"Peter's wife had a sister in Canada, who made great representations of the fortunes to be made there in farming if one only had money in hand; so after much persuading, Peter yielded doggedly to the scheme of keeping your money, which it would have been really difficult to prove did not belong to Betty herself.
"Peter, however, refused even to think of the plan of leaving you at some foundling asylum instead of taking you to your father, and insisted upon going to Canada by way of Boston, bringing you with them, and leaving you with John Angusen route. He also had sufficient family feeling to take with you the papers your mother had left, upon which he knew Betty had set such store.
"Knowing nothing of the country, they found upon their arrival that Boston was far east of their destination, and so, going to New York, worked their way backward, getting off in the confusion of the war excitement and the late train at Westboro, while the box, hastily addressed to John Angus, Harley's Mills, and not checked, was dropped off at this station, the tag evidently having been in some way mutilated in transit so that the place of destination only remained.
"On asking some chance loungers at the Westboro depot the direction of John Angus's house at Harley's Mills, Randal was told 'the first above the post-office,' and to that they drove, not realizing that their guides in this case considered the joined house and office as one building. In the fury of the storm the Randals only waited to be sure that the door was opened, and going to Bridgeton, were lost among many other travellers. For some time everything went well with the pair, and then luck turned. Peter's wife left him after securing the farm to herself, and first the man took to the road, trying in some way to return to the old country, but in spite of all, a bit of deep-down remorse made him wish to know what had become of the baby Helen on his way.—The rest you know."
"What will they do with him?" asked Poppea, softly.
"That which he asked of me," said Latimer.
"I must have known you would have thought of it, and yet there must be an odd touch of the same race feeling in me too. Thief as he was, his people were once loyal to mine, also I wish I might have thanked him for his mistake."
"I did it for you, child, and for us all," and in the look that Poppea turned on him he read a gratefulness beyond words.
In the early part of July, a lift having been added to the house to accommodate his wheel-chair, Miss Felton and Caleb brought Mr. Esterbrook to Quality Hill. The homecoming was in itself pathetic, but not to be compared with the starved and yearning affection that beamed from Miss Felton's eyes every time she looked at him, followed by an expression of gratitude when he managed to express the simplest wish.
In appearance the old man was as trim and dapper as of old; he never was allowed to be seen below stairs without his light gray or buff spats, and this toilet was made afresh every afternoon, though as to the evening there was no change, for he supped in his room and was put to bed by eight o'clock.
Of waistcoats and neckties he had a fresh assortment and appeared to take pleasure in them, and in some way express his choice to Caleb; but aside from the physical difficulty of speech, such as he could command had the aphasia warp, so that he usually said the opposite of what he meant, thus bringing an added bitterness to Miss Elizabeth. When she was in the room, he followed her with his eyes and sometimes refused to eat at all unless she fed him, and he often held and patted her hand when she walked beside his chair under the old shade trees, but when he tried to call her by name, it was always Emmy that he said and not Elizabeth, or Beth, as she had been called in childhood.
Sometimes Miss Felton would try to argue, saying:—
"This is Elizabeth. You know Elizabeth, do you not?" but still he would laugh noiselessly, the laugh of senility not mirth, and nod his head to and fro, saying:—
"Know Emmy? know Emmy? yes, yes, Emmy!" and sometimes throw kisses to her with the hand that he could move. So finally she let it pass unnoticed. But Miss Emmy, being once within hearing of it, conceived an intense aversion to the poor man, and afterward kept entirely out of his sight.
After a time of absolute silence, Poppea took up her singing with fresh interest, and Stephen Latimer noticed the increased volume as well as sympathy of her voice. After all, it seemed a pity to put any check upon such a gift, and little by little he began to speak of the desirability of her still further developing it as an art, even as her brother Philip was developing his gift of modelling.
Latimer well knew that Poppea's nature was not one of those who can eke out a life of small things without the force of a mastering love to blend them into dignity, and so he talked of study abroad and travel until Poppea herself began to take up the idea.
Early one evening she had been walking up and down the grassy garden path, watching the poppies fold their petals, palm to palm, for the night, taking the form of pilgrim's cockle-shells, and all at once it came to her that these flowers from the old garden on the hill above had doubtless been planted by her mother long ago, for they were English poppies, delicate of tint, and not the heavy-hued Orientals. How wonderful it was, this handing down. Touching them lightly with her finger-tips as she walked, her heart began to sing back to that long ago, and then the music welled from her lips, all unconscious that she had two auditors; John Angus, sitting above on his piazza, muffled and chilly even in the balmy evening, and a man, who with the air of a stranger, had been walking up and down the road. Finally he opened the gate to the post-office house, but instead of following the sound of the music to its origin, proceeded to the door and knocked.
Presently Oliver Gilbert came stumbling out into the twilight, and, cane in hand, made his halting way into the garden.
"Poppy," he said, "there is some one who wants to see you; it's that Mr. Winslow who came down last summer, the day after the Felton ladies had the party. Do you remember?"
"Yes, Daddy," said Poppea, "I remember,"—the words feeling cold to her lips like drops of dew.
"Will you come indoors? or shall I tell him you are here?"
"I will come in," she said, rising quickly from the bench on which she had been seated for a moment. No, she didnotwant him to come there, for beside her in the twilight seemed to be sitting the ghost of Hugh.
Yet slow as Gilbert was, he gained the house before her, and when she reached the porch, it was Bradish Winslow alone who stood in the open doorway, both hands extended.
"I have been abroad; I did not know until yesterday," he said at once without other greeting—as if she must have wondered at his silence. "And now the thing of which you made a barrier has vanished, how can you keep me out, how can you hold me away even if you want to, little one? But you don't, you can't; ah, child, child, do you know how I have missed you? How I had to put the ocean between in order to obey the plea in your letter?"
He had seized her hands in his greeting and still held them, drawing her nearer and nearer to him by a power that was not wholly physical force; while she, having forgotten a certain magnetism she had always felt in his presence, did not know how to protest.
Finally freeing her hand, she pulled forward a deep porch chair, and intrenched in its protecting arms, motioned him to take its mate.
"I did not know that you were away," she managed to say at last.
"Then why did you not write me only one word, 'Come'?"
"Because, because," she stammered miserably, "I didn't think of it, because it was better that you shouldn't," and she hid her face between her hands to free it from the yearning of his eyes.
"Poppea, do you not understand how much and why I care for you, for yourself and that only?" he said presently, his voice changing from the ringing, joyous tone of his greeting to one serious to the verge of sadness.
"I believe that you do, with all my heart and soul," she answered, and continued in an almost reverent tone, "Few men would have acted toward me as you did that night of humiliation. I did not realize it fully then, but I do now, and this makes me understand all the more the difference between what you offer me and the best I have to give."
"Even so, a little is a beginning, dear, and I can wait in patience if you will only let me be near you and teach you what love means. You do not even yet dream what it is, you, who, above all others I have met, were made for it and cannot be yourself without it." He saw that Poppea was moved, was trembling, and for the moment he believed he had almost won.
"Perhaps I have not yet dreamed as you say," she answered gently, "but of this I am certain: love does not come by learning, love knows and is sure."
Winslow's face changed, his throat felt dry, his lips seemed riveted together, his whole being fell under the spell of a complete depression.
"Then you do know?" he said in a broken, husky voice.
"Yes, I know," she replied like a faint echo.
He did not make any attempt either to reason with her or to go; he merely sat there in utter dejection, this man of the world and its affairs, whom women had these many years called callous.
When at last he pulled himself from the chair, he held out both his hands, but did not go toward Poppea.
"Then it is good-by?" he questioned.
"I'm afraid it must be," she replied, touched by a profound sadness, "but oh, I do wish for my own sake it need not be, for in spite of everything I am so very lonely." Then of her own accord she took his hands and looked into his face, but in her eyes there shone something that checked the parting kiss that he intended. If she were born for love, she was no less fashioned for fidelity even to an idea, and Winslow saw that young as she was and whether she realized it or not, he had come into her life too late.
John Angus, sitting alone on his piazza, had at first listened in irritation to the voice below in the garden, then the very quality of its tone brought back the past as a surging tide that he could not check. Once more he was at the open-air fête of a foreign city and the singing of a lovely girl, little more than a child, had crept into his heart, as her exquisite form and coloring had pleased his critical eye, and he had let himself go. Then to keep the time schedule he had arranged between himself and certain inexorable ambitions, he had suddenly pulled the chain brutally taut, and among those that it had cruelly bruised, must he not at last count himself?
What if he had not—but what was the use. The singing ceased and with it his unusual revery. Shivering at the touch of the dew on the arm of his chair, he went indoors, closing the long porch window after him, and after wandering listlessly through the lower rooms for a while, climbed slowly up to his own chamber in the same wing with Philip's rooms, where he sat reading, and so seemed less lonely. For of late, without spoken words having passed between, Philip was becoming more and more estranged from his father, and sought his room or went to the studio as soon as might be after meals, until John Angus began to wonder, with a half-physical, half-emotional belief in the supernatural, if it were possible that Philip knew the policy of the will that he had made, by a form of second sight.
This thought was uppermost as he entered his private room, and after lighting the four lamps that it held, closed and locked the door. He would read the will over once more after he was comfortably fixed in bed. He could not understand why in July the air should be so cold, yet as fresh air was his chief necessity, he could not close the windows. Turning to ring for his valet, that he might light the wood fire that was laid ready at all seasons, he changed his mind and put a match to it himself. Drawing a chair before the blaze, that under ordinary conditions he would have deemed suffocating, he chafed and warmed his hands. This done, he slowly set about undressing.
When quite ready for bed, he again changed his mind, and throwing on a dressing-gown, slid back the panel from the small square closet by the bed, and opening the safe, took from it the will, which, from its completion, had seemed to exercise a strange fascination over him. He would read it once more to be sure that all points were covered, and on the morrow, as he expected to go to town, he would place it once for all in the safety vault, for such a paper had no place in one's house, even if under lock and key.
As he turned for the twentieth time the half dozen pages he knew almost by heart, a voice seemed to be making a running commentary in his ear, and the pith of it all was: "What have you gained by trying to control others absolutely all your life? What are you gaining now by trying to control others absolutely after you are dead?"
The worst of it was that the critic seemed waiting for an answer, and he, having none ready, sat trying to frame one, but he could not, for there was none to give.
Suddenly the pain that was an agony ran through the arm and hand that grasped the will and then gripped his chest. It was one of his seizures, but more intense than usual. He felt himself realizing that it would pass off as others had before, but it did not. He could not reach the bell or little tablet vial on his dresser. He had known, of course, the end must come some day. Was that time now? The will, stirred by the tremor of his hand, fairly flaunted in his face.
Why had he made it? Why? "Why not destroy it now," the voice whispered, "and for once will for good?"
He tried to move, but the agony held him fast, he was suffocating and not even slowly.
"Try," whispered the voice; "the fire is almost at your feet, and it will help you."
Then inch by inch he worked himself forward, and unclasping his stiffening hand, dropped the paper on the hearth.
Would the blaze reach it? Would he live to know?
Yes, the eager flame caught hold; he saw the red seals melt, his signature disappear, and then—John Angus's greed for power was quenched by that last act.
It was late the next morning that the man-servant, unable to open the door, climbed in the open window and found his master fallen back in the arm-chair, his bed untouched. When, panic-stricken, he opened the door, calling loudly for help, Philip came quickly in, and saw his father, the open safe, and the fragments of burnt legal papers on the hearthstone, and reading the few words that remained, he understood. Putting his arms about the lifeless form as he never before had dared, he thanked God in his heart for the single tender memory.
Though due show of public respect was paid in the last rites, as due to a leading citizen whose name, known to them rather than his person, was always first on the subscription papers alike for foreign missions and civic improvements, John Angus's death did not affect any one. The only person who really took it to heart was Oliver Gilbert. To him the one idea was paramount, the death of his neighbor before the possibility of mutual understanding had come, and with the Puritan strain of self-reproach strong in him, Gilbert, sitting in his little shop, mentally scourged himself and followed painfully on foot in company with the humbler members of the town as though the fault lay on his side.
"What shall you do?" Jeanne Latimer had asked Poppea during the next day when Philip was closeted with her husband in whose hands he had placed all arrangements.
"Whatever Philip wishes," Poppea answered. "You know he is the family now, and he will never broach the one point I cannot yield."
"Shall you wear black?" Jeanne continued with some hesitation.
"I think so, for a time," Poppea said with brows knitted, "or else Philip will feel so entirely alone, so isolated."
In a week's time the lawyer, whom Poppea had met before, came to the Rectory, where Philip had been staying since the funeral, for the boy had told Stephen Latimer frankly that he should never again sleep in the house on Windy Hill, where the servants now remained alone, awaiting events and orders, or again go to the sombre city house that looked across Washington Square.
The lawyer met Philip and Mr. Latimer alone, as Poppea had asked to be released from any part in this interview, and spoke of the will that he had drawn up within the month and produced the draft of it.
Philip laid on the table the scorched fragments found upon the hearth on which a visible word here and there was enough to prove identity.
"Then the course of the law lies straight," the lawyer said; "but as Mr. Philip Angus is a minor until next year, a guardian must be appointed."
"I shall petition that Mr. Latimer acts as such," Philip replied.
"What has Miss Angus—Gilbert—or whatever she persists in calling herself, to say to that, pray?"
"She bids me say as her spokesman," Philip answered, "that she intends to make no personal claim in the matter. Whatever may be hereafter decided will be out of the range of business or of law and will lie only between her brother and herself."
"A close corporation, it seems," said the lawyer, puckering his mouth for a contemptuous whistle, but catching sight of a glance in Latimer's eye, he checked it by remarking:—
"Pray tell me, as between man and man, is this young woman quite sane? She can claim half of an ample though not princely property."
"Yes, quite sane," said Latimer, in accents as steely and clear-cut as the man's own, "but the expression of her sanity does not chance to take a form familiar to members of your calling."
After this the wheels of local probate law began to turn with their usual deliberation.
At first Miss Emmy proposed to postpone their journey, but now it was Poppea who urged her on, feeling the positive necessity of a change and a little time away from familiar places, in which to readjust herself. She not only now wished to look over the field for musical study at close range, but dreams flitted through her head of a winter either in Florence or in Rome in company with Philip, though not, perhaps, at once; for winter was a perilous time for one of Oliver Gilbert's years, and this winter the post-office would cease to be, in itself no small bereavement to him.
Again Satira, her snapping black eyes always fixed eagerly upon the bustling life of the village centre, came to the fore, and 'Lisha, good, easy man, acquiesced, acknowledging that "twarn't no further to go up to the corn and potato fields of mornings than, living on the hill, to hev to drop down to the village o' nights for a dish of gossip and the news."
Finally the day before the one for sailing came, and with it the startling announcement from Oliver Gilbert that he was going to the city to see Poppea off.
"Land alive! you'll get lost; you don't know how the city's changed these near twenty years since the time you would fetch Poppy down to President Lincoln's obsequies!" cried Satira. "I've heard Miss Emmy say that what were cow pastures where she used to pick dandelions when a girl are built solid over with emporiums of fashion. Besides, you've never been aboard anything bigger'n Captain Secors's onion schooner, and if that big thing they're going on began to get up steam and snort,howit would quake your vitals. It did mine that trip I took."
That tripbeing the term applied to a wonderful excursion of the previous summer, from Bridgeton to the new-found land of pleasure, Coney Island, whither 'Lisha had taken her, and of which he was destined never to hear the last.
But Gilbert saying in a tone that barred discussion that he would take whatever risks there were, the matter was dropped as being decided.
Late in the scorching July afternoon he harnessed his old Roman-nosed horse to the chaise and disappeared on the cross-road that ran eastward toward the Moosatuck, without vouchsafing any explanation to his sister, who, having questioned him in vain, called his attention to the threatening array of 'thunder-heads' that were rolling over the hills, every few seconds being rent together by forks of lightning.
He had been gone perhaps half an hour when the storm reached the village, and great splashes of rain, falling upon the shed roof, were turned into steam by the heat of the tin.
Poppea, having given the finishing touches to her simple packing, was setting her room in order, fingering each article lovingly as though she felt that even should she come back and find all as she left it, yet there must be a difference.
As the rain increased to a steady downpour, she looked anxiously up the road and made a mental calculation as to what houses lay on the route Daddy had taken, and where he would be by now, his probable destination having been as obscure to her as to Satira.
Meanwhile, the horse and chaise were standing in the shelter of an abandoned lumber shack in the woods that overhung the west bank of Moosatuck, while Gilbert, utterly oblivious of the rain that gradually sifted to him through the heavy leafage, was following a narrow foot-path. Glancing from side to side, he pulled a long string of ground-pine here, there a fine branch of strong laurel, and then again a handful of the dark green, white-veined leaves of the wax-flowered pipsissewa; when his arms would hold no more and he again reached the chaise, the thunder-heads were scurrying across the bay and the rain was over.
Poppea had sorted the evening mail and was sitting at the desk in Gilbert's workshop when he came in, slowly yet without his cane, and crossing to where she was, laid his armful of dripping wood-treasure before her, saying, half-shamedfacedly, yet as to one who would understand:—
"Will you tie me a nice wreath, Poppy, like the one we always have to hang up there at Christmas, lacking of course the berries? I guess I'll go in and change and get a bite to eat, if you'll spell me here for twenty minutes longer," and Poppea, with a comprehending smile and nod, buried her face in the fresh, spicy greenery.
What Gilbert wanted with the wreath or did with it when he took it from her hands presently, she did not know, for later, as she walked up and down the flagged walk between the porch and gate, thinking of the details of to-morrow, the latch clicked and Hugh Oldys came through the wicket.
It was not alone the colorless twilight that made the change in his face which struck her like a blow. Without having become absolutely thin, the man of a year before, with height and breadth, good color, wholesome flesh, natural joy and interest in life and living, seemed to have passed through some phase that, while it spiritualized in a sense, had eliminated much that was characteristic.
"Your mother—is she worse?" was Poppea's first question.
"I do not think so, though in a case like hers it is worse to be no better. I should have been to see you many days ago but for a sudden change in nurses. No one stays more than a month," he added, breaking through his habitual reticence on this subject, as though at last he must have the support of sympathy.
"No one but you, Hugh. Ah, how can you go on so when every one else falters?"
"Because she is my mother and not theirs; in that lies all."
"All?" Poppea echoed, leaning toward him with such unmistakable tenderness in her eyes that it must have broken through any self-raised barrier of the man's had he but seen and compassed it. Yet he never looked at her directly nor let her read his face, though it was not until after he had gone that Poppea realized this.
For an hour the conversation drifted to casual things, and save for Philip, his work and plans, in wholly impersonal channels, they two sitting on the top step of the porch. When at last Hugh rose to go, and walking slowly side by side down the narrow path they halted at the end, one inside the gate, one without, he said, looking backward up the way they had come, as if into the past:—
"It will be good when you come back, but it isn't to be supposed or hoped that after you have made the break you will care for this sleepy little village as you have, Poppea. I have always wondered why you cared so little for the New York life with the fine opening you made. In the few months I had there, the fulness and the vigor of it all gripped me so that leaving was a wrench."
"For New York? Yes, I cared for that and all the best it gives. But the life? Yes, I cared for that too, in a way, until I stood off and looked back."
Then, clasping her hands about the post, she said, smiling shyly, with a little quizzical expression at the corners of her mouth:—
"Do you remember once, long ago, how you and I stood by the railroad brook and watched a big, striped snake charm and swallow a little green frog?
"We didn't mean to let the affair come to the swallowing, but though the beginning was slow, the frog sat still and waited too long, and the end came quicker than we expected. Then, as the lump that was the frog began to be moved down the snake's length in being digested, you took your foot and little by little edged the frog backward out of the snake's mouth to the ground, slime covered and quite insensible. Then we both took water in our hands, and dashing it washed the slime away, until presently the frog came to and hopped away like mad, without ever looking back.
"Well, once upon a time, Hugh, as the fairy stories say, I was a little green frog and the life down there the snake; it drew me, and I didn't want to get away, until, when it was almost too late, one night a great splash of cold water, thrown by people who did not throw it in kindness, and that nearly strangled me, brought me to, and I hopped away without even wishing to look back.
"So when you think to yourself again, 'Poppea will yet love the life of the city,' remember the little green frog!"
Thus they parted in a sudden ripple of laughter, good friends.
Next day, in the hurry and bustle that always belong to an outgoing steamer in the season of summer travel, some of those in the crowd on the deck of theNormanicwere attracted by the sight of a young and well-bred woman of unusual beauty, accompanied by a maid and some one who might either be her mother or aunt, clinging tearfully about the neck of an old man, whom she was wishing good-by. While there was nothing unusual about the parting at such a time, yet the dainty dress and bearing of the woman were in striking contrast to the homespun plainness of the man, who wore the long, flowing beard, stiff clothes, and wide-brimmed Panama hat, his Sunday best for years, that marks the countryman. Moreover, he carried a home-made hickory cane and clutched to his breast a bulky newspaper parcel.
When the final blast of "all ashore" was sounded, the air quivering with the vibrations, the girl loosed her hold, and crying, "Good-by, dear Daddy!" disappeared in the crowd that gathered by the stairway; while he, turning toward the gang-plank, marched down it with all the soldier-like precision his lameness would allow, never looking back, his bundle still clasped tightly to him.
Boarding a small blue car known as a "bob-tail," Gilbert rode across the city, carefully scanning his course. When he emerged presently from the region of crooked ways to where the avenues run north and south and the streets east and west, and saw ahead an open square, he stopped the car, and standing at the street curb, shielding his eyes from the pitiless sun, tried to get his bearings.
"Fourteenth Street," said one lamp-post, "University Place" another. Yes, the park opposite was Union Square, but where was the house on whose porch he had stood that April day in eighteen sixty-five when the procession swung around from Broadway?
A business building covered with signs replaced it; yet at the same moment, his eyes fell on what he sought. The statue of Lincoln, rugged and majestic, standing above the cobbled plateau, calm and unmoved by all the frantic bustle of the street.
Making his way carefully through the traffic, Gilbert approached the rail about the statue. He paused for a moment, and then, undoing his parcel, took from it the wreath, rested it on the railing, while he folded the paper and, winding the string about it, placed it in his pocket. Then getting stiffly over the barrier, he laid the wreath at Lincoln's feet, raised his old hat, looking up into Lincoln's face as one in perfect, if humble, comradeship, while his lips murmured, "Through you I have finished the course, with you I have kept the faith!"
The people of the street, big and little, loafer and gamin, who spring up about an unusual object as swiftly as the circles surround a stone flung in the water, neither jostled nor jeered nor plucked the wreath away, for among the simple-minded, hero-worship will never die out save for lack of heroes.
Then making his way back to Fifth Avenue, Gilbert, seeking the scanty bits of shade as best he might, walked up its length until he reached the third open space and turned eastward to the railway station.
At the coming of the evening mail he pottered as usual with the letters as though that day had been like all the others, and ate his supper with little sauce of conversation, to the inexpressible disappointment of Satira Potts.
During the remainder of the summer the village of Harley's Mills went into a sort of chrysalis state as befitted its coming change of name. The fact that the Felton house had ceased to exist as a social centre and that many of the Quality Hill folk had gone abroad added considerably to its somnolence. Some of what are generally referred to by the local press as "leading citizens" had under construction a brick block on the Westboro side of the blacksmith shop in which the chief trade interests of the place were to be sheltered, including the new post-office.
Philip Angus continued with the Latimers, for his new house overlooking the sea would not be ready before October, and if the rumor proved true that Howell, the sculptor, was anxious to take Philip with him to winter in Rome, it was unlikely that it would be occupied before spring.
Of course there was much speculation concerning the amount and disposition of John Angus's property, especially his holdings in real estate, for he owned some of the most sightly tracts in the township in addition to the house and home acres on Windy Hill. Early in the autumn a definite statement was given out concerning the latter by no less an authority than Stephen Latimer. Poppea and Philip, agreeing that under no circumstances could they live there, proposed to devote it to a hospital and home for crippled children from the city, and the necessary alterations began soon after.
It was almost Thanksgiving time when Miss Emmy and Poppea returned, Miss Emmy going directly to the house on Quality Hill which she now called home, Miss Felton and Caleb having moved Mr. Esterbrook back to Madison Square at the beginning of cold weather. The village did not realize how much it had missed them both until Poppea was again seen walking daily up the road to Quality Hill, and Miss Emmy resumed her morning marketing trips, where she sat in the barouche (the lining was now a durable russet leather) dressed in very suitable and becoming brown with a warming glint of color in the velvet rose on her bonnet, holding a sort of court, whereat the butcher extolled the quality of his sweetbreads, and the blacksmith's wife related the details of her rheumatism and her husband's father's last seizure, with equal freedom.
Immediately after her return, Philip took Poppea to see the new house, to which a music room with a place for an organ had been added to the original plan by throwing out a wing to correspond with his studio. With her arm about his shoulders they walked slowly through the rooms, stopping before the picture that each window offered, until they came to one on the second floor, a bay from which one might not only look out to sea, but up the Moosatuck until it was lost in the hill-country.
"This is your room," he said, laying a detaining hand upon her arm to make her hear him out, "whenever you wish to come to it for an hour or forever, but I never shall ask you by so much as a word to leave Daddy, for I feel about it much as you do. What if he had not? Oh, Sister, what if he had not? You would have still been yourself, but I, what should I have been without you to love?" and the rapt expression stole across his face with which the devotee is pictured.
Presently, sitting side by side on the steps of the wide porch in the early winter sunshine, they talked over Philip's plans, the tide creeping up the sand laden with pungent seaweed, and the gulls now flying across with shrill cries, now dropping to rest upon the water.
At last Philip, taking Poppea's hand and laying it against his cheek, told her of what was closest to his heart,—his desire to go to Rome with Howell for the winter, to do there with the master a piece of work he could not hope yet to accomplish alone. Unrolling a paper he showed her the design for the group, the outcome of months of thought and dreaming. Two women, one taller than the other, with tender, radiant faces, standing side by side, hands outstretched to aid a crippled child, who, having dropped his crutch, was clinging to them. About the base this legend ranAmor Consolatrix.
"These are our mothers," he said softly, "yours and mine. When they are done in marble, they shall stand by the gate up at the hospital to welcome the children who must go in alone."
So Philip sailed away, and from the Christmas music at St. Luke's his silver voice was missing.
But if Philip's tones were silver, Poppea's now poured forth like rich, unalloyed gold. It seemed to her as though she had never fathomed the full joy of singing until, lacking necessity, it had ceased to be a possible commercial profession, and become, as now she held it, a freewill gift to all who asked for or needed it, singing alike in church, hospital ward, the poor-house, or in the low farm-houses of the back hill-country, where she carried hope and music to those for whom all other doors were closed. Once even had she gone over the deeply drifted roads on a wood sled with 'Lisha Potts to a revival meeting at his lumber camp, and in the rough faces of the wood-choppers read a deeper, truer appreciation than she had ever felt respond to her among the music-lovers of the drawing-room.
Then, too, there were the Sunday evenings, she and Daddy sitting on either side the fire in the foreroom,—Satira going invariably to the muscular type of prayer-meeting that would satisfy her soul's hunger for the next seven days.—Then the heartstrings would quiver in vain for the magic thrill and the sound of the melody that only one may play for each one of us, until to break the oppressive silence, she would lift the piano lid and let her fingers feel their way a moment, until the old-time hymns and anthems made response. Gradually Daddy would join in, until at the end of half an hour he was singing with might and main, although often quite off the key and half a bar behind. As she paused, he would limp to and fro rubbing his hands together, and saying for the fortieth time:—
"Pretty good music you and I can make, eh, Poppy? Forty years ago I was the loudest bass singer in this township, and 'twas when I was singing in First Church Choir that Mary, a stranger to me, sang the second treble, and it was the kind way she had of keeping me in line when I'd shied from the tuning-fork that made me take to her. Yes, it's true what the poet says, that Music hath charms to soothe the savage breast. It soothed mine, Poppy, who always had dreaded women."
So the winter wore away. March, the tug of war between seasons, blustered out roaring defiance, and April, the capricious, in its last week had kept to one mood long enough to green the grass, draw red blood to the maple tops, and gold sap to the willows.
In two weeks more Philip would return. Poppea was entering the gate with a letter from him that had come in the last mail. She had walked slowly up from the new post-office in the brick block, reading it as she came. How different all concerning the new order was, to be sure:EntranceandExitprinted plainly on the doors; no little knots of men from the scattered back settlement exchanging news. Rather did these, after getting their mail, continue to come to their old haunt and talk to Gilbert as he sat in his shop, sometimes idle but never listless, while a large checkerboard put by Poppea's suggestion in the place of the boxes of the old beehive, filled the gap when the powers of conversation needed rest.
She stopped to look at a cluster of daffodils, whose jolly yellow flowers kept on beaming even through the dusk, and then went toward the house, when the wheels of a vehicle, coming rapidly up the road, stopped short, and Hugh Oldys's voice called:—
"Poppea, wait a minute, please," and without pausing to fasten the horse, he pushed through the gate and strode toward her.
"What is it, Hugh?" she almost cried out, shocked by the ashiness of his face and its nervous working. "Can I help you in any way?"
"Yes, you can help me and only you, though I do not know that I ought to let you undergo the strain even if you are willing.
"Listen and judge, Poppea. Last night my mother became physically ill; until then her bodily health has been better than for years. This afternoon within two hours her mind has suddenly cleared, the doctors explain it by the moving of a clot. She called me to her and spoke as naturally as before the blow fell; yet she remembers perfectly well that father is dead and that she has been very ill, though she has no sense of the length of time. Then she begged me not to leave her for so long again, and asked for you, Poppea."
"Why, Hugh, I will go to her at once. Could you think that I would not?"
"That—that is not all," he faltered, his shoulders drooping and his whole attitude broken and dejected. "She thinks that everything is as she had believed it would be—two years—ago. She thinks that we are married—that you are in the house, but stay out of the room for fear of disturbing her. Oh, Poppea, could you—could you slip a loose shawl or a sack over your shoulders and go in for a moment and speak to her or answer her, so that she need not know? Will you do it for the sake of all those years that we were comrades?"
Only for a moment had Poppea drawn back, but it was so imperceptibly that Hugh did not notice.
"I will go," she said slowly, without looking at him, "and you need wait only a minute."
Going swiftly to her room, she made a wrapper and pair of slippers into a hasty bundle and threw a light shawl about her head and shoulders. Saying a few words to Satira, who was in the kitchen kneading bread and so could not follow her to the gate for details other than she chose to give, she took her place silently by Hugh in the buggy.
On the drive neither spoke, for it was one of the hours when the softest spoken word is too harsh and jarring. Up from the marsh meadows the cry of the rejuvenated "peepers" rose in what to Poppea's nerves, strained to snapping, seemed a clamor that surrounded her head closely and dulled even her powers of thought.
At the threshold Mrs. Shandy was waiting, her eyes red from crying. With finger on her lips Poppea signalled that she wished to go to Mrs. Shandy's room. There she slipped on the wrapper she had brought, and loosing the pins, let her hair fall in a careless braid, as though she had but just waked up.
In the square upper hall Dr. Morewood sat in a deep easy-chair, reading by a shaded lamp. In answer to Poppea's questioning look he said in the low tone, that yet is not a whisper, which the sensitive physician acquires:—
"Yes, the brain is clear, but the physical vitality in its final flicker; at best it can hold its own but a few hours."
When, steadying herself by an almost superhuman effort, Poppea reached the door of Mrs. Oldys's chamber, so familiar in every detail even in the subdued light, Hugh was already there crouched by the bedside, one of his mother's transparent hands clasping his, while with the other she was striving to push back the heavy hair from his forehead.
At the sight of Poppea the nurse drew back into the alcove shadows. Seating herself in a vacant chair on the opposite side from Hugh and waiting a few seconds, the girl made a very slight motion that revealed her presence.
"My dear daughter!" Mrs. Oldys formed the words rather than spoke them, dropping her other hand upon Poppea's so that she was held fast as it were between them.
"Why have you stayed away so long? I have thought that you were ill," the voice was clearer now. "Did Hugh break your sleep to call you?"
"No,—Mother,—I was quite awake when he said you wanted me."
"And you will stay with me to-night?"
"Yes, surely I will stay."
"Now I am at peace, my two dear children—" the fluttering eyelids closed and for a while she seemed to sleep, except that the pressure of her hands did not relax.
Presently she looked up again.
"I cannot seem to think by myself," she said, "I need something to lean upon—to carry me with it. Do you remember, Hugh, the music—the song that you and Poppy used to sing sometimes without the organ? It brought me close to the gate—perhaps it would carry me through with it to-night."
Poppea, who was trembling like a leaf in the wind, looked toward Hugh, but his face was buried in his arm. Then a calm settled over her. Loosening the robe at her throat, she straightened herself, and from her lips the notes fell soft yet clear:—
"Hark! hark, my soul; angelic songs are swelling."
"Hark! hark, my soul; angelic songs are swelling."
An expression of ineffable peace crossed Mrs. Oldys's face.
"Yes, that is it," she whispered, smiling.
Unfalteringly Poppea sang to the end, and it was not until the last note died away in complete silence that Hugh raised his head.
Presently the doctor looked in, the nurse came forward with some nourishment, and so the night wore on, but it was not until the dawn began to scatter darkness that the frail hands gradually relaxed their loving clasp, and the nurse looking from the shadows beckoned the watchers away.
Through the passageway and down the stairs Hugh and Poppea passed together. Then Hugh left her for a moment, returning to say that Dr. Morewood would drive her home as she must have some rest as soon as possible.
Mrs. Shandy, coming out, begged her to wait and take a cup of coffee, but Poppea shook her head.
Out on the porch in the fresh, yet mysterious air of coming day, they waited for the doctor to bring his chaise. Below lay Moosatuck veiled in mist; beyond, the blue ridge of the hills; one bird called, then another, until half a hundred had picked up the anthem. Each moment it grew lighter, the darkness huddled cornerwise down the west, while the morning star and the harbor beacon paled together.
For a time neither spoke nor looked at each other, then Hugh broke the silence.
"In a few days, Poppea,—when I am no longer needed,—I shall be going away for a rest, a long rest, and perhaps it may be that afterward my life will lie in other places." Then suddenly breaking down, he grasped her hands, and pressing them to his lips, said, with a half-suppressed cry:—
"Little comrade! Little comrade! All that I can tell you, all that I must tell you, is that God himself could not have done more for me than you have this night."
Poppea, who had been looking off into the sunrise, turned her head quickly, and for the first time in months, found his eyes fixed full upon her face before he could shift them.
At last she knew! Leaving her hands in his, she leaned toward him, murmuring in a voice so full of joy that it quivered as though strung with tears:—
"Where is more rest than here?Ineed you, Hugh!"
Then to the one behind the closed door and to the two facing the dawn a new life came on the wings of the morning.
The Garden of a Commuter's WifeIllustrated
"Reading it is like having the entry into a home of the class that is the proudest product of our land, a home where love of books and love of nature go hand in hand with hearty, simple love of 'folks.' ... It is a charming book."—The Interior.
People of the WhirlpoolIllustrated
"The whole book is delicious, with its wise and kindly humor, its just perspective of the true values of things, its clever pen pictures of people and customs, and its healthy optimism for the great world in general."—Philadelphia Evening Telegraph.
The Woman Errant
"The book is worth reading. It will cause discussion. It is an interesting fictional presentation of an important modern question, treated with fascinating feminine adroitness."—MissJeannette Gilderin theChicago Tribune.
At the Sign of the Fox
"Her little pictures of country life are fragrant with a genuine love of nature, and there is fun as genuine in her notes on rural character."—New York Tribune.
The Garden, You and I
"This volume is simply the best she has yet put forth, and quite too deliciously torturing to the reviewer, whose only garden is in Spain.... The delightful humor which pervaded the earlier books, and without which Barbara would not be Barbara, has lost nothing of its poignancy."—Congregationalist.
The Open Window.Tales of the Months.
"A little vacation from the sophistication of the commonplace."—Argonaut.
Poppea of the Post Office
The Three Brothers
"'The Three Brothers' seems to us the best yet of the long series of these remarkable Dartmoor tales. If Shakespeare had written novels we can think that some of his pages would have been like some of these. Here certainly is language, turn of humor, philosophical play, vigor of incident such as might have come straight from Elizabeth's day.... The story has its tragedy, but this is less dire, more reasonable than the tragedy is in too many of Mr. Phillpotts's other tales. The book is full of a very moving interest, and it is agreeable and beautiful."—The New York Sun.
The Romance of a Plain Man
"From the first she has had the power to tell a strong story, full of human interest, but as her work has continued it has shown an increasing mellowness and sympathy. The atmosphere of this book is fascinating indeed."—Chicago Tribune.
The Heart of a Child
BEING PASSAGES FROM THE EARLY LIFE OF SALLY SNAPE, LADY KIDDERMINSTER
"'Frank Danby' has found herself. It is full of the old wit, the old humor, the old epigram, and the old knowledge of what I may call the Bohemia of London; but it is also full of a new quality, the quality of imaginative tenderness and creative sympathy. It is delightful to watch the growth of human character either in life or in literature, and in 'The Heart of a Child' one can see the brilliancy of Frank Danby suddenly burgeoning into the wistfulness that makes cleverness soft and exquisite and delicate.... It is a mixture of naturalism and romance, and one detects in it the miraculous power ... of seeing things steadily and seeing them wholly, with relentless humor and pitiless pathos. The book is crowded with types, and they are all etched in with masterly fidelity of vision and sureness of touch, with feminine subtlety as well as virile audacity."—James DouglasinThe Star, London.
Sebastian.A Son of Dreams.
The Gospel of Freedom
"A novel that may truly be called the greatest study of social life, in a broad and very much up-to-date sense, that has ever been contributed to American fiction."—Chicago Inter-Ocean.
The Web of Life
"It is strong in that it faithfully depicts many phases of American life, and uses them to strengthen a web of fiction, which is most artistically wrought out."—Buffalo Express.
Jock o' Dreams, or The Real World
"The title of the book has a subtle intention. It indicates, and is true to the verities in doing so, the strange dreamlike quality of life to the man who has not yet fought his own battles, or come into conscious possession of his will—only such battles bite into the consciousness."—Chicago Tribune.
The Common Lot
"It grips the reader tremendously.... It is the drama of a human soul the reader watches ... the finest study of human motive that has appeared for many a day."—The World To-day.
The Memoirs of an American Citizen.Illustrated with about fifty drawings by F. B. Masters.
"Mr. Herrick's book is a book among many, and he comes nearer to reflecting a certain kind of recognizable, contemporaneous American spirit than anybody has yet done."—New York Times.
"Intensely absorbing as a story, it is also a crisp, vigorous document of startling significance. More than any other writer to-day he is giving us the American novel."—New York Globe.
Together
"The thing is straight from life.... The spirit of the book is in the end bracing and quickening."—Chicago Evening Post.
"An able book, remarkably so, and one which should find a place in the library of any woman who is not a fool."—New York American.
Mr. Crewe's CareerIllustrated
"Another chapter in his broad, epical delineation of the American spirit.... It is an honest and fair story.... It is very interesting; and the heroine is a type of woman as fresh, original, and captivating as any that has appeared in American novels for a long time past."—The Outlook, New York.
"Shows Mr. Churchill at his best. The flavor of his humor is of that stimulating kind which asserts itself just the moment, as it were, after it has passed the palate.... As for Victoria, she has that quality of vivid freshness, tenderness, and independence which makes so many modern American heroines delightful."—The Times, London.
The Celebrity.An Episode
"No such piece of inimitable comedy in a literary way has appeared for years.... It is the purest, keenest fun."—Chicago Inter-Ocean.
Richard CarvelIllustrated
"... In breadth of canvas, massing of dramatic effect, depth of feeling, and rare wholesomeness of spirit, it has seldom, if ever, been surpassed by an American romance."—Chicago Tribune.
The CrossingIllustrated
"'The Crossing' is a thoroughly interesting book, packed with exciting adventure and sentimental incident, yet faithful to historical fact both in detail and in spirit."—The Dial.
The CrisisIllustrated
"It is a charming love story, and never loses its interest.... The intense political bitterness, the intense patriotism of both parties, are shown understandingly."—Evening Telegraph, Philadelphia.
ConistonIllustrated
"'Coniston' has a lighter, gayer spirit and a deeper, tenderer touch than Mr. Churchill has ever achieved before.... It is one of the truest and finest transcripts of modern American life thus far achieved in our fiction."—Chicago Record-Herald.