By Winston Churchill
Honora did not go back to Quicksands. Neither, in this modern chronicle, shall we.
The sphere we have left, which we know is sordid, sometimes shines in the retrospect. And there came a time, after the excitement of furnishing the new house was over, when our heroine, as it were, swung for a time in space: not for a very long time; that month, perhaps, between autumn and winter.
We need not be worried about her, though we may pause for a moment or two to sympathize with her in her loneliness—or rather in the moods it produced. She even felt, in those days, slightly akin to the Lady of the Victoria (perfectly respectable), whom all of us fortunate enough occasionally to go to New York have seen driving on Fifth Avenue with an expression of wistful haughtiness, and who changes her costumes four times a day.
Sympathy! We have seen Honora surrounded by friends—what has become of them? Her husband is president of a trust company, and she has one of the most desirable houses in New York. What more could be wished for? To jump at conclusions in this way is by no means to understand a heroine with an Ideal. She had these things, and—strange as it may seem—suffered.
Her sunny drawing-room, with its gathered silk curtains, was especially beautiful; whatever the Leffingwells or Allisons may have lacked, it was not taste. Honora sat in it and wondered: wondered, as she looked back over the road she had threaded somewhat blindly towards the Ideal, whether she might not somewhere have taken the wrong turn. The farther she travelled, the more she seemed to penetrate into a land of unrealities. The exquisite objects by which she was surrounded, and which she had collected with such care, had no substance: she would not have been greatly surprised, at any moment, to see them vanish like a scene in a theatre, leaning an empty, windy stage behind them. They did not belong to her, nor she to them.
Past generations of another blood, no doubt, had been justified in looking upon the hazy landscapes in the great tapestries as their own: and children's children had knelt, in times gone by, beside the carved stone mantel. The big, gilded chairs with the silken seats might appropriately have graced the table of the Hotel de Rambouillet. Would not the warriors and the wits, the patient ladies of high degree and of many children, and even the 'precieuses ridicules' themselves, turn over in their graves if they could so much as imagine the contents of the single street in modern New York where Honora lived?
One morning, as she sat in that room, possessed by these whimsical though painful fancies, she picked up a newspaper and glanced through it, absently, until her eye fell by chance upon a name on the editorial page. Something like an electric shock ran through her, and the letters of the name seemed to quiver and become red. Slowly they spelled—Peter Erwin.
"The argument of Mr. Peter Erwin, of St. Louis, before the Supreme Court of the United States in the now celebrated Snowden case is universally acknowledged by lawyers to have been masterly, and reminiscent of the great names of the profession in the past. Mr. Erwin is not dramatic. He appears to carry all before him by the sheer force of intellect, and by a kind of Lincolnian ability to expose a fallacy: He is still a young man, self-made, and studied law under Judge Brice of St. Louis, once President of the National Bar Association, whose partner he is"….
Honora cut out the editorial and thrust it in her gown, and threw the newspaper is the fire. She stood for a time after it had burned, watching the twisted remnants fade from flame colour to rose, and finally blacken. Then she went slowly up the stairs and put on her hat and coat and veil. Although a cloudless day, it was windy in the park, and cold, the ruffled waters an intense blue. She walked fast.
She lunched with Mrs. Holt, who had but just come to town; and the light, like a speeding guest, was departing from the city when she reached her own door.
"There is a gentleman in the drawing-room, madam," said the butler. "He said he was an old friend, and a stranger in New York, and asked if he might wait."
She stood still with presentiment.
"What is his name?" she asked.
"Mr. Erwin," said the man.
Still she hesitated. In the strange state in which she found herself that day, the supernatural itself had seemed credible. And yet—she was not prepared.
"I beg pardon, madam," the butler was saying, "perhaps I shouldn't—?"
"Yes, yes, you should," she interrupted him, and pushed past him up the stairs. At the drawing-room door she paused—he was unaware of her presence. And he had not changed! She wondered why she had expected him to change. Even the glow of his newly acquired fame was not discernible behind his well-remembered head. He seemed no older—and no younger. And he was standing with his hands behind his back gazing in simple, silent appreciation at the big tapestry nearest the windows.
"Peter," she said, in a low voice.
He turned quickly, and then she saw the glow. But it was the old glow, not the new—the light in which her early years had been spent.
"What a coincidence!" she exclaimed, as he took her hand.
"Coincidence?"
"It was only this morning that I was reading in the newspaper all sorts of nice things about you. It made me feel like going out and telling everybody you were an old friend of mine." Still holding his fingers, she pushed him away from her at arm's length, and looked at him. "What does it feel like to be famous, and have editorials about one's self in the New York newspapers?"
He laughed, and released his hands somewhat abruptly.
"It seems as strange to me, Honora, as it does to you."
"How unkind of you, Peter!" she exclaimed.
She felt his eyes upon her, and their searching, yet kindly and humorous rays seemed to illuminate chambers within her which she would have kept in darkness: which she herself did not wish to examine.
"I'm so glad to see you," she said a little breathlessly, flinging her muff and boa on a chair. "Sit there, where I can look at you, and tell me why you didn't let me know you were coming to New York."
He glanced a little comically at the gilt and silk arm-chair which she designated, and then at her; and she smiled and coloured, divining the humour in his unspoken phrase.
"For a great man," she declared, "you are absurd."
He sat down. In spite of his black clothes and the lounging attitude he habitually assumed, with his knees crossed—he did not appear incongruous in a seat that would have harmonized with the flowing robes of the renowned French Cardinal himself. Honora wondered why. He impressed her to-day as force—tremendous force in repose, and yet he was the same Peter. Why was it? Had the clipping that even then lay in her bosom effected this magic change? He had intimated as much, but she denied it fiercely.
She rang for tea.
"You haven't told me why you came to New York," she said.
"I was telegraphed for, from Washington, by a Mr. Wing," he explained.
"A Mr. Wing," she repeated. "You don't mean by any chance James Wing?"
"The Mr. Wing," said Peter.
"The reason I asked," explained Honora, flushing, was because Howard is —associated with him. Mr. Wing is largely interested in the Orange Trust Company."
"Yes, I know," said Peter. His elbows were resting on the arms of his chair, and he looked at the tips of his fingers, which met. Honora thought it strange that he did not congratulate her, but he appeared to be reflecting.
"What did Mr. Wing want?" she inquired in her momentary confusion, and added hastily, "I beg your pardon, Peter. I suppose I ought not to ask that."
"He was kind enough to wish me to live in New York he answered, still staring at the tips of his fingers.
"Oh, how nice!" she cried—and wondered at the same time whether, on second thoughts, she would think it so. "I suppose he wants you to be the counsel for one of his trusts. When—when do you come?"
"I'm not coming."
"Not coming! Why? Isn't it a great compliment?"
He ignored the latter part of her remark; and it seemed to her, when she recalled the conversation afterwards, that she had heard a certain note of sadness under the lightness of his reply.
"To attempt to explain to a New Yorker why any one might prefer to live in any other place would be a difficult task."
"You are incomprehensible, Peter," she declared. And yet she felt a relief that surprised her, and a desire to get away from the subject. "Dear old St. Louis! Somehow, in spite of your greatness, it seems to fit you."
"It's growing," said Peter—and they laughed together.
"Why didn't you come to lunch?" she said.
"Lunch! I didn't know that any one ever went to lunch in New York—in this part of it, at least—with less than three weeks' notice. And by the way, if I am interfering with any engagement—"
"My book is not so full as all that. Of course you'll come and stay with us, Peter."
He shook his head regretfully.
"My train leaves at six, from Forty-Second Street," he replied.
"Oh, you are niggardly," she cried. "To think how little I see of you, Peter. And sometimes I long for you. It's strange, but I still miss you terribly—after five years. It seems longer than that," she added, as she poured the boiling water into the tea-pot. But she did not look at him.
He got up and walked as far as a water-colour on the wall.
"You have some beautiful things here, Honora," he said. "I am glad I have had a glimpse of you surrounded by them to carry back to your aunt and uncle."
She glanced about the room as he spoke, and then at him. He seemed the only reality in it, but she did not say so.
"You'll see them soon," was what she said. And considered the miracle of him staying there where Providence had placed him, and bringing the world to him. Whereas she, who had gone forth to seek it—"The day after to-morrow will be Sunday," he reminded her.
Nothing had changed there. She closed her eyes and saw the little dining room in all the dignity of Sunday dinner, the big silver soup tureen catching the sun, the flowered china with the gilt edges, and even a glimpse of lace paper when the closet door opened; Aunt Mary and Uncle Tom, with Peter between them. And these, strangely, were the only tangible things and immutable.
"You'll give them—a good account of me?" she said. "I know that you do not care for New York," she added with a smile. "But it is possible to be happy here."
"I am glad you are happy, Honora, and that you have got what you wanted in life. Although I may be unreasonable and provincial and—and Western," he confessed with a twinkle—for he had the characteristic national trait of shading off his most serious remarks—"I have never gone so far as to declare that happiness was a question of locality."
She laughed.
"Nor fame." Her mind returned to the loadstar.
"Oh, fame!" he exclaimed, with a touch of impatience, and he used the word that had possessed her all day. "There is no reality in that. Men are not loved for it."
She set down her cup quickly. He was looking at the water-colour.
"Have you been to the Metropolitan Museum lately?" he asked.
"The Metropolitan Museum?" she repeated in bewilderment.
"That would be one of the temptations of New York for me," he said. "I was there for half an hour this afternoon before I presented myself at your door as a suspicious character. There is a picture there, by Coffin, called 'The Rain,' I believe. I am very fond of it. And looking at it on such a winter's day as this brings back the summer. The squall coming, and the sound of it in the trees, and the very smell of the wet meadow-grass in the wind. Do you know it?"
"No," replied Honora, and she was suddenly filled with shame at the thought that she had never been in the Museum. "I didn't know you were so fond of pictures."
"I am beginning to be a rival of Mr. Dwyer," he declared. "I've bought four—although I haven't built my gallery. When you come to St. Louis I'll show them to you—and let us hope it will be soon."
For some time after she had heard the street door close behind him Honora remained where she was, staring into the fire, and then she crossed the room to a reading lamp, and turned it up.
Some one spoke in the doorway.
"Mr. Grainger, madam."
Before she could rouse herself and recover from her astonishment, the gentleman himself appeared, blinking as though the vision of her were too bright to be steadily gazed at. If the city had been searched, it is doubtful whether a more striking contrast to the man who had just left could have been found than Cecil Grainger in the braided, grey cutaway that clung to the semblance of a waist he still possessed. In him Hyde Park and Fifth Avenue, so to speak, shook hands across the sea: put him in either, and he would have appeared indigenous.
"Hope you'll forgive my comin' 'round on such slight acquaintance, Mrs.Spence," said he. "Couldn't resist the opportunity to pay my respects.Shorter told me where you were."
"That was very good of Mr. Shorter," said Honora, whose surprise had given place to a very natural resentment, since she had not the honour of knowing Mrs. Grainger.
"Oh," said Mr. Grainger, "Shorter's a good sort. Said he'd been here himself to see how you were fixed, and hadn't found you in. Uncommonly well fixed, I should say," he added, glancing around the room with undisguised approval. "Why the deuce did she furnish it, since she's gone to Paris to live with Rindge?"
"I suppose you mean Mrs. Rindge," said Honora. "She didn't furnish it."
Mr. Grainger winked at her rapidly, like a man suddenly brought face to face with a mystery.
"Oh!" he replied, as though he had solved it. The solution came a few moments later. "It's ripping!" he said. "Farwell couldn't have done it any better."
Honora laughed, and momentarily forgot her resentment.
"Will you have tea?" she asked. "Oh, don't sit down there!"
"Why not?" he asked, jumping. It was the chair that had held Peter, andMr. Grainger examined the seat as though he suspected a bent pin.
"Because," said Honora, "because it isn't comfortable. Pull up that other one."
Again mystified, he did as he was told. She remembered his reputation for going to sleep, and wondered whether she had been wise in her second choice. But it soon became apparent that Mr. Grainger, as he gazed at her from among the cushions, had no intention of dozing, His eyelids reminded her of the shutters of a camera, and she had the feeling of sitting for thousands of instantaneous photographs for his benefit. She was by turns annoyed, amused, and distrait: Peter was leaving his hotel; now he was taking the train. Was he thinking of her? He had said he was glad she was happy! She caught herself up with a start after one of these silences to realize that Mr. Grainger was making unwonted and indeed pathetic exertions to entertain her, and it needed no feminine eye to perceive that he was thoroughly uncomfortable. She had, unconsciously and in thinking of Peter, rather overdone the note of rebuke of his visit. And Honora was, above all else, an artist. His air was distinctly apologetic as he rose, perhaps a little mortified, like that of a man who has got into the wrong house.
"I very much fear I've intruded, Mrs. Spence," he stammered, and he was winking now with bewildering rapidity. "We—we had such a pleasant drive together that day to Westchester—I was tempted—"
"We did have a good time," she agreed. "And it has been a pleasure to see you again."
Thus, in the kindness of her heart, she assisted him to cover his retreat, for it was a strange and somewhat awful experience to see Mr. Cecil Grainger discountenanced. He glanced again, as he went out, at the chair in which he had been forbidden to sit.
She went to the piano, played over a few bars of Thais, and dropped her hands listlessly. Cross currents of the strange events of the day flowed through her mind: Peter's arrival and its odd heralding, and the discomfort of Mr. Grainger.
Howard came in. He did not see her under the shaded lamp, and she sat watching him with a curious feeling of detachment as he unfolded his newspaper and sank, with a sigh of content, into the cushioned chair which Mr. Grainger had vacated. Was it fancy that her husband's physical attributes had changed since he had attained his new position of dignity? She could have sworn that he had visibly swollen on the evening when he had announced to her his promotion, and he seemed to have remained swollen. Not bloated, of course: he was fatter, and—if possible pinker. But there was a growing suggestion in him of humming-and-hawing greatness. If there—were leisure in this too-leisurely chronicle for what might be called aftermath, the dinner that Honora had given to some of her Quicksands friends might be described. Suffice it to recall, with Honora, that Lily Dallam, with a sure instinct, had put the finger of her wit on this new attribute of Howard's.
"You'll kill me, Howard!" she had cried. "He even looks at the soup as though he were examining a security!"
Needless to say, it did not cure him, although it sealed Lily Dallam's fate—and incidentally that of Quicksands. Honora's thoughts as she sat now at the piano watching him, flew back unexpectedly to the summer at Silverdale when she had met him, and she tried to imagine, the genial and boyish representative of finance that he was then. In the midst of this effort he looked up and discovered her.
"What are you doing over there, Honora?" he asked.
"Thinking," she answered.
"That's a great way to treat a man when he comes home after a day's work."
"I beg your pardon, Howard," she said with unusual meekness. "Who do you think was here this afternoon?"
"Erwin? I've just come from Mr. Wing's house—he has gout to-day and didn't go down town. He offered Erwin a hundred thousand a year to come to New York as corporation counsel. And if you'll believe me—he refused it."
"I'll believe you," she said.
"Did he say anything about it to you?"
"He simply mentioned that Mr. Wing asked him to come to New York. He didn't say why."
"Well," Howard remarked, "he's one too many for me. He can't be making over thirty thousand where he is."
Mrs. Cecil Grainger may safely have been called a Personality, and one of the proofs of this was that she haunted people who had never seen her. Honora might have looked at her, it is true, on the memorable night of the dinner with Mrs. Holt and Trixton Brent; but—for sufficiently obvious reasons—refrained. It would be an exaggeration to say that Mrs. Grainger became an obsession with our heroine; yet it cannot be denied that, since Honora's arrival at Quicksands, this lady had, in increasing degrees, been the subject of her speculations. The threads of Mrs. Grainger's influence were so ramified, indeed, as to be found in Mrs. Dallam, who declared she was the rudest woman in New York and yet had copied her brougham; in Mr. Cuthbert and Trixton Brent; in Mrs. Kame; in Mrs. Holt, who proclaimed her a tower of strength in charities; and lastly in Mr. Grainger himself, who, although he did not spend much time in his wife's company, had for her an admiration that amounted to awe.
Elizabeth Grainger, who was at once modern and tenaciously conservative, might have been likened to some of the Roman matrons of the aristocracy in the last years of the Republic. Her family, the Pendletons, had traditions: so, for that matter, had the Graingers. But Senator Pendleton, antique homo virtute et fide, had been a Roman of the old school who would have preferred exile after the battle of Philippi; and who, could he have foreseen modern New York and modern finance, would have been more content to die when he did. He had lived in Washington Square. His daughter inherited his executive ability, many of his prejudices (as they would now be called), and his habit of regarding favourable impressions with profound suspicion. She had never known the necessity of making friends: hers she had inherited, and for some reason specially decreed, they were better than those of less fortunate people.
Mrs. Grainger was very tall. And Sargent, in his portrait of her, had caught with admirable art the indefinable, yet partly supercilious and scornful smile with which she looked down upon the world about her. She possessed the rare gift of combining conventionality with personal distinction in her dress. Her hair was almost Titian red in colour, and her face (on the authority of Mr. Reginald Farwell) was at once modern and Italian Renaissance. Not the languid, amorous Renaissance, but the lady of decision who chose, and did not wait to be chosen. Her eyes had all the colours of the tapaz, and her regard was so baffling as to arouse intense antagonism in those who were not her friends.
To Honora, groping about for a better and a higher life, the path of philanthropy had more than once suggested itself. And on the day of Peter's visit to New York, when she had lunched with Mrs. Holt, she had signified her willingness (now that she had come to live in town) to join the Working Girls' Relief Society. Mrs. Holt, needless to say, was overjoyed: they were to have a meeting at her house in the near future which Honora must not fail to attend. It was not, however, without a feeling of trepidation natural to a stranger that she made her way to that meeting when the afternoon arrived.
No sooner was she seated in Mrs. Holt's drawing-room—filled with camp-chairs for the occasion—than she found herself listening breathlessly to a recital of personal experiences by a young woman who worked in a bindery on the East side. Honora's heart was soft: her sympathies, as we know, easily aroused. And after the young woman had told with great simplicity and earnestness of the struggle to support herself and lead an honest and self-respecting existence, it seemed to Honora that at last she had opened the book of life at the proper page.
Afterwards there were questions, and a report by Miss Harber, a middle-aged lady with glasses who was the secretary. Honora looked around her. The membership of the Society, judging by those present, was surely of a sufficiently heterogeneous character to satisfy even the catholic tastes of her hostess. There were elderly ladies, some benevolent and some formidable, some bedecked and others unadorned; there were earnest-looking younger women, to whom dress was evidently a secondary consideration; and there was a sprinkling of others, perfectly gowned, several of whom were gathered in an opposite corner. Honora's eyes, as the reading of the report progressed, were drawn by a continual and resistless attraction to this group; or rather to the face of one of the women in it, which seemed to stare out at her like the eat in the tree of an old-fashioned picture puzzle, or the lineaments of George Washington among a mass of boulders on a cliff. Once one has discovered it, one can see nothing else. In vain Honora dropped her eyes; some strange fascination compelled her to raise them again until they met those of the other woman: Did their glances meet? She could never quite be sure, so disconcerting were the lights in that regard—lights, seemingly, of laughter and mockery.
Some instinct informed Honora that the woman was Mrs. Grainger, and immediately the scene in the Holland House dining-room came back to her. Never until now had she felt the full horror of its comedy. And then, as though to fill the cup of humiliation, came the thought of Cecil Grainger's call. She longed, in an agony with which sensitive natures will sympathize, for the reading to be over.
The last paragraph of the report contained tributes to Mrs. Joshua Holt and Mrs. Cecil Grainger for the work each had done during the year, and amidst enthusiastic hand-clapping the formal part of the meeting came to an end. The servants were entering with tea as Honora made her way towards the door, where she was stopped by Susan Holt.
"My dear Honora," cried Mrs. Holt, who had hurried after her daughter, "you're not going?"
Honora suddenly found herself without an excuse.
"I really ought to, Mrs. Holt. I've had such a good time-and I've been so interested. I never realized that such things occurred. And I've got one of the reports, which I intend to read over again."
"But my dear," protested Mrs. Holt, "you must meet some of the members of the Society. Bessie!"
Mrs. Grainger, indeed—for Honora had been right in her surmise—was standing within ear-shot of this conversation. And Honora, who knew she was there, could not help feeling that she took a rather redoubtable interest in it. At Mrs. Holt's words she turned.
"Bessie, I've found a new recruit—one that I can answer for, Mrs.Spence, whom I spoke to you about."
Mrs. Grainger bestowed upon Honora her enigmatic smile.
"Oh," she declared, "I've heard of Mrs. Spence from other sources, andI've seen her, too."
Honora grew a fiery red. There was obviously no answer to such a remark, which seemed the quintessence of rudeness. But Mrs. Grainger continued to smile, and to stare at her with the air of trying to solve a riddle.
"I'm coming to see you, if I may," she said. "I've been intending to since I've been in town, but I'm always so busy that I don't get time to do the things I want to do."
An announcement that fairly took away Honora's breath. She managed to express her appreciation of Mrs. Grainger's intention, and presently found herself walking rapidly up-town through swirling snow, somewhat dazed by the events of the afternoon. And these, by the way, were not yet finished. As she reached her own door, a voice vaguely familiar called her name.
"Honora!"
She turned. The slim, tall figure of a young woman descended from a carriage and crossed the pavement, and in the soft light of the vestibule she recognized Ethel Wing.
"I'm so glad I caught you," said that young lady when they entered the drawing-room. And she gazed at her school friend. The colour glowed in Honora's cheeks, but health alone could not account for the sparkle in her eyes. "Why, you look radiant. You are more beautiful than you were at Sutcliffe. Is it marriage?"
Honora laughed happily, and they sat down side by side on the lounge behind the tea table.
"I heard you'd married," said Ethel, "but I didn't know what had become of you until the other day. Jim never tells me anything. It appears that he's seen something of you. But it wasn't from Jim that I heard about you first. You'd never guess who told me you were here."
"Who?" asked Honora, curiously.
"Mr. Erwin."
"Peter Erwin!"
"I'm perfectly shameless," proclaimed Ethel Wing. "I've lost my heart to him, and I don't care who knows it. Why in the world didn't you marry him?"
"But—where did you see him?" Honora demanded as soon as she could command herself sufficiently to speak. Her voice must have sounded odd. Ethel did not appear to notice that.
"He lunched with us one day when father had gout. Didn't he tell you about it? He said he was coming to see you that afternoon."
"Yes—he came. But he didn't mention being at lunch at your house."
"I'm sure that was like him," declared her friend. And for the first time in her life Honora experienced a twinge of that world-old ailment —jealousy. How did Ethel know what was like him? "I made father give him up for a little while after lunch, and he talked about you the whole time. But he was most interesting at the table," continued Ethel, sublimely unconscious of the lack of compliment in the comparison; "as Jim would say, he fairly wiped up the ground with father, and it isn't an easy thing to do."
"Wiped up the ground with Mr. Wing!" Honora repeated.
"Oh, in a delightfully quiet, humorous way. That's what made it so effective. I couldn't understand all of it; but I grasped enough to enjoy it hugely. Father's so used to bullying people that it's become second nature with him. I've seen him lay down the law to some of the biggest lawyers in New York, and they took it like little lambs. He caught a Tartar in Mr. Erwin. I didn't dare to laugh, but I wanted to."
"What was the discussion about?" asked Honora.
"I'm not sure that I can give you a very clear idea of it," said Ethel. "Generally speaking, it was about modern trust methods, and what a self-respecting lawyer would do and what he wouldn't. Father took the ground that the laws weren't logical, and that they were different and conflicting, anyway, in different States. He said they impeded the natural development of business, and that it was justifiable for the great legal brains of the country to devise means by which these laws could be eluded. He didn't quite say that, but he meant it, and he honestly believes it. The manner in which Mr. Erwin refuted it was a revelation to me. I've been thinking about it since. You see, I'd never heard that side of the argument. Mr. Erwin said, in the nicest way possible, but very firmly, that a lawyer who hired himself out to enable one man to take advantage of another prostituted his talents: that the brains of the legal profession were out of politics in these days, and that it was almost impossible for the men in the legislatures to frame laws that couldn't be evaded by clever and unscrupulous devices. He cited ever so many cases . . . "
Ethel's voice became indistinct, as though some one had shut a door in front of it. Honora was trembling on the brink of a discovery: holding herself back from it, as one who has climbed a fair mountain recoils from the lip of an unsuspected crater at sight of the lazy, sulphurous fumes. All the years of her marriage, ever since she had first heard his name, the stature of James Wing had been insensibly growing, and the vastness of his empire gradually disclosed. She had lived in that empire: in it his word had stood for authority, his genius had been worshipped, his decrees had been absolute.
She had met him once, in Howard's office, when he had greeted her gruffly, and the memory of his rugged features and small red eyes, like live coals, had remained. And she saw now the drama that had taken place before Ethel's eyes. The capitalist, overbearing, tyrannical, hearing a few, simple truths in his own house from Peter—her Peter. And she recalled her husband's account of his talk with James Wing. Peter had refused to sell himself. Had Howard? Many times during the days that followed she summoned her courage to ask her husband that question, and kept silence. She did not wish to know.
"I don't want to seem disloyal to papa," Ethel was saying. "He is under great responsibilities to other people, to stockholders; and he must get things done. But oh, Honora, I'm so tired of money, money, money and its standards, and the things people are willing to do for it. I've seen too much."
Honora looked at her friend, and believed her. One glance at the girl's tired eyes—a weariness somehow enhanced—in effect by the gold sheen of her hair—confirmed the truth of her words.
"You've changed, Ethel, since Sutcliffe," she said.
"Yes, I've changed," said Ethel Wing, and the weariness was in her voice, too. "I've had too much, Honora. Life was all glitter, like a Christmas tree, when I left Sutcliffe. I had no heart. I'm not at all sure that I have one now. I've known all kinds of people—except the right kind. And if I were to tell you some of the things that have happened to me in five years you wouldn't believe them. Money has been at the bottom of it all,—it ruined my brother, and it has ruined me. And then, the other day, I beheld a man whose standards simply take no account of money, a man who holds something else higher. I—I had been groping lately, and then I seemed to see clear for the first time in my life. But I'm afraid it comes too late."
Honora took her friend's hand in her own and pressed it.
"I don't know why I'm telling you all this," said Ethel: "It seems to-day as though I had always known you, and yet we weren't particularly intimate at school. I suppose I'm inclined to be oversuspicious. Heaven knows I've had enough to make me so. But I always thought that you were a little—ambitious. You'll forgive my frankness, Honora. I don't think you're at all so, now." She glanced at Honora suddenly. "Perhaps you've changed, too," she said.
Honora nodded.
"I think I'm changing all the time," she replied.
After a moment's silence, Ethel Wing pursued her own train of thought.
"Curiously enough when he—when Mr. Erwin spoke of you I seemed to get a very different idea of you than the one I had always had. I had to go out of town, but I made up my mind I'd come to see you as soon as I got back, and ask you to tell me something about him."
"What shall I tell you?" asked Honora. "He is what you think he is, and more."
"Tell me something of his early life," said Ethel Wing.
…………………
There is a famous river in the western part of our country that disappears into a canon, the walls of which are some thousands of feet high, and the bottom so narrow that the confined waters roar through it at breakneck speed. Sometimes they disappear entirely under the rock, to emerge again below more furiously than ever. From the river-bed can be seen, far, far above, a blue ribbon of sky. Once upon a time, not long ago, two heroes in the service of the government of the United States, whose names should be graven in the immortal rock and whose story read wherever the language is spoken, made the journey through this canon and came out alive. That journey once started, there could be no turning back. Down and down they were buffeted by the rushing waters, over the falls and through the tunnels, with time to think only of that which would save them from immediate death, until they emerged into the sunlight of the plain below.
All of which by way of parallel. For our own chronicle, hitherto leisurely enough, is coming to its canon—perhaps even now begins to feel the pressure of the shelving sides. And if our heroine be somewhat rudely tossed from one boulder to another, if we fail wholly to understand her emotions and her acts, we must blame the canon. She had, indeed, little time to think.
One evening, three weeks or so after the conversation with Ethel Wing just related, Honora's husband entered her room as her maid was giving the finishing touches to her toilet.
"You're not going to wear that dress!" he exclaimed.
"Why not?" she asked, without turning from the mirror.
He lighted a cigarette.
"I thought you'd put on something handsome—to go to the Graingers'. And where are your jewels? You'll find the women there loaded with 'em."
"One string of pearls is all I care to wear," said Honora—a reply with which he was fain to be content until they were in the carriage, when she added: "Howard, I must ask you as a favour not to talk that way before the servants."
"What way?" he demanded.
"Oh," she exclaimed, "if you don't know I suppose it is impossible to explain. You wouldn't understand."
"I understand one thing, Honora, that you're too confoundedly clever for me," he declared.
Honora did not reply. For at that moment they drew up at a carpet stretched across the pavement.
Unlike the mansions of vast and imposing facades that were beginning everywhere to catch the eye on Fifth Avenue, and that followed mostly the continental styles of architecture, the house of the Cecil Graingers had a substantial, "middle of-the-eighties" appearance. It stood on a corner, with a high iron fence protecting the area around it. Within, it gave one an idea of space that the exterior strangely belied; and it was furnished, not in a French, but in what might be called a comfortably English, manner. It was filled, Honora saw, with handsome and priceless things which did not immediately and aggressively strike the eye, but which somehow gave the impression of having always been there. What struck her, as she sat in the little withdrawing room while the maid removed her overshoes, was the note of permanence.
Some of those who were present at Mrs. Grainger's that evening remember her entrance into the drawing-room. Her gown, the colour of a rose-tinted cloud, set off the exceeding whiteness of her neck and arms and vied with the crimson in her cheeks, and the single glistening string of pearls about the slender column of her neck served as a contrast to the shadowy masses of her hair. Mr. Reginald Farwell, who was there, afterwards declared that she seemed to have stepped out of the gentle landscape of an old painting. She stood, indeed, hesitating for a moment in the doorway, her eyes softly alight, in the very pose of expectancy that such a picture suggested.
Honora herself was almost frightened by a sense of augury, of triumph, as she went forward to greet her hostess. Conversation, for the moment, had stopped. Cecil Grainger, with the air of one who had pulled aside the curtain and revealed this vision of beauty and innocence, crossed the room to welcome her. And Mrs. Grainger herself was not a little surprised; she was not a dramatic person, and it was not often that her drawing-room was the scene of even a mild sensation. No entrance could have been at once so startling and so unexceptionable as Honora's.
"I was sorry not to find you when I called," she said. "I was sorry, too," replied Mrs. Grainger, regarding her with an interest that was undisguised, and a little embarrassing. "I'm scarcely ever at home, except when I'm with the children. Do you know these people?"
"I'm not sure," said Honora, "but—I must introduce my husband to you."
"How d'ye do!" said Mr. Grainger, blinking at her when this ceremony was accomplished. "I'm awfully glad to see you, Mrs. Spence, upon my word."
Honora could not doubt it. But he had little time to express his joy, because of the appearance of his wife at Honora's elbow with a tall man she had summoned from a corner.
"Before we go to dinner I must introduce my cousin, Mr. Chiltern—he is to have the pleasure of taking you out," she said.
His name was in the class of those vaguely familiar: vaguely familiar, too, was his face. An extraordinary face, Honora thought, glancing at it as she took his arm, although she was struck by something less tangible than the unusual features. He might have belonged to any nationality within the limits of the Caucasian race. His short, kinky, black hair suggested great virility, an effect intensified by a strongly bridged nose, sinewy hands, and bushy eyebrows. But the intangible distinction was in the eyes that looked out from under these brows the glimpse she had of them as he bowed to her gravely, might be likened to the hasty reading of a chance page in a forbidden book. Her attention was arrested, her curiosity aroused. She was on that evening, so to speak, exposed for and sensitive to impressions. She was on the threshold of the Alhambra.
"Hugh has such a faculty," complained Mr. Grainger, "of turning up at the wrong moment!"
Dinner was announced. She took Chiltern's arm, and they fell into file behind a lady in yellow, with a long train, who looked at her rather hard. It was Mrs. Freddy Maitland. Her glance shifted to Chiltern, and it seemed to Honora that she started a little.
"Hello, Hugh," she said indifferently, looking back over her shoulder; "have you turned up again?"
"Still sticking to the same side of your horse, I see." he replied, ignoring the question. "I told you you'd get lop-sided."
The deformity, if there were any, did not seem to trouble her.
"I'm going to Florida Wednesday. We want another man. Think it over."
"Sorry, but I've got something else to do," he said.
"The devil and idle hands," retorted Mrs. Maitland.
Honora was sure as she could be that Chiltern was angry, although he gave no visible sign of this. It was as though the current ran from his arm into hers.
"Have you been away?" she asked.
"It seems to me as though I had never been anywhere else," he answered, and he glanced curiously at the guests ranging about the great, flower-laden table. They sat down.
She was a little repelled, a little piqued; and a little relieved when the man on her other side spoke to her, and she recognized Mr. Reginald Farwell, the architect. The table capriciously swung that way. She did not feel prepared to talk to Mr. Chiltern. And before entering upon her explorations she was in need of a guide. She could have found none more charming, none more impersonal, none more subtly aware of her wants (which had once been his) than Mr. Farwell. With his hair parted with geometrical precision from the back of his collar to his forehead, with his silky mustache and eyes of soft hazel lights, he was all things to all men and women—within reason. He was an achievement that civilization had not hitherto produced, a combination of the Beaux Arts and the Jockey Club and American adaptability. He was of those upon whom labour leaves no trace.
There were preliminaries, mutually satisfactory. To see Mrs. Spence was never to forget her, but more delicately intimated. He remembered to have caught a glimpse of her at the Quicksands Club, and Mrs. Dallam nor her house were not mentioned by either. Honora could not have been in New York Long. No, it was her first winter, and she felt like a stranger. Would Mr. Farwell tell her who some of these people were? Nothing charmed Mr. Farwell so much as simplicity—when it was combined with personal attractions. He did not say so, but contrived to intimate the former.
"It's always difficult when one first comes to New York," he declared, "but it soon straightens itself out, and one is surprised at how few people there are, after all. We'll begin on Cecil's right. That's Mrs. George Grenfell."
"Oh, yes," said Honora, looking at a tall, thin woman of middle age who wore a tiara, and whose throat was covered with jewels. Honora did not imply that Mrs. Grenfell's name, and most of those that followed, were extremely familiar to her.
"In my opinion she's got the best garden in Newport, and she did most of it herself. Next to her, with the bald head, is Freddy Maitland. Next to him is Miss Godfrey. She's a little eccentric, but she can afford to be—the Godfreys for generations have done so much for the city. The man with the beard, next her, is John Laurens, the philanthropist. That pretty woman, who's just as nice as she looks, is Mrs. Victor Strange. She was Agatha Pendleton—Mrs. Grainger's cousin. And the gentleman with the pink face, whom she is entertaining—"
"Is my husband," said Honora, smiling. "I know something about him."
Mr. Farwell laughed. He admired her aplomb, and he did not himself change countenance. Indeed, the incident seemed rather to heighten the confidence between them. Honora was looking rather critically at Howard. It was a fact that his face did grow red at this stage of a dinner, and she wondered what Mrs. Strange found to talk to him about.
"And the woman on the other side of him?" she asked. "By the way, she has a red face, too."
"So she has," he replied amusedly. "That is Mrs. Littleton Pryor, the greatest living rebuke to the modern woman. Most of those jewels are inherited, but she has accustomed herself by long practice to carry them, as well as other burdens. She has eight children, and she's on every charity list. Her ancestors were the very roots of Manhattan. She looks like a Holbein—doesn't she?"
"And the extraordinary looking man on my right?" Honora asked. "I've got to talk to him presently."
"Chiltern!" he said. "Is it possible you haven't heard something aboutHugh Chiltern?"
"Is it such lamentable ignorance?" she asked.
"That depends upon one's point of view," he replied. "He's always been a sort of a—well, Viking," said Farwell.
Honora was struck by the appropriateness of the word.
"Viking—yes, he looks it exactly. I couldn't think. Tell me something about him."
"Well," he laughed, lowering his voice a little, here goes for a little rough and ready editing. One thing about Chiltern that's to be admired is that he's never cared a rap what people think. Of course, in a way, he never had to. His family own a section of the state, where they've had woollen mills for a hundred years, more or less. I believe Hugh Chiltern has sold 'em, or they've gone into a trust, or something, but the estate is still there, at Grenoble—one of the most beautiful places I've ever seen. The General—this man's father—was a violent, dictatorial man. There is a story about his taking a battery at Gettysburg which is almost incredible. But he went back to Grenoble after the war, and became the typical public-spirited citizen; built up the mills which his own pioneer grandfather had founded, and all that. He married an aunt of Mrs. Grainger's,—one of those delicate, gentle women who never dare to call their soul their own."
"And then?" prompted Honora, with interest.
"It's only fair to Hugh," Farwell continued, "to take his early years into account. The General never understood him, and his mother died before he went off to school. Men who were at Harvard with him say he has a brilliant mind, but he spent most of his time across the Charles River breaking things. It was, probably, the energy the General got rid of at Gettysburg. What Hugh really needed was a war, and he had too much money. He has a curious literary streak, I'm told, and wrote a rather remarkable article—I've forgotten just where it appeared. He raced a yacht for a while in a dare-devil, fiendish way, as one might expect; and used to go off on cruises and not be heard of for months. At last he got engaged to Sally Harrington—Mrs. Freddy Maitland."
Honora glanced across the table.
"Exactly," said Mr. Farwell. "That was seven or eight years ago. Nobody ever knew the reason why she broke it—though it may have been pretty closely guessed. He went away, and nobody's laid eyes on him until he turned up to-night."
Honora's innocence was not too great to enable her to read between the lines of this biography which Reginald Farwell had related with such praiseworthy delicacy. It was a biography, she well knew, that, like a score of others, had been guarded as jealously as possible within the circle on the borders of which she now found herself. Mrs. Grainger with her charities, Mrs. Littleton Pryor with her good works, Miss Godfrey with her virtue—all swallowed it as gracefully as possible. Noblesse oblige. Honora had read French and English memoirs, and knew that history repeats itself. And a biography that is printed in black letter and illuminated in gold is attractive in spite of its contents. The contents, indeed, our heroine had not found uninteresting, and she turned now to the subject with a flutter of anticipation.
He looked at her intently, almost boldly, she thought, and before she dropped her eyes she had made a discovery. The thing stamped upon his face and burning in his eyes was not world-weariness, disappointment, despair. She could not tell what it was, yet; that it was none of these, she knew. It was not unrelated to experience, but transcended it. There was an element of purpose in it, of determination, almost—she would have believed—of hope. That Mrs. Maitland nor any other woman was a part of it she became equally sure. Nothing could have been more commonplace than the conversation which began, and yet it held for her, between the lines as in the biography, the thrill of interest. She was a woman, and embarked on a voyage of discovery.
"Do you live in New York?" he asked.
"Yes," said Honora, "since this autumn."
"I've been away a good many years," he said, in explanation of his question. "I haven't quite got my bearings. I can't tell you how queerly this sort of thing affects me."
"You mean civilization?" she hazarded.
"Yes. And yet I've come back to it."
Of course she did not ask him why. Their talk was like the starting of a heavy train—a series of jerks; and yet both were aware of an irresistible forward traction. She had not recovered from her surprise in finding herself already so far in his confidence.
"And the time will come, I suppose, when you'll long to get away again."
"No," he said, "I've come back to stay. It's taken me a long while to learn it, but there's only one place for a man, and that's his own country."
Her eyes lighted.
"There's always so much for a man to do."
"What would you do?" he asked curiously.
She considered this.
"If you had asked me that question two years ago—even a year ago—I should have given you a different answer. It's taken me some time to learn it, too, you see, and I'm not a man. I once thought I should have liked to have been a king amongst money changers, and own railroad and steamship lines, and dominate men by sheer power."
He was clearly interested.
"And now?" he prompted her.
She laughed a little, to relieve the tension.
"Well—I've found out that there are some men that kind of power can't control—the best kind. And I've found out that that isn't the best kind of power. It seems to be a brutal, barbarous cunning power now that I've seen it at close range. There's another kind that springs from a man himself, that speaks through his works and acts, that influences first those around him, and then his community, convincing people of their own folly, and that finally spreads in ever widening circles to those whom he cannot see, and never will see."
She paused, breathing deeply, a little frightened at her own eloquence. Something told her that she was not only addressing her own soul—she was speaking to his.
"I'm afraid you'll think I'm preaching," she apologized.
"No," he said impatiently, "no."
"To answer your question, then, if I were a man of independent means, I think I should go into politics. And I should put on my first campaign banner the words, 'No Compromise.'"
It was a little strange that, until now—to-night-she had not definitely formulated these ambitions. The idea of the banner with its inscription had come as an inspiration. He did not answer, but sat regarding her, drumming on the cloth with his strong, brown fingers.
"I have learned this much in New York," she said, carried on by her impetus, "that men and women are like plants. To be useful, and to grow properly, they must be firmly rooted in their own soil. This city seems to me like a luxurious, overgrown hothouse. Of course," she added hastily, "there are many people who belong here, and whose best work is done here. I was thinking about those whom it attracts. And I have seen so many who are only watered and fed and warmed, and who become —distorted."
"It's extraordinary," replied Chiltern, slowly, "that you should say this to me. It is what I have come to believe, but I couldn't have said it half so well."
Mrs. Grainger gave the signal to rise. Honora took Chiltern's arm, and he led her back to the drawing-room. She was standing alone by the fire when Mrs. Maitland approached her.
"Haven't I seen you before?" she asked.
It was a pleasant Newport to which Honora went early in June, a fair city shining in the midst of summer seas, a place to light the fires of imagination. It wore at once an air of age, and of a new and sparkling unreality. Honora found in the very atmosphere a certain magic which she did not try to define, but to the enjoyment of which she abandoned herself; and in those first days after her arrival she took a sheer delight in driving about the island. Narrow Thames Street, crowded with gay carriages, with its aspect of the eighteenth and it shops of the twentieth century; the whiffs of the sea; Bellevue Avenue, with its glorious serried ranks of trees, its erring perfumes from bright gardens, its massed flowering shrubs beckoning the eye, its lawns of a truly enchanted green. Through tree and hedge, as she drove, came ever changing glimpses of gleaming palace fronts; glimpses that made her turn and look again; that stimulated but did not satisfy, and left a pleasant longing for something on the seeming verge of fulfilment.
The very stillness and solitude that seemed to envelop these palaces suggested the enchanter's wand. To-morrow, perhaps, the perfect lawns where the robins hopped amidst the shrubbery would become again the rock-bound, windswept New England pasture above the sea, and screaming gulls circle where now the swallows hovered about the steep blue roof of a French chateau. Hundreds of years hence, would these great pleasure houses still be standing behind their screens and walls and hedges? or would, indeed, the shattered, vine-covered marble of a balustrade alone mark the crumbling terraces whence once the fabled owners scanned the sparkling waters of the ocean? Who could say?
The onward rush of our story between its canon walls compels us reluctantly to skip the narrative of the winter conquests of the lady who is our heroine. Popularity had not spoiled her, and the best proof of this lay in the comments of a world that is nothing if not critical. No beauty could have received with more modesty the triumph which had greeted her at Mrs. Grenfell's tableaux, in April, when she had appeared as Circe, in an architectural frame especially designed by Mr. Farwell himself. There had been a moment of hushed astonishment, followed by an acclaim that sent the curtain up twice again.
We must try to imagine, too, the logical continuation of that triumph in the Baiae of our modern republic and empire, Newport. Open, Sesame! seems, as ever, to be the countersign of her life. Even the palace gates swung wide to her: most of them with the more readiness because she had already passed through other gates—Mrs. Grainger's, for instance. Baiae, apparently, is a topsy-turvy world in which, if one alights upside down, it is difficult to become righted. To alight upside down, is to alight in a palace. The Graingers did not live in one, but in a garden that existed before the palaces were, and one that the palace owners could not copy: a garden that three generations of Graingers, somewhat assisted by a remarkable climate, had made with loving care. The box was priceless, the spreading trees in the miniature park no less so, and time, the unbribeable, alone could now have produced the wide, carefully cherished Victorian mansion. Likewise not purchasable by California gold was a grandfather whose name had been written large in the pages of American history. His library was now lined with English sporting prints; but these, too, were old and mellow and rare.
To reach Honora's cottage, you turned away from the pomp and glitter and noise of Bellevue Avenue into the inviting tunnel of a leafy lane that presently stopped of itself. As though to provide against the contingency of a stray excursionist, a purple-plumed guard of old lilac trees massed themselves before the house, and seemed to look down with contempt on the new brick wall across the lane. 'Odi profanum vulgus'. It was on account of the new brick wall, in fact, that Honora, through the intervention of Mrs. Grainger and Mrs. Shorter, had been able to obtain this most desirable of retreats, which belonged to a great-aunt of Miss Godfrey, Mrs. Forsythe.
Mr. Chamberlin, none other than he of whom we caught a glimpse some years ago in a castle near Silverdale, owned the wall and the grounds and the palace it enclosed. This gentleman was of those who arrive in Newport upside down; and was even now, with the somewhat doubtful assistance of his wife, making lavish and pathetic attempts to right himself. Newport had never forgiven him for the razing of a mansion and the felling of trees which had been landmarks, and for the driving out of Mrs. Forsythe. The mere sight of the modern wall had been too much for this lady—the lilacs and the leaves in the lane mercifully hid the palace—and after five and thirty peaceful summers she had moved out, and let the cottage. It was furnished with delightful old-fashioned things that seemed to express, at every turn, the aristocratic and uncompromising personality of the owner who had lived so long in their midst.
Mr. Chamberlin, who has nothing whatever to do with this chronicle except to have been the indirect means of Honora's installation, used to come through the wall once a week or so to sit for half an hour on her porch as long as he ever sat anywhere. He had reddish side-whiskers, and he reminded her of a buzzing toy locomotive wound up tight and suddenly taken from the floor. She caught glimpses of him sometimes in the mornings buzzing around his gardeners, his painters, his carpenters, and his grooms. He would buzz the rest of his life, but nothing short of a revolution could take his possessions away.
The Graingers and the Grenfells and the Stranges might move mountains, but not Mr. Chamberlin's house. Whatever heart-burnings he may have had because certain people refused to come to his balls, he was in Newport to remain. He would sit under the battlements until the crack of doom; or rather—and more appropriate in Mr. Chamberlin's case—walk around them and around, blowing trumpets until they capitulated.
Honora magically found herself within them, and without a siege. Behold her at last in the setting for which we always felt she was destined. Why is it, in this world, that realization is so difficult a thing? Now that she is there, how shall we proceed to give the joys of her Elysium their full value? Not, certainly, by repeating the word pleasure over and over again: not by describing the palaces at which she lunched and danced and dined, or the bright waters in which she bathed, or the yachts in which she sailed. During the week, indeed, she moved untrammelled in a world with which she found herself in perfect harmony: it was new, it was dazzling, it was unexplored. During the week it possessed still another and more valuable attribute—it was real. And she, Honora Leffingwell Spence, was part and parcel of its permanence. The life relationships of the people by whom she was surrounded became her own. She had little time for thought—during the week.
We are dealing, now, in emotions as delicate as cloud shadows, and these drew on as Saturday approached. On Saturdays and Sundays the quality and texture of life seemed to undergo a change. Who does not recall the Monday mornings of the school days of youth, and the indefinite feeling betwixt sleep and waking that to-day would not be as yesterday or the day before? On Saturday mornings, when she went downstairs, she was wont to find the porch littered with newspapers and her husband lounging in a wicker chair behind the disapproving lilacs. Although they had long ceased to bloom, their colour was purple—his was pink.
Honora did not at first analyze or define these emotions, and was conscious only of a stirring within her, and a change. Reality became unreality. The house in which she lived, and for which she felt a passion of ownership, was for two days a rented house. Other women in Newport had week-end guests in the guise of husbands, and some of them went so far as to bewail the fact. Some had got rid of them. Honora kissed hers dutifully, and picked up the newspapers, drove him to the beach, and took him out to dinner, where he talked oracularly of finance. On Sunday night he departed, without visible regrets, for New York.
One Monday morning a storm was raging over Newport. Seized by a sudden whim, she rang her bell, breakfasted at an unusual hour, and nine o'clock found her, with her skirts flying, on the road above the cliffs that leads to the Fort. The wind had increased to a gale, and as she stood on the rocks the harbour below her was full of tossing white yachts straining at their anchors. Serene in the midst of all this hubbub lay a great grey battleship.
Presently, however, her thoughts were distracted by the sight of something moving rapidly across her line of vision. A sloop yacht, with a ridiculously shortened sail, was coming in from the Narrows, scudding before the wind like a frightened bird. She watched its approach in a sort of fascination, for of late she had been upon the water enough to realize that the feat of which she was witness was not without its difficulties. As the sloop drew nearer she made out a bare-headed figure bent tensely at the wheel, and four others clinging to the yellow deck. In a flash the boat had rounded to, the mainsail fell, and a veil of spray hid the actors of her drama. When it cleared the yacht was tugging like a wild thing at its anchor.
That night was Mrs. Grenfell's ball, and many times in later years has the scene come back to Honora. It was not a large ball, by no means on the scale of Mr. Chamberlin's, for instance. The great room reminded one of the gallery of a royal French chateau, with its dished ceiling, in the oval of which the colours of a pastoral fresco glowed in the ruby lights of the heavy chandeliers; its grey panelling, hidden here and there by tapestries, and its series of deep, arched windows that gave glimpses of a lantern-hung terrace. Out there, beyond a marble balustrade, the lights of fishing schooners tossed on a blue-black ocean. The same ocean on which she had looked that morning, and which she heard now, in the intervals of talk and laughter, crashing against the cliffs,—although the wind had gone down. Like a woman stirred to the depths of her being, its bosom was heaving still at the memory of the passion of the morning.
This night after the storm was capriciously mild, the velvet gown of heaven sewn with stars. The music had ceased, and supper was being served at little tables on the terrace. The conversation was desultory.
"Who is that with Reggie Farwell?" Ethel Wing asked.
"It's the Farrenden girl," replied Mr. Cuthbert, whose business it was to know everybody. "Chicago wheat. She looks like Ceres, doesn't she? Quite becoming to Reggie's dark beauty. She was sixteen, they tell me, when the old gentleman emerged from the pit, and they packed her off to a convent by the next steamer. Reggie may have the blissful experience of living in one of his own houses if he marries her."
The fourth at the table was Ned Carrington, who had been first secretary at an Embassy, and he had many stories to tell of ambassadors who spoke commercial American and asked royalties after their wives. Some one had said about him that he was the only edition of the Almanach de Gotha that included the United States. He somewhat resembled a golden seal emerging from a cold bath, and from time to time screwed an eyeglass into his eye and made a careful survey of Mrs. Grenfell's guests.
"By George!" he exclaimed. "Isn't that Hugh Chiltern?"
Honora started, and followed the direction of Mr. Carrington's glance. At sight of him, a vivid memory of the man's personality possessed her.
"Yes," Cuthbert was saying, "that's Chiltern sure enough. He came in onDicky Farnham's yacht this morning from New York."
"This morning!" said Ethel Wing. "Surely not! No yacht could have come in this morning."
"Nobody but Chiltern would have brought one in, you mean," he corrected her. "He sailed her. They say Dicky was half dead with fright, and wanted to put in anywhere. Chiltern sent him below and kept right on. He has a devil in him, I believe. By the way, that's Dicky Farnham's ex-wife he's talking to—Adele. She keeps her good looks, doesn't she? What's happened to Rindge?"
"Left him on the other side, I hear," said Carrington. "Perhaps she'll take Chiltern next. She looked as though she were ready to. And they say it's easier every time."
"C'est le second mari qui coute," paraphrased Cuthbert, tossing his cigar over the balustrade. The strains of a waltz floated out of the windows, the groups at the tables broke up, and the cotillon began.
As Honora danced, Chiltern remained in the back of her mind, or rather an indefinite impression was there which in flashes she connected with him. She wondered, at times, what had become of him, and once or twice she caught herself scanning the bewildering, shifting sheen of gowns and jewels for his face. At last she saw him by the windows, holding a favour in his hand, coming in her direction. She looked away, towards the red uniforms of the Hungarian band on the raised platform at the end of the room. He was standing beside her.
"Do you remember me, Mrs. Spence?" he asked.
She glanced up at him and smiled. He was not a person one would be likely to forget, but she did not say so.
"I met you at Mrs. Granger's," was what she said.
He handed her the favour. She placed it amongst the collection at the back of her chair and rose, and they danced. Was it dancing? The music throbbed; nay, the musicians seemed suddenly to have been carried out of themselves, and played as they had not played before. Her veins were filled with pulsing fire as she was swung, guided, carried out of herself by the extraordinary virility of the man who held her. She had tasted mastery.
"Thank you," she faltered, as they came around the second time to her seat.
He released her.
"I stayed to dance with you," he said. "I had to await my opportunity."
"It was kind of you to remember me," she replied, as she went off withMr. Carrington.
A moment later she saw him bidding good night to his hostess. His face, she thought, had not lost that strange look of determination that she recalled. And yet—how account for his recklessness?
"Rum chap, Chiltern," remarked Carrington. "He might be almost anything, if he only knew it."
In the morning, when she awoke, her eye fell on the cotillon favours scattered over the lounge. One amongst them stood out—a silver-mounted pin-cushion. Honora arose, picked it up contemplatively, stared at it awhile, and smiled. Then she turned to her window, breathing in the perfumes, gazing out through the horse-chestnut leaves at the green, shadow-dappled lawn below.