THE TWO MACBETHS.

[pg 47]

Two men in kilt costume: one is standing haughtily upright, the other is hunched over. They are tied together with a sash that reads 'Hay Market'.

O, Gemini-Crimini!Nimini-PiminiRepresentatives of the Tartan hero,Who wildly tear a passion into ragsMore ragged than the hagsThat round about the cauldron go!Murderers! who murder Shakspeare so,That ’stead of murdering sleep, ye do not do it;But,vice versa, send the audience to it.And, oh!—But no—Illustrious Mac-Beth, or -ready,And thou, small quack,Of plaudits greedy!Our pen, deserted by the tuneful Muses,To write on such a barren theme refuses.

O, Gemini-

Crimini!

Nimini-

Pimini

Representatives of the Tartan hero,

Who wildly tear a passion into rags

More ragged than the hags

That round about the cauldron go!

Murderers! who murder Shakspeare so,

That ’stead of murdering sleep, ye do not do it;

But,vice versa, send the audience to it.

And, oh!—

But no—

Illustrious Mac-

Beth, or -ready,

And thou, small quack,

Of plaudits greedy!

Our pen, deserted by the tuneful Muses,

To write on such a barren theme refuses.

The most splendid night of the season! Friday, the 20th of August.

British Champagne and the British Constitution!—The Church, the State, and Real Turtle!

The performances will commence with

After which,

Which will embrace the whole strength of THE STEWARDS.

In the course of the Evening, the ENLIGHTENED

(Those zealous admirers oftrue British spirit) will parade the room amid

To be followed by a GRAND PANTOMIME, called

OLD GLORY (afterwards Pantaloon) SIR F. BURDETT,

who has kindly offered his services on this occasion.

HARRY HUMBUG (a true British Sailor, afterwards Harlequin), CAPT. ROUS.

DON WHISKERANDOS (afterwards Clown), COL. SIBTHORPE.

The whole to conclude with a grandmélangeof

Stretchers to be at the doors at half-past 2, and policemen to take up with their heads towards Bow-street.

VIVAT REGINA.

The experiments of M. Delafontaine having again raised an outcry against this noble science, from the apparent absence of any benefit likely to arise from it, beyond converting human beings into pincushions and galvanic dummies. We, who look deeper into things than the generality of the world, hail it as an inestimable boon to mankind, and proceed at once to answer the numerous enquirers as to thecui bonoof this novel soporific.

By a judicious application of the mesmeric fluid, the greatest domestic comfort can be insured at the least possible trouble. The happiest Benedict is too well aware that ladies will occasionally exercise their tongues in a way not altogether compatible with marital ideas of quietude. A few passes of the hand (“in the way of kindness for he who would,” &c.videTobin) will now silence the most powerful oral battery; and Tacitus himself might, with the aid of mesmerism, pitch his study in a milliner’s work-room. Hen-pecked husbands have now other means at their command, to secure quiet, than their razors and their garters. We have experimentalised upon our Judy, and find it answer to a miracle. Mrs. Johnson may shut up her laboratory for American Soothing Syrup; mesmerism is the only panacea for those morning and evening infantile ebullitions which affectionate mammas always assign to the teeth, the wind, or a pain in the stomach, and never to that possible cause, a pain in the temper. Mesmerism is “the real blessing to mothers,” and Elliotson the Mrs. Johnson of the day. We have tried it upon our Punchininny, and find it superior to our old practice of throwing him out of the window.

Lovers, to you it is a boon sent by Cupid. Mammas, who will keep in the room when your bosoms are bursting with adoration—fathers, who will wake on the morning of an elopement, when the last trunk and the parrot are confided to you from the window—bailiffs, who will hunt you up and down their bailiwick, even to the church-door, though an heiress is depending upon your character for weekly payments—all are rendered powerless and unobtrusive by this inexplicable palmistry. Candidates, save your money; mesmerise your opponents instead of bribing them, and you may become a patriot by a show of hands.

These are a few of its social advantages—its political uses are unbounded. Why not mesmerise the Chinese? and, as for the Chartists, call out Delafontaine instead of the magistrates—a few mesmeric passes would be an easy and efficient substitute for the “Riot Act.” Then the powers ofclairvoyance—the faculty of seeing with their eyes shut—that it gives to the patient. Mrs. Ratsey, your royal charge might be soothed and instructed at the same time, by substituting a sheet of PUNCH for the purple and fine linen of her little Royal Highness’s nautilus-shell.

Lord John Russell, the policy of your wily adversary would no longer be concealed. Jealous husbands, do you not see a haven of security, for brick walls may be seen through, and letters read in the pocket of your rival, by this magnetic telescope? whilst studious young gentleman may place Homer under their arms, and study Greek without looking at it.

A man reads in front of a bench full of sleeping people.MESMERISM.

MESMERISM.

The Marquis of Waterford and party visited Vauxhall Gardens on Monday. The turnpike man on the bridge was muchstruckby their easy manner of dealing with their inferiors.

Alderman Magnay laid the first shell of an oyster grotto one night this week in the Minories. There was a large party of boys, who, with the worthy Alderman, repaired to a neighbouring fruit-stall, where the festivity of the occasion was kept up for several minutes.

The New Cut was, as usual, a scene of much animation on Saturday last, and there was rather a more brilliant display than customary of new and elegant baked-potato stands. The well-known turn-out, with five lanterns and four apertures for the steam, was the general admiration of the host of pedestrians who throng the Cut between the hours of eight and twelve on Saturday.

SIR R. PEEL, in the celebrated medicinal metaphor with which he lately favoured his constituents at Tamworth, concludes by stating, “that he really believes he does more than any political physician ever did by referring to the prescriptions which he offered in 1835 and 1840, and by saying that he sees no reason to alter them.” This is, to carry out the physical figure, only another version of “the mixture as before.” We are afraid there are no hopes of the patient.

“Why are the Whigs like the toes of a dancing-master?”—“Because theymustbe turned out.”

“Why are Colonel Sibthorp and Mr. Peter Borthwick like the covering of the dancing-master’s toes?”—“Because they are apair of pumps.”

“Why are the Whigs and Tories like the scarlet fever and the measles?”—“Because there’s no telling which is the worst.”

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My uncle Septimus Snagglegrable is no more! Excellent old man! no one knew his worthiness whilst he was of the living, for every one called him a scoundrel.

It is reserved for me to do justice to his memory, and one short sentence will be sufficient for the purpose—he has left me five thousand pounds! I have determined that his benevolence shall not want an imitator, and I have resolved, at a great personal sacrifice, to benefit that portion of my fellow creatures who are denominated ugly. I am particularly so. My complexion is a bright snuff-colour; my eyes are grey, and unprotected by the usual verandahs of eye-lashes; my nose isretroussé, and if it has a bridge, it must be of the suspension order, for it is decidedly concave. I wish Rennie would turn his attention to the state of numerous noses in the metropolis. I am sure a lucrative company might he established for the purpose of erecting bridges to noses that, like my own, have been unprovided by nature. I should be happy to become a director.Revenons nous—my mouth is decidedly large, and my teeth singularly irregular. My father was violently opposed to Dr. Jenner’s “repeal of the small-pox,”44. Baylis.and would not have me vaccinated; the consequence of which has been that my chin is full of little dells, thickly studded with dark and stunted bristles. I have bunions and legs that (as “the right line of beauty’s a curve”) are the perfection of symmetry. My poor mother used to lament what she, in the plenitude of her ignorance, was pleased to denominate my disadvantages. She knew not the power of genius. To me these—well, I’ll call themdefects—have been the source of great profit. For years I have walked about the great metropolis without any known or even conjectural means of subsistence; my coat has always been without a patch—my linen without spot!

Ugly brothers, I am about to impart to you the secret of my existence! I have lived by the fine arts—yes, by sitting as

A model for door-knockers and cherubim for tomb-stones.

The latter may perhaps surprise you, but the contour of my countenance is decidedly infantile—for when had a babby a bridge?—and the addition of a penny trumpet completes the full-blown expression of the light-headed things known to stone-masons as cherubim.

But it is to the art of knocker-designing that I flatter myself I have been of most service. By the elevation of my chin, and the assistance of a long wig, I can present an excellent resemblance of a lion, with this great advantage over the real animal—I can vary the expression according to circumstances—

“As mild as milk, or raging as the storm.”

So that nervous single ladies need not be terrified out of their senses every time they knock at their door, by the grim personification of a Nero at feeding time; or a tender-hearted poor-law guardian be pestered during dinner by invitations afforded to the starving poor by the benevolent expression of his knocker.

Ugly ones! I have now imparted to you my secret.

Oh, Mr. Punch! what glorious timesAre these, for humbly gifted mimes;When, spite of each detracter,Paternal name and filial love,Assisted by “the powers above,”Have made C——s K——n an actor!“’Tis true,” his generous patrons say,“Of genius he ne’er had a ray;Yet, all his faults to smother,The youth inherits, from his sire,A name which all the world admire,And dearly loves his mother!”Stripp’d of his adventitious aid,He ne’er ten pounds a week had made;Yet every Thespian brotherIs now kept down, or put to flight,Whilehegets fifty pounds a night,Because—he loves his mother!Though I’m, in heart and soul, a friendTo genuine talent, Heaven forefendThat I should raise a pother,Because the philanthropic folksWink and applaud a pious hoax,For one who—loves his mother!No! Heaven prolong his parent’s lifeAnd grant that no untimely strifeMay wean them from each other!For soon he’d find the golden fleeceSlip from his grasp, should he e’er ceaseTokeepand—love his mother!

Oh, Mr. Punch! what glorious times

Are these, for humbly gifted mimes;

When, spite of each detracter,

Paternal name and filial love,

Assisted by “the powers above,”

Have made C——s K——n an actor!

“’Tis true,” his generous patrons say,“Of genius he ne’er had a ray;Yet, all his faults to smother,The youth inherits, from his sire,A name which all the world admire,And dearly loves his mother!”

“’Tis true,” his generous patrons say,

“Of genius he ne’er had a ray;

Yet, all his faults to smother,

The youth inherits, from his sire,

A name which all the world admire,

And dearly loves his mother!”

Stripp’d of his adventitious aid,He ne’er ten pounds a week had made;Yet every Thespian brotherIs now kept down, or put to flight,Whilehegets fifty pounds a night,Because—he loves his mother!

Stripp’d of his adventitious aid,

He ne’er ten pounds a week had made;

Yet every Thespian brother

Is now kept down, or put to flight,

Whilehegets fifty pounds a night,

Because—he loves his mother!

Though I’m, in heart and soul, a friendTo genuine talent, Heaven forefendThat I should raise a pother,Because the philanthropic folksWink and applaud a pious hoax,For one who—loves his mother!

Though I’m, in heart and soul, a friend

To genuine talent, Heaven forefend

That I should raise a pother,

Because the philanthropic folks

Wink and applaud a pious hoax,

For one who—loves his mother!

No! Heaven prolong his parent’s lifeAnd grant that no untimely strifeMay wean them from each other!For soon he’d find the golden fleeceSlip from his grasp, should he e’er ceaseTokeepand—love his mother!

No! Heaven prolong his parent’s life

And grant that no untimely strife

May wean them from each other!

For soon he’d find the golden fleece

Slip from his grasp, should he e’er cease

Tokeepand—love his mother!

Why is a chesnut horse, going at a rapid pace up an inclined plane, like an individual in white trousers presenting a young lady in book muslin with an infantine specimen of the canine species?—Because he is givinga gallop up(a girl a pup).

The distresses of actors distress nobody but themselves. A tale of woe told off the stage by a broad comedian, begets little sympathy; and if he is in the “heavy line,” people say he is used to it, and is only acting—playing off upon you a melancholy joke, that he may judge how it willtellat night. Thus, when misfortune takes a benefit, charity seldom takes tickets; for she is always sceptical about the so-called miseries of the most giddy, volatile, jolly, careless, uncomplaining (where managers and bad parts are not concerned) vainest, and apparently, happiest possible members of the community, who are so completely associated with fiction, that they are hardly believed when telling the truth.Par exemple—nothing can be more true than that Astley’s Theatre was burnt down the other day; that the whole of that large establishment were suddenly thrown out of employ; that their wardrobes were burnt to rags, their properties reduced to a cinder, and their means of subsistence roasted in a too rapid fire. True also is it, that to keep the wolf from their own doors, those of the Olympic have been opened, where the really dismounted cavalry of Astley’s are continuing their campaign, having appealed to the public to support them. Judging from the night we were present, that support has been extended with a degree of lukewarmness which is exactly proportionate to the effect produced by the appeals of actors when misfortune overtakes them.

But, besides public sympathy, they put forth other claims for support. The amusements they offer are of extraordinary merit. The acting of Mr. H. Widdicomb, of Miss Daly, and Mr. Sidney Forster, was, in the piece we saw—“The Old House at Home”—full of nature and quiet touches of feeling scarcely to be met with on any other stage. Still these are qualifications the “general” do not always appreciate; though they often draw tears, they seldom draw money. Very well, to meet that deficiency, other and more popular actors have come forward to offer their aid. Mr. T.P. Cooke has already done his part, as he always does it, nobly. The same may be said of Mr. Hammond. When we were present, Mrs. H.L. Grattan and Mr. Balls appeared in the “Lady of Munster.” Mr. Sloan, a popular Irish comedian from the provinces, has lent a helping hand, by coming out in a new drama. Mr. Keeley is also announced.

The pieces we saw were well got up and carefully acted; so that the patrons of the drama need not dread that, in this instance, the Astleyan-Olympic actors believe that “charity covers a multitude of sins.” They don’t care who sees their faults—the more the better.

When a certain class of persons, whose antipathy to gratis sea-voyages is by no means remarkable, are overtaken by the police and misfortune; when the last legal quibble has been raised upon their case and failed; when, indeed, to use their own elegant phraseology, they are “regularly stumped and done up;” then—and, to do them justice, not till then—they resort to confession, and to turning king’s evidence against their accomplices.

This seems to be exactly the case with the drama, which is evidently in the last stage of decline; the consumption of new subjects having exhausted the supply. The French has been “taken from” till it has nothing more to give; the Newgate Calendar no longer affords materials; for an entire dramatic edition of it might be collected (a valuable hint this for the Syncretic Society, that desperate association for producing un-actable dramas)—the very air is exhausted in a theatrical sense; for “life in the clouds” has been long voted “law;” whilst the play-writing craft have already robbed the regions below of every spark of poetic fire; devils are decidedly out of date. In short, and not to mince the matter, as hyenas are said to stave off starvation by eating their own haunches, so the dramamustbe on its last legs, when actors turn king’s evidence, and exhibit to the public how they flirt and quarrel, and eat oysters and drink porter, and scandalise and make fun—how, in fact, they disport themselves “Behind the Scenes.”

A visit to the English Opera will gratify those of the uninitiated, who are anxious to get acquainted with the manners and customs of the ladies and gentlemen of thecorps dramatique“at the wing.” Otherwise than as a sign of dramatic destitution, the piece called “Behind the Scenes” is highly amusing. Mr. Wild’s acting displays that happy medium between jocularity and earnest, which is the perfection of burlesque. Mrs. Selby plays the “leading lady” without the smallest effort, and invites the first tragedian to her treat of oysters and beer with considerableempressement, though supposed to be labouring at the timeunderthe stroke of the headsman’s axe. Lastly, it would be an act of injustice to Mr. Selby to pass hisSpooney Negusover in silence. PUNCH has too brotherly an affection for his fellow-actors, to hide their faults; in the hope that, by shewing themveluti in speculum, they may be amended. In all kindness, therefore, he entreats Mr. Selby, if he be not bent upon hastening his own ruin, if he have any regard for the feelings of unoffending audiences, who always witness the degradation of human nature with pain—he implores him to provide a substitute forNegus. Every actor knows the difference between portraying imbecility andbeingsilly himself—between puerility, as characteristic of a partin posse, and as being a trait of the performerin esse. To this rule Mr. Selby, in this part, is a melancholy exception; for he seems utterly ignorant of such a distinction, broad as it is—he is silly himself, instead of causing silliness inSpooney. This is the more to be regretted, as whoever witnessed, with us, the first piece, saw in Mr. Selby a respectable representative of an old dandy in “Barnaby Rudge.” Moreover, the same gentleman is, we understand, the adapter of the drama from Boz’s tale. That too proves him to be a clever contriver of situations, and an ingenious adept with the pen and scissors.

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Two slender men are shaking hands. Their bodies form the letter H.

Haberdashers, continued my friend the boot, are wonderful people; they make the greatest show out of the smallest stock—whether of brains or ribbons—of any men in the world. A stranger could not pass through the village of Ballybreesthawn without being attracted by a shop which occupied the corner of the Market-square and the main street, with a window looking both ways for custom. In these windows were displayed sundry articles of use and ornament—toys, stationery, perfumery, ribbons, laces, hardware, spectacles, and Dutch dolls.

In a glass-case on the counter were exhibited patent medicines, Birmingham jewellery, court-plaister, and side-combs. Behind the counter might be seen Mr. Matthew Tibbins, quite a precedent for country shop-keepers, with uncommonly fair hair and slender fingers, a profusion of visible linen, and a most engaging lisp. In addition to his personal attractions, Tibbins possessed a large stock of accomplishments, which, like his goods, “might safely challenge competition.” He was an acknowledged wit, and retailed compliments and cotton balls to the young ladies who visited his emporium. As a poet, too, his merits were universally known; for he had once contributed a poetic charade to theLadies’ Almanack. He, moreover, played delightfully on the Jews’-harp, knew several mysterious tricks in cards, and was an adept in the science of bread and butter-cutting, which made him a prodigious favourite with maiden aunts and side-table cousins. This was the individual whom fate had ordained to cross and thwart Terence in his designs upon the heart of Miss Biddy O’Brannigan, and upon whom that young lady, in sport or caprice, bestowed a large dividend of those smiles which Terence imagined should be devoted solely to himself.

The man of small wares was, in truth, a dangerous rival, from his very insignificance. Had he been a man of spirit or corporal consideration, Terence would have pistolled or thrashed him out of his audacious notions; but the creature was so smiling and submissive that he could not, for the life of him, dirty his fingers with such a contemptible wretch. Thus Tibbins continued flattering and wriggling himself into Miss Biddy’s good graces, while Terence was fighting and kissing the way to her heart, till the poor girl was fairly bothered between them.

Miss Biddy O’Brannigan, I should have told you, sir, was an heiress, valued at one thousand pounds in hard cash, living with an old aunt at Rookawn Lodge, about six miles from Ballybreesthawn; and to this retreat of the loves and graces might the rival lovers be seen directing their course, after mass, every Sunday;—the haberdasher in a green gig with red wheels, and your uncle mounted on a bit of blood, taking the coal off Tibbins’s pipe with the impudence of his air, and the elegant polish of your humble servants.

Matters went on in this way for some time—Miss O’Brannigan not having declared in favour of either of her suitors—when one bitter cold evening, I remember it was in the middle of January, we were whipped off our peg in the hall, and in company with our fellow-labourers, the buckskin continuations, were carried up to your uncle, whom we found busily preparing for a ball, which was to be given that night by the heiress of Rookawn Lodge. I confess that my brother and myself felt a strong presentiment that something unfortunate would occur, and our forebodings were shared by the buckskins, who, like ourselves, felt considerable reluctance to join in the expedition. Remonstrance, however, would have been idle; we therefore submitted with the best grace we could, and in a few minutes were bestriding Terence’s favourite hunter, and crossing the country over ditch, dyke, and drain, as if we were tallying at the tail of a fox. The night was dark, and a recent fall of rain had so swollen a mountain stream which lay in our road, that when we reached the ford, which was generally passable by foot passengers, Terence was obliged to swim his horse across, and to dismount on the opposite side, in order to assist the animal up a steep clayey bank which had been formed by the torrent undermining and cutting away the old banks.

Although we had received no material damage, you may suppose that our appearance was not much improved by the water and yellow clay into which we had been plunged; and had it been possible, we would have blushed with vexation, on finding ourselves introduced by Terence in a very unseemly state, amidst the titters of a number of young people, into the ball-room at Rookawn Lodge. However, we became somewhat reassured, when we heard the droll manner in which he related his swim, with such ornamental flourishes and romantic embellishments as made him an object of general interest during the night.

Matthew Tibbins had already taken the field in a blue satin waistcoat and nankeen trousers. At the instant we entered the dancing-room, he had commenced lisping to Miss Biddy, in a tender love-subdued tone, a couplet which he had committed to memory for the occasion, when a glance of terrible meaning from Terence’s eye met his—the unfinished stanza died in his throat, and without waiting the nearer encounter of his dreaded rival, he retreated to a distant corner of the apartment, leaving to Terence the post of honour beside the heiress.

“Mr. Duffy,” said she, accompanying her words with the blandest smile you can conceive, as he approached, “what a wonderful escape you have had. Dear me! I declare you are dripping wet. Will you not change your—clothes?” and Miss Biddy glanced furtively at the buckskins, which, like ourselves, had got thoroughly soaked. “Oh! by no means, my dear Miss Biddy,” replied Terence, gaily; “’tis only a thrifle of water—that won’t hurt them”—and then added, in a confidential tone, “don’t you know I’d go through fire as well as water for one kind look from those deludin’ eyes.”

“Shame, Mr. Duffy! how can you!” responded Miss Biddy, putting her handkerchief to her face to make believe she blushed.

“Isn’t it the blessed truth—and don’t you know it is, you darling?—Oh! Miss Biddy, I’m wasting away like a farthing candle in the dog-days—I’m going down to my snug grave through your cruelty. The daisies will be growing over me afore next Easther—Ugh—ugh—ugh. I’ve a murderin’ cough too, and nothing can give me ase but yourself, Miss Biddy,” cried Terence eagerly.

“Hush! they’ll hear you,” said the heiress.

“I don’t care who hears me,” replied Terence desperately; “I can’t stand dying by inches this way. I’ll destroy myself.”

“Oh, Terence!” murmured Miss O’Brannigan.

“Yes,” he continued: “I loaded my pistols this morning, and I told Barney M’Guire, the dog-feeder, to come over and shoot me the first thing he does in the morning.”

“Terence,dear, what do you want? What am I to say?” inquired the trembling girl.

“Say,” cried Terence, who was resolved to clinch the business at a word; “say that you love me.”

The handkerchief was again applied to Miss O’Brannigan’s face, and a faint affirmative issued from the depths of the cambric. Terence’s heart hopped like a racket-ball in his breast.

“Give me your hand upon it,” he whispered.

Miss Biddy placed the enviedpalm, not on his brows, but in his hand, and was led by him to the top of a set which was forming for a country dance, from whence they started off at the rate of one of our modern steam-engines, to the spirit-stirring tune of “Haste to the Wedding.” There was none of the pirouetting, and chassez-ing, and balancez-ing, of your slip-shod quadrilles in vogue then—it was all life and action: swing corners in a hand gallop, turn your partner in a whirlwind, and down the middle like a flash of lightning.

Terence had never acquitted himself so well; he cut, capered, and set to his partner with unusual agility;wenaturally participated in the admiration he excited, and in the fullness of our triumph, while brushing past the flimsy nankeens worn by Tibbins, I could not refrain from bestowing a smart kick upon his shins, that brought the tears to his eyes with pain and vexation.

After the dance had concluded, Terence led his glowing partner to a cool quiet corner, where leaving her, he flew to the side table, and in less time than he would take to bring down a snipe, he was again beside her with a large mugful of hot negus, into which he had put, by way of stiffener, a copious dash of mountain dew.

“How do you like it, my darling?” asked Terence, after Miss Biddy had read the maker’s name in the bottom of the mug.

“Too strong, I’m afraid,” replied the heiress.

“Strong! Wake astay, upon my honour! Miss Biddy,” cried Mr. Duffy.

(The result of Terence Duffy’s courtship will be given in the next chapter).

O Dinna paint her charms to me,I ken that she is fair;I ken her lips might tempt the bee—Her een with stars compare,Such transient gifts I ne’er did prize,My heart they couldna win;I dinna scorn my Jeannie’s eyes—But has she ony tin?The fairest cheek, alas! may fadeBeneath the touch of years;The een where light and gladness play’dMay soon graw dim wi’ tears.I would love’s fires should, to the last,Still burn as they begin;And beauty’s reign too soon is past,So—has she ony tin?

O Dinna paint her charms to me,

I ken that she is fair;

I ken her lips might tempt the bee—

Her een with stars compare,

Such transient gifts I ne’er did prize,

My heart they couldna win;

I dinna scorn my Jeannie’s eyes—

But has she ony tin?

The fairest cheek, alas! may fadeBeneath the touch of years;The een where light and gladness play’dMay soon graw dim wi’ tears.I would love’s fires should, to the last,Still burn as they begin;And beauty’s reign too soon is past,So—has she ony tin?

The fairest cheek, alas! may fade

Beneath the touch of years;

The een where light and gladness play’d

May soon graw dim wi’ tears.

I would love’s fires should, to the last,

Still burn as they begin;

And beauty’s reign too soon is past,

So—has she ony tin?

Her ladyship, at her lastconversazione, propounded to PUNCH the following classical poser:—“How would you translate the Latin words,puella,defectus,puteus,dies, into four English interjections?” Our wooden Roscius hammered his pate for full five minutes, and then exclaimed—“A-lass! a-lack! a-well a-day!” Her ladyship protested that the answer would have done honour to the professor of languages at the London University.

[pg 50]

A Lion and a Unicorn sit with a tankard by a table with legs marked 'Queen,' 'Commons' and 'Lords.'

“GROUND ARMS!”—Birdcage Walk.

LION.—So! how do you feel now?

UNICORN.—Considerably relieved. Though you can’t imagine the stiffness of my neck and legs. Let me see, how long is it since we relieved the griffins?

LION.—An odd century or two, but never mind that. For the first time, we have laid down our charge—have got out of our state attitudes, and may sit over our pot and pipe at ease.

UNICORN.—What a fate is ours! Here have we, in our time, been compelled to give the patronage of our countenance to all sorts of rascality—have been forced to support robbery, swindling, extortion—but it won’t do to think of—give me the pot. Oh! dear, it had suited better with my conscience, had I been doomed to draw a sand-cart!

LION.—Come, come, no unseemly affectation.You, at the best, are only a fiction—a quadruped lie.

UNICORN.—I know naturalists dispute my existence, but if, as you unkindly say, I am only a fiction, why should I have been selected as a supporter of the royal arms?

LION.—Why, you fool, for that very reason. Have you been where you are for so many years, and yet don’t know that often, in state matters, the greater the lie the greater the support?

UNICORN.—Right. When I reflect—I have greater doubts of my truth, seeing where I am.

LION.—But here am I, in myself a positive majesty, degraded into a petty-larceny scoundrel; yes, all my inherent attributes compromised by my position. Oh, Hercules! when I remember my native Africa—when I reflect on the sweet intoxication of my former liberty—the excitement of the chase—the mad triumph of my spring, cracking the back of a bison with one fillip of my paw—when I think of these things—of my tawny wife with her smile sweetly ferocious, her breath balmy with new blood—of my playful little ones, with eyes of topaz and claws of pearl—when I think of all this, and feel that here I am, a damned rabbit-sucker—

UNICORN.—Don’t swear.

LION.—Why not? God knows, we’ve heard swearing enough of all sorts in our time. It isn’t the fault of our position, if we’re not first-rate perjurers.

UNICORN.—That’s true: still, though we are compelled to witness all these things in the courts of law, let us be above the influence of bad example.

LION.—Give me the pot. Courts of law? Oh, Lord! what places they put us into! And there they expect me—me, the king of the animal world, to stand quietly upon my two hind-legs, looking as mildly contemptible as an apoplectic dancing-master,—whilst iniquities, and meannesses, and tyranny, and—give me the pot.

UNICORN:—Brother, you’re getting warm. Really, you ought to have seen enough of state and justice to take everything coolly. I certainly must confess that—looking at much of the policy of the country, considering much of the legal wickedness of law-scourged England—it does appear to me a studied insult to both of us to make us supporters of the national quarterings. Surely, considering the things that have been done under our noses, animals more significant of the state and social policy might have been promoted to our places. Instead of the majestic lion and the graceful unicorn, might they not have had the—the—

LION.—The vulture and the magpie.

UNICORN.—Excellent! The vulture would have capitally typified many of the wars of the state, their sole purpose being so many carcases—whilst, for the courts of law, the magpie would have been the very bird of legal justice and legal wisdom.

LION.—Yes, but then the very rascality of their faces would at once have declared their purpose. The vulture is a filthy, unclean wretch—the bird of Mars—preying upon the eyes, the hearts, the entrails of the victims of that scoundrel-mountebank, Glory; whilst the magpie is a petty-larceny vagabond, existing upon social theft. To use a vulgar phrase—and considering the magistrates we are compelled to keep company with, ’tis wonderful that we talk so purely as we do—’twould have let the cat too much out of the bag to have put the birds where we stand. Whereas, there is a fine hypocrisy about us. Consider—am not I the type of heroism, of magnanimity? Well, compelling me, the heroic, the magnanimous, now to stand here upon my hind-legs, and now to crouch quietly down, like a pet kitten over-fed with new milk,—any state roguery is passed off as the greatest piece of single-minded honesty upon the mere strength of my character—if I may so say it, upon my legendary reputation. Now, as for you, though youarea lie, you are nevertheless not a bad-looking lie. You have a nice head, clean legs, and—though I think it a little impertinent that you should wear that tuft at the end of your tail—are altogether a very decent mixture of the quadrupeds. Besides, lie or not, you have helped to support the national arms so long, that depend upon it there are tens of thousands who believe you to be a true thing.

UNICORN.—I have often flattered myself with that consolation.

LION.—A poor comfort: for if you are a true beast, and really have the attributes you are painted with, the greater the insult that you should be placed here. If, on the contrary, you are a lie, still greater the insult to leonine majesty, in forcing me for so many, many years to keep such bad company.

UNICORN.—But I have a great belief in my reality: besides, if the head, body, legs, tail, I bear, never really met in one animal, they all exist in several: hence, if I am not true altogether, I am true in parts; and what would you have of a thick-and-thin supporter of the crown?

LION.—Blush, brother, blush; such sophistry is only worthy of the Common Pleas, where I know you picked it up. To be sure, if both of us were the most abandoned of beasts, we surely should have some excuse for our wickedness in the profligate company we are obliged to keep.

UNICORN.—Well, well, don’t weep.Takethe pot.

LION.—Have we not been, ay, for hundreds of years, in both Houses of Parliament?

UNICORN.—It can’t be denied.

LION—And there, what have we not seen—what have we not heard! What brazen, unblushing faces! What cringing, and bowing, and fawning! What scoundrel smiles, what ruffian frowns! what polished lying! What hypocrisy of patriotism! What philippics, levelled in the very name of liberty, against her sacred self! What orations on the benefit of starvation—on the comeliness of rags! Have we not heard selfishness speaking with a syren voice? Have we not seen the haggard face of state-craft rouged up into a look of pleasantness and innocence? Have we not, night after night, seen the national Jonathan Wilds meet to plan a robbery, and—the purse taken—have they not rolled in their carriages home, with their fingers smelling of the people’s pockets?

UNICORN.—It’s true—true as an Act of Parliament.

LION.—Then are we not obliged to be in the Courts of Law? In Chancery—to see the golden wheat of the honest man locked in the granaries of equity—granaries where deepest rats do most abound—whilst the slow fire of famine shall eat the vitals of the despoiled; and it may be the man of rightful thousands shall be carried to churchyard clay in parish deals? Then in the Bench, in the Pleas—there we are too. And there, see we not justice weighing cobwebs against truth, making too often truth herself kick the beam?

UNICORN.—It has made me mad to see it.

[pg 51]

LION.—Turn we to the Police-offices—there we are again. And there—good God!—to see the arrogance of ignorance! To listen to the vapid joke of his worship on the crime of beggary! To see the punishment of the poor—to mark the sweet impunity of the rich! And then are we not in the Old Bailey—in all the criminal courts! Have we not seen trialsafter dinner—have we not heard sentences in which the bottle spoke more than the judge?

UNICORN.—Come, come, no libel on the ermine.

LION.—The ermine! In such cases, the fox—the pole-cat. Have we not seen how the state makes felons, and then punishes them for evil-doing?

UNICORN.—We certainly have seen a good deal that way.

LION.—And then the motto we are obliged to look grave over!

UNICORN.—WhatDieu et mon droit!Yes, that does sometimes come awkwardly in—“God and my right!” Seeing what is sometimes done under our noses, now and then, I can hardly hold my countenance.

LION.—“God and my right!” What atrocity has that legend sanctified! and yet with demure faces they try men for blasphemy. Give me the pot.

UNICORN.—Come, be cool—be philosophic. I tell you we shall have as much need as ever of our stoicism?

LION.—What’s the matter now?

UNICORN.—The matter! Why, the Tories are to be in, and Peel’s to be minister.

LION.—Then he may send for Mr. Cross for the oran-outan to take my place, for never again do I supporthim. Peel minister, and Goulburn, I suppose—

UNICORN.—Goulburn! Goulburn in the cabinet! If it be so, I shall certainly vacate my place in favour of a jackass.

The first examination for the degree of bachelor of medicine has taken place at the London University, and has raised itself to the level of Oxford and Cambridge.

Without doubt, it will soon acquire all the other attributes of the colleges. Town and gown rows will cause perpetual confusion to the steady-going inhabitants of Euston-square: steeple-chases will be run, for the express delight of the members, on the waste grounds in the vicinity of the tall chimneys on the Birmingham railroad; and in all probability, the whole of Gower-street, from Bedford-square to the New-road, will, at a period not far distant, be turfed and formed into a T.Y.C.; the property securing its title-deeds under the arms of the university for the benefit of its legs—the bar opposite the hospital presenting a fine leap to finish the contest over, with the uncommon advantage of immediate medical assistance at hand.

The public press of the last week has duly blazoned forth the names of the successful candidates, and great must have been the rejoicings of their friends in the country at the event. But we have to quarrel with these journals for not more explicitly defining the questions proposed for the examinations—the answers to which were to be considered the tests of proficiency. By means of the ubiquity which Punch is allowed to possess, we were stationed in the examination room, at the same time that our double was delighting a crowded and highly respectable audience upon Tower-hill; and we have the unbounded gratification of offering an exact copy of the questions to our readers, that they may see with delight how high a position medical knowledge has attained in our country:—

State the principal variations found in the kidneys procured at Evans’s and the Coal Hole; and likewise name the proportion of animal fibre in the rump-steaks of the above resorts. Mention, likewise, the change produced in thealbumen, or white of an egg, by poaching it upon toast.

Describe the comparative circulation of blood in the body, and of theLancet, Medical Gazette, andBell’s Life in London, in the hospitals; and mention if Sir Charles Bell, the author of the “Bridgewater Treatise on the Hand,” is the editor of the last-named paper.

You are called to a fellow-student taken suddenly ill. You find him lying on his back in the fender; his eyes open, his pulse full, and his breathing stertorous. His mind appears hysterically wandering, prompting various windmill-like motions of his arms, and an accompanying lyrical intimation that he, and certain imaginary friends, have no intention of going home until the appearance of day-break. State the probable disease; and also what pathological change would be likely to be effected by putting his head under the cock of the cistern.

Was the Mount Hecla at the Surrey Zoological Gardens classed by Bateman in his work upon skin diseases—if so, what kind of eruption did it come under? Where was the greatest irritation produced—in the scaffold-work of the erection, or the bosom of the gentleman who lived next to the gardens, and had a private exhibition of rockets every night, as they fell through his skylight, and burst upon the stairs?

Which is the most powerful narcotic—opium, henbane, or a lecture upon practice of physic; and will a moderate dose of antimonial wine sweat a man as much as an examination at Apothecaries’ Hall?

Does any chemical combination take place between the porter and ale in a pot of half-and-half upon mixture? Is there a galvanic current set up between the pewter and the beer capable of destroying the equilibrium of living bodies.

Explain the philosophical meaning of the sentence—“He cut away from the crushers as quick as a flash of lightning through a gooseberry-bush.”

There are two kinds of electricity, positive and negative; and these have a pugnacious tendency.A, a student, goes up to the Collegepositivehe shall pass;B, an examiner, thinks his abilitiesnegative, and flummuxes him accordingly.Aafterwards meetsBalone, in a retired spot, where there is no policeman, and, to use his own expression, “takes out the change” uponB. In this case, which receives the greatest shock—A’s “grinder,” at hearing his pupil was plucked, orBfor doing it?

The more crowded an assembly is, the greater quantity of carbonic acid is evolved by its component members. State, upon actual experience, theper centageof this gas in the atmosphere of the following places:—The Concerts d’Eté, the Swan in Hungerford Market, the pit of the Adelphi, Hunt’s Billiard Rooms, and the Colosseum during the period of its balls.

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