“Please to walk in, your excellency,” said the friendly, fat doorkeeper of the Korchagins’ big house, opening the door, which moved noiselessly on its patent English hinges; “you are expected. They are at dinner. My orders were to admit only you.” The doorkeeper went as far as the staircase and rang.
“Are there any strangers?” asked Nekhludoff, taking off his overcoat.
“Mr. Kolosoff and Michael Sergeivitch only, besides the family.”
A very handsome footman with whiskers, in a swallow-tail coat and white gloves, looked down from the landing.
“Please to walk up, your excellency,” he said. “You are expected.”
Nekhludoff went up and passed through the splendid large dancing-room, which he knew so well, into the dining-room. There the whole Korchagin family—except the mother, Sophia Vasilievna, who never left her cabinet—were sitting round the table. At the head of the table sat old Korchagin; on his left the doctor, and on his right, a visitor, Ivan Ivanovitch Kolosoff, a former Marechal de Noblesse, now a bank director, Korchagin’s friend and a Liberal. Next on the left side sat Miss Rayner, the governess of Missy’s little sister, and the four-year-old girl herself. Opposite them, Missy’s brother, Petia, the only son of the Korchagins, a public-school boy of the Sixth Class. It was because of his examinations that the whole family were still in town. Next to him sat a University student who was coaching him, and Missy’s cousin, Michael Sergeivitch Telegin, generally called Misha; opposite him, Katerina Alexeevna, a 40-year-old maiden lady, a Slavophil; and at the foot of the table sat Missy herself, with an empty place by her side.
“Ah! that’s right! Sit down. We are still at the fish,” said old Korchagin with difficulty, chewing carefully with his false teeth, and lifting his bloodshot eyes (which had no visible lids to them) to Nekhludoff.
“Stephen!” he said, with his mouth full, addressing the stout, dignified butler, and pointing with his eyes to the empty place. Though Nekhludoff knew Korchagin very well, and had often seen him at dinner, to-day this red face with the sensual smacking lips, the fat neck above the napkin stuck into his waistcoat, and the whole over-fed military figure, struck him very disagreeably. Then Nekhludoff remembered, without wishing to, what he knew of the cruelty of this man, who, when in command, used to have men flogged, and even hanged, without rhyme or reason, simply because he was rich and had no need to curry favour.
“Immediately, your excellency,” said Stephen, getting a large soup ladle out of the sideboard, which was decorated with a number of silver vases. He made a sign with his head to the handsome footman, who began at once to arrange the untouched knives and forks and the napkin, elaborately folded with the embroidered family crest uppermost, in front of the empty place next to Missy. Nekhludoff went round shaking hands with every one, and all, except old Korchagin and the ladies, rose when he approached. And this walk round the table, this shaking the hands of people, with many of whom he never talked, seemed unpleasant and odd. He excused himself for being late, and was about to sit down between Missy and Katerina Alexeevna, but old Korchagin insisted that if he would not take a glass of vodka he should at least take a bit of something to whet his appetite, at the side table, on which stood small dishes of lobster, caviare, cheese, and salt herrings. Nekhludoff did not know how hungry he was until he began to eat, and then, having taken some bread and cheese, he went on eating eagerly.
“Well, have you succeeded in undermining the basis of society?” asked Kolosoff, ironically quoting an expression used by a retrograde newspaper in attacking trial by jury. “Acquitted the culprits and condemned the innocent, have you?”
“Undermining the basis—undermining the basis,” repeated Prince Korchagin, laughing. He had a firm faith in the wisdom and learning of his chosen friend and companion.
At the risk of seeming rude, Nekhludoff left Kolosoff’s question unanswered, and sitting down to his steaming soup, went on eating.
“Do let him eat,” said Missy, with a smile. The pronoun him she used as a reminder of her intimacy with Nekhludoff. Kolosoff went on in a loud voice and lively manner to give the contents of the article against trial by jury which had aroused his indignation. Missy’s cousin, Michael Sergeivitch, endorsed all his statements, and related the contents of another article in the same paper. Missy was, as usual, very distinguee, and well, unobtrusively well, dressed.
“You must be terribly tired,” she said, after waiting until Nekhludoff had swallowed what was in his mouth.
“Not particularly. And you? Have you been to look at the pictures?” he asked.
“No, we put that off. We have been playing tennis at the Salamatoffs’. It is quite true, Mr. Crooks plays remarkably well.”
Nekhludoff had come here in order to distract his thoughts, for he used to like being in this house, both because its refined luxury had a pleasant effect on him and because of the atmosphere of tender flattery that unobtrusively surrounded him. But to-day everything in the house was repulsive to him—everything: beginning with the doorkeeper, the broad staircase, the flowers, the footman, the table decorations, up to Missy herself, who to-day seemed unattractive and affected. Kolosoff’s self-assured, trivial tone of liberalism was unpleasant, as was also the sensual, self-satisfied, bull-like appearance of old Korchagin, and the French phrases of Katerina Alexeevna, the Slavophil. The constrained looks of the governess and the student were unpleasant, too, but most unpleasant of all was the pronounhimthat Missy had used. Nekhludoff had long been wavering between two ways of regarding Missy; sometimes he looked at her as if by moonlight, and could see in her nothing but what was beautiful, fresh, pretty, clever and natural; then suddenly, as if the bright sun shone on her, he saw her defects and could not help seeing them. This was such a day for him. To-day he saw all the wrinkles of her face, knew which of her teeth were false, saw the way her hair was crimped, the sharpness of her elbows, and, above all, how large her thumb-nail was and how like her father’s.
“Tennis is a dull game,” said Kolosoff; “we used to play lapta when we were children. That was much more amusing.”
“Oh, no, you never tried it; it’s awfully interesting,” said Missy, laying, it seemed to Nekhludoff, a very affected stress on the word “awfully.” Then a dispute arose in which Michael Sergeivitch, Katerina Alexeevna and all the others took part, except the governess, the student and the children, who sat silent and wearied.
“Oh, these everlasting disputes!” said old Korchagin, laughing, and he pulled the napkin out of his waistcoat, noisily pushed back his chair, which the footman instantly caught hold of, and left the table.
Everybody rose after him, and went up to another table on which stood glasses of scented water. They rinsed their mouths, then resumed the conversation, interesting to no one.
“Don’t you think so?” said Missy to Nekhludoff, calling for a confirmation of the statement that nothing shows up a man’s character like a game. She noticed that preoccupied and, as it seemed to her, dissatisfied look which she feared, and she wanted to find out what had caused it.
“Really, I can’t tell; I have never thought about it,” Nekhludoff answered.
“Will you come to mamma?” asked Missy.
“Yes, yes,” he said, in a tone which plainly proved that he did not want to go, and took out a cigarette.
She looked at him in silence, with a questioning look, and he felt ashamed. “To come into a house and give the people the dumps,” he thought about himself; then, trying to be amiable, said that he would go with pleasure if the princess would admit him.
“Oh, yes! Mamma will be pleased. You may smoke there; and Ivan Ivanovitch is also there.”
The mistress of the house, Princess Sophia Vasilievna, was a recumbent lady. It was the eighth year that, when visitors were present, she lay in lace and ribbons, surrounded with velvet, gilding, ivory, bronze, lacquer and flowers, never going out, and only, as she put it, receiving intimate friends, i.e., those who according to her idea stood out from the common herd.
Nekhludoff was admitted into the number of these friends because he was considered clever, because his mother had been an intimate friend of the family, and because it was desirable that Missy should marry him.
Sophia Vasilievna’s room lay beyond the large and the small drawing-rooms. In the large drawing-room, Missy, who was in front of Nekhludoff, stopped resolutely, and taking hold of the back of a small green chair, faced him.
Missy was very anxious to get married, and as he was a suitable match and she also liked him, she had accustomed herself to the thought that he should be hers (not she his). To lose him would be very mortifying. She now began talking to him in order to get him to explain his intentions.
“I see something has happened,” she said. “Tell me, what is the matter with you?”
He remembered the meeting in the law court, and frowned and blushed.
“Yes, something has happened,” he said, wishing to be truthful; “a very unusual and serious event.”
“What is it, then? Can you not tell me what it is?” She was pursuing her aim with that unconscious yet obstinate cunning often observable in the mentally diseased.
“Not now. Please do not ask me to tell you. I have not yet had time fully to consider it,” and he blushed still more.
“And so you will not tell me?” A muscle twitched in her face and she pushed back the chair she was holding. “Well then, come!” She shook her head as if to expel useless thoughts, and, faster than usual, went on in front of him.
He fancied that her mouth was unnaturally compressed in order to keep back the tears. He was ashamed of having hurt her, and yet he knew that the least weakness on his part would mean disaster, i.e., would bind him to her. And to-day he feared this more than anything, and silently followed her to the princess’s cabinet.
Princess Sophia Vasilievna, Missy’s mother, had finished her very elaborate and nourishing dinner. (She had it always alone, that no one should see her performing this unpoetical function.) By her couch stood a small table with her coffee, and she was smoking a pachitos. Princess Sophia Vasilievna was a long, thin woman, with dark hair, large black eyes and long teeth, and still pretended to be young.
Her intimacy with the doctor was being talked about. Nekhludoff had known that for some time; but when he saw the doctor sitting by her couch, his oily, glistening beard parted in the middle, he not only remembered the rumours about them, but felt greatly disgusted. By the table, on a low, soft, easy chair, next to Sophia Vasilievna, sat Kolosoff, stirring his coffee. A glass of liqueur stood on the table. Missy came in with Nekhludoff, but did not remain in the room.
“When mamma gets tired of you and drives you away, then come to me,” she said, turning to Kolosoff and Nekhludoff, speaking as if nothing had occurred; then she went away, smiling merrily and stepping noiselessly on the thick carpet.
“How do you do, dear friend? Sit down and talk,” said Princess Sophia Vasilievna, with her affected but very naturally-acted smile, showing her fine, long teeth—a splendid imitation of what her own had once been. “I hear that you have come from the Law Courts very much depressed. I think it must be very trying to a person with a heart,” she added in French.
“Yes, that is so,” said Nekhludoff. “One often feels one’s own de—one feels one has no right to judge.”
“Comme, c’est vrai,” she cried, as if struck by the truth of this remark. She was in the habit of artfully flattering all those with whom she conversed. “Well, and what of your picture? It does interest me so. If I were not such a sad invalid I should have been to see it long ago,” she said.
“I have quite given it up,” Nekhludoff replied drily. The falseness of her flattery seemed as evident to him to-day as her age, which she was trying to conceal, and he could not put himself into the right state to behave politely.
“Oh, thatisa pity! Why, he has a real talent for art; I have it from Repin’s own lips,” she added, turning to Kolosoff.
“Why is it she is not ashamed of lying so?” Nekhludoff thought, and frowned.
When she had convinced herself that Nekhludoff was in a bad temper and that one could not get him into an agreeable and clever conversation, Sophia Vasilievna turned to Kolosoff, asking his opinion of a new play. She asked it in a tone as if Kolosoff’s opinion would decide all doubts, and each word of this opinion be worthy of being immortalised. Kolosoff found fault both with the play and its author, and that led him to express his views on art. Princess Sophia Vasilievna, while trying at the same time to defend the play, seemed impressed by the truth of his arguments, either giving in at once, or at least modifying her opinion. Nekhludoff looked and listened, but neither saw nor heard what was going on before him.
Listening now to Sophia Vasilievna, now to Kolosoff, Nekhludoff noticed that neither he nor she cared anything about the play or each other, and that if they talked it was only to gratify the physical desire to move the muscles of the throat and tongue after having eaten; and that Kolosoff, having drunk vodka, wine and liqueur, was a little tipsy. Not tipsy like the peasants who drink seldom, but like people to whom drinking wine has become a habit. He did not reel about or talk nonsense, but he was in a state that was not normal; excited and self-satisfied. Nekhludoff also noticed that during the conversation Princess Sophia Vasilievna kept glancing uneasily at the window, through which a slanting ray of sunshine, which might vividly light up her aged face, was beginning to creep up.
“How true,” she said in reference to some remark of Kolosoff’s, touching the button of an electric bell by the side of her couch. The doctor rose, and, like one who is at home, left the room without saying anything. Sophia Vasilievna followed him with her eyes and continued the conversation.
“Please, Philip, draw these curtains,” she said, pointing to the window, when the handsome footman came in answer to the bell. “No; whatever you may say, there is some mysticism in him; without mysticism there can be no poetry,” she said, with one of her black eyes angrily following the footman’s movements as he was drawing the curtains. “Without poetry, mysticism is superstition; without mysticism, poetry is—prose,” she continued, with a sorrowful smile, still not losing sight of the footman and the curtains. “Philip, not that curtain; the one on the large window,” she exclaimed, in a suffering tone. Sophia Vasilievna was evidently pitying herself for having to make the effort of saying these words; and, to soothe her feelings, she raised to her lips a scented, smoking cigarette with her jewel-bedecked fingers.
The broad-chested, muscular, handsome Philip bowed slightly, as if begging pardon; and stepping lightly across the carpet with his broad-calved, strong, legs, obediently and silently went to the other window, and, looking at the princess, carefully began to arrange the curtain so that not a single ray dared fall on her. But again he did not satisfy her, and again she had to interrupt the conversation about mysticism, and correct in a martyred tone the unintelligent Philip, who was tormenting her so pitilessly. For a moment a light flashed in Philip’s eyes.
“‘The devil take you! What do you want?’ was probably what he said to himself,” thought Nekhludoff, who had been observing all this scene. But the strong, handsome Philip at once managed to conceal the signs of his impatience, and went on quietly carrying out the orders of the worn, weak, false Sophia Vasilievna.
“Of course, there is a good deal of truth in Lombroso’s teaching,” said Kolosoff, lolling back in the low chair and looking at Sophia Vasilievna with sleepy eyes; “but he over-stepped the mark. Oh, yes.”
“And you? Do you believe in heredity?” asked Sophia Vasilievna, turning to Nekhludoff, whose silence annoyed her. “In heredity?” he asked. “No, I don’t.” At this moment his whole mind was taken up by strange images that in some unaccountable way rose up in his imagination. By the side of this strong and handsome Philip he seemed at this minute to see the nude figure of Kolosoff as an artist’s model; with his stomach like a melon, his bald head, and his arms without muscle, like pestles. In the same dim way the limbs of Sophia Vasilievna, now covered with silks and velvets, rose up in his mind as they must be in reality; but this mental picture was too horrid and he tried to drive it away.
“Well, you know Missy is waiting for you,” she said. “Go and find her. She wants to play a new piece by Grieg to you; it is most interesting.”
“She did not mean to play anything; the woman is simply lying, for some reason or other,” thought Nekhludoff, rising and pressing Sophia Vasilievna’s transparent and bony, ringed hand.
Katerina Alexeevna met him in the drawing-room, and at once began, in French, as usual:
“I see the duties of a juryman act depressingly upon you.”
“Yes; pardon me, I am in low spirits to-day, and have no right to weary others by my presence,” said Nekhludoff.
“Why are you in low spirits?”
“Allow me not to speak about that,” he said, looking round for his hat.
“Don’t you remember how you used to say that we must always tell the truth? And what cruel truths you used to tell us all! Why do you not wish to speak out now? Don’t you remember, Missy?” she said, turning to Missy, who had just come in.
“We were playing a game then,” said Nekhludoff, seriously; “one may tell the truth in a game, but in reality we are so bad—I mean I am so bad—that I, at least, cannot tell the truth.”
“Oh, do not correct yourself, but rather tell us whyweare so bad,” said Katerina Alexeevna, playing with her words and pretending not to notice how serious Nekhludoff was.
“Nothing is worse than to confess to being in low spirits,” said Missy. “I never do it, and therefore am always in good spirits.”
Nekhludoff felt as a horse must feel when it is being caressed to make it submit to having the bit put in its mouth and be harnessed, and to-day he felt less than ever inclined to draw.
“Well, are you coming into my room? We will try to cheer you up.”
He excused himself, saying he had to be at home, and began taking leave. Missy kept his hand longer than usual.
“Remember that what is important to you is important to your friends,” she said. “Are you coming tomorrow?”
“I hardly expect to,” said Nekhludoff; and feeling ashamed, without knowing whether for her or for himself, he blushed and went away.
“What is it?Comme cela m’intrigue,” said Katerina Alexeevna. “I must find it out. I suppose it is someaffaire d’amour propre; il est tres susceptible, notre cher Mitia.”
“Plutot une affaire d’amour sale,” Missy was going to say, but stopped and looked down with a face from which all the light had gone—a very different face from the one with which she had looked at him. She would not mention to Katerina Alexeevna even, so vulgar a pun, but only said, “We all have our good and our bad days.”
“Is it possible that he, too, will deceive?” she thought; “after all that has happened it would be very bad of him.”
If Missy had had to explain what she meant by “after all that has happened,” she could have said nothing definite, and yet she knew that he had not only excited her hopes but had almost given her a promise. No definite words had passed between them—only looks and smiles and hints; and yet she considered him as her own, and to lose him would be very hard.
“Shameful and stupid, horrid and shameful!” Nekhludoff kept saying to himself, as he walked home along the familiar streets. The depression he had felt whilst speaking to Missy would not leave him. He felt that, looking at it externally, as it were, he was in the right, for he had never said anything to her that could be considered binding, never made her an offer; but he knew that in reality he had bound himself to her, had promised to be hers. And yet to-day he felt with his whole being that he could not marry her.
“Shameful and horrid, horrid and shameful!” he repeated to himself, with reference not only to his relations with Missy but also to the rest. “Everything is horrid and shameful,” he muttered, as he stepped into the porch of his house. “I am not going to have any supper,” he said to his manservant Corney, who followed him into the dining-room, where the cloth was laid for supper and tea. “You may go.”
“Yes, sir,” said Corney, yet he did not go, but began clearing the supper off the table. Nekhludoff looked at Corney with a feeling of ill-will. He wished to be left alone, and it seemed to him that everybody was bothering him in order to spite him. When Corney had gone away with the supper things, Nekhludoff moved to the tea urn and was about to make himself some tea, but hearing Agraphena Petrovna’s footsteps, he went hurriedly into the drawing-room, to avoid being seen by her, and shut the door after him. In this drawing-room his mother had died three months before. On entering the room, in which two lamps with reflectors were burning, one lighting up his father’s and the other his mother’s portrait, he remembered what his last relations with his mother had been. And they also seemed shameful and horrid. He remembered how, during the latter period of her illness, he had simply wished her to die. He had said to himself that he wished it for her sake, that she might be released from her suffering, but in reality he wished to be released from the sight of her sufferings for his own sake.
Trying to recall a pleasant image of her, he went up to look at her portrait, painted by a celebrated artist for 800 roubles. She was depicted in a very low-necked black velvet dress. There was something very revolting and blasphemous in this representation of his mother as a half-nude beauty. It was all the more disgusting because three months ago, in this very room, lay this same woman, dried up to a mummy. And he remembered how a few days before her death she clasped his hand with her bony, discoloured fingers, looked into his eyes, and said: “Do not judge me, Mitia, if I have not done what I should,” and how the tears came into her eyes, grown pale with suffering.
“Ah, how horrid!” he said to himself, looking up once more at the half-naked woman, with the splendid marble shoulders and arms, and the triumphant smile on her lips. “Oh, how horrid!” The bared shoulders of the portrait reminded him of another, a young woman, whom he had seen exposed in the same way a few days before. It was Missy, who had devised an excuse for calling him into her room just as she was ready to go to a ball, so that he should see her in her ball dress. It was with disgust that he remembered her fine shoulders and arms. “And that father of hers, with his doubtful past and his cruelties, and the bel-esprit her mother, with her doubtful reputation.” All this disgusted him, and also made him feel ashamed. “Shameful and horrid; horrid and shameful!”
“No, no,” he thought; “freedom from all these false relations with the Korchagins and Mary Vasilievna and the inheritance and from all the rest must be got. Oh, to breathe freely, to go abroad, to Rome and work at my picture!” He remembered the doubts he had about his talent for art. “Well, never mind; only just to breathe freely. First Constantinople, then Rome. Only just to get through with this jury business, and arrange with the advocate first.”
Then suddenly there arose in his mind an extremely vivid picture of a prisoner with black, slightly-squinting eyes, and how she began to cry when the last words of the prisoners had been heard; and he hurriedly put out his cigarette, pressing it into the ash-pan, lit another, and began pacing up and down the room. One after another the scenes he had lived through with her rose in his mind. He recalled that last interview with her. He remembered the white dress and blue sash, the early mass. “Why, I loved her, really loved her with a good, pure love, that night; I loved her even before: yes, I loved her when I lived with my aunts the first time and was writing my composition.” And he remembered himself as he had been then. A breath of that freshness, youth and fulness of life seemed to touch him, and he grew painfully sad. The difference between what he had been then and what he was now, was enormous—just as great, if not greater than the difference between Katusha in church that night, and the prostitute who had been carousing with the merchant and whom they judged this morning. Then he was free and fearless, and innumerable possibilities lay ready to open before him; now he felt himself caught in the meshes of a stupid, empty, valueless, frivolous life, out of which he saw no means of extricating himself even if he wished to, which he hardly did. He remembered how proud he was at one time of his straightforwardness, how he had made a rule of always speaking the truth, and really had been truthful; and how he was now sunk deep in lies: in the most dreadful of lies—lies considered as the truth by all who surrounded him. And, as far as he could see, there was no way out of these lies. He had sunk in the mire, got used to it, indulged himself in it.
How was he to break off his relations with Mary Vasilievna and her husband in such a way as to be able to look him and his children in the eyes? How disentangle himself from Missy? How choose between the two opposites—the recognition that holding land was unjust and the heritage from his mother? How atone for his sin against Katusha? This last, at any rate, could not be left as it was. He could not abandon a woman he had loved, and satisfy himself by paying money to an advocate to save her from hard labour in Siberia. She had not even deserved hard labour. Atone for a fault by paying money? Had he not then, when he gave her the money, thought he was atoning for his fault?
And he clearly recalled to mind that moment when, having caught her up in the passage, he thrust the money into her bib and ran away. “Oh, that money!” he thought with the same horror and disgust he had then felt. “Oh, dear! oh, dear! how disgusting,” he cried aloud as he had done then. “Only a scoundrel, a knave, could do such a thing. And I am that knave, that scoundrel!” He went on aloud: “But is it possible?”—he stopped and stood still—“is it possible that I am really a scoundrel? . . . Well, who but I?” he answered himself. “And then, is this the only thing?” he went on, convicting himself. “Was not my conduct towards Mary Vasilievna and her husband base and disgusting? And my position with regard to money? To use riches considered by me unlawful on the plea that they are inherited from my mother? And the whole of my idle, detestable life? And my conduct towards Katusha to crown all? Knave and scoundrel! Let men judge me as they like, I can deceive them; but myself I cannot deceive.”
And, suddenly, he understood that the aversion he had lately, and particularly to-day, felt for everybody—the Prince and Sophia Vasilievna and Corney and Missy—was an aversion for himself. And, strange to say, in this acknowledgement of his baseness there was something painful yet joyful and quieting.
More than once in Nekhludoff’s life there had been what he called a “cleansing of the soul.” By “cleansing of the soul” he meant a state of mind in which, after a long period of sluggish inner life, a total cessation of its activity, he began to clear out all the rubbish that had accumulated in his soul, and was the cause of the cessation of the true life. His soul needed cleansing as a watch does. After such an awakening Nekhludoff always made some rules for himself which he meant to follow forever after, wrote his diary, and began afresh a life which he hoped never to change again. “Turning over a new leaf,” he called it to himself in English. But each time the temptations of the world entrapped him, and without noticing it he fell again, often lower than before.
Thus he had several times in his life raised and cleansed himself. The first time this happened was during the summer he spent with his aunts; that was his most vital and rapturous awakening, and its effects had lasted some time. Another awakening was when he gave up civil service and joined the army at war time, ready to sacrifice his life. But here the choking-up process was soon accomplished. Then an awakening came when he left the army and went abroad, devoting himself to art.
From that time until this day a long period had elapsed without any cleansing, and therefore the discord between the demands of his conscience and the life he was leading was greater than it had ever been before. He was horror-struck when he saw how great the divergence was. It was so great and the defilement so complete that he despaired of the possibility of getting cleansed. “Have you not tried before to perfect yourself and become better, and nothing has come of it?” whispered the voice of the tempter within. “What is the use of trying any more? Are you the only one?—All are alike, such is life,” whispered the voice. But the free spiritual being, which alone is true, alone powerful, alone eternal, had already awakened in Nekhludoff, and he could not but believe it. Enormous though the distance was between what he wished to be and what he was, nothing appeared insurmountable to the newly-awakened spiritual being.
“At any cost I will break this lie which binds me and confess everything, and will tell everybody the truth, and act the truth,” he said resolutely, aloud. “I shall tell Missy the truth, tell her I am a profligate and cannot marry her, and have only uselessly upset her. I shall tell Mary Vasilievna. . . Oh, there is nothing to tell her. I shall tell her husband that I, scoundrel that I am, have been deceiving him. I shall dispose of the inheritance in such a way as to acknowledge the truth. I shall tell her, Katusha, that I am a scoundrel and have sinned towards her, and will do all I can to ease her lot. Yes, I will see her, and will ask her to forgive me.
“Yes, I will beg her pardon, as children do.” . . . He stopped—-“will marry her if necessary.” He stopped again, folded his hands in front of his breast as he used to do when a little child, lifted his eyes, and said, addressing some one: “Lord, help me, teach me, come enter within me and purify me of all this abomination.”
He prayed, asking God to help him, to enter into him and cleanse him; and what he was praying for had happened already: the God within him had awakened his consciousness. He felt himself one with Him, and therefore felt not only the freedom, fulness and joy of life, but all the power of righteousness. All, all the best that a man could do he felt capable of doing.
His eyes filled with tears as he was saying all this to himself, good and bad tears: good because they were tears of joy at the awakening of the spiritual being within him, the being which had been asleep all these years; and bad tears because they were tears of tenderness to himself at his own goodness.
He felt hot, and went to the window and opened it. The window opened into a garden. It was a moonlit, quiet, fresh night; a vehicle rattled past, and then all was still. The shadow of a tall poplar fell on the ground just opposite the window, and all the intricate pattern of its bare branches was clearly defined on the clean swept gravel. To the left the roof of a coach-house shone white in the moonlight, in front the black shadow of the garden wall was visible through the tangled branches of the trees.
Nekhludoff gazed at the roof, the moonlit garden, and the shadows of the poplar, and drank in the fresh, invigorating air.
“How delightful, how delightful; oh, God, how delightful,” he said, meaning that which was going on in his soul.
Maslova reached her cell only at six in the evening, tired and footsore, having, unaccustomed as she was to walking, gone 10 miles on the stony road that day. She was crushed by the unexpectedly severe sentence and tormented by hunger. During the first interval of her trial, when the soldiers were eating bread and hard-boiled eggs in her presence, her mouth watered and she realised she was hungry, but considered it beneath her dignity to beg of them. Three hours later the desire to eat had passed, and she felt only weak. It was then she received the unexpected sentence. At first she thought she had made a mistake; she could not imagine herself as a convict in Siberia, and could not believe what she heard. But seeing the quiet, business-like faces of judges and jury, who heard this news as if it were perfectly natural and expected, she grew indignant, and proclaimed loudly to the whole Court that she was not guilty. Finding that her cry was also taken as something natural and expected, and feeling incapable of altering matters, she was horror-struck and began to weep in despair, knowing that she must submit to the cruel and surprising injustice that had been done her. What astonished her most was that young men—or, at any rate, not old men—the same men who always looked so approvingly at her (one of them, the public prosecutor, she had seen in quite a different humour) had condemned her. While she was sitting in the prisoners’ room before the trial and during the intervals, she saw these men looking in at the open door pretending they had to pass there on some business, or enter the room and gaze on her with approval. And then, for some unknown reason, these same men had condemned her to hard labour, though she was innocent of the charge laid against her. At first she cried, but then quieted down and sat perfectly stunned in the prisoners’ room, waiting to be led back. She wanted only two things now—tobacco and strong drink. In this state Botchkova and Kartinkin found her when they were led into the same room after being sentenced. Botchkova began at once to scold her, and call her a “convict.”
“Well! What have you gained? justified yourself, have you? What you have deserved, that you’ve got. Out in Siberia you’ll give up your finery, no fear!”
Maslova sat with her hands inside her sleeves, hanging her head and looking in front of her at the dirty floor without moving, only saying: “I don’t bother you, so don’t you bother me. I don’t bother you, do I?” she repeated this several times, and was silent again. She did brighten up a little when Botchkova and Kartinkin were led away and an attendant brought her three roubles.
“Are you Maslova?” he asked. “Here you are; a lady sent it you,” he said, giving her the money.
“A lady—what lady?”
“You just take it. I’m not going to talk to you.”
This money was sent by Kitaeva, the keeper of the house in which she used to live. As she was leaving the court she turned to the usher with the question whether she might give Maslova a little money. The usher said she might. Having got permission, she removed the three-buttoned Swedish kid glove from her plump, white hand, and from an elegant purse brought from the back folds of her silk skirt took a pile of coupons, [in Russia coupons cut off interest-bearing papers are often used as money] just cut off from the interest-bearing papers which she had earned in her establishment, chose one worth 2 roubles and 50 copecks, added two 20 and one 10-copeck coins, and gave all this to the usher. The usher called an attendant, and in his presence gave the money.
“Belease to giff it accurately,” said Carolina Albertovna Kitaeva.
The attendant was hurt by her want of confidence, and that was why he treated Maslova so brusquely. Maslova was glad of the money, because it could give her the only thing she now desired. “If I could but get cigarettes and take a whiff!” she said to herself, and all her thoughts centred on the one desire to smoke and drink. She longed for spirits so that she tasted them and felt the strength they would give her; and she greedily breathed in the air when the fumes of tobacco reached her from the door of a room that opened into the corridor. But she had to wait long, for the secretary, who should have given the order for her to go, forgot about the prisoners while talking and even disputing with one of the advocates about the article forbidden by the censor.
At last, about five o’clock, she was allowed to go, and was led away through the back door by her escort, the Nijni man and the Tchoovash. Then, still within the entrance to the Law Courts, she gave them 50 copecks, asking them to get her two rolls and some cigarettes. The Tchoovash laughed, took the money, and said, “All right; I’ll get ‘em,” and really got her the rolls and the cigarettes and honestly returned the change. She was not allowed to smoke on the way, and, with her craving unsatisfied, she continued her way to the prison. When she was brought to the gate of the prison, a hundred convicts who had arrived by rail were being led in. The convicts, bearded, clean-shaven, old, young, Russians, foreigners, some with their heads shaved and rattling with the chains on their feet, filled the anteroom with dust, noise and an acid smell of perspiration. Passing Maslova, all the convicts looked at her, and some came up to her and brushed her as they passed.
“Ay, here’s a wench—a fine one,” said one.
“My respects to you, miss,” said another, winking at her. One dark man with a moustache, the rest of his face and the back of his head clean shaved, rattling with his chains and catching her feet in them, sprang near and embraced her.
“What! don’t you know your chum? Come, come; don’t give yourself airs,” showing his teeth and his eyes glittering when she pushed him away.
“You rascal! what are you up to?” shouted the inspector’s assistant, coming in from behind. The convict shrank back and jumped away. The assistant assailed Maslova.
“What are you here for?”
Maslova was going to say she had been brought back from the Law Courts, but she was so tired that she did not care to speak.
“She has returned from the Law Courts, sir,” said one of the soldiers, coming forward with his fingers lifted to his cap.
“Well, hand her over to the chief warder. I won’t have this sort of thing.”
“Yes, sir.”
“Sokoloff, take her in!” shouted the assistant inspector.
The chief warder came up, gave Maslova a slap on the shoulder, and making a sign with his head for her to follow led her into the corridor of the women’s ward. There she was searched, and as nothing prohibited was found on her (she had hidden her box of cigarettes inside a roll) she was led to the cell she had left in the morning.
The cell in which Maslova was imprisoned was a large room 21 feet long and 10 feet broad; it had two windows and a large stove. Two-thirds of the space were taken up by shelves used as beds. The planks they were made of had warped and shrunk. Opposite the door hung a dark-coloured icon with a wax candle sticking to it and a bunch of everlastings hanging down from it. By the door to the right there was a dark spot on the floor on which stood a stinking tub. The inspection had taken place and the women were locked up for the night.
The occupants of this room were 15 persons, including three children. It was still quite light. Only two of the women were lying down: a consumptive woman imprisoned for theft, and an idiot who spent most of her time in sleep and who was arrested because she had no passport. The consumptive woman was not asleep, but lay with wide open eyes, her cloak folded under her head, trying to keep back the phlegm that irritated her throat, and not to cough.
Some of the other women, most of whom had nothing on but coarse brown holland chemises, stood looking out of the window at the convicts down in the yard, and some sat sewing. Among the latter was the old woman, Korableva, who had seen Maslova off in the morning. She was a tall, strong, gloomy-looking woman; her fair hair, which had begun to turn grey on the temples, hung down in a short plait. She was sentenced to hard labour in Siberia because she had killed her husband with an axe for making up to their daughter. She was at the head of the women in the cell, and found means of carrying on a trade in spirits with them. Beside her sat another woman sewing a coarse canvas sack. This was the wife of a railway watchman, [There are small watchmen’s cottages at distances of about one mile from each other along the Russian railways, and the watchmen or their wives have to meet every train.] imprisoned for three months because she did not come out with the flags to meet a train that was passing, and an accident had occurred. She was a short, snub-nosed woman, with small, black eyes; kind and talkative. The third of the women who were sewing was Theodosia, a quiet young girl, white and rosy, very pretty, with bright child’s eyes, and long fair plaits which she wore twisted round her head. She was in prison for attempting to poison her husband. She had done this immediately after her wedding (she had been given in marriage without her consent at the age of 16) because her husband would give her no peace. But in the eight months during which she had been let out on bail, she had not only made it up with her husband, but come to love him, so that when her trial came they were heart and soul to one another. Although her husband, her father-in-law, but especially her mother-in-law, who had grown very fond of her, did all they could to get her acquitted, she was sentenced to hard labour in Siberia. The kind, merry, ever-smiling Theodosia had a place next Maslova’s on the shelf bed, and had grown so fond of her that she took it upon herself as a duty to attend and wait on her. Two other women were sitting without any work at the other end of the shelf bedstead. One was a woman of about 40, with a pale, thin face, who once probably had been very handsome. She sat with her baby at her thin, white breast. The crime she had committed was that when a recruit was, according to the peasants’ view, unlawfully taken from their village, and the people stopped the police officer and took the recruit away from him, she (an aunt of the lad unlawfully taken) was the first to catch hold of the bridle of the horse on which he was being carried off. The other, who sat doing nothing, was a kindly, grey-haired old woman, hunchbacked and with a flat bosom. She sat behind the stove on the bedshelf, and pretended to catch a fat four-year-old boy, who ran backwards and forwards in front of her, laughing gaily. This boy had only a little shirt on and his hair was cut short. As he ran past the old woman he kept repeating, “There, haven’t caught me!” This old woman and her son were accused of incendiarism. She bore her imprisonment with perfect cheerfulness, but was concerned about her son, and chiefly about her “old man,” who she feared would get into a terrible state with no one to wash for him. Besides these seven women, there were four standing at one of the open windows, holding on to the iron bars. They were making signs and shouting to the convicts whom Maslova had met when returning to prison, and who were now passing through the yard. One of these women was big and heavy, with a flabby body, red hair, and freckled on her pale yellow face, her hands, and her fat neck. She shouted something in a loud, raucous voice, and laughed hoarsely. This woman was serving her term for theft. Beside her stood an awkward, dark little woman, no bigger than a child of ten, with a long waist and very short legs, a red, blotchy face, thick lips which did not hide her long teeth, and eyes too far apart. She broke by fits and starts into screeching laughter at what was going on in the yard. She was to be tried for stealing and incendiarism. They called her Khoroshavka. Behind her, in a very dirty grey chemise, stood a thin, miserable-looking pregnant woman, who was to be tried for concealment of theft. This woman stood silent, but kept smiling with pleasure and approval at what was going on below. With these stood a peasant woman of medium height, the mother of the boy who was playing with the old woman and of a seven-year-old girl. These were in prison with her because she had no one to leave them with. She was serving her term of imprisonment for illicit sale of spirits. She stood a little further from the window knitting a stocking, and though she listened to the other prisoners’ words she shook her head disapprovingly, frowned, and closed her eyes. But her seven-year-old daughter stood in her little chemise, her flaxen hair done up in a little pigtail, her blue eyes fixed, and, holding the red-haired woman by the skirt, attentively listened to the words of abuse that the women and the convicts flung at each other, and repeated them softly, as if learning them by heart. The twelfth prisoner, who paid no attention to what was going on, was a very tall, stately girl, the daughter of a deacon, who had drowned her baby in a well. She went about with bare feet, wearing only a dirty chemise. The thick, short plait of her fair hair had come undone and hung down dishevelled, and she paced up and down the free space of the cell, not looking at any one, turning abruptly every time she came up to the wall.