CONTENTSI.THE CHAOS OF CRITICAL THEORIESII.THE PHANTOM ÆSTHETIC STATEIII.THE LANGUAGE OF CRITICISMIV.COMMUNICATION AND THE ARTISTV.THE CRITICS’ CONCERN WITH VALUEVI.VALUE AS AN ULTIMATE IDEAVII.A PSYCHOLOGICAL THEORY OF VALUEVIII.ART AND MORALSIX.ACTUAL AND POSSIBLE MISAPPREHENSIONSX.POETRY FOR POETRY’S SAKEXI.A SKETCH FOR A PSYCHOLOGYXII.PLEASUREXIII.EMOTION AND THE CŒNESTHESIAXIV.MEMORYXV.ATTITUDESXVI.THE ANALYSIS OF A POEMXVII.RHYTHM AND METREXVIII.ON LOOKING AT A PICTUREXIX.SCULPTURE AND THE CONSTRUCTION OF FORMXX.THEIMPASSEOF MUSICAL THEORYXXI.A THEORY OF COMMUNICATIONXXII.THE AVAILABILITY OF THE POET’S EXPERIENCEXXIII.TOLSTOY’S INFECTION THEORYXXIV.THE NORMALITY OF THE ARTISTXXV.BADNESS IN POETRYXXVI.JUDGMENT AND DIVERGENT READINGSXXVII.LEVELS OF RESPONSE AND THE WIDTH OF APPEALXXVIII.THE ALLUSIVENESS OF MODERN POETRYXXIX.PERMANENCE AS A CRITERIONXXX.THE DEFINITION OF A POEMXXXI.ART, PLAY, AND CIVILISATIONXXXII.THE IMAGINATIONXXXIII.TRUTH AND REVELATION THEORIESXXXIV.THE TWO USES OF LANGUAGEXXXV.POETRY AND BELIEFSAPPENDIX A ON VALUEAPPENDIX B ON MR. ELIOT’S POETRY
I.THE CHAOS OF CRITICAL THEORIESII.THE PHANTOM ÆSTHETIC STATEIII.THE LANGUAGE OF CRITICISMIV.COMMUNICATION AND THE ARTISTV.THE CRITICS’ CONCERN WITH VALUEVI.VALUE AS AN ULTIMATE IDEAVII.A PSYCHOLOGICAL THEORY OF VALUEVIII.ART AND MORALSIX.ACTUAL AND POSSIBLE MISAPPREHENSIONSX.POETRY FOR POETRY’S SAKEXI.A SKETCH FOR A PSYCHOLOGYXII.PLEASUREXIII.EMOTION AND THE CŒNESTHESIAXIV.MEMORYXV.ATTITUDESXVI.THE ANALYSIS OF A POEMXVII.RHYTHM AND METREXVIII.ON LOOKING AT A PICTUREXIX.SCULPTURE AND THE CONSTRUCTION OF FORMXX.THEIMPASSEOF MUSICAL THEORYXXI.A THEORY OF COMMUNICATIONXXII.THE AVAILABILITY OF THE POET’S EXPERIENCEXXIII.TOLSTOY’S INFECTION THEORYXXIV.THE NORMALITY OF THE ARTISTXXV.BADNESS IN POETRYXXVI.JUDGMENT AND DIVERGENT READINGSXXVII.LEVELS OF RESPONSE AND THE WIDTH OF APPEALXXVIII.THE ALLUSIVENESS OF MODERN POETRYXXIX.PERMANENCE AS A CRITERIONXXX.THE DEFINITION OF A POEMXXXI.ART, PLAY, AND CIVILISATIONXXXII.THE IMAGINATIONXXXIII.TRUTH AND REVELATION THEORIESXXXIV.THE TWO USES OF LANGUAGEXXXV.POETRY AND BELIEFSAPPENDIX A ON VALUEAPPENDIX B ON MR. ELIOT’S POETRY