edited one of Bierce's volumes, adding a pleasant and scholarly little introduction. He was an occasional contributor toReedy's Mirror, where he enjoyed indulging in his original vein of satire and shrewd comment. He was a great lover of quaint and exotic restaurants, and was particularly fond of the Turkish café, the Constantinople, just off Madison Square. It was a treat to go there with him, see him summon the waiter by clapping his hands (in the eastern fashion), and enjoy the strangely compounded dishes of that queer menu. He had sampled every Bulgar, Turkish, Balkan, French, and Scandinavian restaurant on Lexington Avenue. His taste in unusual and savoury dishes was as characteristic as his love for the finer flavours of literature. I remember last November I elicited from him that he had never tasted gooseberry jam, and had a jolly time hunting for a jar, which I found at last at Park and Tilford's, although the sales-girl protested there was no such thing. I took it to him and made him promise to eat it at his breakfasts.

He had the true passions of the book-lover, which are not allotted to many. He had read hungrily, enjoying chiefly those magical draughts of prose which linger in the mind: Bacon, Sir Thomas Browne, Pater, Thoreau, Conrad. He was much ofa recluse, a little saddened and sharpened perhaps by some of his experiences; and he loved, above all, those writers who can present truth with a faint tang of acid flavour, the gooseberry jam of literature as it were. One of my last satisfactions was to convert him (in some measure) to an enthusiasm for Pearsall Smith's “Trivia.”

As one looks back at that quiet, honourable life, one is aware of a high, noble spirit shining through it: a spirit that sought but little for itself, welcomed love and comradeship that came its way, and was content with a modest round of routine duty because it afforded inner contact with what was beautiful and true. One remembers an innate gentleness, and a loyalty to a high and chivalrous ideal.

Such a life might be a lesson, if anything could, to the bumptious and “efficient” and smug. Time after time I have watched him serving some furred and jewelled customer who was not fit to exchange words with him; I have seen him jostled in a crowded aisle by some parvenu ignoramus who knew not that this quiet little man was one of the immortal spirits of gentleness and breeding who associate in quiet hours with the unburied dead of English letters. That corner of the store, near the front door, can never be the same.

Such a life could only fittingly be described by the gentle, inseeing pen of an E. V. Lucas.

My greatest regret and disappointment, when Iheard of his sudden death, was that he would never know of a little tribute I had paid him in a forthcoming book. I had been saving it as a surprise for him, for I knew it would please him. And now he will never know.

February, 1918.


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