One great English thinker and artist once tried the rash experiment of being true to himself—of saying out boldly, without fear or reserve, the highest and noblest and best that was in him. He gave us the most exquisite lyrics in the English language; he moulded the thought of our first youth as no other poet has ever yet moulded it; he became the spiritual father of the richest souls in two succeeding generations of Englishmen. And what reward did he get for it? He was expelled from his university. He was hounded out of his country. He was deprived of his own children. He was denied the common appeal to the law and courts of justice. He was drowned, an exile, in a distant sea, and burned in solitude on a foreign shore. And after his death he was vilified and calumniated by wretched penny-a-liners, or (worse insult still) apologised for, with half-hearted shrugs, by lukewarm advocates. The purest in life and the most unselfish in purpose of all mankind, he was persecuted alive with the utmost rancour of hate, and pursued when dead with the vilest shafts of malignity. He never even knew in his scattered grave the good he was to do to later groups of thinkers.
It was a noble example, of course; but not, you will admit, an alluring one for others to follow.
"Be true to yourself," say the copy-book moralists, "and you may be sure the result will at last be justified." No doubt; but in how many centuries? And what sort of life will you lead yourself, meanwhile, for your allotted space of threescore years and ten, unless haply hanged, or burned, or imprisoned before it? What the copy-book moralists mean is merely this—that sooner or later your principles will triumph, which may or may not be the case according to the nature of the principles. But even suppose they do, are you to ignore yourself in the interim—you, a human being with emotions, sensations, domestic affections, and, in the majority of instances, wife and children on whom to expend them? Why should it be calmly taken for granted by the world that if you have some new and true thing to tell humanity (which humanity, of course, will toss back in your face with contumely and violence) you are bound to blurt it out, with childish unreserve, regardless of consequences to yourself and to those who depend upon you? Why demand of genius or exceptional ability a gratuitous sacrifice which you would deprecate as wrong and unjust to others in the ordinary citizen? For the genius, too, is a man, and has his feelings.
The fact is, society considers that in certain instances it has a right to expect the thinker will martyrise himself on its account, while it stands serenely by and heaps faggots on the pile, with every mark of contempt and loathing. But society is mistaken. No man is bound to martyrise himself; in a great many cases a man is bound to do the exact opposite. He has given hostages to Fortune, and his first duty is to the hostages. "We ask you for bread," his children may well say, "and you give us a noble moral lesson. We ask you for clothing, and you supply us with a beautiful poetical fancy." This is not according to bargain. Wife and children have a first mortgage on a man's activities; society has only a right to contingent remainders.
A great many sensible men who had truths of deep import to deliver to the world must have recognised these facts in all times and places, and must have held their tongues accordingly. Instead of speaking out the truths that were in them, they must have kept their peace, or have confined themselves severely to the ordinary platitudes of their age and nation. Why ruin yourself by announcing what you feel and believe, when all the reward you will get for it in the end will be social ostracism, if not even the rack, the stake, or the pillory? The Shelleys and Rousseaus there's no holding, of course; theywillrun right into it; but the Goethes—oh, no, they keep their secret. Indeed, I hold it as probable that the vast majority of men far in advance of their times have always held their tongues consistently, save for mere common babble, on Lord Chesterfield's principle that "Wise men never say."
Therôleof prophet is thus a thankless and difficult one. Nor is it quite certainly of real use to the community. For the prophet is generally too much ahead of his times. He discounts the future at a ruinous rate, and he takes the consequences. If you happen ever to have read the Old Testament you must have noticed that the prophets had generally a hard time of it.
The leader is a very different stamp of person.Hestands well abreast of his contemporaries, and just half a pace in front of them; and he has power to persuade even the inertia of humanity into taking that one half-step in advance he himself has already made bold to adventure. His post is honoured, respected, remunerated. But the prophet gets no thanks, and perhaps does mankind no benefit. He sees too quick. And there can be very little good indeed in so seeing. If one of us had been an astronomer, and had discovered the laws of Kepler, Newton, and Laplace in the thirteenth century, I think he would have been wise to keep the discovery to himself for a few hundred years or so. Otherwise, he would have been burned for his trouble. Galileo, long after, tried part of the experiment a decade or so too soon, and got no good by it. But in moral and social matters the danger is far graver. I would say to every aspiring youth who sees some political or economical or ethical truth quite clearly: "Keep it dark! Don't mention it! Nobody will listen to you; and you, who are probably a person of superior insight and higher moral aims than the mass, will only destroy your own influence for good by premature declarations. The world will very likely come round of itself to your views in the end; but if you tell them too soon, you will suffer for it in person, and will very likely do nothing to help on the revolution in thought that you contemplate. For thought that is too abruptly ahead of the mass never influences humanity."
"But sometimes the truth will out in spite of one!" Ah, yes, that's the worst of it. Do as I say, not as I do. If possible, repress it.
It is a noble and beautiful thing to be a martyr, especially if you are a martyr in the cause of truth, and not, as is often the case, of some debasing and degrading superstition. But nobody has a right to demand of you that you should be a martyr. And some people have often a right to demand that you should resolutely refuse the martyr's crown on the ground that you have contracted prior obligations, inconsistent with the purely personal luxury of martyrdom. 'Tis a luxury for a few. It befits only the bachelor, the unattached, and the economically spareworthy.
"These be pessimistic pronouncements," you say. Well, no, not exactly. For, after all, we must never shut our eyes to the actual; and in the world as it is, meliorism, not optimism, is the true opposite of pessimism. Optimist and pessimist are both alike in a sense, seeing they are both conservative; they sit down contented—the first with the smug contentment that says "All's well; I have enough; why this fuss about others?" the second with the contentment of blank despair that says, "All's hopeless; all's wrong; why try uselessly to mend it?" The meliorist attitude, on the contrary, is rather to say, "Much is wrong; much painful; what can we do to improve it?" And from this point of view there is something we can all do to make martyrdom less inevitable in the end, for the man who has a thought, a discovery, an idea, to tell us. Such men are rare, and their thought, when they produce it, is sure to be unpalatable. For, if it were otherwise, it would be thought of our own type—familiar, banal, commonplace, unoriginal. It would encounter no resistance, as it thrilled on its way through our brain, from established errors. What the genius and the prophet are there for is just that—to make us listen to unwelcome truths, to compel us to hear, to drive awkward facts straight home with sledge-hammer force to the unwilling hearts and brains of us. Not whatyouwant to hear, or whatIwant to hear, is good and useful for us; but what wedon'twant to hear, what we can't bear to think, what we hate to believe, what we fight tooth and nail against. The man who makes us listen tothatis the seer and the prophet; he comes upon us like Shelley, or Whitman, or Ibsen, and plumps down horrid truths that half surprise, half disgust us. He shakes us out of our lethargy. To such give ear, though they say what shocks you. Weigh well their hateful ideas. Avoid the vulgar vice of sneering and carping at them. Learn to examine their nude thought without shrinking, and examine it all the more carefully when it most repels you. Naked verity is an acquired taste; it is never beautiful at first sight to the unaccustomed vision. Remember that no question is finally settled; that no question is wholly above consideration; that what you cherish as holiest is most probably wrong; and that in social and moral matters especially (where men have been longest ruled by pure superstitions) new and startling forms of thought have the highesta prioriprobability in their favour. Dismiss your idols. Give every opinion its fair chance of success—especially when it seems to you both wicked and ridiculous, recollecting that it is better to let five hundred crude guesses run loose about the world unclad, than to crush one fledgling truth in its callow condition. To the Greeks, foolishness: to the Jews, a stumbling-block. If you can't be one of the prophets yourself, you can at least abstain from helping to stone them.
Dear me! These reflections to-day are anything but post-prandial. Thegnocchiand the olives must certainly have disagreed with me. But perhaps it may some of it be "wrote sarcastic." I have heard tell there is a thing called irony.
The world has expanded faster in the last thirty years than in any previous age since "the spacious days of great Elizabeth." And with its expansion, of course, our ideas have widened. I believe Europe is now in the midst of just such an outburst of thought and invention as that which followed the discovery of America, and of the new route to India by the Cape of Good Hope. But I don't want to insist too strongly upon that point, because I know a great many of my contemporaries are deeply hurt by the base and spiteful suggestion that they and their fellows are really quite as good as any fish that ever came out of the sea before them. I only desire now to call attention for a moment to one curious result entailed by this widening of the world upon our literary productivity—a result which, though obvious enough when one comes to look at it, seems to me hitherto to have strangely escaped deliberate notice.
In one word, the point of which I speak is the comparative cosmopolitanisation of letters, and especially the introduction into literary art of the phenomena due to the Clash of Races.
This Clash itself is the one picturesque and novel feature of our otherwise somewhat prosaic and machine-made epoch; and, therefore, it has been eagerly seized upon, with one accord, by all the chief purveyors of recent literature, and especially of fiction. They have espied in it, with technical instinct, the best chance for obtaining that fresh interest which is essential to the success of a work of art. We were all getting somewhat tired, it must be confessed, of the old places and the old themes. The insipid loves of Anthony Trollope's blameless young people were beginning to pall upon us. The jaded palate of the Anglo-Celtic race pined for something hot, with a touch of fresh spice in it. It demanded curried fowl and Jamaica peppers. Hence, on the one hand, the sudden vogue of the novelists of the younger countries—Tolstoi and Tourgenieff, Ibsen and Bjornson, Mary Wilkins and Howells —who transplanted us at once into fresh scenes, new people: hence, on the other hand, the tendency on the part of our own latest writers—the Stevensons, the Hall Caines, the Marion Crawfords, the Rider Haggards—to go far afield among the lower races or the later civilisations for the themes of their romances.
Alas, alas, I see breakers before me! Must I pause for a moment in the flowing current of a paragraph to explain, as in an aside, that I include Marion Crawford of set purpose among "our own" late writers, while I count Mary Wilkins and Howells as Transatlantic aliens? Experience teaches me that I must; else shall I have that annoying animalcule, the microscopic critic, coming down upon me in print with his petty objection that "Mr. Crawford is an American." Go to, oh, blind one! And Whistler also, I suppose, and Sargent, and, perhaps, Ashmead Bartlett! What! have you read "Sarracinesca" and not learnt that its author is European to the core? 'Twas for such as you that the Irishman invented his brilliant retort: "And if I was born in a stable would I be a horse?"
Not merely, however, do our younger writers go into strange and novel places for the scenes of their stories; the important point to notice in the present connection is that, consciously or unconsciously to themselves, they have perceived the mighty influence of this Clash of Races, and have chosen the relations of the civilised people with their savage allies, or enemies, or subjects, as the chief theme of their handicraft. 'Tis a momentous theme, for it encloses in itself half the problems of the future. The old battles are now well-nigh fought out; but new ones are looming ahead for us. The cosmopolitanisation of the world is introducing into our midst strange elements of discord. A conglomerate of unwelded ethnical elements usurps the stage of history. America and South Africa have already their negro question; California and Australia have already their Chinese question; Russia is fast getting her Asiatic, her Mahommedan question. Even France, the most narrowly European in interest of European countries, has yet her Algeria, her Tunis, her Tonquin. Spain has Cuba and the Philippines. Holland has Java. Germany is burdening herself with the unborn troubles of a Hinterland. And as for England, she staggers on still under the increasing load of India, Hong Kong, Singapore, South Africa, the West Indies, Fiji, New Guinea, North Borneo—all of them rife with endless race-questions, all pregnant with difficulties.
Who can be surprised that amid this seething turmoil of colours, instincts, creeds, and languages, art should have fastened upon the race-problems as her great theme for the moment? And she has fastened upon them everywhere. France herself has not been able to avoid the contagion. Pierre Loti is the most typical French representative of this vagabond spirit; and the question of the peoples naturally envisages itself to his mind in true Gallic fashion in the "Mariage de Loti" and in "Madame Chrysanthème." He sees it through a halo of vague sexual sentimentalism. In England, it was Rider Haggard from the Cape who first set the mode visibly; and nothing is more noteworthy in all his work than the fact that the interest mainly centres in the picturesque juxtaposition and contrast of civilisation and savagery. Once the cue was given, what more natural than that young Rudyard Kipling, fresh home from India, brimming over with genius and with knowledge of two concurrent streams of life that flow on side by side yet never mingle, should take up his parable in due course, and storm us all by assault with his light field artillery? Then Robert Louis Stevenson, born a wandering Scot, with roving Scandinavian and fiery Celtic blood in his veins, must needs settle down, like a Viking that he is, in far Samoa, there to charm and thrill us by turns with the romance of Polynesia. The example was catching. Almost without knowing it, other writers have turned for subjects to similar fields. "Dr. Isaacs," "Paul Patoff," "By Proxy," were upon us. Even Hall Caine himself, in some ways a most insular type of genius, was forced in "The Scapegoat" to carry us off from Cumberland and Man to Morocco. Sir Edwin Arnold inflicts upon us the tragedies of Japan. I have been watching this tendency long myself with the interested eye of a dealer engaged in the trade, and therefore anxious to keep pace with every changing breath of popular favour: and I notice a constant increase from year to year in the number of short stories in magazines and newspapers dealing with the romance of the inferior races. I notice, also, that such stories are increasingly successful with the public. This shows that, whether the public knows it or not itself, the question of race is interesting it more and more. It is gradually growing to understand the magnitude of the change that has come over civilisation by the inclusion of Asia, Africa, and Australasia within its circle. Even the Queen is learning Hindustani.
There is a famous passage in Green's "Short History of the English People" which describes in part that strange outburst of national expansion under Elizabeth, when Raleigh, Drake, and Frobisher scoured the distant seas, and when at home "England became a nest of singing birds," with Shakespeare, Spenser, Fletcher, and Marlow. "The old sober notions of thrift," says the picturesque historian, "melted before the strange revolutions of fortune wrought by the New World. Gallants gambled away a fortune at a sitting, and sailed off to make a fresh one in the Indies." (Read rather to-day at Kimberley, Johannesburg, Vancouver.) "Visions of galleons loaded to the brim with pearls and diamonds and ingots of silver, dreams of El Dorados where all was of gold, threw a haze of prodigality and profusion over the imagination of the meanest seaman. The wonders, too, of the New World kindled a burst of extravagant fancy in the Old. The strange medley of past and present which distinguishes its masques and feastings only reflected the medley of men's thoughts.... A 'wild man' from the Indies chanted the Queen's praises at Kenilworth, and Echo answered him. Elizabeth turned from the greetings of sibyls and giants to deliver the enchanted lady from her tyrant, 'Sans Pitie.' Shepherdesses welcomed her with carols of the spring, while Ceres and Bacchus poured their corn and grapes at her feet." Oh, gilded youth of the Gaiety,mutato nomine de te Fabula narratur. Yours, yours is this glory!
For our own age, too, is a second Elizabethan. It blossoms out daily into such flowers of fancy as never bloomed before, save then, on British soil. When men tell you nowadays we have "no great writers left," believe not the silly parrot cry. Nay, rather, laugh it down for them. We move in the midst of one of the mightiest epochs earth has ever seen, an epoch which will live in history hereafter side by side with the Athens of Pericles, the Rome of Augustus, the Florence of Lorenzo, the England of Elizabeth. Don't throw away your birthright by ignoring the fact. Live up to your privileges. Gaze around you and know. Be a conscious partaker in one of the great ages of humanity.
In the first of these after-dinnercauseriesI ventured humbly to remark that Patriotism was a vulgar vice of which I had never been guilty. That innocent indiscretion of mine aroused at the moment some unfavourable comment. I confess I was sorry for it. But I passed it by at the time, lest I should speak too hastily and lose my temper. I recur to the subject now, at the hour of the cigarette, when man can discourse most genially of his bitterest enemy. And Monopoly is mine. Its very name is hateful.
I don't often say what I think. At least, not much of it. I don't often get the chance. And, besides, being a timid and a modest man, I'm afraid to. But just this once, I'm going to "try it on." Object to my opinions as you will. But still, let me express them. Strike—but hear me!
Has it ever occurred to you that one object of reading is to learn things you never thought of before, and would never think of now, unless you were told them?
Patriotism is one of the Monopolist Instincts. And the Monopolist Instincts are the greatest enemies of the social life in humanity. They are what we have got in the end to outlive. The test of a man's place in the scale of being is how far he has outlived them. They are surviving relics of the ape and tiger. But we must let the ape and tiger die. We must begin to be human.
I will take Patriotism first, because it is the most specious of them all, and has still a self-satisfied way of masquerading as a virtue. But after all what is Patriotism? "My country, right or wrong; and just because it ismycountry." It is nothing more than a wider form of selfishness. Often enough, indeed, it is even a narrow one. It means, "My business interests against the business interests of other people; and let the taxes of my fellow-citizens pay to support them." At other times it is pure Jingoism. It means, "Mycountry against other countries!Myarmy and navy against other fighters!Myright to annex unoccupied territory over the equal right of all other people!Mypower to oppress all weaker nationalities, all inferior races!" Itnevermeans anything good. For if a cause is just, like Ireland's, or once Italy's, then 'tis the good man's duty to espouse it with warmth, be it his own or another's. And if a cause be bad, then 'tis the good man's duty to oppose it tooth and nail, irrespective of your "Patriotism." True, a good man will feel more sensitively anxious that justice should be done by the particular State of which he happens himself to be a member than by any other, because he is partly responsible for the corporate action; but then, people who feel deeply this joint moral responsibility of all the citizens are not praised as patriots but reviled as unpatriotic. To urge that our own country should strive with all its might to be better, higher, purer, nobler, juster than other countries around it—the only kind of Patriotism worth a brass farthing in a righteous man's eyes—is accounted by most men both wicked and foolish.
Patriotism, then, is the collective or national form of the Monopolist Instincts. And like all those Instincts, it is a relic of savagery, which the Man of the Future is now engaged in out-living.
Property is the next form. That, on the very face of it, is a viler and more sordid one. For Patriotism at least can lay claim to some expansiveness beyond mere individual interest; whereas property stops dead short at the narrowest limits. It is not "Us against the world!" but "Me against my fellow-citizens!" It is the final result of the industrial war in its most hideous avatar. Look how it scars the fair face of our England with its anti-social notice-boards, "Trespassers will be prosecuted!" It says, in effect, "This is my land. God made it; but I have acquired it and tabooed it. The grass on it grows green; but only for me. The mountains rise beautiful; no foot of man, save mine and my gamekeepers', shall tread them. The waterfalls gleam fresh and cool in the glen: avaunt there, you non-possessors;youshall never see them! All this is my own. And I choose to monopolise it."
Or is it the capitalist? "I will add field to field," he says, in despite of his own scripture; "I will join railway to railway. I will juggle into my own hands all the instruments for the production of wealth that I can lay hold of; and I will use them for myself against the producer and the consumer. I will enrich myself by 'corners' on the necessaries of life; I will make food dear for the poor, that I myself may roll in needless luxury. I will monopolise whatever I can seize, and the people may eat straw." That temper, too, humanity must outlive. And those who can't outlive it of themselves, or be warned in time, must be taught by stern lessons that their race has outstripped them.
As for slavery, 'tis now gone. That was the vilest of them all. It was the naked assertion of the Monopolist platform: "You live, not for yourself, but wholly and solely for me. I disregard your life entirely, and use you as my chattel." It died at last of the moral indignation of humanity. It died when a Southern court of so-called justice formulated in plain words the underlying principle of its hateful creed: "A black man has no rights which a white man is bound to respect." That finally finished it. We no longer allow every man to "wallop his own nigger." And though the last relics of it die hard in Queensland, South Africa, Demerara, we have at least the satisfaction of knowing that one Monopolist Instinct out of the group is pretty well bred out of us.
Except as regards women! There, it lingers still. The Man says even now to himself:—"This woman is mine. If she ventures to have a heart or a will of her own, woe betide her! I have tabooed her for life; let any other man touch her, let her look at any other man—and—knife, revolver, or law court, they shall both of them answer for it!" There you have in all its natural ugliness another Monopolist Instinct—the deepest-seated of all, the vilest, the most barbaric. She is not yours: she is her own: unhand her! The Turk takes his offending slave, sews her up in a sack, and flings her into the Bosphorus. The Christian Englishman drags her shame before an open court, and divorces her with contumely. Her shame, I say, in the common phrase, because though to me it is no shame that any human being should follow the dictates of his or her own heart, it is a shame to the woman in the eyes of the world, and a life of disgrace she must live thenceforward. All this is Monopoly and essentially slavery. As man lives down the Ape and Tiger stage, he will learn to say, rather: "Be mine while you can; but the day you cease to feel you can be mine willingly, don't disgrace your own body by yielding it up where your soul feels loathing; don't consent to be the mother of children by a father you despise or dislike or are tired of. Let us kiss and part. Go where you will; and my good will go with you!" Till the man can say that with a sincere heart, why, to borrow a phrase from George Meredith, he may have passed Seraglio Point, but he hasn't rounded Cape Turk yet.
You find that a hard saying, do you? You kick against freedom for wife or daughter? Well, yes, no doubt; you are still a Monopolist. But, believe me, the earnest and solemn expression of a profound belief never yet did harm to any one. I look forward to the time when women shall be as free in every way as men, not by levelling down, but by levelling up; not, as some would have us think, by enslaving the men, but by elevating, emancipating, unshackling the women.
There is a charming little ditty in Louis Stevenson's "Child's Garden of Verse," which always seems to me to sum up admirably the Monopolist attitude. Here it is. Look well at it:—
"When I am grown to man's estateI shall be very proud and great,And tell the other girls and boys,Not to meddle withmytoys."
"When I am grown to man's estateI shall be very proud and great,And tell the other girls and boys,Not to meddle withmytoys."
That is the way of the Monopolist. It catches him in the very act. He says to all the world: "Hands off! My property! Don't walk on my grass! Don't trespass in my park! Beware of my gunboats! No trifling with my women! I am the king of the castle. You meddle with me at your peril."
"Ours!" not "Mine!" is the watchword of the future.
"He was a mere amateur; but still, he did some good work in science."
Increasingly of late years I have heard these condescending words uttered, in the fatherland of Bacon, of Newton, of Darwin, when some Bates or Spottiswoode has been gathered to his fathers. It was not so once. Time was when all English science was the work of amateurs—and very well indeed the amateurs did it. I don't think anybody who does me the honour to cognise my humble individuality at all will ever be likely to mistake me for alaudator temporis acti. On the contrary, so far as I can see, the past seems generally to have been such a distinct failure all along the line that the one lesson we have to learn from it is, to go and do otherwise. I am one on that point with Shelley and Rousseau. But it does not follow, because most old things are bad, that all new things and rising things are necessarily and indisputably in their own nature excellent. Novelties, too, may be retrograde. And even our great-grandfathers occasionally blundered upon something good in which we should do well to imitate them. The amateurishness of old English science was one of these good things now in course of abolition by the fashionable process of Germanisation.
Don't imagine it was only for France that 1870 was fatal. The sad successes of that deadly year sent a wave of triumphant Teutonism over the face of Europe.
I suppose it is natural to man to worship success; but ever since 1870 it is certainly the fact that if you wish to gain respect and consideration for any proposed change of system you must say, "They do it so in Germany." In education and science this is especially the case. Pedants always admire pedants. And Germany having shown herself to be easily first of European States in her pedant-manufacturing machinery, all the assembled dominies of all the rest of the world exclaimed with one voice, "Go to! Let us Germanise our educational system!"
Now, the German is an excellent workman in his way. Patient, laborious, conscientious, he has all the highest qualities of the ideal brick-maker. He produces the best bricks, and you can generally depend upon him to turn out both honest and workmanlike articles. But he is not an architect. For the architectonic faculty in its highest developments you must come to England. And he is not a teacher or expounder. For the expository faculty in its purest form, the faculty that enables men to flash forth clearly and distinctly before the eyes of others the facts and principles they know and perceive themselves, you must go to France. Oh, dear, yes; we may well be proud of England. Remember, I have already disclaimed more than once in these papers the vulgar error of patriotism. But freedom from that narrow vice does not imply inability to recognise the good qualities of one's own race as well as the bad ones. And the Englishman, left to himself and his own native methods, used to cut a very respectable figure indeed in the domain of science. No other nation has produced a Newton or a Darwin. The Englishman's way was to get up an interest in a subject first; and then, working back from the part of it that specially appealed to his own tastes, to make himself master of the entire field of inquiry. This natural and thoroughly individualistic English method enabled him to arrive at new results in a way impossible to the pedantically educated German—nay, even to the lucidly and systematically educated Frenchman. It was the plan to develop "mere amateurs," I admit; but it was also the plan to develop discoverers and revolutionisers of science. For the man most likely to advance knowledge is not the man who knows in an encyclopædic rote-work fashion the whole circle of the sciences, but the man who takes a fresh interest for its own sake in some particular branch of inquiry.
Darwin was a "mere amateur." He worked at things for the love of them. So were Murchison, Lyell, Benjamin Franklin, Herschel. So were or are Bates, Herbert Spencer, Alfred Russel Wallace. "Mere amateurs!" every man of them.
In an evil hour, however, our pastors and masters in conclave assembled said to one another, "Come now, let us Teutonise English scientific education." And straightway they Teutonised it. And there began to arise in England a new brood of patent machine-made scientists—excellent men in their way, authorities on the Arachnida, knowing all about everything that could be taught in the schools, but lacking somehow the supreme grace of the old English originality. They are first-rate specialists, I allow; and I don't deny that a civilised country has all need of specialists. Nay, I even admit that the day of the specialist has only just begun. He will yet go far; he will impose himself and his yoke upon us. But don't let us therefore make the grand mistake of concluding that our fine old English birthright in science—the birthright that gave us our Newtons, our Cavendishes, our Darwins, our Lyells—was all folly and error. Don't let us spoil ourselves in order to become mere second-hand Germans. Let us recognise the fact that each nation has a work of its own to do in the world; and that as star from star, so one nation differeth from another in glory. Let each of us thank the goodness and the grace that on his birth have smiled, that he was born of English breed, and not a German child.
"Don't you think," a military gentleman once said to me, "the Germans are wonderful organisers?" "No," I answered, "I don't; but I think they're excellent drill-sergeants."
There are people who drop German authorities upon you as if a Teutonic name were guarantee enough for anything. They say, "Hausberger asserts," or "According to Schimmelpenninck." This is pure fetichism. Believe me, your man of science isn't necessarily any the better because he comes to you with the label, "Made in Germany." The German instinct is the instinct of Frederick William of Prussia—the instinct of drilling. Very thorough and efficient men in their way it turns out; men versed in all the lore of their chosen subject. If they are also men of transcendent ability (as often happens), they can give us a comprehensive view of their own chosen field such as few Englishmen (except Sir Archibald Geikie, and he's a Scot) can equal. If I wanted to select a learned man for a special Government post—British Museum, and so forth—I dare say I should often be compelled to admit, as Government often admits, that the best man then and there obtainable is the German. But if I wanted to train Herbert Spencers and Faradays, I would certainlynotsend them to Bonn or to Berlin. John Stuart Mill was an English Scotchman, educated and stuffed by his able father on the German system; and how much of spontaneity, of vividness, ofverve, we all of us feel John Stuart Mill lost by it! One often wonders to what great, to what still greater, things that lofty brain might not have attained, if only James Mill would have given it a chance to develop itself naturally!
Our English gift is originality. Our English keynote is individuality. Let us cling to those precious heirlooms of our Celtic ancestry, and refuse to be Teutonised. Let us discard the lessons of the Potsdam grenadiers. Let us write on the pediment of our educational temple, "No German need apply." Let us disclaim that silly phrase "A mere amateur." Let us return to the simple faith in direct observation that made English science supreme in Europe.
And may the Lord gi'e us Britons a guid conceit o' oorsel's!
Strange that the wealthiest class in the wealthiest country in the world should so long have been content to inhabit a squalid village!
I'm not going to compare London, as Englishmen often do, with Paris or Vienna. I won't do two great towns that gross injustice. And, indeed, comparison here is quite out of the question. You don't compare Oxford with Little Peddlington, or Edinburgh with Thrums, and then ask which is the handsomest. Things must be alike in kind before you can begin to compare them. And London and Paris are not alike in kind. One is a city, and a noble city; the other is a village, and a squalid village.
No; I will not even take a humbler standard of comparison, and look at London side by side with Brussels, Antwerp, Munich, Turin. Each of those is a city, and a fine city in its way; but each of them is small. Still, even by their side, London is again but a squalid village. I insist upon that point, because, misled by their ancient familiarity with London, most Englishmen have had their senses and understandings so blunted on this issue, that they really don't know what is meant by a town, or a fine town, when they see one. And don't suppose it's because London is in Britain and these other towns out of it that I make these remarks: for Bath is a fine town, Edinburgh is a fine town, even Glasgow and Newcastle are towns, while London is still a straggling, sprawling, invertebrate, inchoate, overgrown village. I am as free, I hope, from anti-patriotic as from patriotic prejudice. The High Street in Oxford, Milsom Street in Bath, Princes Street in Edinburgh, those are all fine streets that would attract attention even in France or Germany. But the Strand, Piccadilly, Regent Street, Oxford Street—good Lord, deliver us!
One morecaveatas to my meaning. When I cite among real towns Brussels, Antwerp, and Munich, I am not thinking of the treasures of art those beautiful places contain; that is another and altogether higher question. Towns supreme in this respect often lag far behind others of less importance—lag behind in those external features and that general architectural effectiveness which rightly entitle us to say in a broad sense, "This is a fine city." Florence, for example, contains more treasures of art in a small space than any other town of Europe; yet Florence, though undoubtedly a town, and even a fine town, is not to be compared in this respect, I do not say with Venice or Brussels, but even with Munich or Milan. On the other hand, London contains far more treasures of art in its way than Boston, Massachusetts; but Boston is a handsome, well-built, regular town, while London—well, I will spare you the further repetition of the trite truism that London is a squalid village. In one word, the point I am seeking to bring out here is that a town, as a town, is handsome or otherwise, not in virtue of the works of art or antiquity it contains, but in virtue of its ground-plan, its architecture, its external and visible decorations and places—the Louvre, the Boulevards, the Champs Elysées, the Place de l'Opéra.
Now London has no ground-plan. It has no street architecture. It has no decorations, though it has many uglifications. It is frankly and simply and ostentatiously hideous. And being wholly wanting in a system of any sort—in organic parts, in idea, in views, in vistas—it is only a village, and a painfully uninteresting one.
Most Englishmen see London before they see any other great town. They become so familiarised with it that their sense of comparison is dulled and blunted. I had the good fortune to have seen many other great towns before I ever saw London: and I shall never forget my first sense of surprise at its unmitigated ugliness.
Get on top of an omnibus—I don't say in Paris, from the Palais Royal to the Arc de Triomphe, but in Brussels, from the Gare du Nord to the Palais de Justice—and what do you see? From end to end one unbroken succession of noble and open prospects. I'm not thinking now of the Grande Place in the old town, with its magnificent collection of mediæval buildings; the Great Fire effectively deprived us of our one sole chance of such an element of beauty in modern London. I confine myself on purpose to the parts of Brussels which are purely recent, and might have been imitated at a distance in London, if there had been any public spirit or any public body in England to imitate them. (But unhappily there was neither.) Recall to mind as you read the strikingly handsome street view that greets you as you emerge from the Northern Station down the great central Boulevards to the Gare du Midi—all built within our own memory. Then think of the prospects that gradually unfold themselves as you rise on the hill; the fine vista north towards Sainte Marie de Schaarbeck; the beautiful Rue Royale, bounded by that charming Parc; the unequalled stretch of the Rue de la Régence, starting from the Place Royale with Godfrey of Bouillon, and ending with the imposing mass of the Palais de Justice. It is to me a matter for mingled surprise and humiliation that so many Englishmen can look year after year at that glorious street—perhaps the finest in the world—and yet never think to themselves, "Mightn't we faintly imitate some small part of this in our wealthy, ugly, uncompromising London?"
I always say to Americans who come to Europe: "When you go to England, don't see our towns, but see our country. Our country is something unequalled in the world: while our towns!—well, anyway, keep away from London!"
With the solitary and not very brilliant exception of the Embankment, there isn't a street in London where one could take a stranger to admire the architecture. Compare that record with the new Boulevards in Antwerp, where almost every house is worth serious study: or with the Ring at Cologne (to keep close home all the time), where one can see whole rows of German Renaissance houses of extraordinary interest. What street in London can be mentioned in this respect side by side with Commonwealth Avenue or Beacon Street in Boston; with Euclid Avenue in Cleveland, Ohio; with the upper end of Fifth Avenue, New York; nay, even with the new Via Roma at Genoa? Why is it that we English can't get on the King's Road at Brighton anything faintly approaching that splendid sea front on the Digue at Ostend, or those coquettish white villas that line the Promenade des Anglais at Nice? The blight of London seems to lie over all Southern England.
Paris looks like the capital of a world-wide empire. London, looks like a shapeless neglected suburb, allowed to grow up by accident anyhow. And that's just the plain truth of it. 'Tis a fortuitous concourse of hap-hazard houses.
"But we are improving somewhat. The County Council is opening out a few new thoroughfares piecemeal." Oh yes, in an illogical, unsystematic, English patchwork fashion, we are driving a badly-designed, unimpressive new street or two, with no expansive sense of imperial greatness, through the hopelessly congested and most squalid quarters. But that is all. No grand, systematic, reconstructive plan, no rising to the height of the occasion and the Empire! You tinker away at a Shaftesbury Avenue. Parochial, all of it. And there you get the real secret of our futile attempts at making a town out of our squalid village. The fault lies all at the door of the old Corporation, and of the people who made and still make the old Corporation possible. For centuries, indeed, there was really no London, not even a village; there was only a scratch collection of contiguous villages. The consequence was that here, at the centre of national life, the English people grew wholly unaccustomed to the bare idea of a town, and managed everything piecemeal, on the petty scale of a country vestry. The vestryman intelligence has now overrun the land; and if the London County Council ever succeeds at last in making the congeries of villages into—I do not say a city, for that is almost past praying for, but something analogous to a second-rate Continental town, it will only be after long lapse of time and violent struggles with the vestryman level of intellect and feeling.
London had many great disadvantages to start with. She lay in a dull and marshy bottom, with no building stone at hand, and therefore she was forecondemned by her very position to the curse of brick and stucco, when Bath, Oxford, Edinburgh, were all built out of their own quarries. Then fire destroyed all her mediæval architecture, leaving her only Westminster Abbey to suggest the greatness of her losses. But brick-earth and fire have been as nothing in their way by the side of the evil wrought by Gog and Magog. When five hundred trembling ghosts of naked Lord Mayors have to answer for their follies and their sins hereafter, I confidently expect the first question in the appalling indictment will be, "Why did you allow the richest nation on earth to house its metropolis in a squalid village?"
We have a Moloch in England to whom we sacrifice much. And his hateful name is Vested Interest.
A certain story is told about Mr. Ruskin, no doubt apocryphal, but at any rate characteristic. A young lady, fresh from the Abyss of Bayswater, met the sage one evening at dinner—a gushing young lady, as many such there be—who, aglow with joy, boarded the Professor at once with her private art-experiences. "Oh, Mr. Ruskin," she cried, clasping her hands, "do you know, I hadn't been two days in Florence before I discovered what you meant when you spoke about the supreme unapproachableness of Botticelli." "Indeed?" Ruskin answered. "Well, that's very remarkable; for it took me, myself, half a lifetime to discover it."
The answer, of course, was meant to be crushing. How shouldshe, a brand plucked from the burning of Bayswater, be able all at once, on the very first blush, to appreciate Botticelli? And it took the greatest critic of his age half a lifetime! Yet I venture to maintain, for all that, that the young lady was right, and that the critic was wrong—if such a thing be conceivable. I know, of course, that when we speak of Ruskin we must walk delicately, like Agag. But still, I repeat it, the young lady was right; and it was largely the unconscious, pervasive action of Mr. Ruskin's own personality that enabled her to be so.
It's all the Zeitgeist: that's where it is. The slow irresistible Zeitgeist. Fifty years ago, men's taste had been so warped and distorted by current art and current criticism that theycouldn'tsee Botticelli, however hard they tried at it. He was a sealed book to our fathers. In those days it required a brave, a vigorous, and an original thinker to discover any merit in any painter before Raffael, except perhaps, as Goldsmith wisely remarked, Perugino. The man who went then to the Uffizi or the Pitti, after admiring as in duty bound his High Renaissance masters, found himself suddenly confronted with the Judith or the Calumny, and straightway wondered what manner of strange wild beasts these were that some insane early Tuscan had once painted to amuse himself in a lucid interval. They were not in the least like the Correggios and the Guidos, the Lawrences and the Opies, that the men of that time had formed their taste upon, and accepted as their sole artistic standards. To people brought up upon pure David and Thorvaldsen, the Primavera at the Belle Arti must naturally have seemed like a wild freak of madness. The Zeitgeist then went all in the direction of cold lifeless correctness; the idea that the painter's soul counted for something in art was an undreamt of heresy.
On your way back from Paris some day, stop a night at Amiens and take the Cathedral seriously. Half the stately interior of that glorious thirteenth century pile is encrusted and overlaid by hideous gewgaw monstrosities of the flashiest Bernini andbaroqueperiod. There they sprawl their obtrusive legs and wave their flaunting theatrical wings to the utter destruction of all repose and consistency in one of the noblest and most perfect buildings of Europe. Nowadays, any child, any workman can see at a glance how ugly and how disfiguring those floppy creatures are; it is impossible to look at them without saying to oneself: "Why don't they clear away all this high-faluting rubbish, and let us see the real columns and arches and piers as their makers designed them?" Yet who was it that put them there, those unspeakable angels in muslin drapery, those fly-away nymphs and graces and seraphim? Why, the best and most skilled artists of their day in Europe. And whence comes it that the merest child can now see instinctively how out of place they are, how disfiguring, how incongruous? Why, because the Gothic revival has taught us all by degrees to appreciate the beauty and delicacy of a style which to our eighteenth century ancestors was mere barbaric mediævalism; has taught us to admire its exquisite purity, and to dislike the obstrusive introduction into its midst of incongruous and meretricious Bernini-like flimsiness.
The Zeitgeist has changed, and we have changed with it.
It is just the same with our friend Botticelli. Scarce a dozen years ago, it was almost an affectation to pretend you admired him. It is no affectation now. Hundreds of assorted young women from the Abyss of Bayswater may rise any morning here in sacred Florence and stand genuinely enchanted before the Adoration of the Kings, or the Venus who floats on her floating shell in a Botticellian ocean. And why? Because Leighton, Holman Hunt, Rossetti, Burne-Jones, Madox Brown, Strudwick, have led them slowly up to it by golden steps innumerable. Thirty years ago the art of the early Tuscan painters was something to us Northerners exotic, strange, unconnected, archæological. Gradually, it has been brought nearer and nearer to us on the walls of the Grosvenor and the New Gallery, till now he that runs may read; the ingenuous maiden, fished from the Abyss of Bayswater, can drink in at a glance what it took a Ruskin many years of his life and much slow development to attain to piecemeal.
That is just what all great men are for—to make the world accept as a truism in the generation after them what it rejected as a paradox in the generation before them.
Not, of course, that there isn't a little of affectation, and still more of fashion, to the very end in all of it. An immense number of people, incapable of genuinely admiring anything for its own sake at all, are anxious only to be told what they "ought to admire, don't you know," and will straightway proceed as conscientiously as they can to get up an admiration for it. A friend of mine told me a beautiful example. Two aspiring young women, of the limp-limbed, short-haired, æsthetic species, were standing rapt before the circular Madonna at the Uffizi. They had gazed at it long and lovingly, seeing it bore on its frame the magic name of Botticelli. Of a sudden one of the pair happened to look a little nearer at the accusing label. "Why, this is not Sandro," she cried, with a revulsion of disgust; "this is only Aless." And straightway they went off from the spot in high dudgeon at having been misled as they supposed into examining the work of "another person of the same name."
Need I point the moral of my apologue, in this age of enlightenment, by explaining, for the benefit of the junior members, that the gentleman's full name was really Alessandro, and that both abbreviations are impartially intended to cover his one and indivisible personality? The first half is official, like Alex.; the second affectionate and familiar, like Sandy.
Still, even after making due allowance for such humbugs as these, a vast residuum remains of people who, if born sixty years ago, could never by any possibility have been made to see there was anything admirable in Lippi, Botticelli, Giotto; but who, having been born thirty years ago, see it without an effort. Hundreds who read these lines must themselves remember the unmistakable thrill of genuine pleasure with which they first gazed upon the Fra Angelicos at San Marco, the Memlings at Bruges, the Giottos in the Madonna dell' Arena at Padua. To many of us, those are real epochs in our inner life. To the men of fifty years ago, the bare avowal itself would have seemed little short of affected silliness.
Is the change all due to the teaching of the teachers and the preaching of the preachers? I think not entirely. For, after all, the teachers and the preachers are but a little ahead of the age they live in. They see things earlier; they help to lead us up to them; but they do not wholly produce the revolutions they inaugurate. Humanity as a whole develops consistently along certain pre-established and predestined lines. Sooner or later, a certain point must inevitably be reached; but some of us reach it sooner, and most of us later. That's all the difference. Every great change is mainly due to the fact that we have all already attained a certain point in development. A step in advance becomes inevitable after that, and one after another we are sure to take it. In one word, what it needed a man of genius to see dimly thirty years ago, it needs a singular fool not to see clearly nowadays.
Men don't marry nowadays. So everybody tells us. And I suppose we may therefore conclude, by a simple act of inference, that women in turn don't marry either. It takes two, of course, to make a quarrel—or a marriage.
Why is this? "Young people nowadays want to begin where their fathers left off." "Men are made so comfortable at present in their clubs." "College-bred girls have no taste for housekeeping." "Rents are so high and manners so luxurious." Good heavens, what silly trash, what puerile nonsense! Are we all little boys and girls, I ask you, that we are to put one another off with such transparent humbug? Here we have to deal with a primitive instinct—the profoundest and deepest-seated instinct of humanity, save only the instincts of food and drink and of self-preservation. Man, like all other animals, has two main functions: to feed his own organism, and to reproduce his species. Ancestral habit leads him, when mature, to choose himself a mate—because he loves her. It drives him, it urges him, it goads him irresistibly. If this profound impulse is really lacking to-day in any large part of our race, there must be some correspondingly profound and adequate reason for it. Don't let us deceive ourselves with shallow platitudes which may do for drawing-rooms. This is philosophy, even though post-prandial. Let us try to take a philosophic view of the question at issue, from the point of vantage of a biological outlook.
Before you begin to investigate the causes of a phenomenonquelconque, 'tis well to decide whether the phenomenon itself is there to investigate.
Taking society throughout—notin the sense of those "forty families" to which the term is restricted by Lady Charles Beresford—I doubt whether marriage is much out of fashion. Statistics show a certain decrease, it is true, but not an alarming one. Among the labouring classes, I imagine men, and also women, still wed pretty frequently. When people say, "Young men won't marry nowadays," they mean young men in a particular stratum of society, roughly bounded by a silk hat on Sundays. Now, when you and I were young (I take it for granted that you and I are approaching the fifties) young men did marry; even within this restricted area, 'twas their wholesome way in life to form an attachment early with some nice girl in their own set, and to start at least with the idea of marrying her. Toward that goal they worked; for that end they endured and sacrificed many things. True, even then, the long engagement was the rule; but the long engagement itself meant some persistent impulse, some strong impetus marriage-wards. The desire of the man to make this woman his own, the longing to make this woman happy—normal and healthy endowments of our race—had still much driving-power. Nowadays, I seriously think I observe in most young men of the middle class around me a distinct and disastrous weakening of the impulse. They don't fall in love as frankly, as honestly, as irretrievably as they used to do. They shilly-shally, they pick and choose, they discuss, they criticise. They say themselves these futile foolish things about the club, and the flat, and the cost of living. They believe in Malthus. Fancy a young man who believes in Malthus! They seem in no hurry at all to get married. But thirty or forty years ago, young men used to rush by blind instinct into the toils of matrimony—because they couldn't help themselves. Such Laodicean luke-warmness betokens in the class which exhibits it a weakening of impulse. That weakening of impulse is really the thing we have to account for.
Young men of a certain type don't marry, because—they are less of young men than formerly.
Wild animals in confinement seldom propagate their kind. Only a few caged birds will continue their species. Whatever upsets the balance of the organism, in an individual or a race tends first of all to affect the rate of reproduction. Civilise the red man, and he begins to decrease at once in numbers. Turn the Sandwich Islands into a trading community, and the native Hawaiian refuses forthwith to give hostages to fortune. Tahiti is dwindling. From the moment the Tasmanians were taken to Norfolk Island, not a single Tasmanian baby was born. The Jesuits made a model community of Paraguay; but they altered the habits of the Paraguayans so fast that the reverend fathers, who were, of course, themselves celibates, were compelled to take strenuous and even grotesque measures to prevent the complete and immediate extinction of their converts. Other cases in abundance I might quote an I would; but I limit myself to these. They suffice to exhibit the general principle involved; any grave upset in the conditions of life affects first and at once the fertility of a species.
"But colonists often increase with rapidity." Ay, marry, do they, where the conditions of life are easy. At the present day most colonists go to fairly civilised regions; they are transported to their new home by steamboat and railway; they find for the most part more abundant provender and more wholesome surroundings than in their native country. There is no real upset. Better food and easier life, as Herbert Spencer has shown, result (other things equal) in increased fertility. His chapters on this subject in the "Principles of Biology" should be read by everybody who pretends to talk on questions of population. But in new and difficult colonies the increase is slight. Whatever compels greater wear and tear of the nervous system proves inimical to the reproductive function. The strain and stress of co-ordination with novel circumstances and novel relations affect most injuriously the organic balance. The African negro has long been accustomed to agricultural toil and to certain simple arts in his own country. Transported to the West Indies and the United States, he found life no harder than of old, if not, indeed, easier. He had abundant food, protection, security, a kind of labour for which he was well adapted. Instead of dying out, therefore, he was fruitful, and multiplied, and replenished the earth amazingly. But the Red Indian, caught blatant in the hunting stage, refused to be tamed, and could not swallow civilisation. He pined and dwined and decreased in his "reservations." The change was too great, too abrupt, too brusque for him. The papoose before long became an extinct animal.
Is not the same thing true of the middle class of England? Civilisation and its works have come too quickly upon us. The strain and stress of correlating and co-ordinating the world we live in are getting too much for us. Railways, telegraphs, the penny post, the special edition, have played havoc at last with our nervous systems. We are always on the stretch, rushing and tearing perpetually. We bolt our breakfasts; we catch the train or 'bus by the skin of our teeth, to rattle us into the City; we run down to Scotland or over to Paris on business; we lunch in London and dine in Glasgow, Belfast, or Calcutta. (Excuse imagination.) The tape clicks perpetually in our ears the last quotation in Eries; the telephone rings us up at inconvenient moments. Something is always happening somewhere to disturb our equanimity; we tear open theTimeswith feverish haste, to learn that Kimberleys or Jabez Balfour have fallen, that Matabeleland has been painted red, that shares have gone up, or gone down, or evaporated. Life is one turmoil of excitement and bustle. Financially, 'tis a series of dissolving views; personally 'tis a rush; socially, 'tis a mosaic of deftly-fitted engagements. Drop out one piece, and you can never replace it. You are full next week from Monday to Saturday—business all day, what calls itself pleasure (save the mark!) all evening. Poor old Leisure is dead. We hurry and scurry and flurry eternally. One whirl of work from morning till night: then dress and dine: one whirl of excitement from night till morning. A snap of troubled sleep, and againda capo. Not an hour, not a minute, we can call our own. A wire from a patient ill abed in Warwickshire! A wire from a client hard hit in Hansards! Endless editors asking for more copy! more copy! Alter to suit your own particular trade, and 'tis the life of all of us.
The first generation after Stephenson and the Rocket pulled through with it somehow. They inherited the sound constitutions of the men who sat on rustic seats in the gardens of the twenties. The second generation—that's you and me—felt the strain of it more severely: new machines had come in to make life still more complicated: sixpenny telegrams, Bell and Edison, submarine cables, evening papers, perturbations pouring in from all sides incessantly; the suburbs growing, the hubbub increasing, Metropolitan railways, trams, bicycles, innumerable: but natheless we still endured, and presented the world all the same with a third generation. That third generation—ah me! there comes the pity of it! One fancies the impulse to marry and rear a family has wholly died out of it. It seems to have died out most in the class where the strain and stress are greatest. I don't think young men of that class to-day have the same feelings towards women of their sort as formerly. Nobody, I trust, will mistake me for a reactionary: in most ways, the modern young man is a vast improvement on you and me at twenty-five. But I believe there is really among young men in towns less chivalry, less devotion, less romance than there used to be. That, I take it, is the true reason why young men don't marry. With certain classes and in certain places a primitive instinct of our race has weakened. They say this weakening is accompanied in towns by an increase in sundry hateful and degrading vices. I don't know if that is so; but at least one would expect it. Any enfeeblement of the normal and natural instinct of virility would show itself first in morbid aberrations. On that I say nothing. I only say this—that I think the present crisis in the English marriage market is due, not to clubs or the comfort of bachelor quarters, but to the cumulative effect of nervous over-excitement.
It is admitted on all hands by this time, I suppose, that the best way of learning is by eye, not by ear. Therefore the authorities that prescribe for us our education among all classes have decided that we shall learn by ear, not by eye. Which is just what one might expect from a vested interest.
Of course this superiority of sight over hearing is pre-eminently true of natural science—that is to say, of nine-tenths among the subjects worth learning by humanity. The only real way to learn geology, for example, is not to mug it up in a printed text-book, but to go into the field with a geologist's hammer. The only real way to learn zoology and botany is not by reading a volume of natural history, but by collecting, dissecting, observing, preserving, and comparing specimens. Therefore, of course, natural science has never been a favourite study in the eyes of school-masters, who prefer those subjects which can be taught in a room to a row of boys on a bench, and who care a great deal less than nothing for any subject which isn't "good to examine in." Educational value and importance in after life have been sacrificed to the teacher's ease and convenience, or to the readiness with which the pupil's progress can be tested on paper. Not what is best to learn, but what is least trouble to teach in great squads to boys, forms the staple of our modern English education. They call it "education," I observe in the papers, and I suppose we must fall in with that whim of the profession.
But even the subjects which belong by rights to the ear can nevertheless be taught by the eye more readily. Everybody knows how much easier it is to get up the history and geography of a country when you are actually in it than when you are merely reading about it. It lives and moves before you. The places, the persons, the monuments, the events, all become real to you. Each illustrates each, and each tends to impress the other on the memory. Sight burns them into the brain without conscious effort. You can learn more of Egypt and of Egyptian history, culture, hieroglyphics, and language in a few short weeks at Luxor or Sakkarah than in a year at the Louvre and the British Museum. The Tombs of the Kings are worth many papyri. The mere sight of the temples and obelisks and monuments and inscriptions, in the places where their makers originally erected them, gives a sense of reality and interest to them all that no amount of study under alien conditions can possibly equal. We have all of us felt that the only place to observe Flemish art to the greatest advantage is at Ghent and Bruges and Brussels and Antwerp; just as the only place to learn Florentine art as it really was is at the Uffizi and the Bargello.
These things being so, the authorities who have charge of our public education, primary, secondary, and tertiary, have decided in their wisdom—to do and compel the exact contrary. Object-lessons and the visible being admittedly preferable to rote-lessons and the audible, they have prescribed that our education, so called, shall be mainly an education not in things and properties, but in books and reading. They have settled that it shall deal almost entirely and exclusively with language and with languages; that words, not objects, shall be the facts it impresses on the minds of the pupils. In our primary schools they have insisted upon nothing but reading and writing, with just a smattering of arithmetic by way of science. In our secondary schools they have insisted upon nothing but Greek and Latin, with about an equal leaven of algebra and geometry. This mediæval fare (I am delighted that I can thus agree for once with Professor Ray Lankester) they have thrust down the throats of all the world indiscriminately; so much so that nowadays people seem hardly able at last to conceive of any other than a linguistic education as possible. You will hear many good folk who talk with contempt of Greek and Latin; but when you come to inquire what new mental pabulum they would substitute for those quaint and grotesque survivals of the Dark Ages, you find what they want instead is—modern languages. The idea that language of any sort forms no necessary element in a liberal education has never even occurred to them. They take it for granted that when you leave off feeding boys on straw and oats you must supply them instead with hay and sawdust.
Not that I rage against Greek and Latin as such. It is well we should have many specialists among us who understand them, just as it is well we should have specialists in Anglo-Saxon and Sanskrit. I merely mean that they are not the sum and substance of educational method. They are at best but two languages of considerable importance to the student of purely human evolution.
Furthermore, even these comparatively useless linguistic subjects could themselves be taught far better by sight than by hearing. A week at Rome would give your average boy a much clearer idea of the relations of the Capitol with the Palatine than all the pretty maps in Dr. William Smith's Smaller Classical Dictionary. It would give him also a sense of the reality of the Latin language and the Latin literature, which he could never pick up out of a dog-eared Livy or a thumb-marked Æneid. You have only to look across from the top of the Janiculum, towards the white houses of Frascati, to learn a vast deal more about the Alban hills and the site of Tusculum than ever you could mug up from all the geography books in the British Museum. The way to learn every subject on earth, even book-lore included, is not out of books alone, but by actual observation.
And yet it is impossible for any one among us to do otherwise than acquiesce in this vicious circle. Why? Just because no man can dissociate himself outright from the social organism of which he forms a component member. He can no more do so than the eye can dissociate itself from the heart and lungs, or than the legs can shake themselves free from the head and stomach. We have all to learn, and to let our boys learn, what authority decides for us. We can't give them a better education than the average, even if we know what it is and desire to impart it, because the better education, though abstractly more valuable, is now and here the inlet to nothing. Every door is barred with examinations, and opens but to the golden key of the crammer. Not what is of most real use and importance in life, but what "pays best" in examination, is the test of desirability. We are the victims of a system; and our only hope of redress is not by sporadic individual action but by concerted rebellion. We must cry out against the abuse till at last we are heard by dint of our much speaking. In a world so complex and so highly organised as ours, the individual can only do anything in the long run by influencing the mass—by securing the co-operation of many among his fellows.
Meanwhile, I believe it is gradually becoming the fact that our girls, who till lately were so very ill-taught, are beginning to know more of what is really worth knowing than their public-school-bred brothers. For the public school still goes on with the system of teaching it has derived direct from the thirteenth century; while the girls' schools, having started fair and fresh, are beginning to assimilate certain newer ideas belonging to the seventeenth and even the eighteenth. In time they may conceivably come down to the more elementary notions of the present generation. Less hampered by professions and examinations than the boys, the girls are beginning to know something now, not indeed of the universe in which they live, its laws and its properties, but of literature and history, and the principal facts about human development. Yet all the time, the boys go on as ever with Musa, Musæ, like so many parrots, and are turned out at last, in nine cases out of ten, with just enough smattering of Greek and Latin grammar to have acquired a life-long distaste for Horace and an inconquerable incapacity for understanding Æschylus. One year in Italy with their eyes open would be worth more than three at Oxford; and six months in the fields with a platyscopic lens would teach them strange things about the world around them that all the long terms at Harrow and Winchester have failed to discover to them. But that would involve some trouble to the teacher.
What a misfortune it is that we should thus be compelled to let our boys' schooling interfere with their education!