Chapter 22

[It is impossible to have been more generous than Mr. Moxon was in this whole transaction. While talking about the dealings of booksellers with authors, he said that he always bore in mind the liberality he had benefited by when, starting in business a poor and obscure publisher, he had been munificently assisted by Rogers, whose timely aid had laid the foundation of his prosperity. "As I was dealt by," he said, "I endeavor to deal by others, and should be glad to inspire them with the grateful regard towards me which I shall always retain for him." Rogers surely did himself more injustice by his tongue than all his enemies put together could have done him; his acts of kindly generosity were almost as frequent as his bitter, biting, cruel words.]

[It is impossible to have been more generous than Mr. Moxon was in this whole transaction. While talking about the dealings of booksellers with authors, he said that he always bore in mind the liberality he had benefited by when, starting in business a poor and obscure publisher, he had been munificently assisted by Rogers, whose timely aid had laid the foundation of his prosperity. "As I was dealt by," he said, "I endeavor to deal by others, and should be glad to inspire them with the grateful regard towards me which I shall always retain for him." Rogers surely did himself more injustice by his tongue than all his enemies put together could have done him; his acts of kindly generosity were almost as frequent as his bitter, biting, cruel words.]

Bannisters, Saturday, 16th.

Yes, my dear Hal, I do intend to correct my own proofs (I thought my proofs corrected me)....

I have just returned from a delightful visit of two hours, which our dear friend Emily contrived for me, to ——, the dentist! Not content with cheering and soothing my sadder hours with the number and variety of her medical resources (pills, draughts, doses, potions, lotions, lozenges, etc.), her ever active and considerate affection hit upon this agreeable method of relieving my stay at Bannisters of any possible tedium, and two hours of the darkest, dampest, dreariest winter weather have thus been charmed away through her tender and ingenious solicitude for my enjoyment.

My dear Hal, what you say about laughingwithpeople, as aninsteadfor laughingatthem, is, like most things you say, frightful nonsense. And what sort of a laugh, moreover, is it that you offer that unfortunate Dorothy for her feeble participation? Nothing of a healthy, wholesome,vigorous, vital, individual, personal kind; but some pitiful pretence of wit or humor, having for its vague or indefinite object ideal or general, abstract, impersonal, or, so to speak, invisible intangible subjects, wanting all the vivacious pungent stimulus that belongs to real individual absurdity, and the direct ridicule of it, judiciously and dexterously applied; the only efficient—I had almost said legitimate—object of a rational creature's amusement. If Dorothy depends upon you for her entertainment (otherwise than as you involuntarily, unconsciously, naturally, and simply furnish it to me), I pity her; and if you depend upon her for yours, I pity you still more—for I doubt if even I, according to my own system, could extract any from her, she is sopainfullyunridiculous. You must be deplorably dull together, I am—certain, I was going to say—satisfied; but that's neither kind nor civil, and I heartily wish for bothyoursakes that I was with you.

UNCERTAINTIES.I am not sure that that visit may not be accomplished yet; for my reappearance on the stage does not seem likely to take place so very immediately but that I might perhaps contrive to run down to you for a short time. But, indeed, all my concerns are like so many pennies tossed up in the air for "heads or tails," and I cannot tell how they will fall, or what results I may arrive at.

I have been asked to go down to Manchester, to act, and if I have any great difficulty or delay to encounter in finding an engagement in London, I shall probably do so.... The step I am about to take is so painful to me that all petty annoyances and minor vexations lose their poignancy in the contemplation of it (à quelque chose—à bien des choses malheur est bon), and having at length made up my mind to it, smallerrepugnanciesconnected with it have ceased to affect me with any acuteness....

Moxon cannot publish my Italian journal immediately, because the whole of the American edition must be ready to go to press before he brings it out here. I suppose it will come out some time after Easter. Emily told you of his first offer for it, and of his gallant mode of making it. He is surely a pearl and a pattern of publishers.

Kiss that facetious "Virgin Martyr" for me. Such a laugh as you two are likely to get up together! I declare it brings the tears to my eyes to think of it.

I rejoice in your account of H—— W——. It must bea blessing to every one belonging to him to see him do well such a duty as that of an Irish proprietor, in these most miserable times.

I have at present nothing further to impart to you but the newest news, that I am

Ever yours,

Fanny.

[The last sentence of this letter refers to the failure of the potato-crop, and the consequent terrible famine that desolated Ireland.]

[The last sentence of this letter refers to the failure of the potato-crop, and the consequent terrible famine that desolated Ireland.]

10, Park Place, St. James's, February 1st, 1847.

I feel almost certain, my dear Hal, that it will be better for me to bealonewhen I come out at Manchester than to have you with me, even if in all other respects it were expedient you should be there. My strength is much impaired, my nerves terribly shattered, and to see reflected in eyes that I love that pity for me which I shall feel only too keenly for myself, on the first night of my return to the stage, might, I fear, completely break down my courage. I am glad for this reason that I am to come out at Manchester, where I know nobody, and not in London, where, although I might not distinguish them, I should know that not a few who cared for me, and were sorry for me, were among my spectators. I am now so little able to resist the slightest appeal to my feelings that, at the play (to which I have been twice lately), the mere sound of human voices simulating distress has shaken and affected me to a strange degree, and this in pieces of a common and uninteresting description. A mere exclamation of pain or sorrow makes me shudder from head to foot. Judge how ill prepared I am to fulfil the task I am about to undertake....

This, however, is one of the most painful aspects of my work. It has a more encouraging one. It is an immense thing for me to be still able to work at all, and keep myself from helpless dependence upon any one.... The occupation, the merebusinessof the business, will, I am persuaded, be good rather than bad for me; for though one may be strong against sorrow, sorrow and inactivity combined are too much for any strength. Such a burden might not kill one, but destroy one's vitality to a degree just short of, and therefore worse than, death—crush, instead of killing and releasing one....

I was reading over "The Hunchback" last night, and could not go through the scenes between Julia and Clifford, when he assumes the character of Lord Rochdale's secretary, without an agony of crying. I do not see how I am ever to act it again intelligibly, but I suppose when Imustdo it Ishall. Things that have to be done are done, somehow or other.

God bless you, my dear Hal.

I am ever yours,

Fanny.

One word to Dorothy.

Now, my beloved and best Dorothy, haven't you enough to do with that most troublesome soul, Harriet, without being my "good angel" too? [Miss W—— often went by the name of Harriet's "good angel."] I have never seen mine; but if I have one, I should think he or she must be a sort of spiritual heavenly steam-engine,a three-hundred angel-power, in order effectually to take care of me.

My dearest Hal, I have missed the dear nuisance of your letters so dreadfully these few days past, that I began seriously to meditate writing to you to know if I had offended you in any way. As for how I fare in this cold weather, the weather is nothing to me, and I used not to mind cold at all, but rather to like it; but my flesh is forsaking my bones at such a rate that I am beginning to shiver for want of covering, and I think to be reduced to a skeleton—a live one, I mean—while the thermometer is as low as it is will be very uncomfortable.

ANGLO-SAXON KEMBLE.The satisfaction I had in my visit to my brother was that of seeing a person for whom I have a very warm affection, and, in some respects, a very sincere admiration. I believe, too, it was a comfort to poor John to see me and receive the expressions of my love and sympathy.... For his warm heart, his truthfulness and great simplicity of character, his worldly poverty, his great intellectual wealth, but, above all, for that he is my brother, I love him. He and his children are living in a poor small cottage, on a wild corner of common near Cassiobury. How I thought of our old—no, our young days, driving along past "The Grove" and the Cassiobury Park paling. My brother's present home is certainly not an extravagant residence, and though, of course, sufficient for absolutenecessary comfort (how much comfort isnecessary?), is nothing more.... John has advertised in theTimesfor a pupil to prepare for college, and should he be able to obtain one, it would, of course, materially assist him. In the mean time he is working with infinite ardor and industry upon an important work, the "History of the English Law." A friend of his, whom I met there, who is, I think, a competent judge, which, of course, I am not, of any such matter, assured me that the work was one of great erudition and research, but at the same time so dry and difficult, and therefore little likely to be popular, that it would not be easy to persuade any publisher to undertake it. He, Mr. B——, carried the first volume, which is complete, to town with him, to show it to persons capable of appreciating it, and endeavor to get it a little known, so as to procure an offer for its publication. Poor John! his perseverance in the studies he loves is very great, his devotion to them very deep, and if he could only live upon his means with his beloved mistress, Learning, I should think he had made a noble and honorable choice, however bitterly disappointed my father may feel at his not choosing to follow more lucrative pursuits.

I am going to act inDublin. I have neither time nor space for more.

God bless you.

Ever yours,

Fanny.

10, Park Place, Friday, 12th, 1847.

Direct to me at Manchester, "Theatre Royal," my dear Hal, that is all; or, indeed, I should prefer your directing to the Albion Hotel, that same house where you and I were so charmed by the sunlight on the carpet.

You say I do not know the value of letters. I think I do, for if I had not the very highest value for them I should long ago have given way to my detestation of writing, and put an end to my innumerable correspondences. Your letters have more than once been snatched up by me, and pressed to my lips; so have my sister's.... I hate writing, it is true, but am content to pay that price for the intercourse of my friends; and though I may not love letters as you do, I do think I have a reasonable appreciation of their value.

I share in your feeling, dearest Harriet, about my being in Dublin while you are absent from it. I do not know that it seems to me "wrong," but it certainly does seem as unnatural as that there should be a theatre open in Dublin at all at this time, when famine and such dire distress are prevailing in parts of the country.

I am troubled, too, at the uncertainty of how and when we are to meet; and the reason why these various considerations do not, perhaps, engross so much of my thoughts as they do of yours is because I have so many immediate and necessarily absorbing claims upon my attention.

I incline with you, however, to think that I shall not go to Dublin. I have not heard again from the manager, and I begin to hope that he has thought better of his invitation to me. As my work is a matter of necessity, I could not, of course, refuse an engagement in Dublin; but it does seem monstrous that there should be people willing to pay for theatrical entertainments there at this time.

If I do not go I shall lose an opportunity of seeing my brother Henry, which I am looking forward to with great pleasure—the only pleasure in the whole expedition, since you will not be there, which will indeed seem most strange and veryinappropriate.

Harriet,youcertainly have a passion for writing, for in your last you have repeated every word I said about my brother John, just as if you had invented it yourself. You are like Ariel, very; and I am like Prospero, very ("Dull thing! I said so"); or, no, I am like Falstaff, to be sure, and you like Prince Hal, with "damnable iteration." ...

AN ENGLISH TRAGEDY.Various of my London men friends threaten coming down to Manchester during my engagement there; Charles and Henry Greville, Chorley, and even Moxon, who declared, if my play was brought out, he must be in the pit the first night to see it. [This was my play called "An English Tragedy," which there was some talk of bringing out at Manchester.] I dare say the courage of all of them will give out before this bitter cold, and I shall not be sorry if it does, for I want no sympathizers to make me pitiful over myself.

I am tolerably well just now, and really believe that when once I am fairly out of the fangs of the dressmakers I shall gather strength rapidly.

The crudest fact in my fate at present is that I have actually not been able to get all my things made here, and am taking the materials for my Juliet and Queen Katharine dresses to be made up at Manchester; and this is horrid, because, but for this, my off evenings would have really been seasons of rest and quiet. However, it is of no use lamenting over any one detail of such a whole as this business....

Give my love to dear Dorothy. She is half my good angel, by her own voluntary assumption of the character....

Do not be troubled overmuch for or about me, my dearest friend; but commend me, as I do you and myself, to God, and believe me

Ever yours,

Fanny.

10, Park Place, Saturday Evening.

My dear Hal,

I never did, and I never shall, offer anything I write to anybody. If my friends ask me for anything I write, I will get it for them, just as I would anything else they ask me to get or to do for them; but I have no idea of volunteering such a bestowal upon anybody. Emily asked me for a copy of my "Year of Consolation," and I have promised her one, and I will certainly give you one if you wish for it. As for accounting, by any process of reasoning of mine, for your desire to have my book, I am quite unable to do so.

My love for my friends would never make me wish to read their books, unless I thought their book likely to be worth reading. Now, I cannot assume this with regard to my own, especially as I don't believe it.

Our friends' characters, their love for us, and ours for them, is the stuff of which our adhesion is made; and unless I had a genius for a friend, I should care little for any other mental exhibitions from those I loved than those their daily intercourse afforded me. In personal intercourse, unless a person is a genius, you really get that which is best intellectually, as well as every other way, from your friend. Even in the case of a great genius, I should think his daily intercourse likely to be more valuable in an intellectual point of view than his best works; but then, of such a mind one would naturally wish topossess all and every product that one could obtain. If I thought myself a genius, I might offer you my books unasked—perhaps.

I shall be at the Albion at Manchester, and if you wish to hear from me, you will do well to write to me there....

I have had a most terrible day of fatigue and worry, breaking my back with packing my things, and my heart with paying my bills.

HENRY GREVILLE.Dear Henry Greville goes to within fifty miles of Manchester with me to-morrow, and stays at a friend's house, whence he and Alfred Potocki purpose coming on for the play on Tuesday evening. After all, I am not sorry he is coming; his regard for me is not of a sort to make me dread the weakening effect of his sympathy, and it will be comfortable to know that among that strange audience I have just such a kind well-wisher as he is, to keep up whatever courage I have.

Perhaps you may yet see me in Dublin, for the manager wishes me to renew my engagement after the first six nights; and, of course, if he pays me my terms, I shall be glad to remain there as long as he likes.

Give my dear love to dear Dorothy. I am thoroughly worn out, and feel quite unwell; and oh, how cold it will be in that railroad carriage to-morrow!

God bless you, dear.

Ever yours,

Fanny.

Albion Hotel, Manchester, Monday, 15th.

My dear Hal,

I cannot tell you exactlyallwhy I dislike writing letters, because my dislike is made up of so many elements. One reason is that the limits of a letter do not permit of one's saying satisfactorily what one has to say upon any subject. I think frequently that my letters must be highly unsatisfactory because of my tendency to discussion, which makes them more like imperfect essays than letters, the chief charm and use of which is to tell of daily events, interests, and occurrences; how one is, what one does, where one goes, etc. Now, while I fear my letters must be unsatisfactory to my friends because they seldom contain details of this sort, they are still more so to me, because I have neither room nor time in them to say anything about anything as I wish to say it. Then, I have an indescribable impatience of the mere mechanical process.

You say that I talk, though I do not write, willingly to my friends, but whenever I get upon any subject that interests me, with anybody whom I am not afraid of wearying, I talk till I have said all I have to say; and though I never spoke about anything that I cared for without afterwards perceiving that I had left unsaid many important things upon the subject while I spoke, I spoke all that came into my mind at the time. In writing this is never the case, and fast as my pen flies, it seems to me to stick to the paper; while in speaking, what with my voice, my face, and my whole body, I manage to convey an immensity of matter (stuff, you know, I mean) in an incredibly short time. Impatience of all my limitations, therefore, is one cause of my dislike to letter-writing.

You say that I do not object to conversation, though I do to correspondence: and it is quite true that I sometimes have great pleasure in talking; but if I had to talk, even upon the subjects that interest me most, as much as I have to write in the discharge of my daily correspondence, I should die of exhaustion, and fancy, too, that I was guilty of a reprehensible waste of time. That I am doing what gives my friends pleasure, and is but their due, alone prevents my thinking my letter-writing a waste of time. As therefore it is not to me, as to you, a pleasurable occupation in itself, I do not think it can be compared with "reading Shakespeare, Schiller," or indeed any book worth reading. The exercise of justice towards, and consideration for, others is a form of virtue, andthereforeletter-writing is, in some cases, a good employment of time.

I have a desire for mental culture, only equalled by my sense of my profound ignorance, and the feeling of how little knowledge is attained, even by scholars leading the most active and assiduously studious existences.

My delight in my own superficial miscellaneous reading is not so much for the information I retain (for I forget, or at least seem to do so, much of what I read), as for the sense of mental activity produced at the time, by reading; and though I forget much, something doubtless remains, upon the whole.

Knowledge, upon any subject, is an enchantingcuriosityto me; fine writing on elevated subjects is a source of the liveliest pleasure to me; in all kinds of good poetry I find exquisite enjoyment; and not having a particle ofsatisfaction in letter-writing for its own sake, I cannot admit any parallel between reading and writing (whatever I might think of arithmetic). I have sometimes fancied, too, that but for the amount of letter-writing I perform, I might (perhaps) write carefully and satisfactorily something that might (perhaps) be worth reading, something that might (perhaps) in some degree approach my standard of a tolerably good literary production—some novel or play, some work of imagination—and that my much letter-writing is against this; but I dare say this is a mistaken notion, and that I should never, under any circumstances, write anything worth anything.

DRAWING A SEDATIVE.I have always desired much to cultivate the accomplishment of drawing; it is an admirable sedative—a soothing, absorbing, and satisfactory pursuit; but I have never found time to follow it up steadily, though snatching at it now and then according as opportunity favored me. I give but little time to my music now (though some every day, because I will not let go anything I have once possessed); for I shall never be a proficient in it, and I already have as much of it at my command as answers my need of it as a recreation. Any of these occupations is more agreeable to me than letter-writing; so is needlework, so is walking out, so is—almost anything else I could do. Now, as Shylock says, "Are you answered yet?"

I should be sorry my brother Henry went to the trouble or expense of coming over to Manchester or Liverpool to see me, as there is every probability of my being in Dublin early in March, where I shall act till the 22nd, and perhaps longer.

I have the privilege of sitting with an engraving of Lord Wilton, in his peer's robes,hungopposite to me—enough surely for any reasonable woman's happiness....

God bless you, dear; give my love to dear Dorothy. I rejoice for her that the cold is gone.

Ever yours,

Fanny.

My kind friend Henry Greville, and that very charming young Alfred Potocki, brother of the Austrian Ambassadress, Madame de Dietrichstein, and a great friend of Henry's, came down with me half way, yesterday; they stopped at a friend's house about fifty miles from Manchester, and come up to-morrow to see the play, so that Ishall have the comfort of people that I like, and not the trial of people that I love, near me on that occasion.

I am not very nervous about myplunge; the only thing that I dread is the noise (noise of any sort being what my nerves can no longer endure at all) which I am afraid may greet me. I wish I could avoid my "reception," as it is called, because any loud sound shakes me now from head to foot; this is the one thing that I do dread—I have gained some self-possession and strength in these past years, and I hope my acting itself, as well as my comfort in acting, may benefit by my increased self-command. Poor Hayes (my maid) says that the peace of being alone with me, after our late lodging, is like having leftHell; we shall see what she says to-morrow night at the theatre,—poor thing. Farewell.

Albion Hotel, Manchester, Wednesday, 17th.

My dear Lady Dacre,

I acted Julia in "The Hunchback" last night (the first time for thirteen years); got up this morning with a dreadful cough and sore throat, the effect of over-exertion and exposure; went to rehearsal after breakfast, rehearsed Lady Macbeth and Juliana in "The Honeymoon" (adancingpart!); have written to three managers, from whom I have received "proposals;" have despatched accounts of myself to my father and sundry of my friends; have corrected forty pages of proof of my Italian journal; have prepared all my dresses for to-morrow; have received sundry visits (among others, that of a doctor, whom I was obliged to send for), and have wished that I had not had so much to do.

I am so far satisfied with my last night's experiment, that I think it has proved that my strength will serve to go through this sort of labor for a couple of years; and I hope during that time, by moving from one place to another, that my attraction may hold out sufficiently to enable me to secure the small capital upon which I can contrive to live independently.

The theatre here is beautiful; the company very fair; the plays are well and carefully got up. The audience were most exceedingly kind and cordial to me, and I think I have every reason to be thankful, and grateful, and more than satisfied. The manager wants me torenew my engagement, which is a sign, I suppose, that he is satisfied too.

With affectionate respects to my lord, believe me, my dear Lady Dacre,

Ever yours,

Fanny.

Manchester, Thursday, 18th.

I cannot tell how many books have been written by geniuses, dear Hal, and therefore, being unable to answer the first question in your letter, pass on to the next.

STAGE-MANAGER.The people that I have to deal with here seem to me very much like all other people everywhere else. The proprietor and manager of the theatre is an active, enterprising, intelligent man, who knows thevalueof liberality, and that generosity is sometimes the most remunerative as well as amiable and popular line of action. He is a shrewd man of business, a little rough in his manner, but kindly and good-natured withal, and extremely civil and considerate to me. He is anxious that I should renew my engagement, and I shall be very willing to do so, on my return from Dublin.

My stage-manager is a brother of James Wallack, well bred, and pleasant to deal with, and also very kind and courteous to me. Everybody in the theatre is civil and good to me, and I am heartily grateful to them all. As for my good host and hostess of the Albion, they really look after me in the most devoted and affectionate manner, so that I am quite of my poor maid's opinion, that this is a paradise of peace and comfort compared with Mrs. ——'s lodging-house.

My dressing-room at the theatre is wretched in point of size and situation, being not much larger than this sheet of paper, and up a sort of steep ladder staircase: in other respects, it is tidy enough, and infinitely better than the dark barrack-room you remember me dressing in when I was in Manchester years ago, when I was a girl—alas! I don't mean a pun! It is not the same theatre, but a new one, built by the Mr. Knowles who engaged me to act here, and one of the prettiest, brightest, and most elegant playhouses I ever saw; admirable for the voice, and of a most judicious size and shape. Unfortunately, a large hotel has been built immediately adjoining it (I suspectby the same person, who is a great speculator, and apt, I should think, to have many, if not too many, irons in the fire), and the space that should have been appropriated to the accommodation of the actors, behind the scenes in the theatre, has been sacrificed to the adjoining building, which is a pity.

If I were to tell you the names of the people who act with me, you would be none the wiser. The company is a very fair one indeed, and might be an excellent one, if they were not all too great geniuses either to learn or to rehearse their parts. The French do not put the flimsiest vaudeville upon the stage without rehearsing it forthree months; here, however, and everywhere else in England, people play such parts as Macbeth with no more than three rehearsals; and I am going to act this evening in the "Honeymoon," with a gentleman who, filling the principal part in the piece, has not thought fit to attend at the rehearsal; so that though I was there, I may say in fact that I have had no rehearsal of it,—which is businesslike and pleasant.

Oh, my dear Hal, I strive to judge of my position as reasonably as I can! I do hope that in spite of the loss of youth, of person, and feeling (which latter communicates itself even to acting), I may be able to fill some parts better than I did formerly. I have no longer any nervousness to contend with—only a sense of the duty I owe to my employers and spectators, to take the utmost pains, and do my work as well as I possibly can for them.

My physical power of voice and delivery is not diminished, which is good for tragedy; my self-possession is increased, which ought to be good for comedy; and I do trust I may succeed, at least sufficiently to be able, by going from one place to another, and returning to America when I have worn out my public favor here—say, in two years,—to make what will enable me to live independently, though probably upon very small means.

I write this after my first night's performance, and I trust my views are not unreasonable. How I wondered at myself, as I stood at the side scene the other night, without any quickening of the pulse or beating of the heart—thanks to the far other experiences I have gone through, which have left me small sensibility for stage apprehensions; and yet I could hardly have believed it possible that I should have been as little nervous as Iwas. When I went on, however, I had to encounter the only thing I had dreaded; and the loud burst of public welcome (suggestive of how many associations, and what a contrast!) shocked me from head to foot, and tried my nerves to a degree that affected my performance unfavorably through several scenes.

STAGE-LIFE.But this was my first appearance after thirteen years of absence from the stage; and, of course, no second emotion of the kind awaits me. The exertion and exposure of the performance gave me a violent cold and sore throat, and I have been obliged to send for a doctor. I hadtworehearsals yesterday, which did not mend matters, but I have bolstered myself uppro tem., and what with inhaling hot water and swathing my throat in cold, and lozenges and gargles, etc., I hope to fight through without breaking down.... I have heard from Catherine Sedgwick, who says that it is a long time since she heard from you or Emily. She adds: "I shall be very glad to hear from them again. In your absence, I had nothing to give interest to my letters to them, and I have not written; and they, naturally, had no sufficient motive to write to me, so that I have been in complete ignorance about them. Harriet S—— I reckon among my friends for both worlds."

God bless you, my dear Hal. Give dear Dorothy my love.

Ever yours,

Fanny.

Manchester, Tuesday, 23d.

A thousand thanks, my dear Lady Dacre, for all your kind inquiries about, and sympathy in, my concerns. I am going on prosperously. The theatre is quite full when I play, in spite of the very bad weather, and I think my employer can afford to pay me, without grudging, my nightly salary.

I think you are right in saying I am my own best critic; my mother being gone, I believe I really am so.

I have played, since I last wrote to you, Juliana, in the "Honeymoon," a rather pretty, foolish part, which I act accordingly; Lady Macbeth, which I never could, and cannot, and nevershall canact; and Juliet, which, I suppose, I play neither better nor worse than formerly, but which, naturally, I am no longer personally fit to represent.

I am not very well, for the returning to such labor as this after thirteen years' disuse of it, and at thirty-seven years of age, is a severe physical trial, and has, of course, exhausted me very much. Nothing more, however, ails me than fatigue, and I have no doubt that a few more nights' "hard use" will enable me to stand steady under my new load of heavy circumstance.

You have asked me for newspaper reports, and I send them to you. You know my feeling about such things, but that is nothing to the purpose; if you can care for such praise or dispraise of me, it is no less than my duty to furnish you with it, at your request, if I can. You know I never read critiques, favorable or unfavorable, myself; so I do not even know what I send you.

Good-bye. Remember me respectfully and affectionately to Lord Dacre, and believe me ever

Yours truly,

Fanny.

Manchester, Thursday, 25th.

Dear Hal,

Mr. H. F. Chorley I believe to be a great friend of mine, and an uncommonly honest man, but I may be mistaken in both points. Your inquiry about my health I cannot answer very triumphantly. I am not well, and my feet and ankles swell so before I have stood five minutes on the stage, that the prolonged standing in shoes, which, though originally loose for me, become absolute instruments of torture, like those infamous "boots" of martyrizing memory, is a terrible physical ordeal for either a tragic or comic heroine—who had need indeed be something of a real one to endure it.

Some of this trouble is due to general debility, and some to the long-unaccustomed effort of so much standing, and will, I trust, gradually subside as I grow stronger and more used to my work....

I acted Juliet last night, and I am very weary to-day, but thankful to have my most arduous part well over.

Give my love to dear Dorothy. I am very sorry to hear of her being so unwell, for I know how anxious you must be about her. Thank her for her kind words to me....

God bless you, my dear,

I am ever as ever yours,

Fanny.

Manchester, Friday, 26th.

Dear Hal,

My throat has given me no more trouble since my first night's acting. I have a pertinacious cough, and a tremendous cold in my head, which are nuisances; but I am free from irritation in the throat, and have found hitherto, in my performances, my voice stronger, instead of weaker, than it was.... I am better than I was last week, and have no doubt I shall acquire strength as I go on, as my first start in this dismal work did not quite break me down.

The people here have shown me the most extreme kindness and hospitality, and I have had invitations to dine out every day this week that I have not acted.

My brother Henry has come over from Dublin, to spend a couple of days with me, and his visit has been an immense pleasure and comfort to me.

My time, thank God, is so incessantly occupied with all kinds of business—writing letters to managers, acquaintances, and friends; rehearsing, acting, looking after my dresses, correcting proof-sheets, and receiving visits—that I have no leisure but what I spend in sleep.

Henry has promised to mount me on a horse of his, when I get to Dublin; and I am sure that my favorite exercise will be of the greatest benefit to me.

STAGE-LIFE.The actors here are not more inattentive than they generally are, everywhere, to their business; their carelessness and want of conscience about it is nothing new to me, and all my bygone professional experience had fully prepared me for it. The company here is a better one than I shall probably find anywhere, even in London; and I have the advantage of having to do with a very civil, considerate, and obliging stage-manager.

I have made, at present, no further engagement for acting here. I shall spend Passion-week at Sutton Park with the Arkwrights, who have written to beg me to do so, and whose vicinity to this place makes that arrangement every way best for me, as in Easter-week I am to act in Manchester again, for the benefit of the above-mentioned courteous stage-manager. From the 12th to the 17th of April, I act at Bath and Bristol; and after that I think it is probable I shall act for a short time in London,—but this is uncertain.

Your questions, for which you apologize, are particularlyagreeable to me, as, in spite of the ready invention and fluent utterance on which you compliment me, I am always charmed to have the subject of my letters suggested to me by the questions of my friends.

As my engagement in Dublin, like all the engagements I make, isa nightly one, if it does not answer to the manager I shall of course immediately put an end to it. I am secured from loss by payment after each performance but should never think of taking what I do not bring to my employer.

Mr. Calcraft writes me that he is sanguine about the engagement, in spite of the public distress, and wants me to leave three nights open after the 22d for the extension of it. We shall see.

God bless you, dear Hal. Give my affectionate love to Dorothy. I am most happy to hear she is better. The kindness of the Manchester people has filled my room with flowers, my "good angels," about which I am becoming every day more superstitious, for I am never four-and-twenty hours in a place that some do not make their appearance, to cheer and comfort me. Farewell.

Ever yours,

Fanny.

Birmingham, Sunday, 28th.

My dear Lady Dacre,

I played last night for the last time in Manchester. The house was immensely full, and when I went on the stage after the piece, so loud and long and cordial were they in their kind demonstrations of good-will to me that, what with the exhaustion of a whole day's packing (which I have to do for myself, my maid being utterly incompetent) and the getting through my part, the whole thing was too much for me, and I turned quite faint, and all but fell down on the stage. But I am not a fainting woman, and so only went into violent hysterics as soon as I was carried to my dressing-room. So much for that "pride" which you speak of as likely to prevent my shedding tears when encountering the kind acclamations of a multitude of my "fellow-creatures;" the most trying to the nerves of all demonstrations, except, perhaps, its howl of execration.

I came to this place to-day, and feel indescribably cheerless and lonely in my strange inn. The room at Manchester was thehomeof a fortnight, but this feels mostdisconsolately unfamiliar. Moreover, I only act here one night, Tuesday, and then go to Liverpool, where the master of the Adelphi Hotel, where I shall stay, is a person to whom I have been known for many years, in whose house I have been with my children, and where I shall feel less friendlessly forlorn than I do here.

MAP OF PROCEEDINGS.I shall remain there about a week, and then go to Dublin, where I expect to stay about a fortnight, and where I shall find my youngest brother—a circumstance of infinite consolation and comfort to me. Passion-week I spend at Sutton Park with the Arkwrights; after that go to Bath and Bristol, and then to London, where I have now an engagement for a month at the Princess's Theatre.

You have now the map of my proceedings for the next six weeks, after which I hope I shall see you in London. I direct this to Chesterfield Street, as you say you shall be back there on Thursday. I have been kept constantly supplied with the loveliest flowers all the time of my stay in Manchester, by one kind person or another, which has greatly helped to keep up my courage and spirits.

Pray give my respects to Lord Dacre.

I am ever, my dear Lady Dacre,Yours truly,

Fanny.

Adelphi Hotel, Liverpool, Thursday, March 4th, 1847.

My dear Hal,

I do not go to Bath, but to Manchester, on the 25th and 27th, and perhaps on the Monday of Passion-week; but this is not certain. If not on that Monday, then early in Easter-week; and Passion-week I shall spend with Mrs. Arkwright at Sutton.

On Thursday in Easter-week, April 8th, I must be in London, as I act there for two nights gratuitously for your poor starving fellow-countrymen, for whom an amateur performance is being got up.

On April 15th I go down to Bath, and act there on the 17th, and my engagement at the Princess's Theatre does not begin till the 26th of that month. This is the plan of my campaign as far as it is laid out; should any change occur in it, I will let you know as soon as I know of it myself.

And so your plan for my taking the air, my dear, was to get into aclosefly. I confess that would not haveoccurred to my ingenuity, or I should think to that of any but an Irish humorist. I don't feel sure that there mayn't be a pun hidden somewhere in your proposition.The damp, indeed, I might have taken, to the greatest perfection, for there did stand a whole row of vehicles before my very windows at Manchester which were being saturated through and through with the rain that fell upon them all day long, and must have adapted them admirably for the purposes of a healthful drive for an invalid suffering from sore throat and a heavy cold.

I have nothing to say to your impertinent remarks on my zigzag progress to my various engagements, neither any observation to make about Emily's information upon the subject of my white cashmere gown.

I am perfectly persuaded that, as a considerable amount of food goes into one's stomach, the use of which is merely to produce necessary distension of all the organs, channels, receptacles, machinery, etc., in short; so a considerable amount of words proceeds out of our mouths, the use of which is merely to keep our lungs aired and our speaking organs in exercise; and for that purpose the follies, and foibles, and even faults of our friends are excellent material, provided no bitterness mixes in the process; from which, as I feel myself very safe between you and Emily, I abandon myself absolutely to you both; and as I believe scribbling (apparently unnecessary) is as necessary to the health of both of you as the apparently superfluous food and words which people swallow and utter, I am quite content you should fill up your paper with the mad eccentricity of the order of my engagements, the rotation of my gowns, and the dripping street-cabs in which I refuse to take the air for the benefit of my health....

I do not know who the amateurs are who are to act for the starving Irish with me in London. Forster, the editor of theExaminer, I hear, is one; Henry Greville, who, indeed, is the getter-up of the whole thing, another; but for the rest I do not know.

Your people are what are commonly called a generous people; and that, I suppose, is why they don't mind begging. I think it takes an immensity of generosity to beg.

Only think of Mr. Radley, here at the Adelphi, expressing his surprise, when he saw me, that you were not with me! Was not that really quite touching and nice of him?

My cousin, Charles Mason, is here.... His amiable temper and gentle manner made him a favorite with my poor mother, and I like to see him on that account....

How sorry I shall be for both you and Dorothy when your pleasant time at Torquay is over! especially for you, who will have to see misery and sometimes hear nonsense. I mean when you go back to Ireland; not,of course, while you are with me....

Adelphi Hotel, Liverpool, Sunday, 7th.

I have minded what you said (as when didn't I?), and am swallowing ipecacuanha lozenges by the gross. It drives me almost crazy that you should be compelled to make your plans so dependent upon mine, which are so dependent upon the uncertain wills and arrangements of so many people.

STAGE ANNOYANCES.The manager of the Princess's Theatre, where I am engaged to act in London, will not allow me to act for the proposed charity at the St. James's Theatre. I offered to give up the engagement with him rather than break my promise to the amateurs and disappoint all their plans; but he will not let me off my engagement to him, and will not permit me to appear anywhere else before that takes place. I think he is injuring himself by balking a pet plan of amusement in which all manner of fine folks, lady patronesses, and the Queen herself, had been induced to interest themselves; and I think his preventing my acting for this charity will injure him much more than my appearance on this occasion, before my coming out at his theatre, could have done. But, of course, he must be the judge of his own interest; and, at any rate, having entered into an engagement with him, I cannot render myself liable to squabbles, and perhaps a lawsuit with him, about it. All these petty worries and annoyances torment and confuse me a good deal. I have a very poor brain for business, and there is something in the ignoble vulgarity and coarseness of manner that I occasionally encounter that increases my inaptitude by the sort of dismay and disgust with which it fills me. If the person who has hired me does not relent about these charity representations, I shall be obliged to give them up, and then I shall act in Manchester at that time, instead of on the 25th and 27th of March, which had been before intended, but which I now think I should give to two representationsin Chester on my way back from Dublin. All this, you see, is still in a state of most vexatious uncertainty, and I can give you no satisfaction about it, having been able to obtain none myself....

Perhaps, dearest Hal, I ought not to have asked you the precise meaning of what you wrote about dear little H——[her nephew, a charming child, who died in early boyhood], but, every now and then, those expressions which have become almost meaningless in the mouths of the great majority of those who use them strike me very much when used by thinking people.

Unless death produces in us an immediate accession of goodness (which, I think, in those who have labored faithfully to be good here, and are therefore prepared and ready for more goodness, it may), I cannot conceive that it should produce greater nearness to God.

Place, time, life, death, earth, heaven, are divisions and distinctions that we make, like the imaginary lines we trace upon the surface of the globe. But goodness, surely, is nearness to God, andonlygoodness; and though I suppose those good servants of His who have striven to do His will while in this life are positively nearer to Him after death, I think it is because, in laying down the sins of infirmity that inevitably lodge in their mortal bodies, they really are thus much better after death.

I do not think this is the case with those who have not striven after excellence, which a young child can hardly be supposed to have done; because if there is one thing I believe in, it is that there is work to do for every soul called into conscious existence.... If Dorothy were to die, I should believe she had gone nearer to God. His care and love for us is, I verily believe, the nearest of all things to us; but I think ourconsciousnearness to Him depends upon how we do His will—i.e.how westriveto do it.

I do not speak of Christ in this discussion, because, you know, I think it was God's will, but man's nature, that He came to show us, and to teach; and this part of the subject would involve me in more than I have space to write: but we will speak of this hereafter.

Is it not strange that Charles Greville and you should both be writing to me just now upon this same subject, of life after death?

I have been walking to-day and yesterday in the BotanicalGarden here.... The place is full of the saddest and tenderest recollections to me; it is full, too, of innumerable witnesses of God's mercy and wisdom; plants and flowers from every climate, and the annual resurrection of the earth is already begun among them. I am very unwell to-day, but I was well yesterday, and this seems to be now the sort of life-tenure I may expect:—so be it.

God bless you, dear.

I am ever yours,

Fanny.

Dear Dorothy,

I send you a kiss, which Hal will give you for me.

Morrison's Hotel, Dublin, March 14th, 1847.

My dear Hal,

I think you must have begun to think that I never meant to write to you again; for it is seldom that three unanswered letters of yours are allowed to accumulate in my writing-book; but since I left Liverpool, I have really not had leisure to write....

The houses at Liverpool were crammed, but here last night there was a very indifferent one, partly, they say, owing to the fact that the Lord Lieutenant bespeaks the play for to-morrow night; but I should think it much more rational to account for it by the deplorable condition to which the famine has reduced the country, which ought to affect the minds of those whose bodies do not suffer with something like a sympathetic seriousness, inimical to public diversions....

I do not care to pursue the argument with you about the change produced by death in the existence of a child. That which you say about it appears to me to involve some absolute contradictions; but I would rather postpone the discussion till we meet.

MARY BERRY.Charles Greville began writing to me upon these subjects, with reference to the rapidly declining health and strength of his and my friend, Mary Berry; over whose approaching death he lamented greatly, although she is upwards of eighty years old, and, according to my notions, must be ready and willing to depart.

Charles Greville's ideas, as far as I can make them out, appear to me those of a materialist. His chief regret seems to be for the loss of a person he cared for, and the departure of a remarkable member of his society.Beyond these two views of the subject he does not appear to me to go.

He has sent me, in the last letter I received from him, an extract from one of Sir James Mackintosh's, on the death of his wife, which he calls a "touching expression of grief," but which strikes me as rather a deplorable expression of grief without other alleviation than the dim and doubtful surmise of a mind the philosophy of which had never accepted the consolations of revelation, and yet, under the pressure of sorrow, rejected the narrower and shallower ones of stoical materialism.

You wish to hear of my arrangement with my cousin, Charles Mason, and I will tell you when it is decided on....

I have had a note from your sister, asking me to dine with them any day after the 16th, when they expect to come to town; but I have declined the invitation, because I do not wish to give up dining with my brother Henry, who comes to me every day when I don't act....

It seems strange that you should ask me if uncertainty, torments me. It torments me SO that I never endure it, even when the only escape from it is by some conclusion that I know to be rash and ill-advised.

"The woman who deliberates," says the saying, "is lost." My loss has been, and ever will be, through precipitation, not deliberation. To choose anything, a gown even, is a martyrdom to me, and, unlike the generality of my sex, I generally go into a shop, wishing to look at nothing, and knowing only the precise color, material, and quantity of the stuff I mean to purchase; for if I were to leave myself the smallest discretion—option, we will say (I can hardly leave myself what I haven't got)—I should infallibly buy something revoltingly ugly, out of mere impatience of the investigation and deliberation necessary to get something that pleased me. It is to save myself from the trouble of choice that I have made so many arbitrary and, to your thinking, absurd rules about the details of my daily life; but they spare me indecision about trifles, and I find it, therefore, comfortable to follow them.

I am at Morrison's hotel; the rooms are clean, comfortable, and cheerful, but the fare is bad and far from abundant; but if the charges are meagre in proportion, I shall be satisfied, if not with food, at least with equity.

My friend Arthur Malkin is here, as secretary to oneof the members of the committee sent out from England to organize relief for your wretched countrymen. He is good and clever, and it is a great pleasure to me to have him here. I am sorry Mr. Labouchère [afterwards Lord Taunton] is away in Parliament. I wished particularly to have met him.

Lord Bessborough was at the play last night, and sent, after it was over, to invite me to the St. Patrick's ball on Wednesday; but I have declined, as I do not feel at all well enough for dissipations that would bore as well as tire me. I am told he means to ask me to dine at the Castle, which I rather dread, as it is not, I believe, allowable to refuse a representative of majesty; but I dread the exertion and the tedium of the thing, and have a particular dislike to the notion of meeting ——....

Good-bye, my dear.

Ever yours,

Fanny.


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