Chapter 11

FOOTNOTES:[1]Mr. A. Lindenkohl, now the oldest draughtsman in the department.[2]G. W. Smalley, in the LondonTimes.[3]The Nation, vol. liv., pp. 280-281, April 14, 1892.[4]New YorkTribune, July 26, 1903.[5]New YorkEvening Post, August 1, 1903.[6]Fortnightly Review, June, 1888.[7]The Independent, November 2, 1899.[8]Major W. L. B. Jenney, in theAmerican Architect, January 1, 1898.[9]Wedmore, Fine Prints, p. 103.[10]Wedmore’s Catalogue, pp. 19-20.[11]Printed by H. Wunderlich & Co., New York.[12]W. S. Adams, in the SpringfieldRepublican.[13]McClure’s Magazine, vol. vii. p. 374.[14]Knowledge, April 5, 1883, p. 208.[15]The Academy, February 24, 1883, p. 139.[16]Knowledge, April 6, 1883, pp. 208, 209.[17]Owned by Frank Gair Macomber, Esq., of Boston.[18]Gentle Art, p. 116.[19]Life of Carlyle, First Forty Years, vol. ii., pp. 345-6.[20]McClure’s Magazine, vol. vii. p. 374.[21]McClure’s Magazine, vol. vii. p. 374.[22]G. W. Smalley, in the LondonTimes. Reprinted in the New YorkTribune, August 19, 1903.[23]Harper’s Weekly, August 1, 1903.[24]Library Gazette, May 14, 1842 p. 331.[25]Athenæum, May 14, 1842, p. 433.[26]See opening paragraph of Chapter II. of the first and second editions of the first volume of “Modern Painters.”[27]John Ruskin, by Spielmann, p. 34.[28]Modern Painters, vol. iii., chap. xvii., paragraph 18.[29]Saturday Review, March 26, 1892, p. 357.[30]Moore, Modern Painting, p. 6.[31]The Critic, vol. xxxviii. p. 32, January, 1901.[32]Gentle Art, p. 126.[33]Gentle Art, pp. 127, 128.[34]Ibid., p. 128.[35]Helmholtz, Sensations of Tone, p. 265.[36]Fleming, Waves and Ripples in Water, Air, and Æther, p. 252.[37]Physiological Optics, p. 237.[38]Modern Painters, vol. i., part ii., sec. i., chap. v., par. 3.[39]Modern Painters, vol. i., part ii., sec. i., chap. v., par. 8, 9.[40]Ibid., sec. ii., chap. ii., par. 12.[41]Modern Painters, vol. i., part ii., sec. ii., chap. ii., par. 17, 20.[42]Gentle Art, p. 128.[43]Gentle Art, pp. 143, 144.[44]Gentle Art, p. 143.[45]LondonTimes, July 18, 1903.[46]Gentle Art, pp. 177, 178.[47]E. S. Crawford, inThe Reader, September, 1903.[48]See page 185.

FOOTNOTES:

[1]Mr. A. Lindenkohl, now the oldest draughtsman in the department.

[1]Mr. A. Lindenkohl, now the oldest draughtsman in the department.

[2]G. W. Smalley, in the LondonTimes.

[2]G. W. Smalley, in the LondonTimes.

[3]The Nation, vol. liv., pp. 280-281, April 14, 1892.

[3]The Nation, vol. liv., pp. 280-281, April 14, 1892.

[4]New YorkTribune, July 26, 1903.

[4]New YorkTribune, July 26, 1903.

[5]New YorkEvening Post, August 1, 1903.

[5]New YorkEvening Post, August 1, 1903.

[6]Fortnightly Review, June, 1888.

[6]Fortnightly Review, June, 1888.

[7]The Independent, November 2, 1899.

[7]The Independent, November 2, 1899.

[8]Major W. L. B. Jenney, in theAmerican Architect, January 1, 1898.

[8]Major W. L. B. Jenney, in theAmerican Architect, January 1, 1898.

[9]Wedmore, Fine Prints, p. 103.

[9]Wedmore, Fine Prints, p. 103.

[10]Wedmore’s Catalogue, pp. 19-20.

[10]Wedmore’s Catalogue, pp. 19-20.

[11]Printed by H. Wunderlich & Co., New York.

[11]Printed by H. Wunderlich & Co., New York.

[12]W. S. Adams, in the SpringfieldRepublican.

[12]W. S. Adams, in the SpringfieldRepublican.

[13]McClure’s Magazine, vol. vii. p. 374.

[13]McClure’s Magazine, vol. vii. p. 374.

[14]Knowledge, April 5, 1883, p. 208.

[14]Knowledge, April 5, 1883, p. 208.

[15]The Academy, February 24, 1883, p. 139.

[15]The Academy, February 24, 1883, p. 139.

[16]Knowledge, April 6, 1883, pp. 208, 209.

[16]Knowledge, April 6, 1883, pp. 208, 209.

[17]Owned by Frank Gair Macomber, Esq., of Boston.

[17]Owned by Frank Gair Macomber, Esq., of Boston.

[18]Gentle Art, p. 116.

[18]Gentle Art, p. 116.

[19]Life of Carlyle, First Forty Years, vol. ii., pp. 345-6.

[19]Life of Carlyle, First Forty Years, vol. ii., pp. 345-6.

[20]McClure’s Magazine, vol. vii. p. 374.

[20]McClure’s Magazine, vol. vii. p. 374.

[21]McClure’s Magazine, vol. vii. p. 374.

[21]McClure’s Magazine, vol. vii. p. 374.

[22]G. W. Smalley, in the LondonTimes. Reprinted in the New YorkTribune, August 19, 1903.

[22]G. W. Smalley, in the LondonTimes. Reprinted in the New YorkTribune, August 19, 1903.

[23]Harper’s Weekly, August 1, 1903.

[23]Harper’s Weekly, August 1, 1903.

[24]Library Gazette, May 14, 1842 p. 331.

[24]Library Gazette, May 14, 1842 p. 331.

[25]Athenæum, May 14, 1842, p. 433.

[25]Athenæum, May 14, 1842, p. 433.

[26]See opening paragraph of Chapter II. of the first and second editions of the first volume of “Modern Painters.”

[26]See opening paragraph of Chapter II. of the first and second editions of the first volume of “Modern Painters.”

[27]John Ruskin, by Spielmann, p. 34.

[27]John Ruskin, by Spielmann, p. 34.

[28]Modern Painters, vol. iii., chap. xvii., paragraph 18.

[28]Modern Painters, vol. iii., chap. xvii., paragraph 18.

[29]Saturday Review, March 26, 1892, p. 357.

[29]Saturday Review, March 26, 1892, p. 357.

[30]Moore, Modern Painting, p. 6.

[30]Moore, Modern Painting, p. 6.

[31]The Critic, vol. xxxviii. p. 32, January, 1901.

[31]The Critic, vol. xxxviii. p. 32, January, 1901.

[32]Gentle Art, p. 126.

[32]Gentle Art, p. 126.

[33]Gentle Art, pp. 127, 128.

[33]Gentle Art, pp. 127, 128.

[34]Ibid., p. 128.

[34]Ibid., p. 128.

[35]Helmholtz, Sensations of Tone, p. 265.

[35]Helmholtz, Sensations of Tone, p. 265.

[36]Fleming, Waves and Ripples in Water, Air, and Æther, p. 252.

[36]Fleming, Waves and Ripples in Water, Air, and Æther, p. 252.

[37]Physiological Optics, p. 237.

[37]Physiological Optics, p. 237.

[38]Modern Painters, vol. i., part ii., sec. i., chap. v., par. 3.

[38]Modern Painters, vol. i., part ii., sec. i., chap. v., par. 3.

[39]Modern Painters, vol. i., part ii., sec. i., chap. v., par. 8, 9.

[39]Modern Painters, vol. i., part ii., sec. i., chap. v., par. 8, 9.

[40]Ibid., sec. ii., chap. ii., par. 12.

[40]Ibid., sec. ii., chap. ii., par. 12.

[41]Modern Painters, vol. i., part ii., sec. ii., chap. ii., par. 17, 20.

[41]Modern Painters, vol. i., part ii., sec. ii., chap. ii., par. 17, 20.

[42]Gentle Art, p. 128.

[42]Gentle Art, p. 128.

[43]Gentle Art, pp. 143, 144.

[43]Gentle Art, pp. 143, 144.

[44]Gentle Art, p. 143.

[44]Gentle Art, p. 143.

[45]LondonTimes, July 18, 1903.

[45]LondonTimes, July 18, 1903.

[46]Gentle Art, pp. 177, 178.

[46]Gentle Art, pp. 177, 178.

[47]E. S. Crawford, inThe Reader, September, 1903.

[47]E. S. Crawford, inThe Reader, September, 1903.

[48]See page 185.

[48]See page 185.


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