SONNETS.

The broken moon lay in the autumn sky,And I lay at thy feet;You bent above me; in the silence ICould hear my wild heart beat.I spoke; my soul was full of trembling fearsAt what my words would bring:You raised your face, your eyes were full of tears,As the sweet eyes of Spring.You kissed me then, I worshipped at thy feetUpon the shadowy sod.Oh, fool, I loved thee! loved thee, lovely cheat!Better than Fame or God.My soul leaped up beneath thy timid kiss:What then to me were groans,Or pain, or death? Earth was a round of bliss,I seemed to walk on thrones.And you were with me 'mong the rushing wheels,'Mid Trade's tumultuous jars;And where to awe-struck wilds the Night revealsHer hollow gulfs of stars.Before your window, as before a shrine,I've knelt 'mong dew-soaked flowers,While distant music-bells, with voices fine,Measured the midnight hours.There came a fearful moment: I was pale,You wept, and never spoke,But clung around me as the woodbine frailClings, pleading, round an oak.Upon my wrong I steadied up my soul,And flung thee from myself;I spurned thy love as 'twere a rich man's dole,—It was my only wealth.I spurned thee! I, who loved thee, could have died,That hoped to call thee "wife,"And bear thee, gently-smiling at my side,Through all the shocks of life!Too late, thy fatal beauty and thy tears,Thy vows, thy passionate breath;I'll meet thee not in Life, nor in the spheresMade visible by Death.

The broken moon lay in the autumn sky,And I lay at thy feet;You bent above me; in the silence ICould hear my wild heart beat.

I spoke; my soul was full of trembling fearsAt what my words would bring:You raised your face, your eyes were full of tears,As the sweet eyes of Spring.

You kissed me then, I worshipped at thy feetUpon the shadowy sod.Oh, fool, I loved thee! loved thee, lovely cheat!Better than Fame or God.

My soul leaped up beneath thy timid kiss:What then to me were groans,Or pain, or death? Earth was a round of bliss,I seemed to walk on thrones.

And you were with me 'mong the rushing wheels,'Mid Trade's tumultuous jars;And where to awe-struck wilds the Night revealsHer hollow gulfs of stars.

Before your window, as before a shrine,I've knelt 'mong dew-soaked flowers,While distant music-bells, with voices fine,Measured the midnight hours.

There came a fearful moment: I was pale,You wept, and never spoke,But clung around me as the woodbine frailClings, pleading, round an oak.

Upon my wrong I steadied up my soul,And flung thee from myself;I spurned thy love as 'twere a rich man's dole,—It was my only wealth.

I spurned thee! I, who loved thee, could have died,That hoped to call thee "wife,"And bear thee, gently-smiling at my side,Through all the shocks of life!

Too late, thy fatal beauty and thy tears,Thy vows, thy passionate breath;I'll meet thee not in Life, nor in the spheresMade visible by Death.

I cannot deem why men toil so for Fame.A porter is a porter though his loadBe the oceaned world, and although his roadBe down the ages. What is in a name?Ah! 'tis our spirit's curse to strive and seek.Although its heart is rich in pearls and ores,The Sea complains upon a thousand shores;Sea-like we moan for ever. We are weak.We ever hunger for diviner stores.I cannot say I have a thirsting deepFor human fame, nor is my spirit bowedTo be a mummy above ground to keepFor stare and handling of the vulgar crowd,Defrauded of my natural rest and sleep.

I cannot deem why men toil so for Fame.A porter is a porter though his loadBe the oceaned world, and although his roadBe down the ages. What is in a name?Ah! 'tis our spirit's curse to strive and seek.Although its heart is rich in pearls and ores,The Sea complains upon a thousand shores;Sea-like we moan for ever. We are weak.We ever hunger for diviner stores.I cannot say I have a thirsting deepFor human fame, nor is my spirit bowedTo be a mummy above ground to keepFor stare and handling of the vulgar crowd,Defrauded of my natural rest and sleep.

There have been vast displays of critic witO'er those who vainly flutter feeble wings,Nor rise an inch 'bove ground,—weak Poetlings!And on them to the death men's brows are knit.Ye men! ye critics! seems 't so very fitThey on a storm of laughter should be blownO'er the world's edge to Limbo? Be it known,Ye men! ye critics! that beneath the sunThe chiefest woe is this,—When all alone,And strong as life, a soul's great currents runPoesy-ward, like rivers to the sea,But never reach 't. Critic, let that soul moanIn its own hell without a kick from thee.Kind Death, kiss gently, ease this weary one!

There have been vast displays of critic witO'er those who vainly flutter feeble wings,Nor rise an inch 'bove ground,—weak Poetlings!And on them to the death men's brows are knit.Ye men! ye critics! seems 't so very fitThey on a storm of laughter should be blownO'er the world's edge to Limbo? Be it known,Ye men! ye critics! that beneath the sunThe chiefest woe is this,—When all alone,And strong as life, a soul's great currents runPoesy-ward, like rivers to the sea,But never reach 't. Critic, let that soul moanIn its own hell without a kick from thee.Kind Death, kiss gently, ease this weary one!

Joy like a stream flows through the Christmas-streets,But I am sitting in my silent room,Sitting all silent in congenial gloom.To-night, while half the world the other greetsWith smiles and grasping hands and drinks and meats,I sit and muse on my poetic doom;Like the dim scent within a budded rose,A joy is folded in my heart; and whenI think on Poets nurtured 'mong the throes,And by the lowly hearths of common men,—Think of their works, some song, some swelling odeWith gorgeous music growing to a close,Deep-muffled as the dead-march of a god,—My heart is burning to be one of those.

Joy like a stream flows through the Christmas-streets,But I am sitting in my silent room,Sitting all silent in congenial gloom.To-night, while half the world the other greetsWith smiles and grasping hands and drinks and meats,I sit and muse on my poetic doom;Like the dim scent within a budded rose,A joy is folded in my heart; and whenI think on Poets nurtured 'mong the throes,And by the lowly hearths of common men,—Think of their works, some song, some swelling odeWith gorgeous music growing to a close,Deep-muffled as the dead-march of a god,—My heart is burning to be one of those.

Beauty still walketh on the earth and air,Our present sunsets are as rich in goldAs ere the Iliad's music was out-rolled;The roses of the Spring are ever fair,'Mong branches green still ring-doves coo and pair,And the deep sea still foams its music old.So, if we are at all divinely souled,This beauty will unloose our bonds of care.'Tis pleasant, when blue skies are o'er us bendingWithin old starry-gated Poesy,To meet a soul set to no worldly tune,Like thine, sweet Friend! Oh, dearer this to meThan are the dewy trees, the sun, the moon,Or noble music with a golden ending.

Beauty still walketh on the earth and air,Our present sunsets are as rich in goldAs ere the Iliad's music was out-rolled;The roses of the Spring are ever fair,'Mong branches green still ring-doves coo and pair,And the deep sea still foams its music old.So, if we are at all divinely souled,This beauty will unloose our bonds of care.'Tis pleasant, when blue skies are o'er us bendingWithin old starry-gated Poesy,To meet a soul set to no worldly tune,Like thine, sweet Friend! Oh, dearer this to meThan are the dewy trees, the sun, the moon,Or noble music with a golden ending.

Last night my cheek was wetted with warm tears,Each worth a world. They fell from eyes divine.Last night a loving lip was pressed to mine,And at its touch fled all the barren years;And softly couched upon a bosom white,Which came and went beneath me like a sea,An emperor I lay in empire bright,Lord of the beating heart, while tenderlyLove-words were glutting my love-greedy ears.Kind Love, I thank thee for that happy night!Richer this cheek with those warm tears of thineThan the vast midnight with its gleaming spheres.Leander toiling through the moonlight brine,Kingdomless Anthony, were scarce my peers.

Last night my cheek was wetted with warm tears,Each worth a world. They fell from eyes divine.Last night a loving lip was pressed to mine,And at its touch fled all the barren years;And softly couched upon a bosom white,Which came and went beneath me like a sea,An emperor I lay in empire bright,Lord of the beating heart, while tenderlyLove-words were glutting my love-greedy ears.Kind Love, I thank thee for that happy night!Richer this cheek with those warm tears of thineThan the vast midnight with its gleaming spheres.Leander toiling through the moonlight brine,Kingdomless Anthony, were scarce my peers.

I wrote a Name upon the river sandsWith her who bore it standing by my side,Her large dark eyes lit up with gentle pride,And leaning on my arm with claspèd hands,To burning words of mine she thus replied,"Nay, writ not on thy heart. This tablet frailFitteth as frail a vow. Fantastic bandsWill scarce confine these limbs." I turned love-pale,I gazed upon the river'd landscape wide,And thought how littleitwould all availWithout her love. 'Twas on a morn of May,Within a month I stood upon the sand,Gone was the name I traced with trembling hand,—And from my heart 'twas also gone away.

I wrote a Name upon the river sandsWith her who bore it standing by my side,Her large dark eyes lit up with gentle pride,And leaning on my arm with claspèd hands,To burning words of mine she thus replied,"Nay, writ not on thy heart. This tablet frailFitteth as frail a vow. Fantastic bandsWill scarce confine these limbs." I turned love-pale,I gazed upon the river'd landscape wide,And thought how littleitwould all availWithout her love. 'Twas on a morn of May,Within a month I stood upon the sand,Gone was the name I traced with trembling hand,—And from my heart 'twas also gone away.

Like clouds or streams we wandered on at will,Three glorious days, till, near our journey's end,As down the moorland road we straight did wend,To Wordsworth's "Inversneyd," talking to killThe cold and cheerless drizzle in the air,'Bove me I saw, at pointing of my friend,An old fort like a ghost upon the hill,Stare in blank misery through the blinding rain,So human-like it seemed in its despair—So stunned with grief—long gazed at it we twain.Weary and damp we reached our poor abode,I, warmly seated in the chimney-nook,Still saw that old Fort o'er the moorland roadStare through the rain with strange woe-wildered look.

Like clouds or streams we wandered on at will,Three glorious days, till, near our journey's end,As down the moorland road we straight did wend,To Wordsworth's "Inversneyd," talking to killThe cold and cheerless drizzle in the air,'Bove me I saw, at pointing of my friend,An old fort like a ghost upon the hill,Stare in blank misery through the blinding rain,So human-like it seemed in its despair—So stunned with grief—long gazed at it we twain.Weary and damp we reached our poor abode,I, warmly seated in the chimney-nook,Still saw that old Fort o'er the moorland roadStare through the rain with strange woe-wildered look.

Sheath'd is the river as it glideth by,Frost-pearl'd are all the boughs in forests old,The sheep are huddling close upon the wold,And over them the stars tremble on high.Pure joys these winter nights around me lie;'Tis fine to loiter through the lighted streetAt Christmas time, and guess from brow and paceThe doom and history of each one we meet,What kind of heart beats in each dusky case;Whiles startled by the beauty of a faceIn a shop-light a moment. Or instead,To dream of silent fields where calm and deepThe sunshine lieth like a golden sleep—Recalling sweetest looks of Summers dead.

Sheath'd is the river as it glideth by,Frost-pearl'd are all the boughs in forests old,The sheep are huddling close upon the wold,And over them the stars tremble on high.Pure joys these winter nights around me lie;'Tis fine to loiter through the lighted streetAt Christmas time, and guess from brow and paceThe doom and history of each one we meet,What kind of heart beats in each dusky case;Whiles startled by the beauty of a faceIn a shop-light a moment. Or instead,To dream of silent fields where calm and deepThe sunshine lieth like a golden sleep—Recalling sweetest looks of Summers dead.

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Lessons on Trees.

A progressive series of examples; byJ.D. Harding. Imp. 4to. 25s. cloth; or in separate Numbers, 21s.⁂ For List of Mr.Harding's Drawing Books, see page 21.

A progressive series of examples; byJ.D. Harding. Imp. 4to. 25s. cloth; or in separate Numbers, 21s.

⁂ For List of Mr.Harding's Drawing Books, see page 21.

Fielding's Works on Painting.

I.Treatise on Painting in Water Colours in Theory and Practice. ByT.H. Fielding, late Professor of Painting at the H.E.I. College at Addiscombe. With Plates, plain and coloured. Fourth Edition. 10s. 6d.II.The Theory and Practice of Painting in Oil and Water Colours. With an Appendix on Lithography. Fifth Edition. With numerous Plates, plain and coloured, 16s.

I.Treatise on Painting in Water Colours in Theory and Practice. ByT.H. Fielding, late Professor of Painting at the H.E.I. College at Addiscombe. With Plates, plain and coloured. Fourth Edition. 10s. 6d.II.The Theory and Practice of Painting in Oil and Water Colours. With an Appendix on Lithography. Fifth Edition. With numerous Plates, plain and coloured, 16s.

Harry Willson on Water Colours.

A Practical Treatise on Composition, Light and Shade, and Colour. Illustrated by coloured Plates. New Edition, imp. 8vo. 16s. cloth.

A Practical Treatise on Composition, Light and Shade, and Colour. Illustrated by coloured Plates. New Edition, imp. 8vo. 16s. cloth.

The Elements of Art:

a Manual for the Amateur, and Basis of Study for the Professional Artist. ByJ.G. Chapman. Many Woodcuts. 4to. 10s. 6d.

a Manual for the Amateur, and Basis of Study for the Professional Artist. ByJ.G. Chapman. Many Woodcuts. 4to. 10s. 6d.

The Art of Painting Restored

to its simplest and surest principles. ByL. Hundertpfund. 24 coloured Plates. Post 8vo. 9s. 6d.☞Manuals of Art, see page 15.——Drawing Books, page 21.

to its simplest and surest principles. ByL. Hundertpfund. 24 coloured Plates. Post 8vo. 9s. 6d.

☞Manuals of Art, see page 15.——Drawing Books, page 21.

An Analysis of Gothic Architecture.

Illustrated by a series of upwards of Seven Hundred Examples of Doorways, Windows, &c.; accompanied with Remarks on the several Details of an Ecclesiastical Edifice. By R. andJ.A. Brandon, Architects. 2 large vols. royal 4to. £5. 5s.

Illustrated by a series of upwards of Seven Hundred Examples of Doorways, Windows, &c.; accompanied with Remarks on the several Details of an Ecclesiastical Edifice. By R. andJ.A. Brandon, Architects. 2 large vols. royal 4to. £5. 5s.

The Open Timber Roofs of the Middle Ages.

Illustrated by Perspective and Working Drawings of some of the best varieties of Church Roofs; with descriptive Letterpress. By R. andJ.A. Brandon. Royal 4to. uniform with the above, £3. 3s.

Illustrated by Perspective and Working Drawings of some of the best varieties of Church Roofs; with descriptive Letterpress. By R. andJ.A. Brandon. Royal 4to. uniform with the above, £3. 3s.

Parish Churches;

being Perspective Views of English Ecclesiastical Structures; accompanied by Plans drawn to a Uniform Scale, and Letterpress Descriptions. By R. andJ.A. Brandon, Architects. 2 vols. large 8vo. containing 160 Plates, £2. 2s.

being Perspective Views of English Ecclesiastical Structures; accompanied by Plans drawn to a Uniform Scale, and Letterpress Descriptions. By R. andJ.A. Brandon, Architects. 2 vols. large 8vo. containing 160 Plates, £2. 2s.

Winkles's English Cathedrals.

Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales.New Edition, with theManchester Cathedral. 186 Plates, beautifully engraved byB. Winkles; with Historical and Descriptive Accounts of the various Cathedrals. In three handsome vols. imp. 8vo. cloth, £2. 8s.; roy. 4to. India proofs (very few left), £6. 6s.⁂ The Third Volume, comprising Lichfield, Gloucester, Hereford, Worcester, Durham, Carlisle, Chester, Ripon, Manchester, and the Welsh Cathedrals, may still be had separately, to complete sets, price 24s. in 8vo., 48s. 4to.

Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales.New Edition, with theManchester Cathedral. 186 Plates, beautifully engraved byB. Winkles; with Historical and Descriptive Accounts of the various Cathedrals. In three handsome vols. imp. 8vo. cloth, £2. 8s.; roy. 4to. India proofs (very few left), £6. 6s.

⁂ The Third Volume, comprising Lichfield, Gloucester, Hereford, Worcester, Durham, Carlisle, Chester, Ripon, Manchester, and the Welsh Cathedrals, may still be had separately, to complete sets, price 24s. in 8vo., 48s. 4to.

Winkles's French Cathedrals.

From Drawings byR. Garland; with Historical and Descriptive Accounts. Containing Fifty large Plates. Cloth, 21s.; royal 4to. India proofs, £2. 2s.

From Drawings byR. Garland; with Historical and Descriptive Accounts. Containing Fifty large Plates. Cloth, 21s.; royal 4to. India proofs, £2. 2s.

Glossary of Architecture.

Explanation of the Terms used in Grecian, Roman, Italian, and Gothic Architecture, exemplified by many Hundred Woodcuts. Fifth Edition, much enlarged. 3 vols. 8vo. 48s.

Explanation of the Terms used in Grecian, Roman, Italian, and Gothic Architecture, exemplified by many Hundred Woodcuts. Fifth Edition, much enlarged. 3 vols. 8vo. 48s.

Introduction to Gothic Architecture.

By the Editor of the "Glossary;" with numerous Illustrations, 4s. 6d. cl.

By the Editor of the "Glossary;" with numerous Illustrations, 4s. 6d. cl.

Principles of Gothic Ecclesiastical Architecture.

ByM.H. Bloxam. With an Explanation of Technical Terms. Ninth Edition, enlarged, with 260 Woodcuts, 6s. cloth.

ByM.H. Bloxam. With an Explanation of Technical Terms. Ninth Edition, enlarged, with 260 Woodcuts, 6s. cloth.

Stuart's Antiquities of Athens,

And other Monuments of Greece. With Seventy Plates, accurately reduced from the great work of Stuart and Revett; and a Chronological Table, forming a valuable Introduction to the Study of Grecian Architecture. 10s. 6d. cloth.

And other Monuments of Greece. With Seventy Plates, accurately reduced from the great work of Stuart and Revett; and a Chronological Table, forming a valuable Introduction to the Study of Grecian Architecture. 10s. 6d. cloth.

Domestic Architecture.

Illustrations of the Ancient Domestic Architecture of England, from the XIth to the XVIIth Century. Arranged byJohn Britton, F.S.A. With an Historical and Descriptive Essay. Fcp. 8vo. 5s. cloth.

Illustrations of the Ancient Domestic Architecture of England, from the XIth to the XVIIth Century. Arranged byJohn Britton, F.S.A. With an Historical and Descriptive Essay. Fcp. 8vo. 5s. cloth.

Suggestions in Design.

For the use of Artists and Art-workmen. Many Hundred subjects drawn byLuke Limner. 4to. cloth, 16s.

For the use of Artists and Art-workmen. Many Hundred subjects drawn byLuke Limner. 4to. cloth, 16s.

The Loire and the Rhone,

with a Dash into Normandy: the Journal of a Summer Tour. ByA.B. Reach, Author of "Claret and Olives." Post 8vo. with Illustrations.—Nearly ready.

with a Dash into Normandy: the Journal of a Summer Tour. ByA.B. Reach, Author of "Claret and Olives." Post 8vo. with Illustrations.—Nearly ready.

Albert Smith's Story of Mont Blanc

and the various Ascents thereof, from the time of Saussure to the present day. With Illustrations. Crown 8vo. 10s. 6d. cloth.

and the various Ascents thereof, from the time of Saussure to the present day. With Illustrations. Crown 8vo. 10s. 6d. cloth.

A Month in Constantinople.

ByAlbert Smith. With numerous Illustrations on Steel and Wood. Third Edition, fcp. 8vo. 5s. cloth.

ByAlbert Smith. With numerous Illustrations on Steel and Wood. Third Edition, fcp. 8vo. 5s. cloth.

Prince Adalbert.

Travels of H.R.H. Prince Adalbert, of Prussia, in the South of Europe and in Brazil; with a Voyage up the Amazon and the Xingú. Translated by SirR.H. SchomburckandJ.E. Taylor. 2 vols. 8vo. Maps and Plates, 16s.

Travels of H.R.H. Prince Adalbert, of Prussia, in the South of Europe and in Brazil; with a Voyage up the Amazon and the Xingú. Translated by SirR.H. SchomburckandJ.E. Taylor. 2 vols. 8vo. Maps and Plates, 16s.

Travels in Peru,

during the years 1838-42, across the Cordilleras and the Andes into the Primeval Forests. By Dr.J.J. Von Tschudi. Translated by Miss Ross. 8vo. 12s.

during the years 1838-42, across the Cordilleras and the Andes into the Primeval Forests. By Dr.J.J. Von Tschudi. Translated by Miss Ross. 8vo. 12s.

The Boat and the Caravan:

a Family Tour in Egypt and Syria. With Engravings on Steel from Original Drawings. Fourth Edit. Fcp. 8vo. cloth, 7s.; morocco, 10s. 6d.

a Family Tour in Egypt and Syria. With Engravings on Steel from Original Drawings. Fourth Edit. Fcp. 8vo. cloth, 7s.; morocco, 10s. 6d.

Tour on the Prairies.

Narrative of an Expedition across the Great South Western Prairies, from Texas to Santa Fé. ByGeorge W. Kendall. 2 vols. fcp. 8vo, with Map and Plates, 12s.

Narrative of an Expedition across the Great South Western Prairies, from Texas to Santa Fé. ByGeorge W. Kendall. 2 vols. fcp. 8vo, with Map and Plates, 12s.

The Wonders of Travel;

containing choice Extracts from the best Books of Travel. Fcp. 8vo. Plates, 3s. 6d.

containing choice Extracts from the best Books of Travel. Fcp. 8vo. Plates, 3s. 6d.

Leonard Lindsay.

The Story of a Buccaneer. ByAngus B. Reach. 2 vols. post 8vo. 21s.

The Story of a Buccaneer. ByAngus B. Reach. 2 vols. post 8vo. 21s.

Reveries of a Bachelor.

ByIk. Marvel. Fcp. 8vo. 4s. 6d. cloth.

ByIk. Marvel. Fcp. 8vo. 4s. 6d. cloth.

The Greatest Plague of Life;

or, The Adventures of a Lady in Search of a Servant, by One who has been almost Worried to Death. Edited by the BrothersMayhew. Illustrated by George Cruikshank. Crown 8vo. 7s. cloth.

or, The Adventures of a Lady in Search of a Servant, by One who has been almost Worried to Death. Edited by the BrothersMayhew. Illustrated by George Cruikshank. Crown 8vo. 7s. cloth.

The Magic of Industry;

or, The Good Genius that turned Everything to Gold: a Fairy Tale. By the BrothersMayhew. With Plates by George Cruikshank. 2s. 6d. cloth.

or, The Good Genius that turned Everything to Gold: a Fairy Tale. By the BrothersMayhew. With Plates by George Cruikshank. 2s. 6d. cloth.

Acting Charades;

or, Deeds not Words. A Christmas game to make a long evening short. By the BrothersMayhew. Illustrated with many hundred woodcuts. 5s. cloth.

or, Deeds not Words. A Christmas game to make a long evening short. By the BrothersMayhew. Illustrated with many hundred woodcuts. 5s. cloth.

Round Games

for all Parties, containing an inexhaustible Budget of Amusement for the Fireside, &c. 5s. cloth.

for all Parties, containing an inexhaustible Budget of Amusement for the Fireside, &c. 5s. cloth.

The Sandboys' Adventures;

or, London in 1851, during the Great Exhibition. ByHenry MayhewandG. Cruikshank. 8vo. cloth, 8s. 6d.

or, London in 1851, during the Great Exhibition. ByHenry MayhewandG. Cruikshank. 8vo. cloth, 8s. 6d.

Cracker Bon-Bon for Christmas Parties:

A Collection of Humorous Dramas, Poems, and Sketches. ByR.B. Brough. Profusely illustrated by Hine. Cloth, 3s. 6d.

A Collection of Humorous Dramas, Poems, and Sketches. ByR.B. Brough. Profusely illustrated by Hine. Cloth, 3s. 6d.

Christopher Tadpole:

his Struggles and Adventures. ByAlbert Smith. With 42 Illustrations on Steel, byJohn Leech, and a Portrait of the Author. 8s.⁂ See alsoComic Natural Histories, &c. page 10.

his Struggles and Adventures. ByAlbert Smith. With 42 Illustrations on Steel, byJohn Leech, and a Portrait of the Author. 8s.

⁂ See alsoComic Natural Histories, &c. page 10.

Gavarni in London.

Scenes and Sketches of London Life and Manners. By Mons.Gavarni. Beautifully engraved and tinted. Imp. 8vo. handsomely bound, 6s.

Scenes and Sketches of London Life and Manners. By Mons.Gavarni. Beautifully engraved and tinted. Imp. 8vo. handsomely bound, 6s.

The Pentamerone;

or, Story of Stories: an admirable Collection of Fairy Tales. ByGiam. Basile. Translated from the Neapolitan byJ.E. Taylor. With Illustrations by George Cruikshank. New Edition Revised. Crown 8vo. 6s. cloth.

or, Story of Stories: an admirable Collection of Fairy Tales. ByGiam. Basile. Translated from the Neapolitan byJ.E. Taylor. With Illustrations by George Cruikshank. New Edition Revised. Crown 8vo. 6s. cloth.

Village Tales from the Black Forest.

ByBerthold Auerbach. Translated byMeta Taylor. With Illustrations by Absolon. Post 8vo. 6s. cloth.

ByBerthold Auerbach. Translated byMeta Taylor. With Illustrations by Absolon. Post 8vo. 6s. cloth.

Adventures of Robinson Crusoe, complete.

Reprinted from the Original Edition, with Illustrations by Stothard. Crown 8vo cloth, 7s. 6d.

Reprinted from the Original Edition, with Illustrations by Stothard. Crown 8vo cloth, 7s. 6d.

Robinson Crusoe,

with numerous Woodcuts by George Cruikshank and others. Fcp. 8vo. 3s. 6d. cloth.

with numerous Woodcuts by George Cruikshank and others. Fcp. 8vo. 3s. 6d. cloth.

Pen and Ink Sketches of Poets, Preachers, and

Politicians. Second Edition. Post 8vo. 5s.

Politicians. Second Edition. Post 8vo. 5s.

The Young Lady's Oracle:

A Fireside Amusement, with coloured Plate. 2s. 6d. cloth.

A Fireside Amusement, with coloured Plate. 2s. 6d. cloth.

My Sketch-book;

containing more than Two Hundred laughable Sketches. ByGeorge Cruikshank. In 9 Numbers, 2s. 6d. each plain; 3s. 6d. coloured.

containing more than Two Hundred laughable Sketches. ByGeorge Cruikshank. In 9 Numbers, 2s. 6d. each plain; 3s. 6d. coloured.

Scraps and Sketches.

In 4 Parts, each 8s. plain; 12s. coloured.

In 4 Parts, each 8s. plain; 12s. coloured.

Illustrations of Time.

8s. plain; 12s. coloured.

8s. plain; 12s. coloured.

Illustrations of Phrenology.

8s. plain; 12s. coloured.

8s. plain; 12s. coloured.

The Bottle.

In 8 large Plates, 1s.; or printed in tints, 6s.

In 8 large Plates, 1s.; or printed in tints, 6s.

The Drunkard's Children: a Sequel to the Bottle.

8 large Plates, 1s.; printed in tints, 6s.⁂ These two works may be had stitched up with Dr. Charles Mackay's illustrative Poem, price 3s.—The Poem separate, 1s.

8 large Plates, 1s.; printed in tints, 6s.

⁂ These two works may be had stitched up with Dr. Charles Mackay's illustrative Poem, price 3s.—The Poem separate, 1s.

The Comic Alphabet.

Twenty-six Humorous Designs. In case, 2s. 6d. plain; 4s. coloured.

Twenty-six Humorous Designs. In case, 2s. 6d. plain; 4s. coloured.

The Loving Ballad of Lord Bateman.

With Twelve Humorous Plates. Cloth, 2s.

With Twelve Humorous Plates. Cloth, 2s.

The Bachelor's Own Book:

being Twenty-four Passages in the Life of Mr. Lambkin in the Pursuit of Pleasure and Amusement. 5s. sewed; coloured, 8s. 6d.

being Twenty-four Passages in the Life of Mr. Lambkin in the Pursuit of Pleasure and Amusement. 5s. sewed; coloured, 8s. 6d.

The Comic Almanack, since its commencement

in 1835 to 1853. Illustrated with numerous large Plates by George Cruikshank, and many hundred amusing Cuts.⁂ Any of the separate Years (except that for 1835) may be had at One Shilling and Threepence each.

in 1835 to 1853. Illustrated with numerous large Plates by George Cruikshank, and many hundred amusing Cuts.

⁂ Any of the separate Years (except that for 1835) may be had at One Shilling and Threepence each.

John Gilpin:

Cowper's humorous Poem. With Six Illustrations by G. Cruikshank. Fcp. 8vo. 1s.

Cowper's humorous Poem. With Six Illustrations by G. Cruikshank. Fcp. 8vo. 1s.

The Epping Hunt.

The Poetry byThomas Hood, the Illustrations by George Cruikshank. New Edition, fcp. 8vo. 1s. 6d.

The Poetry byThomas Hood, the Illustrations by George Cruikshank. New Edition, fcp. 8vo. 1s. 6d.

The Toothache,

imagined byHorace Mayhew, and realized by George Cruikshank: a Series of Sketches. In case, 1s. 6d. plain; 3s. coloured.

imagined byHorace Mayhew, and realized by George Cruikshank: a Series of Sketches. In case, 1s. 6d. plain; 3s. coloured.

Mr. Bachelor Butterfly:

his Veritable History; showing how, after being Married, he narrowly escaped Bigamy, and became the Stepfather of Eight Hopeful Children. By the Author of "Mr. Oldbuck." 5s. cloth.

his Veritable History; showing how, after being Married, he narrowly escaped Bigamy, and became the Stepfather of Eight Hopeful Children. By the Author of "Mr. Oldbuck." 5s. cloth.

Comic Adventures of Obadiah Oldbuck:

wherein are duly set forth the Crosses, Chagrins, Changes, and Calamities, by which his Courtship was attended; showing, also, the Issue of his Suit, and his Espousal to his Ladye-love. Large 8vo. with 84 Plates, 7s. cloth.

wherein are duly set forth the Crosses, Chagrins, Changes, and Calamities, by which his Courtship was attended; showing, also, the Issue of his Suit, and his Espousal to his Ladye-love. Large 8vo. with 84 Plates, 7s. cloth.

The History of Mr. Ogleby:

shewing how, by the polish of his manners, the brilliancy of his repartees, and the elegance of his attitudes, he attained distinction in the fashionable world. 150 Designs, 6s. cloth.

shewing how, by the polish of his manners, the brilliancy of his repartees, and the elegance of his attitudes, he attained distinction in the fashionable world. 150 Designs, 6s. cloth.

The Comic Latin Grammar:

A New and Facetious Introduction to the Latin Tongue. Profusely illustrated with Humorous Engravings by Leech. New Edition, 5s. cloth."Without exception the most richly comic work we have ever seen."—Tait's Mag.

A New and Facetious Introduction to the Latin Tongue. Profusely illustrated with Humorous Engravings by Leech. New Edition, 5s. cloth.

"Without exception the most richly comic work we have ever seen."—Tait's Mag.

New Readings from Old Authors.

Illustrations of Shakspeare, byRobert Seymour. 4s. cloth.

Illustrations of Shakspeare, byRobert Seymour. 4s. cloth.

Tale of a Tiger.

With Six Illustrations. ByJ.S. Cotton. Fcp. 8vo. 1s.

With Six Illustrations. ByJ.S. Cotton. Fcp. 8vo. 1s.

Table-Wit, and After-dinner Anecdote.

By the Editor of "Hints for the Table." Fcp. 8vo. 1s. 6d. cloth.

By the Editor of "Hints for the Table." Fcp. 8vo. 1s. 6d. cloth.

ByAlbert Smith, A.B. Reach, Horace Mayhew, &c. &c.

Profusely Illustrated by the best Comic Artists of the day.

Price One Shilling each.


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