III.

Laura Shiere did not think much about the "stump," when, in her dark gray merino travelling dress, and her black ribbons, nicely appointed, as Mrs. Oferr's niece should be, down to her black kid gloves and broad-hemmed pocket-handkerchief, and little black straw travelling-basket (for morocco bags were not yet in those days), she stepped into the train with her aunt at the Providence Station, on her way to Stonington and New York.

The world seemed easily laid out before her. She was like a cousin in a story-book, going to arrive presently at a new home, and begin a new life, in which she would be very interesting to herself and to those about her. She felt rather important, too, with her money independence—there being really "property" of hers to be spoken of as she had heard it of late. She had her mother's diamond ring on her third finger, and was comfortably conscious of it when she drew off her left-hand glove. Laura Shiere's nature had only been stirred, as yet, a very little below the surface, and the surface rippled pleasantly in the sunlight that was breaking forth from the brief clouds.

Among the disreputable and vociferous crowd of New York hack drivers, that swarmed upon the pier as theMassachusettsglided into her dock, it was good to see that subduedly respectable and consciously private and superior man in the drab overcoat and the nice gloves and boots, who came forward and touched his hat to Mrs. Oferr, took her shawl and basket, and led the way, among the aggravated public menials, to a handsome private carriage waiting on the street.

"All well at home, David?" asked Mrs. Oferr.

"All well, ma'am, thank you," replied David.

And another man sat upon the box, in another drab coat, and touchedhishat; and when they reached Waverley Place and alighted, Mrs. Oferr had something to say to him of certain directions, and addressed him as "Moses."

It was very grand and wonderful to order "David" and "Moses" about. Laura felt as if her aunt were something only a little less than "Michael with the sword." Laura had a susceptibility for dignities; she appreciated, as we have seen out upon the wood-shed, "high places, and all the people looking up."

David and Moses were brothers, she found out; she supposed that was the reason they dressed alike, in drab coats; as she and Frank used to wear their red merinos, and their blue ginghams. A little spasm did come up in her throat for a minute, as she thought of the old frocks and the old times already dropped so far behind; but Alice and Geraldine Oferr met her the next instant on the broad staircase at the back of the marble-paved hall, looking slight and delicate, and princess-like, in the grand space built about them for their lives to move in; and in the distance and magnificence of it all, the faint little momentary image of Frank faded away.

She went up with them out of the great square hall, over the stately staircase, past the open doors of drawing-rooms and library, stretching back in a long suite, with the conservatory gleaming green from the far end over the garden, up the second stairway to the floor where their rooms were; bedrooms and nursery,—this last called so still, though the great, airy front-room was the place used now for their books and amusements as growing young ladies,—all leading one into another around the skylighted upper hall, into which the sunshine came streaked with amber and violet from the richly colored glass. She had a little side apartment given to her for her own, with a recessed window, in which were blossoming plants just set there from the conservatory; opposite stood a white, low bed in a curtained alcove, and beyond was a dressing-closet. Laura thought she should not be able to sleep there at all for a night or two, for the beauty of it and the good time she should be having.

At that same moment Frank and her Aunt Oldways were getting down from the stage that had brought them over from Ipsley, where they slept after their day's journey from Boston,—at the doorstone of the low, broad-roofed, wide-built, roomy old farm-house in Homesworth.

Right in the edge of the town it stood, its fields stretching over the south slope of green hills in sunny uplands, and down in meadowy richness to the wild, hidden, sequestered river-side, where the brown water ran through a narrow, rocky valley,—Swift River they called it. There are a great many Swift Rivers in New England. It was only a vehement little tributary of a larger stream, beside which lay larger towns; it was doing no work for the world, apparently, at present; there were no mills, except a little grist-mill to which the farmers brought their corn, cuddled among the rocks and wild birches and alders, at a turn where the road came down, and half a dozen planks made a bit of a bridge.

"O, what beautiful places!" cried Frank, as they crossed the little bridge, and glanced either way into a green, gray, silvery vista of shrubs and rocks, and rushing water, with the white spires of meadow-sweet and the pink hardback, and the first bright plumes of the golden rod nodding and shining against the shade,—as they passed the head of a narrow, grassy lane, trod by cows' feet, and smelling of their milky breaths, and the sweetness of hay-barns,—as they came up, at length, over the long slope of turf that carpeted the way, as for a bride's feet, from the roadside to the very threshold. She looked along the low, treble-piled garden wall, too, and out to the open sheds, deep with pine chips; and upon the broad brown house-roof, with its long, gradual decline, till its eaves were within reach of a child's fingers from the ground; and her quick eye took in facilities.

"O, if Laura could see this! After the old shed-top in Brier Street, and the one tree!"

But Laura had got what the shed-top stood for with her; it was Frank who had hearkened to whole forests in the stir of the one brick-rooted fir. To that which each child had, it was already given.

In a week or two Frank wrote Laura a letter. It was an old-fashioned letter, you know; a big sheet, written close, four pages, all but the middle of the last page, which was left for the "superscription." Then it was folded, the first leaf turned down twice, lengthwise; then the two ends laid over, toward each other; then the last doubling, or rather trebling, across; and the open edge slipped over the folds. A wafer sealed it, and a thimble pressed it,—and there were twenty-five cents postage to pay. That was a letter in the old times, when Laura and Frank Shiere were little girls. And this was that letter:—

DEARLAURA,—We got here safe, Aunt Oldways and I, a week ago last Saturday, and it isbeautiful. There is a green lane,—almost everybody has a green lane,—and the cows go up and down, and the swallows build in the barn-eaves. They fly out at sundown, and fill all the sky up. It is like the specks we used to watch in the sunshine when it came in across the kitchen, and they danced up and down and through and away, and seemed to be live things; only we couldn't tell, you know, what they were, or if they really did know how good it was. But these are big and real, and you can see their wings, and you know what they mean by it. I guess it is all the same thing, only some things are little and some are big. You can see the stars here, too,—such a sky full. And that is all the same again.

There are beautiful roofs and walls here. I guess you would think you were high up! Harett and I go up from under the cheese-room windows right over the whole house, and we sit on the peak by the chimney. Harett is Mrs. Dillon's girl. Not the girl that lives with her,—her daughter. But the girls that live with people are daughters here. Somebody's else, I mean. They are all alike. I suppose her name is Harriet, but they all call her Harett. I don't like to ask her for fear she should think I thought they didn't know how to pronounce.

I go to school with Harett; up to the West District. We carry brown bread and butter, and doughnuts, and cheese, and apple-pie in tin pails, for luncheon. Don't you remember the brown cupboard in Aunt Oldways' kitchen, how sagey, and doughnutty, and good it always smelt? It smells just so now, and everything tastes just the same.

There is a great rock under an oak tree half way up to school, by the side of the road. We always stop there to rest, coming home. Three of the girls come the same way as far as that, and we always save some of our dinner to eat up there, and we tell stories. I tell them about dancing-school, and the time we went to the theatre to see "Cinderella," and going shopping with mother, and our little tea-parties, and the Dutch dolls we made up in the long front chamber. O,don'tyou remember, Laura? What different pieces we have got into our remembrances already! I feel as if I was making patchwork. Some-time, may-be, I shall tell somebody about livinghere. Well, they will be beautiful stories! Homesworth is an elegant place to live in. You will see when you come next summer.

There is an apple tree down in the south orchard that bends just like a horse's back. Then the branches come up over your head and shade you. We ride there, and we sit and eat summer apples there. Little rosy apples with dark streaks in them all warm with the sun. You can't think what a smell they have, just like pinks and spice boxes. Why don't they keep a little way off from each other in cities, and so have room for apple trees? I don't see why they need to crowd so. I hate to think of you all shut up tight when I am let right out into green grass, and blue sky, and apple orchards. That puts me in mind of something! Zebiah Jane, Aunt Oldways' girl, always washes her face in the morning at the pump-basin out in the back dooryard, just like the ducks. She says she can't spatter round in a room; she wants all creation for a slop-bowl. I feel as if we had all creation for everything up here. But I can't put all creation in a letter if I try.Thatwould spatter dreadfully.

I expect a long letter from you every day now. But I don't see what you will make it out of. I think I have got all thethingsand you won't have anything left but thewords. I am sure you don't sit out on the wood-shed at Aunt Oferr's, and I don't believe you pound stones and bricks, and make colors. Do you know when we rubbed our new shoes with pounded stone and made them gray?

I never told you about Luclarion. She came up as soon as the things were all sent off, and she lives at the minister's. Where she used to live is only two miles from here, but other people live there now, and it is built on to and painted straw color, with a green door.

Your affectionate sister,FRANCESSHIERE.

When Laura's letter came this was it:—

DEARFRANK,—I received your kind letter a week ago, but we have been very busy having a dressmaker and doing all our fall shopping, and I have not had time to answer it before. We shall begin to go to school next week, for the vacations are over, and then I shall have ever so much studying to do. I am to take lessons on the piano, too, and shall have to practice two hours a day. In the winter we shall have dancing-school and practicing parties. Aunt has had a new bonnet made for me. She did not like the plain black silk one. This is ofgros d'Afrique, with little bands and cordings round the crown and front; and I have a dress ofgros d'Afrique, too, trimmed with double folds piped on. For every-day I have a new blackmousselinewith white clover leaves on it, and an all-black French chally to wear to dinner. I don't wear my black and white calico at all. Next summer aunt means to have me wear white almost all the time, with lavender and violet ribbons. I shall have a white muslin with three skirts and a black sash to wear to parties and to Public Saturdays, next winter. They have Public Saturdays at dancing-school every three weeks. But only the parents and relations can come. Alice and Geraldine dance the shawl-dance with Helena Pomeroy, with crimson and white Canton crape scarfs. They have showed me some of it at home. Aunt Oferr says I shall learn thegavotte.

Aunt Oferr's house is splendid. The drawing-room is full of sofas, and divans, and ottomans, and acauseuse, a little S-shaped seat for two people. Everything is covered with blue velvet, and there are blue silk curtains to the windows, and great looking-glasses between, that you can see all down into through rooms and rooms, as if there were a hundred of them. Do you remember the story Luclarion used to tell us of when she and her brother Mark were little children and used to play that the looking-glass-things were real, and that two children lived in them, in the other room, and how we used to make believe too in the slanting chimney glass? You could make believe it here withfortychildren. But I don't make believe much now. There is such a lot that is real, and it is all so grown up. It would seem so silly to have such plays, you know. I can't help thinking the things that come into my head though, and it seems sometimes just like a piece of a story, when I walk into the drawing-room all alone, just before company comes, with mygros d'Afriqueon, and my puffed lace collar, and my hair tied back with long new black ribbons. It all goes through my head just how I look coming in, and how grand it is, and what the words would be in a book about it, and I seem to act a little bit, just to myself as if I were a girl in a story, and it seems to say, "And Laura walked up the long drawing-room and took a book bound in crimson morocco from the white marble pier table and sat down upon the velvet ottoman in the balcony window." But what happened then it never tells. I suppose it will by and by. I am getting used to it all, though; it isn't soawfullysplendid as it was at first.

I forgot to tell you that my new bonnet flares a great deal, and that I have white lace quilling round the face with little black dotty things in it on stems. They don't wear those close cottage bonnets now. And aunt has had my dresses made longer and my pantalettes shorter, so that they hardly show at all. She says I shall soon wear long dresses, I am getting so tall. Alice wears them now, and her feet look so pretty, and she has such pretty slippers: little French purple ones, and sometimes dark green, and sometimes beautiful light gray, to go with different dresses. I don't care for anything but the slippers, but Ishouldlike such ones as hers. Aunt says I can't, of course, as long as I wear black, but I can have purple ones next summer to wear with my white dresses. That will be when I come to see you.

I am afraid you will think this is a verywearingkind of a letter, there are so many 'wears' in it. I have been reading it over so far, but I can't put in any other word.

Your affectionate sister,LAURASHIERE.

P.S. Aunt Oferr says Laura Shiere is such a good sounding name. It doesn't seem at all common. I am glad of it. I should hate to be common.

I do not think I shall give you any more of it just here than these two letters tell. We are not going through all Frank and Laura's story. That with which we have especially to do lies on beyond. But it takes its roots in this, as all stories take their roots far back and underneath.

Two years after, Laura was in Homesworth for her second summer visit at the farm. It was convenient, while the Oferrs were at Saratoga. Mrs. Oferr was very much occupied now, of course, with introducing her own daughters. A year or two later, she meant to give Laura a season at the Springs. "All in turn, my dear, and good time," she said.

The winter before, Frank had been a few weeks in New York. But it tired her dreadfully, she said. She liked the theatres and the concerts, and walking out and seeing the shops. But there was "no place to get out of it into." It didn't seem as if she ever really got home and took off her things. She told Laura it was like that first old letter of hers; it was just "wearing," all the time.

Laura laughed. "But how can you livewithoutwearing?" said she.

Frank stood by, wondering, while Laura unpacked her trunks that morning after her second arrival at Aunt Oldways'. She had done now even with the simplicity of white and violet, and her wardrobe blossomed out like the flush of a summer garden.

She unfolded a rose-colored muslin, with little raised embroidered spots, and threw it over the bed.

"Wherewillyou wear that, up here?" asked Frank, in pure bewilderment.

"Why, I wear it to church, with my white Swiss mantle," answered Laura. "Or taking tea, or anything. I've a black silkvisitefor cool days. That looks nice with it. And see here,—I've a pink sunshade. They don't have them much yet, even in New York. Mr. Pemberton Oferr brought these home from Paris, for Gerry and Alice, and me. Gerry's is blue. See! it tips back." And Laura set the dashy little thing with its head on one side, and held it up coquettishly.

"They used them in carriages in Paris, he said, and in St. Petersburg, driving out on the Nevskoi Prospekt."

"But where are your common things?"

"Down at the bottom; I haven't come to them. They were put in first, because they would bear squeezing. I've two French calicoes, with pattern trimmings; and a lilac jaconet, with ruffles, open down the front."

Laura wore long dresses now; and open wrappers were the height of the style.

Laura astonished Homesworth the first Sunday of this visit, with her rose-colored toilet. Bonnet of shirred pink silk with moss rosebuds and a little pink lace veil; the pink muslin, full-skirted over two starched petticoats; even her pink belt had gay little borders of tiny buds and leaves, and her fan had a pink tassel.

"They're the things I wear; why shouldn't I?" she said to Frank's remonstrance.

"But up here!" said Frank. "It would seem nicer to wear something—stiller."

So it would; a few years afterward Laura herself would have seen that it was more elegant; though Laura Shiere was always rather given to doing the utmost—in apparel—that the occasion tolerated. Fashions grew stiller in years after. But this June Sunday, somewhere in the last thirties or the first forties, she went into the village church like an Aurora, and the village long remembered the resplendence. Frank had on a white cambric dress, with a real rose in the bosom, cool and fresh, with large green leaves; and her "cottage straw" was trimmed with white lutestring, crossed over the crown.

"Do you feel any better?" asked Aunt Oldways of Laura, when they came home to the country tea-dinner.

"Better—how?" asked Laura, in surprise.

"After all that 'wear' andstare," said Aunt Oldways, quietly.

Aunt Oldways might have been astonished, but she was by no means awestruck, evidently; and Aunt Oldways generally spoke her mind.

Somehow, with Laura Shiere, pink was pinker, and ribbons were more rustling than with most people. Upon some quiet unconscious folks, silk makes no spread, and color little show; with Laura every gleam told, every fibre asserted itself. It was the live Aurora, bristling and tingling to its farthest electric point. She did not toss or flaunt, either; she had learned better of Signor Pirotti how to carry herself; but she was in consciousrapportwith every thing and stitch she had about her. Some persons only put clothes on to their bodies; others really seem to contrive to put them on to their souls.

Laura Shiere came up to Homesworth three years later, with something more wonderful than a pink embossed muslin:—she had a lover.

Mrs. Oferr and her daughters were on their way to the mountains; Laura was to be left with the Oldways. Grant Ledwith accompanied them all thus far on their way; then he had to go back to Boston.

"I can't think of anything but that pink sunshade she used to carry round canted all to one side over her shoulder," said Aunt Oldways, looking after them down the dusty road the morning that he went away. Laura, in her white dress and her straw hat and her silly little bronze-and-blue-silk slippers printing the roadside gravel, leaning on Grant Ledwith's arm, seemed only to have gained a fresh, graceful adjunct to set off her own pretty goings and comings with, and to heighten the outside interest of that little point of eternity that she called her life. Mr. Ledwith was not so much a man who had won a woman, as Laura was a girl who had "got a beau."

She had sixteen tucked and trimmed white skirts, too, she told Frank; she should have eight more before she was married; people wore ever so many skirts now, at a time. She had been to a party a little while ago where she woreseven.

There were deep French embroidery bands around some of these white skirts; those were beautiful for morning dresses. Geraldine Oferr was married last winter; Laura had been her bridesmaid; Gerry had a white brocade from Paris, and a point-lace veil. She had three dozen of everything, right through. They had gone to housekeeping up town, in West Sixteenth Street. Frank would have to come to New York next winter, or in the spring, to beherbridesmaid; then she would see; then—who knew!

Frank was only sixteen, and she lived away up here in Homesworth among the hills; she had not "seen," but she had her own little secret, for all that; something she neither told nor thought, yet which was there; and it came across her with a queer little thrill from the hidden, unlooked-at place below thought, that "Who"didn'tknow.

Laura waited a year for Grant Ledwith's salary to be raised to marrying point; he was in a wholesale woolen house in Boston; he was a handsome fellow, with gentlemanly and taking address,—capital, this, for a young salesman; and they put his pay up to two thousand dollars within that twelvemonth. Upon this, in the spring, they married; took a house in Filbert Street, down by the river, and set up their little gods. These were: a sprinkle of black walnut and brocatelle in the drawing-room, a Sheffield-plate tea-service, and a crimson-and-giltedged dinner set that Mrs. Oferr gave them; twilled turkey-red curtains, that looked like thibet, in the best chamber; and the twenty-four white skirts and the silk dresses, and whatever corresponded to them on the bride-groom's part, in their wardrobes. All that was left of Laura's money, and all that was given them by Grant Ledwith's father, and Mr. Titus Oldways' astounding present of three hundred dollars, without note or comment,—the first reminder they had had of him since Edward Shiere's funeral, "and goodness knew how he heard anything now," Aunt Oferr said,—had gone to this outfit. But they were well set up and started in the world; so everybody said, and so they, taking the world into their young, confident hands for a plaything, not knowing it for the perilous loaded shell it is, thought, merrily, themselves.

Up in Homesworth people did not have to wait for two thousand dollar salaries. They would not get them if they did.

Oliver Ripwinkley, the minister's son, finished his medical studies and city hospital practice that year, and came back, as he had always said he should do, to settle down for a country doctor. Old Doctor Parrish, the parson's friend of fifty years, with no child of his own, kept the place for Oliver, and hung up his old-fashioned saddle-bags in the garret the very day the young man came home. He was there to be "called in," however, and with this backing, and the perforce of there being nobody else, young Doctor Ripwinkley had ten patients within the first week; thereby opportunity for shewing himself in the eyes of ten families as a young man who "appeared to know pretty well what he was about."

So that when he gave further proof of the same, by asking, within the week that followed, the prettiest girl in Homesworth, Frances Shiere, to come and begin the world with him at Mile Hill village, nobody, not even Frank herself, was astonished.

She bought three new gowns, a shawl, a black silk mantle, and a straw bonnet. She made six each of every pretty white garment that a woman wears; and one bright mellow evening in September, they took their first tea in the brown-carpeted, white-shaded little corner room in the old "Rankin house;" a bigger place than they really wanted yet, and not all to be used at first; but rented "reasonable," central, sunshiny, and convenient; a place that they hoped they should buy sometime; facing on the broad sidegreen of the village street, and running back, with its field and meadow belongings, away to the foot of great, gray, sheltering Mile Hill.

And the vast, solemn globe, heedless of what lit here or there upon its breadth, or took up this or that life in its little freckling cities, or between the imperceptible foldings of its hills,—only carrying way-passengers for the centuries,—went plunging on its track, around and around, and swept them all, a score of times, through its summer and its winter solstices.

Old Mr. Marmaduke Wharne had come down from Outledge, in the mountains, on his way home to New York. He had stopped in Boston to attend to some affairs of his own,—if one can call them so, since Marmaduke Wharne never had any "own" affairs that did not chiefly concern, to their advantage, somebody else,—in which his friend Mr. Titus Oldways was interested, not personally, but Wharne fashion. Now, reader, you know something about Mr. Titus Oldways, which up to this moment, only God, and Marmaduke Wharne, and Rachel Froke, who kept Mr. Oldways' house, and wore a Friend's drab dress and white cap, and said "Titus," and "Marmaduke" to the two old gentlemen, and "thee" and "thou" to everybody,—have ever known. In a general way and relation, I mean; separate persons knew particular things; but each separate person thought the particular thing he knew to be a whimsical exception.

Mr. Oldways did not belong to any church: but he had an English Prayer-book under his Bible on his study table, and Baxter and Fenelon and à Kempis and "Wesley's Hymns," and Swedenborg's "Heaven and Hell" and "Arcana Celestia," and Lowell's "Sir Launfal," and Dickens's "Christmas Carol," all on the same set of shelves,—that held, he told Marmaduke, his religion; or as much of it as he could get together. And he had this woman, who was a Friend, and who walked by the Inner Light, and in outer charity, if ever a woman did, to keep his house. "For," said he, "the blessed truth is, that the Word of God is in the world. Alive in it. When you know that, and wherever you can get hold of his souls, then and there you've got your religion,—a piece at a time. To prove and sort your pieces, and to straighten the tangle you might otherwise get into, there'sthis," and he laid his hand down on the Four Gospels, bound in white morocco, with a silver cross upon the cover,—a volume that no earthly creature, again, knew of, save Titus and Marmaduke and Rachel Froke, who laid it into a drawer when she swept and dusted, and placed it between the crimson folds of its quilted silken wrapper when she had finished, burnishing the silver cross gently with a scrap of chamois leather cut from a clean piece every time. There was nothing else delicate and exquisite in all the plain and grim establishment; and the crimson wrapper was comfortably worn, and nobody would notice it, lying on the table there, with an almanac, a directory, the big, open Worcester's Dictionary, and the scattered pamphlets and newspapers of the day.

Out in the world, Titus Oldways went about with visor down.

He gave to no fairs nor public charities; "let them get all they could that way, it wasn't his way," he said to Rachel Froke. The world thought he gave nothing, either of purse or life.

There was a plan they had together,—he and Marmaduke Wharne,—this girls' story-book will not hold the details nor the idea of it,—about a farm they owned, and people working it that could go nowhere else to work anything; and a mill-privilege that might be utilized and expanded, to make—not money so much as safe and honest human life by way of making money; and they sat and talked this plan over, and settled its arrangements, in the days that Marmaduke Wharne was staying on in Boston, waiting for his other friend, Miss Craydocke, who had taken the River Road down from Outledge, and so come round by Z——, where she was staying a few days with the Goldthwaites and the Inglesides. Miss Craydocke had a share or two in the farm and in the mill.

And now, Titus Oldways wanted to know of Marmaduke Wharne what he was to do for Afterwards.

It was a question that had puzzled and troubled him. Afterwards.

"While I live," he said, "I will do what I can, andasI can. I will hand over my doing, and the wherewith, to no society or corporation. I'll pay no salaries nor circumlocutions. Neither will I—afterwards. And how is my money going to work on?"

"Yourmoney?"

"Well,—God's money."

"How did it work when it came to you?"

Mr. Oldways was silent.

"He chose to send it to you. He made it in the order of things that it should come to you. You began, yourself, to work for money. You did not understand, then, that the money would be from God and was for Him."

"He made me understand."

"Yes. He looked out for that part of it too. He can look out for it again. His word shall not return unto him void."

"He has given me this, though, to pass on; and I will not put it into a machine. I want to give some living soul a body for its living. Dead charities are dead. It's of no use to will it to you, Marmaduke; I'm as likely to stay on, perhaps, as you are."

"And the youngest life might drop, the day after your own. You can't take it out of God's hand."

"I must either let it go by law, or will it—here and there. I know enough whom it would help; but I want to invest, not spend it; to invest it in a life—or lives—that will carry it on from where I leave it. How shall I know?"

"He giveth it a body as it pleaseth Him," quoted Marmaduke Wharne, thoughtfully. "I am English, you know, Oldways; I can't help reverencing the claims of next of kin. Unless one is plainly shown otherwise, it seems the appointment. How can we set aside his ways until He clearly points us out his own exception?"

"My 'next' are two women whom I don't know, my niece's children. She died thirty years ago."

"Perhaps you ought to know them."

"I knowaboutthem; I've kept the run; but I've held clear of family. They didn't need me, and I had no right to put it into their heads they did, unless I fully meant"—

He broke off.

"They're like everybody else, Wharne; neither better nor worse, I dare say; but the world is full of just such women. How do I know this money would be well in their hands—even for themselves?"

"Find out."

"One of 'em was brought up by an Oferr woman!"

The tone in which hecommonizedthe name to a satiric general term, is not to be written down, and needed not to be interpreted.

"The other is well enough," he went on, "and contented enough. A doctor's widow, with a little property, a farm and two children,—her older ones died very young,—up in New Hampshire. I might spoilher; and the other,—well, you see as I said, Idon't know."

"Find out," said Marmaduke Wharne, again.

"People are not found out till they are tried."

"Try 'em!"

Mr. Oldways had been sitting with his head bent, thoughtfully, his eyes looking down, his hands on the two stiff, old-fashioned arms of his chair. At this last spondaic response from Marmaduke, he lifted his eyes and eyebrows,—not his head,—and raised himself slightly with his two hands pressing on the chair arms; the keen glance and the half-movement were impulsively toward his friend.

"Eh?" said he.

"Try 'em," repeated Marmaduke Wharne. "Give God's way a chance."

Mr. Oldways, seated back in his chair again, looked at him intently; made a little vibration, as it were, with his body, that moved his head up and down almost imperceptibly, with a kind of gradual assenting apprehension, and kept utterly silent.

So, their talk being palpably over for this time, Marmaduke Wharne got up presently to go. They nodded at each other, friendlily, as he looked back from the door.

Left alone, Mr. Titus Oldways turned in his swivel-chair, around to his desk beside which he was sitting.

"Next of kin?" he repeated to himself. "God's way?—Well! Afterwards is a long time. A man must give it up somewhere. Everything escheats to the king at last."

And he took a pen in his hand and wrote a letter.

"I wish I lived in the city, and had a best friend," said Hazel Ripwinkley to Diana, as they sat together on the long, red, sloping kitchen roof under the arches of the willow-tree, hemming towels for their afternoon "stent." They did this because their mother sat on the shed roof under the fir, when she was a child, and had told them of it. Imagination is so much greater than fact, that these children, who had now all that little Frank Shiere had dreamed of with the tar smell and the gravel stones and the one tree,—who might run free in the wide woods and up the breezy hillsides,—liked best of all to get out on the kitchen roof and play "old times," and go back into their mother's dream.

"I wish I lived in a block of houses, and could see across the corner into my best friend's room when she got up in the morning!"

"And could have that party!" said Diana.

"Think of the clean, smooth streets, with red sidewalks, and people living all along, door after door! I like things set in rows, and people having places, like the desks at school. Why, you've got to go way round Sand Hill to get to Elizabeth Ann Dorridon's. I should like to go up steps, and ring bells!"

"I don't know," said Diana, slowly. "I think birds that build little nests about anywhere in the cunning, separate places, in the woods, or among the bushes, have the best time."

"Birds, Dine! It ain't birds, it's people! What has that to do with it?"

"I mean I think nests are better than martin-boxes."

"Let's go in and get her to tell us that story. She's in the round room."

The round room was a half ellipse, running in against the curve of the staircase. It was a bit of a place, with the window at one end, and the bow at the other. It had been Doctor Ripwinkley's office, and Mrs. Ripwinkley sat there with her work on summer afternoons. The door opened out, close at the front, upon a great flat stone in an angle, where was also entrance into the hall by the house-door, at the right hand. The door of the office stood open, and across the stone one could look down, between a range of lilac bushes and the parlor windows, through a green door-yard into the street.

"Now, Mother Frank, tell us about the party!"

They called her "Mother Frank" when they wished to be particularly coaxing. They had taken up their father's name for her, with their own prefix, when they were very little ones, before he went away and left nobody to call her Frank, every day, any more.

"That same little old story? Won't you ever be tired of it,—you great girls?" asked the mother; for she had told it to them ever since they were six and eight years old.

"Yes! No, never!" said the children.

For howshouldthey outgrow it? It was a sunny little bit out of their mother's own child-life. We shall go back to smaller things, one day, maybe, and find them yet more beautiful. It is thegoingback, together.

"The same old way?"

"Yes; the very same old way."

"We had little open-work straw hats and muslin pelisses,—your Aunt Laura and I,"—began Mrs. Ripwinkley, as she had begun all those scores of times before. "Mother put them on for us,—she dressed us just alike, always,—and told us to take each other's hands, and go up Brier and down Hickory streets, and stop at all the houses that she named, and that we knew; and we were to give her love and compliments, and ask the mothers in each house,—Mrs. Dayton, and Mrs. Holridge (she lived up the long steps), and Mrs. Waldow, and the rest of them, to let Caroline and Grace and Fanny and Susan, and the rest ofthem, come at four o'clock, to spend the afternoon and take tea, if it was convenient."

"O, mother!" said Hazel, "you didn't say that when youaskedpeople, you know."

"O, no!" said Mrs. Ripwinkley. "That was when we went to stop a little while ourselves, without being asked. Well, it was to please to let them come. And all the ladies were at home, because it was only ten o'clock; and they all sent their love and compliments, and they were much obliged, and the little girls would be very happy.

"It was a warm June day; up Brier Street was a steep walk; down Hickory we were glad to keep on the shady side, and thought it was nice that Mrs. Bemys and Mrs. Waldow lived there. The strings of our hats were very moist and clinging when we got home, and Laura had a blue mark under her chin from the green ribbon.

"Mother was in her room, in her white dimity morning gown, with little bows up the front, the ends trimmed with cambric edging. She took off our hats and our pelisses,—the tight little sleeves came off wrong side out,—sponged our faces with cool water, and brushed out Laura's curls. That was the only difference between us. I hadn't any curls, and my hair had to be kept cropped. Then she went to her upper bureau drawer and took out two little paper boxes.

"'Something has come for Blanche and Clorinda, since you have been gone,' she said, smiling. 'I suppose you have been shopping?' We took the paper boxes, laughing back at her with a happy understanding. We were used to these little plays of mother's, and she couldn't really surprise us with her kindnesses. We went and sat down in the window-seat, and opened them as deliberately and in as grown-up a way as we could. Inside them were two little lace pelerines lined with rose-colored silk. The boxes had a faint smell of musk. The things were so much better for coming in boxes! Mother knew that.

"Well, we dressed our dolls, and it was a great long sunshiny forenoon. Mother and Luclarion had done something in the kitchen, and there was a smell of sweet baking in the house. Every now and then we sniffed, and looked at each other, and at mother, and laughed. After dinner we had on our white French calicoes with blue sprigs, and mother said she should take a little nap, and we might go into the parlor and be ready for our company. She always let us receive our own company ourselves at first. And exactly at four o'clock the door-bell rang, and they began to come.

"Caroline and Fanny Dayton had on white cambric dresses, and green kid slippers. That was being very much dressed, indeed. Lucy Waldow wore a pink lawn, and Grace Holridge a buff French print. Susan Bemys said her little sister couldn't come because they couldn't find her best shoes. Her mother thought she had thrown them out of the window.

"When they all got there we began to play 'Lady Fair;' and we had just got all the 'lady fairs,' one after another, into our ring, and were dancing and singing up and down and round and round, when the door opened and mother walked in.

"We always thought our mother was the prettiest of any of the girls' mothers. She had such bright shining hair, and she put it up with shell combs into such little curly puffs. And she never seemed fussy or old, but she came in among us with such a beautiful, smiling way, as if she knew beforehand that it was all right, and there was no danger of any mischief, or that we shouldn't behave well, but she only wanted to see the good time. That day she had on a white muslin dress with little purple flowers on it, and a bow of purple ribbon right in the side of her hair. She had a little piece of fine work in her hand, and after she had spoken to all the little girls and asked them how their mothers were, she went and sat down in one of the front windows, and made little scollops and eyelets. I remember her long ivory stiletto, with a loop of green ribbon through the head of it, and the sharp, tiny, big-bowed scissors that lay in her lap, and the bright, tapering silver thimble on her finger.

"Pretty soon the door opened again, softly; a tray appeared, with Hannah behind it. On the tray were little glass saucers with confectionery in them; old-fashioned confectionery,—gibraltars, and colored caraways, and cockles with mottoes. We were in the middle of 'So says the Grand Mufti,' and Grace Holridge was the Grand Mufti. Hannah went up to her first, as she stood there alone, and Grace took a saucer and held it up before the row of us, and said, 'Thussays the Grand Mufti!' and then she bit a red gibraltar, and everybody laughed. She did it so quickly and so prettily, putting it right into the play. It was good of her not to say, 'Sosays the Grand Mufti.' At least we thought so then, though Susan Bemys said it would have been funnier.

"We had a great many plays in those days, and it took a long afternoon to get through with them. We had not begun to wonder what we should do next, when tea time came, and we went down into the basement room. It wasn't tea, though; it was milk in little clear, pink mugs, some that mother only had out for our parties, and cold water in crimped-edge glasses, and little biscuits, and sponge-cakes, and small round pound-cakes frosted. These were what had smelt so good in the morning.

"We stood round the table; there was not room for all of us to sit, and mother helped us, and Hannah passed things round. Susan Bemys took cake three times, and Lucy Waldow opened her eyes wide, and Fanny Dayton touched me softly under the table.

"After tea mother played and sung some little songs to us; and then she played the 'Fisher's Hornpipe' and 'Money Musk,' and we danced a little contra-dance. The girls did not all know cotillons, and some of them had not begun to go to dancing-school. Father came home and had his tea after we had done ours, and then he came up into the parlor and watched us dancing. Mr. Dayton came in, too. At about half past eight some of the other fathers called, and some of the mothers sent their girls, and everybody was fetched away. It was nine o'clock when Laura and I went to bed, and we couldn't go to sleep until after the clock struck ten, for thinking and saying what a beautiful time we had had, and anticipating how the girls would talk it all over next day at school. That," said Mrs. Ripwinkley, when she had finished, "was the kind of a party we used to have in Boston when I was a little girl. I don't know what the little girls have now."

"Boston!" said Luclarion, catching the last words as she came in, with her pink cape bonnet on, from the Homesworth variety and finding store, and post-office. "You'll talk them children off to Boston, finally, Mrs. Ripwinkley! Nothing ever tugs so at one end, but there's something tugging at the other; and there's never a hint nor a hearing to anybody, that something more doesn't turn up concerning it. Here's a letter, Mrs. Ripwinkley!"

Mrs. Ripwinkley took it with some surprise. It was not her sister's handwriting nor Mr. Ledwith's, on the cover; and she rarely had a letter from them that was posted in Boston, now. They had been living at a place out of town for several years. Mrs. Ledwith knew better than to give her letters to her husband for posting. They got lost in his big wallet, and stayed there till they grew old.

Who should write to Mrs. Ripwinkley, after all these years, from Boston?

She looked up at Luclarion, and smiled. "It didn't take a Solomon," said she, pointing to the postmark.

"No, nor yet a black smooch, with only four letters plain, on an invelup. 'Taint that, it's the drift of things. Those girls have got Boston in their minds as hard and fast as they've got heaven; and I mistrust mightily they'll get there first somehow!"

The girls were out of hearing, as she said this; they had got their story, and gone back to their red roof and their willow tree.

"Why, Luclarion!" exclaimed Mrs. Ripwinkley, as she drew out and unfolded the letter sheet. "It's from Uncle Titus Oldways."

"Then he ain't dead," remarked Luclarion, and went away into the kitchen.

"MYDEARFRANCES,—I am seventy-eight years old. It is time I got acquainted with some of my relations. I've had other work to do in the world heretofore (at least I thought I had), and so, I believe, have they. But I have a wish now to get you and your sister to come and live nearer to me, that we may find out whether we really are anything to each other or not. It seems natural, I suppose, that we might be; but kinship doesn't all run in the veins.

"I do not ask you to do this with reference to any possible intentions of mine that might concern you after my death; my wish is to do what is right by you, in return for your consenting to my pleasure in the matter, while I am alive. It will cost you more to live in Boston than where you do now, and I have no business to expect you to break up and come to a new home unless I can make it an object to you in some way. You can do some things for your children here that you could not do in Homesworth. I will give you two thousand dollars a year to live on, and secure the same to you if I die. I have a house here in Aspen Street, not far from where I live myself, which I will give to either of you that it may suit. That you can settle between you when you come. It is rather a large house, and Mrs. Ledwith's family is larger, I think, than yours. The estate is worth ten thousand dollars, and I will give the same sum to the one who prefers, to put into a house elsewhere. I wish you to reckon this as all you are ever to expect from me, except the regard I am willing to believe I may come to have for you. I shall look to hear from you by the end of the week.

"I remain, yours truly,"TITUSOLDWAYS."

"Luclarion!" cried Mrs. Ripwinkley, with excitement, "come here and help me think!"

"Only four days to make my mind up in," she said again, when Luclarion had read the letter through.

Luclarion folded it and gave it back.

"It won't take God four days to think," she answered quietly; "and you can askHimin four minutes. You and I can talk afterwards." And Luclarion got up and went away a second time into the kitchen.

That night, after Diana and Hazel were gone to bed, their mother and Luclarion Grapp had some last words about it, sitting by the white-scoured kitchen table, where Luclarion had just done mixing bread and covered it away for rising. Mrs. Ripwinkley was apt to come out and talk things over at this time of the kneading. She could get more from Luclarion then than at any other opportunity. Perhaps that was because Miss Grapp could not walk off from the bread-trough; or it might be that there was some sympathy between the mixing of her flour and yeast into a sweet and lively perfection, and the bringing of her mental leaven wholesomely to bear.

"It looks as if it were meant, Luclarion," said Mrs. Ripwinkley, at last. "And just think what it will be for the children."

"I guess it's meant fast enough," replied Luclarion. "But as for what it will be for the children,—why, that's according to what you all make of it. And that's the stump."

Luclarion Grapp was fifty-four years old; but her views of life were precisely the same that they had been at twenty-eight.


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