I was mighty good-lookin' when I was young,Peart an' black-eyed an' slim,With fellers a-courtin' me Sunday nights,'Specially Jim.The likeliest one of 'em all was he,Chipper an' han'som' an' trim,But I tossed up my head an' made fun o' the crowds'Specially Jim!I said I hadn't no 'pinion o' men,An' I wouldn't take stock in him!But they kep' up a-comin' in spite o' my talk,'Specially Jim!I got so tired o' havin' 'em roun'('Specially Jim!)I made up my mind I'd settle downAn' take up with him.So we was married one Sunday in church,'Twas crowded full to the brim;'Twas the only way to get rid of 'em all,'Specially Jim.
O'Grady lived in Shanty row,The neighbors often saidThey wished that Tim would move awayOr that his goat was dead.He kept the neighborhood in fear,And the children always vexed;They couldn't tell jist whin or whereThe goat would pop up next.Ould Missis Casey stood wan dayThe dirty clothes to rubUpon the washboard, when she divedHeadforemosht o'er the tub;She lit upon her back an' yelled,As she was lying flat:"Go git your goon an' kill the bashte."O'Grady's goat doon that.Pat Doolan's woife hung out the washUpon the line to dry.She wint to take it in at night,But stopped to have a cry.The sleeves av two red flannel shirts,That once were worn by Pat,Were chewed off almost to the neck.O'Grady's goat doon that.They had a party at McCune's,An' they wor having foon,Whin suddinly there was a crashAn' ivrybody roon.The iseter soup fell on the floorAn' nearly drowned the cat;The stove was knocked to smithereens.O'Grady's goat doon that.Moike Dyle was coortin' Biddy Shea,Both standin' at the gate,An' they wor just about to kissAich oother sly and shwate.They coom togither loike two rams.An' mashed their noses flat.They niver shpake whin they goes by.O'Grady's goat doon that.O'Hoolerhan brought home a kegAv dannymite wan dayTo blow a cistern in his yardAn' hid the stuff away.But suddinly an airthquake coom,O'Hoolerhan, house an' hat,An' ivrything in sight wint up.O'Grady's goat doon that.An' there was Dooley's Savhin's Bank,That held the byes' sphare cash.One day the news came doon the sthreetThe bank had gone to smash.An' ivrybody 'round was dumWid anger and wid fear,Fer on the dhoor they red the whords,"O'Grady's goat sthruck here."The folks in Grady's naborhoodAll live in fear and fright;They think it's certain death to goAround there after night.An' in their shlape they see a ghostUpon the air afloat,An' wake thimselves by shoutin' out:"Luck out for Grady's goat."Will S. Hays.
By Nebo's lonely mountain,On this side Jordan's wave,In a vale in the land of MoabThere lies a lonely grave,And no man knows that sepulchre,And no man saw it e'er,For the angels of God upturn'd the sodAnd laid the dead man there.That was the grandest funeralThat ever pass'd on earth;But no man heard the trampling,Or saw the train go forth—Noiselessly as the daylightComes back when night is done,And the crimson streak on ocean's cheekGrows into the great sun.Noiselessly as the springtimeHer crown of verdure weaves,And all the trees on all the hillsOpen their thousand leaves;So without sound of music,Or voice of them that wept,Silently down from the mountain's crownThe great procession swept.Perchance the bald old eagleOn gray Beth-peor's height,Out of his lonely eyrieLook'd on the wondrous sight;Perchance the lion, stalking,Still shuns that hallow'd spot,For beast and bird have seen and heardThat which man knoweth not.But when the warrior dieth,His comrades in the war,With arms reversed and muffled drum,Follow his funeral car;They show the banners taken,They tell his battles won,And after him lead his masterless steed,While peals the minute gun.Amid the noblest of the landWe lay the sage to rest,And give the bard an honor'd place,With costly marble drest,In the great minster transeptWhere lights like glories fall,And the organ rings, and the sweet choir singsAlong the emblazon'd wall.This was the truest warriorThat ever buckled sword,This was the most gifted poetThat ever breathed a word;And never earth's philosopherTraced with his golden pen,On the deathless page, truths half so sageAs he wrote down for men.And had he not high honor,—The hillside for a pall,To lie in state while angels waitWith stars for tapers tall,And the dark rock-pines like tossing plumes,Over his bier to wave,And God's own hand, in that lonely land,To lay him in the grave?In that strange grave without a name,Whence his uncoffin'd clayShall break again, O wondrous thought!Before the judgment day,And stand with glory wrapt aroundOn the hills he never trod,And speak of the strife that won our lifeWith the Incarnate Son of God.O lonely grave in Moab's landO dark Beth-peor's hill,Speak to these curious hearts of ours,And teach them to be still.God hath His mysteries of grace,Ways that we cannot tell;He hides them deep like the hidden sleepOf him He loved so well.Cecil F. Alexander.
Alone in the dreary, pitiless street,With my torn old dress, and bare, cold feet,All day have I wandered to and fro,Hungry and shivering, and nowhere to go;The night's coming on in darkness and dread,And the chill sleet beating upon my bare head.Oh! why does the wind blow upon me so wild?Is it because I am nobody's child?Just over the way there's a flood of light,And warmth, and beauty, and all things bright;Beautiful children, in robes so fair,Are caroling songs in their rapture there.I wonder if they, in their blissful glee,Would pity a poor little beggar like me,Wandering alone in the merciless street,Naked and shivering, and nothing to eat?Oh! what shall I do when the night comes downIn its terrible blackness all over the town?Shall I lay me down 'neath the angry sky,On the cold, hard pavement, alone to die,When the beautiful children their prayers have said,And their mammas have tucked them up snugly in bed?For no dear mother on me ever smiled.Why is it, I wonder, I'm nobody's child?No father, no mother, no sister, not oneIn all the world loves me—e'en the little dogs runWhen I wander too near them; 'tis wondrous to seeHow everything shrinks from a beggar like me!Perhaps 'tis a dream; but sometimes, when I lieGazing far up in the dark blue sky,Watching for hours some large bright star,I fancy the beautiful gates are ajar,And a host of white-robed, nameless thingsCome fluttering o'er me on gilded wings;A hand that is strangely soft and fairCaresses gently my tangled hair,And a voice like the carol of some wild bird—The sweetest voice that was ever heard—Calls me many a dear, pet name,Till my heart and spirit are all aflame.They tell me of such unbounded love,And bid me come to their home above;And then with such pitiful, sad surpriseThey look at me with their sweet, tender eyes,And it seems to me, out of the dreary nightI am going up to that world of light,And away from the hunger and storm so wild;I am sure I shall then be somebody's child.Phila H. Case.
Like a dream, it all comes o'er me as I hear the Christmas bells;Like a dream it floats before me, while the Christmas anthem swells;Like a dream it bears me onward in the silent, mystic flow,To a dear old sunny Christmas in the happy long ago.And my thoughts go backward, backward, and the years that interveneAre but as the mists and shadows when the sunlight comes between;And all earthly wealth and splendor seem but as a fleeting show,As there comes to me the picture of a Christmas long ago.I can see the great, wide hearthstone and the holly hung about;I can see the smiling faces, I can hear the children shout;I can feel the joy and gladness that the old room seem to fill,E'en the shadows on the ceiling—I can see them dancing still.I can see the little stockings hung about the chimney yet;I can feel my young heart thrilling lest the old man should forget.Ah! that fancy! Were the world mine, I would give it, if I might,To believe in old St. Nicholas, and be a child to-night.Just to hang my little stocking where it used to hang, and feelFor one moment all the old thoughts and the old hopes o'er me steal.But, oh! loved and loving faces, in the firelight's dancing glow,There will never come another like that Christmas long ago!For the old home is deserted, and the ashes long have lainIn the great, old-fashioned fireplace that will never shine again.Friendly hands that then clasped ours now are folded 'neath the snow;Gone the dear ones who were with us on that Christmas long ago.Let the children have their Christmas—let them have it while they may;Life is short and childhood's fleeting, and there'll surely come a dayWhen St. Nicholas will sadly pass on by the close-shut door,Missing all the merry faces that had greeted him of yore;When no childish step shall echo through the quiet, silent room;When no childish smile shall brighten, and no laughter lift the gloom;When the shadows that fall 'round us in the fire-light's fitful glowShall be ghosts of those who sat there in the Christmas long ago.
One sweetly solemn thoughtComes to me o'er and o'er,—I am nearer home to-dayThan I've ever been before;—Nearer my Father's houseWhere the many mansions be,Nearer the great white throne,Nearer the jasper sea;—Nearer the bound of lifeWhere we lay our burdens down;Nearer leaving the cross,Nearer gaining the crown.But lying darkly between,Winding down through the night,Is the dim and unknown streamThat leads at last to the light.Closer and closer my stepsCome to the dark abysm;Closer death to my lipsPresses the awful chrism.Father, perfect my trust;Strengthen the might of my faith;Let me feel as I would when I standOn the rock of the shore of death,—Feel as I would when my feetAre slipping o'er the brink;For it may be I am nearer home,Nearer now than I think.Phoebe Cary.
Grandma told me all about it,Told me so I could not doubt it,How she danced, my grandma danced, long ago!How she held her pretty head,How her dainty skirts she spread,How she turned her little toes,Smiling little human rose!Grandma's hair was bright and shining,Dimpled cheeks, too! ah! how funny!Bless me, now she wears a cap,My grandma does, and takes a nap every single day;Yet she danced the minuet long ago;Now she sits there rocking, rocking,Always knitting grandpa's stocking—Every girl was taught to knit long ago—But her figure is so neat,And her ways so staid and sweet,I can almost see her now,Bending to her partner's bow, long ago.Grandma says our modern jumping,Rushing, whirling, dashing, bumping,Would have shocked the gentle people long ago.No, they moved with stately grace,Everything in proper place,Gliding slowly forward, thenSlowly courtesying back again.Modern ways are quite alarming, grandma says,But boys were charming—Girls and boys I mean, of course—long ago,Sweetly modest, bravely shy!What if all of us should try just to feelLike those who met in the stately minuet, long ago.With the minuet in fashion,Who could fly into a passion?All would wear the calm they wore long ago,And if in years to come, perchance,I tell my grandchild of our dance,I should really like to say,We did it in some such way, long ago.Mary Mapes Dodge.
We are two travellers, Roger and I.Roger's my dog—Come here, you scamp!Jump for the gentleman—mind your eye!Over the table—look out for the lamp!—The rogue is growing a little old;Five years we've tramped through wind and weather,And slept outdoors when nights were cold,And ate, and drank—and starved together.We've learned what comfort is, I tell you:A bed on the floor, a bit of rosin,A fire to thaw our thumbs (poor fellow,The paw he holds up there has been frozen),Plenty of catgut for my fiddle,(This outdoor business is bad for strings),Then a few nice buckwheats hot from the griddle,And Roger and I set up for kings!No, thank you, Sir, I never drink.Roger and I are exceedingly moral.Aren't we, Roger? see him wink.Well, something hot then, we won't quarrel.He's thirsty, too—see him nod his head?What a pity, Sir, that dogs can't talk;He understands every word that's said,And he knows good milk from water and chalk.The truth is, Sir, now I reflect,I've been so sadly given to grog,I wonder I've not lost the respect(Here's to you, Sir!) even of my dog.But he sticks by through thick and thin;And this old coat with its empty pocketsAnd rags that smell of tobacco and gin,He'll follow while he has eyes in his sockets.There isn't another creature livingWould do it, and prove, through every disaster,So fond, so faithful, and so forgiving,To such a miserable, thankless master.No, Sir! see him wag his tail and grin—By George! it makes my old eyes water—That is, there's something in this ginThat chokes a fellow, but no matter!We'll have some music, if you're willing.And Roger (hem! what a plague a cough is, Sir!)Shall march a little.—Start, you villain!Paws up! eyes front! salute your officer!'Bout face! attention! take your rifle!(Some dogs have arms, you see.) Now holdYour cap while the gentleman gives a trifleTo aid a poor old patriot soldier!March! Halt! Now show how the Rebel shakes,When he stands up to hear his sentence;Now tell me how many drams it takesTo honor a jolly new acquaintance.Five yelps—that's five; he's mighty knowing;The night's before us, fill the glasses;—Quick, Sir! I'm ill, my brain is going!—Some brandy,—thank you;—there,—it passes!Why not reform? That's easily said;But I've gone through such wretched treatment,Sometimes forgetting the taste of bread,And scarce remembering what meat meant,That my poor stomach's past reform;And there are times when, mad with thinking,I'd sell out heaven for something warmTo prop a horrible inward sinking.Is there a way to forget to think?At your age, Sir, home, fortune, friends,A dear girl's love,—but I took to drink;—The same old story; you know how it ends.If you could have seen these classic features,—You needn't laugh, Sir; I was not thenSuch a burning libel on God's creatures;I was one of your handsome men—If you had seen her, so fair, so young,Whose head was happy on this breast;If you could have heard the songs I sungWhen the wine went round, you wouldn't have guess'dThat ever I, Sir, should be strayingFrom door to door, with fiddle and dog,Ragged and penniless, and playingTo you to-night for a glass of grog.She's married since,—a parson's wife,'Twas better for her that we should part;Better the soberest, prosiest lifeThan a blasted home and a broken heart.I have seen her—once; I was weak and spentOn the dusty road; a carriage stopped,But little she dreamed as on she went,Who kissed the coin that her fingers dropped.You've set me talking, Sir; I'm sorry;It makes me wild to think of the change!What do you care for a beggar's story?Is it amusing? you find it strange?I had a mother so proud of me!'Twas well she died before—Do you knowIf the happy spirits in heaven can seeThe ruin and wretchedness here below?Another glass, and strong, to deadenThis pain; then Roger and I will start.I wonder, has he such a lumpish, leaden,Aching thing, in place of a heart?He is sad sometimes, and would weep, if he could,No doubt, remembering things that were,—A virtuous kennel, with plenty of food,And himself a sober, respectable cur.I'm better now; that glass was warming—You rascal! limber your lazy feet!We must be fiddling and performingFor supper and bed, or starve in the street.—Not a very gay life to lead, you think.But soon we shall go where lodgings are free,And the sleepers need neither victuals nor drink;—The sooner, the better for Roger and me.J.T. Trowbridge.
Oh, a wonderful stream is the river of Time,As it runs through the realm of tears,With a faultless rhythm and a musical rhyme,And a boundless sweep and a surge sublime,As it blends with the ocean of Years.How the winters are drifting, like flakes of snow,And the summers, like buds between;And the year in the sheaf—so they come and they go,On the river's breast, with its ebb and flow,As it glides in the shadow and sheen.There's a magical isle up the river of Time,Where the softest of airs are playing;There's a cloudless sky and a tropical clime,And a song as sweet as a vesper chime,And the Junes with the roses are staying.And the name of that isle is the Long Ago,And we bury our treasures there;There are brows of beauty and bosoms of snow—There are heaps of dust—but we love them so!—There are trinkets and tresses of hair;There are fragments of song that nobody sings,And a part of an infant's prayer,There's a lute unswept, and a harp without strings;There are broken vows and pieces of rings,And the garments that she used to wear.There are hands that are waved, when the fairy shoreBy the mirage is lifted in air;And we sometimes hear, through the turbulent roar,Sweet voices we heard in the days gone before,When the wind down the river is fair.Oh, remembered for aye be the blessed Isle,All the day of our life till night—When the evening comes with its beautiful smile.And our eyes are closing to slumber awhile,May that "Greenwood" of Soul be in sight!Benjamin Franklin Taylor.
NOTE:The last line of this poem needs explanation. "Greenwood" is the name of a cemetery inBrooklyn, N.Y. "Greenwood of Soul" means the soul's resting place, or heaven.
In an attic bare and cheerless, Jim the newsboy dying layOn a rough but clean straw pallet, at the fading of the day;Scant the furniture about him but bright flowers were in the room,Crimson phloxes, waxen lilies, roses laden with perfume.On a table by the bedside open at a well-worn page,Where the mother had been reading lay a Bible stained by age,Now he could not hear the verses; he was flighty, and she weptWith her arms around her youngest, who close to her side had crept.Blacking boots and selling papers, in all weathers day by day,Brought upon poor Jim consumption, which was eating life away,And this cry came with his anguish for each breath a struggle cost,"'Ere's the morningSunand'Erald—latest news of steamship lost.Papers, mister? Morning papers?" Then the cry fell to a moan,Which was changed a moment later to another frenzied tone:"Black yer boots, sir? Just a nickel! Shine 'em like an evening star.It grows late, Jack! Night is coming. Evening papers, here they are!"Soon a mission teacher entered, and approached the humble bed;Then poor Jim's mind cleared an instant, with his cool hand on his head,"Teacher," cried he, "I remember what you said the other day,Ma's been reading of the Saviour, and through Him I see my way.He is with me! Jack, I charge you of our mother take good careWhen Jim's gone! Hark! boots or papers, which will I be over there?Black yer boots, sir? Shine 'em right up! Papers! Read God's book instead,Better'n papers that to die on! Jack—" one gasp, and Jim was dead!Floating from that attic chamber came the teacher's voice in prayer,And it soothed the bitter sorrow of the mourners kneeling there,He commended them to Heaven, while the tears rolled down his face,Thanking God that Jim had listened to sweet words of peace and grace,Ever 'mid the want and squalor of the wretched and the poor,Kind hearts find a ready welcome, and an always open door;For the sick are in strange places, mourning hearts are everywhere,And such need the voice of kindness, need sweet sympathy and prayer.Emily Thornton.
Break, break, break,On thy cold gray stones, O sea!And I would that my tongue could utterThe thoughts that arise in me.O well for the fisherman's boyThat he shouts with his sister at play!O well for the sailor ladThat he sings in his boat on the bay!And the stately ships go onTo their haven under the hill;But O for the touch of a vanished hand,And the sound of a voice that is still!Break, break, break,At the foot of thy crags, O sea!But the tender grace of a day that is deadWill never come back to me.Alfred Tennyson.
Don't kill the birds, the pretty birds,That sing about your door,Soon as the joyous spring has come,And chilling storms are o'er.The little birds, how sweet they sing!Oh! let them joyous live;And never seek to take the lifeThat you can never give.Don't kill the birds, the pretty birds,That play among the trees;'Twould make the earth a cheerless place,Should we dispense with these.The little birds, how fond they play!Do not disturb their sport;But let them warble forth their songs,Till winter cuts them short.Don't kill the birds, the happy birds,That bless the fields and grove;So innocent to look upon,They claim our warmest love.The happy birds, the tuneful birds,How pleasant 'tis to see!No spot can be a cheerless placeWhere'er their presence be.D.C. Colesworthy.