CHAPTER XXIX

"It appears, Mr. Vane," he said, gathering up the papers and placing them in the boxes, "it appears that we are able to agree upon one point, at least—Hilary Vane."

"Mr. Flint," said Austen, "I did not come up here with any thought of arguing with you, of intruding any ideas—I may hold, but you have yourself asked me one question which I feel bound to answer to the best of my ability before I go. You have asked me what, in my opinion, would happen if you ceased—as you express it—to take an interest in the political, affairs of this State.

"I believe, as firmly as I stand here, that the public opinion which exists to-day would protect your property, and I base that belief on the good sense of the average American voter. The public would protect you not only in its own interests, but from an inherent sense of fair play. On the other hand, if you persist in a course of political manipulation which is not only obsolete but wrong, you will magnify the just charges against you, and the just wrath; you will put ammunition into the hands of the agitators you rightly condemn. The stockholders of your corporation, perhaps, are bound to suffer some from the fact that you have taken its life-blood to pay dividends, and the public will demand that it be built up into a normal and healthy condition. On the other hand, it could not have gone on as it was. But the corporation will suffer much more if a delayed justice is turned into vengeance.

"You ask me what I could do. I should recognize, frankly, the new conditions, and declare as frankly what the old ones were, and why such methods of defence as you adopted were necessary and justified. I should announce, openly, that from this day onward the Northeastern Railroads depended for fair play on an enlightened public—and I think your trust would be well founded, and your course vindicated. I should declare, from this day onward, that the issue of political passes, newspaper passes, and all other subterfuges would be stopped, and that all political hirelings would be dismissed. I should appeal to the people of this State to raise up political leaders who would say to the corporations, 'We will protect you from injustice if you will come before the elected representatives of the people, openly, and say what you want and why you want it.' By such a course you would have, in a day, the affection of the people instead of their distrust. They would rally to your defence. And, more than that, you would have done a service for American government the value of which cannot well be estimated."

Mr. Flint rang the bell on his desk, and his secretary appeared.

"Put these in my private safe, Mr. Freeman," he said.

Mr. Freeman took the boxes, glanced curiously at Austen, and went out. It was the same secretary, Austen recalled, who had congratulated him four years before. Then Mr. Flint laid his hand deliberately on the desk, and smiled slightly as he turned to Austen.

"If you had run a railroad as long as I have, Mr. Vane," he said, "I do you the credit of thinking that you would have intelligence enough to grasp other factors which your present opportunities for observation have not permitted you to perceive. Nevertheless, I am much obliged to you for your opinion, and I value the—frankness in which it was given. And I shall hope to hear good news of your father. Remember me to him, and tell him how deeply I feel his affliction. I shall call again in a day or two."

Austen took up his hat.

"Good day, Mr. Flint," he said; "I will tell him."

By the time he had reached the door, Mr. Flint had gone back to the window once more, and appeared to have forgotten his presence.

Austen himself could not well have defined his mental state as he made his way through the big rooms towards the door, but he was aware of one main desire—to escape from Fairview. With the odours of the flowers in the tall silver vases on the piano—her piano!—the spirit of desire which had so long possessed him, waking and sleeping, returned,—returned to torture him now with greater skill amidst these her possessions; her volume of Chopin on the rack, bound in red leather and stamped with her initials, which compelled his glance as he passed, and brought vivid to his memory the night he had stood in the snow and heard her playing. So, he told himself, it must always be, for him to stand in the snow listening.

He reached the hall, with a vast relief perceived that it was empty, and opened the door and went out. Strange that he should note, first of all, as he parsed a moment at the top of the steps, that the very day had changed. The wind had fallen; the sun, well on his course towards the rim of western hills, poured the golden light of autumn over field and forest, while Sawanec was already in the blue shadow; the expectant stillness of autumn reigned, and all unconsciously Austen's blood was quickened though a quickening of pain.

The surprise of the instant over, he noticed that his horse was gone, —had evidently been taken to the stables. And rather than ring the bell and wait in the mood in which he found himself, he took the path through the shrubbery from which he had seen the groom emerge.

It turned beyond the corner of the house, descended a flight of stone steps, and turned again.

They stood gazing each at the other for a space of time not to be computed before either spoke, and the sense of unreality which comes with a sudden fulfilment of intense desire—or dread—was upon Austen. Could this indeed be her figure, and this her face on which he watched the colour rise (so he remembered afterwards) like the slow flood of day? Were there so many Victorias, that a new one—and a strange one—should confront him at every meeting? And, even while he looked, this Victoria, too,—one who had been near him and departed,—was surveying him now from an unapproachable height of self-possession and calm. She held out her hand, and he took it, scarce knowing—that it was hers.

"How do you do, Mr. Vane?" she said; "I did not expect to meet you here."

"I was searching for the stable, to get my horse," he answered lamely.

"And your father?" she asked quickly; "I hope he is not—worse."

It was thus she supplied him, quite naturally, with an excuse for being at Fairview. And yet her solicitude for Hilary was wholly unaffected.

"Dr. Harmon, who came from New York, has been more encouraging than I had dared to hope," said Austen. "And, by the way, Mr. Vane believes that you had a share in the fruit and flowers which Mr. Flint so kindly brought. If—he had known that I were to see you, I am sure he would have wished me to thank you."

Victoria turned, and tore a leaf from the spiraea.

"I will show you where the stables are," she said; "the path divides a little farther on—and you might find yourself in the kitchen."

Austen smiled, and as she went on slowly, he followed her, the path not being wide enough for them to walk abreast, his eyes caressing the stray hairs that clustered about her neck and caught the light. It seemed so real, and yet so unrealizable, that he should be here with her.

"I am afraid," he said, "that I did not express my gratitude as I should have done the evening you were good enough to come up to Jabe Jenney's."

He saw her colour rise again, but she did not pause.

"Please don't say anything about it, Mr. Vane. Of course I understand how you felt," she cried.

"Neither my father nor myself will forget that service," said Austen.

"It was nothing," answered Victoria, in a low voice. "Or, rather, it was something I shall always be glad that I did not miss. I have seen Mr. Vane all my life, but I never=-never really knew him until that day. I have come to the conclusion," she added, in a lighter tone, "that the young are not always the best judges of the old. There," she added, "is the path that goes to the kitchen, which you probably would have taken."

He laughed. Past and future were blotted out, and he lived only in the present. He could think of nothing but that she was here beside him. Afterwards, cataclysms might come and welcome.

"Isn't there another place," he asked, "where I might lose my way?"

She turned and gave him one of the swift, searching looks he recalled so well: a look the meaning of which he could not declare, save that she seemed vainly striving to fathom something in him—as though he were not fathomable! He thought she smiled a little as she took the left-hand path.

"You will remember me to your father?" she said. "I hope he is not suffering."

"He is not suffering," Austen replied. "Perhaps—if it were not too much to ask—perhaps you might come to see him, sometime? I can think of nothing that would give him greater pleasure."

"I will come—sometime," she answered. "I am going away to-morrow, but—"

"Away?" he repeated, in dismay. Now that he was beside her, all unconsciously the dominating male spirit which was so strong in him, and which moves not woman alone, but the world, was asserting itself. For the moment he was the only man, and she the only woman, in the universe.

"I am going on a promised visit to a friend of mine."

"For how long?" he demanded.

"I don't know, said Victoria, calmly; probably until she gets tired of me. And there," she added, "are the stables, where no doubt you will find your faithful Pepper."

They had come out upon an elevation above the hard service drive, and across it, below them, was the coach house with its clock-tower and weather-vane, and its two wings, enclosing a paved court where a whistling stable-boy was washing a carriage. Austen regarded this scene an instant, and glanced back at her profile. It was expressionless.

"Might I not linger—a few minutes?" he asked.

Her lips parted slightly in a smile, and she turned her head. How wonderfully, he thought, it was poised upon her shoulders.

"I haven't been very hospitable, have I?" she said. But then, you seemed in such a hurry to go, didn't you? You were walking so fast when I met you that you quite frightened me."

"Was I?" asked Austen, in surprise.

She laughed.

"You looked as if you were ready to charge somebody. But this isn't a very nice place—to linger, and if you really will stay awhile," said Victoria, "we might walk over to the dairy, where that model protege of yours, Eben Fitch, whom you once threatened with corporal chastisement if he fell from grace, is engaged. I know he will be glad to see you."

Austen laughed as he caught up with her. She was already halfway across the road.

"Do you always beat people if they do wrong?" she asked.

"It was Eben who requested it, if I remember rightly," he said. "Fortunately, the trial has not yet arrived. Your methods," he added, "seem to be more successful with Eben."

They went down the grassy slope with its groups of half-grown trees; through an orchard shot with slanting, yellow sunlight,—the golden fruit, harvested by the morning winds, littering the ground; and then by a gate into a dimpled, emerald pasture slope where the Guernseys were feeding along a water run. They spoke of trivial things that found no place in Austen's memory, and at times, upon one pretext or another, he fell behind a little that he might feast his eyes upon her.

Eben was not at the dairy, and Austen betraying no undue curiosity as to his whereabouts, they walked on up the slopes, and still upward towards the crest of the range of hills that marked the course of the Blue. He did not allow his mind to dwell upon this new footing they were on, but clung to it. Before, in those delicious moments with her, seemingly pilfered from the angry gods, the sense of intimacy had been deep; deep, because robbing the gods together, they had shared the feeling of guilt, had known that retribution would coma. And now the gods had locked their treasure-chest, although themselves powerless to redeem from him the memory of what he had gained. Nor could they, apparently, deprive him of the vision of her in the fields and woods beside him, though transformed by their magic into a new Victoria, keeping him lightly and easily at a distance.

Scattering the sheep that flecked the velvet turf of the uplands, they stood at length on the granite crown of the crest itself. Far below them wound the Blue into its vale of sapphire shadows, with its hillsides of the mystic fabric of the backgrounds of the masters of the Renaissance. For a while they stood in silence under the spell of the scene's enchantment, and then Victoria seated herself on the rock, and he dropped to a place at her side.

"I thought you would like the view," she said; "but perhaps you have been here, perhaps I am taking you to one of your own possessions."

He had flung his hat upon the rock, and she glanced at his serious, sunburned face. His eyes were still fixed, contemplatively, on the Yale of the Blue, but he turned to her with a smile.

"It has become yours by right of conquest," he answered.

She did not reply to that. The immobility of her face, save for the one look she had flashed upon him, surprised and puzzled him more and more —the world—old, indefinable, eternal feminine quality of the Spring.

"So you refused to be governor? she said presently,—surprising him again.

"It scarcely came to that," he replied.

"What did it come to?" she demanded.

He hesitated.

"I had to go down to the capital, on my father's account, but I did not go to the convention. I stayed," he said slowly, "at the little cottage across from the Duncan house where—you were last winter." He paused, but she gave no sign. "Tom Gaylord came up there late in the afternoon, and wanted me to be a candidate."

"And you refused?"

"Yes."

"But you could have been nominated!"

"Yes," he admitted; "it is probable. The conditions were chaotic."

"Are you sure you have done right?" she asked. "It has always seemed to me from what I know and have heard of you that you were made for positions of trust. You would have been a better governor than the man they have nominated."

His expression became set.

"I am sure I have done right," he answered deliberately. "It doesn't make any difference who is governor this time."

"Doesn't make any difference!" she exclaimed.

"No," he said. "Things have changed—the people have changed. The old method of politics, which was wrong, although it had some justification in conditions, has gone out. A new and more desirable state of affairs has come. I am at liberty to say this much to you now," he added, fixing his glance upon her, "because my father has resigned as counsel for the Northeastern, and I have just had a talk with—Mr. Flint."

"You have seen my father?" she asked, in a low voice, and her face was averted.

"Yes," he answered.

"You—did not agree," she said quickly.

His blood beat higher at the question and the manner of her asking it, but he felt that he must answer it honestly, unequivocally, whatever the cost.

"No, we did not agree. It is only fair to tell you that we differed —vitally. On the other hand, it is just that you should know that we did not part in anger, but, I think, with a mutual respect."

She drew breath.

"I knew," she said, "I knew if he could but talk to you he would understand that you were sincere—and you have proved it. I am glad—I am glad that you saw him." The quality of the sunlight changed, the very hills leaped, and the river sparkled. Could she care? Why did she wish her father to know that he was sincere.

"You are glad that I saw him!" he repeated.

But she met his glance steadily.

"My father has so little faith in human nature," she answered. "He has a faculty of doubting the honesty of his opponents—I suppose because so many of them have been dishonest. And—I believe in my friends," she added, smiling. "Isn't it natural that I should wish to have my judgment vindicated?"

He got to his feet and walked slowly to the far edge of the rock, where he stood for a while, seemingly gazing off across the spaces to Sawanec. It was like him, thus to question the immutable. Victoria sat motionless, but her eyes followed irresistibly the lines of power in the tall figure against the sky—the breadth of shoulder and slimness of hip and length of limb typical of the men who had conquered and held this land for their descendants. Suddenly, with a characteristic movement of determination; he swung about and came towards her, and at the same instant she rose.

"Don't you think we should be going back?" she said.

Rut he seemed not to hear her.

"May I ask you something?" he said.

"That depends," she answered.

"Are you going to marry Mr. Rangely?"

"No," she said, and turned away. "Why did you think that?"

He quivered.

"Victoria!"

She looked up at him, swiftly, half revealed, her eyes like stars surprised by the flush of dawn in her cheeks. Hope quickened at the vision of hope, the seats of judgment themselves were filled with radiance, and rumour, cowered and fled like the spirit of night. He could only gaze, enraptured.

"Yes?" she answered.

His voice was firm but low, yet vibrant with sincerity, with the vast store of feeling, of compelling magnetism that was in the man and moved in spite of themselves those who knew him. His words Victoria remembered afterwards—all of them; but it was to the call of the voice she responded. His was the fibre which grows stronger in times of crisis. Sure of himself, proud of the love which he declared, he spoke as a man who has earned that for which he prays,—simply and with dignity.

"I love you," he said; "I have known it since I have known you, but you must see why I could not tell you so. It was very hard, for there were times when I led myself to believe that you might come to love me. There were times when I should have gone away if I hadn't made a promise to stay in Ripton. I ask you to marry me, because I—know that I shall love you as long as I live. I can give you this, at least, and I can promise to protect and cherish you. I cannot give you that to which you have been accustomed all your life, that which you have here at Fairview, but I shouldn't say this to you if I believed that you cared for them above —other things."

"Oh, Austen!" she cried, "I do not—I—do not! They would be hateful to me—without you. I would rather live with you—at Jabe Jenney's," and her voice caught in an exquisite note between laughter and tears. "I love you, do you understand, you! Oh, how could you ever have doubted it? How could you? What you believe, I believe. And, Austen, I have been so unhappy for three days."

He never knew whether, as the most precious of graces ever conferred upon man, with a womanly gesture she had raised her arms and laid her hands upon his shoulders before he drew her to him and kissed her face, that vied in colour with the coming glow in the western sky. Above the prying eyes of men, above the world itself, he held her, striving to realize some little of the vast joy of this possession, and failing. And at last she drew away from him, gently, that she might look searchingly into his face again, and shook her head slowly.

"And you were going away," she said, "without a word I thought—you didn't care. How could I have known that you were just—stupid?"

His eyes lighted with humour and tenderness.

"How long have you cared, Victoria?" he asked.

She became thoughtful.

"Always, I think," she answered; "only I didn't know it. I think I loved you even before I saw you."

"Before you saw me!"

"I think it began," said Victoria, "when I learned that you had shot Mr.Blodgett—only I hope you will never do such a thing again. And you willplease try to remember," she added, after a moment, "that I am neitherEben Fitch nor your friend, Tom Gaylord."

Sunset found them seated on the rock, with the waters of the river turned to wine at the miracle in the sky their miracle. At times their eyes wandered to the mountain, which seemed to regard them from a discreet distance—with a kindly and protecting majesty.

"And you promised," said Victoria, "to take me up there. When will you do it?"

"I thought you were going away," he replied.

"Unforeseen circumstances," she answered, "have compelled me to change my plans."

"Then we will go tomorrow," he said.

"To the Delectable Land," said Victoria, dreamily; "your land, where we shall be—benevolent despots. Austen?"

"Yes?" He had not ceased to thrill at the sound of his name upon her lips.

"Do you think," she asked, glancing at him, "do you think you have money enough to go abroad—just for a little while?"

He laughed joyously.

"I don't know," he said, "but I shall make it a point to examine my bank-account to-night. I haven't done so—for some time."

"We will go to Venice, and drift about in a gondola on one of those gray days when the haze comes in from the Adriatic and touches the city with the magic of the past. Sometimes I like the gray days best—when I am happy. And then," she added, regarding him critically, "although you are very near perfection, there are some things you ought to see and learn to make your education complete. I will take you to all the queer places I love. When you are ambassador to France, you know, it would be humiliating to have to have an interpreter, wouldn't it?"

"What's the use of both of us knowing the language?" he demanded.

"I'm afraid we shall be—too happy," she sighed, presently.

"Too happy!" he repeated.

"I sometimes wonder," she said, "whether happiness and achievement go together. And yet—I feel sure that you will achieve."

"To please you, Victoria," he answered, "I think I should almost be willing to try."

By request of one who has read thus far, and is still curious.

Yes, and another who, in spite of himself, has fallen in love with Victoria and would like to linger a while longer, even though it were with the paltry excuse of discussing that world-old question of hers—Can sublime happiness and achievement go together? Novels on the problem of sex nowadays often begin with marriages, but rarely discuss the happy ones; and many a woman is forced to sit wistfully at home while her companion soars.

"Yet may I look with heart unshookOn blow brought home or missed—Yet may I hear with equal earThe clarions down the List;Yet set my lance above mischanceAnd ride the barriere—Oh, hit or miss, how little 'tis,My Lady is not there!"

A verse, in this connection, which may be a perversion of Mr. Kipling's meaning, but not so far from it, after all. And yet, would the eagle attempt the great flights if contentment were on the plain? Find the mainspring of achievement, and you hold in your hand the secret of the world's mechanism. Some aver that it is woman.

Do the gods ever confer the rarest of gifts upon him to whom they have given pinions? Do they mate him, ever, with another who soars as high as he, who circles higher that he may circle higher still? Who can answer? Must those who soar be condemned to eternal loneliness, and was it a longing they did not comprehend which bade them stretch their wings toward the sun? Who can say?

Alas, we cannot write of the future of Austen and Victoria Vane! We can only surmise, and hope, and pray,—yes, and believe. Romance walks with parted lips and head raised to the sky; and let us follow her, because thereby our eyes are raised with hers. We must believe, or perish.

Postscripts are not fashionable. The satiated theatre goer leaves before the end of the play, and has worked out the problem for himself long before the end of the last act. Sentiment is not supposed to exist in the orchestra seats. But above (in many senses) is the gallery, from whence an excited voice cries out when the sleeper returns to life, "It's Rip Van Winkle!" The gallery, where are the human passions which make this world our world; the gallery, played upon by anger, vengeance, derision, triumph, hate, and love; the gallery, which lingers and applauds long after the fifth curtain, and then goes reluctantly home—to dream. And he who scorns the gallery is no artist, for there lives the soul of art. We raise our eyes to it, and to it we dedicate this our play;—and for it we lift the curtain once more after those in the orchestra have departed.

It is obviously impossible, in a few words, to depict the excitement in Ripton, in Leith, in the State at large, when it became known that the daughter of Mr. Flint was to marry Austen Vane,—a fitting if unexpected climax to a drama. How would Mr. Flint take it? Mr. Flint, it may be said, took it philosophically; and when Austen went up to see him upon this matter, he shook hands with his future son-in-law,—and they agreed to disagree. And beyond this it is safe to say that Mr. Flint was relieved; for in his secret soul he had for many years entertained a dread that Victoria might marry a foreigner. He had this consolation at any rate.

His wife denied herself for a day to her most intimate friends,—for it was she who had entertained visions of a title; and it was characteristic of the Rose of Sharon that she knew nothing of the Vanes beyond the name. The discovery that the Austens were the oldest family in the State was in the nature of a balm; and henceforth, in speaking of Austen, she never failed to mention the fact that his great-grandfather was Minister to Spain in the '30's,—a period when her own was engaged in a far different calling.

And Hilary Vane received the news with a grim satisfaction, Dr. Tredway believing that it had done more for him than any medicine or specialists. And when, one warm October day, Victoria herself came and sat beside the canopied bed, her conquest was complete: he surrendered to her as he had never before surrendered to man or woman or child, and the desire to live surged back into his heart,—the desire to live for Austen and Victoria. It became her custom to drive to Ripton in the autumn mornings and to sit by the hour reading to Hilary in the mellow sunlight in the lee of the house, near Sarah Austen's little garden. Yes, Victoria believed she had developed in him a taste for reading; although he would have listened to Emerson from her lips.

And sometimes, when she paused after one of his long silences to glance at him, she would see his eyes fixed, with a strange rapt look, on the garden or the dim lavender form of Sawanec through the haze, and knew that he was thinking of a priceless thing which he had once possessed, and missed. Then Victoria would close the volume, and fall to dreaming, too.

What was happiness? Was it contentment? If it were, it might endure, —contentment being passive. But could active, aggressive, exultant joy exist for a lifetime, jealous of its least prerogative, perpetually watchful for its least abatement, singing unending anthems on its conquest of the world? The very intensity of her feelings at such times sobered Victoria—alarmed her. Was not perfection at war with the world's scheme, and did not achievement spring from a void?

But when Austen appeared, with Pepper, to drive her home to Fairview, his presence never failed to revive the fierce faith that it was his destiny to make the world better, and hers to help him. Wondrous afternoons they spent together in that stillest and most mysterious of seasons in the hill country—autumn! Autumn and happiness! Happiness as shameless as the flaunting scarlet maples on the slopes, defiant of the dying year of the future, shadowy and unreal as the hills before them in the haze. Once, after a long silence, she started from a revery with the sudden consciousness of his look intent upon her, and turned with parted lips and eyes which smiled at him out of troubled depths.

"Dreaming, Victoria?" he said.

"Yes," she answered simply, and was silent once more. He loved these silences of hers,—hinting, as they did, of unexplored chambers in an inexhaustible treasure-house which by some strange stroke of destiny was his. And yet he felt at times the vague sadness of them, like the sadness of the autumn, and longed to dispel it.

"It is so wonderful," she went on presently, in a low voice, "it is so wonderful I sometimes think that it must be like—like this; that it cannot last. I have been wondering whether we shall be as happy when the world discovers that you are great."

He shook his head at her slowly, in mild reproof.

"Isn't that borrowing trouble, Victoria?" he said. "I think you need have no fear of finding the world as discerning as yourself."

She searched his face.

"Will you ever change?" she asked.

"Yes," he said. "No man can stand such flattery as that without deteriorating, I warn you. I shall become consequential, and pompous, and altogether insupportable, and then you will leave me and never realize that it has been all your fault."

Victoria laughed. But there was a little tremor in her voice, and her eyes still rested on his face.

"But I am serious, Austen," she said. "I sometimes feel that, in the future, we shall not always have many such days as these. It's selfish, but I can't help it. There are so many things you will have to do without me. Don't you ever think of that?"

His eyes grew grave, and he reached out and took her hand in his.

"I think, rather, of the trials life may bring, Victoria," he answered, "of the hours when judgment halts, when the way is not clear. Do you remember the last night you came to Jabe Jenney's? I stood in the road long after you had gone, and a desolation such as I had never known came over me. I went in at last, and opened a book to some verses I had been reading, which I shall never forget. Shall I tell you what they were?"

"Yes," she whispered.

"They contain my answer to your question," he said.

"What became of all the hopes,Words and song and lute as well?Say, this struck you 'When life gropesFeebly for the path where fellLight last on the evening slopes,

"'One friend in that path shall be,To secure my step from wrong;One to count night day for me,Patient through the watches long,Serving most with none to see.'"

"Victoria, can you guess who that friend is?"

She pressed his hand and smiled at him, but her eyes were wet.

"I have thought of it in that way, too, dear. But—but I did not know that you had. I do not think that many men have that point of view, Austen."

"Many men," he answered, "have not the same reason to be thankful as I."

There is a time, when the first sharp winds which fill the air with flying leaves have come and gone, when the stillness has come again, and the sunlight is tinged with a yellower gold, and the pastures are still a vivid green, and the mountain stained with a deeper blue than any gem, called Indian summer. And it was in this season that Victoria and Austen were married, in a little church at Tunbridge, near Fairview, by the bishop of the diocese, who was one of Victoria's dearest friends. Mr. Thomas Gaylord (for whose benefit there were many rehearsals) was best man, Miss Beatrice Chillingham maid of honour; and it was unanimously declared by Victoria's bridesmaids, who came up from New York, that they had fallen in love with the groom.

How describe the wedding breakfast and festivities at Fairview House, on a November day when young ladies could walk about the lawns in the filmiest of gowns! how recount the guests and leave out no friends—for none were left out! Mr. Jabe Jenney and Mrs. Jenney, who wept as she embraced both bride and groom; and Euphrasia, in a new steel-coloured silk and a state of absolute subjection and incredulous happiness. Would that there were time to chronicle that most amazing of conquests of Victoria over Euphrasia! And Mrs. Pomfret, who, remarkable as it may seem, not only recognized Austen without her lorgnette, but quite overwhelmed him with an unexpected cordiality, and declared her intention of giving them a dinner in New York.

"My dear," she said, after kissing Victoria twice, "he is most distinguished-looking—I had no idea—and a person who grows upon one. And I am told he is descended from Channing Austen, of whom I have often heard my grandfather speak. Victoria, I always had the greatest confidence in your judgment."

Although Victoria had a memory (what woman worth her salt has not?), she was far too happy to remind Mrs. Pomfret of certain former occasions, and merely smiled in a manner which that lady declared to be enigmatic. She maintained that she had never understood Victoria, and it was characteristic of Mrs. Pomfret that her respect increased in direct proportion to her lack of understanding.

Mr. Thomas Gaylord, in a waistcoat which was the admiration of all who beheld it, proposed the health of the bride; and proved indubitably that the best of oratory has its origin in the heart and not in the mind,—for Tom had never been regarded by his friends as a Demosthenes. He was interrupted from time to time by shouts of laughter; certain episodes in the early career of Mr. Austen Vane (in which, if Tom was to be believed, he was an unwilling participant) were particularly appreciated. And shortly after that, amidst a shower of miscellaneous articles and rice, Mr. and Mrs. Vane took their departure.

They drove through the yellow sunlight to Ripton, with lingering looks at the hills which brought back memories of boys and sorrows, and in Hanover Street bade good-by to Hilary Vane. A new and strange contentment shone in his face as he took Victoria's hands in his, and they sat with him until Euphrasia came. It was not until they were well on their way to New York that they opened the letter he had given them, and discovered that it contained something which would have enabled them to remain in Europe the rest of their lives had they so chosen.

We must leave them amongst the sunny ruins of Italy and Greece and southern France, on a marvellous journey that was personally conducted by Victoria.

Mr. Crewe was unable to go to the wedding, having to attend a directors' meeting of some importance in the West. He is still in politics, and still hopeful; and he was married, not long afterwards, to Miss Alice Pomfret.

Fame sometimes comes in the line of dutyGenius is almost one hundred percent directnessIn a frenzy of anticipation, garnished and swept the roomIt's noble, but it don't payTreason to party he regarded with a deep-seated abhorrenceBattles of selfish interests ebbed and flowedA foolish consistency is the hobgoblin of little mindsHis strength was his imperviousness to this kind of a remarkMany a silent tear of which they knew nothingPoliticians are politicians; they have always been corruptGratitude, however, is one of the noblest qualities of manOne of your persistent fallacies is, that I'm still a boyThe burden of the valley of visionThrice-blessed State, in which there were now three reform candidatesYears of regrets for that which might have been

By Winston Churchill

My name is Hugh Paret. I was a corporation lawyer, but by no means a typical one, the choice of my profession being merely incidental, and due, as will be seen, to the accident of environment. The book I am about to write might aptly be called The Autobiography of a Romanticist. In that sense, if in no other, I have been a typical American, regarding my country as the happy hunting-ground of enlightened self-interest, as a function of my desires. Whether or not I have completely got rid of this romantic virus I must leave to those the aim of whose existence is to eradicate it from our literature and our life. A somewhat Augean task!

I have been impelled therefore to make an attempt at setting forth, with what frankness and sincerity I may, with those powers of selection of which I am capable, the life I have lived in this modern America; the passions I have known, the evils I have done. I endeavour to write a biography of the inner life; but in order to do this I shall have to relate those causal experiences of the outer existence that take place in the world of space and time, in the four walls of the home, in the school and university, in the noisy streets, in the realm of business and politics. I shall try to set down, impartially, the motives that have impelled my actions, to reveal in some degree the amazing mixture of good and evil which has made me what I am to-day: to avoid the tricks of memory and resist the inherent desire to present myself other and better than I am. Your American romanticist is a sentimental spoiled child who believes in miracles, whose needs are mostly baubles, whose desires are dreams. Expediency is his motto. Innocent of a knowledge of the principles of the universe, he lives in a state of ceaseless activity, admitting no limitations, impatient of all restrictions. What he wants, he wants very badly indeed. This wanting things was the corner-stone of my character, and I believe that the science of the future will bear me out when I say that it might have been differently built upon. Certain it is that the system of education in vogue in the 70's and 80's never contemplated the search for natural corner-stones.

At all events, when I look back upon the boy I was, I see the beginnings of a real person who fades little by little as manhood arrives and advances, until suddenly I am aware that a stranger has taken his place….

I lived in a city which is now some twelve hours distant from the Atlantic seaboard. A very different city, too, it was in youth, in my grandfather's day and my father's, even in my own boyhood, from what it has since become in this most material of ages.

There is a book of my photographs, preserved by my mother, which I have been looking over lately. First is presented a plump child of two, gazing in smiling trustfulness upon a world of sunshine; later on a lean boy in plaided kilts, whose wavy, chestnut-brown hair has been most carefully parted on the side by Norah, his nurse. The face is still childish. Then appears a youth of fourteen or thereabout in long trousers and the queerest of short jackets, standing beside a marble table against a classic background; he is smiling still in undiminished hope and trust, despite increasing vexations and crossings, meaningless lessons which had to be learned, disciplines to rack an aspiring soul, and long, uncomfortable hours in the stiff pew of the First Presbyterian Church. Associated with this torture is a peculiar Sunday smell and the faint rustling of silk dresses. I can see the stern black figure of Dr. Pound, who made interminable statements to the Lord.

"Oh, Lord," I can hear him say, "thou knowest…"

These pictures, though yellowed and faded, suggest vividly the being I once was, the feelings that possessed and animated me, love for my playmates, vague impulses struggling for expression in a world forever thwarting them. I recall, too, innocent dreams of a future unidentified, dreams from which I emerged vibrating with an energy that was lost for lack of a definite objective: yet it was constantly being renewed. I often wonder what I might have become if it could have been harnessed, directed! Speculations are vain. Calvinism, though it had begun to make compromises, was still a force in those days, inimical to spontaneity and human instincts. And when I think of Calvinism I see, not Dr. Pound, who preached it, but my father, who practised and embodied it. I loved him, but he made of righteousness a stern and terrible thing implying not joy, but punishment, the, suppression rather than the expansion of aspirations. His religion seemed woven all of austerity, contained no shining threads to catch my eye. Dreams, to him, were matters for suspicion and distrust.

I sometimes ask myself, as I gaze upon his portrait now, the duplicate of the one painted for the Bar Association, whether he ever could have felt the secret, hot thrills I knew and did not identify with religion. His religion was real to him, though he failed utterly to make it comprehensible to me. The apparent calmness, evenness of his life awed me. A successful lawyer, a respected and trusted citizen, was he lacking somewhat in virility, vitality? I cannot judge him, even to-day. I never knew him. There were times in my youth when the curtain of his unfamiliar spirit was withdrawn a little: and once, after I had passed the crisis of some childhood disease, I awoke to find him bending over my bed with a tender expression that surprised and puzzled me.

He was well educated, and from his portrait a shrewd observer might divine in him a genteel taste for literature. The fine features bear witness to the influence of an American environment, yet suggest the intellectual Englishman of Matthew Arnold's time. The face is distinguished, ascetic, the chestnut hair lighter and thinner than my own; the side whiskers are not too obtrusive, the eyes blue-grey. There is a large black cravat crossed and held by a cameo pin, and the coat has odd, narrow lapels. His habits of mind were English, although he harmonized well enough with the manners and traditions of a city whose inheritance was Scotch-Irish; and he invariably drank tea for breakfast. One of my earliest recollections is of the silver breakfast service and egg-cups which my great-grandfather brought with him from Sheffield to Philadelphia shortly after the Revolution. His son, Dr. Hugh Moreton Paret, after whom I was named, was the best known physician of the city in the decorous, Second Bank days.

My mother was Sarah Breck. Hers was my Scotch-Irish side. Old Benjamin Breck, her grandfather, undaunted by sea or wilderness, had come straight from Belfast to the little log settlement by the great river that mirrored then the mantle of primeval forest on the hills. So much for chance. He kept a store with a side porch and square-paned windows, where hams and sides of bacon and sugar loaves in blue glazed paper hung beside ploughs and calico prints, barrels of flour, of molasses and rum, all of which had been somehow marvellously transported over the passes of those forbidding mountains,—passes we blithely thread to-day in dining cars and compartment sleepers. Behind the store were moored the barges that floated down on the swift current to the Ohio, carrying goods to even remoter settlements in the western wilderness.

Benjamin, in addition to his emigrant's leather box, brought with him some of that pigment that was to dye the locality for generations a deep blue. I refer, of course, to his Presbyterianism. And in order the better to ensure to his progeny the fastness of this dye, he married the granddaughter of a famous divine, celebrated in the annals of New England,—no doubt with some injustice,—as a staunch advocate on the doctrine of infant damnation. My cousin Robert Breck had old Benjamin's portrait, which has since gone to the Kinley's. Heaven knows who painted it, though no great art were needed to suggest on canvas the tough fabric of that sitter, who was more Irish than Scotch. The heavy stick he holds might, with a slight stretch of the imagination, be a blackthorn; his head looks capable of withstanding many blows; his hand of giving many. And, as I gazed the other day at this picture hanging in the shabby suburban parlour, I could only contrast him with his anaemic descendants who possessed the likeness. Between the children of poor Mary Kinley,—Cousin Robert's daughter, and the hardy stock of the old country there is a gap indeed!

Benjamin Breck made the foundation of a fortune. It was his son who built on the Second Bank the wide, corniced mansion in which to house comfortably his eight children. There, two tiers above the river, lived my paternal grandfather, Dr. Paret, the Breck's physician and friend; the Durretts and the Hambletons, iron-masters; the Hollisters, Sherwins, the McAlerys and Ewanses,—Breck connections,—the Willetts and Ogilvys; in short, everyone of importance in the days between the 'thirties and the Civil War. Theirs were generous houses surrounded by shade trees, with glorious back yards—I have been told—where apricots and pears and peaches and even nectarines grew.

The business of Breck and Company, wholesale grocers, descended to my mother's first cousin, Robert Breck, who lived at Claremore. The very sound of that word once sufficed to give me a shiver of delight; but the Claremore I knew has disappeared as completely as Atlantis, and the place is now a suburb (hateful word!) cut up into building lots and connected with Boyne Street and the business section of the city by trolley lines. Then it was "the country," and fairly saturated with romance. Cousin Robert, when he came into town to spend his days at the store, brought with him some of this romance, I had almost said of this aroma. He was no suburbanite, but rural to the backbone, professing a most proper contempt for dwellers in towns.

Every summer day that dawned held Claremore as a possibility. And such was my capacity for joy that my appetite would depart completely when I heard my mother say, questioningly and with proper wifely respect—

"If you're really going off on a business trip for a day or two, Mr. Paret" (she generally addressed my father thus formally), "I think I'll go to Robert's and take Hugh."

"Shall I tell Norah to pack, mother," I would exclaim, starting up.

"We'll see what your father thinks, my dear."

"Remain at the table until you are excused, Hugh," he would say.

Released at length, I would rush to Norah, who always rejoiced with me, and then to the wire fence which marked the boundary of the Peters domain next door, eager, with the refreshing lack of consideration characteristic of youth, to announce to the Peterses—who were to remain at home the news of my good fortune. There would be Tom and Alfred and Russell and Julia and little Myra with her grass-stained knees, faring forth to seek the adventures of a new day in the shady western yard. Myra was too young not to look wistful at my news, but the others pretended indifference, seeking to lessen my triumph. And it was Julia who invariably retorted "We can go out to Uncle Jake's farm whenever we want to. Can't we, Tom?"…

No journey ever taken since has equalled in ecstasy that leisurely trip of thirteen miles in the narrow-gauge railroad that wound through hot fields of nodding corn tassels and between delicious, acrid-smelling woods to Claremore. No silent palace "sleeping in the sun," no edifice decreed by Kubla Khan could have worn more glamour than the house of Cousin Robert Breck.

It stood half a mile from the drowsy village, deep in its own grounds amidst lawns splashed with shadows, with gravel paths edged—in barbarous fashion, if you please with shells. There were flower beds of equally barbarous design; and two iron deer, which, like the figures on Keats's Grecian urn, were ever ready poised to flee,—and yet never fled. For Cousin Robert was rich, as riches went in those days: not only rich, but comfortable. Stretching behind the house were sweet meadows of hay and red clover basking in the heat, orchards where the cows cropped beneath the trees, arbours where purple clusters of Concords hung beneath warm leaves: there were woods beyond, into which, under the guidance of Willie Breck, I made adventurous excursions, and in the autumn gathered hickories and walnuts. The house was a rambling, wooden mansion painted grey, with red scroll-work on its porches and horsehair furniture inside. Oh, the smell of its darkened interior on a midsummer day! Like the flavour of that choicest of tropical fruits, the mangosteen, it baffles analysis, and the nearest I can come to it is a mixture of matting and corn-bread, with another element too subtle to define.

The hospitality of that house! One would have thought we had arrived, my mother and I, from the ends of the earth, such was the welcome we got from Cousin Jenny, Cousin Robert's wife, from Mary and Helen with the flaxen pig-tails, from Willie, whom I recall as permanently without shoes or stockings. Met and embraced by Cousin Jenny at the station and driven to the house in the squeaky surrey, the moment we arrived she and my mother would put on the dressing-sacks I associated with hot weather, and sit sewing all day long in rocking-chairs at the coolest end of the piazza. The women of that day scorned lying down, except at night, and as evening came on they donned starched dresses; I recall in particular one my mother wore, with little vertical stripes of black and white, and a full skirt. And how they talked, from the beginning of the visit until the end! I have often since wondered where the topics came from.

It was not until nearly seven o'clock that the train arrived which brought home my Cousin Robert. He was a big man; his features and even his ample moustache gave a disconcerting impression of rugged integrity, and I remember him chiefly in an alpaca or seersucker coat. Though much less formal, more democratic—in a word—than my father, I stood in awe of him for a different reason, and this I know now was because he possessed the penetration to discern the flaws in my youthful character,—flaws that persisted in manhood. None so quick as Cousin Robert to detect deceptions which were hidden from my mother.

His hobby was carpentering, and he had a little shop beside the stable filled with shining tools which Willie and I, in spite of their attractions, were forbidden to touch. Willie, by dire experience, had learned to keep the law; but on one occasion I stole in alone, and promptly cut my finger with a chisel. My mother and Cousin Jenny accepted the fiction that the injury had been done with a flint arrowhead that Willie had given me, but when Cousin Robert came home and saw my bound hand and heard the story, he gave me a certain look which sticks in my mind.

"Wonderful people, those Indians were!" he observed. "They could make arrowheads as sharp as chisels."

I was most uncomfortable….

He had a strong voice, and spoke with a rising inflection and a marked accent that still remains peculiar to our locality, although it was much modified in my mother and not at all noticeable in my father; with an odd nasal alteration of the burr our Scotch-Irish ancestors had brought with them across the seas. For instance, he always called my father Mr. Par-r-ret. He had an admiration and respect for him that seemed to forbid the informality of "Matthew." It was shared by others of my father's friends and relations.

"Sarah," Cousin Robert would say to my mother, "you're coddling that boy, you ought to lam him oftener. Hand him over to me for a couple of months—I'll put him through his paces…. So you're going to send him to college, are you? He's too good for old Benjamin's grocery business."

He was very fond of my mother, though he lectured her soundly for her weakness in indulging me. I can see him as he sat at the head of the supper table, carving liberal helpings which Mary and Helen and Willie devoured with country appetites, watching our plates.

"What's the matter, Hugh? You haven't eaten all your lamb."

"He doesn't like fat, Robert," my mother explained.

"I'd teach him to like it if he were my boy."

"Well, Robert, he isn't your boy," Cousin Jenny would remind him…. His bark was worse than his bite. Like many kind people he made use of brusqueness to hide an inner tenderness, and on the train he was hail fellow well met with every Tom, Dick and Harry that commuted,—although the word was not invented in those days,—and the conductor and brakeman too. But he had his standards, and held to them….

Mine was not a questioning childhood, and I was willing to accept the scheme of things as presented to me entire. In my tenderer years, when I had broken one of the commandments on my father's tablet (there were more than ten), and had, on his home-coming, been sent to bed, my mother would come softly upstairs after supper with a book in her hand; a book of selected Bible stories on which Dr. Pound had set the seal of his approval, with a glazed picture cover, representing Daniel in the lions' den and an angel standing beside him. On the somewhat specious plea that Holy Writ might have a chastening effect, she was permitted to minister to me in my shame. The amazing adventure of Shadrach, Meshach and Abednego particularly appealed to an imagination needing little stimulation. It never occurred to me to doubt that these gentlemen had triumphed over caloric laws. But out of my window, at the back of the second storey, I often saw a sudden, crimson glow in the sky to the southward, as though that part of the city had caught fire. There were the big steel-works, my mother told me, belonging to Mr. Durrett and Mr. Hambleton, the father of Ralph Hambleton and the grandfather of Hambleton Durrett, my schoolmates at Miss Caroline's. I invariably connected the glow, not with Hambleton and Ralph, but with Shadrach, Meshach and Abednego! Later on, when my father took me to the steel-works, and I beheld with awe a huge pot filled with molten metal that ran out of it like water, I asked him—if I leaped into that stream, could God save me? He was shocked. Miracles, he told me, didn't happen any more.

"When did they stop?" I demanded.

"About two thousand years ago, my son," he replied gravely.

"Then," said I, "no matter how much I believed in God, he wouldn't save me if I jumped into the big kettle for his sake?"

For this I was properly rebuked and silenced.

My boyhood was filled with obsessing desires. If God, for example, had cast down, out of his abundant store, manna and quail in the desert, why couldn't he fling me a little pocket money? A paltry quarter of a dollar, let us say, which to me represented wealth. To avoid the reproach of the Pharisees, I went into the closet of my bed-chamber to pray, requesting that the quarter should be dropped on the north side of Lyme Street, between Stamford and Tryon; in short, as conveniently near home as possible. Then I issued forth, not feeling overconfident, but hoping. Tom Peters, leaning over the ornamental cast-iron fence which separated his front yard from the street, presently spied me scanning the sidewalk.

"What are you looking for, Hugh?" he demanded with interest.

"Oh, something I dropped," I answered uneasily.

"What?"

Naturally, I refused to tell. It was a broiling, midsummer day; Julia and Russell, who had been warned to stay in the shade, but who were engaged in the experiment of throwing the yellow cat from the top of the lattice fence to see if she would alight on her feet, were presently attracted, and joined in the search. The mystery which I threw around it added to its interest, and I was not inconsiderably annoyed. Suppose one of them were to find the quarter which God had intended for me? Would that be justice?

"It's nothing," I said, and pretended to abandon the quest—to be renewed later. But this ruse failed; they continued obstinately to search; and after a few minutes Tom, with a shout, picked out of a hot crevice between the bricks—a nickel!

"It's mine!" I cried fiercely.

"Did you lose it?" demanded Julia, the canny one, as Tom was about to give it up.

My lying was generally reserved for my elders.

"N-no," I said hesitatingly, "but it's mine all the same. It was—sent to me."

"Sent to you!" they exclaimed, in a chorus of protest and derision. And how, indeed, was I to make good my claim? The Peterses, when assembled, were a clan, led by Julia and in matters of controversy, moved as one. How was I to tell them that in answer to my prayers for twenty-five cents, God had deemed five all that was good for me?

"Some—somebody dropped it there for me."

"Who?" demanded the chorus. "Say, that's a good one!"

Tears suddenly blinded me. Overcome by chagrin, I turned and flew into the house and upstairs into my room, locking the door behind me. An interval ensued, during which I nursed my sense of wrong, and it pleased me to think that the money would bring a curse on the Peters family. At length there came a knock on the door, and a voice calling my name.

"Hugh! Hugh!"

It was Tom.

"Hughie, won't you let me in? I want to give you the nickel."

"Keep it!" I shouted back. "You found it."

Another interval, and then more knocking.

"Open up," he said coaxingly. "I—I want to talk to you."

I relented, and let him in. He pressed the coin into my hand. I refused; he pleaded.

"You found it," I said, "it's yours."

"But—but you were looking for it."

"That makes no difference," I declared magnanimously.

Curiosity overcame him.

"Say, Hughie, if you didn't drop it, who on earth did?"

"Nobody on earth," I replied cryptically….

Naturally, I declined to reveal the secret. Nor was this by any means the only secret I held over the Peters family, who never quite knew what to make of me. They were not troubled with imaginations. Julia was a little older than Tom and had a sharp tongue, but over him I exercised a distinct fascination, and I knew it. Literal himself, good-natured and warm-hearted, the gift I had of tingeing life with romance (to put the thing optimistically), of creating kingdoms out of back yards—at which Julia and Russell sniffed—held his allegiance firm.

I must have been about twelve years of age when I realized that I was possessed of the bard's inheritance. A momentous journey I made with my parents to Boston about this time not only stimulated this gift, but gave me the advantage of which other travellers before me have likewise availed themselves—of being able to take certain poetic liberties with a distant land that my friends at home had never seen. Often during the heat of summer noons when we were assembled under the big maple beside the lattice fence in the Peters' yard, the spirit would move me to relate the most amazing of adventures. Our train, for instance, had been held up in the night by a band of robbers in black masks, and rescued by a traveller who bore a striking resemblance to my Cousin Robert Breck. He had shot two of the robbers. These fabrications, once started, flowed from me with ridiculous ease. I experienced an unwonted exhilaration, exaltation; I began to believe that they had actually occurred. In vain the astute Julia asserted that there were no train robbers in the east. What had my father done? Well, he had been very brave, but he had had no pistol. Had I been frightened? No, not at all; I, too, had wished for a pistol. Why hadn't I spoken of this before? Well, so many things had happened to me I couldn't tell them all at once. It was plain that Julia, though often fascinated against her will, deemed this sort of thing distinctly immoral.

I was a boy divided in two. One part of me dwelt in a fanciful realm of his own weaving, and the other part was a commonplace and protesting inhabitant of a world of lessons, disappointments and discipline. My instincts were not vicious. Ideas bubbled up within me continually from an apparently inexhaustible spring, and the very strength of the longings they set in motion puzzled and troubled my parents: what I seem to see most distinctly now is a young mind engaged in a ceaseless struggle for self-expression, for self-development, against the inertia of a tradition of which my father was the embodiment. He was an enigma to me then. He sincerely loved me, he cherished ambitions concerning me, yet thwarted every natural, budding growth, until I grew unconsciously to regard him as my enemy, although I had an affection for him and a pride in him that flared up at times. Instead of confiding to him my aspirations, vague though they were, I became more and more secretive as I grew older. I knew instinctively that he regarded these aspirations as evidences in my character of serious moral flaws. And I would sooner have suffered many afternoons of his favourite punishment—solitary confinement in my room—than reveal to him those occasional fits of creative fancy which caused me to neglect my lessons in order to put them on paper. Loving literature, in his way, he was characteristically incapable of recognizing the literary instinct, and the symptoms of its early stages he mistook for inherent frivolity, for lack of respect for the truth; in brief, for original sin. At the age of fourteen I had begun secretly (alas, how many things I did secretly!) to write stories of a sort, stories that never were finished.

He regarded reading as duty, not pleasure. He laid out books for me, which I neglected. He was part and parcel of that American environment in which literary ambition was regarded as sheer madness. And no one who has not experienced that environment can have any conception of the pressure it exerted to stifle originality, to thrust the new generation into its religious and commercial moulds. Shall we ever, I wonder, develop the enlightened education that will know how to take advantage of such initiative as was mine? that will be on the watch for it, sympathize with it and guide it to fruition?

I was conscious of still another creative need, that of dramatizing my ideas, of converting them into action. And this need was to lead me farther than ever afield from the path of righteousness. The concrete realization of ideas, as many geniuses will testify, is an expensive undertaking, requiring a little pocket money; and I have already touched upon that subject. My father did not believe in pocket money. A sea story that my Cousin Donald Ewan gave me at Christmas inspired me to compose one of a somewhat different nature; incidentally, I deemed it a vast improvement on Cousin Donald's book. Now, if I only had a boat, with the assistance of Ham Durrett and Tom Peters, Gene Hollister and Perry Blackwood and other friends, this story of mine might be staged. There were, however, as usual, certain seemingly insuperable difficulties: in the first place, it was winter time; in the second, no facilities existed in the city for operations of a nautical character; and, lastly, my Christmas money amounted only to five dollars. It was my father who pointed out these and other objections. For, after a careful perusal of the price lists I had sent for, I had been forced to appeal to him to supply additional funds with which to purchase a row-boat. Incidentally, he read me a lecture on extravagance, referred to my last month's report at the Academy, and finished by declaring that he would not permit me to have a boat even in the highly improbable case of somebody's presenting me with one. Let it not be imagined that my ardour or my determination were extinguished. Shortly after I had retired from his presence it occurred to me that he had said nothing to forbid my making a boat, and the first thing I did after school that day was to procure, for twenty-five cents, a second-hand book on boat construction. The woodshed was chosen as a shipbuilding establishment. It was convenient—and my father never went into the back yard in cold weather. Inquiries of lumber-yards developing the disconcerting fact that four dollars and seventy-five cents was inadequate to buy the material itself, to say nothing of the cost of steaming and bending the ribs, I reluctantly abandoned the ideal of the graceful craft I had sketched, and compromised on a flat bottom. Observe how the ways of deception lead to transgression: I recalled the cast-off lumber pile of Jarvis, the carpenter, a good-natured Englishman, coarse and fat: in our neighbourhood his reputation for obscenity was so well known to mothers that I had been forbidden to go near him or his shop. Grits Jarvis, his son, who had inherited the talent, was also contraband. I can see now the huge bulk of the elder Jarvis as he stood in the melting, soot-powdered snow in front of his shop, and hear his comments on my pertinacity.

"If you ever wants another man's missus when you grows up, my lad, Gawd 'elp 'im!"

"Why should I want another man's wife when I don't want one of my own?" I demanded, indignant.

He laughed with his customary lack of moderation.

"You mind what old Jarvis says," he cried. "What you wants, you gets."

I did get his boards, by sheer insistence. No doubt they were not very valuable, and without question he more than made up for them in my mother's bill. I also got something else of equal value to me at the moment,—the assistance of Grits, the contraband; daily, after school, I smuggled him into the shed through the alley, acquiring likewise the services of Tom Peters, which was more of a triumph than it would seem. Tom always had to be "worked up" to participation in my ideas, but in the end he almost invariably succumbed. The notion of building a boat in the dead of winter, and so far from her native element, naturally struck him at first as ridiculous. Where in Jehoshaphat was I going to sail it if I ever got it made? He much preferred to throw snowballs at innocent wagon drivers.

All that Tom saw, at first, was a dirty, coal-spattered shed with dim recesses, for it was lighted on one side only, and its temperature was somewhere below freezing. Surely he could not be blamed for a tempered enthusiasm! But for me, all the dirt and cold and discomfort were blotted out, and I beheld a gallant craft manned by sturdy seamen forging her way across blue water in the South Seas. Treasure Island, alas, was as yet unwritten; but among my father's books were two old volumes in which I had hitherto taken no interest, with crude engravings of palms and coral reefs, of naked savages and tropical mountains covered with jungle, the adventures, in brief, of one Captain Cook. I also discovered a book by a later traveller. Spurred on by a mysterious motive power, and to the great neglect of the pons asinorum and the staple products of the Southern States, I gathered an amazing amount of information concerning a remote portion of the globe, of head-hunters and poisoned stakes, of typhoons, of queer war-craft that crept up on you while you were dismantling galleons, when desperate hand-to-hand encounters ensued. Little by little as I wove all this into personal adventures soon to be realized, Tom forgot the snowballs and the maddened grocery-men who chased him around the block; while Grits would occasionally stop sawing and cry out:—"Ah, s'y!" frequently adding that he would be G—d—d.

The cold woodshed became a chantry on the New England coast, the alley the wintry sea soon to embrace our ship, the saw-horses—which stood between a coal-bin on one side and unused stalls filled with rubbish and kindling on the other—the ways; the yard behind the lattice fence became a backwater, the flapping clothes the sails of ships that took refuge there—on Mondays and Tuesdays. Even my father was symbolized with unparalleled audacity as a watchful government which had, up to the present, no inkling of our semi-piratical intentions! The cook and the housemaid, though remonstrating against the presence of Grits, were friendly confederates; likewise old Cephas, the darkey who, from my earliest memory, carried coal and wood and blacked the shoes, washed the windows and scrubbed the steps.


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