William Ewart GladstoneWilliam Ewart Gladstone
William Ewart GladstoneWilliam Ewart Gladstone
All occupations that enervate, paralyze, or destroy body or soul should be avoided. Our manufacturing interests too often give little thought to the employed; the article to be made is generally the only object considered. They do not care if a man spends the whole of his life upon the head of a pin, or in making a screw in a watch factory. They take no notice of the occupations that ruin, or the phosphorus, the dust, the arsenic that destroys the health, that shortens the lives of many workers; of the cramped condition of the body which creates deformity.
The moment we compel those we employ to do work that demoralizes them or does not tend to elevate or lift them, we are forcing them into service worse than useless. "If we induce painters to work in fading colors, or architects with rotten stone, or contractors to construct buildings with imperfect materials, we are forcing our Michael Angelos to carve in snow."
Ruskin says that the tendency of the age is to expend its genius in perishable art,as if it were a triumph to burn its thoughts away in bonfires. Is the work you compel others to do useful to yourself and to society? If you employ a seamstress to make four or five or six beautiful flounces for your ball dress, flounces which will only clothe yourself, and which you will wear at only one ball, you are employing your money selfishly. Do not confuse covetousness with benevolence, nor cheat yourself into thinking that all the finery you can wear is so much put into the hungry mouths of those beneath you. It is what those who stand shivering on the street, forming a line to see you step out of your carriage, know it to be. These fine dresses do not mean that so much has been put into their mouths, butthat so much has been taken out of their mouths.
Select a clean, useful, honorable occupation. If there is any doubt on this point, abandon it at once, forfamiliarity with a bad business will make it seem good. Choose a business that has expansiveness in it. Some kinds of business not even a J. Pierpont Morgan could make respectable. Choose an occupation which will develop you; which will elevate you; which will give you a chance for self-improvement and promotion. You may not make quite so much money, but you will be more of a man, andmanhood is above all riches, overtops all titles, andcharacter is greater than any career. If possible avoid occupations which compel you to work in a cramped position, or where you must work at night and on Sundays. Don't try to justify yourself on the ground that somebody must do this kind of work. Let "somebody," not yourself, take the responsibility. Aside from the right and wrong of the thing, it is injurious to the health to work seven days in the week, to work at night when Nature intended you to sleep, or to sleep in the daytime when she intended you to work.
Many a man has dwarfed his manhood, cramped his intellect, crushed his aspiration, blunted his finer sensibilities, in some mean, narrow occupation just because there was money in it.
"Study yourself," says Longfellow, "and most of all, note well wherein kind nature meant you to excel."
Dr. Matthews says that "to no other cause, perhaps, is failure in life so frequently to be traced as to a mistaken calling." We can often find out by hard knocks and repeated failures what we can not do before what we can do. This negative process of eliminating the doubtful chances is often the only way of attaining to the positive conclusion.
How many men have been made ridiculous for life by choosing law or medicine or theology, simply because they are "honorable professions"! These men might have been respectable farmers or merchants, but are "nobodies" in such vocations. The very glory of the profession which they thought would make them shining lights simply renders more conspicuous their incapacity.
Thousands of youths receive an education that fits them for a profession which they have not the means or inclination to follow, and that unfits them for the conditions of life to which they were born. Unsuccessful students with a smattering of everything are raised as much above their original condition as if they were successful. A large portion of Paris cabmen are unsuccessful students in theology and other professions and also unfrocked priests. They are very bad cabmen.
"Tompkins forsakes his last and awlFor literary squabbles;Styles himself poet; but his tradeRemains the same,—he cobbles."
Don't choose a profession or occupation because your father, or uncle, or brother is in it. Don't choose a business because you inherit it, or because parents or friends want you to follow it. Don't choose it because others have made fortunes in it. Don't choose it because it is considered the "proper thing" and a "genteel" business. The mania for a "genteel" occupation, for a "soft job" which eliminates drudgery, thorns, hardships, and all disagreeable things, and one which can be learned with very little effort, ruins many a youth.
When we try to do that for which we are unfitted we are not working along the line of our strength, but of our weakness; our will power and enthusiasm become demoralized; we do half work, botched work, lose confidence in ourselves, and conclude that we are dunces because we cannot accomplish what others do; the whole tone of life is demoralized and lowered because we are out of place.
How it shortens the road to success to make a wise choice of one's occupation early, to be started on the road of a proper career while young, full of hope, while the animal spirits are high, and enthusiasm is vigorous; to feel that every step we take, that every day's work we do, that every blow we strike helps to broaden, deepen, and enrich life!
Those who fail are, as a rule, those who are out of their places.A man out of his place is but half a man; his very nature is perverted. He is working against his nature, rowing against the current. When his strength is exhausted he will float down the stream. A man can not succeed when his whole nature is entering its perpetual protest against his occupation. To succeed, his vocation must have the consent of all his faculties; they must be in harmony with his purpose.
Has a young man a right to choose an occupation which will only call into play his lower and inferior qualities, as cunning, deceit, letting all his nobler qualities shrivel and die? Has he a right to select a vocation that will develop only the beast within him instead of the man? which will call out the bulldog qualities only, the qualities which overreach and grasp, the qualities which get and never give, which develop long-headedness only, while his higher self atrophies?
The best way to choose an occupation is to ask yourself the question, "What would my government do with me if it were to consider scientifically my qualifications and adaptations, and place me to the best possible advantage for all the people?" The Norwegian precept is a good one: "Give thyself wholly to thy fellow-men; they will give thee back soon enough." We can do the most possible for ourselves when we are in a position where we can do the most possible for others.We are doing the most for ourselves and for others when we are in a position which calls into play in the highest possible way the greatest number of our best faculties; in other words, we are succeeding best for ourselves when we are succeeding best for others.
The time will come when there will be institutions for determining the natural bent of the boy and girl; where men of large experience and close observation will study the natural inclination of the youth, help him to find where his greatest strength lies and how to use it to the best advantage. Even if we take for granted what is not true, that every youth will sooner or later discover the line of his greatest strength so that he may get his living by his strong points rather than by his weak ones, the discovery is often made so late in life that great success is practically impossible. Such institutions would help boys and girls to start in their proper careers early in life; andan early choice shortens the way. Can anything be more important to human beings than a start in life in the right direction, where even small effort will count for more in the race than the greatest effort—and a life of drudgery—in the wrong direction? A man is seldom unsuccessful, unhappy, or vicious when he is in his place.
After once choosing your occupation, however, never look backward; stick to it with all the tenacity you can muster. Let nothing tempt you or swerve you a hair's breadth from your aim, and you will win. Do not let the thorns which appear in every vocation, or temporary despondency or disappointment, shake your purpose. You will never succeed while smarting under the drudgery of your occupation, if you are constantly haunted with the idea that you could succeed better in something else. Great tenacity of purpose is the only thing that will carry you over the hard places which appear in every career to ultimate triumph. This determination, or fixity of purpose, has a great moral bearing upon our success, for it leads others to feel confidence in us, and this is everything. It gives credit and moral support in a thousand ways. People always believe in a man with a fixed purpose, and will help him twice as quickly as one who is loosely or indifferently attached to his vocation, and liable at any time to make a change, or to fail. Everybody knows that determined men are not likely to fail. They carry in their very pluck, grit, and determination the conviction and assurance of success.
The world does not dictatewhatyou shall do, but it does demand that you dosomething, and that you shall be a king in your line. There is no grander sight than that of a young man or woman in the right place struggling with might and main to make the most of the stuff at command, determined that not a faculty or power shall run to waste. Not money, not position, but power is what we want; and character is greater than any occupation or profession.
"Do not, I beseech you," said Garfield, "be content to enter on any business that does not require and compel constant intellectual growth." Choose an occupation that is refining and elevating; an occupation that you will be proud of; an occupation that will give you time for self-culture and self-elevation; an occupation that will enlarge and expand your manhood and make you a better citizen, a better man.
Power and constant growth toward a higher life are the great end of human existence. Your calling should be the great school of life, the great man-developer, character-builder, that which should broaden, deepen, and round out into symmetry, harmony, and beauty, all the God-given faculties within you.
But whatever you do be greater than your calling; let your manhood overtop your position, your wealth, your occupation, your title. A man must work hard and study hard to counteract the narrowing, hardening tendency of his occupation. Said Goldsmith,—
Burke, born for the universe, narrowed his mind,And to party gave up what was meant for mankind.
"Constant engagement in traffic and barter has no elevating influence," says Lyndall. "The endeavor to obtain the upper hand of those with whom we have to deal, to make good bargains, the higgling and scheming, and the thousand petty artifices, which in these days of stern competition are unscrupulously resorted to, tend to narrow the sphere and to lessen the strength of the intellect, and, at the same time, the delicacy of the moral sense."
Choose upward, study the men in the vocation you think of adopting. Does it elevate those who follow it? Are they broad, liberal, intelligent men? Or have they become mere appendages of their profession, living in a rut with no standing in the community, and of no use to it? Don't think you will be the great exception, and can enter a questionable vocation without becoming a creature of it. In spite of all your determination and will power to the contrary, your occupation, from the very law of association and habit, will seize you as in a vise, will mold you, shape you, fashion you, and stamp its inevitable impress upon you. How frequently do we see bright, open-hearted, generous young men come out of college with high hopes and lofty aims, enter a doubtful vocation, and in a few years return to college commencement so changed that they are scarcely recognized. The once broad, noble features have become contracted and narrowed. The man has become grasping, avaricious, stingy, mean, hard. Is it possible, we ask, that a few years could so change a magnanimous and generous youth?
Go to the bottom if you would get to the top. Be master of your calling in all its details. Nothing is small which concerns your business.
Thousands of men who have been failures in life have done drudgery enough in half a dozen different occupations to have enabled them to reach great success, if their efforts had all been expended in one direction. That mechanic is a failure who starts out to build an engine, but does notquiteaccomplish it, and shifts into some other occupation where perhaps he will almost succeed, but stops just short of the point of proficiency in his acquisition and so fails again. The world is full of people who are "almost a success." They stop just this side of success. Their courage oozes out just before they become expert. How many of us have acquisitions which remain permanently unavailable because not carried quite to the point of skill? How many people "almost know a language or two," which they can neither write nor speak; a science or two whose elements they have not quite acquired; an art or two partially mastered, but which they can not practice with satisfaction or profit! The habit of desultoriness, which has been acquired by allowing yourself to abandon a half-finished work, more than balances any little skill gained in one vocation which might possibly be of use later.
Beware of that frequently fatal gift, versatility. Many a person misses being a great man by splitting into two middling ones. Universality is theignis fatuuswhich has deluded to ruin many a promising mind. In attempting to gain a knowledge of half a hundred subjects it has mastered none. "The jack-of-all-trades," says one of the foremost manufacturers of this country, "had a chance in my generation. In this he has none."
"The measure of a man's learning will be the amount of his voluntary ignorance," said Thoreau. If we go into a factory where the mariner's compass is made we can see the needles before they are magnetized, they will point in any direction. But when they have been applied to the magnet and received its peculiar power, from that moment they point to the north, and are true to the pole ever after. So man never points steadily in any direction until he has been polarized by a great master purpose.
Give your life, your energy, your enthusiasm, all to the highest work of which you are capable. Canon Farrar said, "There is only one real failure in life possible, and that is, not to be true to the best one knows."
"'What must I do to be forever known?' Thy duty ever."
Who does the best his circumstance allows,Does well, acts nobly, angels could do no more.YOUNG.
"Whoever can make two ears of corn, two blades of grass to grow upon a spot of ground where only one grew before," says Swift, "would deserve better of mankind and do more essential service to his country than the whole race of politicians put together."
This one thing I do.—ST. PAUL.
The one prudence in life is concentration; the one evil is dissipation; and it makes no difference whether our dissipations are coarse or fine.… Everything is good which takes away one plaything and delusion more, and sends us home to add one stroke of faithful work.—EMERSON.
The man who seeks one thing in life, and but one,May hope to achieve it before life be done;But he who seeks all things, wherever he goes,Only reaps from the hopes which around him he sows,A harvest of barren regrets.OWEN MEREDITH.
The longer I live, the more deeply am I convinced that that which makes the difference between one man and another—between the weak and powerful, the great and insignificant, is energy—invincible determination—a purpose once formed, and then death or victory.—FOWELL BUXTON.
"There was not enough room for us all in Frankfort," said Nathan Mayer Rothschild, in speaking of himself and his four brothers. "I dealt in English goods. One great trader came there, who had the market to himself: he was quite the great man, and did us a favor if he sold us goods. Somehow I offended him, and he refused to show me his patterns. This was on a Tuesday. I said to my father, 'I will go to England.' On Thursday I started. The nearer I got to England, the cheaper goods were. As soon as I got to Manchester, I laid out all my money, things were so cheap, and I made a good profit."
"I hope," said a listener, "that your children are not too fond of money and business to the exclusion of more important things. I am sure you would not wish that."
"I am sure I would wish that," said Rothschild; "I wish them to give mind, and soul, and heart, and body, and everything to business; that is the way to be happy." "Stick to one business, young man," he added, addressing a young brewer; "stick to your brewery, and you may be the great brewer of London. But be a brewer, and a banker, and a merchant, and a manufacturer, and you will soon be in the Gazette."
Not many things indifferently, but one thing supremely, is the demand of the hour. He who scatters his efforts in this intense, concentrated age, cannot hope to succeed.
"Goods removed, messages taken, carpets beaten, and poetry composed on any subject," was the sign of a man in London who was not very successful at any of these lines of work, and reminds one of Monsieur Kenard, of Paris, "a public scribe, who digests accounts, explains the language of flowers, and sells fried potatoes."
The great difference between those who succeed and those who fail does not consist in the amount of work done by each, but in the amount of intelligent work. Many of those who fail most ignominiously do enough to achieve grand success; but they labor at haphazard, building up with one hand only to tear down with the other. They do not grasp circumstances and change them into opportunities. They have no faculty of turning honest defeats into telling victories. With ability enough, and time in abundance,—the warp and woof of success,—they are forever throwing back and forth an empty shuttle, and the real web of life is never woven.
If you ask one of them to state his aim and purpose in life, he will say: "I hardly know yet for what I am best adapted, but I am a thorough believer in genuine hard work, and I am determined to dig early and late all my life, and I know I shall come across something—either gold, silver, or at least iron." I say most emphatically, no. Would an intelligent man dig up a whole continent to find its veins of silver and gold? The man who is forever looking about to see what he can find never finds anything. If we look for nothing in particular, we find just that and no more. We find what we seek with all our heart. The bee is not the only insect that visits the flower, but it is the only one that carries honey away. It matters not how rich the materials we have gleaned from the years of our study and toil in youth, if we go out into life with no well-defined idea of our future work, there is no happy conjunction of circumstances that will arrange them into an imposing structure, and give it magnificent proportions.
"What a immense power over the life," says Elizabeth Stuart Phelps Ward, "is the power of possessing distinct aims. The voice, the dress, the look, the very motions of a person, define and alter when he or she begins to live for a reason. I fancy that I can select, in a crowded street, the busy, blessed women who support themselves. They carry themselves with an air of conscious self-respect and self-content, which a shabby alpaca cannot hide, nor a bonnet of silk enhance, nor even sickness nor exhaustion quite drag out."
It is said that the wind never blows fair for that sailor who knows not to what port he is bound.
"The weakest living creature," says Carlyle, "by concentrating his powers on a single object, can accomplish something; whereas the strongest, by dispersing his over many, may fail to accomplish anything. The drop, by continually falling, bores its passage through the hardest rock. The hasty torrent rushes over it with hideous uproar and leaves no trace behind."
"When I was young I used to think it was thunder that killed men," said a shrewd preacher; "but as I grew older, I found it was lightning. So I resolved to thunder less, and lighten more."
The man who knows one thing, and can do it better than anybody else, even if it only be the art of raising turnips, receives the crown he merits. If he raises the best turnips by reason of concentrating all his energy to that end, he is a benefactor to the race, and is recognized as such.
If a salamander be cut in two, the front part will run forward and the other backward. Such is the progress of him who divides his purpose. Success is jealous of scattered energies.
No one can pursue a worthy object steadily and persistently with all the powers of his mind, and yet make his life a failure. You can't throw a tallow candle through the side of a tent, but you can shoot it through an oak board. Melt a charge of shot into a bullet, and it can be fired through the bodies of four men. Focus the rays of the sun in winter, and you can kindle a fire with ease.
The giants of the race have been men of concentration, who have struck sledgehammer blows in one place until they have accomplished their purpose. The successful men of to-day are men of one overmastering idea, one unwavering aim, men of single and intense purpose. "Scatteration" is the curse of American business life. Too many are like Douglas Jerrold's friend, who could converse in twenty-four languages, but had no ideas to express in any one of them.
"The only valuable kind of study," said Sydney Smith, "is to read so heartily that dinner-time comes two hours before you expected it; to sit with your Livy before you and hear the geese cackling that saved the Capitol, and to see with your own eyes the Carthaginian sutlers gathering up the rings of the Roman knights after the battle of Cannae, and heaping them into bushels, and to be so intimately present at the actions you are reading of, that when anybody knocks at the door it will take you two or three seconds to determine whether you are in your own study or on the plains of Lombardy, looking at Hannibal's weather-beaten face and admiring the splendor of his single eye."
"The one serviceable, safe, certain, remunerative, attainable quality in every study and pursuit is the quality of attention," said Charles Dickens. "My own invention, or imagination, such as it is, I can most truthfully assure you, would never have served me as it has, but for the habit of commonplace, humble, patient, daily, toiling, drudging attention." When asked on another occasion the secret of his success, he said: "I never put one hand to anything on which I could throw my whole self." "Be a whole man at everything," wrote Joseph Gurney to his son, "a whole man at study, in work, and in play."
Don't dally with your purpose.
"I go at what I am about," said Charles Kingsley, "as if there was nothing else in the world for the time being. That's the secret of all hard-working men; but most of them can't carry it into their amusements."
Many a man fails to become a great man by splitting into several small ones, choosing to be a tolerable Jack-of-all-trades rather than to be an unrivaled specialist.
"Many persons seeing me so much engaged in active life," said Edward Bulwer Lytton, "and as much about the world as if I had never been a student, have said to me, 'When do you get time to write all your books? How on earth do you contrive to do so much work?' I shall surprise you by the answer I made. The answer is this—'I contrive to do so much by never doing too much at a time. A man to get through work well must not overwork himself; or, if he do too much to-day, the reaction of fatigue will come, and he will be obliged to do too little to-morrow. Now, since I began really and earnestly to study, which was not till I had left college and was actually in the world, I may perhaps say that I have gone through as large a course of general reading as most men of my time. I have traveled much and I have seen much; I have mixed much in politics, and in the various business of life; and in addition to all this, I have published somewhere about sixty volumes, some upon subjects requiring much special research. And what time do you think, as a general rule, I have devoted to study, to reading and writing? Not more than three hours a day; and, when Parliament is sitting, not always that. But then, during these three hours, I have given my whole attention to what I was about.'"
S. T. Coleridge possessed marvelous powers of mind, but he had no definite purpose; he lived in an atmosphere of mental dissipation which consumed his energy, exhausted his stamina, and his life was in many respects a miserable failure. He lived in dreams and died in reverie. He was continually forming plans and resolutions, but to the day of his death they remained simply resolutions and plans.
He was always just going to do something, but never did it. "Coleridge is dead," wrote Charles Lamb to a friend, "and is said to have left behind him above forty thousand treatises on metaphysics and divinity—not one of them complete!"
Every great man has become great, every successful man has succeeded, in proportion as he has confined his powers to one particular channel.
Hogarth would rivet his attention upon a face and study it until it was photographed upon his memory, when he could reproduce it at will. He studied and examined each object as eagerly as though he would never have a chance to see it again, and this habit of close observation enabled him to develop his work with marvelous detail. The very modes of thought of the time in which he lived were reflected from his works. He was not a man of great education or culture, except in his power of observation.
With an immense procession passing up Broadway, the streets lined with people, and bands playing lustily, Horace Greeley would sit upon the steps of the Astor House, use the top of his hat for a desk, and write an editorial for the "New York Tribune" which would be quoted far and wide.
Offended by a pungent article, a gentleman called at the "Tribune" office and inquired for the editor. He was shown into a little seven-by-nine sanctum, where Greeley, with his head close down to his paper, sat scribbling away at a two-forty rate. The angry man began by asking if this was Mr. Greeley. "Yes, sir; what do you want?" said the editor quickly, without once looking up from his paper. The irate visitor then began using his tongue, with no regard for the rules of propriety, good breeding, or reason. Meantime Mr. Greeley continued to write. Page after page was dashed off in the most impetuous style, with no change of features and without his paying the slightest attention to the visitor. Finally, after about twenty minutes of the most impassioned abuse ever poured out in an editor's office, the angry man became disgusted, and abruptly turned to walk out of the room. Then, for the first time, Mr. Greeley quickly looked up, rose from his chair, and slapping the gentleman familiarly on his shoulder, in a pleasant tone of voice said: "Don't go, friend; sit down, sit down, and free your mind; it will do you good,—you will feel better for it. Besides, it helps me to think what I am to write about. Don't go."
One unwavering aim has ever characterized successful men.
"Daniel Webster," said Sydney Smith, "struck me much like a steam-engine in trousers."
As Adams suggests, Lord Brougham, like Canning, had too many talents; and, though as a lawyer he gained the most splendid prize of his profession, the Lord Chancellorship of England, and merited the applause of scientific men for his investigations in science, yet his life on the whole was a failure. He was "everything by turns and nothing long." With all his magnificent abilities he left no permanent mark on history or literature, and actually outlived his own fame.
Miss Martineau says, "Lord Brougham was at his chateau at Cannes when the daguerreotype process first came into vogue. An artist undertook to take a view of the chateau with a group of guests on the balcony. His Lordship was, asked to keep perfectly still for five seconds, and he promised that he would not stir, but alas,—he moved. The consequence was that there was a blur where Lord Brougham should have been.
"There is something," continued Miss Martineau, "very typical in this. In the picture of our century, as taken from the life by history, this very man should have been the central figure. But, owing to his want of steadfastness, there will be forever a blur where Lord Brougham should have been. How many lives are blurs for want of concentration and steadfastness of purpose!"
Fowell Buxton attributed his success to ordinary means and extraordinary application, and being a whole man to one thing at a time. It is ever the unwavering pursuit of a single aim that wins. "Non multa, sed multum"—not many things, but much, was Coke's motto.
It is the almost invisible point of a needle, the keen, slender edge of a razor or an ax, that opens the way for the bulk that follows. Without point or edge the bulk would be useless. It is the man of one line of work, the sharp-edged man, who cuts his way through obstacles and achieves brilliant success. While we should shun that narrow devotion to one idea which prevents the harmonious development of our powers, we should avoid on the other hand the extreme versatility of one of whom W. M. Praed says:—
His talk is like a stream which runsWith rapid change from rocks to roses,It slips from politics to puns,It glides from Mahomet to Moses:Beginning with the laws that keepThe planets in their radiant courses,And ending with some precept deepFor skinning eels or shoeing horses.
If you can get a child learning to walk to fix his eyes on any object, he will generally navigate to that point without capsizing, but distract his attention and down he goes.
The young man seeking a position to-day is not asked what college he came from or who his ancestors were. "What can you do?" is the great question. It is special training that is wanted. Most of the men at the head of great firms and great enterprises have been promoted step by step from the bottom.
"I know that he can toil terribly," said Cecil of Walter Raleigh, in explanation of the latter's success.
As a rule, what the heart longs for the head and the hands may attain. The currents of knowledge, of wealth, of success, are as certain and fixed as the tides of the sea. In all great successes we can trace the power of concentration, riveting every faculty upon one unwavering aim; perseverance in the pursuit of an undertaking in spite of every difficulty; and courage which enables one to bear up under all trials, disappointments, and temptations.
Chemists tell us that there is power enough in a single acre of grass to drive all the mills and steam-cars in the world, could we but concentrate it upon the piston-rod of a steam-engine. But it is at rest, and so, in the light of science, it is comparatively valueless.
Dr. Mathews says that the man who scatters himself upon many objects soon loses his energy, and with his energy his enthusiasm.
"Never study on speculation," says Waters; "all such study is vain. Form a plan; have an object; then work for it, learn all you can about it, and you will be sure to succeed. What I mean by studying on speculation is that aimless learning of things because they may be useful some day; which is like the conduct of the woman who bought at auction a brass door-plate with the name of Thompson on it, thinking it might be useful some day!"
Definiteness of aim is characteristic of all true art. He is not the greatest painter who crowds the greatest number of ideas upon a single canvas, giving all the figures equal prominence. He is the genuine artist who makes the greatest variety express the greatest unity, who develops the leading idea in the central figure, and makes all the subordinate figures, lights, and shades point to that center and find expression there. So in every well-balanced life, no matter how versatile in endowments or how broad in culture, there is one grand central purpose, in which all the subordinate powers of the soul are brought to a focus, and where they will find fit expression. In nature we see no waste of energy, nothing left to chance. Since the shuttle of creation shot for the first time through chaos, design has marked the course of every golden thread. Every leaf, every flower, every crystal, every atom even, has a purpose stamped upon it which unmistakably points to the crowning summit of all creation—man.
Young men are often told to aim high, but we must aim at what we would hit. A general purpose is not enough. The arrow shot from the bow does not wander around to see what it can hit on its way, but flies straight to the mark. The magnetic needle does not point to all the lights in the heavens to see which it likes best. They all attract it. The sun dazzles, the meteor beckons, the stars twinkle to it, and try to win its affections; but the needle, true to its instinct, and with a finger that never errs in sunshine or in storm, points steadily to the North Star; for, while all the other stars must course with untiring tread around their great centers through all the ages, the North Star, alone, distant beyond human comprehension, moves with stately sweep on its circuit of more than 25,000 years, for all practical purposes of man stationary, not only for a day, but for a century. So all along the path of life other luminaries will beckon to lead us from our cherished aim—from the course of truth and duty; but let no moons which shine with borrowed light, no meteors which dazzle, but never guide, turn the needle of our purpose from the North Star of its hope.
The labor we delight in physics pain.—SHAKESPEARE.
The only conclusive evidence of a man's sincerity is that he gives himself for a principle. Words, money, all things else are comparatively easy to give away; but when a man makes a gift of his daily life and practise, it is plain that the truth, whatever it may be, has taken possession of him.—LOWELL.
Let us beware of losing our enthusiasm. Let us ever glory in something, and strive to retain our admiration for all that would ennoble, and our interest in all that would enrich and beautify our life.—PHILLIPS BROOKS.
In the Galérie des Beaux Arts in Paris is a beautiful statue conceived by a sculptor who was so poor that he lived and worked in a small garret. When his clay model was nearly done, a heavy frost fell upon the city. He knew that if the water in the interstices of the clay should freeze, the beautiful lines would be distorted. So he wrapped his bedclothes around the clay image. In the morning he was found dead, but his idea was saved, and other hands gave it enduring form in marble.
"I do not know how it is with others when speaking on an important question," said Henry Clay; "but on such occasions I seem to be unconscious of the external world. Wholly engrossed by the subject before me, I lose all sense of personal identity, of time, or of surrounding objects."
"A bank never becomes very successful," says a noted financier, "until it gets a president who takes it to bed with him." Enthusiasm gives the otherwise dry and uninteresting subject or occupation a new meaning.
As the young lover has finer sense and more acute vision and sees in the object of his affections a hundred virtues and charms invisible to all other eyes, so a man permeated with enthusiasm has his power of perception heightened and his vision magnified until he sees beauty and charms others cannot discern which compensate for drudgery, privations, hardships, and even persecution. Dickens says he was haunted, possessed, spirit-driven by the plots and characters in his stories which would not let him sleep or rest until he had committed them to paper. On one sketch he shut himself up for a month, and when he came out he looked as haggard as a murderer. His characters haunted him day and night.
"Herr Capellmeister, I should like to compose something; how shall I begin?" asked a youth of twelve who had played with great skill on the piano. "Pooh, pooh," replied Mozart, "you must wait." "But you began when you were younger than I am," said the boy. "Yes, so I did," said the great composer, "but I never asked anything about it. When one has the spirit of a composer, he writes because he can't help it."
Gladstone said that what is really desired is to light up the spirit that is within a boy. In some sense and in some degree, in some effectual degree, there is in every boy the material of good work in the world; in every boy, not only in those who are brilliant, not only in those who are quick, but in those who are stolid, and even in those who are dull, or who seem to be dull. If they have only the good will, the dulness will day by day clear away and vanish completely under the influence of the good will.
Gerster, an unknown Hungarian, made fame and fortune sure the first night she appeared in opera. Her enthusiasm almost hypnotized her auditors. In less than a week she had become popular and independent. Her soul was smitten with a passion for growth, and all the powers of heart and mind she possessed were enthusiastically devoted to self-improvement.
All great works of art have been produced when the artist was intoxicated with the passion for beauty and form which would not let him rest until his thought was expressed in marble or on canvas.
"Well, I've worked hard enough for it," said Malibran when a critic expressed his admiration of her D in alt, reached by running up three octaves from low D; "I've been chasing it for a month. I pursued it everywhere,—when I was dressing, when I was doing my hair; and at last I found it on the toe of a shoe that I was putting on."
"Every great and commanding moment in the annals of the world," says Emerson, "is the triumph of some enthusiasm. The victories of the Arabs after Mahomet, who, in a few years, from a small and mean beginning, established a larger empire than that of Rome, is an example. They did they knew not what. The naked Derar, horsed on an idea, was found an overmatch for a troop of cavalry. The women fought like men and conquered the Roman men. They were miserably equipped, miserably fed, but they were temperance troops. There was neither brandy nor flesh needed to feed them. They conquered Asia and Africa and Spain on barley. The Caliph Omar's walking-stick struck more terror into those who saw it than another man's sword."
It was enthusiasm that enabled Napoleon to make a campaign in two weeks that would have taken another a year to accomplish. "These Frenchmen are not men, they fly," said the Austrians in consternation. In fifteen days Napoleon, in his first Italian campaign, had gained six victories, taken twenty-one standards, fifty-five pieces of cannon, had captured fifteen thousand prisoners, and had conquered Piedmont.
After this astonishing avalanche a discomfited Austrian general said: "This young commander knows nothing whatever about the art of war. He is a perfect ignoramus. There is no doing anything with him." But his soldiers followed their "Little Corporal" with an enthusiasm which knew no defeat or disaster.
"There are important cases," says A. H. K. Boyd, "in which the difference between half a heart and a whole heart makes just the difference between signal defeat and a splendid victory."
"Should I die this minute," said Nelson at an important crisis, "want of frigates would be found written on my heart."
The simple, innocent Maid of Orleans with her sacred sword, her consecrated banner, and her belief in her great mission, sent a thrill of enthusiasm through the whole French army such as neither king nor statesmen could produce. Her zeal carried everything before it. Oh! what a great work each one could perform in this world if he only knew his power! But, like a bitted horse, man does not realize his strength until he has once run away with himself.
"Underneath is laid the builder of this church and city, Christopher Wren, who lived more than ninety years, not for himself, but for the public good. Reader, if you seek his monument, look around!" Turn where you will in London, you find noble monuments of the genius of a man who never received instruction from an architect. He built fifty-five churches in the city and thirty-six halls. "I would give my skin for the architect's design of the Louvre," said he, when in Paris to get ideas for the restoration of St. Paul's Cathedral in London. His rare skill is shown in the palaces of Hampton Court and Kensington, in Temple Bar, Drury Lane Theater, the Royal Exchange, and the great Monument. He changed Greenwich palace into a sailor's retreat, and built churches and colleges at Oxford. He also planned for the rebuilding of London after the great fire, but those in authority would not adopt his splendid idea. He worked thirty-five years upon his master-piece, St. Paul's Cathedral. Although he lived so long, and was exceedingly healthy in later life, he was so delicate as a child that he was a constant source of anxiety to his parents. His great enthusiasm alone seemed to give strength to his body.
Indifference never leads armies that conquer, never models statues that live, nor breathes sublime music, nor harnesses the forces of nature, nor rears impressive architecture, nor moves the soul with poetry, nor the world with heroic philanthropies. Enthusiasm, as Charles Bell says of the hand, wrought the statue of Memnon and hung the brazen gates of Thebes. It fixed the mariner's trembling needle upon its axis, and first heaved the tremendous bar of the printing-press. It opened the tubes for Galileo, until world after world swept before his vision, and it reefed the high topsail that rustled over Columbus in the morning breezes of the Bahamas. It has held the sword with which freedom has fought her battles, and poised the axe of the dauntless woodman as he opened the paths of civilization, and turned the mystic leaves upon which Milton and Shakespeare inscribed their burning thoughts.
Horace Greeley said that the best product of labor is the high-minded workman with an enthusiasm for his work.
"The best method is obtained by earnestness," said Salvini. "If you can impress people with the conviction that you feel what you say, they will pardon many shortcomings. And above all, study, study, study! All the genius in the world will not help you along with any art, unless you become a hard student. It has taken me years to master a single part."
There is a "go," a zeal, a furore, almost a fanaticism for one's ideals or calling, that is peculiar to our American temperament and life. You do not find this in tropical countries. It did not exist fifty years ago. It could not be found then even on the London Exchange. But the influence of the United States and of Australia, where, if a person is to succeed, he must be on the jump with all the ardor of his being, has finally extended until what used to be the peculiar strength of a few great minds has now become characteristic of the leading nations. Enthusiasm is the being awake; it is the tingling of every fiber of one's being to do the work that one's heart desires. Enthusiasm made Victor Hugo lock up his clothes while writing "Notre Dame," that he might not leave the work until it was finished. The great actor Garrick well illustrated it when asked by an unsuccessful preacher the secret of his power over audiences: "You speak of eternal verities and what you know to be true as if you hardly believed what you were saying yourself, whereas I utter what I know to be unreal and untrue as if I did believe it in my very soul."
"When he comes into a room, every man feels as if he had taken a tonic and had a new lease of life," said a man when asked the reason for his selection, after he, with two companions, had written upon a slip of paper the name of the most agreeable companion he had ever met. "He is an eager, vivid fellow, full of joy, bubbling over with spirits. His sympathies are quick as an electric flash."
"He throws himself into the occasion, whatever it may be, with his whole heart," said the second, in praise of the man of his choice.
"He makes the best of everything," said the third, speaking of his own most cherished acquaintance.
The three were traveling correspondents of great English journals, who had visited every quarter of the world and talked with all kinds of men. The papers were examined and all were found to contain the name of a prominent lawyer in Melbourne, Australia.
"If it were not for respect for human opinions," said Madame de Staël to M. Mole, "I would not open my window to see the Bay of Naples for the first time, while I would go five hundred leagues to talk with a man of genius whom I had not seen."
Enthusiasm is that secret and harmonious spirit which hovers over the production of genius, throwing the reader of a book, or the spectator of a statue, into the very ideal presence whence these works have originated.
"One moonlight evening in winter," writes the biographer of Beethoven, "we were walking through a narrow street of Bonn. 'Hush!' exclaimed the great composer, suddenly pausing before a little, mean dwelling, 'what sound is that? It is from my Sonata in F. Hark! how well it is played!'
"In the midst of the finale there was a break, and a sobbing voice cried: 'I cannot play any more. It is so beautiful; it is utterly beyond my power to do it justice. Oh, what would I not give to go to the concert at Cologne!' 'Ah! my sister,' said a second voice; 'why create regrets when there is no remedy? We can scarcely pay our rent.' 'You are right,' said the first speaker, 'and yet I wish for once in my life to hear some really good music. But it is of no use.'
"'Let us go in,' said Beethoven. 'Go in!' I remonstrated; 'what should we go in for?' 'I will play to her,' replied my companion in an excited tone; 'here is feeling,—genius,—understanding! I will play to her, and she will understand it. Pardon me,' he continued, as he opened the door and saw a young man sitting by a table, mending shoes, and a young girl leaning sorrowfully upon an old-fashioned piano; 'I heard music and was tempted to enter. I am a musician. I—I also overheard something of what you said. You wish to hear—that is, you would like—that is—shall I play for you?'
"'Thank you,' said the shoemaker, 'but our piano is so wretched, and we have no music.'
"'No music!' exclaimed the composer; 'how, then, does the young lady—I—I entreat your pardon,' he added, stammering as he saw that the girl was blind; 'I had not perceived before. Then you play by ear? But where do you hear the music, since you frequent no concerts?'
"'We lived at Bruhl for two years; and, while there, I used to hear a lady practicing near us. During the summer evenings her windows were generally open, and I walked to and fro outside to listen to her.'
"Beethoven seated himself at the piano. Never, during all the years I knew him, did I hear him play better than to that blind girl and her brother. Even the old instrument seemed inspired. The young man and woman sat as if entranced by the magical, sweet sounds that flowed out upon the air in rhythmical swell and cadence, until, suddenly, the flame of the single candle wavered, sank, flickered, and went out. The shutters were thrown open, admitting a flood of brilliant moonlight, but the player paused, as if lost in thought.
"'Wonderful man!' said the shoemaker in a low tone; 'who and what are you?'
"'Listen!' replied the master, and he played the opening bars of the Sonata in F. 'Then you are Beethoven!' burst from the young people in delighted recognition. 'Oh, play to us once more,' they added, as he rose to go,—'only once more!'
"'I will improvise a sonata to the moonlight,' said he, gazing thoughtfully upon the liquid stars shining so softly out of the depths of a cloudless winter sky. Then he played a sad and infinitely lovely movement, which crept gently over the instrument, like the calm flow of moonlight over the earth. This was followed by a wild, elfin passage in triple time—a sort of grotesque interlude, like the dance of fairies upon the lawn. Then came a swift agitated ending—a breathless, hurrying, trembling movement, descriptive of flight, and uncertainty, and vague impulsive terror, which carried us away on its rustling wings, and left us all in emotion and wonder. 'Farewell to you,' he said, as he rose and turned toward the door. 'You will come again?' asked the host and hostess in a breath. 'Yes, yes,' said Beethoven hurriedly, 'I will come again, and give the young lady some lessons. Farewell!' Then to me he added: 'Let us make haste back, that I may write out that sonata while I can yet remember it.' We did return in haste, and not until long past the dawn of day did he rise from his table with the full score of the Moonlight Sonata in his hand."
Michael Angelo studied anatomy twelve years, nearly ruining his health, but this course determined his style, his practice, and his glory. He drew his figures in skeleton, added muscles, fat, and skin successively, and then draped them. He made every tool he used in sculpture, such as files, chisels, and pincers. In painting he prepared all his own colors, and would not let servants or students even mix them.
Raphael's enthusiasm inspired every artist in Italy, and his modest, charming manners disarmed envy and jealousy. He has been called the only distinguished man who lived and died without an enemy or detractor. Again and again poor Bunyan might have had his liberty; but not the separation from his poor blind daughter Mary, which he said was like pulling the flesh from his bones; not the need of a poor family dependent upon him; not the love of liberty nor the spur of ambition could induce him to forego his plain preaching in public places. He had so forgotten his early education that his wife had to teach him again to read and write. It was the enthusiasm of conviction which enabled this poor, ignorant, despised Bedford tinker to write his immortal allegory with such fascination that a whole world has read it.
Only thoughts that breathe in words that burn can kindle the spark slumbering in the heart of another.
Rare consecration to a great enterprise is found in the work of the late Francis Parkman. While a student at Harvard he determined to write the history of the French and English in North America. With a steadiness and devotion seldom equaled he gave his life, his fortune, his all to this one great object. Although he had, while among the Dakota Indians, collecting material for his history, ruined his health and could not use his eyes more than five minutes at a time for fifty years, he did not swerve a hair's breadth from the high purpose formed in his youth, until he gave to the world the best history upon this subject ever written.
After Lincoln had walked six miles to borrow a grammar, he returned home and burned one shaving after another while he studied the precious prize.
Gilbert Becket, an English Crusader, was taken prisoner and became a slave in the palace of a Saracen prince, where he not only gained the confidence of his master, but also the love of his master's fair daughter. By and by he escaped and returned to England, but the devoted girl determined to follow him. She knew but two words of the English language—LondonandGilbert; but by repeating the first she obtained passage in a vessel to the great metropolis, and then she went from street to street pronouncing the other—"Gilbert." At last she came to the street on which Gilbert lived in prosperity. The unusual crowd drew the family to the window, when Gilbert himself saw and recognized her, and took to his arms and home his far-come princess with her solitary fond word.
The most irresistible charm of youth is its bubbling enthusiasm. Youth sees no darkness ahead,—no defile that has no outlet,—it forgets that there is such a thing as failure in the world, and believes that mankind has been waiting all these centuries for him to come and be the liberator of truth and energy and beauty.
Of what use was it to forbid the boy Handel to touch a musical instrument, or to forbid him going to school, lest he learn the gamut? He stole midnight interviews with a dumb spinet in a secret attic. The boy Bach copied whole books of studies by moonlight, for want of a candle churlishly denied. Nor was he disheartened when these copies were taken from him. The painter West began in a garret, and plundered the family cat for bristles to make his brushes.
It is the enthusiasm of youth which cuts the Gordian knot age cannot untie. "People smile at the enthusiasm of youth," says Charles Kingsley; "that enthusiasm which they themselves secretly look back to with a sigh, perhaps unconscious that it is partly their own fault that they ever lost it."
How much the world owes to the enthusiasm of Dante!
Tennyson wrote his first volume at eighteen, and at nineteen gained a medal at Cambridge.
"The most beautiful works of all art were done in youth," says Ruskin. "Almost everything that is great has been done by youth," wrote Disraeli. "The world's interests are, under God, in the hands of the young," says Dr. Trumbull.
It was the youth Hercules that performed the Twelve Labors. Enthusiastic youth faces the sun, it shadows all behind it. The heart rules youth; the head, manhood. Alexander was a mere youth when he rolled back the Asiatic hordes that threatened to overwhelm European civilization almost at its birth. Napoleon had conquered Italy at twenty-five. Byron and Raphael died at thirty-seven, an age which has been fatal to many a genius, and Poe lived but a few months longer. Romulus founded Rome at twenty. Pitt and Bolingbroke were ministers almost before they were men. Gladstone was in Parliament in early manhood. Newton made some of his greatest discoveries before he was twenty-five. Keats died at twenty-five, Shelley at twenty-nine. Luther was a triumphant reformer at twenty-five. It is said that no English poet ever equaled Chatterton at twenty-one. Whitefield and Wesley began their great revival as students at Oxford, and the former had made his influence felt throughout England before he was twenty-four. Victor Hugo wrote a tragedy at fifteen, and had taken three prizes at the Academy and gained the title of Master before he was twenty.
Many of the world's greatest geniuses never saw forty years. Never before has the young man, who is driven by his enthusiasm, had such an opportunity as he has to-day. It is the age of young men and young women. Their ardor is their crown, before which the languid and the passive bow.
But if enthusiasm is irresistible in youth, how much more so is it when carried into old age! Gladstone at eighty had ten times the weight and power that any man of twenty-five would have with the same ideals. The glory of age is only the glory of its enthusiasm, and the respect paid to white hairs is reverence to a heart fervent, in spite of the torpid influence of an enfeebled body. The "Odyssey" was the creation of a blind old man, but that old man was Homer.
The contagious zeal of an old man, Peter the Hermit, rolled the chivalry of Europe upon the ranks of Islam.
Dandolo, the Doge of Venice, won battles at ninety-four, and refused a crown at ninety-six. Wellington planned and superintended fortifications at eighty. Bacon and Humboldt were enthusiastic students to the last gasp. Wise old Montaigne was shrewd in his gray-beard wisdom and loving life, even in the midst of his fits of gout and colic.
Dr. Johnson's best work, "The Lives of the Poets," was written when he was seventy-eight. Defoe was fifty-eight when he published "Robinson Crusoe." Newton wrote new briefs to his "Principia" at eighty-three. Plato died writing, at eighty-one. Tom Scott began the study of Hebrew at eighty-six. Galileo was nearly seventy when he wrote on the laws of motion. James Watt learned German at eighty-five. Mrs. Somerville finished her "Molecular and Microscopic Science" at eighty-nine. Humboldt completed his "Cosmos" at ninety, a month before his death. Burke was thirty-five before he obtained a seat in Parliament, yet he made the world feel his character. Unknown at forty, Grant was one of the most famous generals in history at forty-two. Eli Whitney was twenty-three when he decided to prepare for college, and thirty when he graduated from Yale; yet his cotton-gin opened a great industrial future for the Southern States. What a power was Bismarck at eighty! Lord Palmerston was an "Old Boy" to the last. He became Prime Minister of England the second time at seventy-five, and died Prime Minister at eighty-one. Galileo at seventy-seven, blind and feeble, was working every day, adapting the principle of the pendulum to clocks. George Stephenson did not learn to read and write until he had reached manhood. Some of Longfellow's, Whittier's, and Tennyson's best work was done after they were seventy.
At sixty-three Dryden began the translation of the "Aeneid." Robert Hall learned Italian when past sixty, that he might read Dante in the original. Noah Webster studied seventeen languages after he was fifty. Cicero said well that men are like wine: age sours the bad and improves the good.
With enthusiasm we may retain the youth of the spirit until the hair is silvered, even as the Gulf Stream softens the rigors of northern Europe.
"How ages thine heart,—towards youth? If not, doubt thy fitness for thy work."