CHAPTER XII.

The hundred days that followed the emperor's return are like a myth of the olden time, like a poem of Homer, in which heroes destroy worlds with a blow of the hand, and raise armies out of the ground with a stamp of the foot; in which nations perish, and new ones are born within the space of a minute.

These hundred days stand in history as a giant era, and these hundred days of the restored empire were replete with all the earth can offer of fortune, of magnificence, of glory, and of victory, as well as of all that the earth contains that is disgraceful, miserable, traitorous, and perfidious.

Wondrous and brilliant was their commencement. All France seemed to hail the emperor's return with exultation. Every one hastened to assure him of his unchangeable fidelity, and to persuade him that they had only obeyed the Bourbons under compulsion.

The old splendor of the empire once more prevailed in the Tuileries, where the emperor now held his glittering court again. There was, however, this difference: Queen Hortense now did the honors of the court, in the place of the Empress Marie Louise, who had not returned with her husband; and the emperor could not now show the people his own son, but could only point to his two nephews, the sons of Hortense.

The emperor had quickly reconciled himself to the queen; he had been compelled to yield to her gentle and yet decided explanations; he had comprehended that Hortense had sacrificed herself for her children, in continuing to remain in France notwithstanding her reluctance. After this reconciliation had taken place, Napoleon extended his hand to Hortense, with his irresistible smile, and begged her to name a wish, in order that he might fulfil it.

Queen Hortense, who had been so bitterly slandered and scorned by the royalists, and who was still considered by the fleeing Bourbons to be the cause of their overthrow--this same queen now entreated the emperor to permit the Duchess d'Orleans, who had not been able to leave Paris on account of a broken limb, to remain, and to accord her a pension besides. She told the emperor that she had received a letter from the duchess, in which she begged for her intercession in obtaining some assistance from the emperor, assuring her that it was urgently Deeded, in her depressed circumstances.

The emperor consented to grant this wish of his step-daughter Hortense; and it was solely at her solicitation that Napoleon accorded a pension of four hundred thousand francs to the Duchess d'Orleans, the mother of King Louis Philippe[49].

[49]La Reine Hortense en Italie, en France, et en Angleterre. Ecrit par elle-même, p. 185.

A few days later, at Hortense's request, a pension of two hundred thousand francs was also accorded to the Duchess of Bourbon, who had also besought the queen to exert her influence in her behalf; and both ladies now hastened to assure Hortense of their everlasting gratitude. The fulfilment of her wish filled Hortense with delight; she was as proud of it as of a victory achieved.

"I considered it a sacred duty," said she, "to intercede for these ladies. They were as isolated and desolate as I had been a few clays before, and I know how sad it is to be in such a state!"

But Hortense's present state was a very different one. She was now no longer the Duchess of St. Leu, but the queen and the ornament of the court once more; all heads now bowed before her again, and the high-born ladies, who had seemed oblivious of her existence during the past year, now hastened to do homage to the queen.

"Majesty," said one of these ladies to the queen, "unfortunately, you were always absent in the country when I called to pay my respects during the past winter."

The queen's only response was a gentle "Indeed madame," which she accompanied with a smile.

Hortense, as has before been said, was now again the grand point of attraction at court, and, at Napoleon's command, the public officials now also hastened to solicit the honor of an audience, in order to pay their respects to the emperor's step-daughter. Each day beheld newfêtesand ceremonies.

The most sublime and imposing of all these was the ceremony of theChamp de Mai, that took place on the first of June, and at which the emperor, in the presence of the applauding populace, presented to his army the new eagles and flags, which they were henceforth to carry into battle instead of the lilies of the Bourbons.

It was a wondrous, an enchanting spectacle to behold the sea of human beings that surged to and fro on this immense space, and made the welkin ring with their "Vive l'empereur!"--to behold the proud, triumphant soldiers receiving from Napoleon the eagles consecrated by the priests at the altar that stood before the emperor. It was a wondrous spectacle to behold the hundreds of richly-attired ladies glittering with diamonds, who occupied the tiers of seats that stood immediately behind the emperor's chair, and on which Hortense and her two sons occupied the first seats.

The air was so balmy, the sun shone so lustriously over all this splendor and magnificence, the cannon thundered so mightily, and the strains of music resounded so sweetly on the ear; and, while all were applauding and rejoicing, Hortense sat behind the emperor's chair covertly sketching the imposing scene that lay before her, the grand ceremony, which, a dark foreboding told her, "might perhaps be the last of the empire[50]."

[50]Cochelet, vol. iii., p. 97.

Hortense alone did not allow herself to be deceived by this universal delight and contentment.

The heavens still seemed bright and serene overhead, but she already perceived the gathering clouds, she already heard the mutterings of the storm that was soon, and this time forever, to hurl the emperor's throne to the ground. She knew that a day would suddenly come when all this brightness would grow dim, and when all those who now bowed so humbly before him, would turn from him again--a day when they would deny and desert the emperor as they had already done once before, and that, from that day on, the present period of grandeur would be accounted to her as a debt. But this knowledge caused her neither anxiety nor embarrassment.

The emperor was once more there; he was the lord and father left her by her mother Josephine, and it was her duty and desire to be true and obedient to him as long as she lived.

The sun still shone lustrously over the restored empire, and in the parlors of Queen Hortense, where the diplomats, statesmen, artists, and all the notables of the empire were in the habit of assembling, gayety reigned supreme. There music and literature were discussed, and homage done to all the fine arts.

Benjamin Constant, who had with great rapidity transformed himself from an enthusiastic royalist into an imperial state-councillor, came to the queen's parlors and regaled her guests by reading to them his romance Adolphe; and Metternich, the Austrian ambassador seemed to have no other destiny than to amuse the queen and the circle of ladies assembled around them, and to invent new social games for their entertainment.

Metternich knew how to bring thousands of charming little frivolities into fashion; he taught the ladies the charming and poetic language of flowers, and made it a symbolic means of conversation and correspondence in the queen's circle. He also, to the great delight of the court, invented the alphabet of gems; in this alphabet each gem represented its initial letter, and, by combinations, names and devices were formed, which were worn in necklaces, bracelets, and rings.

The little games with which the diplomatic Metternich occupied himself during the hundred days at the imperial court at Paris, were, it appears, of the most innocent and harmless nature.

The storm, of the approach of which Queen Hortense had so long had a foreboding, was preparing to burst over France. All the princes of Europe who had once been Napoleon's allies had now declared against him. They all refused to acknowledge Napoleon as emperor, or to treat with him as one having any authority.

"No peace, no reconciliation with this man," wrote the Emperor Alexander to Pozzo di Borgo; "all Europe is of the same opinion concerning him. With the exception of this man, any thing they may demand; no preference for any one; no war after this man shall have been set aside[51]."

[51]Cochelet, vol. iii., p. 90.

But, in order to "set this man aside," war was necessary. The allied armies therefore advanced toward the boundaries of France; the great powers declared war against France, or rather against the Emperor Napoleon; and France, which had so long desired peace, and had only accepted the Bourbons because it hoped to obtain it of them, France was now compelled to take up the gauntlet.

On the 12th of June the emperor left Paris with his army, in order to meet the advancing enemy. Napoleon himself, who had hitherto gone into battle, his countenance beaming with an assurance of victory, now looked gloomy and dejected, for he well knew that on the fate of his army now depended his own, and the fate of France.

This time it was not a question of making conquests, but of saving the national independence, and it was the mother-earth, red with the blood of her children, that was now to be defended.

Paris, that for eighty days had been the scene of splendor and festivity, now put on its mourning attire. All rejoicings were at an end, and every one listened hopefully to catch the first tones of the thunder of a victorious battle.

But the days of victory were over; the cannon thundered, the battle was fought, but instead of a triumph it was an overthrow.

At Waterloo, the eagles that had been consecrated on the first of June, on theChamp de Mai, sank in the dust; the emperor returned to Paris, a fugitive, and broken down in spirit, while the victorious allies were approaching the capital.

At the first intelligence of his return, Hortense hastened to the Elysée, where he had taken up his residence, to greet him. During the last few days she had been a prey to gloomy thoughts; now that the danger had come, now when all were despairing, she was composed, resolute, and ready to stand at the emperor's side to the last.

Napoleon was lost, and Hortense knew it; but he now had most need of friends, and she remained true, while so many of his nearest friends and relatives were deserting him.

On the twenty-second day of June the emperor sent in his abdication in favor of his son, the King of Rome, to the chambers; and a week later the chambers proclaimed Napoleon's son Emperor of France, under the name of Napoleon II.

But this emperor was a child of four years, and was, moreover, not in France, but in the custody of the Emperor of Austria, whose army was now marching on Paris with hostile intent!

Napoleon, now no longer Emperor of France, had been compelled to take the crown from his head a second time; and for the second time he quitted Paris to await the destiny to be appointed him by the allies.

This time he did not repair to Fontainebleau, but to Malmaison--to Malmaison, that had once been Josephine's paradise, and where her heart had at last bled to death. This charming resort had passed into the possession of Queen Hortense; and Napoleon, who but yesterday had ruled over a whole empire, and to-day could call nothing, not even the space of ground on which he stood, his own, Napoleon asked Hortense to receive him at Malmaison.

Hortense accorded his request joyfully, and, when her friends learned this, and in their dismay and anxiety conjured her not to identify in this manner herself and children with the fate of the emperor, but to consider well the danger that would result from such a course, the queen replied resolutely: "That is an additional reason for holding firm to my determination. I consider it my sacred duty to remain true to the emperor to the last, and the greater the danger that threatens the emperor, the happier I shall be in having it in my power to show him my entire devotion and gratitude."

And when, in this decision, when her whole future hung in the balance, one of her most intimate lady-friends ventured to remind the queen of the disgraceful and malicious reports that had once been put in circulation with regard to her relation to Napoleon, and suggested that she would give new strength to them by now receiving the emperor at Malmaison, Hortense replied with dignity: "What do I care for these calumnies? I fulfil the duty imposed on me by feeling and principle. The emperor has always treated me as his child; I shall therefore ever remain his devoted and grateful daughter; it is my first and greatest necessity to be at peace with myself[52]."

[52]Cochelet, vol. iii., p. 149.

Hortense therefore repaired with the emperor to Malmaison, and the faithful, who were not willing to leave him in his misfortune, gathered around him, watched over his life, and gave to his residence a fleeting reflection of the old grandeur and magnificence. For they who now stood around Napoleon, guarding his person from any immediate danger that threatened him at the hands of fanatic enemies or hired assassins, were marshals, generals, dukes, and princes.

But Napoleon's fate was already decided--it was an inevitable one, and when the intelligence reached Malmaison that the enemy was approaching nearer and nearer, and that resistance was no longer made anywhere, and when Napoleon saw that all was lost, his throne, his crown, and even the love which he imagined he had for ever built up for himself in the hearts of the French people by his great deeds and victories--when he saw this he determined to fly, no matter whither, but away from the France that would no longer rally to his call, the France that had abandoned him.

The emperor resolved to fly to Rochefort, and to embark there in order to return to Elba. The provisional government that had established itself in Paris, and had sent an ambassador to Napoleon at Malmaison with the demand that he should depart at once, now instructed this ambassador to accompany the emperor on his journey, and not to leave him until he should have embarked.

Napoleon was ready to comply with this demand. He determined to depart on the afternoon of the 30th of June. He had nothing more to do but to take leave of his friends and family. He did this with cold, tearless composure, with an immovable, iron countenance; no muscle of his face quivered, and his glance was severe and imperious.

But, when Hortense brought in her two sons, when he had clasped them in his arms for the last time, then a shadow passed over his countenance; then his pale compressed lips quivered, and he turned away to conceal the tears that stood in his eyes.

But Hortense had seen them, and in her heart she preserved the remembrance of these tears as the most precious gem of her departed fortune. As the emperor then turned to her to bid her adieu in his former cold and immovable manner, Hortense, who well knew that a volcano of torments must be glowing under this cold lava, entreated him to grant her a last favor.

A painful smile illumined the emperor's countenance for a moment. There was, it seemed, still something that he could grant; he was not altogether powerless! With a mute inclination of the head he signified his assent. Hortense handed him a broad black belt.

"Sire," said she, "wear this belt around your body and beneath your clothing. Conceal it carefully, but in the time of necessity remember it and open it."

The emperor took the belt in his hand, and its weight startled him.

"What does it contain?" asked he: "I must know what it contains!"

"Sire," said Hortense, blushing and hesitating: "Sire, it is my large diamond necklace that I have taken apart and sewed in this belt. Your majesty may need money in a critical moment, and you will not deny me this last happiness, your acceptance of this token."

The emperor refused, but Hortense entreated him so earnestly that he was at last compelled to yield, and accept this love-offering.

They then took a hasty and mute leave of each other, and Hortense, in order to hide her tears, hastened with her children from the room.

The emperor summoned a servant, and ordered that no one else should be admitted; but at this moment the door was hastily thrown open, and a national guard entered the room.

"Talma!" exclaimed the emperor, almost gayly, as he extended his hand.

"Yes, Talma, sire," said he, pressing the emperor's hand to his lips. "I disguised myself in this dress, in order that I might get here to take leave of your majesty."

"To take leave, never to see each other more," said the emperor, sadly. "I shall never be able to admire you in your greatrôlesagain, Talma. I am about to depart, never to return again. You will play the emperor on many an evening, but not I, Talma! My part is at an end!"

"No, sire, you will always remain the emperor!" exclaimed Talma, with generous enthusiasm; "the emperor, although without the crown and the purple robe."

"And also the emperor without a people," said Napoleon.

"Sire, you have a people that will ever remain yours, and a throne that is imperishable! It is the throne that you have erected for yourself on the battle-fields, that will be recorded in the books of history. And every one, no matter to what nation he may belong, who reads of your great deeds, will be inspired by them, and will acknowledge himself to be one of your people, and bow down before the emperor in reverence."

"I have no people," murmured Napoleon, gloomily; "they have all deserted--all betrayed me, Talma!"

"Sire, they will some day regret, as Alexander of Russia will also one day regret, having deserted the great man he once called brother!" And, in his delicate and generous endeavor to remind Napoleon of one of his moments of grandeur, Talma continued: "Your majesty perhaps remembers that evening at Tilsit, when the Emperor of Russia made you so tender a declaration of his love, publicly and before the whole world? But no, you cannot remember it; for you it was a matter of no moment; but I--I shall never forget it! It was at the theatre; we were playing 'Oedipus.' I looked up at the box in which your majesty sat, between the King of Prussia and the Emperor Alexander. I could see you only--the second Alexander of Macedon, the second Julius Caesar--and I held my arms aloft and saw you only when I repeated the words of my part: 'The friendship of a great man is a gift of the gods!' And as I said this, the Emperor Alexander arose and pressed you to his heart. I saw this, and tears choked my utterance. The audience applauded rapturously; this applause was, however, not for me, but for the Emperor Alexander[53]!"

[53]This scene is entirely historical. See Bossuet, Mémoires; Bourrienne, Mémoires; Cochelet and Une Femme de Qualité.

While Talma was speaking, his cheeks glowing and his eyes flashing, a rosy hue suffused the emperor's countenance, and, for an instant, he smiled. Talma had attained his object; he had raised up the humiliated emperor with the recital of his own grandeur.

Napoleon thanked him with a kindly glance, and extended his hand to bid him adieu.

As Talma approached the emperor, a carriage was heard driving up in front of the house. It was Letitia, the emperor's mother, who had come to take leave of her son. Talma stood still, in breathless suspense; in his heart he thanked Providence for permitting him to witness this leave-taking.

"Madame mère" walked past Talma in silence, and without observing him. She saw only her son, who stood in the middle of the room, his sombre and flashing glance fastened on her with an unutterable expression. Now they stood face to face, mother and son. The emperor's countenance remained immovable as though hewn out of marble.

They stood face to face in silence, but two great tears slowly trickled down the mother's cheeks. Talma stood in the background, weeping bitterly. Napoleon remained unmoved. Letitia now raised both hands and extended them to the emperor. "Adieu, my son!" said she, in full and sonorous tones.

Napoleon pressed her hands in his own, and gazed at her long and fixedly; and then, with the same firmness, he said: "My mother, adieu!"

Once more they gazed at each other; then the emperor let her hand fall. Letitia turned to go, and at this moment General Bertrand appeared at the door to announce that all was prepared for the journey[54].

[54]This leave-taking was exactly as above described, and Talma himself narrated it to Louise de Cochelet. See her Mémoires, vol. iii, P. 173.

For the second time, the Bourbons had entered Paris under the protection of the allies, and Louis XVIII. was once more King of France. But this time he did not return with his former mild and conciliatory disposition. He came to punish and to reward; he came unaccompanied by mercy. The old generals and marshals of the empire, who had not been able to resist their chieftain's call, were now banished, degraded, or executed. Ney and Labédoyère paid for their fidelity to the emperor with their blood; and all who were in any way connected with the Bonapartes were relentlessly pursued. The calumnies that had been circulated in 1814 against the Duchess of St. Leu were now to bear bitter fruit. These were the dragon's teeth from which the armed warriors had sprung, who now levelled their swords at the breast of a defenceless woman.

King Louis had returned to the throne of his fathers, but he had not forgotten that he had been told on his flight: "The Duchess of St. Leu is to blame for all! Her intrigues have brought Napoleon back!" Now that he was again king, he thought of it, and determined to punish her. He requested it of Alexander, as a favor, that he should this time not call on the Duchess of St. Leu.

The emperor, dismayed by the odious reports in circulation concerning Hortense, and already enchained in the mystic glittering web with which Madame de Krüdener had enveloped him, and separated from the reality of the world, acceded to the wishes of the Bourbons, and abandoned the queen. This was the signal that let loose the general wrath of the royalists; they could now freely utter their scorn and malice. By low calumnies they could now compensate themselves for their humiliation of the past, for having been compelled to approach the daughter of Viscountess de Beauharnais with the reverence due to a queen.

They could pursue the step-daughter of the emperor with boundless fury, for this very fury proved their royalism, and to hate and calumniate Bonaparte and his family was to love and flatter the Bourbons.

Day by day these royalists hurled new accusations against the duchess, whose presence in Paris unpleasantly recalled the days of the empire, and whom they desired to remove from their sight, as well as the column on thePlace Vendôme.

While the poor queen was living in the retirement of her apartments, in sadness and desolation, the report was circulated that she was again conspiring, and that she was in the habit of leaving her house every evening at twilight, in order to incite the populace to rise and demand the emperor's return, or at least the instalment of the little King of Rome on the throne instead of Louis de Bourbon.

When the queen's faithful companion, Louise de Cochelet, informed her of these calumnies, Hortense remained cold and indifferent.

"Madame," exclaimed Louise, "you listen with as much composure as if I were reciting a story of the last century!"

"And it interests me as little," said Hortense, earnestly; "we have lost all, and I consider any blow that may still strike us, with the composure of an indifferent spectator. I consider it natural that they should endeavor to caluminate me, because I bear a name that has made the whole world tremble, and that will still be great, though we all be trodden in the dust. But I will shield myself and children from this hatred. We will leave France and go to Switzerland, where I possess a little estate on the Lake of Geneva."

But time was not allowed the duchess to prepare for her departure. The dogs of calumny and hatred were let loose upon her to drive her from the city. A defenceless woman with two young children seemed to be an object of anxiety and terror to the government, and it made haste to get rid of her.

On the morning of the 17th of July, an adjutant of the Prussian General de Müffling, the allied commandant of Paris, came to the dwelling of the Duchess of St. Leu, and informed her intendant, M. Deveaux, that the duchess must leave Paris within two hours, and it was only at the urgent solicitation of the intendant, that a further sojourn of four hours was allowed her.

Hortense was compelled to conform to this military command, and depart without arranging her affairs or making any preparations for her journey. Her only possession consisted of jewelry, and this she of course intended to take with her. But she was warned that a troop of enraged Bourbonists, who knew of her approaching departure, had quitted Paris to lie in wait for her on her road, "in order to rob her of the millions in her custody."

The queen was warned to take no money or articles of value with her, but only that which was absolutely necessary.

General de Müffling offered her an escort of his soldiers; Hortense declined this offer, but requested that an Austrian officer might be allowed to accompany her for the protection of herself and children on the journey. Count de Boyna, adjutant of Prince Schwartzenberg, was selected for this purpose.

On the evening of the 17th of July, 1815, the Duchess of St. Leu took her departure. She left her faithful friend Louise de Cochelet in Paris to arrange her affairs, and assure the safe-keeping of her jewelry. Accompanied only by her equerry, M. de Marmold, Count Boyna, her children, her maid, and a man-servant, she who had been a queen left Paris to go into exile.

It was a sorrowful journey that Hortense now made through her beloved France, that she could no longer call her country, and that now seemed as ill-disposed toward the emperor and his family as it had once passionately loved them.

In these days of political persecution, the Bonapartists had everywhere hidden themselves in obscure places, or concealed their real disposition beneath the mask of Bourbonism. Those whom Hortense met on her journey were therefore all royalists, who thought they could give no better testimony to their patriotism than by persecuting with cries of scorn, with gestures of hatred, and with loud curses, the woman whose only crime was that she bore the name of him whom France had once adored, and whom the royalists hated.

Count Boyna was more than once compelled to protect Hortense and her children against the furious attacks of royalists--the stranger against her own countrymen! In Dijon, Count Boyna had found it necessary to call on the Austrian military stationed there for assistance in protecting the duchess and her children from the attacks of an infuriated crowd, led by royal guards and beautiful ladies of rank, whose hair was adorned with the lilies of the Bourbons[55].

[55]Cochelet, vol. iii, p. 289.

Dispirited and broken down by all she had seen and experienced, Hortense at last reached Geneva, happy at the prospect of being able to retire to her little estate of Pregny, to repose after the storms of life. But this refuge was also to be refused her. The French ambassador in Switzerland, who resided in Geneva, informed the authorities of that city that his government would not tolerate the queen's sojourn so near the French boundary, and demanded that she should depart. The authorities of Geneva complied with this demand, and ordered the Duchess of St. Leu to leave the city immediately.

When Count Boyna imparted this intelligence to the duchess, and asked her to what place she would now go, her long-repressed despair found utterance in a single cry: "I know not. Throw me into the lake, then we shall all be at rest!"

But she soon recovered her usual proud resignation, and quietly submitted to the new banishment that drove her from her last possession, the charming little Pregny, from her "rêve de chalet."

In Aix she finally found repose and peace for a few weeks--in Aix, where she had once celebrated brilliant triumphs as a queen, and where she was at least permitted to live in retirement with her children and a few faithful adherents.

But in Aix the most fearful blow that Fate had in store for her fell upon her!

Her action against her husband had already been decided in 1814, shortly before the emperor's return, and it had been adjudged that she should deliver her elder son Napoleon Louis, into the custody of his father. Now that Napoleon's will no longer restrained him, Louis demanded that this judgment be carried out, and sent Baron von Zuyten to Aix to bring back the prince to his father then residing in Florence.

The unhappy mother was now powerless to resist this hard command; she was compelled to yield, and send her son from her arms to a father who was a stranger to the boy, and whom he therefore could not love.

It was a heart-rending scene this parting between the boy, his mother, and his young brother Louis, from whom he had never before been separated for a day, and who now threw his arms around his neck, tearfully entreating him to stay with him.

But the separation was inevitable. Hortense parted the two weeping children, taking little Louis Napoleon in her arms, while Napoleon Louis followed his governor to the carriage, sobbing as though his heart would break. When Hortense heard the carriage driving off, she uttered a cry of anguish and fell to the ground in a swoon, and a long and painful attack of illness was the consequence of this sorrowful separation.

The Duchess of St. Leu was, however, not destined to find repose in Aix; the Bourbons--not yet weary of persecuting her, and still fearing the name whose first and greatest representative was now languishing on a solitary, inhospitable rock-island--the Bourbons considered it dangerous that Hortense, the emperor's step-daughter, and her son, whose name of Louis Napoleon seemed to them a living monument of the past, should be permitted to sojourn so near the French boundary. They therefore instructed their ambassador to the government of Savoy to protest against the further sojourn of the queen in Aix, and Hortense was compelled to undertake a new pilgrimage, and to start out into the world again in search of a home.

She first turned to Baden, whose duchess, Stephanie, was so nearly related to her, and from whose husband she might therefore well expect a kindly reception. But the grand-duke did not justify his cousin's hopes; he had not the courage to defy the jealous fears of France, and it was only at the earnest solicitation of his wife that he at last consented that Hortense should take up her residence at the extreme end of the grand-duchy, at Constance, on the Lake of Constance; and this permission was only accorded her on the express condition that neither the duchess nor her son should ever come to Carlsruhe, and that his wife, Stephanie, should never visit her cousin at Constance.

Hortense accepted this offer with its conditions, contented to find a place where she could rest after her long wanderings, and let the bleeding wounds of her heart heal in the stillness and peace of beautiful natural scenery. She passed a few quiet, happy years in Constance desiring and demanding nothing but a little rest and peace, aspiring to but one thing--to make of the son whom Providence had given her as a compensation for all her sufferings, a strong, a resolute, and an intelligent man.

Her most tender care and closest attention were devoted to the education of this son. An excellent teacher, Prof. Lebas, of Paris, officiated as instructor to the young prince. She herself gave him instruction in drawing, in music, and in dancing; she read with him, sang with him, and made herself a child, in order to replace to her lonely boy the playmate Fate had torn from his side.

While reposing on herchaise-longueon the long quiet evenings, her boy seated on a cushion at her feet, she would speak to him of his great uncle, and of his heroic deeds, and of his country, of France that had discarded them, to be able to return to which was, however, her most ardent wish, and would continue to be while life lasted. She would then inspire the boy's soul with the description of the great battles which his uncle had won in Italy, on the Nile, on the Rhine, and on the Danube; and the quiet, pale boy, with the dark, thoughtful eyes, would listen in breathless suspense, his weak, slender body quivering with emotion when his mother told him how dearly his uncle had loved France, and that all his great and glorious deeds had been done for the honor and renown of France alone.

One day, while he was sitting before her, pale and trembling with agitation, his mother pointed to David's splendid painting, representing Napoleon on the heights of the Alps, the genial conception of which painting is due to Napoleon's own suggestions.

"Paint me tranquilly seated on a wild horse," Napoleon had said to David, and David had so painted him--on a rearing steed, on the summit of a rock which bears the inscription "Hannibal" and "Caesar." The emperor's countenance is calm, his large eyes full of a mysterious brilliancy, his hair fluttering in the wind, the whole expression thoughtful and earnest; the rider heedless of the rearing steed, which he holds firmly in check with the reins.

A beautiful copy of this great painting hung in the parlor of the duchess; and to this she now pointed while narrating the history of the emperor's passage over the Great St. Bernard with an army, a feat never before performed except by Hannibal and Caesar, and perhaps never to be performed again.

As she concluded her narrative, an almost angry expression flitted across the young prince's countenance. Rising from his seat, and holding himself perfectly erect, he exclaimed: "Oh, mamma, I shall also cross the Alps some day, as the emperor did!"

And while thus speaking, a glowing color suffused his face; his lips trembled, and the feverish beating of his heart was quite audible.

Hortense turned in some anxiety to her friend Louise de Cochelet, and begged her in a low voice to soothe the child with the recital of some merry narrative. As Louise looked around the room thoughtfully and searchingly, a cup that stood on the mantel-piece arrested her gaze. She hastened to the mantel, took the cup, and returned with it to little Louis Napoleon.

"Mamma has been explaining a very grave picture to you, Louis," said she; "I will now show you a merry one. Look at it--isn't it charming?"

The prince cast a hasty, absent-minded look at the cup, and nodded gravely. Louise laughed gayly.

"You see, Louis," said she, "that this is the exact counterpart of the picture of the Emperor Napoleon, who, while riding over the Alps, encounters on their summit the great spirits of Hannibal and Caesar. Here is a little Napoleon, who is not climbing up the Alps, but climbing down from his bed, and who, on this occasion, meets a black spirit, in the person of a chimney-sweep. This is the history of the great and of the little Napoleon; the great meets Hannibal, the little the chimney-sweep."

"Am I the little Napoleon?" asked the boy, gravely.

"Yes, Louis, you are, and I will now tell you the story of this cup. One day, when we were all still in Paris, and while your great uncle was still Emperor of France--one day, you met in your room a little Savoyard who had just crept out of the chimney in his black dress, his black broom in his hand. You cried out with horror, and were about to run away, but I held you back and told you that these chimney-sweeps were poor boys, and that their parents were so poor that they could not support their children, but were compelled to send them to Paris to earn their bread by creeping into and cleaning our hot and dirty chimneys, with great trouble, and at the risk of their lives. My story touched you, and you promised me never to be afraid of the little chimney-sweeps again. A short time afterward, you were awakened early in the morning by a strange noise, your brother still lay asleep at your side, and your nurse was absent from the room. This noise was made by a chimney-sweep who had just come down the chimney and now stood in your room. As soon as you saw him, you remembered his poverty, jumped out of bed in your night-clothes, and ran to the chair on which your clothes lay. You took out of your pocket the purse you were compelled to carry with you on your walks to give money to the poor, and you emptied its entire contents into the black, sooty hand of the young Savoyard. You then tried to get back to bed, but it was too high for you; you could not climb over the railing. Seeing this, the chimney-sweep came to your assistance, and took the little prince in his arms to help him into bed. At this moment, your nurse entered the room, and your brother who had just awakened, cried loudly when he saw Louis in the arms of a chimney-sweep.

"This is the story of little Napoleon and the chimney-sweep! Your grandmother, the Empress Josephine was so much pleased with this story, that your mother had the scene painted on a cup, and presented it to the empress, in order to afford her a gratification. And what do you think, Louis--this cup was also the cause of a punishment being remitted your cousin, the King of Rome, who now lives in Vienna!"

"Tell me all about it, Louise," said the prince, smiling.

"You shall hear it! Your mother had instructed me to take the cup to Malmaison to the empress. But before going, I endeavored to obtain some news about the little King of Rome for the empress. Your good grandmother loved him as though he had been her own child, although she had never seen him. I therefore went to the Tuileries to see the little King of Rome, with whose governess, Madame de Montesquieu, I was intimately acquainted. On entering the apartment, I saw the king cowering behind a chair in a corner of the room; Madame de Montesquieu intimated by a look that he was undergoing a punishment; I understood it, and first conversed with his governess for a short time. When I then turned and approached him, he concealed the tearful, flushed face, that his long blond curls covered as with a golden veil, whenever he moved behind the chair.

"'Sire,' said Madame de Montesquieu to him, 'sire, do you not intend to bid Mademoiselle de Cochelet good-morning? She came here expressly to see you.'

"'Your majesty does not recognize me,' said I, attempting to take his small hand in mine. He tore it from me, and cried in a voice almost choked with sobbing: 'She will not let me look at the soldiers of my papa!'

"Madame de Montesquieu told me that it was the little prince's greatest pleasure to see the Guards exercising on thePlace de Carrousel, but that she had deprived Mm of this pleasure to-day, because he had been naughty and disobedient; that, when he heard the music and drums, his despair and anger had become so great that she had been forced to resort to severe means, and make him stand in the corner behind a chair. I begged for the young king's pardon; I showed him the cup, and explained the scene that was painted on it. The king laughed, and Madame de Montesquieu pardoned him for the sake of his little cousin, Louis Napoleon, who was so well behaved, and who was always held up to him as a model[56]. Now you have heard the whole story, are you pleased with it, Louis?"

[56]Cochelet, vol. i., p. 212.

"I like it very much," said the grave boy, "but I do not like my cousin's governess, for having intended to prevent him from looking at his father's soldiers. Oh, how handsome they must have been, the soldiers of the emperor! Mamma, I wish I were also an emperor, and had ever so many handsome soldiers."

Hortense smiled sadly, and laid her hand on the boy's head as if to bless him. "Oh, my son," said she, "it is no enviable fortune to wear a crown. It is almost always fastened on our head with thorns!"

From this day on, Prince Louis Napoleon would stand before his uncle's portrait, lost in thought, and after looking at it to his satisfaction, he would run out and call the boys of the neighborhood together, in order to play soldier and emperor with them in the large garden that surrounded his mother's house, and teach the boys the first exercise.

One day, in the zeal of play, he had entirely forgotten his mother's command, not to go out of the garden, and had inarched into the open field with his soldiers. When his absence from the garden was noticed, all the servants were sent out to look for him, and the anxious duchess, together with her ladies, assisted in this search, walking about in every direction through the cold and the slush of the thawing snow. Suddenly they came upon the boy barefooted and in his shirt-sleeves, wading toward them through the mud and snow. He was alarmed and confused at this unexpected meeting, and confessed that a moment before, while he had been playing in front of the garden, a family had passed by so poor and ragged that it was painful to look at them. As he had no money to give them, he had put his shoes on one child, and his coat on another[57].

[57]Cochelet, vol. iv., p. 303.

The duchess did not have the courage to scold him; she stooped down and kissed her son; but when her ladies commenced to praise him, she motioned to them to be silent, and said in a loud voice that what her son had done was quite a matter of course, and therefore deserved no praise.

An ardent desire to gladden others and make them presents was characteristic of little Louis Napoleon. One day, Hortense had given him three beautiful studs for his shirt, and on the same day the prince transferred them to one of his friends who admired them.

When Hortense reproached her son for doing so, and threatened to make him no more presents, as he always gave them away again directly, Louis Napoleon replied, "Ah, mamma, this is why your presents give me double pleasure--once when you give them to me, and the second time when I make others happy with them[58]."

[58]Cochelet, vol. i, p. 355.


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