CHAPTER XI

The man turned suddenly and confronted the rector.

"Why don't you let him die, you and your church people?" he asked."You've done your worst to kill him."

The woman put her hand fearfully, imploringly on the man's arm.

"Richard!" she whispered.

But as Hodder glanced from the derelict beside him a wave of comprehension passed through him that swept him clean of indignation, of resentment. And this man had been prosperous and happy!

"There is but one way to save the boy's life, Mr. Garvin," he said, "and that is to put him in charge of Dr. Jarvis."

The man made no reply, but went over to the window, staring out into the yard. There was something vaguely ominous in his attitude. The rector watched him a moment, and then turned to the mother.

"You must not lose hope," he told her.

She looked at him with terror-stricken eyes that sought to be grateful. He had picked up his hat from a corner of the littered table, and started to leave, when Garvin, by a sudden movement, planted himself in the doorway. Whether he had been drinking, or whether he were merely crazed by misfortune and the hopeless search in the heat for employment, and by lack of proper nourishment, Hodder could not say. There was a light in his eyes like that in a wounded animal's; and although he was thin and slight, he had the concentrated power of desperation.

"Say, what church do you come from?" he demanded.

"From St. John's," said the rector.

"Eldon Parr's church?"

Hodder started, in spite of himself, at the name.

"Mr. Parr is a member of the congregation."

"Come off! He owns it and runs it, the same as he does everything else in this town. Maybe you don't think I read the Sunday papers. Say, I was respectable once, and had a good place. You wouldn't believe it, would you?"

Hodder hesitated. There was obviously no way to pass the man except by using physical force.

"If you have anything to say to me, Mr. Garvin, I shall be glad to talk to you later. You must not stop me now," he said with a touch of severity.

"You'll listen to me, right here and now," cried Garvin. "If you think I am going to let Eldon Parr's minister, or any one else belonging to him, save that boy's life, you've got another guess comin'. That's all. I'd rather have him die—d'ye hear? I'd rather have him die."

The woman behind them whimpered . . . . The name was ringing like a knell in Hodder's head—Eldon Parr! Coming, as it had, like a curse from the lips of this wretched, half-demented creature, it filled his soul with dismay. And the accusation had in it the profound ring of truth. He was Eldon Parr's minister, and it was Eldon Parr who stood between him and his opportunity.

"Why do you speak of Mr. Parr?" he asked, though the question cost him a supreme effort.

"Why do I speak of him? My God, because he ruined me. If it hadn't been for him, damn him, I'd have a home, and health and happiness to-day, and the boy would be well and strong instead of lying there with the life all but gone out of him. Eldon Parr did for me, and now he's murdered my son—that's why I mention him."

In the sudden intensity of his feeling, Hodder seized Garvin by the arms —arms that were little more than skin and bone. The man might be crazed, he might be drunk: that he believed what he was saying there could be no question. He began to struggle violently, but the rector was strong.

"Be still," he commanded. And suddenly, overcome less by the physical power than by the aspect of the clergyman, an expression of bewilderment came into his eyes, and he was quiet. Hodder dropped his arms. "I do not intend to go until I hear what you have to say. It would be useless, at any rate, since your child's life is at stake. Tell me how Mr. Parr has ruined you."

Garvin stared at him, half in suspicion, half in amazement.

"I guess you never knew of his ruining anybody, did you?" he demandedsullenly. "Well, I'll tell you all right, and you can go and tell him.He won't care much—he's used to it by this time, and he gets square withGod by his churches and charities. Did you ever hear of a stock calledConsolidated Tractions?"

Consolidated Tractions! In contrast to the sordid misery and degradation of this last refuge of the desperate Hodder saw the lofty, panelled smoking room at Francis Ferguson's, and was listening again to Wallis Plimpton's cynical amusement as to how he and Everett Constable and Eldon Parr himself had "gat out" before the crash; "got out" with all the money of the wretch who now stood before him! His parishioners! his Christians! Oh God!

The man was speaking in his shrill voice.

"Well, I was a Traction sucker, all right, and I guess you wouldn't have to walk more than two blocks to find another in this neighbourhood. You think Eldon Parr's a big, noble man, don't you? You're proud to run his church, ain't you? You wouldn't believe there was a time when I thought he was a big man, when I was kind of proud to live in the same city with him. She'll tell you how I used to come home from the store and talk about him after supper, and hope that the kid there would grow up into a financier like Eldon Parr. The boys at the store talked about him: he sort of laid hold on our imaginations with the library he gave, and Elmwood Park, and the picture of the big organ in your church in the newspapers—and sometimes, Mary and me and the boy, in the baby carriage, on Sunday afternoons we used to walk around by his house, just to look at it. You couldn't have got me to believe that Eldon Parr would put his name to anything that wasn't straight.

"Then Consolidated Tractions came along, with Parr's, name behind it. Everybody was talking about it, and how it was payin' eight per cent. from the start, and extra dividends and all, and what a marvel of finance it was. Before the kid came, as soon as I married her, we began to save up for him. We didn't go to the theatres or nothing. Well, I put it all, five thousand dollars, into Consolidated. She'll tell you how we sat up half the night after we got the first dividend talking about how we'd send the kid to college, and after we went to bed we couldn't sleep. It wasn't more than a year after that we began to hear things—and we couldn't sleep for sure, and the dividends stopped and the stock tumbled. Even then I wouldn't believe it of him, that he'd take poor people's money that way when he had more than he knew what to do with. I made up my mind if I went down to see him and told him about it, he'd make it right. I asked the boss for an hour off, and headed for the Parr building—I've been there as much as fifty times since—but he don't bother with small fry. The clerks laugh when they see me comin' . . . I got sick worryin', and when I was strong enough to be around they'd filled my job at the grocery, and it wasn't long before we had to move out of our little home in Alder Street. We've been movin' ever since," he cried, and tears of weakness were in his eyes, "until we've come to this, and we'll have to get out of here in another week. God knows where we'll go then."

Hodder shuddered.

"Then I found out how he done it—from a lawyer. The lawyer laughed at me, too. Say, do you wonder I ain't got much use for your church people? Parr got a corporation lawyer named Langmaid—he's another one of your millionnaire crooks—to fix it up and get around the law and keep him out of jail. And then they had to settle with Tim Beatty for something like three hundred thousand. You know who Beatty is—he owns this city—his saloon's around here on Elm Street. All the crooks had to be squared. Say," he demanded aggressively, "are Parr and Langmaid any better than Beatty, or any of the hold-up men Beatty covers? There's a street-walker over there in those flats that's got a million times more chance to get to heaven—if there is any—than those financiers, as they call 'emselves —I ain't much on high finance, but I've got some respect for a second story man now—he takes some risks! I'll tell you what they did, they bought up the short car lines that didn't pay and sold 'em to themselves for fifty times as much as they were worth; and they got controlling interests in the big lines and leased 'em to themselves with dividends guaranteed as high as eighteen per cent. They capitalized the Consolidated for more millions than a little man like me can think of, and we handed 'em our money because we thought they were honest. We thought the men who listed the stock on the Exchange were honest. And when the crash came, they'd got away with the swag, like any common housebreakers. There were dummy directors, and a dummy president. Eldon Parr didn't have a share—sold out everything when she went over two hundred, but you bet he kept his stock in the leased lines, which guarantee more than they earn. He cleaned up five million, they say…. My money—the money that might give that boy fresh air, and good doctors ….Say, you believe in hell, don't you? You tell Eldon Parr to keep his charity,—he can't send any of it in here. And you'd better go back to that church of his and pray to keep his soul out of hell." . . .

His voice, which had risen even to a higher pitch, fell silent. And all at once, without warning, Garvin sank, or rather tumbled upon the bed, sobbing in a way that was terrible to see. The wife stole across the room, sat down beside him, and laid her hand on his shoulder. . . .

In spite of the intensity of his own anguish, Hodder was conscious of a curious detachment; and for months afterward particular smells, the sight of a gasoline stove, a certain popular tune gave him a sharp twinge of pain. The acid distilling in his soul etched the scene, the sounds, the odours forever in his memory: a stale hot wind from the alley rattled the shutter-slats, and blew the door to; the child stirred; and above the strident, irregular weeping rose main, in ironical contrast, the piano and the voice across the yard. In that glimpse he had into the heart of life's terrible mystery he momentarily understood many things: he knew that behind the abandon of the woman's song was the same terror which reigned in the room in which he stood . . . .

There were voices in the passageway without, a woman saying in a German accent,—"It is here, sir."

There was a knock at the door . . . .

Hodder opened the door. In the dingy passageway he perceived a tall figure which immediately turned out to be that of an old gentleman. In spite of the heat, he wore a long coat and an old-fashioned, high collar, a black tie, under which was exposed a triangle of immaculate, pleated linen. In one hand he held a gold-headed stick, a large tall hat of which the silk nap was a little rubbed, a string sustaining a parcel, the brown paper wrapping of which was soaked: in the other, a manila bag containing lemons.

His head was bent forward a little, the high dome of it was bald, but the white hair clustered thickly behind the temples. The face was clean-shaven, the cheeks touched with red, the nose high and dominating, distinctly philanthropic. And the blue eyes rested on the clergyman with a benevolence unfeigned.

"Good afternoon, sir," the old gentleman said; "I am told Mrs. Garvin lives here."

Before the rector could reply Mrs. Garvin herself stood between them.

"It's Mr. Bentley!" she exclaimed.

"I fear I'm intruding, ma'am," he said. "But some of Dicky's little friends have just informed me that he is ill, and I have taken the liberty of calling to inquire."

Mr. Bentley entered the room,—simple words to express that which was in some sort an event. He laid his parcels on the table, his hat and stick on a chair, and stood looking down in silence at the thin little form on the couch. Presently he turned.

"I'm afraid he's very ill, ma'am," he said gently. "You have your own doctor, no doubt. But if you will permit me, as a friend, to make a suggestion, we have in the city one of the best child specialists in the United States, who is never weary of curing these little ones,—Dr. Jarvis, and I shall be happy to ask him to come and see Dicky."

Mrs. Garvin glanced at Hodder, who came forward.

"I was just about to telephone for Dr. Jarvis, Mr. Bentley, when you arrived. I am Mr. Hodder, of St. John's."

"How do you do, sir?" The kindly eyes, alight with a gentle flame, rested upon the rugged figure of the rector. "I am glad that you, too, agree that Dr. Jarvis is advisable, Mr. Hodder."

There was a sound from the bed. Garvin had got to his feet and was staring wildly, with reddened lids.

"Are you Horace Bentley?" he demanded.

"That is my name, sir," Mr. Bentley replied. His expression of surprise was only momentary. And in all his life Hodder had never beheld a greater contrast in human beings than between that gracious and courtly old man and the haggard, unkempt, unshaved, and starving outcast facing him. Something like a film came over Garvin's eyes.

"He ruined you, too, twenty years back—Eldon Parr did for you, too. Oh, I know his record, I've followed his trail—he got all the Grantham stock that would have made you a millionnaire!"

"Ah," replied Mr. Bentley, smiling to humour him, "that's something I have no wish to be, sir,—a millionaire." He met the frightened gaze of the wife. "Good day, ma'am. If you will allow me, I'll come to-morrow morning to learn what Dr. Jarvis will have had to say. Have courage, ma'am, have courage. You may have faith in Dr. Jarvis."

The poor woman was incapable of speech. Mr. Bentley picked up his hat and stick.

"I've taken the liberty of bringing Dicky a little ice and a few lemons."His eyes rested again on the couch by the window. Then he turned toGarvin, who stood mutely, staring. "Good evening, sir," he said."We must look for the best."

They went down the stairs of the shabby and battered house, stairs by the side of which holes had been knocked through the faded wall-paper—scars of frequent movings. The sound and smell of frying came out of the open door of what once had been the parlour, and on the front steps a little girl darted past them with a pitcher of beer. When they reached the sidewalk Mr. Bentley halted.

"If you were intending to telephone Dr. Jarvis, Mr. Hodder, there is a public station in the drug store just above here. I know that clergymen are busy persons, and I am passing it, if you are pressed for time."

"My only concern is to get Jarvis here," said the rector."If I may go with you—"

Once again in the hot sunlight, reaction had set in. Hodder was suddenly unstrung, and the kindly old gentleman beside him seemed for the instant the only fixture in a chaotic universe. It was not until later reflection that he realized Mr. Bentley might, by an intuitive sympathy, a depth of understanding, have drained something of his state, since the incidents which followed were to be accounted for on no other grounds. In such elemental moments the frail conventions are swept away: Mr. Bentley, whoever he might be, was no longer a stranger; and it seemed wholly natural to be walking with him up the street, to hear him saying, —not with perfunctory politeness but in a tone that was itself an invitation,—"With pleasure, sir, we'll go together. And let us trust that the doctor will be at home."

Nor did Hodder stop to wonder, then, why Mr. Bentley should have sought in his conversation to dissipate something of the hideous blackness of a tragedy which must have moved him profoundly. How fortunate, he declared, that they should have arrived before it was too late! For it was plain to be seen that these Garvins were good people who had been broken by adversity . . . . The boy had struck him particularly—a lovable, merry little fellow whose clothes, Mr. Bentley observed, were always neatly mended, betokening a mother with self-respect and character. He even spoke of Garvin: adversity, worry, the heat, constant brooding over a happier past and an uncertain future—was it surprising that the poor man's mind had become unhinged? They must make some plan for Garvin, said Mr. Bentley, get the man and his wife into the country for a while amongst kindly people. This might no doubt be arranged….

"Here we are, sir."

The familiar smell of drugs, the sound of the trickling water in the soda fountain roused Hodder to reality, to action, and he hurried into the telephone booth, fumbled in the dog-eared book, got Dr. Jarvis's number and called it. An eternity seemed to elapse before he had a reply, heard his coin jangling in the bog, recognized the voice of the great doctor's secretary. Yes, the doctor was in would he speak to Mr. Hodder, of St. John's? . . . An interval, during which Hodder was suddenly struck with this designation of himself. Was he still of St. John's, then? An aeon might have elapsed since he had walked down the white marble of its aisle toward the crouching figure in the pew. He was not that man, but another—and still Mr. Hodder, of St. John's. . . . Then he heard the specialist say, "Hello, Mr. Hodder, what can I do for you?" Heard his own voice in reply, explaining the case. Could the doctor find time? The doctor could: he was never too busy to attend to the poor,—though he did not say so: he would be there—by half-past six. The rector hung up the receiver, opened the door of the booth and mopped his brow, for the heat was stifling.

"The doctor will go," he explained in answer to Mr. Bentley's inquiring look.

"Now, sir," said the old gentleman, when they were out of the store, "we have done all that we can for the time being. I do not live far from here. Perhaps you would give me the pleasure of taking supper with me, if you have no other engagement."

No other engagement! Not until then did Hodder remember his empty rooms in the parish house, and the train which was to have borne him away from all this already speeding northward. He accepted gratefully, nor did he pause to speculate upon the mystery by which the stream of his life seemed so suddenly to have been diverted. He had, indeed, no sense of mystery in the presence of this splendidly sane, serene old man, any more than the children who ran after him from the dingy yards and passages, calling his name, clinging to the skirts of his coat. These accepted him simply as an anomalous fact in their universe, grinned at his pleasantries, and held up grimy little hands for the kidney-shaped candy beans he drew forth from his capacious pockets. In the intervals he reminisced to the rector about the neighbourhood.

"It seems but a short while ago when the trees met overhead—magnificent trees they were. The asphalt and the soot killed them. And there were fruit trees in that yard"—he pointed with his stick to a littered sun parched plot adjoining a battered mansion—"all pink and white with blossoms in the spring. Mr. Hadley lived there—one of our forgotten citizens. He is dead and gone now and his family scattered. That other house, where the boy lies, belonged to Mr. Villars, a relation of the Atterbury family, and I can recall very well a little girl with a pink sash and a white dress who used to come running out to meet me with flowers in her hands. Incredible as it may seem, she picked them in that yard. I thought of her as I went in, how fresh and happy she used to be, and what a different place this was for children then. She must have some of her own by this time."

The character of the street had changed to what might be called shabby-genteel, and they stopped before a three-story brick house—one of a row—that showed signs of scrupulous care. The steps were newly scrubbed, the woodwork neatly painted.

"This is where I live, sir," said Mr. Bentley, opening the door with a latchkey and leading the way into a high room on the right, darkened and cool, and filled with superb, old-fashioned rosewood furniture. It was fitted up as a library, with tall shelves reaching almost to the ceiling.

An old negro appeared, dressed in a swallow-tailed coat. His hair was as white as his master's, and his face creased with age.

"Sam," said Mr. Bentley, "I have brought home a gentleman for supper."

"Yassah, Misteh Ho'ace. I was jest agwine to open up de blin's."

He lifted the wire screens and flung back the shutters, beamed on the rector as he relieved him of his hat, and noiselessly retired. Curiosity, hitherto suppressed by more powerful feelings, awoke in Hodder speculations which ordinarily would have been aroused before: every object in the room bespoke gentility, was eloquent of a day when wealth was honoured and respected: photographs, daguerreotypes in old-fashioned frames bore evidence of friendships of the past, and over the marble mantel hung a portrait of a sweet-faced woman in the costume of the thirties, whose eyes reminded Hodder of Mr. Bentley's. Who was she?

Hodder wondered. Presently he found himself before a photograph on the wall beyond, at which he had been staring unconsciously.

"Ah, you recognize it," said Mr. Bentley.

"St. John's!"

"Yes," Mr. Bentley repeated, "St. John's." He smiled at Hodder's glance of bewilderment, and put his hand on the younger man's arm. "That picture was taken before you were born, sir, I venture to say—in 1869. I am very fond of it, for it gives the church in perspective, as you see. That was Mr. Gore's house"—he indicated a square, heavily corniced mansion—"where the hotel now stands, and that was his garden, next the church, where you see the trees above the wall."

The rector turned again and looked at his host, who, was gazing at the picture thoughtfully.

"I ought to have remembered," he said. "I have seen your name in the church records, sir, and I have heard Mr. Waring speak of you."

"My dear Mr. Hodder, there is no reason why you should have known me. A great many years have passed since I was a parishioner of St. John's —a great many years."

"But it was you," the rector began, uncertainly, and suddenly spoke with conviction, "it was you who chose the architect, who did more than other men to make the church what it is."

"Whatever I may have done," replied Mr. Bentley, with simple dignity, "has brought its reward. To this day I have not ceased to derive pleasure from it, and often I go out of my way, through Burton Street, although the view is cramped. And sometimes," he added, with the hint of a twinkle in his eye, "I go in. This afternoon is not the first time I have seen you, Mr. Hodder."

"But—?" said the rector. He stared at the other's face, and the question died on his lips.

"You wonder why I am no longer a parishioner. The time came when I could not afford to be." There was no hint of reproach in his voice, of bitterness. He spoke regretfully, indeed, but as one stating an incontrovertible fact. "I lost my fortune, I could not keep my pew, so I deeded it back to the church. My old friends, Mrs. Dimock and Asa Waring, and others, too, were very kind. But I could not accept their hospitality."

Hodder bowed his head in silence. What thundered indictment of the Church of Christ could have been as severe, as wholly condemning as these few words so dispassionately uttered by the man beside him?

The old darky entered, and announced supper.

Hodder had lost his way, yet a hand had been held out to him, and he seized it. With a sense of being led, psychically as well as physically, he followed Mr. Bentley into a large bedroom, where a high, four-posted bed lifted a pleated canopy toward the ceiling. And after he had washed his hands they entered a dining-room looking out upon a little yard in the rear, which had been transformed into a garden. Roses, morning glories, and nasturtiums were growing against the walls; a hose lay coiled upon the path; the bricks, baked during the day, were splashed with water; the leaves and petals were wet, and the acrid odour of moist earth, mingling with perfumes, penetrated the room. Hodder paused in the window.

"Sam keeps our flowers alive," he heard Mr. Bentley say, "I don't know how."

"I scrubs 'em, sah," said Sam. "Yassah, I washes 'em like chilluns."

He found himself, at Mr. Bentley's request, asking grace, the old darky with reverently bent head standing behind his master; sitting down at a mahogany table that reflected like a mirror the few pieces of old silver, to a supper of beaten biscuits that burned one's fingers, of 'broiled chicken and coffee, and sliced peaches and cream. Mr. Bentley was talking of other days—not so long gone by when the great city had been a village, or scarcely more. The furniture, it seemed, had come from his own house in what was called the Wilderness Road, not far from the river banks, over the site of which limited trains now rolled on their way eastward toward the northernmost of the city's bridges. He mentioned many names, some remembered, some forgotten, like his own; dwelt on pleasures and customs gone by forever.

"A little while after I moved in here, I found that one old man could not fill the whole of this house, so I let the upper floors," he explained, smilingly. "Some day I must introduce you to my tenants, Mr. Hodder."

By degrees, as Hodder listened, he became calm. Like a child, he found himself distracted, talking, asking questions: and the intervals grew longer between the recurrent surges of fear when the memory rose before him of the events of the day,—of the woman, the child, and the man: of Eldon Parr and this deed he had done; hinting, as it did, of closed chambers of other deeds yet to be opened, of countless, hidden miseries still to be revealed: when he heard once more the tortured voice of the banker, and the question: "How would you like to live in this house —alone?" In contrast, now he beheld the peace in the face of the man whose worldly goods Eldon Parr had taken, and whom he had driven out of the church. Surely, this man had found a solution! . . . What was it?

Hodder thought of the child, of the verdict of Dr. Jarvis, but he lingered on, loth to leave,—if the truth be told—afraid to leave; drawing strength from his host's calm, wondering as to the source of it, as to the life which was its expression; longing, yet not presuming, to question. The twilight deepened, and the old darky lit a lamp and led the way back to the library.

"Sam," said Mr. Bentley, "draw up the armchair for Mr. Hodder beside the window. It is cooler there."

"I ought to go," Hodder said. "I ought to see how the child is. Jarvis will have been there by this time, and there may be necessaries—"

"Jarvis will have attended to that," Mr. Bentley replied. "Sit down, Mr. Hodder. I am not sure that, for the present, we have not done all in this case that is humanly possible."

"You mean," said the rector, "that they will accept nothing from me." It came from him, spontaneously, like a cry. He had not meant to say it. "I don't blame them. I don't blame them for losing their faith in God and man, in the Church. I ought to have seen it before, but I was blind, incredibly blind—until it struck me in the face. You saw it, sir, and you left a church from which the poor are thrust out, which refuses to heed the first precept of its Master."

"I saw it," answered Mr. Bentley, "but I could do nothing. Perhaps you can do—something."

"Ah!" Hodder exclaimed sharply, "why do you say that? The Church is paralyzed, chained. How can she reach these wretched people who are the victims of the ruthless individualism and greed of those who control her? You know—that man, Mr. Bentley." (Hodder could not bring himself to pronounce Eldon Parr's name.) "I had an affection for him, I pitied him, because he suffers—"

"Yes," echoed Mr. Bentley, "he suffers."

Hodder was momentarily arrested by the sadness of his tone.

"But he doesn't know why he suffers—he cannot be made to see," the rector went on. "And he is making others suffer,—hideously, while he imagines himself a Christian. He is the Church to that miserable, hopeless wretch we saw to-day, and to hundreds of the same kind whom he has driven to desperation. And I—who am supposed to be the vicar of God—I am powerless. They have a contempt for me, a just contempt. They thrust me out of their doors, bid me to return and minister to their oppressors. You were right to leave, and I should have left long since."

He had not spoken with violence, or with a lack of control. He seemed rather to have regained a mastery of himself, and felt as a man from whom the shackles have been struck, proclaiming his freedom. Mr. Bentley's eyes lighted in involuntary response as he gazed at the figure and face before him. He pressed his hands together.

"If you will forgive a curiosity, Mr. Hodder, that is somewhat due to my interest in a church with which I have many precious associations, may I ask if this is a sudden determination on your part?"

"No," Hodder said. "I have known ever since I came here that something was wrong, but at first I couldn't see it, and after that I wouldn't see it. That is about what happened, as I look back on it.

"But the farther in I went," Hodder continued, "the more tangled and bewildered I became. I was hypnotized, I think," he added with a gesture,—"hypnotized, as a man is who never takes his eyes from a pattern. I wanted to get at this neighbourhood—Dalton Street—I mean, and finally I agreed to the establishment of a settlement house over here, to be paid for largely by Eldon Parr and Francis Ferguson. I couldn't see the folly of such an undertaking—the supreme irony of it, until—until it was pointed out to me." He hesitated; the remembrance of Alison Parr ran through him, a thread of pain. "And even then I tried to dodge the issue, I tried to make myself believe that good might flow out of evil; that the Church, which is supposed to be founded on the highest ideal ever presented to man, might compromise and be practical, that she might accept money which had been wrung from a trusting public by extortion, by thinly disguised thievery such as this Consolidated Tractions Company fraud, and do good with it! And at last I made up my mind to go away, to-day, to a quiet place where I might be alone, and reflect, when by a singular circumstance I was brought into contact with this man, Garvin. I see now, clearly enough, that if I had gone, I should never have come back."

"And you still intend to go?" Mr. Bentley asked.

Hodder leaned his elbow against the mantel. The lamplight had a curious effect on Mr. Bentley's face.

"What can I do?" he demanded. The question was not aimed directly at his host—it was in the nature of a renewed appeal to a tribunal which had been mute, but with which he now seemed vaguely aware of a certain contact. "Even supposing I could bring myself to accept the compromise —now that I see it clearly, that the end justifies the means—what good could I accomplish? You saw what happened this afternoon—the man would have driven me out if, it hadn't been for you. This whole conception of charity is a crime against civilization—I had to have that pointed out to me, too,—this system of legalized or semi-legalized robbery and the distribution of largesse to the victims. The Church is doing wrong, is stultifying herself in encouraging it. She should set her face rigidly against it, stand for morality and justice and Christianity in government, not for pauperizing. It is her mission to enlighten these people, all people—to make them self-respecting, to give them some notion of the dignity of their souls and their rights before God and man."

"Aren't you yourself suggesting," said Mr. Bentley, "the course which will permit you to remain?"

Hodder was silent. The thought struck him with tremendous force. Had he suggested it? And how—why? Could it be done? Could he do it or begin it?

"We have met at last in a singular way," he heard Mr. Bentley going on, "in a way that has brushed aside the conventions, in a way—I am happy to say—that has enabled you to give me your confidence. And I am an old man,—that has made it easier. I saw this afternoon, Mr. Hodder, that you were troubled, although you tried to hide it."

"I knew that you saw it," Hodder said.

"Nor was it difficult for me to guess something of the cause of it. The same thing has troubled me."

"You?"

"Yes," Mr. Bentley answered. "I left St. John's, but the habits and affections of a lifetime are not easily severed. And some time before I left it I began to have visions of a future for it. There was a question, many years ago, as to whether a new St. John's should not be built in the West End, on a site convenient to the parishioners, and this removal I opposed. Mr. Waring stood by me. We foresaw the day when this district would be—what it is now—the precarious refuge of the unfortunate in the battle of life, of just such unhappy families as the Garvins, of miserable women who sell themselves to keep alive. I thought of St. John's, as you did, as an oasis in a desert of misery and vice. At that time I, too, believed in the system of charities which you have so well characterized as pauperizing."

"And now?"

Mr. Bentley smiled, as at a reminiscence.

"My eyes were opened," he replied, and in these simple words summed up and condemned it all. "They are craving bread, and we fling them atones. I came here. It was a house I owned, which I saved from the wrecks, and as I look back upon what the world would call a misfortune, sir, I can see that it was a propitious event, for me. The street 'ran down,' as the saying goes. I grew gradually to know these people, my new neighbours, largely through their children, and I perceived many things I had not dreamed of—before then. I saw how the Church was hampered, fettered; I saw why they disliked and distrusted it."

"And yet you still believed that it had a mission?" Hodder interrupted.He had been listening with rapt attention.

"I still believed it," said Mr. Bentley. "My conception of that mission changed, grew, and yet it seemed further and further from fulfilment. And then you came to St. John's."

"I!" The cry was involuntary.

"You," Mr. Bentley repeated. "Sometimes," he added whimsically, "I go there, as I have told you. I saw you, I heard you preach. I talked to my friend Waring about you. I saw that your eyes were not opened, but I think I had a certain presentiment, for which I do not pretend to account, that they would be opened."

"You mean," said the rector, "that if I believe in the mission of the Church as I have partially stated it here tonight, I—should stay and fight for it."

"Precisely," Mr. Bentley replied.

There was a note of enthusiasm, almost of militancy in the old gentleman's tone that surprised and agitated Hodder. He took a turn up and down the room before he answered.

"I ought to tell you that the view I expressed a moment ago is new to me. I had not thought of it before, and it is absolutely at variance with any previous ideas I have held. I can see that it must involve, if carried to its logical conclusion, a change in the conception of Christianity I have hitherto held."

He was too intent upon following up the thought to notice Mr. Bentley's expression of assent.

"And suppose," he asked, "I were unable to come to any conclusion? I will be frank, Mr. Bentley, and confess to you that at present I cannot see my way. You have heard me preach—you know what my beliefs have been. They are shattered. And, while I feel that there is some definite connection between the view of the Church which I mentioned and her message to the individual, I do not perceive it clearly. I am not prepared at present to be the advocate of Christianity, because I do not know what Christianity is. I thought I knew.

"I shall have to begin all over again, as though I had never taken orders, submit to a thorough test, examine the evidence impartially. It is the only way. Of this much I am sure, that the Church as a whole has been engaged in a senseless conflict with science and progressive thought, that she has insisted upon the acceptance of facts which are in violation of reason and which have nothing to do with religion. She has taught them to me—made them, in fact, a part of me. I have clung to them as long as I can, and in throwing them over I don't know where I shall land."

His voice was measured, his words chosen, yet they expressed a withering indignation and contempt which were plainly the culmination of months of bewilderment—now replaced by a clear-cut determination.

"I do not blame any individual," he continued, "but the system by which clergymen are educated.

"I intend to stay here, now, without conducting any services, and find out for myself what the conditions are here in Dalton Street. You know those people, Mr. Bentley, you understand them, and I am going to ask you to help me. You have evidently solved the problem."

Mr. Bentley rose. And he laid a hand, which was not quite steady, on the rector's shoulder.

"Believe me, sir," he replied, "I appreciate something of what such a course must mean to you—a clergyman." He paused, and a look came upon his face, a look that might scarce have been called a smile—Hodder remembered it as a glow—reminiscent of many things. In it a life was summed ups in it understanding, beneficence, charity, sympathy, were all expressed, yet seemingly blended into one. "I do not know what my testimony may be worth to you, my friend, but I give it freely. I sometimes think I have been peculiarly fortunate. But I have lived a great many years, and the older I get and the more I see of human nature the firmer has grown my conviction of its essential nobility and goodness."

Hodder marvelled, and was silent.

"You will come here, often,—every day if you can. There are many men and women, friends of mine, whom I should like you to know, who would like to know you."

"I will, and thank you," Hodder answered. Words were inadequate for the occasion . . . .

On leaving Mr. Bentley, Hodder went slowly down Dalton Street, wondering that mere contact with another human being should have given him the resolution to turn his face once again toward the house whither he was bound. And this man had given him something more. It might hardly have been called faith; a new courage to fare forth across the Unknown—that was it; hope, faint but revived.

Presently he stopped on the sidewalk, looked around him, and read a sign in glaring, electric letters, Hotel Albert. Despite the heat, the place was ablaze with lights. Men and women were passing, pausing—going in. A motor, with a liveried chauffeur whom he remembered having seen before, was standing in front of the Rathskeller. The nightly carousal was beginning.

Hodder retraced his steps, crossed the street diagonally, came to the dilapidated gate he remembered so well, and looked up through the dusk at the house. If death had entered it, there was no sign: death must be a frequent visitor hereabouts. On the doorsteps he saw figures outlined, slatternly women and men in shirt-sleeves who rose in silence to make way for him, staring at him curiously. He plunged into the hot darkness of the hall, groped his way up the stairs and through the passage, and hesitated. A single gas jet burned low in the stagnant air, and after a moment he made out, by its dim light, a woman on her knees beside the couch, mechanically moving the tattered palm-leaf over the motionless little figure. The child was still alive. He drew a deep breath, and entered; at the sound of his step Mrs. Garvin suddenly started up.

"Richard!" she cried, and then stood staring at the rector. "Have you seen my husband, sir? He went away soon after you left."

Hodder, taken by surprise, replied that he had not. Her tone, her gesture of anxiety he found vaguely disquieting.

"The doctor has been here?" he asked.

"Yes," she answered absently. "I don't know where he can be—Richard. He didn't even wait to see the doctor. And he thinks so much of Dicky, sir, he sits here of an evening—"

Hodder sat down beside her, and taking the palm-leaf from her hand, began himself to fan the child. Something of her misgiving had communicated itself to him.

"Don't worry," he said. "Remember that you have been through a great deal, and it is natural that you should be overwrought. Your husband feels strongly. I don't blame him. And the sight of me this afternoon upset him. He has gone out to walk."

"Richard is proud," she answered simply. "He used to say he'd rather die than take charity—and now he's come to it. And it's—that man, sir, who's got on his brain, and changed him. He wasn't always like this, but now he can't seem to think of anything else. He wakes up in the night . . . . And he used to have such a sweet nature—you wouldn't have known him . . . and came home so happy in the evenings in Alder Street, often with a little fruit, or something he'd bought for us, and romp with Dicky in the yard, and I'd stand and laugh at them. Even after we'd lost our money, when he was sick that time, he didn't feel this way. It grew on him when he couldn't get work, and then he began to cut things out of the papers about Mr. Parr. And I have sometimes thought that that's kept him from getting work. He talks about it, and people don't know what to make of him. They don't know how hard he'd try if they'd give him something.". . . .

"We shall find something," said the rector, striving to throw into his voice confidence and calm. He did not dare to look at her, but continued to move the fan.

The child stirred a little. Mrs. Garvin put out her hand.

"Yes, the doctor was here. He was very kind. Oh, sir," she exclaimed, "I hope you won't think us ungrateful—and that Mr. Bentley won't. Dr. Jarvis has hopes, sir,—he says—I forget the name he called it, what Dicky has. It's something uncommon. He says it was—brought on by the heat, and want of food—good food. And he's coming himself in the morning to take him out to that hospital beyond the park—in an automobile, sir. I was just thinking what a pity it is Dicky wouldn't realize it. He's always wanted to ride in one." Suddenly her tears flowed, unheeded, and she clung to the little hand convulsively. "I don't know what I shall do without him, Sir, I don't . . . . I've always had him . . . and when he's sick, among strangers." . . .

The rector rose to the occasion.

"Now, Mrs. Garvin," he said firmly, "you must remember that there is only one way to save the boy's life. It will be easy to get you a room near the hospital, where you can see him constantly."

"I know—I know, sir. But I couldn't leave his father, I couldn't leaveRichard." She looked around distractedly. "Where is he?"

"He will come back presently," said the rector. "If not, I will look for him."

She did not reply, but continued to weep in silence. Suddenly, above the confused noises of the night, the loud notes of a piano broke, and the woman whose voice he had heard in the afternoon began once more with appalling vigour to sing. The child moaned.

Mrs. Garvin started up hysterically.

"I can't stand it—I can't stand her singing that now," she sobbed.

Thirty feet away, across the yard, Hodder saw the gleaming window from which the music came. He got to his feet. Another verse began, with more of the brazen emphasis of the concert-hall singer than ever. He glanced at the woman beside him, irresolutely.

"I'll speak to her," he said.

Mrs. Garvin did not appear to hear him, but flung herself down beside the lounge. As he seized his hat and left the room he had the idea of telephoning for a nurse, when he almost ran into some one in the upper hall, and recognized the stout German woman, Mrs. Breitmann.

"Mrs. Garvin"—he said, "she ought not to be left—"

"I am just now going," said Mrs. Breitmann. "I stay with her until her husband come."

Such was the confidence with which, for some reason, she inspired him, that he left with an easier mind.

It was not until the rector had arrived at the vestibule of the apartment house next door that something—of the difficulty and delicacy of the errand he had undertaken came home to him. Impulse had brought him thus far, but now he stood staring helplessly at a row of bells, speaking tubes, and cards. Which, for example, belonged to the lady whose soprano voice pervaded the neighbourhood? He looked up and down the street, in the vain hope of finding a messenger. The song continued: he had promised to stop it. Hodder accused himself of cowardice.

To his horror, Hodder felt stealing over him, incredible though it seemed after the depths through which he had passed, a faint sense of fascination in the adventure. It was this that appalled him—this tenacity of the flesh,—which no terrors seemed adequate to drive out. The sensation, faint as it was, unmanned him. There were still many unexplored corners in his soul.

He turned, once more contemplated the bells, and it was not until then he noticed that the door was ajar. He pushed it open, climbed the staircase, and stood in the doorway of what might be called a sitting room, his eyes fixed on a swaying back before an upright piano against the wall; his heart seemed to throb with the boisterous beat of the music. The woman's hair, in two long and heavy plaits falling below her waist, suddenly fascinated him. It was of the rarest of russet reds. She came abruptly to the end of the song.

"I beg your pardon—" he began.

She swung about with a start, her music dropping to the floor, and stared at him. Her tattered blue kimono fell away at her elbows, her full throat was bare, and a slipper she had kicked off lay on the floor beside her. He recoiled a little, breathing deeply. She stared at him.

"My God, how you scared me!" she exclaimed. Evidently a second glance brought to her a realization of his clerical costume. "Say, how did you get in here?"

"I beg your pardon," he said again, "but there is a very sick child in the house next door and I came to ask you if you would mind not playing any more to-night."

She did not reply at once, and her expression he found unsolvable. Much of it might be traced to a life which had contracted the habit of taking nothing on trust, a life which betrayed itself in unmistakable traces about the eyes. And Hodder perceived that the face, if the stamp of this expression could have been removed, was not unpleasing, although indulgence and recklessness were beginning to remould it.

"Quit stringin' me," she said.

For a moment he was at a loss. He gathered that she did not believe him, and crossed to the open window.

"If you will come here," he said, "I will show you the room where he lies. We hope to be able to take him to the hospital to-morrow." He paused a moment, and added: "He enjoyed your music very much when he was better."

The comment proved a touchstone.

"Say," she remarked, with a smile that revealed a set of surprisingly good teeth, "I can make the box talk when I get a-goin'. There's no stopping me this side of grand opera,—that's no fable. I'm not so bad for an enginoo, am I?"

Thus directly appealed to, in common courtesy he assented.

"No indeed," he said.

"That's right," she declared. "But the managers won't have it at any price. Those jays don't know anything, do they? They've only got a dream of what the public wants. You wouldn't believe it, but I've sung for 'em, and they threw me out. You wouldn't believe it, would you?"

"I must own," said the rector, "that I have never had any experience with managers."

She sat still considering him from the piano stool, her knees apart, her hands folded in her lap. Mockery came into her eyes.

"Say, what did you come in here for, honest injun?" she demanded.

He was aware of trying to speak sternly, and of failing. To save his life he could not, then, bring up before himself the scene in the little back room across the yard in its full terror and reality, reproduce his own feelings of only a few minutes ago which had impelled him hither. A month, a year might have elapsed. Every faculty was now centred on the woman in front of him, and on her life.

"Why do you doubt me?" he asked.

She continued to contemplate him. Her eyes were strange, baffling, smouldering, yellow-brown, shifting, yet not shifty: eyes with a history. Her laugh proclaimed both effrontery and uneasiness.

"Don't get huffy," she said. "The kid's sick—that's on the level, is it? You didn't come 'round to see me?" The insinuation was in her voice as well as in her words. He did not resent it, but felt an odd thrill of commingled pity and—fear.

"I came for the reason I have given you," he replied; and added, more gently: "I know it is a good deal to ask, but you will be doing a great kindness. The mother is distracted. The child, as I told you, will be taken to the hospital in the morning."

She reached out a hand and closed the piano softly.

"I guess I can hold off for to-night," she said. "Sometimes things get kind of dull—you know, when there's nothing doing, and this keeps me lively. How old is the kid?"

"About nine," he estimated.

"Say, I'm sorry." She spoke with a genuineness of feeling that surprised him. He went slowly, almost apologetically toward the door.

"Good night," he said, "and thank you."

Her look halted him.

"What's your hurry?" she demanded.

"I'm sorry," he said hastily, "but I must be going." He was, in truth, in a panic to leave.

"You're a minister, ain't you?"

"Yes," he said.

"I guess you don't think much of me, do you?" she demanded.

He halted abruptly, struck by the challenge, and he saw that this woman had spoken not for herself, but for an entire outlawed and desperate class. The fact that the words were mocking and brazen made no difference; it would have been odd had they not been so. With a shock of surprise he suddenly remembered that his inability to reach this class had been one of the causes of his despair! And now? With the realization, reaction set in, an overpowering feeling of weariness, a desire—for rest—for sleep. The electric light beside the piano danced before his eyes, yet he heard within him a voice crying out to him to stay. Desperately tired though he was, he must not leave now. He walked slowly to the table, put his hat on it and sat down in a chair beside it.

"Why do you say that?" he asked.

"Oh, cut it out!" said the woman. "I'm on to you church folks." She laughed. "One of 'em came in here once, and wanted to pray. I made a monkey of him."

"I hope," said the rector, smiling a little, "that is not the reason why you wish me to stay."

She regarded him doubtfully.

"You're not the same sort," she announced at length.

"What sort was he?"

"He was easy,—old enough to know better—most of the easy ones are. He marched in sanctimonious as you please, with his mouth full of salvation and Bible verses." She laughed again at the recollection.

"And after that," said the rector, "you felt that ministers were a lot of hypocrites."

"I never had much opinion of 'em," she admitted, "nor of church people, either," she added, with emphasis.

"There's Ferguson, who has the department store,—he's 'way up' in church circles. I saw him a couple of months ago, one Sunday morning, driving to that church on Burton Street, where all the rich folks go. I forget the name—"

"St. John's," he supplied. He had got beyond surprise.

"St. John's—that's it. They tell me he gives a lot of money to it —money that he steals from the girls he hires. Oh, yes, he'll get to heaven—I don't think."

"How do you mean that he steals money from the girls?"

"Say, you are innocent—ain't you! Did you ever go down to that store? Do you know what a floorwalker is? Did you ever see the cheap guys hanging around, and the young swells waiting to get a chance at the girls behind the counters? Why do you suppose so many of 'em take to the easy life? I'll put you next—because Ferguson don't pay 'em enough to live on. That's why. He makes 'em sign a paper, when he hires 'em, that they live at home, that they've got some place to eat and sleep, and they sign it all right. That's to square up Ferguson's conscience. But say, if you think a girl can support herself in this city and dress on what he pays, you've got another guess comin'."

There rose up before him, unsummoned, the image of Nan Ferguson, in all her freshness and innocence, as she had stood beside him on the porch in Park Street. He was somewhat astonished to find himself defending his parishioner.

"May it not be true, in order to compete with other department stores, that Mr. Ferguson has to pay the same wages?" he said.

"Forget it. I guess you know what Galt House is? That's where women like me can go when we get all played out and there's nothing left in the game—it's on River Street. Maybe you've been there."

Hodder nodded.

"Well," she continued, "Ferguson pays a lot of money to keep that going, and gets his name in the papers. He hands over to the hospitals where some of us die—and it's all advertised. He forks out to the church. Now, I put it to you, why don't he sink some of that money where it belongs—in living wages? Because there's nothing in it for him —that's why."

The rector looked at her in silence. He had not suspected her of so much intellect. He glanced about the apartment, at the cheap portiere flung over the sofa; at the gaudy sofa cushions, two of which bore the names and colours of certain colleges. The gas log was almost hidden by dried palm leaves, a cigarette stump lay on the fender; on the mantel above were several photographs of men and at the other side an open door revealed a bedroom.

"This is a nice place, ain't it?" she observed. "I furnished it when I was on velvet—nothing was too good for me. Money's like champagne when you take the cork out, it won't keep. I was rich once. It was lively while it lasted," she added, with a sigh: "I've struck the down trail. I oughtn't, by rights, to be here fooling with you. There's nothing in it." She glanced at the clock. "I ought to get busy."

As the realization of her meaning came to him, he quivered.

"Is there no way but that?" he asked, in a low voice.

"Say, you're not a-goin' to preach, are you?"

"No," he answered, "God forbid! I was not asking the question of you."

She stared at him.

"Of who, then?"

He was silent.

"You've left me at the station. But on the level, you don't seem to know much, that's a fact. You don't think the man who owns these flats is in it for charity, do you? 'Single ladies,' like me, have to give up. And then there are other little grafts that wouldn't interest you. What church do you come from anyway?"

"You mentioned it a little while ago."

"St. John's!" She leaned back against the piano and laughed unrestrainedly. "That's a good one, to think how straight I've been talking to you."

"I'm much obliged to you," he said.

Again she gazed at him, now plainly perplexed.

"What are you giving me?"

"I mean what I say," he answered. "I am obliged to you for telling me things I didn't know. And I appreciate—your asking me to stay."

She was sitting upright now, her expression changed, her breath came more rapidly, her lips parted as she gazed at him.

"Do you know," she said, "I haven't had anybody speak to me like that for four years." Her voice betrayed excitement, and differed in tone, and she had cast off unconsciously the vulgarity of speech. At that moment she seemed reminiscent of what she must once have been; and he found himself going through an effort at reconstruction.

"Like what?" he asked.

"Like a woman," she answered vehemently.

"My name is John Hodder," he said, "and I live in the parish house, next door to the church. I should like to be your friend, if you will let me. If I can be of any help to you now, or at any other time, I shall feel happy. I promise not to preach," he added.

She got up abruptly, and went to the window. And when she turned to him again, it was with something of the old bravado.

"You'd better leave me alone, I'm no good;" she said. "I'm much obliged to you, but I don't want any charity or probation houses in mine. And honest work's a thing of the past for me—even if I could get a job. Nobody would have me. But if they would, I couldn't work any more. I've got out of the hang of it." With a swift and decisive movement she crossed the room, opened a cabinet on the wall, revealing a bottle and glasses.

"So you're bent upon going—downhill?" he said.

"What can you do to stop it?" she retorted defiantly, "Give me religion —-I guess you'd tell me. Religion's all right for those on top, but say, it would be a joke if I got it. There ain't any danger. But if I did, it wouldn't pay room-rent and board."

He sat mute. Once more the truth overwhelmed, the folly of his former optimism arose to mock him. What he beheld now, in its true aspect, was a disease of that civilization he had championed. . .

She took the bottle from the cupboard and laid it on the table.

"What's the difference?" she demanded. "It's all over in a little while, anyway. I guess you'd tell me there was a hell. But if that's so, some of your church folks'll broil, too. I'll take my chance on it, if they will." She looked at him, half in defiance, half in friendliness, across the table. "Say, you mean all right, but you're only wastin' time here. You can't do me any good, I tell you, and I've got to get busy."

"May we not at least remain friends?" he asked, after a moment.

Her laugh was a little harsh.

"What kind of friendship would that be? You, a minister, and me a woman on the town?"

"If I can stand it, I should think you might."

"Well, I can't stand it," she answered.

He got up, and held out his hand. She stood seemingly irresolute, and then took it.

"Good night," he said.

"Good night," she repeated nonchalantly.

As he went out of the door she called after him:

"Don't be afraid I'll worry the kid!"

The stale odour of cigarette smoke with which the dim corridor was charged intoxicated, threatened to overpower him. It seemed to be the reek of evil itself. A closing door had a sinister meaning. He hurried; obscurity reigned below, the light in the lower hall being out; fumbled for the door-knob, and once in the street took a deep breath and mopped his brow; but he had not proceeded half a block before he hesitated, retraced his steps, reentered the vestibule, and stooped to peer at the cards under the speaking tubes. Cheaply printed in large script, was the name of the tenant of the second floor rear,—MISS KATE MARCY. . . .

In crossing Tower Street he was frightened by the sharp clanging of a great electric car that roared past him, aflame with light. His brain had seemingly ceased to work, and he stumbled at the curb, for he was very tired. The events of the day no longer differentiated themselves in his mind but lay, a composite weight, upon his heart. At length he reached the silent parish house, climbed the stairs and searched in his pocket for the key of his rooms. The lock yielded, but while feeling for the switch he tripped and almost fell over an obstruction on the floor.

The flooding light revealed his travelling-bags, as he had piled them, packed and ready to go to the station.


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