CHAPTER V

"But Emily can't speak it—that way," said Mrs. Dwyer. "I don't blame Mary Leffingwell. She thinks she is doing her duty, but it has always seemed to me that Honora was one of those children who would better have been brought up on bread and butter and jam."

"Honora would only have eaten the jam," said Mrs. Hayden. "But I love her."

"I, too, am fond of the child, but I tremble for her. I am afraid she has that terrible thing which is called temperament."

George Hanbury made a second heroic rush, and dragged Honora out once more.

"What is this disease you've got?" he demanded.

"Disease?" she cried; "I haven't any disease."

"Mrs Dwyer says you have temperament, and that it is a terrible thing."

Honora stopped him in a corner.

"Because people like Mrs. Dwyer haven't got it," she declared, with a warmth which George found inexplicable.

"What is it?" he demanded.

"You'll never know, either, George," she answered; "it's soul."

"Soul!" he repeated; "I have one, and its immortal," he added promptly.

In the summer, that season of desolation for Honora, when George Hanbury and Algernon Cartwright and other young gentlemen were at the seashore learning to sail boats and to play tennis, Peter Erwin came to his own. Nearly every evening after dinner, while the light was still lingering under the shade trees of the street, and Aunt Mary still placidly sewing in the wicker chair on the lawn, and Uncle Tom making the tour of flowers with his watering pot, the gate would slam, and Peter's tall form appear.

It never occurred to Honora that had it not been for Peter those evenings would have been even less bearable than they were. To sit indoors with a light and read in a St. Louis midsummer was not to be thought of. Peter played backgammon with her on the front steps, and later on—chess. Sometimes they went for a walk as far as Grand Avenue. And sometimes when Honora grew older—she was permitted to go with him to Uhrig's Cave. Those were memorable occasions indeed!

What Saint Louisan of the last generation does not remember Uhrig's Cave? nor look without regret upon the thing which has replaced it, called a Coliseum? The very name, Uhrig's Cave, sent a shiver of delight down one's spine, and many were the conjectures one made as to what might be enclosed in that half a block of impassible brick wall, over which the great trees stretched their branches. Honora, from comparative infancy, had her own theory, which so possessed the mind of Edith Hanbury that she would not look at the wall when they passed in the carriage. It was a still and sombre place by day; and sometimes, if you listened, you could hear the whisperings of the forty thieves on the other side of the wall. But no one had ever dared to cry "Open, Sesame!" at the great wooden gates.

At night, in the warm season, when well brought up children were at home or at the seashore, strange things were said to happen at Uhrig's Cave.

Honora was a tall slip of a girl of sixteen before it was given her to know these mysteries, and the Ali Baba theory a thing of the past. Other theories had replaced it. Nevertheless she clung tightly to Peter's arm as they walked down Locust Street and came in sight of the wall. Above it, and under the big trees, shone a thousand glittering lights: there was a crowd at the gate, and instead of saying, "Open, Sesame," Peter slipped two bright fifty-cent pieces to the red-faced German ticketman, and in they went.

First and most astounding of disillusions of passing childhood, it was not a cave at all! And yet the word "disillusion" does not apply. It was, after all, the most enchanting and exciting of spots, to make one's eye shine and one's heart beat. Under the trees were hundreds of tables surrounded by hovering ministering angels in white, and if you were German, they brought you beer; if American, ice-cream. Beyond the tables was a stage, with footlights already set and orchestra tuning up, and a curtain on which was represented a gentleman making decorous love to a lady beside a fountain. As in a dream, Honora followed Peter to a table, and he handed her a programme.

"Oh, Peter," she cried, "it's going to be 'Pinafore'!"

Honora's eyes shone like stars, and elderly people at the neighbouring tables turned more than once to smile at her that evening. And Peter turned more than once and smiled too. But Honora did not consider Peter. He was merely Providence in one of many disguises, and Providence is accepted by his beneficiaries as a matter of fact.

The rapture of a young lady of temperament is a difficult thing to picture. The bird may feel it as he soars, on a bright August morning, high above amber cliffs jutting out into indigo seas; the novelist may feel it when the four walls of his room magically disappear and the profound secrets of the universe are on the point of revealing themselves. Honora gazed, and listened, and lost herself. She was no longer in Uhrig's Cave, but in the great world, her soul a-quiver with harmonies.

"Pinafore," although a comic opera, held something tragic for Honora, and opened the flood-gates to dizzy sensations which she did not understand. How little Peter, who drummed on the table to the tune of:

"Give three cheers and one cheer moreFor the hearty captain of the Pinafore,"

imagined what was going on beside him! There were two factors in his pleasure; he liked the music, and he enjoyed the delight of Honora.

What is Peter? Let us cease looking at him through Honora's eyes and taking him like daily bread, to be eaten and not thought about. From one point of view, he is twenty-nine and elderly, with a sense of humour unsuspected by young persons of temperament. Strive as we will, we have only been able to see him in his role of Providence, or of the piper. Has he no existence, no purpose in life outside of that perpetual gentleman in waiting? If so, Honora has never considered it.

After the finale had been sung and the curtain dropped for the last time, Honora sighed and walked out of the garden as one in a trance. Once in a while, as he found a way for them through the crowd, Peter glanced down at her, and something like a smile tugged at the corners of a decidedly masculine mouth, and lit up his eyes. Suddenly, at Locust Street, under the lamp, she stopped and surveyed him. She saw a very real, very human individual, clad in a dark nondescript suit of clothes which had been bought ready-made, and plainly without the bestowal of much thought, on Fifth Street. The fact that they were a comparative fit was in itself a tribute to the enterprise of the Excelsior Clothing Company, for Honora's observation that he was too long one way had been just. He was too tall, his shoulders were too high, his nose too prominent, his eyes too deep-set; and he wore a straw hat with the brim turned up.

To Honora his appearance was as familiar as the picture of the Pope which had always stood on Catherine's bureau. But to-night, by grace of some added power of vision, she saw him with new and critical eyes. She was surprised to discover that he was possessed of a quality with which she had never associated him—youth. Not to put it too strongly—comparative youth.

"Peter," she demanded, "why do you dress like that?"

"Like what?" he said.

Honora seized the lapel of his coat.

"Like that," she repeated. "Do you know, if you wore different clothes, you might almost be distinguished looking. Don't laugh. I think it's horrid of you always to laugh when I tell you things for your own good."

"It was the idea of being almost distinguished looking that—that gave me a shock," he assured her repentantly.

"You should dress on a different principle," she insisted.

Peter appeared dazed.

"I couldn't do that," he said.

"Why not?"

"Because—because I don't dress on any principle now."

"Yes, you do," said Honora, firmly. "You dress on the principle of the wild beasts and fishes. It's all in our natural history at Miss Farmer's. The crab is the colour of the seaweed, and the deer of the thicket. It's a device of nature for the protection of weak things."

Peter drew himself up proudly.

"I have always understood, Miss Leffingwell, that the king of beasts was somewhere near the shade of the jungle."

Honora laughed in spite of this apparent refutation of her theory of his apparel, and shook her head.

"Do be serious, Peter. You'd make much more of an impression on people if you wore clothes that had—well, a little more distinction."

"What's the use of making an impression if you can't follow it up?" he said.

"You can," she declared. "I never thought of it until to-night, but you must have a great deal in you to have risen all the way from an errand boy in the bank to a lawyer."

"Look out!" he cautioned her; "I shall become insupportably conceited."

"A little more conceit wouldn't hurt you," said Honora, critically."You'll forgive me, Peter, if I tell you from time to time what I think.It's for your own good."

"I try to realize that," replied Peter, humbly. "How do you wish me to dress—like Mr. Rossiter?"

The picture evoked of Peter arrayed like Mr. Harland Rossiter, who had sent flowers to two generations and was preparing to send more to a third, was irresistible. Every city, hamlet, and village has its Harland Rossiter. He need not be explained. But Honora soon became grave again.

"No, but you ought to dress as though you were somebody, and different from the ordinary man on the street."

"But I'm not," objected Peter.

"Oh," cried Honora, "don't you want to be? I can't understand any man not wanting to be. If I were a man, I wouldn't stay here a day longer than I had to."

Peter was silent as they went in at the gate and opened the door, for on this festive occasion they were provided with a latchkey. He turned up the light in the hall to behold a transformation quite as wonderful as any contained in the "Arabian Nights" or Keightley's "Fairy Mythology." This was not the Honora with whom he had left the house scarce three hours before! The cambric dress, to be sure, was still no longer than the tops of her ankles and the hair still hung in a heavy braid down her back. These were positively all that remained of the original Honora, and the change had occurred in the incredibly brief space required for the production of the opera "Pinafore." This Honora was a woman in a strange and disturbing state of exaltation, whose eyes beheld a vision. And Peter, although he had been the subject of her conversation, well knew that he was not included in the vision. He smiled a little as he looked at her. It is becoming apparent that he is one of those unfortunate unimaginative beings incapable of great illusions.

"You're not going!" she exclaimed.

He glanced significantly at the hall clock.

"Why, it's long after bedtime, Honora."

"I don't want to go to bed. I feel like talking," she declared. "Come, let's sit on the steps awhile. If you go home, I shan't go to sleep for hours, Peter."

"And what would Aunt Mary say to me?" he inquired.

"Oh, she wouldn't care. She wouldn't even know it."

He shook his head, still smiling.

"I'd never be allowed to take you to Uhrig's Cave, or anywhere else, again," he replied. "I'll come to-morrow evening, and you can talk to me then."

"I shan't feel like it then," she said in a tone that implied his opportunity was now or never. But seeing him still obdurate, with startling suddenness she flung her arms mound his neck—a method which at times had succeeded marvellously—and pleaded coaxingly: "Only a quarter of an hour, Peter. I've got so many things to say, and I know I shall forget them by to-morrow."

It was a night of wonders. To her astonishment the hitherto pliant Peter, who only existed in order to do her will, became transformed into a brusque masculine creature which she did not recognize. With a movement that was almost rough he released himself and fled, calling back a "good night" to her out of the darkness. He did not even wait to assist her in the process of locking up. Honora, profoundly puzzled, stood for a while in the doorway gazing out into the night. When at length she turned, she had forgotten him entirely.

It was true that she did not sleep for hours, and on awaking the next morning another phenomenon awaited her. The "little house under the hill" was immeasurably shrunken. Poor Aunt Mary, who did not understand that a performance of "Pinafore" could give birth to the unfulfilled longings which result in the creation of high things, spoke to Uncle Tom a week later concerning an astonishing and apparently abnormal access of industry.

"She's been reading all day long, Tom, or else shut up in her room, where Catherine tells me she is writing. I'm afraid Eleanor Hanbury is right when she says I don't understand the child. And yet she is the same to me as though she were my own."

It was true that Honora was writing, and that the door was shut, and that she did not feel the heat. In one of the bookcases she had chanced upon that immortal biography of Dr. Johnson, and upon the letters of another prodigy of her own sex, Madame d'Arblay, whose romantic debut as an authoress was inspiration in itself. Honora actually quivered when she read of Dr. Johnson's first conversation with Miss Burney. To write a book of the existence of which even one's own family did not know, to publish it under a nom de plume, and to awake one day to fetes and fame would be indeed to live!

Unfortunately Honora's novel no longer exists, or the world might have discovered a second Evelina. A regard for truth compels the statement that it was never finished. But what rapture while the fever lasted! Merely to take up the pen was to pass magically through marble portals into the great world itself.

The Sir Charles Grandison of this novel was, needless to say, not Peter Erwin. He was none other than Mr. Randolph Leffingwell, under a very thin disguise.

Two more years have gone by, limping in the summer and flying in the winter, two more years of conquests. For our heroine appears to be one of the daughters of Helen, born to make trouble for warriors and others —and even for innocent bystanders like Peter Erwin. Peter was debarred from entering those brilliant lists in which apparel played so great a part. George Hanbury, Guy Rossiter, Algernon Cartwright, Eliphalet Hopper Dwyer—familiarly known as "Hoppy"—and other young gentlemen whose names are now but memories, each had his brief day of triumph. Arrayed like Solomon in wonderful clothes from the mysterious and luxurious East, they returned at Christmas-tide and Easter from college to break lances over Honora. Let us say it boldly—she was like that: she had the world-old knack of sowing discord and despair in the souls of young men. She was—as those who had known that fascinating gentleman were not slow to remark—Randolph Leffingwell over again.

During the festival seasons, Uncle Tom averred, they wore out the latch on the front gate. If their families possessed horses to spare, they took Honora driving in Forest Park; they escorted her to those anomalous dances peculiar to their innocent age, which are neither children's parties nor full-fledged balls; their presents, while of no intrinsic value—as one young gentleman said in a presentation speech—had an enormous, if shy, significance.

"What a beautiful ring you are wearing, Honora," Uncle Tom remarked slyly one April morning at breakfast; "let me see it."

Honora blushed, and hid her hand under the table-cloth.

And the ring-suffice it to say that her little finger was exactly insertable in a ten-cent piece from which everything had been removed but the milling: removed with infinite loving patience by Mr. Rossiter, and at the expense of much history and philosophy and other less important things, in his college bedroom at New Haven. Honora wore it for a whole week; a triumph indeed for Mr. Rossiter; when it was placed in a box in Honora's bedroom, which contained other gifts—not all from him—and many letters, in the writing of which learning had likewise suffered. The immediate cause of the putting away of this ring was said to be the renowned Clinton Howe, who was on the Harvard football eleven, and who visited Mr. George Hanbury that Easter. Fortunate indeed the tailor who was called upon to practise his art on an Adonis like Mr. Howe, and it was remarked that he scarcely left Honora's side at the garden party and dance which Mrs. Dwyer gave in honour of the returning heroes, on the Monday of Easter week.

This festival, on which we should like to linger, but cannot, took place at the new Dwyer residence. For six months the Victorian mansion opposite Uncle Tom's house had been sightless, with blue blinds drawn down inside the plate glass windows. And the yellow stone itself was not so yellow as it once had been, but had now the appearance of soiled manilla wrapping paper, with black streaks here and there where the soot had run. The new Dwyer house was of grey stone, Georgian and palatial, with a picture-gallery twice the size of the old one; a magnificent and fitting pioneer in a new city of palaces.

Westward the star of Empire—away from the smoke. The Dwyer mansion, with its lawns and gardens and heavily balustraded terrace, faced the park that stretched away like a private estate to the south and west. That same park with its huge trees and black forests that was Ultima Thule in Honora's childhood; in the open places there had been real farms and hayricks which she used to slide down with Peter while Uncle Tom looked for wild flowers in the fields. It had been separated from the city in those days by an endless country road, like a Via Claudia stretching towards mysterious Germanian forests, and it was deemed a feat for Peter to ride thither on his big-wheeled bicycle. Forest Park was the country, and all that the country represented in Honora's childhood. For Uncle Tom on a summer's day to hire a surrey at Braintree's Livery Stable and drive thither was like—to what shall that bliss be compared in these days when we go to Europe with indifference?

And now Lindell Road—the Via Claudia of long, ago—had become Lindell Boulevard, with granitoid sidewalks. And the dreary fields through which it had formerly run were bristling with new houses in no sense Victorian, and which were the first stirrings of a national sense of the artistic. The old horse-cars with the clanging chains had disappeared, and you could take an electric to within a block of the imposing grille that surrounded the Dwyer grounds. Westward the star!

Fading fast was the glory of that bright new district on top of the second hill from the river where Uncle Tom was a pioneer. Soot had killed the pear trees, the apricots behind the lattice fence had withered away; asphalt and soot were slowly sapping the vitality of the maples on the sidewalk; and sometimes Uncle Tom's roses looked as though they might advantageously be given a coat of paint, like those in Alice in Wonderland. Honora should have lived in the Dwyers' mansion-people who are capable of judging said so. People who saw her at the garden party said she had the air of belonging in such surroundings much more than Emily, whom even budding womanhood had not made beautiful. And Eliphalet Hopper Dwyer, if his actions meant anything, would have welcomed her to that house, or built her another twice as fine, had she deigned to give him the least encouragement.

Cinderella! This was what she facetiously called herself one July morning of that summer she was eighteen.

Cinderella in more senses than one, for never had the city seemed more dirty or more deserted, or indeed, more stifling. Winter and its festivities were a dream laid away in moth balls. Surely Cinderella's life had held no greater contrasts! To this day the odour of matting brings back to Honora the sense of closed shutters; of a stifling south wind stirring their slats at noonday; the vision of Aunt Mary, cool and placid in a cambric sacque, sewing by the window in the upper hall, and the sound of fruit venders crying in the street, or of ragmen in the alley—"Rags, bottles, old iron!" What memories of endless, burning, lonely days come rushing back with those words!

When the sun had sufficiently heated the bricks of the surrounding houses in order that he might not be forgotten during the night, he slowly departed. If Honora took her book under the maple tree in the yard, she was confronted with that hideous wooden sign "To Let" on the Dwyer's iron fence opposite, and the grass behind it was unkempt and overgrown with weeds. Aunt Mary took an unceasing and (to Honora's mind) morbid interest in the future of that house.

"I suppose it will be a boarding-house," she would say, "it's much too large for poor people to rent, and only poor people are coming into this district now."

"Oh, Aunt Mary!"

"Well, my dear, why should we complain? We are poor, and it is appropriate that we should live among the poor. Sometimes I think it is a pity that you should have been thrown all your life with rich people, my child. I am afraid it has made you discontented. It is no disgrace to be poor. We ought to be thankful that we have everything we need."

Honora put down her sewing. For she had learned to sew—Aunt Mary had insisted upon that, as well as French. She laid her hand upon her aunt's.

"I am thankful," she said, and her aunt little guessed the intensity of the emotion she was seeking to control, or imagined the hidden fires. "But sometimes—sometimes I try to forget that we are poor. Perhaps —some day we shall not be."

It seemed to Honora that Aunt Mary derived a real pleasure from the contradiction of this hope. She shook her head vigorously.

"We shall always be, my child. Your Uncle Tom is getting old, and he has always been too honest to make a great deal of money. And besides," she added, "he has not that kind of ability."

Uncle Tom might be getting old, but he seemed to Honora to be of the same age as in her childhood. Some people never grow old, and Uncle Tom was one of these. Fifteen years before he had been promoted to be the cashier of the Prairie Bank, and he was the cashier to-day. He had the same quiet smile, the same quiet humour, the same calm acceptance of life. He seemed to bear no grudge even against that ever advancing enemy, the soot, which made it increasingly difficult for him to raise his flowers. Those which would still grow he washed tenderly night and morning with his watering-pot. The greatest wonders are not at the ends of the earth, but near us. It was to take many years for our heroine to realize this.

Strong faith alone could have withstood the continued contact with such a determined fatalism as Aunt Mary's, and yet it is interesting to note that Honora's belief in her providence never wavered. A prince was to come who was to bear her away from the ragmen and the boarding-houses and the soot: and incidentally and in spite of herself, Aunt Mary was to come too, and Uncle Tom. And sometimes when she sat reading of an evening under the maple, her book would fall to her lap and the advent of this personage become so real a thing that she bounded when the gate slammed —to find that it was only Peter.

It was preposterous, of course, that Peter should be a prince in disguise. Peter who, despite her efforts to teach him distinction in dress, insisted upon wearing the same kind of clothes. A mild kind of providence, Peter, whose modest functions were not unlike those of the third horse which used to be hitched on to the street car at the foot of the Seventeenth-Street hill: it was Peter's task to help pull Honora through the interminable summers. Uhrig's Cave was an old story now: mysteries were no longer to be expected in St. Louis. There was a great panorama—or something to that effect—in the wilderness at the end of one of the new electric lines, where they sometimes went to behold the White Squadron of the new United States Navy engaged in battle with mimic forts on a mimic sea, on the very site where the country place of Madame Clement had been. The mimic sea, surrounded by wooden stands filled with common people eating peanuts and popcorn, was none other than Madame Clement's pond, which Honora remembered as a spot of enchantment. And they went out in the open cars with these same people, who stared at Honora as though she had got in by mistake, but always politely gave her a seat. And Peter thanked them. Sometimes he fell into conversations with them, and it was noticeable that they nearly always shook hands with him at parting. Honora did not approve of this familiarity.

"But they may be clients some day," he argued—a frivolous answer to which she never deigned to reply.

Just as one used to take for granted that third horse which pulled the car uphill, so Peter was taken for granted. He might have been on the highroad to a renown like that of Chief Justice Marshall, and Honora had been none the wiser.

"Well, Peter," said Uncle Tom at dinner one evening of that memorable summer, when Aunt Mary was helping the blackberries, and incidentally deploring that she did not live in the country, because of the cream one got there, "I saw Judge Brice in the bank to-day, and he tells me you covered yourself with glory in that iron foundry suit."

"The Judge must have his little joke, Mr. Leffingwell," replied Peter, but he reddened nevertheless.

Honora thought winning an iron foundry suit a strange way to cover one's self with glory. It was not, at any rate, her idea of glory. What were lawyers for, if not to win suits? And Peter was a lawyer.

"In five years," said Uncle Tom, "the firm will be 'Brice and Erwin'. You mark my words. And by that time," he added, with a twinkle in his eye, "you'll be ready to marry Honora."

"Tom," reproved Aunt Mary, gently, "you oughtn't to say such things."

This time there was no doubt about Peter's blush. He fairly burned.Honora looked at him and laughed.

"Peter is meant for an old bachelor," she said.

"If he remains a bachelor," said Uncle Tom, "he'll be the greatest waste of good material I know of. And if you succeed in getting him, Honora, you'll be the luckiest young woman of my acquaintance."

"Tom," said Aunt Mary, "it was all very well to talk that way when Honora was a child. But now—she may not wish to marry Peter. And Peter may not wish to marry her."

Even Peter joined in the laughter at this literal and characteristic statement of the case.

"It's more than likely," said Honora, wickedly. "He hasn't kissed me for two years."

"Why, Peter," said Uncle Tom, "you act as though it were warm to-night.It was only seventy when we came in to dinner."

"Take me out to the park," commanded Honora.

"Tom," said Aunt Mary, as she stood on the step and watched them cross the street, "I wish the child would marry him. Not now, of course," she added hastily,—a little frightened by her own admission, "but later. Sometimes I worry over her future. She needs a strong and sensible man. I don't understand Honora. I never did. I always told you so. Sometimes I think she may be capable of doing something foolish like—like Randolph."

Uncle Tom patted his wife on the shoulder.

"Don't borrow trouble, Mary," he said, smiling a little. "The child is only full of spirits. But she has a good heart. It is only human that she should want things that we cannot give her."

"I wish," said Aunt Mary, "that she were not quite so good-looking."

Uncle Tom laughed. "You needn't tell me you're not proud of it," he declared.

"And I have given her," she continued, "a taste for dress."

"I think, my dear," said her husband, "that there were others who contributed to that."

"It was my own vanity. I should have combated the tendency in her," saidAunt Mary.

"If you had dressed Honora in calico, you could not have changed her," replied Uncle Tom, with conviction.

In the meantime Honora and Peter had mounted the electric car, and were speeding westward. They had a seat to themselves, the very first one on the "grip"—that survival of the days of cable cars. Honora's eyes brightened as she held on to her hat, and the stray wisps of hair about her neck stirred in the breeze.

"Oh, I wish we would never stop, until we came to the Pacific Ocean!" she exclaimed.

"Would you be content to stop then?" he asked. He had a trick of looking downward with a quizzical expression in his dark grey eyes.

"No," said Honora. "I should want to go on and see everything in the world worth seeing. Sometimes I feel positively as though I should die if I had to stay here in St. Louis."

"You probably would die—eventually," said Peter.

Honora was justifiably irritated.

"I could shake you, Peter!"

He laughed.

"I'm afraid it wouldn't do any good," he answered.

"If I were a man," she proclaimed, "I shouldn't stay here. I'd go to NewYork—I'd be somebody—I'd make a national reputation for myself."

"I believe you would," said Peter sadly, but with a glance of admiration.

"That's the worst of being a woman—we have to sit still until something happens to us."

"What would you like to happen?" he asked, curiously. And there was a note in his voice which she, intent upon her thoughts, did not remark.

"Oh, I don't know," she said; "anything—anything to get out of this rut and be something in the world. It's dreadful to feel that one has power and not be able to use it."

The car stopped at the terminal. Thanks to the early hour of Aunt Mary's dinner, the western sky was still aglow with the sunset over the forests as they walked past the closed grille of the Dwyer mansion into the park. Children rolled on the grass, while mothers and fathers, tired out from the heat and labour of a city day, sat on the benches. Peter stooped down and lifted a small boy, painfully thin, who had fallen, weeping, on the gravel walk. He took his handkerchief and wiped the scratch on the child's forehead.

"There, there!" he said, smiling, "it's all right now. We must expect a few tumbles."

The child looked at him, and suddenly smiled through his tears.

The father appeared, a red-headed Irishman.

"Thank you, Mr. Erwin; I'm sure it's very kind of you, sir, to bother with him," he said gratefully. "It's that thin he is with the heat, I take him out for a bit of country air."

"Why, Tim, it's you, is it?" said Peter. "He's the janitor of our building down town," he explained to Honora, who had remained a silent witness to this simple scene. She had been, in spite of herself, impressed by it, and by the mingled respect and affection in the janitor's manner towards Peter. It was so with every one to whom he spoke. They walked on in silence for a few moments, into a path leading to a lake, which had stolen the flaming green-gold of the sky.

"I suppose," said Honora, slowly, "it would be better for me to wish to be contented where I am, as you are. But it's no use trying, I can't."

Peter was not a preacher.

"Oh," he said, "there are lots of things I want."

"What?" demanded Honora, interested. For she had never conceived of him as having any desires whatever.

"I want a house like Mr. Dwyer's," he declared, pointing at the distant imposing roof line against the fading eastern sky.

Honora laughed. The idea of Peter wishing such a house was indeed ridiculous. Then she became grave again.

"There are times when you seem to forget that I have at last grown up,Peter. You never will talk over serious things with me."

"What are serious things?" asked Peter.

"Well," said Honora vaguely, "ambitions, and what one is going to make of themselves in life. And then you make fun of me by saying you want Mr. Dwyer's house." She laughed again. "I can't imagine you in that house!"

"Why not?" he asked, stopping beside the pond and thrusting his hands in his pockets. He looked very solemn, but she knew he was smiling inwardly.

"Why—because I can't," she said, and hesitated. The question had forced her to think about Peter. "I can't imagine you living all alone in all that luxury. It isn't like you."

"Why I all alone?" asked Peter.

"Don't—Don't be ridiculous," she said; "you wouldn't build a house like that, even if you were twice as rich as Mr. Dwyer. You know you wouldn't. And you're not the marrying kind," she added, with the superior knowledge of eighteen.

"I'm waiting for you, Honora," he announced.

"You know I love you, Peter,"—so she tempered her reply, for Honora's feelings were tender. What man, even Peter, would not have married her if he could? Of course he was in earnest, despite his bantering tone, "but I never could—marry you."

"Not even if I were to offer you a house like Mr. Dwyer's?" he said. A remark which betrayed—although not to her—his knowledge of certain earthly strains in his goddess.

The colours faded from the water, and it blackened.

As they walked on side by side in the twilight, a consciousness of repressed masculine force, of reserve power, which she had never before felt about Peter Erwin, invaded her; and she was seized with a strange uneasiness. Ridiculous was the thought (which she lost no time in rejecting) that pointed out the true road to happiness in marrying such a man as he. In the gathering darkness she slipped her hand through his arm.

"I wish I could marry you, Peter," she said.

He was fain to take what comfort he could from this expression of good-will. If he was not the Prince Charming of her dreams, she would have liked him to be. A little reflection on his part ought to have shown him the absurdity of the Prince Charming having been there all the time, and in ready-made clothes. And he, too, may have had dreams. We are not concerned with them.

……………………….

If we listen to the still, small voice of realism, intense longing is always followed by disappointment. Nothing should have happened that summer, and Providence should not have come disguised as the postman. It was a sultry day in early September-which is to say that it was comparatively cool—a blue day, with occasional great drops of rain spattering on the brick walk. And Honora was reclining on the hall sofa, reading about Mr. Ibbetson and his duchess, when she perceived the postman's grey uniform and smiling face on the far side of the screen door. He greeted her cordially, and gave her a single letter for Aunt Mary, and she carried it unsuspectingly upstairs.

"It's from Cousin Eleanor," Honora volunteered.

Aunt Mary laid down her sewing, smoothed the ruffles of her sacque, adjusted her spectacles, opened the envelope, and began to read. Presently the letter fell to her lap, and she wiped her glasses and glanced at Honora, who was deep in her book once more. And in Honora's brain, as she read, was ringing the refrain of the prisoner:

"Orleans, Beaugency!Notre Dame de Clery!Vendome! Vendome!Quel chagrin, quel ennuiDe compter toute la nuitLes heures, les heures!".

The verse appealed to Honora strangely; just as it had appealed to Ibbetson. Was she not, too, a prisoner. And how often, during the summer days and nights, had she listened to the chimes of the Pilgrim Church near by?

"One, two, three, four!One, two, three, four!"

After Uncle Tom had watered his flowers that evening, Aunt Mary followed him upstairs and locked the door of their room behind her. Silently she put the letter in his hand. Here is one paragraph of it:

"I have never asked to take the child from you in the summer, because she has always been in perfect health, and I know how lonely you would have been without her, my dear Mary. But it seems to me that a winter at Sutcliffe, with my, girls, would do her a world of good just now. I need not point out to you that Honora is, to say the least, remarkably good looking, and that she has developed very rapidly. And she has, in spite of the strict training you have given her, certain ideas and ambitions which seem to me, I am sorry to say, more or less prevalent among young American women these days. You know it is only because I love her that I am so frank. Miss Turner's influence will, in my opinion, do much to counteract these tendencies."

Uncle Tom folded the letter, and handed it back to his wife.

"I feel that we ought not to refuse, Tom. And I am afraid Eleanor is right."

"Well, Mary, we've had her for seventeen years. We ought to be willing to spare her for—how many months?"

"Nine," said Aunt Mary, promptly. She had counted them. "And Eleanor says she will be home for two weeks at Christmas. Seventeen years! It seems only yesterday when we brought her home, Tom. It was just about this time of day, and she was asleep in your arms, and Bridget opened the door for us." Aunt Mary looked out of the window. "And do you remember how she used to play under the maple there, with her dolls?"

Uncle Tom produced a very large handkerchief, and blew his nose.

"There, there, Mary," he said, "nine months, and two weeks out atChristmas. Nine months in eighteen years."

"I suppose we ought to be very thankful," said Aunt Mary. "But, Tom, the time is coming soon—"

"Tut tut," exclaimed Uncle Tom. He turned, and his eyes beheld a work of art. Nothing less than a porcelain plate, hung in brackets on the wall, decorated by Honora at the age of ten with wild roses, and presented with much ceremony on an anniversary morning. He pretended not to notice it, but Aunt Mary's eyes were too quick. She seized a photograph on her bureau, a photograph of Honora in a little white frock with a red sash.

"It was the year that was taken, Tom."

He nodded. The scene at the breakfast table came back to him, and the sight of Catherine standing respectfully in the hall, and of Honora, in the red sash, making the courtesy the old woman had taught her.

Honora recalled afterwards that Uncle Tom joked even more than usual that evening at dinner. But it was Aunt Mary who asked her, at length, how she would like to go to boarding-school. Such was the matter-of-fact manner in which the portentous news was announced.

"To boarding-school, Aunt Mary?"

Her aunt poured out her uncle's after-dinner coffee.

"I've spilled some, my dear. Get another saucer for your uncle."

Honora went mechanically to the china closet, her heart thumping. She did not stop to reflect that it was the rarest of occurrences for Aunt Mary to spill the coffee.

"Your Cousin Eleanor has invited you to go this winter with Edith andMary to Sutcliffe."

Sutcliffe! No need to tell Honora what Sutcliffe was—her cousins had talked of little else during the past winter; and shown, if the truth be told, just a little commiseration for Honora. Sutcliffe was not only a famous girls' school, Sutcliffe was the world—that world which, since her earliest remembrances, she had been longing to see and know. In a desperate attempt to realize what had happened to her, she found herself staring hard at the open china closet, at Aunt Mary's best gold dinner set resting on the pink lace paper that had been changed only last week. That dinner set, somehow, was always an augury of festival—when, on the rare occasions Aunt Mary entertained, the little dining room was transformed by it and the Leffingwell silver into a glorified and altogether unrecognizable state, in which any miracle seemed possible.

Honora pushed back her chair.

Her lips were parted.

"Oh, Aunt Mary, is it really true that I am going?" she said.

"Why," said Uncle Tom, "what zeal for learning!"

"My dear," said Aunt Mary, who, you may be sure, knew all about that school before Cousin Eleanor's letter came, "Miss Turner insists upon hard work, and the discipline is very strict."

"No young men," added Uncle Tom.

"That," declared Aunt Mary, "is certainly an advantage."

"And no chocolate cake, and bed at ten o'clock," said Uncle Tom.

Honora, dazed, only half heard them. She laughed at Uncle Tom because she always had, but tears were shining in her eyes. Young men and chocolate cake! What were these privations compared to that magic word Change? Suddenly she rose, and flung her arms about Uncle Tom's neck and kissed his rough cheek, and then embraced Aunt Mary. They would be lonely.

"Aunt Mary, I can't bear to leave you—but I do so want to go! And it won't be for long—will it? Only until next spring."

"Until next summer, I believe," replied Aunt Mary, gently; "June is a summer month-isn't it, Tom?"

"It will be a summer month without question next year," answered UncleTom, enigmatically.

It has been remarked that that day was sultry, and a fine rain was now washing Uncle Tom's flowers for him. It was he who had applied that term "washing" since the era of ultra-soot. Incredible as it may seem, life proceeded as on any other of a thousand rainy nights. The lamps were lighted in the sitting-room, Uncle Tom unfolded his gardening periodical, and Aunt Mary her embroidery. The gate slammed, with its more subdued, rainy-weather sound.

"It's Peter," said Honora, flying downstairs. And she caught him, astonished, as he was folding his umbrella on the step. "Oh, Peter, if you tried until to-morrow morning, you never could guess what has happened."

He stood for a moment, motionless, staring at her, a tall figure, careless of the rain.

"You are going away," he said.

"How did you guess it?" she exclaimed in surprise. "Yes—to boarding-school. To Sutcliffe, on the Hudson, with Edith and Mary. Aren't you glad? You look as though you had seen a ghost."

"Do I?" said Peter.

"Don't stand there in the rain," commanded Honora; "come into the parlour, and I'll tell you all about it."

He came in. She took the umbrella from him, and put it in the rack.

"Why don't you congratulate me?" she demanded.

"You'll never come back," said Peter.

"What a horrid thing to say! Of course I shall come back. I shall come back next June, and you'll be at the station to meet me."

And—what will Uncle Tom and Aunt Mary do—without you?"

"Oh," said Honora, "I shall miss them dreadfully. And I shall miss you,Peter."

"Very much?" he asked, looking down at her with such a queer expression.And his voice, too, sounded queer. He was trying to smile.

Suddenly Honora realized that he was suffering, and she felt the pangs of contrition. She could not remember the time when she had been away from Peter, and it was natural that he should be stricken at the news. Peter, who was the complement of all who loved and served her, of Aunt Mary and Uncle Tom and Catherine, and who somehow embodied them all. Peter, the eternally dependable.

She found it natural that the light should be temporarily removed from his firmament while she should be at boarding-school, and yet in the tenderness of her heart she pitied him. She put her hands impulsively upon his shoulders as he stood looking at her with that queer expression which he believed to be a smile.

"Peter, you dear old thing, indeed I shall miss you! I don't know what I shall do without you, and I'll write to you every single week."

Gently he disengaged her arms. They were standing under that which, for courtesy's sake, had always been called the chandelier. It was in the centre of the parlour, and Uncle Tom always covered it with holly and mistletoe at Christmas.

"Why do you say I'll never come back?" asked Honora. "Of course I shall come back, and live here all the rest of my life."

Peter shook his head slowly. He had recovered something of his customary quizzical manner.

"The East is a strange country," he said. "The first thing we know you'll be marrying one of those people we read about, with more millions than there are cars on the Olive Street line."

Honora was a little indignant.

"I wish you wouldn't talk so, Peter," she said. "In the first place, I shan't see any but girls at Sutcliffe. I could only see you for a few minutes once a week if you were there. And in the second place, it isn't exactly—Well—dignified to compare the East and the West the way you do, and speak about people who are very rich and live there as though they were different from the people we know here. Comparisons, as Shakespeare said, are odorous."

"Honora," he declared, still shaking his head, "you're a fraud, but I can't help loving you."

For a long time that night Honora lay in bed staring into the darkness, and trying to realize what had happened. She heard the whistling and the puffing of the trains in the cinder-covered valley to the southward, but the quality of these sounds had changed. They were music now.

It is simply impossible to give any adequate notion of the industry of the days that followed. No sooner was Uncle Tom out of the house in the morning than Anne Rory marched into the sitting-room and took command, and turned it, into a dressmaking establishment. Anne Rory, who deserves more than a passing mention, one of the institutions of Honora's youth, who sewed for the first families, and knew much more about them than Mr. Meeker, the dancing-master. If you enjoyed her confidence,—as Aunt Mary did,—she would tell you of her own accord who gave their servants enough to eat, and who didn't. Anne Rory was a sort of inquisition all by herself, and would have made a valuable chief of police. The reputations of certain elderly gentlemen of wealth might have remained to this day intact had it not been for her; she had a heaven-sent knack of discovering peccadilloes. Anne Rory knew the gentlemen by sight, and the gentlemen did not know Anne Rory. Uncle Tom she held to be somewhere in the calendar of the saints.

There is not time, alas, to linger over Anne Rory or the new histories which she whispered to Aunt Mary when Honora was out of the room. At last the eventful day of departure arrived. Honora's new trunk—her first—was packed by Aunt Mary's own hands, the dainty clothes and the dresses folded in tissue paper, while old Catherine stood sniffing by. After dinner—sign of a great occasion—a carriage came from Braintree's Livery Stable, and Uncle Tom held the horses while the driver carried out the trunk and strapped it on. Catherine, Mary Ann, and Bridget, all weeping, were kissed good-by, and off they went through the dusk to the station. Not the old Union Depot, with its wooden sheds, where Honora had gone so often to see the Hanburys off, that grimy gateway to the fairer regions of the earth. This new station, of brick and stone and glass and tiles, would hold an army corps with ease. And when they alighted at the carriage entrance, a tall figure came forward out of the shadow. It was Peter, and he had a package under his arm. Peter checked Honora's trunk, and Peter had got the permission—through Judge Brice—which enabled them all to pass through the grille and down the long walk beside which the train was standing.

They entered that hitherto mysterious conveyance, a sleeping-car, and spoke to old Mrs. Stanley, who was going East to see her married daughter, and who had gladly agreed to take charge of Honora. Afterwards they stood on the platform, but in spite of the valiant efforts of Uncle Tom and Peter, conversation was a mockery.

"Honora," said Aunt Mary, "don't forget that your trunk key is in the little pocket on the left side of your bag."

"No, Aunt Mary."

"And your little New Testament at the bottom. And your lunch is arranged in three packages. And don't forget to ask Cousin Eleanor about the walking shoes, and to give her my note."

Cries reverberated under the great glass dome, and trains pulled out with deafening roars. Honora had a strange feeling, as of pressure from within, that caused her to take deep breaths of the smoky air. She but half heard what was being said to her: she wished that the train would go, and at the same time she had a sudden, surprising, and fierce longing to stay. She had been able to eat scarcely a mouthful of that festal dinner which Bridget had spent the afternoon in preparing, comprised wholly of forbidden dishes of her childhood, for which Bridget and Aunt Mary were justly famed. Such is the irony of life. Visions of one of Aunt Mary's rare lunch-parties and of a small girl peeping covetously through a crack in the dining-room door, and of the gold china set, rose before her. But she could not eat.

"Bread and jam and tea at Miss Turner's," Uncle Tom had said, and she had tried to smile at him.

And now they were standing on the platform, and the train might start at any moment.

"I trust you won't get like the New Yorkers, Honora," said Aunt Mary. "Do you remember how stiff they were, Tom?" She was still in the habit of referring to that memorable trip when they had brought Honora home. "And they say now that they hold their heads higher than ever."

"That," said Uncle Tom, gravely, "is a local disease, and comes from staring at the tall buildings."

"Uncle Tom!"

Peter presented the parcel under his arm. It was a box of candy, and very heavy, on which much thought had been spent.

"They are some of the things you like," he said, when he had returned from putting it in the berth.

"How good of you, Peter! I shall never be able to eat all that."

"I hope there is a doctor on the train," said Uncle Tom.

"Yassah," answered the black porter, who had been listening with evident relish, "right good doctah—Doctah Lov'ring."

Even Aunt Mary laughed.

"Peter," asked Honora, "can't you get Judge Brice to send you on to New York this winter on law business? Then you could come up to Sutcliffe to see me."

"I'm afraid of Miss Turner," declared Peter.

"Oh, she wouldn't mind you," exclaimed Honora. "I could say you were an uncle. It would be almost true. And perhaps she would let you take me down to New York for a matinee."

"And how about my ready-made clothes?" he said, looking down at her. He had never forgotten that.

Honora laughed.

"You don't seem a bit sorry that I'm going," she replied, a little breathlessly. "You know I'd be glad to see you, if you were in rags."

"All aboard!" cried the porter, grinning sympathetically.

Honora threw her arms around Aunt Mary and clung to her. How small and frail she was! Somehow Honora had never realized it in all her life before.

"Good-by, darling, and remember to put on your thick clothes on the cool days, and write when you get to New York."

Then it was Uncle Tom's turn. He gave her his usual vigorous hug and kiss.

"It won't be long until Christmas," he whispered, and was gone, helpingAunt Mary off the train, which had begun to move.

Peter remained a moment.

"Good-by, Honora. I'll write to you often and let you know how they are.And perhaps—you'll send me a letter once in a while."

"Oh, Peter, I will," she cried. "I can't bear to leave you—I didn't think it would be so hard—"

He held out his hand, but she ignored it. Before he realized what had happened to him she had drawn his face to hers, kissed it, and was pushing him off the train. Then she watched from the, platform the three receding figures in the yellow smoky light until the car slipped out from under the roof into the blackness of the night. Some faint, premonitory divination of what they represented of immutable love in a changing, heedless, selfish world came to her; rocks to which one might cling, successful or failing, happy or unhappy. For unconsciously she thought of them, all three, as one, a human trinity in which her faith had never been betrayed. She felt a warm moisture on her cheeks, and realized that she was crying with the first real sorrow of her life.

She was leaving them—for what? Honora did not know. There had been nothing imperative in Cousin Eleanor's letter. She need not have gone if she had not wished. Something within herself, she felt, was impelling her. And it is curious to relate that, in her mind, going to school had little or nothing to do with her journey. She had the feeling of faring forth into the world, and she had known all along that it was destined she should. What was the cause of this longing to break the fetters and fly away? fetters of love, they seemed to her now—and were. And the world which she had seen afar, filled with sunlit palaces, seemed very dark and dreary to her to-night.

"The lady's asking for you, Miss," said the porter.

She made a heroic attempt to talk to Mrs. Stanley. But at the sight of Peter's candy, when she opened it, she was blinded once more. Dear Peter! That box was eloquent with the care with which he had studied her slightest desires and caprices. Marrons glaces, and Langtrys, and certain chocolates which had received the stamp of her approval—and she could not so much as eat one! The porter made the berths. And there had been a time when she had asked nothing more of fate than to travel in a sleeping-car! Far into the night she lay wide awake, dry-eyed, watching the lamp-lit streets of the little towns they passed, or staring at the cornfields and pastures in the darkness; thinking of the home she had left, perhaps forever, and wondering whether they were sleeping there; picturing them to-morrow at breakfast without her, and Uncle Tom leaving for the bank, Aunt Mary going through the silent rooms alone, and dear old Catherine haunting the little chamber where she had slept for seventeen years—almost her lifetime. A hundred vivid scenes of her childhood came back, and familiar objects oddly intruded themselves; the red and green lambrequin on the parlour mantel—a present many years ago from Cousin Eleanor; the what-not, with its funny curly legs, and the bare spot near the lock on the door of the cake closet in the dining room!

Youth, however, has its recuperative powers. The next day the excitement of the journey held her, the sight of new cities and a new countryside. But when she tried to eat the lunch Aunt Mary had so carefully put up, new memories assailed her, and she went with Mrs. Stanley into the dining car. The September dusk was made lurid by belching steel-furnaces that reddened the heavens; and later, when she went to bed, sharp air and towering contours told her of the mountains. Mountains which her great-grandfather had crossed on horse back, with that very family silver in his saddle-bags which shone on Aunt Mary's table. And then—she awoke with the light shining in her face, and barely had time to dress before the conductor was calling out "Jersey City."

Once more the morning, and with it new and wonderful sensations that dispelled her sorrows; the ferry, the olive-green river rolling in the morning sun, alive with dodging, hurrying craft, each bent upon its destination with an energy, relentlessness, and selfishness of purpose that fascinated Honora. Each, with its shrill, protesting whistle, seemed to say: "My business is the most important. Make way for me." And yet, through them all, towering, stately, imperturbable, a great ocean steamer glided slowly towards the bay, by very might and majesty holding her way serene and undisturbed, on a nobler errand. Honora thrilled as she gazed, as though at last her dream were coming true, and she felt within her the pulse of the world's artery. That irksome sense of spectatorship seemed to fly, and she was part and parcel now of the great, moving things, with sure pinions with which to soar. Standing rapt upon the forward deck of the ferry, she saw herself, not an atom, but one whose going and coming was a thing of consequence. It seemed but a simple step to the deck of that steamer when she, too, would be travelling to the other side of the world, and the journey one of the small incidents of life.

The ferry bumped into its slip, the windlasses sang loudly as they took up the chains, the gates folded back, and Honora was forced with the crowd along the bridge-like passage to the right. Suddenly she saw Cousin Eleanor and the girls awaiting her.

"Honora," said Edith, when the greetings were over and they were all four in the carriage, which was making its way slowly across the dirty and irregularly paved open space to a narrow street that opened between two saloons, "Honora, you don't mean to say that Anne Rory made that street dress? Mother, I believe it's better-looking than the one I got at Bremer's."

"It's very simple,", said Honora.

"And she looks fairly radiant," cried Edith, seizing her cousin's hand. "It's quite wonderful, Honora; nobody would ever guess that you were from the West, and that you had spent the whole summer in St. Louis."

Cousin Eleanor smiled a little as she contemplated Honora, who sat, fascinated, gazing out of the window at novel scenes. There was a colour in her cheeks and a sparkle in her eyes. They had reached Madison Square. Madison Square, on a bright morning in late September, seen for the first time by an ambitious young lady who had never been out of St. Louis! The trimly appointed vehicles, the high-stepping horses, the glittering shops, the well-dressed women and well-groomed men—all had an esprit de corps which she found inspiring. On such a morning, and amidst such a scene, she felt that there was no limit to the possibilities of life.

Until this year, Cousin Eleanor had been a conservative in the matter of hotels, when she had yielded to Edith's entreaties to go to one of the "new ones." Hotels, indeed, that revolutionized transient existence. This one, on the Avenue, had a giant in a long blue livery coat who opened their carriage door, and a hall in yellow and black onyx, and maids and valets. After breakfast, when Honora sat down to write to Aunt Mary, she described the suite of rooms in which they lived,—the brass beds, the electric night lamps, the mahogany French furniture, the heavy carpets, and even the white-tiled bathroom. There was a marvellous arrangement in the walls with which Edith was never tired of playing, a circular plate covered with legends of every conceivable want, from a newspaper to a needle and thread and a Scotch whiskey highball.

At breakfast, more stimulants—of a mental nature, of course. Solomon in all his glory had never broken eggs in such a dining room. It had onyx pillars, too, and gilt furniture, and table after table of the whitest napery stretched from one end of it to the other. The glass and silver was all of a special pattern, and an obsequious waiter handed Honora a menu in a silver frame, with a handle. One side of the menu was in English, and the other in French. All around them were well-dressed, well-fed, prosperous-looking people, talking and laughing in subdued tones as they ate. And Honora had a strange feeling of being one of them, of being as rich and prosperous as they, of coming into a long-deferred inheritance.

The mad excitement of that day in New York is a faint memory now, so much has Honora lived since then. We descendants of rigid Puritans, of pioneer tobacco-planters and frontiersmen, take naturally to a luxury such as the world has never seen—as our right. We have abolished kings, in order that as many of us as possible may abide in palaces. In one day Honora forgot the seventeen years spent in the "little house under the hill," as though these had never been. Cousin Eleanor, with a delightful sense of wrong-doing, yielded to the temptation to adorn her; and the saleswomen, who knew Mrs. Hanbury, made indiscreet-remarks. Such a figure and such a face, and just enough of height! Two new gowns were ordered, to be tried on at Sutcliffe, and as many hats, and an ulster, and heaven knows what else. Memory fails.

In the evening they went to a new comic opera, and it is the music of that which brings back the day most vividly to Honora's mind.

In the morning they took an early train to Sutcliffe Manors, on the Hudson. It is an historic place. First of all, after leaving the station, you climb through the little town clinging to the hillside; and Honora was struck by the quaint houses and shops which had been places of barter before the Revolution. The age of things appealed to her. It was a brilliant day at the very end of September, the air sharp, and here and there a creeper had been struck crimson. Beyond the town, on the slopes, were other new sights to stimulate the imagination: country houses—not merely houses in the country, but mansions—enticingly hidden among great trees in a way to whet Honora's curiosity as she pictured to herself the blissful quality of the life which their owners must lead. Long, curving driveways led up to the houses from occasional lodges; and once, as though to complete the impression, a young man and two women, superbly mounted, came trotting out of one of these driveways, talking and laughing gayly. Honora took a good look at the man. He was not handsome, but had, in fact, a distinguished and haunting ugliness. The girls were straight-featured and conventional to the last degree.

Presently they came to the avenue of elms that led up to the long, low buildings of the school.

Little more will be necessary, in the brief account of Honora's life at boarding-school, than to add an humble word of praise on the excellence of Miss Turner's establishment. That lady, needless to say, did not advertise in the magazines, or issue a prospectus. Parents were more or less in the situation of the candidates who desired the honour and privilege of whitewashing Tom Sawyer's fence. If you were a parent, and were allowed to confide your daughter to Miss Turner, instead of demanding a prospectus, you gave thanks to heaven, and spoke about it to your friends.

The life of the young ladies, of course, was regulated on the strictest principles. Early rising, prayers, breakfast, studies; the daily walk, rain or shine, under the watchful convoy of Miss Hood, the girls in columns of twos; tennis on the school court, or skating on the school pond. Cotton Mather himself could not have disapproved of the Sundays, nor of the discourse of the elderly Doctor Moale (which you heard if you were not a Presbyterian), although the reverend gentleman was distinctly Anglican in appearance and manners. Sometimes Honora felt devout, and would follow the service with the utmost attention. Her religion came in waves. On the Sundays when the heathen prevailed she studied the congregation, grew to distinguish the local country families; and, if the truth must be told, watched for several Sundays for that ugly yet handsome young man whom she had seen on horseback. But he never appeared, and presently she forgot him.

Had there been a prospectus (which is ridiculous!), the great secret of Miss Turner's school could not very well have been mentioned in it. The English language, it is to be feared, is not quite flexible enough to mention this secret with delicacy. Did Honora know it? Who can say? Self-respecting young ladies do not talk about such things, and Honora was nothing if not self-respecting.

"SUTCLIFFE MANORS, October 15th.

"DEAREST AUNT MARY: As I wrote you, I continue to miss you and Uncle Tom dreadfully,—and dear old Peter, too; and Cathy and Bridget and Mary Ann. And I hate to get up at seven o'clock. And Miss Hood, who takes us out walking and teaches us composition, is such a ridiculously strict old maid—you would laugh at her. And the Sundays are terrible. Miss Turner makes us read the Bible for a whole hour in the afternoon, and reads to us in the evening. And Uncle Tom was right when he said we should have nothing but jam and bread and butter for supper: oh, yes, and cold meat. I am always ravenously hungry. I count the days until Christmas, when I shall have some really good things to eat again. And of course I cannot wait to see you all.

"I do not mean to give you the impression that I am not happy here, and I never can be thankful enough to dear Cousin Eleanor for sending me. Some of the girls are most attractive. Among others, I have become great friends with Ethel Wing, who is tall and blond and good-looking; and her clothes, though simple, are beautiful. To hear her imitate Miss Turner or Miss Hood or Dr. Moale is almost as much fun as going to the theatre. You must have heard of her father—he is the Mr. Wing who owns all the railroads and other things, and they have a house in Newport and another in New York, and a country place and a yacht.

"I like Sarah Wycliffe very much. She was brought up abroad, and we lead the French class together. Her father has a house in Paris, which they only use for a month or so in the year: an hotel, as the French call it. And then there is Maude Capron, from Philadelphia, whose father is Secretary of War. I have now to go to my class in English composition, but I will write to you again on Saturday.

"Your loving niece,

The Christmas holidays came, and went by like mileposts from the window of an express train. There was a Glee Club: there were dances, and private theatricals in Mrs. Dwyer's new house, in which it was imperative that Honora should take part. There was no such thing as getting up for breakfast, and once she did not see Uncle Tom for two whole days. He asked her where she was staying. It was the first Christmas she remembered spending without Peter. His present appeared, but perhaps it was fortunate, on the whole, that he was in Texas, trying a case. It seemed almost no time at all before she was at the station again, clinging to Aunt Mary: but now the separation was not so hard, and she had Edith and Mary for company, and George, a dignified and responsible sophomore at Harvard.


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