Dear Com,—Why the dickens haven't you written to me for such ages? I'm going to chuck this place. Haven't you got any scheme on hand for teaching the democracy to find out the uselessness of your order? Why not a new critical weekly with me as bondslave-in-chief? Or doesn't one of your National Liberals want a bright young fellow to dot his i's and pick up his h's? For £250 a year I'll serve any of them, write his speeches, interview his constituents or even teach his cubs to prey on the body politic like Father Lion himself. Seriously, though, if you hear of anything, do think of me.
Dear Com,—Why the dickens haven't you written to me for such ages? I'm going to chuck this place. Haven't you got any scheme on hand for teaching the democracy to find out the uselessness of your order? Why not a new critical weekly with me as bondslave-in-chief? Or doesn't one of your National Liberals want a bright young fellow to dot his i's and pick up his h's? For £250 a year I'll serve any of them, write his speeches, interview his constituents or even teach his cubs to prey on the body politic like Father Lion himself. Seriously, though, if you hear of anything, do think of me.
Yours ever,G. H.
Comeragh wrote back at once:
420 Brook Street, W.,March 16th.
Dear Old Guy,—If you will bury yourself like a misanthropic badger, you can't expect to be written to by every post. Oddly enough there has been some talk of starting a new paper; at least it isn't really very odd because the subject is mooted three times a day in the advanced political circles round which I revolve. However, just at present the scheme is in abeyance. Never mind, I'll fetch you out of your earth at the first excuse that offers itself. Do you ever go in and see the Balliol people? My young brother's up now, you know. Ask him over to lunch some day. He's a shining light of Tory Democracy and is going to preserve, or I suppose I ought to say conserve, the honor of our family. When are your poems coming out? I heard from Tom Anstruther the other day. He seems rather hurt that an attaché at Madrid is not given an opportunity of adjusting or upsetting the balance of power in Europe. I'll try to get down for a week-end, but I'm betraying my order by voting against an obscurantist majority whenever I can, andplotting hard against the liberties of landowners when I'm not voting. However, when the House flies away to search for Summer I'll drop out of the flock and perch a while on your roof. One thing I will promise, which is that when I'm Prime Minister you shall be offered the Laurel at £200 a year.
Dear Old Guy,—If you will bury yourself like a misanthropic badger, you can't expect to be written to by every post. Oddly enough there has been some talk of starting a new paper; at least it isn't really very odd because the subject is mooted three times a day in the advanced political circles round which I revolve. However, just at present the scheme is in abeyance. Never mind, I'll fetch you out of your earth at the first excuse that offers itself. Do you ever go in and see the Balliol people? My young brother's up now, you know. Ask him over to lunch some day. He's a shining light of Tory Democracy and is going to preserve, or I suppose I ought to say conserve, the honor of our family. When are your poems coming out? I heard from Tom Anstruther the other day. He seems rather hurt that an attaché at Madrid is not given an opportunity of adjusting or upsetting the balance of power in Europe. I'll try to get down for a week-end, but I'm betraying my order by voting against an obscurantist majority whenever I can, andplotting hard against the liberties of landowners when I'm not voting. However, when the House flies away to search for Summer I'll drop out of the flock and perch a while on your roof. One thing I will promise, which is that when I'm Prime Minister you shall be offered the Laurel at £200 a year.
Yours ever,Com.
It was jolly to hear from Comeragh like this, and the letter opened for Guy a prospect of something that, when he came to think about it, appeared very much like a retreat. He realized abruptly that the strain of the last two months had been playing upon his nerves to such an extent that the notion of leaving Wychiford was no longer very distasteful. The realization of his potential apostasy came with rather a shock, and he felt that he ought somehow to atone to Pauline for the disloyalty towards her his attitude seemed to involve. He began to go to church again in a desperate endeavor to pursue the phantom that she called faith, but this very endeavor only made more apparent the vital difference in their relations with life. She always had for his attempts to capture something worth while for himself in religion a kind of questioning anxiety which was faintly irritating; and though he always pushed the problem hastily out of sight, the fact that he could now be irritated by her was dolefully significant.
All through this month of maddening east wind Guy felt that he stood upon the verge of a catastrophe, and the despatch of the poems which at first had done so much to help matters along was now only another source of vexation. Formerly he had always possessed the refuge of work, but in this perpetual uncertainty he could not settle down to anything fresh, and the expectation every morning of his poems being once again rejected was a handicap to the whole day. Partly to plunge himself into a reaction and partly to avoid and even to crush their spiritual divergence, Guy always made love passionatelyto Pauline during these days. He was aware that she was terribly tried by this, but the knowledge made him more selfishly passionate. A sort of brutality had entered into their relation which Guy hated, but to which in these circumstances that made him feverishly glad to wound her he allowed more liberty every day. The merely physical side of this struggle between them was, of course, accentuated by the gag placed upon discussion. He would not give her the chance of saying why she feared his kisses, and he took an unfair advantage of the conviction that Pauline would never declare a reason until he demanded one. He was horribly conscious of abusing her love for him, and the more he was aware of that the more brutal he showed himself until sometimes he used to wonder in dismay if at the back of his mind the impulse to destroy his love altogether had not been born.
Easter was approaching, and Pauline went to Oxford for a week to get Summer clothes. When she came back, Guy found her attitude changed. She was remote, almost evasive, and at the back of her tenderest glance was now a wistful appeal that perplexed his ardor.
"I feel you don't want me to kiss you," he said, reproachfully. "What has happened? Why have you come back from Oxford so cold? What has happened to you, Pauline?"
Her eyes took fire, melted into tenderness, flamed once more, and then were quenched in rising tears.
The voice in which she answered him seemed to come from another world.
"Guy, I am not cold.... I'm not cold enough...."
She flung herself away from his gesture of endearment and buried her cheeks in the cushion of the faded old settee. A wild calm had fallen upon the room, as if like the atmosphere before a thunder-storm it could register a warning of the emotional tempest at hand. The books, the furniture, the very pattern of birds and daisies uponthe wall stood out sharply, almost luridly it seemed; the cuckoo from the passage called the hour in notes of alarm, as if a storm-cock were sweeping up to cover from dangerous open country.
"What do you mean?" Guy asked. He knew that he was carrying the situation between Pauline and himself farther along than he had ever taken it since the night they met. Yet nothing could have stopped his course at this moment and, if the end should ruin his life, he would persist.
"What do you mean?" he repeated.
"Don't ask me," she sobbed. "It's cruel to ask me."
"You mean your mother...." he began.
"No, no, it's myself, myself."
"My dearest, if it's only yourself, you need not be afraid. Why, you're so adorable...."
Pauline seemed to cry out at the wound he had given her, and Guy started back, afraid for an instant of what he was provoking.
"Don't treat me like a stupid little girl that petting can cure. I'm not adorable, I'm bad.... I'm ... oh, Guy, I am so unhappy!"
"What do you mean by 'bad'?" he asked. "You talk as if we were.... Really, darling, you don't grasp life at all."
"Guy," she said, turning to him with fierce earnestness, "don't persuade me I've done nothing. I have. I ought not. I've known that all the time. If you don't want me to be miserable for the rest of my life, you mustn't persuade me. I've been so weak...."
He was annoyed at the exaggeration in her words and perplexed by her violence.
"Anybody would think, you know," he told her, "that we have behaved terribly."
"We have. We have."
Her mouth was drawn with pain; her eyes were wild.
"But we've not," Guy contradicted, mustering desperatelyall the forces of normality to allay Pauline's over-strained ideas. "We've not," he repeated. "You don't understand, darling Pauline, that when you talk like that you give the impression of something that is unimaginable of you. It's dreadful to have to talk about this, but it's better that we should discuss it than that you should torture yourself needlessly like this."
"It's not what we've done so much," she said. "It's what you've made me think about you."
Guy laughed rather miserably.
"That seems a very trifling reason for so much ... well, you know, it's very nearly hysteria."
"To you, perhaps," she retorted, bitterly. "To me it's like madness."
"I can't understand these morbid fancies of yours. What have you been doing in Oxford? Ah, I know," he shouted, in a rage of sudden divination. "You've been talking to a priest.... Oh, if I could burn every interfering scoundrel who...." The scene swept over him, choking the words in his throat with indignant impotent jealousy. "You've been to Confession. And what good have you got from it, but lies, lies?"
"I've always been to Confession," Pauline answered, coldly.
In a flash Guy visualized her religious life as one long creeping towards a gloomy Confessional, where lurked a smooth-faced priest who poured his poison into her ears.
"You shall go no more," he vowed. "What right have you to drag the holiness of love in the mud of a priest's mind?"
"You don't know how stupidly you're talking," said Pauline. "You say I exaggerate. You don't know how much you are exaggerating. You don't understand."
"I thought you wanted me to have faith! How can I have faith when I hear of priests degrading our love? What right had you to go to a priest? What does he know of you or me? What has he suffered? What doeshe understand? Why do you listen to him and pay no heed to me? What did you say?"
Pauline looked at him in silence.
"What did you say?" he repeated, angrily. He was caring for nothing at that moment but to tear from her the history of the scene that made a furnace of his brain. "He must have tried to put the idea into your head that you've been doing wrong. I say you have done nothing wrong. I suppose you told him you came out at night with me on the river, and I suppose he concluded from that.... Oh, Pauline, I cannot let you be a prey to the mind of a priest. You don't realize what it means to me. You don't realise the raging jealousy it rouses."
"Guy," she moaned, "love is too much for me. I can't bear the uncertainty. Your debts ... the sending back of your poems ... the fear that we shall never be married ... the doubts ... the thought that I've deceived my family ... the misery I bring to you because I can't think everything is right...."
"I don't want you always to agree with me. I've promised never to ask you again to come out with me at night. I'll even promise never to kiss you again until we are married. But you must promise me never again to go to Confession."
"I can't give up what I believe is right," she said.
"Then I won't give up what I believe is right."
He strained her to him and kissed her lips so closely that they were white instead of red. Then he went from her in an impulse to let her, if she would, break off the engagement. If he had stayed he must have blasphemed the religion which was soiling with its murk their love. He must have hurt her so deeply that he would have compelled her to bid him never come back. It was for her now, the responsibility of going on, and she should find what religion would do for her when she was left alone to battle with the infamous suggestions the fiction was giving to her mind. She should find that beside hislove religion was nothing, that the folly would topple down and betray her at this very moment. When next he saw her, she would have forgotten her priests and their mummery; she would think only of him and live only for him.
"Blow, you damned wind," he shouted to the brilliant and tranquil March day. "Blow, blow, can't you? You've blown all these days, and now when I want you in my face you lie still."
But the weather stayed serene, and Guy had to run in order to tire the fury in his mind. He did not stop until he realized by the scampering of the March hares to right and left of his path how very absurd he must appear even to the blind heavens.
"Why," he exclaimed, suddenly standing still and addressing a thorn-tree on the green down. "Why, of course, now I realize the Reformation!"
This sudden apprehension of a tremendous historical fact was rather disconcerting in the way it brought home to him the uselessness of all the information that he had for years absorbed without any real response of recognition. It brought home to him how much he would have to discover for himself and appalled him with the mockery it made of his confidence hitherto. How if all those poems he had written were merely external emotion like his conception of religion until this moment? He really hoped the manuscript would come back this evening from whatever publisher had last eyed it disdainfully, so that in the light of this revelation of his youthfulness he could judge his life's achievement afresh. It was indeed frightening that in one moment all his comfortable standards could be struck away from beneath his feet, for if an outburst of jealousy on account of a priest's interference could suddenly reshape his conception of history, what fundamental changes in his conception of art might not be waiting for him a little way ahead?
The spectacle of Pauline's simple creed had hithertopleasantly affected his senses; and she had taken her place with the heroines of romantic poets and painters. It had been pleasant to murmur:
Pray but one prayer for me 'twixt thy closed lips,Think but one thought of me up in the stars:
and to compare himself with the lover of The Blessed Damozel had been a luxurious melancholy. Pauline and he had worshiped together in chapels of Lyonesse, where, if he had knelt beside her with a rather tender condescension towards her prayers, he had always been moved sincerely by the decorative appeal they made to him. He had felt a sentimental awe of her hushed approach to the altar, and he had derived a kind of sentimental satisfaction from the perfection of her attitude, perhaps, even more, he had placed upon it a sentimental reliance. Her faith had been the decorative adjunct of a great deal of his verse, and he flushed hotly to remember lines that now appeared as damnable insincerities with which he had allowed his pen to play. All that piety of hers he had sung so prettily was real and possessed an intrinsic power to injure him, so that what he had patronized and encouraged could rise up and pit itself deliberately against him. Pauline actually believed in her religion, believed in it to the extent of dishonoring their love to appease the mumbo-jumbo. That something so monstrously inexistent could have any such power was barely comprehensible, and yet here he was faced with what easily might prove to be a force powerful enough to annihilate their love. He remembered how in reading of Christina Rossetti's renunciation of a lover who did not believe as she believed, he had thought of the incident as a poet's exaggeration. And it might well have happened. Now, indeed, he could see why she was so much the greatest poetess of them all; her faith had been real. Lines from that Sonnet of sonnets came back to him, broken lines but full of dread:
I love ... God the most;Would lose not Him but you, must one be lost:
And if Pauline should speak so to him, if Pauline should disown him at the bidding of her phantom gods? How the thought swept into oblivion all his pitiful achievement, all his fretful emotions set down in rhyme. Either he must convince her that she was affrighted by vain fancies or he must bow before this reality of belief and seek humbly the truth where she discovered it. Yet if he took that course it held no pledge of faith for him. Shamefacedly and scarcely able to bear even the thorn-tree's presence, Guy knelt down and prayed that he might be given Pauline's single heart. The song of the innumerable larks rose into the crystalline, but all the prayers tumbled down from that stuffy pavilion of sky. The moment that the first emotional aspiration was thus defeated Guy was only conscious of his lapse into superstition, and, furious with the surrender, he went walking over the downs in a determination to shake Pauline's faith at whatever the cost temporarily to the beautiful appearance of their love.
He wrote that evening in a fine frenzy of declamation against God, affirming in his verse the rights of man; but on reading the lines through next morning they seemed like the first vapors of adolescence; and when he turned for consolation to Shelley he found that even a great poet's rage on behalf of man against God was often turgid enough. It was, however, a hopeful sign that he could still perceive what puddles these aerial fountains of song often left behind them, and he was glad to find that not all the value of critical experience had been destroyed by the imperative need to readjust his values of reality.
Birdwood brought a note from Pauline just when Guy had burned his effusion of the night before and come to the conclusion that as a polemical and atheistic rhymester he was of the very poorest quality.
The gardener was inclined to be chatty, and when the weather and the dowers in season had been discussed at length, he observed that Miss Pauline was not looking so well as she ought to look.
"You'll have to speak to her about it, Mr. Hazlenut."
Birdwood had never learned to give Guy his proper name, and there had been many jokes between him and Pauline about this, and many vows by Guy that one day he would address the gardener as Birdseed. How far away such foolish little jokes were seeming now.
"It's been a tiring Spring," said Guy. "The east wind...."
"Her cheeks isn't nothing like so rosy as they was," said the gardener. "You'll excuse the liberty I'm taking in mentioning them, but having known Miss Pauline since she couldn't walk.... Why I happen to mention it is that there was a certain somebody up in the town who passed the remark to me and, I having to give him a piece of my mind pretty sharp on account of him talking so free, it sort of stuck in my memory and.... You don't think she's middling?"
"Oh no, I think she's quite well," said Guy.
"Well, as long as you aren't worrited, I don't suppose I've got any call to be worrited; only any one can't help it a bit when they see witches' cheeks on a young lady. She certainly does look middling, but maybe, as you say, it is this unnatural east wind."
Birdwood touched his cap and retired, but his words had struck at Guy remorsefully while he walked away to a corner of the orchard reading Pauline's letter. The starlings were piping a sweet monotony of Spring, and daffodils, that he and she had planted last Summer when they came back from Ladingford, haunted his path.
My Darling,—Why haven't you been to see me this morning? Why weren't you in the orchard? I stayed such a long while in the churchyard, but you never came. If I said anything yesterdaythat hurt your feelings, forgive me. You mustn't think that I was angry with you because perhaps I spoke angrily. Darling, darling Guy, I adore you so, and nothing else but you matters to my happiness. I should not have spoken about religion— I don't know how we came to argue about it. It was unkind of me to be depressed and sad when my dearest was sad. Truly, truly I am so anxious about your poems only because I want you to be happy. Sometimes I must seem selfish, but you know that before anything it is your work I think of. I'm not really a bit worried about our being married. I have these fits of depression which are really very wrong. I'm not worried about anything really, only I had a dream about you last month which frightened me. Oh, Guy, come this afternoon and tell me you're not angry. I promise you that I won't make you miserable with my stupid depression. Guy, if I could only tell you how I love you. If you only knew how never, never for an instant do I care for anything but your happiness. You don't really want me to give up believing in anything, do you? It doesn't really make you angry, does it? Come and tell me this afternoon that you've forgiven
My Darling,—Why haven't you been to see me this morning? Why weren't you in the orchard? I stayed such a long while in the churchyard, but you never came. If I said anything yesterdaythat hurt your feelings, forgive me. You mustn't think that I was angry with you because perhaps I spoke angrily. Darling, darling Guy, I adore you so, and nothing else but you matters to my happiness. I should not have spoken about religion— I don't know how we came to argue about it. It was unkind of me to be depressed and sad when my dearest was sad. Truly, truly I am so anxious about your poems only because I want you to be happy. Sometimes I must seem selfish, but you know that before anything it is your work I think of. I'm not really a bit worried about our being married. I have these fits of depression which are really very wrong. I'm not worried about anything really, only I had a dream about you last month which frightened me. Oh, Guy, come this afternoon and tell me you're not angry. I promise you that I won't make you miserable with my stupid depression. Guy, if I could only tell you how I love you. If you only knew how never, never for an instant do I care for anything but your happiness. You don't really want me to give up believing in anything, do you? It doesn't really make you angry, does it? Come and tell me this afternoon that you've forgiven
YourPauline.
I love you. I love you.
I love you. I love you.
Gently the daffodils swayed in this light breeze of dying March, and the grass was already tall enough to sigh forth its transitory Summer tune. Guy, in a flood of penitence, hastened at once to the Rectory to accuse himself to Pauline, and when he saw her watching for him at the nursery window he had no regrets that could stab to wound him as deeply as he deserved to be wounded. She was very tender and still that afternoon, and as he held her in his arms there seemed to him nothing more worth while in life than her cherishing. For them sitting in that nursery the hours swung lazily to and fro in felicity, and all the time there was nobody to disturb the reconciliation. They talked only of the future and allowed recent despairs and foreboding agitations to slink away disgraced. Janet, coming to take away the tea-things,beamed at their happiness and through a filigree of bare jasmine twigs the slanting sun touched with new life the faded wall-paper, opening wider, it seemed, the daisies' eyes, mellowing the berries, and tinting the birds with brighter plumes for their immutable and immemorial courtship.
Plunged deep in such a peace, Guy, prompted by damnable discord, asked idly what had been that dream of which Pauline had spoken in her letter. She was unwilling for a long while to tell him, but he, spurred on by mischief itself, persuaded her in the end, and she recounted that experience of waking to find herself prone upon the floor of her room.
"No wonder you're looking pale," he exclaimed. "Now you see the result of exciting yourself unnecessarily."
"But it was so vivid," she protested, "and really the light was blinding, and it thought so terribly all the time."
"I shall think very terribly that you've been reading some spiritualistic rot in a novel," said Guy, "if you talk like that. Your religion may be true, but I'm quite sure these conjuring tricks of your fancy are a sign of hysteria. And this poor speck that was me? How did you know it was me if it was a speck? Did that think, too? My foolish Pauline, you encouraged your morbid ideas when you were awake, and when you were asleep you paid the penalty."
She had gone away from him and was standing by the window.
"Guy, if you talk like that, it means you don't really love me. It means you have no sympathy, that you're cold and cruel and cynical."
He sighed with elaborate compassion for her state of mind.
"And what else? I wonder how you ever managed to fall in love with me."
"Sometimes I wonder, too," she said, slowly.
He turned quickly and went out of the room.
Guy regretted before he was half-way down the passage what he had done, but he steeled himself against going back by persuading himself that Pauline's hysteria must be remorselessly checked. All the way back to Plashers Mead he had excuses for his behavior, and all the way he was wondering if he had done right. Supposing that she were to persist in this exaggeration of everything, who could say into what extravagance of attitude she might not find herself driven? Rage seized him against this malady that was sapping the foundations of their love, and all his affection for her was obscured in the contemplation of that overwrought Pauline who sacrificed herself to baseless doubts and alarms. If he once admitted her right to dream ridiculously about him, he would be encouraging her upon the road to madness. Had she not already fondled the notion of going mad, just as she would often fondle the picture of himself as the heroine of an unhappy love-affair? If he were severe now, she would surely come to see the absurdity of these religious fears, this heart-searching and morbid sensitiveness. It was curious that he was able to keep his idea of Pauline herself quite apart from Pauline as the subject of nervous depression. He was practically ascribing to her a double personality, so distinct were this two views of her in his mind. When he got home he found the manuscript had been sent back by a seventh publisher, and on top of the packet lay a letter from his friend Comeragh.
420Brook Street, W.
Dear Guy,—Sir George Gascony asked me to-day if I knew of some one who would suit him as private secretary. He's going out to Persia next month. I told him about you. Come up to town and meet him. He's dining here on Thursday. I'm certain you can have the job.
Dear Guy,—Sir George Gascony asked me to-day if I knew of some one who would suit him as private secretary. He's going out to Persia next month. I told him about you. Come up to town and meet him. He's dining here on Thursday. I'm certain you can have the job.
Yours ever,Comeragh.
At first the letter only presented itself to his imagination as an easy way of punishing Pauline's hysteria. It seemed to him the very weapon that was wanted to "give her a lesson," and after dinner he went across to the Rectory and announced his news in front of everybody, asking everybody if they did not think he ought to go, and talking enthusiastically of Oriental adventure until quite late. He sternly refused to allow himself a moment alone with Pauline in which to talk over the plan; and, even when they were left alone together in the hall, he kissed her good night hurriedly and silently and rather guiltily.
When Guy was back at home and thought about his behavior, he began to wonder if he had committed himself to Persia too finally. The prospect, except so far as it would affect Pauline, had not really sunk into his mind yet, but now as he read the letter over he began to think that he really would like to go. It might mean a separation of two years, but it would reconcile him to his father, and it would assure his marriage at the end of the time. Persia might easily be almost as interesting as it sounded, and how remote from debts looked Bagdad. If last year he had been able practically to settle to be a schoolmaster, how much more easily could this resolution be taken. Dreamily he let his imagination play round the notion of Persia, dreamily and rather pleasantly it would solve so many difficulties, and it held the promise of so much active romance.
Next morning Mrs. Grey sent round to ask if Guy would come to lunch early enough to have a talk with her first.
"Yes ... charming.... I really wanted us to have a little talk together," she said in nervous welcome as she led the way to her own sitting-room, that with its red lacquer and its screen painted with birds-of-paradise hid itself away in a corner of the house. Ordinarily Guy would have accepted it as a sign of the highest favor tobe brought to her small room, but this morning it seemed to imprison him.
"Yes ... charming ... a little talk," said Mrs. Grey; and Guy, while he waited for her to begin, watched the mandarins that moved in absurd reduplications all about her arm-chair's faded green pattern.
"Of course it was rather a surprise to us all last night ... yes.... I expect it was a surprise to you. And you really think you ought to go?"
"I'm getting rather discouraged about poetry," Guy confessed. "I'm beginning to think that what I've written isn't much good, and that if I am ever going to write anything worth while it will be because I've learned to be less self-conscious about it. If I went to Persia with Sir George Gascony I should probably be kept fairly busy, and if there was any poetry left in me after that, well, it might be good stuff."
"But you've not seen yet what people think of what you have written ... no ... you see, the poems haven't been published yet, which is very vexing ... and so I thought.... I mean the Rector thought that if there was any difficulty he would like to help you to publish them ... yes ... rather than go away to Persia ... you know ... yes ... poor little Pauline was crying nearly all night, and I don't think you ought to go away suddenly like this ... no ... and we couldn't find an atlas anywhere!"
"You think I ought not to go?" said Guy, and he realized as he spoke that he was disappointed.
"I do think that after all these months of hoping for your poems to be a success you ought at least to try them first, and then afterwards we can talk about Persia. I'm afraid you think I've been too strict about Pauline ... perhaps I have ... yes ... and so I think that now Spring is here you can go out every day ... yes ... charming ... now that the weather is getting better...."
But now every day, thought Guy, bitterly, there would be recriminations between them.
"Of course if you think I ought not to go, I won't," he said. "I'll write to Comeragh and refuse."
"I'm sure you're glad, aren't you?"
"Oh, rather."
"We all understood why you thought you ought to go, and now I've another plan ... yes ... charming.... I'm going to send Pauline away for a month ... with Miss Verney ... yes ... charming, charming plan ... and you must make arrangements at once about your poems ... and then perhaps you could give them to Pauline for her birthday...."
"But I don't think the Rector ought to pay for them," Guy objected.
"The Rector wants to pay for them. But, of course, he won't say anything about it, and you will have to make the arrangements yourself."
"You're all so good to me, and I feel such a fraud," said Guy.
"You'd better make arrangements with the man you sent them to first ... and Pauline needn't know anything about it ... and I sha'n't say I've persuaded you not to go to China ... or else she will be worried ... she's looking rather pale.... I think two or three weeks by the seaside ... Lyme Regis perhaps or Cromer ... Lyme Regis, I think, because the trains to Folkstone have been torn out ... yes ... charming, charming."
After lunch Guy told Pauline in the garden that he had decided not to accept the post he had been offered, and she was so obviously overjoyed at his decision that he no longer had the heart to feel the slightest disappointment.
"Guy, I've been so stupid," she told him. "I've depressed you without any reason, but I will come back from Scarborough quite well."
Guy began to laugh.
"Oh, why are you laughing?"
"Dearest, because I cannot make out where you really are going."
"Scarborough, because Miss Verney has chosen Scarborough."
They talked for a while of the letters that each would write to the other, and of what a Summer should follow that short parting, when every day they would be together and when perhaps even such days as those at Ladingford might come again.
"And you won't worry about anything all this time you're away?" Guy asked.
"I won't, indeed I won't."
Guy went home to find a telegram from Comeragh saying that Sir George Gascony had got appendicitis and would not be going to Persia for a month or two at least. Yet he did not mention this telegram at the Rectory when next day he came to say good-by to Pauline, because he was anxious to preserve the idea of his having vainly attempted to do something, and when he sat alone in his orchard the same afternoon, he had an emotion of something very near to relief that for a while there would be no more heart-searchings and stress, no more misgivings and reproaches and despairs. He was perfectly happy, sitting by himself in the orchard and staring at the blackthorn by the margin of the stream.
Miss Verney was so droll at Scarborough and enjoyed herself so much, that Pauline in her pleasure at the success of what the old maid called their "jaunt" really was able to put aside for the present her own perplexities. The sands were empty at this season, and the Spa unpopulous except for a few residents. The wind blew inland from a sparkling sea, while Miss Verney, with bonnet all awry, sitting in a draughty shelter, declared that somehow like this she pictured the Riviera; and when the weather was too bad even for Miss Verney's azure dreams, Pauline and she sat cozily among the tropic shells and Berlin wool of their lodgings. Long letters used to come every day from Guy, and long letters had to be written by Pauline to him; while perpetually Miss Verney tinkled on with marine tales that, if no doubt nautically inaccurate, had nevertheless a fine flavor of salt water.
"I remember I was sitting in the parlor window at Southsea when a regiment.... I remember a captain in the Royal Marines.... I remember how anxious my father was that I should have been a boy."
"Oh, dear Miss Verney, you can't remember that."
"Oh yes, he invariably spoke of me as the Midshipman, I remember. I would then have been about eight years of age.... Pray give my very kind regards to Mr. Guy and say how well we are both looking, and what a benefit this fine air is, to be sure, and don't forget our little expedition to the theater. You must tell Mr. Guy the story of the piece. He will certainly enjoy hearing aboutthat very nice-mannered convict who.... Ah dear! how my poor father used to revel in the play."
Miss Verney's conversation scarcely ever stopped, and while Pauline was writing letters it was always particularly brisk, but she used to enjoy the accompaniment as she would have enjoyed the twittering of a bird. It seemed to inspire her letters with the equable gaiety that Guy was so glad to think was coming back to her. His own letters were invariably cheerful, and Pauline began to count the days to the time when she would see him again. Easter had gone by, and the weather was so steadily fine that it was a pity not to be together. He wrote of primroses awaiting her footsteps in the forest, of blue dog-violets and cowslips in the hollows of Wychford down, of all the birds that were now arrived in England, of the cuckoo's first call, and of the first swallow seen.
Come back soon, my own, my sweet [he wrote]. Come back and let this Winter be all forgotten. I climbed up to the top of the church tower to-day, and oh, the tulips in your garden, and oh, the emptiness of that garden notwithstanding! Come back, my Pauline, for you'll see the iris buds in the paddock and you've no idea of the way in which that river of ours sparkles on these April mornings. I wish I could tell you how remote this Winter already has grown. It has crept out of memory like a dejected nightmare at breakfast. You are never to think again about the stupid things I've said about religion: think only, my dearest, that I hope always for your faith. It would be dishonest of me to say that I believe now exactly as you believe, but I want to believe like that. Perhaps I'm illogical in writing this: perhaps all the time I do believe. Forget too what I said about Confession. I would almost go myself to prove my penitence (to you!), but I just can't bring myself to do that, because for me it really would be useless and would turn me against everything you count as holy. Forget all that has cast a shadow on our love. Count it all as my heedlessness and be confident that I alone was to blame. I would write more, but letters are such impossible things for intimacy. Some people can pour out their souls on paper: I can't. That'sreally what my poems suffer from. I have been working at them again since you were away, and they have a kind of coldness, a sort of awkward youthful reserve. Perhaps that's better than youthful exuberance, and yet I don't know. One can prune the too prodigal growth, but one can't always be sure of having the prodigality when one has the maturity. The metaphors seem to be getting rather tied up, and you must be bored by now with my chattering criticism.Your mother came to tea yesterday and brought Monica. Margaret is rather in seclusion at present on account of Richard's arrival, I fancy. She's obviously dreading other people's notice. It is a rather self-conscious business, this waiting for the arrival of some one whom everybody expects is going to play such an important part in her life. If we were separated now for two years, it would be different; but I can see that Margaret is dreadfully afraid that now, having at last made up her mind to marry Richard, she may not care for him as much as she did. He must be a fine fellow. I'm looking forward tremendously to his coming. Monica was perfectly delightful yesterday, and grew quite excited in her nunlike way over the ultimate decoration of Plashers Mead. Dear me, what taste you all have got, and what a very great deal you've taught me! You must most of all forget that I ever said a word against your sisters. They have really equipped me in a way with a point of view towards art. I tried to tell Monica so yesterday afternoon. In fact, we got on very well together. In a way, you know, she almost appreciates you more than Margaret does. You represent her hope, her ideal of the world. Worldly one, I must say good night. Tell Miss Verney with my love that all her cats send their best respects and compliments and that Bellerophon particularly requests that his mistress will bring back whatever fish is in season at Scarborough. Oh, the funniest thing I've forgotten to tell you! Miss Peasey was chased by some bullocks across the big field behind the orchard! She was too priceless about it when she got home.
Come back soon, my own, my sweet [he wrote]. Come back and let this Winter be all forgotten. I climbed up to the top of the church tower to-day, and oh, the tulips in your garden, and oh, the emptiness of that garden notwithstanding! Come back, my Pauline, for you'll see the iris buds in the paddock and you've no idea of the way in which that river of ours sparkles on these April mornings. I wish I could tell you how remote this Winter already has grown. It has crept out of memory like a dejected nightmare at breakfast. You are never to think again about the stupid things I've said about religion: think only, my dearest, that I hope always for your faith. It would be dishonest of me to say that I believe now exactly as you believe, but I want to believe like that. Perhaps I'm illogical in writing this: perhaps all the time I do believe. Forget too what I said about Confession. I would almost go myself to prove my penitence (to you!), but I just can't bring myself to do that, because for me it really would be useless and would turn me against everything you count as holy. Forget all that has cast a shadow on our love. Count it all as my heedlessness and be confident that I alone was to blame. I would write more, but letters are such impossible things for intimacy. Some people can pour out their souls on paper: I can't. That'sreally what my poems suffer from. I have been working at them again since you were away, and they have a kind of coldness, a sort of awkward youthful reserve. Perhaps that's better than youthful exuberance, and yet I don't know. One can prune the too prodigal growth, but one can't always be sure of having the prodigality when one has the maturity. The metaphors seem to be getting rather tied up, and you must be bored by now with my chattering criticism.
Your mother came to tea yesterday and brought Monica. Margaret is rather in seclusion at present on account of Richard's arrival, I fancy. She's obviously dreading other people's notice. It is a rather self-conscious business, this waiting for the arrival of some one whom everybody expects is going to play such an important part in her life. If we were separated now for two years, it would be different; but I can see that Margaret is dreadfully afraid that now, having at last made up her mind to marry Richard, she may not care for him as much as she did. He must be a fine fellow. I'm looking forward tremendously to his coming. Monica was perfectly delightful yesterday, and grew quite excited in her nunlike way over the ultimate decoration of Plashers Mead. Dear me, what taste you all have got, and what a very great deal you've taught me! You must most of all forget that I ever said a word against your sisters. They have really equipped me in a way with a point of view towards art. I tried to tell Monica so yesterday afternoon. In fact, we got on very well together. In a way, you know, she almost appreciates you more than Margaret does. You represent her hope, her ideal of the world. Worldly one, I must say good night. Tell Miss Verney with my love that all her cats send their best respects and compliments and that Bellerophon particularly requests that his mistress will bring back whatever fish is in season at Scarborough. Oh, the funniest thing I've forgotten to tell you! Miss Peasey was chased by some bullocks across the big field behind the orchard! She was too priceless about it when she got home.
Pauline began to think it was impossible for her ever to have had the least worry in the course of her engagement. This was the first time she had been parted from Guy for more than a week during the whole of a year,and there was something very reassuring in such an opportunity to regard him like this so disinterestedly, to find that the separation was having the traditional effect and to be positive that she was going to meet him again at the end of April more in love than ever. Nevertheless, she was always aware of being grateful for the repose from problems, and she did once or twice play with the idea of having perhaps made a mistake in objecting to his going abroad. It was on occasions of doubt like this that Pauline would try to impress Miss Verney with what existence had already meant to her.
"I'm feeling so old, Miss Verney."
"Old, my dear? Oh, that cannot be true," exclaimed her friend.
"Falling very much in love does make one feel old," Pauline declared.
"Let me see," Miss Verney went on, "let me try to remember how I felt. My impression is now that when I was in love I felt much younger than I do at present, but perhaps that is natural, for it is very nearly thirty years ago since William and I parted."
"Is he still alive?"
"Oh yes, he is still alive, but I have never seen him and he must be wonderfully altered. Sometimes I think of all the days that have gone by since we parted. It seems so strange to think of our lives being able to go on, when once it seemed to both of us that life could not go on at all if we were not together. It seems so strange to think of him eating his lunch somewhere at the same time that somewhere else I am eating my lunch. Who knows if he ever thinks of me, who knows indeed?"
"If anything happened to prevent our marriage," began Pauline, thoughtfully, and then was silent.
Miss Verney opened wide her pale-blue eyes.
"And what could happen?" she asked, grandly.
"I've no business to imagine such a thing, have I?"
"None whatever," said Miss Verney, decidedly.
But had Miss Verney's love-affair been complicated by anything more than merely natural difficulties? Guy's debts and unsuccess were nothing in comparison with other elements of disaccord ... and then Pauline pulled herself up from brooding and resolutely forced her mind to contemplate a happy Summer. Had she not just now been congratulating herself upon the disappearance of all worries in this sea air?
The time at Scarborough drew to a close, and about a week before her birthday came the news of Richard's arrival from India. She and Miss Verney packed up and were home in Wychford two days before they were expected.
"Richard, how lovely to see you again!" Pauline cried. "And, oh, Richard, I'm sure you've grown. Don't you think he has grown?" she demanded of everybody. "Richard, how clever of you to grow when you're twenty-seven."
It was really like old times to go babbling on like this, while Richard sat and smiled encouragingly and spoke never a word.
"Coming for a stroll?" he asked.
"Oh, but I ought to see Guy first," she said. "Richard, I hope you like Guy."
He nodded.
"Do you think he looks like a poet?"
"Never saw a poet before," said Richard.
"Oh, but like your idea of a poet?"
"Never thought much about poets," said Richard. "So you aren't coming for a stroll?"
"I will to-morrow, but I must spend the sunset with Guy."
Guy was waiting for her by the paddock, and they floated down-stream out of reach of people. In their own peninsula they kissed away the absence of twenty-two days.
"You look much better," said Guy, critically.
"I'm perfectly well."
"And happy?"
She answered him with her eyes.
"Why, Pauline, I believe you're quite shy of me!"
She blushed.
"I really am a little, you know," she whispered. "Did you like Richard? Oh, Guy, I hope you did."
"Of course I did."
"And, Guy, you don't mind if I go for a walk with him to-morrow morning? You see, I know he's longing to hear about Margaret and himself."
"But you'll come out with me in the afternoon?"
"Why, of course."
"Then Richard may have the morning," said Guy. "And I hope you'll arrange everything between him and Margaret so successfully that he won't steal any more hours from me."
When Pauline had left Guy that evening she thought how strangely it had been like meeting him for the first time all over again. Or rather it was as if they had walked a long way down the wrong road and were now beginning to walk somewhat tentatively along what she hoped was surely the right road at last. Her duty was above all to help Guy with the material burdens; she must never again let him think that his debts or his prospects had any power to worry her. Merely most tactfully must she try to keep him from extravagance, and, oh dear, how she hoped that he had not bought her an expensive birthday present. It was too late to say anything about it now, but if Guy had been wisely economical how happy she would be. How she hoped, too, that Richard had not brought home from India a present that would annoy Margaret. Really, it was a most oppressive business, this week before her coming of age, for between Guy's extravagance and Richard's ... well, it was really not so much bad taste as Indian taste. She would love anything he gave her, of course, but perhaps he wouldconsult beforehand with Margaret. Dear Richard, he was so sweet and touching, and if only he had not brought her somethingveryelaborately carved. She met him next morning half-way to Fairfield, and two years were obliterated as she kept pace with his long stride when they turned aside from the highroad and tramped upward over the grassy wold.
"Richard, isn't it very hot in India?"
He nodded.
"And didn't you ever get used to walking a bit more slowly in India?"
He laughed.
"You lazy little thing. I thought you and Aunt Verney had been in training at Scarborough? Come on, let's sit down then."
They sat down, and Richard drew with his stick in the close turf.
"Is that your bridge?" Pauline asked, with all the interest she could put into her voice.
He laughed for a long time.
"Pauline, you villain, it's the beginning of Margaret's face!"
She clapped her hands.
"Oh, Richard, aren't I a villain? But, you know, it's not very frightfully like anything, is it?"
"Pauline," he said, suddenly, in that sharp voice in which two years ago he had intrusted his interests to her before he went away—"Pauline, is Margaret going to marry me?"
"Why, of course she is, Richard!"
"Has she spoken to you about me?"
"But you know she never speaks about her own affairs and that she can't bear anybody else to speak of them to her."
"Then how do you know?" he asked.
"Well, perhaps because I'm so much in love with Guy," Pauline whispered.
"I don't see how that quite works. I'm a very dull sort of chap after that Guy of yours."
"But you're not at all," Pauline declared. "And if you take my advice you won't think you're dull. You'll make Margaret marry you. Really, I'm sure that what she would like best is to be made to do something. You see, she's a darling, but she is just a very tiny little bit spoiled. You mustn't be so patient with her. But, Richard dear, I know she loves you, because she practically told Guy that she did."
"Guy?" he echoed, looking rather indignant.
"Well, you must understand how sweet Margaret was to him about me. She was so sympathetic, and really she practically brought about our engagement. Oh, I do love her so, Richard, and I do want her to be happy, and I do know so dreadfully well that you are the very person to make her happy."
"Pauline, you are a pink brick," he avowed.
And scarcely another word did he say for the rest of their walk.
Pauline went to Margaret's room that night and, after fidgeting all the while her sister was undressing, suddenly plunged down beside her bed and caught hold of her hand.
"Margaret, you're not to snub me, because I absolutely must speak. I must beg you not to keep Richard waiting any longer. Do, my darling, darling Margaret, do be kind to him and not so cold. He simply adores you, and.... Why, Margaret, you're crying!... Oh, let me kiss you, my Margaret, because you were so wonderful about Guy, and I've been a beast to you and you must, you must be happy."
"If I could only love him as you love Guy," Margaret sighed between her tears.
"You do really ... at least perhaps notquiteas much. Oh, Margaret, don't be angry with me if I whisper something to you; think how much you would love him if you and he had ... Margaret, you know what I mean."
Pauline blew out the candle and rushed from the dark room; and lying awake in her own bed, she fancied among the flowers of the Rectory such fairy children for Margaret and herself, such fairy children dancing by the margin of the river.
On the morning before Pauline's birthday Guy received a letter from Michael Fane announcing abruptly his engagement and adding that on account of worldly opposition he had been persuaded into a postponement of his marriage for two months. Guy was rather ironically amused by the serious manner in which Michael took so brief a delay, and he could not help thinking how unreasonably impatient of trifles people with ample private means often showed themselves. Michael wrote that he would like to spend some of his probation at Plashers Mead, and alluded to the "luck" of his friend in being so near his Pauline.
Guy wrote a letter of congratulation, and then he put Michael's news out of his mind in order to examine the two complete sets of the proofs on his poems which had also arrived that morning. He was engaged in the task of making a rather clumsy binding for them out of a piece of stained vellum when Richard Ford came round to Plashers Mead. Guy welcomed him gladly, for besides the personal attraction he felt towards this lean and silent engineer, he perceived in the likelihood of Richard's speedy marriage an earnest of his own. Somehow that marriage was going to break the spell of inactivity to which at the Rectory all seemed to be subject, and from which Guy was determined to keep Richard free, even if it were necessary to shake him as continuously as tired wanderers in the snow are shaken out of a dangerous sleep.
"I came round to consult with you about my present to Pauline to-morrow," said Richard, very solemnly. "I've brought round one or two little things, so that you could give me your advice."
"Why, of course I will," said Guy.
"They're down-stairs in the hall. I had some difficulty in explaining to your housekeeper that I wasn't a peddler."
In the hall was stacked a pile completely representative of the bazar: half a dozen shawls, the model of a temple, a carved table, some inlaid stools, every sort of typical Oriental gewgaw; in fact, an agglomeration that seemed to invite the smell of cheap incense for its effective display.
"Godbold drove them over," Richard explained, as he saw Guy's astonishment. "Now look here, what's the best present for Pauline? You see, I'm not at all an artistic sort of chap, and I don't want to hoick forward something that's going to be more of a nuisance than anything else."
"It's really awfully difficult to choose," said Guy, rather ambiguously.
Then he discovered a simple ivory paper-knife which he declared was just the thing, having the happy thought that he would not cut the set of proofs he was binding for Pauline, so that to-morrow Richard could have the pleasure of beholding his gift put to immediate use.
"You've chosen the smallest thing of the lot," said the disappointed donor. "You don't think a shawl as well?" he asked, holding up yards of gaudy material.
"Well, candidly, I think Pauline's too fair for that color scheme, don't you?"
"All right, the paper-knife. You don't mind if I leave these things here till Godbold can fetch them away, and ... er.... I wish you'd choose something for yourself. I've always taken a kind of interest in this house, don't you know, and I've often thought about it in India."
"I'd like a gong," said Guy at once, and Richard wasobviously gratified by his quick choice, and still further gratified when Guy suggested they should sound it immediately outside the kitchen door. Solemnly Richard held it up in the passage, while Guy crashed forth a glorious clamor, at the summons of which Miss Peasey came rushing out.
"Good gracious!" she gasped. "I thought that dog Bob had jumped through the window."
"This is a present for us from India," Guy shouted.
"Oh, that's extremely handsome, isn't it? Well now, I shall expect you to be punctual in future for your meals. Dear me, yes, quite a variety, I'm sure, after that measly bell."
The gong was given a prominent position in the bare hall, and Guy invited Richard up to his own room. After the question of the presents had been solved Richard was shy and silent again, and Guy found it very hard to make conversation. Several times his visitor seemed on the point of getting something off his mind, but when he was given an opportunity for speech he never accepted it. Desperate for a topic, Guy showed him the proofs of the poems, and explained that he was binding them roughly as his present to Pauline to-morrow.
"That's something I can't understand," said Richard, intensely. "Writing! It beats me!"
"Bridges would beat me," said Guy.
Richard looked quite cheerful at this notion and under the influence of the encouragement he had received seemed at last on the point of getting out what he wanted to say, but he could manage nothing more confidential than a tug at his bristled fair mustache.
"When are you and Margaret going to be married?" Guy asked, abruptly, for, of course, he had guessed that it was Margaret's name which was continually on the tip of his tongue.
"By Jove! there you are! I'm rather stumped," said Richard, gloomily. "You see, the thing is ... well ... Isuppose you know that when I started off to India last June year, Margaret and I were sort of engaged ... at least I was certainly engaged to her, only she hadn't absolutely made up her mind about me ... and, of course, that's just what you'd expect would happen to a chap like me ... dash it all! Hazlewood, I'm afraid to ask her again!"
"I don't think you need be," said Guy. "Of course we haven't discussed you, except very indirectly," he hastily added, "but I'm positive that Margaret is only waiting for you to ask her to marry her on some definite day; on some definite day, Ford, that's the great thing to remember."
"You mean I ought to say, 'Margaret, will you marry me on the twelfth of August, or the first of September? That's your notion, is it?"
Guy nodded.
"By gad! I'll ask her to-day," said Richard.
"And you'll be engaged to-morrow," Guy prophesied.
"When are you and Pauline going to be married?"
Guy looked up quickly to see if the solid Richard were laughing at him, but there was nothing in those steel-blue eyes except the most benevolent inquiry.
"That's the question," said Guy. "Writing is not quite such a certainty as bridge-building."
"You mean there's the difficulty of money? By Jove! that's bad luck, isn't it? Still, you know, I expect that having the good fortune to have Pauline in love with you.... Well, I expect, you've got to expect a bit of difficulty somewhere, you know. You know, Pauline was...." he stopped and blinked at the window.
"Pauline's awfully fond of you," Guy said, encouragingly.
"Hazlewood, that kid's been.... Well, I can't express myself, you know, but I'd.... Well, I really can't talk about her."
"I understand, though," said Guy. "Look here, you'llstay and have lunch with me, and then we can go across to the Rectory afterwards."
Emotional subjects were tacitly put on one side to talk of the birds and butterflies that one might expect to find round Wychford, of Miss Verney and Godbold and other local characters, or of the prospects of the cricket team that year. After lunch Guy put the unbound set of proofs in his pocket and, launching the canoe, they floated down to the Rectory paddock. Mrs. Grey and the girls were all in the garden picking purple tulips, and Guy, taking Pauline aside, told her on what momentous quest Richard was come, suggesting that he should occupy the Rector's attention, while Pauline lured away her mother and Monica.
The Rector was sitting in the library, hard at work rubbing the fluff from the anemone seeds with sand.
"And what can I do for you, sir?" he asked.
"I thought you'd like to see the proofs of my poems," said Guy.
He laid the duplicates on the dusty table, and tried to thank his patron for what he had done. The Rector waved a clay pipe deprecatingly.
"You must thank Constance ... you must thank my wife, if you thank anybody. But if I were you I shouldn't thank anybody till you find out for certain that she's done you a service," he recommended, with a twinkle.
Guy laughed.
"Worrall doesn't want to publish until the Autumn."
The Rector made a face.
"All that time to wait for the verdict?"
"Time seems particularly hostile to me," Guy said.
"You'll have to tweak his forelock pretty hard."
"That's what I've come to consult you about. Do you think I ought to go to Persia with Sir George Gascony? Mrs. Grey thought I oughtn't to take so drastic a step until I had first tested my poems in public. But I've been reading them through, and they don't somehow lookquite as important in print as they did in manuscript. I can't help feeling that I ought to have a regular occupation. What do you really advise me to do, Mr. Grey?"
The Rector held up his arms in mock dismay.
"Gracious goodness me, don't implicate a poor country parson in such affairs! I can give you advice about flowers and I can pretend to give you advice about your soul, but about the world, no, no."
"I think perhaps I'll get some journalistic work in town," Guy suggested.
"Persia or journalism!" commented the Rector. "Well, well, they're both famous for fairy tales. I recommend journalism as being nearer at hand."
"Then I'll take your advice."
"Oh, dear me, you must not involve me in such a responsibility. Now, if you were a nice rational iris I would talk to you, but for a talented young man with his life before him I shouldn't even be a good quack. Come along, let's go out and look at the tulips."
"Youwillglance through my poems?" Guy asked, diffidently.
The Rector stood up and put his hand on the poet's shoulder.
"Of course I will, my dear boy, and you mustn't be deceived by the manner of that shy old boor, the Rector of Wychford. Do what you think you ought to do, and make my youngest daughter happy. We shall be having her birthday before we know where we are."
"It's to-morrow!"
"Is it indeed? May Day. Of course. I remember last year I managed to bloomIris lorteti. But this year, no! That wet May destroyedIris lorteti. A delicate creature. Rose and brown. A delicate, lovely creature."
Guy and the Rector pored over the tulips awhile, where in serried borders they displayed their somber sheen of amaranth and amethyst; then Guy strolled off to hear what was the news of Margaret and Richard. Paulinecame flying to meet him down one of the long, straight garden paths.
"Darling, they are to be married early in August," she cried.
He caught her to him and kissed her, lest in the first poignant realization of other people's joy she might seem to be escaping from him utterly.
Guy had a few minutes with Margaret before he went home that evening, and they walked beside the tulip borders, she tall and dark and self-contained in the fading light, being strangely suited by association with such flowers.
"Dear Margaret," he said, "I want to tell you how tremendously I like Richard. Now that sounds patronizing. But I'm speaking quite humbly. These sort of Englishmen have been celebrated enough, perhaps, and lately there's been a tendency to laugh at them, but, my God! what is there on earth like the Richards of England? Margaret, you once very rightly reproved me for putting Pauline in a silver frame, do let me risk your anger and beg you never to put yourself in a silver frame from which to look out at Richard."
"You do rather understand me, don't you?" she said, offering him her hand.
"Help Pauline and me," he begged.
"Haven't I always helped you?"
"Not always, but you will now that you yourself are no longer uncertain about your future. The moment you find yourself perfectly happy you'll be longing for every one else to be the same."
"But how haven't I helped you?" she persisted.
"It would be difficult to explain in definite words. But I don't think my idea of your attitude towards us could have been entirely invented by my fancy."
"What attitude? What do you mean, Guy?"
He shook his head.
"My dear, if you aren't conscious of it, I'm certainlynot going to attempt to put it into words and involve myself in such a net."
"How tantalizing you are!"
"No, I'm not. If you have the least inclination to think I may be right, then you know what I mean and you can do what I ask. If you haven't the least notion of what I mean, then it was all my fancy, and I'm certainly not going to give my baseless fancies away."
"This is all too cryptic," she murmured.
"Then let it remain undeciphered," he said, smiling; and he led the conversation more directly towards their marriage and the strangeness of the Rectory without Margaret.
Richard spent the night at Plashers Mead, and Guy heard the halting account of two years' uncertainty, of the bungalow that had been taken and embowered against Margaret's coming, and of the way in which his bridge had spanned not merely the river, but the very ocean, and even time itself.
Pauline's birthday morning was cloudless, and Guy, though to himself he was inclined to blame the action as weak, went to church and knelt beside her. Then afterwards there was the scene of breakfast on the lawn that already, with only this first repetition, wore for him an immemorial air, so that he could no longer imagine a May Day that was not thus inaugurated. The presentation of his poems in proof had not a bit less wonderful effect than he had hoped, for Pauline could never finish turning over the pages and loving the ludicrously tumble-down binding.
"Oh, it's so touching! I wish they could all be bound like this. And how I adore Richard's paper-knife."
The four lovers disappeared after breakfast to enjoy the flashing May Day, and Monica, left alone with her mother, looked a little sad, she, the only one of those three lovely daughters of the Rectory still undisturbed by the demands of the invading world.
May that year was like the fabled Spring of poets; and Guy and Pauline were left free to enjoy the passionate and merry month as perhaps never before had they enjoyed any season, not even that dreamed-away fortnight at Ladingford last year. They had ceased for a while with the engagement of Richard and Margaret to be the central figures of the Rectory, whether for blame or commendation, and, desiring nothing better than to be left without interference, they were lost in apple-blossom to every-day existence. Guy, with the prospect of his poems appearing in the Autumn, felt that he was justified in forgetting responsibilities and, having weathered the financial crisis of the March quarter, he had now nothing to worry him until Midsummer. That was the date he had fixed upon in his mind as suitable for making a determined attempt upon London. He had planned to shut up Plashers Mead and to take a small room in Chelsea, whence he would conquer in a few months the material obstacles that prevented their marriage. The poems, now that they were in print, seemed a less certain talisman to fame; but they would serve their purpose, indeed they had served their purpose already, for this long-secluded time would surely counterbalance the too easy victories of journalism. He would surely by now have lost that spruce Oxford cleverness, and might fairly expect to earn his living with dignity. The least success would justify his getting married, and Pauline would enjoy two years spent high in some London attic within the sound of chirping sparrows and the distant whispers of humanity. They would perhaps be able to afford to fly for magic weeks to Plashers Mead, pastoral interludes in that crowded life which lay ahead. How everything had resolved itself latterly, and how the gift of glorious May should be accepted as the intimate and dearest benefaction to their love! He and Pauline were together from earliest morn to the last minute of these rich and shadowy eves. They wreathed their boat with boughs of apple-blossom and went fartherup the river than they had ever gone. The cuckoo was still in tune, and still the kingcups gilded all that hollow land; there was not yet the lush growth of weeds and reeds that indolent June would use to delay their dreaming progress; and still all the trees and all the hedges danced with that first sharp green of Spring, that cold and careless green of Spring.
Then when the hawthorn came into prodigal bloom, and all the rolling country broke in endless waves of blossom, Pauline in her muslin dress seemed like an airy joy sustained by all these multitudinous petals, dancing upon this flowery tide, this sweet foam of May.
"My flower, my sweet, are you indeed mortal?" he whispered.
The texture of her sleeve against his was less tangible than the light breeze that puffed idly from the south to where they sat enraptured upon the damasked English grass. Apple-blossom powdered her lap and starred her light-brown hair, and around them like a Circean perfume drowning the actual world hung the odorous thickets of hawthorn.
The month glided along until the time of ragged-robins came round again, and as if these flowers were positively of ill omen to Guy and Pauline, Mrs. Grey suddenly took it into her head again that they were seeing too much of each other.
"I said you could see Pauline every day," she told Guy. "But I did not say all day."
"But I shall be going away soon," he said; "and it seems a pity to lose any of this lovely month."
"I'm sure I'm right ... and I did not know you had really decided to go away.... I'm sure, yes, I'm positive I'm right.... Why don't you be more like Margaret and Richard?... They aren't together all day long ... no, not all day."
"But Pauline is so different from Margaret," Guy argued.
"Yes, I know ... that's the reason ... she is too impulsive.... Yes, it's much better not to be together all the time.... I'm glad you've settled to go to London ... then perhaps you can be married next year...."
A rule came into force again, and Guy began to feel the old exasperation against the curb upon youth's leisure. Rather unjustly he blamed Margaret, because he felt that the spectacle of her sedate affection made his for Pauline appear too wild, and Pauline herself beside Margaret seem completely distraught with love.
It pleased Guy rather, and yet in a way it rather annoyed him, that Michael Fane should choose this moment to announce his intention of spending some time at Plashers Mead. Perhaps a little of the doubt was visible in his welcome, because Michael asked rather anxiously if he were intruding upon the May idyll; Guy laughed off the slight awkwardness and asked why Michael had not yet managed to get married. They talked about the evils of procrastination, but Guy could not at all see that Michael had much to complain of in a postponement of merely two months. His friend, however, was evidently rather upset, and he could not resist expatiating a little on his own grief with what Guy thought was the petulance of the too fortunate man. The warm May nights lulled them both, and they used to pass pleasant evenings leaning over the stream while the bats and fern-owls flew across the face of the decrescent moon; yet for Guy all the beauty of the season was more than ever endowed with intolerable fugacity.
Pauline with Michael's arrival began to be moody again; would take no kind of interest in Michael's engagement; would only begin to see again the endless delays that hung so heavily round their marriage. Michael was not at all in the way, for he spent all the time writing to his lady-love, of whom he had told Guy really nothing; or he would sit in the lengthening grass of the orchard and read books of poetry, the pages of which used to winkwith lucid reflection caught from the leaves of the fruit-trees overhead.